YOUR SOURCE FOR CANADIAN PHOTOGRAPHY

VOLUME 22, NO. 2 / summer 2013 News FREE COPY!

PORTFOLIO
Glenn Bartley, Kwan Choo, and David Hemmings

FLIGHTS of FANTASY
How to take great bird photos!
DR. WAYNE LYNCH
Torres del Paine, Patagonia
MICHEL ROY
Secrets of Sports Photography
MICHAEL DeFREITAS
Go Wide!
KRISTIAN BOGNER
Summer Perspectives
CHRISTIAN AUTOTTE
Macro Technique

PLUS:
Photo by Glenn Bartley

Black & White Printing Tips

Cool Summer Products
PM40040669 Return undeliverable Canadian addresses to 22 Telson Road, Markham, ON, L3R 1E5
And more!
COMPLIMENTARY ISSUE
 “Now I get the whole picture, not just a fraction of it.”
Full Frame Sensor With its full frame sensor, the EOS 6D Digital SLR lets you capture details
otherwise missed by cameras with smaller sensors. Take full advantage of
APS-C Sensor
wide-angle lenses for astonishing landscapes, low light performance that
opens your artistic range, and shallow depth of field for stunning portraits.
It’s time to take the next step.
• Connect directly to your smartphone with built-in Wi-Fi*
• Map your travels with the built-in GPS logging function**
• Travel light with Canon’s smallest and lightest full frame Digital SLR
Visit canon.ca/features

*Compatible with iOS version 5.0 or later and Android devices version 2.3/4.0 or later. Data charges may apply. **In certain countries or regions, the use of GPS may be restricted. Therefore, be sure to use GPS in accordance with
the laws and regulations in the country or region. Be particularly careful when travelling outside your home country. As a signal is received from GPS satellites, take sufficient measures when using in locations where the use of
electronics is regulated. Because It Counts is a trade-mark of Canon Canada Inc. Canon and EOS are registered trade-marks of Canon Inc. © 2013 Canon Canada Inc.
 InFocus

A Celebration
Join the conversation!
facebook.com/
of Summer Norm Rosen, editor | [email protected]

photonewscanada
With long days and warm weather, the Canadian great pictures in difficult locations – and how to
twitter.com/ summer is an ideal time to explore the world get your gear home in one piece!
photonewscanada
and expand your photographic skills. This issue You don’t have to go far to explore the world
of PHOTONews focuses on some of the many of macro photography – Christian Autotte shows
ways to capture the images of the season, using how to get up close and personal with nature’s
the full range of focal lengths from ultra-wide small wonders.
to super-telephoto, and techniques that can The result is a celebration of summer photog-
Visit the website at
www.photonews.ca
help you create spectacular photographs of your raphy, which we are proud to share with more
summer adventures. than 100,000 readers.
Join the flickr® group at Many people are surprised to learn that the most If this is your first encounter with PHOTONews,
www.flickr.com/groups/
photonewsgallery/ popular outdoor activity in North America is bird thank you for sharing your leisure time with us.
watching – we asked three of Canada’s best bird Please take a few minutes to visit our website at
Questions or comments?
Please send me an e-mail –
photographers to share their secrets, and some of www.photonews.ca, where you can find addi-
[email protected] their favourite images in our special feature “Flights tional information on all of the products and tech-
of Fantasy”. niques featured in this issue, and access the digital
Kristian Bogner captures the colours of sum- edition archives of the magazine.
mer in a series of spectacular images, and shares PHOTONews is distributed free of charge to
tips that can help you create spectacular photos Canadian photo enthusiasts courtesy of the par-
of the season in his Perspectives feature. ticipating advertisers – you may subscribe to the
Nothing beats the thrill of capturing action magazine free of charge by signing up at the web-
sports images like a pro - we asked Michel Roy to site. Free copies of PHOTONews are available at
reveal the magic of sports photography. Canadian photo retail shops.
Summer is a season of travel, and there is no We encourage readers to participate in the
better­way to capture the sights and scenes than magazine - join us at our flickr® group, where
YOUR SOURCE FOR CANADIAN PHOTOGRAPHY
through an ultra-wide lens. Michael DeFreitas shows you can post your favourite images, enter the
how to expand your horizon by “Going Wide”. quarterly PHOTONews Challenge, and share
VOLUME 22, NO. 2 / sUMMEr 2013 News FREE COPY!
Touring the world with your camera can be a your thoughts with Canada’s photo enthusiasts.
challenge – Dr. Wayne Lynch explains how to get
PORTFOLIO
GLenn BaRTLey, Kwan ChOO, and davId hemmInGs

FLIGHTS of FANTASY
how to take great bird photos!
dR. wayne LynCh
Torres del Paine, Patagonia
mICheL ROy
Secrets of Sports Photography
mIChaeL deFReITas
Go Wide!
KRIsTIan BOGneR
Summer Perspectives Contributing writers/photographers PHOTONews is published four times a year Published by
Dr. Wayne Lynch; Kristian Bogner; Glenn Bartley, (Spring; Summer; Autumn; Winter) by Zak Media,
ChRIsTIan aUTOTTe
Macro Technique

PLUS: David Hemmings, Kwan Choo; Michel Roy; and distributed to 103,141 photography
Photo by David Hemmings

Black & white Printing Tips

PM40040669 Return undeliverable Canadian addresses to 22 Telson Road, Markham, ON, L3R 1E5

COMPLIMENTARY ISSUE
Cool summer Products
and more! Christian Autotte; Michael DeFreitas; and video enthusiasts throughout Canada.
Ginette Lapointe.
All rights reserved. Reproduction of any material
Volume 22, Number 2
ews Colours: 4/0 Rev Date:
4-2122 Rev By: UR
C M Y K
TER 2012-2013 Rev #:
0

appearing­in this magazine in any form is forbidden

00%

ADVERTISING
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Cover: Glenn Bartley
© 2013 PHOTONews Magazine, Zak Media SUBSCRIPTIONS – Address change
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ISSN 1185-3875 Zak Media
Editor 22 Telson Road
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No. 40040669 Saint-Augustin, QC, Canada G3A 2T1
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22 Telson Road, Markham, ON L3R 1E5 Single copy price: $6.98.

Summer 2013 | 3
I photographed the interior
of St. Stephan’s Cathedral in
Passau, Germany, by placing
the camera on the floor for
a low-angle perspective.
14mm, f/11, 1/2 second,
ISO 200.

52
4 | PHOTONews
Through the Lens… Go Wide!
Michael DeFreitas describes the technique
of ultra-wide photography.
18 Technique – Catch the Action!
Michel Roy focuses on the magic of
summer sports.

22 Travel - Torres del Paine, Patagonia

Wayne Lynch shares secrets for
travelling with your gear.

29
Portfolio - Flights of Fantasy
Glenn Bartley, Kwan Choo, and
David Hemmings show how to take
great bird photos!

42
Perspectives -
Add Sizzle to your Summer
Kristian Bogner's tips will help you shoot
summer subjects like a pro

48
Photo Display -
Black & White Inkjet Printing
Jack Colvin explains how to make
beautiful monochrome prints!

58 Macro Step by Step

Christian Autotte tells how to take your
macro technique to a new level.

Summer 2013 | 5
 5 - A X I S I M A G E S TA B I L I Z AT I O N .

ZOOM IN
W I T H O U T F L I P P I N G O U T.

Shots taken with the Olympus OM-D E-M5.

T
HE WORLD’S FIRST* 5-AXIS IMAGE STABILIZATION SYSTEM FOUND IN THE OM-D E-M5. A camera solely
designed to create images as stunning as its design. The 5-Axis image stabilization system compensates for vertical, horizontal
and rotational camera shake, ensuring stable shooting with any lens at any focal length. The E-M5 also features an electronic
viewfinder, 9 fps High-Speed Sequential Shooting, a 16-megapixel Live MOS Image Sensor and an array of lenses. And it all fits snugly
into a light yet durable body that can withstand rain, sand and dust. www.getolympus.com/ca/en/OMD

*As of February 2012. Among interchangeable lens cameras.

 Editor’sChoice

Cool Products
for Summer A selection of products to help you take
the best pictures of the season!
May 1, 2013 1:33 PM
Last Modified

For Great Macro Shots…

Metz Ring Flash
Document Name TF18346_OLY-13-0010P-OMD1-CDN-21B-PhotoNews_panel

Macro flash with individual reflectors

The Mecablitz 15 MS-1 digital from Metz provides
wireless macro flash via two individually-con-
trolled reflectors. The macro flash ring guarantees
balanced, precision illumination for macro shots.
Colors Spec’d 4/c - CMYK

The two flash tubes provide effective and pre-

cise light distribution automatically through your
Finished/Folded N/A
Finishing N/A

DSLR’s wireless TTL function. A clear dot matrix

display is easy to understand and adjust in the field.
For more creative latitude you can use manual flash
control on the 15 MS-1 to vary the light output with a
range of six settings.
For more information please visit www.metzflash.ca

Go Up Close and Personal

Without crowding small subjects…
Print Scale 100%

For the serious macro enthusiast, nothing beats the versatility of a long prime lens, and the
Special Instructions Design: Full page and 1/3 page Ad produced together
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Tamron SP AF180mm F/3.5 Di LD (IF) 1:1 Macro Lens is a classic. Featuring a precise IF (Internal
Focusing) system that maintains the overall length of the lens during focusing – a critical consider-
5-Axis Image Stabilization: ation for many macro assignments – and two LD (Low Dispersion) glass elements to effectively
compensate for chromatic aberra-
Version # 1

Compensates for vertical,

tion, the Tamron 180mm Macro
horizontal and rotational camera provides high-contrast, outstand-
ing image quality and a soft out-of-
shake, allowing for hand-held focus background effect. The lens
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lens such as the 75-300mm II the focus ring (for Canon and Nikon
mount lenses only). Like all of the
Bleed 1/8”

f4.8-6.7 lens. Tamron SP (Super Performance) ser-

ies lenses, this beauty provides high
performance through outstanding
design specifications.
Job #

For more information, please visit

www.tamron.ca

Summer 2013 | 7
Editor’sChoice
Catch the Action!
Action Shooter!
The Vanguard GH-200 supports standard and large zoom
lenses with impressive security. Its quick shoe plate with
clamp knob enables forward and backward shifting move-
ment with a large telephoto lens, while maintaining steady
center-of-gravity support and preventing accidental release.
The GH-200 provides smooth movement with impressive
ergonomic control. This ball head has a pistol grip-style
Your Ideal Two-Lens Kit… handle which rotates 360 degrees and enables you to unlock,
reposition and lock gear into place with ease, thanks to the
For Sports Photography, your ideal two-lens kit begins with a long telephoto zoom, like the Grip Position Release System. You can position the handle
Tamron 70-200mm F/2.8 Di VC USD with VC (Vibration Compen­sation) image stabiliza- at any angle for maximum comfort. Squeeze the handle for
tion that delivers leading-edge image quality in a compact lens. Equipped with Tamron’s 360-degrees of panning movement, -32 to +90-degrees of
proprietary USD (Ultrasonic Silent Drive) motor, this lens boasts a speedy autofocus so side-to-side tilt, and -8 to +90-degrees of back to front tilt.
that you can capture sports, journalism, fashion, and weddings. Ideal for all-round use, the The Friction Control System allows you to modify the level of
70-200mm will exceed your expectations every time. friction on the ball to accommodate changing between light
With one special XLD (Extra Low Dispersion) glass and four LD (Low Dispersion) elements, and heavier lenses. A panorama feature offers 72-point rota-
this lens offers a new level of correction for chromatic aberrations. The new advanced optical tion with click-into-place positioning that moves the camera
design delivers higher performance with excellent contrast and resolution. With a rounded 5 degrees per click and prevents jumps in shots to ensure a
diaphragm for spectacular blur effects, this high-speed lens creates images that bring your perfect 360-degree panorama.
subject to life. Full-time manual focus adjustments can be made during autofocus shooting,
without the need to change focus mode, and moisture-resistant construction is ideal for active
outdoor assignments.

