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Micro Project Report

On
--Photo Editing--
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Under Course : - Applied Multimedia Techniques(22024)

Semester : - III

Maharashtra State Board of Technical Education, Mumbai

Department of Information Technology Engineering

Matoshri Aasarabai Polytechnic, Eklahare, Nashik
Academic Year: 2023-24
 Maharashtra State Board of Technical Education, Mumbai
Matoshri Aasarabai Polytechnic, Eklahare, Nashik

CERTIFICATE

This is to certify that following students of Third Semester Diploma Engineering

Program in IT Department have successfully completed the Micro-Project"Photo
Editing ” under my supervision, in the partial fulfilment of Course
Applied Multimedia Techniques(22024) for Academic Year 2023-24 as per prescribed
in the MSBTE “ I-Scheme” curriculum.
Roll No Enrollment No. Exam Seat Number Name of Students

55 2211700333 4444662 Tarle Sahil Shantaram

56 2211700334 444663 Thorat Tejas Devanand
60 2211700338 444667 Walunj Piyush Pravin

Date:-____________________ Place:- Nashik.

Subject Teacher Head of Department Principal

(Prof.M.P.Deshmukh) (Prof .M.P.Bhandakkar ) (Dr.S.J.Bagul)
 MATOSHRI AASARABAI POLYTECHNIC, EKLAHARE, NASHIK
Department of Information Technology Engineering

Academic Year-2023-24

Index of Micro Project Report

Program:- Information Technology Semester:- IIIrd

Course:- Applied Multimedia Techniques Course Code:-22024

Title of Micro Project :- Photo Editing

Sr.
Details Page No.
No.

1 Abstract

2 Project Work (Introduction)

3 Project Work (Main Details)

4 Coding

5 Project Work (Conclusion)

6 Resources/ References

Signature of Student Signature of Faculty

 MATOSHRI AASARABAI POLYTECHNIC, EKLAHARE, NASHIK

ANNEXURE I

Rubric for Evaluation of Micro Project of Object Applied Multimedia Techniques(22024)

Title of Micro Project:-Photo Editing

Group Members:-

Sr.No. Roll Enrollment Seat No. Name of Candidates

No. No
1 55 2211700333 444662 Tarle Sahil Shantaram
2 56 2211700334 444663 Thorat Tejas Devanand
3 60 2211700338 444667 Walunj Piyush Pravin
Marks Indicators for different level of Performance (Evaluation Scale 1 to 6)
Obtained
Sr Criteria
(Out of Poor (1-2) Average(3-4) Good(5-6)
No
6)
Relevance to Related to very few
1 Related to at least one CO Adressed at lease one CO
the course LOs
Content of Not relevant and Relevant and sufficient for Relevant , sufficient for
2
project sufficient topic topic and well organized
Language of Grammatically Grammatically appropriate Grammatically appropriate
3
Project inappropriate but ineffective and effective
Completed and Completed within due date Completed and submitted
Completion
4 submitted after due but took slightly more time the complete project within
of project
date. to submit complete project. specified due date.
Prepared an improper Prepared appropriate
Report Prepared the report with
5 report with format of the report with
Preparation satisfactory content
unsatisfactory content sufficient content details
Not included key Presented with the help of
Included key points but
points, missed details power point, Highlighted
6 Presentation lacks considerable
and considerable key points, accurate and
information
information considerable information
Not referred more Referred at –least 5
Resources/ Referred at-least 3 relevant
7 than two sources, very relevant sources, 3 most
References sources, at least 2 latest
old reference latest
Total:
Average
(Out of 6)

Name and Signature of Guide

 MATOSHRI AASARABAI POLYTECHNIC, EKLAHARE, NASHIK
Department of Information Technology Engineering

Log Book for Micro- Project

Semester:- III Programme / Code:-IF31

Course / Code :-AMT(22024) Class:- Second Year
Topic of the Micro- Project:-Photo Editing

Sr. Name of Group Sign. Sr. Name of Group Sign.

No. Members. No. Members
1 Tarle Sahil Shantaram 3 Walunj Piyush Pravin
2 Thorat Tejas Devanand 4

Teache
Week Members
Discussion & Details Teacher’s Comment r’s
No. Present
Sign.
Discussion on the concept of Micro project Discussed micro-
1 55,56,60
with teacher project concept
Finalization of Group and Project topic with
2 55,56,60 Finalized the group
Project Proposal submission
Preliminary discussion with guide about
3 55,56,60 Discussed with guide
content of Micro project
Related Information Gathered by team about
4 55,56,60 Gathered information
project
Organized the
5 Organizing the information for project work 55,56,60
information
Discussing project related queries with
6 55,56,60 Discussed the queries
teacher if any
Prepared micro-
7 Preparation of Micro project model or content 55,56,60
project
8 Finalizing the project work by teacher 55,56,60 Finalize project work
Complete report
9 Report writing 55,56,60
writing
10 Presentation , Oral 55,56,60 Gave presentation

11 Submission of project and Project report 55,56,60 Submitted project

Sign Of Faculty
 ANNEXURE II
Evaluation Sheet for the Micro Project

Academic Year:-2023-24 Name of Faculty:-Prof.M.P.Deshmukh

Course :- Applied Multimedia Techniques (22024) Semester:- IIIrd

Title of the Project :-Photo Editing

COs addressed by the Micro Project : -

a) Understanding Photo Editing Process:

b )Downloading required software

c) User Interface Design:

d) Data Security and Privacy Awareness:

e) Project Management Skills:

Major Learning Outcomes achieved by students by doing the Projects:-

a) Practical Outcomes ……………………………………………………………………………

…………………………………………………………………………………………………..
b) Unit Outcomes in Cognitive domain
……………………….……………………………………………………………………………
………….....................................................................................................................................
c) Outcomes in Affective Domain
……………………………………………………………………………………………………
…………………………………………………………………………………………………….

