Philart Notes
Philart Notes
Integrative Art
- Silverstein and Laine 2010 – an approach in which students or participants of this process
construct and demonstrate an understanding through an art form.
- from the word integrate meaning bring together or incorporate into a whole.
- A process that mix or bring together various types of knowledge, skills and understanding and
making the products of integration visible or seen.
Contemporary
- From the Latin word tempus or time, means existing occurring or living at the same time.
Elements of Art
1. Line
- a continuous mark made on some surface by a moving point (Mittler, 2006).
- As an element of art, it usually leads a viewer’s eye around a composition and
convey/communicate message through their perceptible qualities.
- E.g.: Napoleon Abueva
2. Shape
- Create movement within a piece.
- Lead the eye from one design element to the next.
- Considered flat or two-dimensional that are limited to length and width
- E.g.: Benedicto Cabrera
3. Form
- Three-dimensional
- Artists can make some parts of a flat image look/appear three-dimensional.
- Length, width and height
- E.g.: Bulul God with pamahan cup (15th century)
4. Space
- Distance or are between, around, above, or within things (Mittler, 2006)
- Artists can make two-dimensional surface look three-dimensional by giving the illusion of the
work being far away, close, or overlapping one another.
- E.g.: The Fishermen (1981) by Ang Kiukok
5. Texture
- The surface quality or feel of an object.
- As an element, it talks about or deals with the way objects feel or the way it looks like they
would feel.
- Impasto – an artist applies a thick paint to create a lot of actual texture to the painting.
- E.g.: Granadean Arabesque (1958) by Joya
6. Value
- Refers to tone.
- The lightness or darkness of a color or shape in relation to another.
- Described in varying contrasts.
- Lightest value – white
- Darkest value – black
- E.g.: Ballerina in Repose by Dr. Elden Lumaniog
7. Color
- Basic and fundamental to many forms of art
- The use, relevance and function in a work of art depend on the medium of that given work.
- Made up of three properties:
a. Hue – name of a color
b. Value – lightness or darkness
c. Intensity – boldness or dullness
Principles of Art
1. Harmony
- One of the important principles of art
- The sense of cohesiveness between elements in a composition
- How well all the visual elements in a piece of artwork together.
- A way of combining similar elements in an artwork to accent their similarities (Mittler, 2006)
- Achieved through the use of repetition of certain colors, values, lines, and shapes.
- Brings unity in a design or work of art.
- E.g.: Onethingafteranother by Roberto Chabet (at the mission House, Manila Biennale 2018)
2. Rhythm
- Created by the careful placement of repeated elements in a work of art to cause a visual tempo
or beat (Mittler, 2006).
- Artists produces rhythm by repeating art elements as well as creating patterns.
- Gives a feeling of organized movement.
- E.g.: Tres Marias Series (2015) by Dr. Elden Lumaniog
3. Balance
- A feeling of weighted clarity in a composition
- A feeling of equality in weight, attention, or attraction of the various elements (Ortiz et al., 2018)
- A way of combining elements to add a feeling of equilibrium or stability to a work of art (Mitter,
2006)
- To create a balanced work, artists want the visual weight of the elements used to be distributed
across the design.
- Understand balance and its importance can help improve the ability to appreciate and interpret
a certain work of art.
- Can be symmetrical, asymmetrical, or radial.
- E.g.: Gary Ross Pastrana
4. Emphasis
- Or contrast
- A way of combining elements to stress the differences between those elements (Mittler, 2006).
- Often used to direct and focus viewers’ attention on the most important part of a design or
composition.
- Makes a part of a composition stand out.
- Focal point – main subject of an artwork made obvious by using color, value, texture, size, tone,
placement, or depth to demonstrate emphasis.
- E.g.: Yasmin-Sison Ching
MODERN ART VS CONTEMPORARY ART
A. PERIOD OF EVOLUTION
1880-1970 – modern art existed
1970-present – contemporary art runs
1860s (during Industrial Revolution period) – modern art movement began
1970s – the cut-off period or the end of modern art and with the birth of the term postmodern
End of 20th century – development of technology and rise of the video art and performance art
B. PURPOSE/INTENTION
Modern Art
Contemporary Art
Choreography
Dinagyang and ati-atihan are performed to portray important events in the life of the Aetas or Atis.