Tamron SP 24-70mm F/2.8 Di VC USD

There’s nothing like a fast zoom lens for all-round action pho-
tography, and the Tamron SP 24-70mm F/2.8 Di VC USD is one
of the best. Tamron’s first full-size standard zoom lens offers
VC (Vibration Compensation) image stabilization and USD
(Ultrasonic Silent Drive) in a high resolution optic. Available in
mounts for Canon, Nikon, Pentax, and Sony. Moisture-resistant
construction helps prevent water from penetrating the lens, a key
factor for active outdoor photographers.
Specialized high-grade glass in the three LD elements, three
glass-molded aspherical lenses, one hybrid aspherical lens and
two XR (Extra Refractive Index) glasses, deliver top-of-the-class
quality images suited to this high-grade lens. Using a rounded
diaphragm, the lens achieves gorgeous blur effects.
Check out this new lens at a photo retailer near you.
For more information please visit www.tamron.ca For more information please visit www.vanguardworld.ca

Lenses that “Go Wide!”

Tamron SP AF10-24mm F/3.5-4.5 Di-II Fisheye!
LD Aspherical [IF] The Rokinon FE8M-C
For great shots in the narrow streets of Europe, 8mm F3.5 Fisheye lens
spectacular interiors in homes, and incredible features 10 elements in 7
landscape vistas, nothing beats the versatility of an groups and has a diagonal
ultra-wide zoom, and the Tamron 10-24mm deliv- angle of view of 180 degrees and a close focusing capability of 30cm.
ers excellent results at a very affordable price. This Famous for high build quality, this manual-focus lens is available in
ultra wide-angle zoom lens is made for digital SLR mounts to fit Canon EOS, Nikon, Sony Alpha, Pentax DSLR APS-C
cameras with APS-C sensors, delivering the equiva-
and Olympus 4/3 camera systems. For cameras with full-frame
lent of 16mm to 37mm in terms of classic 35mm
film cameras. At the ultra-wide-angle setting, you sensors, the lens will produce pictures with a semi-circular image
can capture vistas wider than the eye can see. The and close-up images will appear proportionately larger for a dramatic
24mm semi-wide-angle setting is ideal for gen- effect. The lens is constructed with hybrid aspherical elements and
eral purpose photography. With low-dispersion multi-layer coating for outstanding, sharply defined images with
aspherical lens elements, and internal focusing, the reduced flare and ghosting. The built-in petal type hood adds shade
10-24mm is a zoom that will be your “go to” lens and helps protect the front element. The Rokinon FE8M-C 8mm F3.5
for travel and interior photography. Fisheye lens weighs 14.4 ounces.
For more information please visit www.tamron.ca For more information visit www.rokinonlenses.ca

8 | PHOTONews
 ative
nnov
le & I
Flexib

Alta Pro 263AGH

Quite possibly the most flexible tripod/grip head pair in the world, the Alta
Pro 263AGH is everything you need for out-of-this-world photography!

• Central column swivels 360 degrees!

• Legs adjust to 25, 50 and 80-degree angles
• Enables extreme low-angle photography
• Grip activated ball head enables quick single handed operation
• Friction Control System allows for adjustable levels of ball head friction at
the turn of a dial

vanguardworld.ca
Vanguard is marketed and distributed in Canada by Amplis Foto Inc.
Editor’sChoice
For Serious Birding…
Vanguard Endeavor
ED 8x42 Binocular
Birders often spend many hours
observing their subjects, which
can be an exhausting adventure
when you view the birds through
a super telephoto lens. For the
ultimate in eye relief, and to enjoy Super Telephoto Zoom
a full range of movement, many
enthusiasts carry a high qual- The Tamron SP AF200-500mm F/5-6.3 Di LD (IF) super-telephoto zoom
ity binocular, like the Vanguard fills the frame with distant subjects – ideal for wildlife and sport assign-
Endeavour 8 x 42, a top-of-the- ments. The optical effect of a super-telephoto separates the main subject
line model that delivers sharpness from the background for professional-looking results. The 200-500mm
and clarity with exceptional light transmission and remarkable colour resolu- lens design is extremely lightweight and compact.
tion and contrast. The Endeavor ED 8x42 was named “top birding pick” by When mounted on an APS-C size digital SLR camera, it provides a focal
Bird Watcher’s Digest. This exceptional optical instrument features ED (extra- length equivalent to a 760mm for super ultra telephoto imaging. As with
low dispersion) glass for high resolution images Nitrogen-charged and o-ring most super telephoto lenses, the Tamron SP AF200-500mm F/5-6.3 Di
sealed, Endeavor ED is waterproof and fogproof to take on challenging weather LD (IF) produces its best results when mounted on a tripod, and there is a
conditions. Other features include an ergonomic, open-bridge design for com- convenient rotating collar and tripod foot for this purpose. Lens quality is
fort, a wide view angle, BaK4 roof prisms, an anti-reflection coating, large focus excellent at a very affordable price.
adjustment wheel and long eye relief. Available in Canon, Nikon, Sony and Pentax mounts.
For more information please visit www.vanguardworld.ca For more information please visit www.tamron.ca

For All Your Summer Adventures…

Kinray 53 At Last – a Comfortable
The Vanguard Kinray 53 is an award-winning bag with a range of features that make it ideal for sports, Camera Strap!
travel, and wildlife photography.
The Kinray series is inspired by the unique needs of birders and outdoor photographers. Made from
durable, weather resistant materials, it is customizable for a perfect fit. Roomy on the inside with auroralitebank.ca
removable dividers, it securely holds a spotting scope and DSLR camera for digiscoping or DSLR cam-
era and attached telephoto lens.
Large quick access from the front enables fast, organ-
ized removal of your gear. It’s comfortable, too, with
length adjustable shoulder straps and an adjust-
able chest harness that provides an ergonomic fit.
Breathable fabric on the back helps to keep you dry
- great for warmer days.
Kinray converts from a daypack into a backpack, by
simple removal of the lens pillow and other dividers.
Features include a tripod holder and adjustable upper
strap, a stowed rain cover that provides quick protec-
tion from foul weather, and zippered pockets for small
items like snacks, keys, and guidebooks.
For more information
please visit Here is a Canadian product that will make your
www.vanguardbags.ca summer photo adventures far more comfortable.
The EZEE™ Camera Strap distributes the weight
of your camera or binocular, taking the strain off
your neck and shoulder, and securely holding your
gear as you enjoy summer activities.
With the EZEE™ Camera Strap your hands
remain free, and your equipment is always access-
ible. This clever strap is economical, durable, and
adjusts to fit anyone. Easy to attach or remove, it
is the ideal accessory for the active photographer.
For more information please visit www.ezeecamer-
astraps.com
© Pete Webb - www.petewebb.com

Smart & Adaptable

2G0 Shoulder Bags

2GO 22

2GO is a sleek camera bag designed to be carried everywhere,

providing fast access to your gear!

• Unique cushioned bottom protects gear

• Large and ergonomic main access
• Front pocket for lens cap and accessories
• Water bottle holder on side
• Rain cover included
2GO 22GR

2 YEAR WARRANTY!
Visit website for more details.

vanguardworld.ca
Vanguard is marketed and distributed in Canada by Amplis Foto Inc.
 SpringChallenge

Challenge Winners Congratulations to the winners of the PHOTONews “Wild Thing!”

Spring Challenge!
To view the full gallery of images submitted by our readers, please visit the PHOTONews Gallery
flickr® group at www.flickr.com/groups/photonewsgallery/ and look for the Spring "Wild Thing!"
Challenge thread. Each issue, the photographer of the most interesting image in the challenge gal-
lery will win a special prize from our challenge sponsor, Tamron Canada.
For more information on the PHOTONews flickr® group, and for an archive of challenge galleries,
please visit the website at www.photonews.ca.

P
 lay Fight
Gary Drake, of Lethbridge,
Alberta., captured this image
with his Nikon D7000 and
18-300mm lens, shooting
at f/5.6, 1/640 second,
ISO 100.
“I was out for a Sunday
drive and noticed a herd of
horses in a large field, and
some of them were running
and enjoying the day. These
two continued to track each
other and finally started this
playing. It was enjoyable to
watch and photograph.”

Sponsored by

Harris Hawk in Flight

Nigel Bullers used a Canon 7D and Tamron 70-300mm zoom, shooting
at 1/1600 second and f/5, ISO160 to capture this image of a Harris
Hawk in flight during a training display at the greater Vancouver Zoo.

12 | PHOTONews
 Rebel Rams
James Anderson of Calgary, AB, captured this image of two big dominant Rams that seem to morph into one another as they lock horns and
push and shove each other around during the fall rut, captured with a Canon XSi at 230mm, shooting at 1/80 second and f/5.6, ISO 800.
18-270mm “I applied black and white with green filter and added warming hues to try and give the picture the moodiness these Rams are por-
ZOOM traying. Kootenay National Park\Radium Hot Springs, British Columbia, Canada.”

I am Turtle, hear my roar!

Jim Cumming of Kanata, Ontario captured
this shot with a Canon 40D and a long
zoom set at 420mm, shooting at 1/160
second, f/6.3, ISO 400.
“While waiting for a Green Heron to show up in
a small bay on Mud Lake in Ottawa's west-
end, I caught this fellow at the exact time he
roared, it was deafening!"

Summer 2013 | 13
 Images featured in the PHOTONews Reader's

Reader’s Gallery
Gallery are selected from the photo pool at the
PHOTONews flickr® group – why not take a look,
join the group, and post a few pictures
> www.flickr.com/groups/photonewsgallery/

 iery Lily - Lis en feu

F
Lucie Gagnon, from Ottawa, Ontario, captured this image with a Canon EOS 60D and a 100mm macro lens, shooting at ISO 100, f/5.6, 0.5
second. "It was the end of March and I was eager to take pictures of spring flowers, yet there was still snow on the ground. So I decided to cre-
ate Spring indoors by taking pictures of a beautiful Asian Lily that I had received for Easter. The natural fiery orange of the plant gave me the
idea of making it a little more fiery by using a Fractalius effect. I then added some texture to the image by adding some grain."

 ainting with Light -

P
Niagara Falls
George Wang of Acton, Ontario, captured
this image of Niagara Falls at night with a
Canon 7D and EF-S 15-85mm lens, shoot-
ing at 3.2 seconds and f/6.3, ISO 800. "I
shot from the ledge of the barricade just
behind the cascade with the colourful spot-
lights illuminating the falls in the night."

14 | PHOTONews
Coming Home
Greg David from Etobicoke, Ontario, captured this early morning
shot of cormorants flying over Lake Ontario with the Toronto
skyline in the background. "I used a Canon 6D with a Canon 70-300
f4/5.6 with a shutter speed of 1/100, aperture at 5.6 and ISO 400
in Manual mode."

Happy Feet
Megan Lorenz of Etobicoke, Ontario, captured this
image of a wild Red-Eyed Tree Frog at night on a visit to
Costa Rica in February 2013. "After waiting patiently for
the frog to move from the back of the leaf and peek it's
head over the top, I captured the moment with a Canon
1D4 and 100mm Macro lens with a Canon Macro Ring
Light, shooting at 1/15 second at f/13."

B
 ee on a Bluebonnet
Zena Woron-Quinn of Calgary, Alberta, captured this image of a bee
on a flower in Texas Hill Country with a Canon 5D Mark III and a 100-
400mm lens, shooting at 1/1250 second and f/5.6, ISO 200. “I got
down low and waited patiently for one of the bees to come by and
enjoy the nectar of the beautiful Texas Bluebonnet flower.”

