Django
Django
UNCH AINE D
ska
Analysed by Iryna Volyan
Matricola: 946889
HISTORICAL BACKGROUND
1850: FUGITIVE SLAVES LAW fugitive slaves had to be returned to their owners and white people were prompted
to hunt slaves
AA people had not to
be considered human
1857: DRED SCOTT’S CASE African Americans are not real citizens
AA rights could be
violated
1863: EMANCIPATION PROCLAMATION “slaves within any State, or designated part of a State…in rebellion,…shall
be then, thenceforward, and forever free”
(Act.00:12:48→00:14:00)
(everyone is staring at Django and Dr. King Schultz when they are passing
by)
(Act. 02:31:17→02:31:34)
(The two men forcibly dragged Broomhilda in the room without saying
anything)
AWARE RACISM is clearly expressed and identified by both its victims and onlookers
(Act.00:05:16→00:05:18) (Act.00:28:29→00:28:33)
” Hello, poor devils.” “It’s against the law for niggers to ride horses in this territory”.
(Act.00:09:45→00:09:50)
“Nigger, don’t you touch my brother’s coat”
(Act.00:14:10→00:14:47)
“Whoa, whoa, whoa, whoa ... what the hell you think you’re doing, boy? Get that nigger outta (Act. 1:28:17→ 1:28:22)
here!” “Yeah, yeah, yeah. Hello, my ass. Who is that nigger up on that nag?”
STEPHEN
§ Loyal slave