Shadow play
Weaving
- Combines the artisanship of local artists and the creation of an original product.
- Considers all the processes involved in art production and the skill employed by the maker or
the artist as works of art.
- Hablon – contemporary art form that speaks of Ilonggo ancestry and is given life by Ilonggo
artists and craftsmen.
- Hand weaving – considered a decorative art
1. Critical Thinking
2. Collaboration
3. Communication
4. Creativity – the heart of artworks
Expressive therapies are called integrative when various arts are purposively combined in the
treatment process.
Sandplay Therapy – a creative form of psychotherapy that uses a sandbox and a large collection
of miniatures to allow a client to explore the deeper layers of his or her psyche in a totally new
format by constructing a series of sand pictures to illustrate his/her psychological condition.
Bibliotherapy – systematic use of books to help people cope with their mental, physical,
emotional, developmental, or social problems. It is the value of literature that will motivate and
encourage a therapeutic response from the participant of the process.
Modern or Contemporary art – considered as a phenomenon of the post-war period in the Philippines,
even though the term has been around far longer in the Western culture (Benesa, 2015).
Thirteen Moderns
1. GALO B. OCAMPO
2. CARLOS V. FRANCISCO (national artist 1973)
3. VICENTE MANANSALA (national artist 1981)
4. HERNANDO R. OCAMPO (national artist 1991)
- His canvases recalled the verdant Philippine landscape
- He played a crucial role in maintaining the Philippine Art Gallery, the nation’s first
5. CESAR LEGASPI (national artist 1990)
6. DEMETRIO DIEGO
7. DIOSDADO LORENZO
8. JOSE PARDO
9. RICARTE PURUGGANAN
10. BONIFACIO CRISTOBAL
11. ARSENIO CAPILI
12. ANITA MAGSAYSAY-HO
13. VICTORIO EDADES
National Commission on Culture and the Arts Committee on Visual Arts (NCCA-VCA)
- One of the most important platforms for the development of modern acts in the Philippines.
- When PCCA was established in 1987, this committee was one of the most active and vibrant
under the NCCA.
Martin Genodepa
Nelfa Querubin-Tompkins
- Her love for the arts started when she began forming clay in 1973 in Miag-ao, Iloilo.
Danny Sillada
LITERATURE
Ginto sa Makiling
Amado Hernandez
MUSIC
Contemporary music – compositions that have adopted concepts and elements from 20 th century
western art music and the most recent trend s and musical styles in the entertainment industry.
- Coritha, new society, heber Bartolome, and apo hiking society were the most influential
musicians of this era.
- Joey “pepe” smith and Freddie Aguilar wrote the songs ang himig natin and bayan kou
1990s
DANCE
Contemporary dance emerged in the Philippines provides a space within which the nation’s story can be
told.
Alice Reyes
- Founder of Ballet Philippines, the premier ballet and the contemporary dance company in the
country.
- Effectively developed and promoted dance arts on a national scale
- Pioneer of contemporary dance in the Philippines
THEATER
Bodabil
FILM
Anak Dalita – by Lamberto Avellana, set in Intramuros in 1956, an example of this stark tragedy of post-
WWII survival.
ARCHITECTURE
Architecture of the Philippines reflects the country’s rich history and culture.
- Notes in her comprehensive art history timeline of the Philippines that early modern Philippine
works were often assumed to have been profoundly influenced by western art.
- Mentioned that Filipino artists in the 19th century became increasingly stylized as a result of
their education and exposure to western art.
1950s
- Modern art in the Philippines began to move away from its European roots.
- A famed muralist known for blending native expressions with formal components of European
painting
- Came into popularity during the same decade.
- This even was a watershed in developing a distinct Filipino creative identity.
Ildefonso P. Santos Jr