Summer 2013 | 15
Springboard

Martin
Cauchon
Heat
Martin Cauchon of Quebec
City captured this image with a
Nikon D600, shooting at 1/60
second, f/8 ISO 100.
"I used a flash triggered by
Cactus V5. I shot this one
vertical and the only Photoshop
manipulation was to rotate it so
the incense smoke looks like it is
going from right to left."
The quotation: “So what? He
ain’t seen my heat” is from
Bull Durham, one of the best
baseball movies ever made.

16 | PHOTONews
Summer 2013 | 17
 SpecialFeature

Catch the Action! by Michel Roy

The Magic of Summer Sports

When I received my assignment to cover sum- Just like the athletes on the field, a sports pho-
mer sports techniques my immediate reaction tographer prepares for the action. You can see the
was “VAMOS” - YES, YES, YES! You see, I am gleam in the eye of a pro, as he or she spins that
a sports enthusiast, and I encourage my kids baseball cap around, lifts the camera to eye level,
and everybody I meet to get off the couch and and flips the motor drive control to high speed.
become a sports fan. Sport is an essential element The energy is contagious when you start shoot-
of a healthy lifestyle, so follow the advice of our ing with today’s super fast cameras - I love the
For great tennis images,
zoom in to catch the action. friends at Nike and “Just Do It!” sound as motors trip the shutter at more than 10
If you have a close up of the
head, racquet and ball you
frames per second…. drdrdrdrdr… if this sounds
have scored a winner! appealing to you, then find the next sporting
event in your area, get your gear in shape, and get
ready to capture the action!
If you want to catch the action like a pro, you
need the best seat in the house. In most cases, it
only takes a telephone call to arrange a photo pass -
if you ask nicely, and if you respect the rules, doors
will open for you. Start by offering to photograph
the game free of charge, just to show what you can
produce. Free pictures of the team in action won’t
pay for your gear, but it will open the door to a won-
derful career as a sports photography specialist.

Gear up for great action images

When you start out as a sports photographer, you
have to realize that the bread and butter lens for
any pro is long and “fast”. The best of the sport
lenses tend to be expensive, because they have to
let in enough light to stop the action in difficult
lighting conditions. You don’t have to break the
bank right away - you can hone your skills with
a fast long telephoto zoom, and move up to more
sophisticated equipment as you progress.
A good photographer has to know that the
assignment includes a range of images - from
freezing the action, to capturing a wide establish-
ing shot, to cool close ups, and a few slow shutter
speed techniques, so add a 28-70mm zoom for
the close action images.
18 | PHOTONews
This is a full-frame image –
to get amazing action, get
into the timing of the game,
practice makes perfect!
This is my best sports photo
– the original is signed by
Rafael Nadal and hangs on
the wall in my office.

Summer 2013 | 19
SpecialFeature

The first thing you learn as a sports photog-

rapher is the technique of freezing action. You
have to know how fast a shutter speed you need to
get the image - sharp images sell.
Aperture priority mode with the lens wide
open is often used by the pros, who adjust ISO to
shoot at high shutter speeds. The wide aperture
has a very impressive effect – the images separ-
ate the subject from the background with a soft
creamy bokeh on every shot.
Nothing beats working in manual mode, but
sometimes you have no time or no choice, so the
semi-automatic modes on your camera come in
very handy at sporting events.
Lighting is always a consideration for action
images. What direction will the light come from?
Do you want your subject to be lit evenly? In an
ideal world, you will almost always try to put
yourself between the sun and the subject.
For day games, use the big midday sun to your
advantage, look for dramatic shadows, and use the
sun to highlight the main subject. Summer sports
can be hot assignments - don’t forget your suntan
lotion and water for the long days under the sun.
For special effects, turn the camera to manual
mode, and use slow shutter speed to create some
Have fun using different
lenses. For this image I used very interesting images.
an 8-15mm fisheye from a
spot behind the goal.

20 | PHOTONews
For most sports, if you
choose the best seat in the
house, get a cool perspec-
tive and an interesting
background, you will get
a winning shot.

Try to isolate your kids

in the photo, penality
shots are a good photo
opportunity­. Think of the
shot as a poster in progress!

When to use a flash? A good harness is a must for a long day of pho-
First make sure that flash photography is per- tography on the sidelines, and a good photo back-
mitted at the event! Some sports, like tennis, will pack is a major plus. A monopod is a back saver
not let you use flash at all except at the awards for all sports photographers, get a good one, you’ll
ceremony. For some sports, like cycling trial use it for life.
competitions, flashes can be mounted on stands Now it is time to show your talent, find the
and be triggered by radio control from close best seat in the house, and get ready to capture
range. Radio triggers are often used at basketball the magic of the moment. Sports photography is
games, when the flash is placed next to the net to fun, it’s rewarding, and it’s one of the best ways to
capture great angles. enjoy summer!
Action photographers work with at least two
camera bodies and two different lenses, usually VAMOS!
a wide and a telephoto zoom. With this kit, you
don’t waste time changing lenses on location.

Michel Roy Michel Roy, from Quebec City, is the owner of Digital Direct Photos & Videos,
specializing in a full range of photography and video from corporate assignments
to weddings. For a visual adventure, visit the website at www.digitaldirect.ca.

Summer 2013 | 21
 PhotoDestinations

By Wayne Lynch
Patagonia
Getting There With Gear
Supporting the vast bulk of South America is a great wedge of continent called Patagonia.
Here, great tracts of grasslands, enlivened with colourful patches of wildflowers, sweep
beneath immense cerulean skies and nurture exotic creatures with exotic names: gua-
naco, rhea, tinamou, and huemul. Above it all rise the chiselled flanks of the mighty
Andes and the wind-swept wings of one of the largest flying creatures on earth, the
magnificent Andean condor.
For my money, the jewel of Patagonia is Parque National Torres del Paine in southern
Chile. In the words of author William Leitch, Torres del Paine “is not a mere park, but a
park of parks, a destination of travelers to whom a park is more than a place in which to
be entertained, but rather an experience to be integrated into one’s life. Torres del Paine
Austral Pygmy Owl. is the sort of park that changes its visitors by setting standards of sheer sensory impact
against which all other parks are thereafter measured.”
In 2012, I made two photo trips to Torres del Paine in Patagonia. The first in April
to capture the autumn splendour of the southern beech forests set against the magnifi-
cence of the snow-capped peaks, and a second in late October to revel in the photogenic
mountain wildlife of the Andes and its foothills. In both trips I especially wanted to see
a puma, the lion of the Andes, and Lady Luck was on my side.
Since my photo targets for both trips ranged from scenery to macro subjects, to wildlife
photography requiring long telephotos, I brought along a complete range of lenses and
cameras. My principal gear included: a Nikon D700, a Nikon D300S, a Nikkor 24mm
f/1.4, Nikkor 12-24mm f/4, Macro Nikkor 105mm f/4, Nikkor 70-200mm f/2.8, and
Nikkor 500mm f/4 lenses, a Nikon SB900 flash, and a carbon fibre tripod with a ball head.
As backup gear in case something broke I had a second Nikon D300S, a Canon G12 view-
finder camera, a Nikkor 24-85mm f/3.5-4.5, a Nikkor 28-300mm f/3.5-5.6 and a Nikkor
SB800 flash. As well, I had a set of extension tubes, a dozen lithium AA batteries, two flash
synch cords, a pair of lightweight binoculars, a laptop computer, an iPod touch, two card
readers, a battery charger, and a small 250 Gig external hard drive. The total weight of all
this photo paraphernalia was 21 kilograms (46 lb). So what’s my point? In South America,
and many other parts of the world, the baggage allotment for today’s economy traveller,
which is how I always travel, is a personal item such as a purse or briefcase, five kilograms
of carry-on baggage, plus 20 kilograms of checked baggage. That’s it. Simple arithmetic
tells you that I’m dangerously close to being overweight before I even think about clothing,
toothpaste, and, of course, my favourite bunny bedroom slippers. What’s the solution?
22 | PHOTONews
Guanaco.

My solution is to travel with two pieces of checked luggage. No arguments

please. The second bag always costs me an additional fee ranging from $60 to
$125 for each leg of a flight but these days any two-to-three week trip to South
America, Africa, Asia, Australia or even Florida costs $5,000 to $10,000. So
what’s an extra few hundred dollars if it means you can bring all the camera
gear you need to capture the images you want? It’s false economy to think
otherwise. On a recent photo tour to Antarctica, a fellow traveller had spent
nearly $50,000 for him and his wife to take the trip. They travelled with just
one piece of checked luggage each and a single camera between them because
he had no room for more equipment. What if that camera had broken, been
stolen or lost? He would have made the entire 4-week trip with no camera to
capture images of penguins, seals, icebergs and the other memories they had
from their “once-in-a lifetime” vacation.
For as long as I can remember, I’ve always travelled with two pieces of
checked luggage. One is an MEC duffel bag that holds most of my clothing
and the other is a hard-sided Samsonite suitcase in which I pack some addi-
tional clothing for padding, my tripod, and a medium-size waterproof case for
camera gear. Watertight, dustproof protective cases are used by the military,
police, the coast guard, search and rescue teams, film crews and photograph-
ers worldwide. Testimonials attest to the durability of foam-lined waterproof
Summer 2013 | 23
PhotoDestinations
cases in surviving tsunamis, improvised explosive devices in Iraq, plane
crashes, and submersion in sea water. In my experience, these cases can even
withstand the misdirected abuse of American TSA inspection agents. In my
waterproof case I store two camera bodies, and three or four lenses. I wrap my
electronic flashes separately in bubble wrap and pack them alongside the cam-
era case. In travelling well over several million kilometres, through dozens of
countries, I have never had anything damaged or stolen with this system. The
one further safeguard I follow is that I lock the case with a TSA approved lock.
Of course, if a baggage inspector wants to steal the entire case the lock won’t
stop him/her but I think it does keep someone from discreetly pocketing a
lens or camera body when no one is looking.
What about the rest of my photo gear? For carry-on baggage I use a
photo backpack with the maximum dimensions approved by most airlines
(23 cm x 40 cm x 55 cm). In it I pack a single camera body, a wide-angle
zoom lens, and my longest telephoto, usually the Nikkor 500mm f/4. My
rationale is that this is the basic amount of photo gear I will need to get most
of the photos I want if my checked luggage gets lost (Something which has
never happened). This small amount of carry-on gear still weighs around 10
kilograms. Of course, that exceeds the 5 kilogram limit set by many airlines,
especially those in South America, but only once, in decades of travel, did
an airline agent weigh my backpack and force me to check it because it was
overweight. Luckily it arrived safely. I also travel with a briefcase in which
I carry my laptop, external hard drive, the Canon G12 viewfinder camera,
and all the small pieces of equipment I need to charge camera batteries and
download images. I try to make the briefcase and backpack look as small as
possible so as not to draw attention to it.
Today, the airline regulations on baggage are more restrictive and expen-
sive than ever before. As a travelling photographer, I accept these additional
challenges and costs as a necessary evil, like death and taxes, and happily go
on my way. In the end I hopefully capture the images I dreamed about and
Torres del Paine National Park, Chile
the small additional costs are soon forgotten. ▪

Guanacos Andean Puma

24 | PHOTONews
Andean Condor

Bio
Author Wayne Lynch's first love
has always been photographing
creatures with a beating heart and
he was never very excited by land-
scape photography until he starting
making panoramas with Photoshop.
Many Photoshop techniques are
covered in his e-book.
www.waynelynch.ca

Summer 2013 | 25
 Learn Faster. Learn Better.

How was this shot?

www.karltaylorphotography.ca
Discover the world’s most popular photography training
Karl Taylor Photography products are marketed and distributed in Canada by Amplis Foto Inc. | amplis.com
 Portfolio

Flights of Fantasy
PHOTONews asked three of Canada's best bird photographers to select
their favourite images, and share the methods and techniques that are
essential to achieving spectacular photographs of our feathered friends.

