Form, Metre & Stanzas
Form, Metre & Stanzas
Haiku
The haiku (or hokku) is an ancient form of Japanese poetry that has become
extremely popular all over the world. Renowned for its small size, haikus consist of
just three lines (tercet); the first and third lines have five syllables, whereas the
second has seven. Haikus do not have to rhyme and are usually written to evoke a
particular mood or instance. So, you can have a lot of fun with them! You may have
written or will find yourself writing your own haiku at some point in school, or you
can get creative and try it at home, too.
Free verse
Free verse is a trendy style of modern poetry, and as its name suggests there is a fair
amount of freedom when it comes to authoring a poem like this. Free verse can
rhyme or not, it can have as many lines or stanzas as the poet wants, and it can be
about anything you like! So, while free verse may sound simple enough, the lack of
rules makes this form of poetry tricky to master!
Sonnet
This old form of poetry was made famous by none other than William Shakespeare,
but the sonnet originated in 13th century Italy where it was perfected by the poet
Petrarch. The word ‘sonnet’ is derived from the Italian word ‘sonnetto’ which means
‘little song.’ Traditionally, sonnets are made up of 14 lines and usually deal with love.
As a rule, Petrarchan (Italian) sonnets follow an ABBA ABBA CDE CDE rhyme scheme,
whereas Shakespearean (English) sonnets are typically ABAB CDCD EFEF GG. But of
course, rules are made to be broken!
Acrostic
Like haikus, you are likely to encounter acrostic poems at school! But that does not
mean they are boring – in fact, far from it! This type of poetry spells out a name,
word, phrase, or message with the first letter of each line of the poem. It can rhyme
or not, and typically the word spelt out, lays down the theme of the poem. Why not
try it with the silliest word you can think of – it can be fun!
Villanelle
The villanelle is another old form of poetry that came from France and has lots of
rules. It is made up of 19 lines; five stanzas of three lines (tercet) each and a final
stanza of four lines (quatrain). As you can see from the rhyme scheme; ABA ABA ABA
ABA ABA ABAA, this type of poem only has two rhyming sounds. Plus, there is a lot of
repetition throughout the villanelle. Line one will be repeated in lines six, 12 and 18;
and line three will be repeated in lines nine, 15 and 19. So although this takes out the
extra work of having to write 19 individual lines, the challenge is to make meaning
out of those repeated lines!
Limerick
Limericks are funny (and sometimes rude!) poems which were made popular by
Edward Lear in the 19th century. They have a set rhyme scheme of AABBA, with lines
one, two and five all being longer in length than lines three and four. The last line is
often the punchline. Their sound is very distinctive, it is likely you have heard or read
one before!
Ode
The ode is one of the oldest forms of poetry and believed to have come from ancient
Greece. Yep – yonks ago! The word ‘ode’ is derived from the Greek word ‘aeidein’
which means ‘to sing or chant,’ and these poems were originally performed with a
musical instrument. An ode is typically written to praise a person, event, or thing
(you could write an ode to your pet or favourite food!) and they are usually quite
short in length.
Elegy
An elegy does not have rules like some of the other forms of poetry, but it does have
a set subject: death – eek! They are usually written about a loved one who has
passed away but can also be written about a group of people, too. Although they can
sound sad, elegies often end on a hopeful note, hooray!
Ballad
The ballad is another old and traditional form of poetry that typically tells a dramatic
or emotional story. They came from Europe in the late Middle Ages and were initially
passed down from one generation to another, and often with music. Ballads do have
a set form; they are typically four lines (quatrain) and have a rhyme scheme of ABAB
or ABCB. However, this form is looser than others so can be modified to suit a
writer’s (that is you!) needs. Most modern pop songs you hear nowadays can be
referred to as ballads!
Metre
Iamb Meter Examples
Iamb meter has the first syllable unaccented and the second accented, so it sounds like duh. Here are
examples of iamb meter:
That time / of year / thou mayst / in me / behold - William Shakespeare's "Sonnet 73"
Shall I /com pare /thee to / a sum / mer's day? - William Shakespeare's "Sonnet 18"
All I / could see / from where / I stood / Was three / long moun / tains and / some wood; - Edna St.
Vincent Millay's "Renascence"
To swell / the gourd, / and plump / the ha / zel shells - John Keats' "To Autumn"
Trochee Meter Examples
Trochee meter has the first syllable accented and the second unaccented, so it sounds like DUH duh.
Here are examples of trochee meter:
Anapaest meter has the first two syllables unaccented, and the third syllable accented so it sounds like
duh duh DUH. Here are examples of anapaest meter:
And the sheen / of their spears / was like stars / on the sea, - Lord Byron's "The Destruction of
Sennacherib"
His eyes are / as green as / a fresh pick / led toad - Harry's valentine from Harry Potter
Spondee meter follows the two-syllable rhyming pattern, but both are stressed to sound like DUH DUH.
Here are examples of spondee meter:
With / swift, slow; / sweet, sour; / adazzle, dim; - Gerald Manley Hopkins "Pied Beauty"
Slow, slow, / fresh fount, / keep time / with my / salt tears; - Ben Johnson "Slow, Slow, Fresh Fount"
Yet but knock, / breathe, shine, / and seek to mend; - John Donne "Holy Sonnet XIV"
Given that spondee provides irregular feet to the poetry, it is commonly only used in areas of a poem.
While not a modern meter type, pyrrhic meter was used in Greek poetry and is two unstressed meters
that sound like duh duh. Here are a few examples of pyrrhic meter:
When the / blood creeps / and the / nerves prick. - Alfred, Lord Tennyson "In Memoriam"
Since pyrrhic meter creates monotony, it is typically used in parts of poetry rather than the entire poem.
Stanzas
Stanza = a set amount of lines in poetry grouped together by their length, meter, or
rhyme scheme.
Couplet = a two-line stanza.
Tercet = a three-line stanza.
Quatrain = a four-line stanza.
Cinquain = a five-line stanza.
Sestet = a six-line stanza.