I
t takes a special kind of personality to be a photography. David is the President of Nature’s
successful bird photographer - you have to be Photo Adventures, and he leads photo semin-
prepared to devote a great deal of time and ars in Central and Eastern Canada, and inter-
energy to learning about the birds in your region, national expeditions to exotic destinations
and welcome the opportunity to expand your where wildlife abounds.
knowledge when you embark on a birding exped- Our experts use an array of equipment that
ition to distant lands. ranges from basic gear to highly specialized
PHOTONews asked three of Canada’s top bird items. We asked them to describe the technique
photographers to share their secrets for success. and settings used for each photograph. Note that
We invited Glenn Bartley to show us some of almost all of the images are shot using a tripod, a
the birds of Western Canada, and explain how solid ball or pistol grip head and fast lenses. Some
an avid photographer can become more involved of the images were captured using fill-in flash – a
in the genre. Glenn leads birding expeditions to technique that helps add detail as well as action-
a range of domestic and international destina- stopping capabilities so crucial to successful bird
tions, and his insights are certain to inspire you photography. Your photo retailer can help you
to develop your skills. select the camera, tripod, lens and flash appropri-
Our second expert contributor, Kwan Choo, ate to your needs and budget. Our Editor’s Choice
is a master of bird photography, with many section includes several items that are ideal for
awards to his credit. Kwan is, in many ways, exploring the techniques discussed in this issue.
the ultimate photo enthusiast, having honed his The following pages contain a portfolio of
skills by attending bird photography seminars spectacular images – the culmination of years of
and field trips, including sessions presented by dedicated practice. Can you develop the skills to
Glenn Bartley and David Hemmings. capture our feathered friends in their flights of
Rounding out our panel of experts, David fantasy? Of course! All it takes is a bit of expert
Hemmings is one of Canada’s leading wild- guidance, the careful choice of quality gear, and
life photography teachers and a master of the a healthy respect for the environment and the
technique of capturing images of birds in ecosystems that sustain these magnificent yet
flight - one of the most difficult assignments in fragile subjects.
28 | PHOTONews
Photo by Kwan Choo

Summer 2013 | 29
Photo by Kwan Choo

Booted Racket-tail
I must admit that I had turned my nose up at into detail as to technique as you can get such
(Ocreatus underwoodii) multi-flash photography, until I joined a work- information from the Internet. Glenn himself
A Silver Medal in the 2013 Royal Photographic Society of Great shop run by the masterful Glenn Bartley. I abso- has expressed it best when he has said that he
Britain’s International Projected Exhibition. Photo was taken in lutely endorsed it as a means of Hummingbird never tires of seeing the joyful faces of atten-
Ecuador in January, 2012. photography the moment I tried it! I shan’t go dees using this technique for the very first time.

30 | PHOTONews
Kwan Choo Summer 2013 | 31
Photo by Kwan Choo

Blue-tailed Bee-eater I first visited this spot, a large area of padi- close to the birds without them flying away,
fields, in 2006 and thought I had found and they all have perches that they return to
(Merops philippinus) paradise. All photography in this area is regularly. Thus, when one such a bird and perch
Silver Medal in the 2013 Royal Photographic Society of Great accomplished using the car as a hide and the are spotted, it is just a matter of waiting for
Britain’s International Projected Exhibition. Photo was taken window ledge as support for my bean-bag upon the bird to return, often with prey. I hand-held a
in Malaysia in February, 2012. which my camera and lens sit. One can get very 300mm f2.8 lens with 1.4X attached.

32 | PHOTONews
Kwan Choo
Kwan Choo is truly a citizen of the world. Born in
Singapore, he grew up in Kuala Lumpur, Malaysia,
went to boarding school in Cambridge, England
and eventually became a Barrister-at-Law at the
Inns of Court, London. Kwan and his wife Jessica
lived in Malaysia for nine years and raised a young
family before moving to Vancouver, B.C. in 1975.
Kwan is an Associate of the Royal Photographic
Society of Great Britain, and an avid golfer. As this
issue of PHOTONews was going to press, Kwan
was competing on the senior golf tour, and hiking
the High Sierra mountains on a photo expedition.

For more examples of award-winning images,

please visit www.kcchoophoto.com

Photo by Ed Dubois Kwan Choo,

Vancouver, British Columbia.

“Bird photography requires a great deal of patience if your goal

is to capture spectacular images.”

T
o succeed in this genre, you will need Ansell Adams would not have been able
a lens no shorter than 300mm. Many to produce his famous black and white prints
pro-photographers will tell you that without post processing in his darkroom. We
prime lenses (not zooms) are preferred and use Photoshop (or Lightroom, etc.) in a simi-
I feel the same way. A camera body with the lar manner. All nature competitions allow
fastest frame rate that you can afford is also the surreptitious use of the digital darkroom
advisable. A good tripod is mandatory and with strict guidelines allowing minor clon-
the sturdier it is, the better it will be for tack ing, cropping and colour enhancement, for
sharp shots. example.
I really enjoy tropical forest bird photog- Birds mostly move constantly (although
raphy where shutter speeds are often 1/30 forest birds tend to stay still generally as I
sec or less, and fill-flash is a necessity. We imagine so that prey will not notice them) so
use fill-flash very gently and I often explain composition is normally difficult on the run.
to people that it’s not like a shove, but simply Pay attention to your background, the rule of
a gentle and ever so slight brush. thirds and try to have a catchlight in the eye.
Setting up bird feeders and suitable perches Join a camera club and browse some of
in your yard is one of the best ways of pho- the better nature forums, like Naturescapes.
tographing birds. Ensure that the perch is net and Naturephotographers.net. Joining a
from a native plant and is natural. An Anna’s workshop with photographers such as Glenn
Hummingbird feeding at a Hibiscus flower Bartley and David Hemmings is well worth
would not work! the effort and money spent.

Summer 2013 | 33
Photo by Glenn Bartley

Bullock’s Oriole
This is my favourite type of image to take - a classic portrait of a Much easier said than done! For this image I However it is essential that the bird is not
gorgeous bird that is framed nicely by a natural perch. used a judicious amount of call playback to stressed out or harassed by the photographer
attract the bird to a perch of my choosing. This using too much playback of the calls.
can be a great technique to use for songbirds.

34 | PHOTONews
Summer 2013 | 35
Photo by Glenn Bartley

Common Loon
For this image I wanted an extremely low perspective. I submerged myself in the water so that my much too close to fit the entire bird in the
camera was only a few inches above the water. frame. Because of this I composed the image
When the loon surfaced in front of me it was for a tight portrait.

36 | PHOTONews
Glenn Bartley
Glenn Bartley is a professional nature photog-
rapher from Victoria, British Columbia. He focuses
almost all of his efforts on capturing intimate
images of birds in their natural habitat. Glenn is
especially well known for his portraits of rare and
difficult to photograph birds from the Neotropical
Region and his portfolio of hummingbird images. In
addition to his own photographic pursuits, Glenn
leads instructional photographic workshops to
exciting destinations throughout the Americas
(including Canada, Ecuador, Peru and Costa Rica).

Glenn is the author of several books including Birds

of Ecuador, Birds of British Columbia and The Guide
to Tropical Nature Photography. You can find more
of Glenn's work at: www.glennbartley.com

Glenn Bartley,
Vancouver, British Columbia.

“In my photography, I strive to create intimate portraits of birds

in their natural surroundings.”

I
wanted to show you a few of my favour- try to identify any type of predictable behaviour
ite birds from the western part of Canada. that perhaps can give you as the photographer a
I’m sure that every photographer has a few slight advantage or a greater probability of cap-
images that they are especially proud of. turing a pleasing image.
These are a few of mine. For example, imagine that you spot a Brown
Being a good bird photographer is not about Creeper up in a tree and that the bird is too high
equipment. In fact, once you master the basic to photograph. Knowing that this species is
concepts of photography it isn’t about tech- likely to start at the bottom of a tree when feed-
nique or settings either. Being a good bird pho- ing and work its way up you could simply antici-
tographer is about understanding birds and pate the next tree the bird is likely to fly to and
bird behaviour. You have to know your subject, then be ready for the action. This is just a very
its habits, its song and where it is likely to be simple example of trying to predict a bird’s next
found. Learn as much as you can about birds move and be in position to take a great image.
and you will without doubt become a better I use Canon gear. My primary equipment
bird photographer. includes a couple of 7D bodies, 500mm f/4, 300
Each bird species or family has different ten- f/4 and 17-40 f/4 lenses. I always have a 1.4x tele-
dencies. I would say that one of the most import- converter with me and of course at least one flash.
ant elements of bird photography is the ability to I use a carbon fibre tripod and Wimberly head. To
know the general habits of a bird and to then tote everything around I use a photo backpack.

Summer 2013 | 37
Photo by David Hemmings

Male American Kestrel in Flight The Male American Kestrel is one of my favorite Canon 400mm f5.6 lens mounted to a Bushhawk
This image is a personal favorite of mine. species of falcons. It has beautiful colors and shoulder mount system. The Bushhawk allows for
feather patterns and is an excellent aerial acrobat. fast panning and tracking while keeping my gear
This image was taken with a Canon 1D MK III and a steady.

38 | PHOTONews
Summer 2013 | 39
Photo by David Hemmings

I have watched Bald Eagles feeding on fish many hand holding my equipment on a boat deck. It
Bald Eagle in flight Contortions times and I specifically wanted to capture an
image of the amazing contortions that this bird
would be almost impossible to capture images
like this using a tripod. Since the eagles were
I have selected this photo as a favorite because of the extreme is capable of in a split second. This image was very close I was shooting at f8 to maximize my
positioning of this Bald Eagle's body. snapped when the eagle suddenly changed dir- depth of field and still had enough light to get
ections and was heading towards the water to 1/1000 second shutter speed, enough to freeze
grab a fish. This image was only possible while the motion of this large raptor.

40 | PHOTONews
David Hemmings
David Hemmings is a world-renowned bird pho-
tographer who specializes in bird-in-flight images.
His work has been published on the cover of
National Geographic, Canadian Geographic and
numerous nature photography publications
including Audubon Magazine, On Feathered
Wings, Birding Essentials and more.

David is the President of Nature's Photo Adventures.

Combining his photo passion, imagination and public
relations expertise, he strives to introduce photo
enthusiasts to new, exciting and unique photo nature
adventures. For more information, please visit www.
naturesphotoadventures.com

David Hemmings,
Ontario.

F
ew people realize that bird watching is the There is considerable controversy surround-
most popular outdoor activity in North ing the ethics and impact of using food to attract
America. From a photographic perspec- birds to your photo location. It is very important
tive, birds present a number of technical chal- to consult the environmental experts who care
lenges – small, skittish, and capable of swift and for the natural habitat and species in the various
distant flight, birds are fascinating subjects that preserves, national and regional parks, to be cer-
are as intriguing as they are beautiful. tain that you respect the guidelines for each area.

12 Tips for better bird pictures

1. Get up early with the sunrise, stay out late 7. Try to isolate your subject as much as pos-
with the sunset, this is when the light is at sible by shooting at wide apertures.
its best. 8. When composing your image try to remem-
2. Unless you are going for side or back light- ber to leave “positive” space for your subject
ing, make sure that the sun is behind you to move or look into.
when photographing your subject. 9. When you have a co-operative subject,
3. If your shadow is shorter than your body keep shooting until the opportunity is
length, the sun is too high in the sky for gone. Don’t spend too much time look-
premium light and you will get more shad- ing at the one image you just took, keep
ows and washed out colors. photographing!
4. When possible, try to shoot at eye level with 10. If your intended target/s fly or run away, sit
your subject, and focus on the subject's eyes. down and don’t move, they may come right
5. Keep your shutter speeds high as possible to back.
help freeze movement. 11. Research your subject and its habits. The
6. When you are photographing your subject, more you know about them, the better your
be aware of what is behind it and if there chances of photographing them will be.
are distractions such as branches, poles or 12. Use a tripod whenever you can to help
leaves, try moving your position to elimin- ensure sharp images.
ate the clutter.
Summer 2013 | 41
 by Kristian Bogner

Add Sizzle
to Your
Summer!
Summer is one of my favourite seasons – there is always
something exciting to photograph – here are a few tips to
help you shoot summer subjects like a pro.

42 | PHOTONews
"Taking Flight"
I was one of the first people to own a Nikon D4. I had it shipped to me
in Maui and I headed right over to shoot the windsurfing. I captured
this image in the first 20 minutes of using the camera.
I cranked up the saturation in the picture control settings, set the
shutter speed to 1/8000 of a second to freeze every molecule of
water and listened to the titanium shutter purr like a Ferrari as the
camera tracked focus with ease. I used AF-S focus mode and AF-Area
set to Single Point so I was able to precompose my image and just
track the action at one spot.
Two other settings that I enabled right away were the Viewfinder Grid,
and the Virtual Horizon - I set the VH to be activated by the Function
Button. These are both great features to help you get straight horizon
lines while shooting any subject, especially sports.
I manually set my exposure and then hold my function button while
shooting, and the virtual horizon shows my camera level in the view-
finder, which helps me get a perfect horizon.
Nikon D4, VR 300mm f/2.8G and Nikon TC-20E III 2X Teleconverter,
f/5.6 at 1/8000 second, ISO 800.

Summer 2013 | 43
 Turn up the heat If you shoot with your camera set to “automatic”
for spectacular shots… try switching to “Shutter Speed Priority” - the
“S” or “T” setting on your camera. Now you can
Whether you are boating, biking or hiking manually set your shutter speed to match your
along the Trans Canada Trail, summer activities subject and the aperture will adjust automatically
provide an amazing array of thrilling subjects. to achieve proper exposure while the camera pro-
Everywhere you look there are colours, shapes, gram maintains your desired shutter speed. I like
and movement - a non-stop series of photo to zoom-in on my image preview and check to
opportunities. With a bit of practice, and some make sure there is no undesired movement and
insights into summer photo techniques, you can my focus point is sharp. For summer action I rec-
add impact to any summer shot! ommend using at least 1/500 second to 1/2000
With so much light surrounding your sub- second as a starting point for capturing great out-
jects, it is easy to capture the action of the season. door sports images.

44 | PHOTONews
 Some of the newer cameras have an Auto-ISO only takes a few seconds to confirm that I am in
feature which lets you set your desired aperture control of the light and how I want to capture the
and shutter speed and the camera automatically subject. Manual settings may take a bit of practice
adjusts the ISO to give you the correct exposure. but give it a try and see how you do.
It is a very useful feature on a partly sunny, partly While my camera exposure settings may be
cloudy day, when the light is always changing set to shutter speed preferred, or full manual, I
your exposure. always set my autofocus to “continuous” or AF-C,
I shoot with manual exposure settings almost so that I don’t miss the moment of action, even if
all of the time, so I can dial in my desired aper- the camera doesn’t think my subject is in focus. I
ture, shutter speed and ISO settings. I start with a also like to use “Single Point” or “Dynamic Area”
quick test of shutter settings that are appropriate settings for my AF-Area Mode on my Nikon. That
to stop the movement of my subject, and aperture way I can pre-compose my image and give the
settings that capture the ideal depth of focus. It camera a single point to focus on at the peak of
interest, which is usually the eyes of my subject.
I often use the rule of thirds as a composition
technique for summer action images. This gives a
moving subject somewhere to go within the scene
- the negative or empty space in the frame creates
a sense of motion and movement.
Even though there may be abundant light in
a summer scene, you can add a dash of flash to
fill in shadows or capture extremely fast move-
ment. If you use your flash to help stop the action
set your flash settings to “Rear-Curtain Sync” to
properly capture the movement.

Brilliant Summer Landscapes

When I see a spectacular summer scene, I often
navigate to my “Picture Control Settings” menu
and crank up my in-camera saturation setting.
That makes a big difference in most landscape
images, adding sizzle to capture those brilliant
summer colours. To capture as much detail as
possible in all the nuances of the natural scenes
I keep the ISO settings as low as possible. If I am
trying to get a foreground, middleground and

“Distant Castle”
This image shows why it always pays to carry a camera! I was at the
right place at the right time, with my camera in the trunk of my car,
when I saw the beautiful colour contrast of the warm light hitting the
mountains against the cool dark sky background. I took a quick detour
off my route to capture the scene. I shot hand-held at f/13 to make
sure I had plenty of depth of field. The Nikon D3 at 250 ISO added
almost negligable amounts of grain to the image.
Get to know you camera's ISO capabilities. For some cameras you may
have needed to shoot an image like this with a tripod in order to ensure
minimal grain. Framing this image with the spring flowers helps draw
you in to the scene, further enhancing the impact of this landscape.
Nikon D3, 14-24mm lens, 1/160 second, f/13, ISO 250.

Summer 2013 | 45
 background all in focus I will try to shoot at an The time of day can be a key consideration
aperture of f/8 or higher. In order to get enough when shooting landscapes. In most cases, the
light to shoot landscape subjects at small aperture best time to shoot is early morning or evening
settings and low ISO, it is a good idea to use a when the sun is low in the sky. I call this the
tripod for rock-solid exposures at slower shutter “sweet light” time of day.
speeds.
I also like to manually adjust my white bal-
Sizzling Beach and Outdoor
ance to warm or cool my landscapes to enhance Fashion Shots
the feeling and mood. For instance, I use the Shooting outdoors can give you studio-like effects
“cloudy” setting to add a bit more warmth to the if you use some simple tools and techniques.
subject. Choose the best time of day for your assignment
Nikon’s “D-Lighting” setting works great to - in many cases, people look their best in mor-
get a bit more detail in the mid-tone to shadow ning or evening light when the light source is
area. I usually leave the “D-Lighting” set on low lower and warmer. Position the sunlight behind
or normal. If you don’t have this feature you can your model and bounce light back into the face
try reducing the contrast when shooting difficult with a silver or white reflector - in a pinch, even
light and dark subjects. a white piece of cardboard or tin foil can be used.
In order to get straight horizons I love the This will soften the sunlight so the model doesn’t
“virtual horizon” and “grid view” features on squint and the technique will give you nice bal-
my cameras. These really help to get that per- anced light on the face while the sun provides a
fect horizon line. I set the function button on my great hair light from behind and helps separate
Nikon D800E and D4 to show me my camera lev- your subject from the background.
els through the viewfinder.

46 | PHOTONews
 You can also use flash to fill in the front of the Take your camera everywhere you go because
subject. I use my Nikon SB-910 flash on camera, you never know when the opportunity to shoot
or take the flash off camera at about 45 degrees to an extraordinary moment will arise. If your DSLR
fill in or give some direction of light to the sub- system is a bit too bulky to carry on a summer
ject. This works especially well at sunset when stroll, take a compact camera along. I just had the
there are brilliant colours, and it is very effect- opportunity play with and test the new Nikon
ive just after the sun has gone down when flash Coolpix A with RAW features and a DX sensor.
becomes more powerful relative to the sunlight. I was absolutely amazed by the images I got with
The technique is quite simple, and it is explained it. I am so excited to finally have a camera that fits
well in your camera and flash manuals and bro- in my pocket with pro features to take with me
chures. Essentially, you meter and expose for everywhere that I don’t want to lug my 2 bodies
the background and light your subject with your and 8 lenses with me.
flash. Try softening your light source with a small Summer is a photographer’s dream come true
softbox or by shooting through some translucent – try a few of the techniques for sizzling summer
material. If you need more power, increase your images, and you will capture some of the best
ISO settings. For instance, if you increase the ISO times of your life! ▪
on your camera from 100 ISO to 400 ISO your
flash essentially becomes four times as powerful.
Keep Learning
Experiment and Play
Summer is a wonderful time to get creative, experi- If you would like to learn more, I will be speak-
ment and play with photography. Fireworks on ing on tour at special events like the Contact
Canada Day can be a blast. Try longer expos- Festival in Toronto for Nikon.
ures using a tripod. Shoot star trails or play with Find out more at www.kristianbogner.com or
macro subjects like flowers or bugs. If you don’t join me for one of my photography workshops
have a macro lens try buying an extension tube at www.photographicrockstar.com
to put between your lens and the camera body to
allow you to focus on tiny subjects.

“An Ocean of Romance”

This is one of my favourite images. It was shot on my birthday a few years
ago at a place called “Seal Rocks” in Australia. I had this overwhelming
feeling that there was going to be an epic sunset the way the clouds
were forming, so I waded across the ocean water to reach this island
- I held my camera bag over my head - not knowing what the tide was
going to do, then I set up for the shot and waited. Sure enough, brilliant
colours emerged and I dragged the shutter to ½ second to capture this
electric ocean sunset. I had my Picture Control settings cranked to full
saturation to help capture this amazing colour. Trust your instincts, I
have found they almost always pay off.
Nikon D3, 24-70mm f/2.8G, f/13 at 1/2 second, ISO 400.

Summer 2013 | 47
 InkjetPrinting

By Jack Colvin
Black & White
Make Beautiful Monochrome Prints!

A
lthough none of us sees the world in black switch automatically between photo black and
and white, monochrome image making matte black as required for various types of paper
has been popular for over a century and while others require you to make the swap your-
remains an important means of creative expres- self. With the latter, the extra effort will definitely
sion. While colour tends to reflect “reality” as pay off.
we perceive it, monochrome provides a more Suitable Printers: In the 13” wide format, the
abstract representation which often makes a more following current machines’ inksets include three
profound impression on a viewer’s subconscious. monochrome inks: the PIXMA PRO-100 (dye-
Without the appeal of vibrant hues and tones, based), PIXMA PRO-10 and PIXMA Pro-1 (pig-
monochrome encourages more emphasis on ment-based) from Canon and Epson’s Stylus R2880
composition, visual design or capturing graphic and R3000 (pigment-based). If you prefer the 17”
lines, patterns, or texture. Instead of a picture wide format, the following models are highly suit-
postcard view, a black & white print offers an able: Canon imagePROGRAF iPF5100 and Epson’s
impressionistic glimpse of a reality that the pho- Stylus Pro 3880 and 4900 (all pigment-based).
tographer intended to convey.
Especially today when we can find inkjet Hint: Many printing papers work well with either pigment-based
or dye-based ink but some are specifically optimized for only one
printers and media that can provide stunning type. When this is an issue, you should find it mentioned on the
monochrome prints, it’s well worth exploring the package and in the data on the manufacturer’s Web site.
beauty of tonal values in shades of gray and the
deep blacks and bright whites. With a machine that is fully optimized for
A “bargain” printer will not make beauti- black & white print making, check out all of the
ful black & white prints, regardless of the paper monochrome options in the “driver” or operating
you use - look for printers that are specifically software. This should include one for printing
designed for photographic purposes. with the three black/gray inks only for the most
neutral prints. For the best results, it’s important
The Basic Requirements to use ICC profiles for each specific paper avail-
All inkjet photo printers are optimized for colour able from Websites such as www.hahnemuehle.
printing so most models employ only a single ca and Ilford www.ilfordgalerie.ca. You can also
black ink. That makes it difficult or impossible to find an excellent primer on printer and paper
get great black density or to reproduce the entire topics in the FAQ section of the Hahnemühle web
range of tones in a stunning image. Typically, site at www.hahnemuehle.ca.
your prints will also exhibit a cyan or magenta Fine Tune Your Image: Ideally, a b&w photo
colour cast. If you’re serious about monochrome to be printed should exhibit deep blacks, detail
printing, consider one of the machines that in important highlight and shadow areas, strong
employ three black inks. Some of these printers contrast through the full range of mid-tones, and

48 | PHOTONews
Inkjet Printing
monochrome printing, it can deliver deep, rich
blacks and bright whites.
Paper Weight: The weight of media is com-
monly expressed in grams per square meter (gsm
or g/m2) while thickness is specified in mils (thou-
sandths of an inch). Of course, a heavy paper also
tends to be thick. While that’s useful for many pur-
poses, thin stock is preferable for use in an album
or portfolio; you’ll be able to include more of them
in the presentation. If the paper allows for double
sided printing, that can be a bonus in some appli-
cations. For example, Hahnemühle Photorag Book
accurate brightness. While it’s possible to print from and Album, a smooth matte, 100% cotton 220gsm
a colour image, it’s preferable to convert your photos fine art paper, meets both of those criteria. Its grain
to monochrome with software such as Photoshop or direction runs parallel to the spine of the produced
Lightroom and especially with a plug-in like Alien book or album to enable smooth page turning.
Skin Exposure 4 or Nik Silver Efex Pro 2. Especially
the latter makes it surprisingly easy to achieve a
really stunning black-and-white image, with some
unusual effects that I would not have imagined.

Photo and Fine Art Paper

When first experimenting with monochrome
printing, you might want to stick to the RC
(plastic resin coated) papers with familiar sur-
faces such as the bright white Hahnemühle
Photo Luster or Photo Gloss (290gsm) or the
slightly warmer Ilford Galerie Smooth Gloss or
Smooth Pearl (310gsm). These are quite afford-
able and produce very good results with the
look and feel of standard RC photo papers. For
a more traditional effect, try Ilford’s new Galerie
Prestige Gold Mono Silk (270gsm) with an acid-
free and lignin-free fibre base. Optimized for

Summer 2013 | 49
 Paper Tone: While we usually expect organic texture, washi paper has a distinctive
a monochrome print to be neutral -- with- look and feel. The Awagami series is intended
out a cyan or magenta cast -- the colour of the for inkjet printing so it’s specially coated for ink
paper’s base will determine whether it’s “cool” or reception as well as ink fastness. (For more infor-
“warm” in tone. Since inkjet printers do not use mation, visit www.awagami.ca.) Two of these
white ink, many media are made with optical are particularly recommended for black & white
brightening agents (OBA’s). A paper such as printing: the warm (ecru) Kozo Natural with a
Hahnemühle Photo Rag Bright White (310gsm) subtle gloss finish and the thicker, very warm
with a 99.5% whiteness rating would be ideal for handmade Bizan with four deckle edges (feath-
images that benefit from the purest white tones. I ered, not straight-cut) that simulates paper made
might select this fine art 100% cotton “cold tone” prior to the 19th century.
matte paper for winter landscapes or for steel and Baryta Paper: When the image would look
glass architecture to emphasize the cool, stark or perfect in a beautiful high gloss, semi-gloss or silk
bluish overall tone. finish, you’ll want to try one of the baryta fine
Some of the fine art rag (cotton) papers are art papers for silky blacks and creamy whites.
made with no optical brighteners and certain These are made with barium sulphate in the
media made of bleached pulp fibres (alpha cellu- inkjet coating for a smooth reflective look and a
lose) in traditional paper mills use minimal OBA’s. structure that’s similar to traditional fibre-based
This makes the base slightly more yellow or ecru. darkroom papers. They’re particularly suitable
The so-called “natural white” media are preferable for prints with blacks of extremely high density.
for a warmer look when printing photos of sum- In this category, check out the Hahnemühle
mer landscapes or rich wood tones and also when FineArt Baryta (325gsm) a high-gloss bright
making sepia monochrome prints. It’s worth com- white organic cellulose paper and Harman by
paring the brightness spec of several similar inkjet Hahnemühle Gloss Baryta Warmtone (320gsm)
papers you’re considering. A rating above 95% with a warmer tone. If you prefer a baryta paper
indicates a cool tone while a rating of 90% sug- with less of a sheen, Ilford’s Galerie Gold Fibre Silk
gests a definite warm tone. (310gsm), optimized for pigment-based ink, would
be a fine choice; it has a subtle stipple finish, is
Finishes and Textures slightly warm and capable of nice dense blacks.
The glossy, pearl and lustre finishes are very popu-
lar for black & white printing and they’re ideal for Try Several Media
use when the smooth effect enhances the subject, The paper you select is an important part of the
such as a model with flawless skin. But when the creative process in monochrome print mak-
subject features an obvious texture, such as a ing. Of course, there are hundreds of available
weathered barn or an archaic stone options and that can lead to frustration when
wall, try rougher media to enhance trying to decide which to buy. The solution is to
its characteristics with a greater narrow down the number of options. Many of
tactile experience. (Naturally, the the high-grade inkjet media are available in sam-
texture of the paper is most appar- pler packs containing 8.5x11-inch sheets of vari-
ent when light skims across the ous types. Each will impart an entirely different
surface of the print from the side look to your images.
or the top). You can make black & white prints on just
You’ll get that rich tactile feel with about any paper, but if you’re just getting ser-
media such as Hahnemühle ious, I’d recommend starting with the most
Torchon (285gsm) a bright white suitable sampler kits. These include the Ilford
watercolour paper with a coarse Galerie (not yet including Gold Mono Silk) and
structure made of wood fibres the Hahnemühle Matte or the Glossy and Canvas
or the warmer 100% cotton sampler. Print the same image on each type of
Ilford Galerie Prestige Gold paper in a pack to determine the texture and
Cotton Textured (360gsm) brightness that’s most suitable for the photo.
with a contoured surface. After getting a feel for each type of paper, it will
Washi Paper: Made for be easier to determine which one would be most
over 1300 years in Japan, appropriate for the entirely different images you
using natural fibres from plan to print.
various trees, shrubs,
rice and bamboo for an

50 | PHOTONews
TechniqueTips
Text and photos by Michael DeFreitas

Looking for a unique

perspective for travel photos?

Go Wide!
If you can only take one lens on a trip,
make sure it’s a wide-angle zoom!

I found a spot where my

ultra-wide lens captured
the full curve of this
meandering river.

52 | PHOTONews
T
he early morning air was thick with the When shooting in close quarters, I try not to
pungent odour of chicharrones (deep- bring the camera up to my eye to shoot, opting
fried pork rinds) and incense as I made instead for the “shoot from the hip” approach. I
my way through the narrow aisles in Guatemala’s select f/11 or f/16 in aperture priority or manual
crowded Chichicastenango market. The sights, mode, turn off my autofocus, and preset the
smells, overflowing stalls of food and crafts, and focus distance manually. If your lens does not
people going about their daily lives, provided have a distance scale, focus on an object the
a unique window into the country’s culture. preferred distance away then switch off your
Looking at the marketplace through my wide- auto focus.
angle lens let me get into the heart of the action to When you “shoot from the hip” with a pre-
record the dramatic excitement. focused lens all you have to do is make sure
The key to shooting in crowded places like that your subject is roughly the preset distance
markets is to avoid drawing attention to yourself, away. For shots of brightly coloured fruit in the
because it can change the behaviour of the people foreground and a smiling vendor in the back-
you are trying to photograph. Unlike photograph- ground, I preset a focus distance of one metre
ers who prefer to stay back and use a telephoto lens and point the camera at the middle of the fruit
to capture individual scenes, I do my shopping display. For overhead “crowd” shots I pick a
with an ultra-wide angle zoom… my 10-24mm busy intersection between stalls, preset the
lens has a much greater angle of view and depth of focus distance at three metres and point the
field than the standard “kit lens” and that allows camera slightly downwards as I hold it high
me to capture and record a more inclusive scene. above my head.

Summer 2013 | 53
Take a break for a steam bath in the
Hammam Al-Basha restored Turkish
bathhouse, Akko, Israel.
16mm fisheye, f/8, 1/10 second, ISO 200.

I photographed this sea lion at Gardner Bay,

Isla Española in the Galapagos Islands, Ecuador.
(Española Island is also called Hood Island).
17mm, f/11, 1/125 second, ISO 200.

Once you have enough “tight” shots, find a

higher vantage point, like a balcony or staircase,
to shoot some wider action scenes. I usually shoot
these types of scenes at a slower shutter speed (1/2
to 1 second) to blur movement and accentuate the
chaotic action. If you don’t have a tripod, use a wall
or a balcony railing to brace your camera.
Wide-angle lenses are ideal for travel and
documentary photography. They produce sweep-
ing landscapes and spectacular interior shots,
and the depth of focus creates images that have a
world of detail.
There are many ways to add a dash of spice to
your images - for a unique low visual perspective
both indoors and out, place your camera on the
ground and prop up the front of the lens a bit (I
use my memory card case or a small stone). Set
the aperture for f/11, and manually set the focus
for about two metres. Use your camera’s self timer
to release the shutter.
For more interesting food shots (inside and
out), try including some background or sur-
roundings. Position the plate of food near the
edge of the table, select an aperture of f/16
and position the camera flat on the table about
half a metre away from the plate. If you need
a bit more elevation, place your camera on an
overturned dish or guidebook. This setup will
“place” your food within the environment of
54 | PHOTONews
Using a low angle to capture
barriletes (kites) at the Day of The
Dead Festival in Guatemala. Carmel outdoor market Tel Aviv, Israel.
14mm, f/5.6, 1/250 second, ISO 200. 16mm fisheye, f/11, 1/30 second, ISO 200.

A wide-angle over/under shot of blue starfish

in the Rock Islands, Palau.
16mm fisheye, f/16, 1/125 second, ISO 100.

the restaurant and give the viewer a sense of

being at the table.
Although wide-angle lenses are highly versa-
tile, they do have their weaknesses. Compressing
scenes can cause distortion by making objects
that are close to the lens appear much larger,
so don’t use them for close-up people portraits,
unless you’re going for that funny camel-face look.
On the other hand, a close-up wide-angle portrait
of a cow, camel or donkey can be hilarious.
Compression also causes vertical and hori-
zontal lines to curve or bend unless you keep
your camera perpendicular to the ground.
Shooting up at tall structures gives them a dis-
tinct pyramid look and the wide angle effect can
cause horizons to form an arc. This is not neces-
sarily a bad thing - you can exploit this optical
effect to create a specific feeling in the shot. For
example, shoot up at tall buildings for an impres-
sive “closed-in” feeling, or use an arced horizon to
accentuate distance.
One of the key techniques of viewing the world
through a wide-angle lens is to get in close. This
may take a bit of practice, as many photograph-
ers tend to stand back and take shots the way they
would with longer lenses. Try to break the habit of
shooting from a distance, and you will discover the
creative range of wide angle photography - and you
will produce more engaging and dramatic images.
Summer 2013 | 55
 Entrance to the Egyptian Museum of Antiquities, Cairo, Egypt.
16mm fisheye, f/11, 1 second, ISO 200.

Are you ready to take it

to the next level?

Pro Tips
Gear up to discover the wide world
of photography!

The ideal range for wide-angle lenses is 10mm A few extra-wide shooting tips
to 24mm for DX format sensors and 14mm to
35mm for FX sensor formats. Since these lenses • To reduce the vertical distortions around the edges of
have such wide depth of field, some manufac- your wide-angle images try to keep your camera level
turers have stopped making them with distance and parallel to your subject. The more you tilt your cam-
scales. I highly recommend lenses with distance era (up or down) the greater the distortion.
scales. While you can purchase a number of fixed • Avoid placing people at the edge of your frame. The wide-
or prime wide-angle lenses, I prefer a zoom that angle lens will distort them.
provides focal lengths that cover the zoom range • The front element of wide-angle lenses is curved and
necessary to capture street scenes and interiors. highly susceptible to flare. Always use the recommended
Travel to Quebec City or Europe, and the wide lens hood to avoid stray light entering the lens.
angle zoom can be your greatest asset. Top of the • Add a bit of warmth to market scenes by setting your
line zooms from the camera manufacturers can white balance to “cloudy day”.
set you back $1,500 to $2,000, but you can get • When shooting in crowded places, leave all your valu-
very good wide angle zooms (with distance scales) ables, personal effects and extra camera equipment at
from aftermarket manufacturers like Tamron for the hotel. Wrap your camera strap around your wrist, and
half that price. If you shoot with a Canon, Nikon, put your wallet in an inside pocket.
Pentax or Sony DSLR with the APS-C sensor,
check out the Tamron SP AF10-24mm F/3.5-4.5
Di-II LD Aspherical [IF] at www.tamron.ca
56 | PHOTONews
 MacroTechnique

Portrait by Philippe Gratton

Step by Step by Christian Autotte

S
ummer is here and along with it comes a
wonderful range of photo opportunities
- everywhere you look there are flowers,
small insects, mushrooms, and a world of macro
subjects… If you haven’t tried shooting “up close
and personal” now is the perfect time to get
started. If you start from scratch, a visit to a well-
stocked photo retailer or a few hours of search-
ing the internet might produce the answers to
your technique and equipment questions, and it
will no doubt be an entertaining and informative
exercise… here is a quick backgrounder on what
you need to know before you begin your macro
adventure.
Just why do lens makers put out so many
models of macro lenses? Don’t they do all the
same thing? Well, not quite. By definition, all
macro lenses will allow the photographer to pro-
duce an image at life-size magnification, where
the image reproduced on the sensor (or the film
in the old days) will be the same size as the sub-
ject itself. Tamron offers macro lenses of 60, 90,
and 180mm. The first difference will be in their
working distances when you fill the frame with
an image about an inch wide: you can capture the
subject from a working distance of 23cm with the
60mm, or stand back and shoot from 47cm with
the 180mm. That is a valuable piece of informa-
tion: if you plan to shoot natural subjects, like
flowers and insects, a longer working distance
can be the key to a successful macro adventure.
It will allow you to keep your distance from skit-
tish critters, and avoid throwing your shadow on
flowers. Should you choose to work with a flash
it will also simplify its positioning to provide
proper lighting for your subject.
The second reason to choose one focal length
over another is more subtle. Longer lenses have
a narrower field of view, which means that the
58 | PHOTONews
 Shot with a short telephoto
macro lens, these mush-
rooms could be growing
anywhere and anytime…

amount of background detail recorded will be Use a Tripod for Sharper Shots
more limited. With shorter lenses that “see”
wider, you can reproduce the subject at the same For all its usefulness, a stabilizer does not replace
size while showing more of its surroundings. a good tripod. The right tripod for macro will be
Other considerations also come into play able to get down to ground level with a minimum
when choosing which lens to buy. Many are now of fuss. Take the Vanguard Alta Pro series. Not
designed specifically for the smaller APS-C only can each leg be angled independently, but
sensors. That’s the case of the Tamron 60mm its central column can also pivot from zero to 180
macro, as it is with several other macro lenses. degrees and it can be locked in any position you
Another thing to consider is whether you need a choose. In seconds such a tripod can be lowered
stabilizer or not. In macrophotography a stabil- to the level it needs to be. When the subject is
izer is not the must it can be when shooting long not quite at ground level simply angle the col-
lenses in low light. However, the “hunter” who umn up a bit. With other tripods you may have to
will go after mobile subjects such as frogs, butter- lengthen one or more legs.
flies and other creepy-crawlies may find that a But even the best tripod will be of little use
stabilizer will help you compose the shot when if you leave it behind because you can’t take the
hand-holding the camera. The moment you press time to set it up properly. The macro “pros” take
the shutter release half-way the stabilizer freezes the time to familiarize themselves with their gear
the image you see in the viewfinder, making it - and you can do this in a few minutes. Just start
Shot with the Metz
ring flash and the
that much easier to keep out anything you don’t with something simple and immobile, like flowers
Tamron 90mm macro. want in your image. or mushrooms. Leave the tripod aside while
Summer 2013 | 59
TechniqueMacro

A ring flash bathes the

picture with an even light.
While not always suitable
with every subject it often
proves quite valuable in
keeping details throughout
the entire frame.

you’re looking for the right angle and shooting

distance, figuring out where to position the cam-
era. To get the most out of the shallow depth of
field at macro magnifications, the best approach
is to keep the back of your camera as parallel to
the subject as possible. Only once you’ve figured
out the best shooting position should you bring
out the tripod. Here’s another tip: give yourself a
bit of leeway when choosing your distance. That
way you can fine tune the focus with the focusing
ring. Otherwise, you have to move the whole set-
up - camera, lens and tripod. If your subject is so subjects. Most of them are made up of two flash
small that you want to use the full magnification tubes that can be controlled independently from
of your lens, consider investing in a good focus- each other, making it possible to create lighting
ing rail. This gizmo cradles your camera and lens effects with more light coming from either side, or
and moves the whole assembly back and forth to keep the light even as needed.
do the focus. Working with a flash makes it possible to
close down the lens around f/11 or f/16, which
Macro Lighting Tips will increase the depth of field. Just remember
Tripods remain the ideal platforms from which that the flash cannot light up a foreground sub-
to shoot stationary subjects, but for anything that ject and a background that’s a few feet behind it.
moves you should consider adding some light to To keep that background from going black you
the equation. The best way to do that is with a could use a second flash, but that can get compli-
flash; lights meant for video are either not bright cated very quickly. To keep things simple and stay
or not portable enough. If you want to be as ver- mobile it’s much easier to use the natural light to
satile as possible go with a standard flash, one your advantage. Simply take a reading and under-
as powerful as you can afford. That flash will be expose by one or two stops; that will keep some
usable to light family pictures, birds at a distance, colour in the background while ensuring that the
or bugs just a few inches away. For macro shots it flash is the main light on the subject itself. One
will be best to take the flash off camera, either by last tip: Don’t forget that you can increase the ISO
using the built in flash as a master (if your cam- as needed. With modern cameras an ISO set to
era has that function) or with a synch cable. With 800 will not cause a lot of noise in your image.
flowers you might simply hold the flash by hand, That way you’ll be able to keep the shutter speed
but to be more mobile use some kind of bracket to fast enough to avoid motion blur or “ghosting”
keep the flash firmly in place. that can occur when using a slow shutter speed
For those who are infected with the macro bug with a flash.
in a bad way, a dedicated macro flash might be a As with anything else, a little practice can go
better choice. What those flashes lack in power a long way in mastering either tripods or flash in
they more than make up in ease of use with small macrophotography.
60 | PHOTONews
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Camera Photogra phing Children
LYNCH
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DR. WAYNE

Arctic Aurora
Portfolio: MARTIN INGLES Traveller’s Camera PORTFOLIO – DARYL BENSON

African
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DR. WAYNE LYNCH

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Fastest Skateboard er! MICHEL ROY
News

the Shooting at the Zoo

Antoine Desilets aphy
KRISTIAN BOGNER DALE WILSON

Perspectives
News

Iceberg Alley
GRANDMAISO
IntErod
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MICHAEL DeFREITAS
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KRISTIAN BOGNER
MICHEL ROY . CHRISTIAN AUTOTTE Spring Perspectives
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Splash with Flash!

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portfo
higher sensi D600 is an
all of the UVE
Tripod Tech Tips
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LUC VILLENE
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Anne Geddes
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SPECIALd* Macro Tips
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New Ca
Photo by Anne

Road, Markham, ON, L3R 1E5

502A Introducing Nikon D600 Full-Frame HD-SLR.
PM40040669 Return undeliverable
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HD 1080p video puts cinema quality movies at your fingertips.
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NewProducts

The Winners Are…

The Technical Image Press Association Awards are presented each year for the best photo and
imaging products introduced to the market during the previous 12 months. The TIPA judges
include some of the world’s leading magazine editors, who apply their experience and expertise
in the field to take into account a range of factors including innovation, the use of leading-edge
technology, design and ergonomics, ease-of-use, as well as price/performance ratio.

Here are some of this year’s

award winning products…
Vanguard ABEO Wins Ilford Galerie
TIPA Best Tripod Award Prestige Gold Mono Silk Wins
The Vanguard ABEO Pro 283CGH carbon-fibre TIPA Best Inkjet Photo Paper
tripod with GH 300T pistol grip head has won
the prestigious TIPA award for “Best Tripod 2013”. Ilford Galerie Prestige Gold Mono Silk has been awarded
The carbon fiber Vanguard ABEO Pro 283CGH the 2013 TIPA award for “Best Inkjet Photo Paper”.
kit includes the company's GH-300T “pistol” grip Designed specifically for printing fine art monochrome
head with built-in remote shutter release control. images, TIPA (Technical Image Press Association) praised
The head features dual panning axes and features the new Gold Mono Silk for “bringing out a rich, vibrant
a 72-click-point panning base. The tripod's multi- tonal range and transition in black and white prints.”
angle centre column allows users to move the Galerie Prestige Gold Mono Silk enables photographers to
column from 0 to 180 degrees both vertical and achieve inkjet prints reminiscent of the traditional darkroom
horizontal, and features an easily set and released era. The acid and lignin-free fibre-based paper simulates the
locking system. The legs feature quick-flip locks and qualities of traditional silver halide black and white photo-
variable angle sets, from 25 to 80 degrees, and the graphic paper.
“3-in-1” all terrain feet allow for a firm stance with By focusing on all of the elements needed to create the per-
angled rubber, spike, and sand/snow “shoe” options. fect monochrome image, Ilford has designed Gold Mono Silk
with exceptional Dmax and Dmin values to create a product
For more information on the Vanguard line of tripods that offers seamless contrast and transition between shadow
and accessories, and to see a very cool video of this and highlight areas.
tripod in action, please visit www.vanguardtripods.ca Gold Mono Silk 270gsm is fully compatible with both pig-
ment and dye-based printers and is available in various
sheet and roll dimensions.

Quovio 41 Wins TIPA Best Bag Award For more information please visit www.ilfordgalerie.ca

Looking for a bag that can handle your gear in style? Take a look at the bag that the top
photo magazine editors from around the world selected as the “Best Photo Bag 2013”.
TIPA described the Vanguard Quovio 41 in the official announcement of the award:
“designed for the working pro and enthusiast, the
Vanguard Quovio 41 shoulder bag is a well-padded
carrier that features a Quick Access main opening
to enable ready access to gear by pulling on its large
handle. It can hold a semi-pro camcorder as well as
a pro DSLR camera and kit, with configurable sec-
tions and a dual, built-in tripod holder. There are
two mesh pouches for wires and accessories, plus
a trolley attachment loop for moving through city
streets and airports. The bag has a water-resistant
base with ‘anti-shock feet,’ rain cover and incorpor-
ates a compartment for up to a 14-inch laptop.”
For more information please visit
www.vanguardbags.ca

62 | PHOTONews
BBH 200 Wins
iF Product Design Award Metz Celebrates 75 Years
From electronic flash to televisions, camcorders and
The Vanguard BBH 200 Ball Head has been hon-
LED lights, some of the most innovative ideas in the
oured with the 2013 iF award as “a top-of-the-line
photo and electronics industry have come from Metz.
tripod ball head with outstanding design and an
To celebrate the 75th Anniversary, the company has
innovative and unique levelling system for pro
posted a very interesting retrospective, available on-line
photographers.”
at www.metzflash.ca.
The award citation describes the BBH series ball
One of the latest examples of advanced Metz technol-
head as “a product for professional photograph-
ogy is the Mecablitz MB 52 AF1 shoe-mount flash,
ers that delivers in all of the key areas – accuracy,
which features a touchscreen control panel for fast and
precision, convenience and ease of use. No matter
easy operation. With a guide number 52 for ISO 100,
what the camera position is, the BBH 200 Rapid
the 52 AF-1 has more than enough power to cope with
Level System enables photographers to guide their
any shot – the horizontally swivelling and vertically tilt-
camera to be perfectly level with the base, quickly
ing reflector ensures optimal lighting control. There is
and efficiently.”
an integrated diffuser for wide angle shots, and a built-
The iF design award is one of the most import-
in white reflector card. The fully automatic motorized
ant product awards in the world. Winning entries
zoom can adjust lighting angles to precisely suit the
are recognized in 16 different categories and are
focal length of the lens. The 52 AF-1 also operates as a
allowed to carry the iF label, signifying outstand-
wireless flash in TTL or servo mode for easy and expert
ing products to buyers throughout the world.
results. A free software update is available at any time
See the full line of Vanguard tripods and accessories via the USB interface. The innovative compact flash
at www.vanguardtripods.ca is available in five versions for Canon, Nikon, Sony,
Olympus/Panasonic and Pentax.

Portable Flash Modifier

Manage your flash output for better photos at parties and spe-
cial events with the GamiLight Event Pro, now available at photo
retail shops throughout Canada.
The GamiLight system utilizes a snug-fitting foam-backed mount-
ing system designed to fit a range of shoe mount flashes. Two
mounts are available - Mount S and Mount L – that match a full
range of electronic flash models. Simply stretch the mounting
device to fit your flash, and attach the GamiLight accessories to
the snaps on the mount – the system can be removed leaving no
marks or residue on your flash.
The very compact Event Pro is a translucent flash modifier that
adjusts to deliver different degrees of lighting control. Event Pro
enables you to transform the device from bounce light to mini
softbox in seconds. The Event Pro reduces light output by 1 – 2 f/
stops, but significantly enhances the quality of your direct flash.
For more information please visit www.gamilight.ca

GamiLight Soft Box

Soften your flash for better photos with the
new GamiLight line of portable light man-
agement products. From the Box 21 small
soft box, to the Box 60, the GamiLight soft-
box system lets you control light in a simple
and effective way.
GamiLight soft boxes are ideal for use on a
wide range of hot shoe flashes. Lightweight
and portable, they fold to fit into your cam-
era bag and attach in seconds for creative
portrait lighting on location, and profes-
sional effects in the studio.

For more information please visit

www.gamilight.ca

Summer 2013 | 63
NewProducts

Olympus Pen E-P5

New and Exciting!
Olympus marks the 50th anniversary of the legendary PEN F with the
launch of the new Olympus PEN E-P5, a digital update of a classic film
camera designed with breakthrough technology and incredible perform-
ance advancements. The PEN E-P5 has 1/8000th of a second shutter speed,
built-in Wi-Fi, autofocus advancements, easy-access manual controls and
many other features. The optional high-definition VF-4 viewfinder pro-
vides an impressive 1.48X magnification, a 2.36 million dot LCD, eye detect
to turn it on at the right time, and intuitive functionality that enable real-
time viewing of shooting conditions.
The E-P5 has an all-metal casing that houses many of the technologies found
inside Olympus’s premier Micro Four Thirds® camera, the OM-D E-M5®:
16-Megapixel Live MOS Sensor and TruePic VI Image Processor, FAST AF,
5-Axis Image Stabilization and more.
The E-P5’s new Super Spot AF accurately brings into focus even extremely
small subjects. New Focus Peaking dramatically improves the usability of
manual focus lenses by bringing shots into focus by emphasizing the con-
tours of the point of focus in white or black. Estimated street price for the body only is $999.99. Pricing for the black or
The Olympus PEN E-P5 is compatible with the Micro Four Thirds range silver body with black M.Zuiko Digital 17mm f1.8 lens and VF-4 Electronic
of quality lenses, which now includes black versions of the M.ZUIKO® Viewfinder is estimated to be $1,449.99
DIGITAL 17mm f1.8, 45mm f1.8 and 75mm f1.8 lenses.

For more information please visit the Olympus website at: www.getolympus.com

For All Your Summer Adventures…

Kinray 53 At last – a Comfortable Camera Strap
The Vanguard Kinray 53 is an award-winning bag with a range of features that make it
ideal for sports, travel, and wildlife photography.
The Kinray series is inspired by the unique needs of birders and outdoor photographers.
Made from durable, weather resistant materials, it is customizable for a perfect fit. Roomy
on the inside with removable dividers, it securely holds a spotting scope and DSLR camera
for digiscoping or DSLR camera and attached telephoto lens.
Large quick access from the front enables fast, organized removal of your gear. It’s com-
fortable, too, with length adjustable shoulder straps and an adjustable chest harness that
provides an ergonomic fit. Breathable fabric on the back helps to keep you dry - great for
warmer days.
Kinray converts from a daypack into a back-
pack, by simple removal of the lens pillow
and other dividers. Features include a tripod
holder and adjustable upper strap, a stowed rain
cover that provides quick protection from foul
weather, and zippered pockets for small items
like snacks, keys, and guidebooks.
For more information
please visit
www.vanguardbags.ca Here is a Canadian product that will make your sum-
mer photo adventures far more comfortable. The EZEE™
Camera Strap distributes the weight of your camera or bin-
ocular, taking the strain off your neck and shoulder, and
securely holding your gear as you enjoy summer activities.
With the EZEE™ Camera Strap your hands remain free, and
your equipment is always accessible. This clever strap is eco-
nomical, durable, and adjusts to fit anyone. Easy to attach or
remove, it is the ideal accessory for the active photographer.
For more information please visit www.ezeecamerastraps.com

64 | PHOTONews
 BookShelf by Ginette Lapointe
Vojo 22GR Shoulder Bag

Vanguard’s Vojo series shoulder bags are now available in

Canada, bringing style and versatility at an attractive price.
The Vojo 22 shown here provides space for a camera, acces-
sories, and personal items, with a padded compartment for
a tablet device, all in a good looking shoulder bag made
with soft, canvas-style material and leather accents. This is
a bag that doesn’t shout “camera equipment inside”. A soft, Arctic Kaleidoscope
removable inner box with zippered top safely houses your The People, Wildlife and Ever-Changing Landscape
camera and accessories, and you can remove this inner
Michelle Valberg
compartment for use in a different bag or to use your Vojo
MV Photo Productions. 224 pages.
as an everyday bag. Side adjustment straps can be used to
keep the bag compact when used without camera gear. Vojo Michelle Valberg, award-winning Canadian photographer and regular
bags feature zippered Quick Top Access, a front accessory
compartment, zippered front pocket, and flap pocket that
contributor to PhotoNews, is renowned for her poignant portraits of the
provides plenty of space for small accessories. Other fea- people of the North, and her breathtaking landscape images.
tures include genuine leather accents, a wide shoulder strap
with anti-slip pad, luggage trolley attachment loop that
The penetrating look and intuitive style of the artist is reflected in these
doubles as a handle for short-term carrying, adjustable pro- photographs that offer us an intimate encounter with the Inuit. During
tective flap, and attached rain cover. her many expeditions to the far North, Michelle Valberg listened to the
For more information please visit www.vanguardbags.ca Inuit tell many stories, as they described their thoughts, their hopes, their
struggles and their dreams.
Michelle presents a remarkable collection of photographs that explore the
Arctic form all angles and celebrate the mystery and the magic of the icy
Get Ready 2Go ! expanses, prodigious icebergs, prestigious mountains, and the beauty of
The 2GO 39 sling bag is a hassle-free camera bag that keeps unnamed fjords, opulent tundra and the Aurora Borealis, and the world
your camera equipment secure and accessible - no matter of the Inuit people.
where you go! The sleek design features quick side and front
access points for easy access to your gear. The 2GO design is
ideal for everyday use, with a top compartment for personal
items or camera accessories and several pockets for smaller
items, like lens caps, cleaning cloths, and memory cards.
Uniquely cushioned, dot-shaped feet on the bottom protect
your equipment from shock, and a convenient side pocket-
and-strap tripod holder can be used to carry a water bottle.
When you are not carry-
ing your tripod, this is a
convenient way to attach
additional lens pouches
or accessories. The 2GO
sling bag line features an
ergonomic harness sys-
tem, including a 3-point
attachment strap, and
includes a rain cover for
wet conditions. See the
full range of 2GO bags
at your local photo retail
shop.
For more information
please visit
www.vanguardbags.ca

Summer 2013 | 65
 FinalFrame
Sponsored by

Memories of Santorini
“A Summer Place…”
G. Lapointe, of Quebec City,
captured this image of summer
in Oia, on the island of Santorini,
Greece, with a Nikon D800 and
24-120mm lens, shooting at
1/320 second, f/9, ISO 100.
“Every time I look at this photo,
I can feel the soft ocean breeze
and the warm summer sun
of Santorini… my favourite
summer place!”

18-270mm
ZOOM

Our PHOTONews
Challenge contest for
the summer of 2013 is The PHOTONews Challenge for Summer 2013 your home town or a favourite destination. You
sponsored by TAMRON, is “A Summer Place…” - your assignment - to may want to experiment with a variety of cam-
who will present an photograph a special place that brings to mind era angles, special effects, or techniques, or visit
18-270mm lens to the
the memories of summers past. the location after dark for some adventures in
photographer of the
most interesting image The topic is open to a range of interpretations night photography. Images from previous sum-
selected for publication – you may photograph a scene or an event in mers are welcome.
in the next issue. To participate in the PHOTONewsChallenge,
please visit our flickr® group at www.flickr.com/
groups/photonewsgallery/ and click on the dis-
COMING IN THE NEXT ISSUE cussion thread titled “PHOTONews Summer

Autumn 2013
2013 Challenge”, where you will find additional
challenge details, as well as samples, sugges-
tions, and technique tips.
The Autumn 2013 issue of PHOTONews will take readers on a tour of some of
Canada's most spectacular landscapes, explore the techniques of wireless multiple Full instructions on how to join the flickr®
flash photography, and focus on the magic of pet photography. group, and how to post photos, can be found at
For in-depth information on the equipment and techniques featured in this issue, the flickr® site.
and for FREE access to our PHOTONews Digital Edition archives, please visit
www.photonews.ca Our PHOTONews Challenge themes
Join us as we share our passion for photography - visit our flickr ® group at www.flickr. for the coming issues are as follows:
com/groups/photonewsgallery/ where you can sign up to exchange ideas and • Autumn Challenge Theme: Faces
display your favourite photographs – it’s fun, it’s free, and it’s a friendly environment
• Winter Challenge Theme: Close-up
for photographers of all ages and skill levels.
• Spring Challenge Theme: Colours
• Summer Challenge Theme: Hot Stuff!
66 | PHOTONews
 nikon.ca

The world is your canvas.

This is your brush.

Meet the Nikon D600 Full-Frame HD-SLR.

Long awaited by passionate photographers everywhere, the Nikon D600 is an innovative 24.3-megapixel HD-SLR in a size and weight never seen
before in FX format. Equipped to shoot virtually any subject – from landscape to portraiture and from still life to action – the D600 renders each with
stunning sharpness and all of the benefits the versatile FX format can offer. Its larger dynamic range, greater scalability and true 35mm field – higher
sensitivity, lower noise and superior low-light performance – are all harnessed in a compact, streamlined HD-SLR. As well, the spectacular HD
1080p video puts cinema quality movies at your fingertips. One of the world’s most anticipated cameras is here. The Nikon D600.

Stunning FX-quality images and HD videos • 24.3 MP for crisp, lifelike detail • 5.5 FPS continuous shooting
• 39-point AF System delivers superior sharpness • Cinema-quality Full HD 1080p video with stereo sound*
*Optional external stereo microphone required.