Comment /Suggestion about team work /Leadership/ Inter-personal communication (If any)
…………………………………………………………………………………………………………
…………………………………………………………………………………………………………
…………………………………………………………………………………………………………
Marks out of 4 for
Marks out of 6
Roll performance in oral Total out
Student Name for performance
No. / presentation of 10
in group activity
activity
1 Tarle Sahil Shantaram
2 Thorat Tejas Devanand
3 Walunj Piyush Pravin

Faculty sign
Prof.M.P.Deshmukh
 ACKNOWLEDGEMENT

With deep sense of gratitude we would like to thanks all the people who have lit our
path with their kind guidance. We are very grateful to these intellectuals who did
their best to help during our project work.

It is our proud privilege to express deep sense of gratitude to, Dr. S. J. Bagul
Principal of Matoshri Aasarabai Polytechnic, Eklahare, Nashik, for his
comments and kind permission to complete this Micro Project.

We remain indebted to Prof. M.P.Bhandakkar , Head Department of Information

Technology, Engineering, for his suggestion and valuable guidance.

The special gratitude goes to our internal guide Prof. M.P.Deshmukh, technical staff
members, and non-technical staff members, Information Technology Department for
their expensive, excellent and precious guidance in completion of this work.

Name of Students:
1.Tarle Sahil Shantaram
2.Thorat Tejas Devanand
3.Walunj Piyush Pravin
 Abstract

Embark on a visual journey as "Brushstrokes in Motion" unfolds the mesmerizing

process of crafting Photo Editing. This animated odyssey takes audiences behind
the scenes, revealing the intricate steps involved in bringing static illustrations to
life.From the initial spark of inspiration to the final frame, witness the
metamorphosis of imagination into animation. Each frame becomes a canvas, and
every stroke tells a story. The narrative navigates through the storyboard's
inception, character design's evolution, and the dynamic choreography of scenes.
Delve into the realm of concept sketches, where ideas materialize and take shape.
Explore the harmonious dance between color palettes and moods, breathing life
into characters with every carefully chosen hue. As the storyboard unfolds,
witness the meticulous craftsmanship of animators, orchestrating movement
frame by frame.The journey doesn't stop at illustration; it transcends into the
auditory realm. Dive into the creation of a captivating soundtrack that
complements and elevates the visual narrative. Experience the synchronization of
sound and motion, a symphony of creativity that enhances the emotional impact
of each scene.
 Project Work (Introduction)
Objective:
Create a comprehensive visual guide that illustrates the stepwise
procedure of crafting a Photo Editing. This project aims to educate and
inspire audiences by providing a behind-the-scenes look at the creative
process involved in bringing static illustrations to dynamic life.

Project Phases:
1. Conceptualization and Storyboarding:
- Develop a concept for the Photo Editing project. Define the
storyline, characters, and overall theme.
- Create a detailed storyboard that outlines the sequence of events in
the animation.
2. Character Design and Concept Sketches:
- Design the main characters, considering their personalities, traits,
and roles in the narrative.
- Produce concept sketches to visualize the characters in various
poses and expressions.
3. Color Palette and Mood Development:
- Explore and finalize a color palette that complements the overall
mood and theme of the animation.
- Create color studies to understand the emotional impact of different
color combinations.
4. Frame-by-Frame Animation:
- Begin the animation process by breaking down the storyboard into
individual frames.
- Implement keyframes and animate the characters and scenes,
paying attention to smooth transitions and motion.
5. Soundtrack Composition and Integration:
- Compose a soundtrack that enhances the narrative and emotional
resonance of the animation.
- Integrate the soundtrack with the animation, ensuring
synchronization between visual and auditory elements.
 Project Work (main Details)

Material:-
Conceptualization and Storyboarding
Character Design and Concept Sketches
Color Palette and Mood Development
Frame-by-Frame Animation
Editing and Finalization
Hardware such as computers, graphics tablets, and audio recording equipment.

Method:-
Digital Animation Software
Cutout Animation
Motion Graphics
Stop Motion Animation
Sprite Animation

Theoretical Background:-

1. Frame-Based Animation:
- Keyframes: In traditional and digital Photo Editing, keyframes are used to define the
significant poses or moments in a sequence.
- In-Betweening: The frames between keyframes are filled in to create smooth motion.
This is crucial for achieving fluid animation.

2. Principles of Animation:
- Squash and Stretch: Adds weight and volume to characters or objects during motion.
- Anticipation: A movement preparing the audience for an action, enhancing realism.
- Staging: Presenting an idea so it is unmistakably clear. This involves the arrangement
of elements in a scene.
- Follow Through and Overlapping Action: Elements in motion don't all stop at once; there's
a gradual slowdown.
- Arcs: Most actions in life follow an arced trajectory, providing a more natural look.
- Slow In and Slow Out: Movements often start slowly, accelerate, and then slow down again.

3. Timing and Spacing:

- Timing: The number of frames used to represent an action. It affects the speed of animation.
- Spacing: The distribution of frames. Equal spacing results in constant motion, while varied
spacing can create a more dynamic effect.
4. Persistence of Vision:
- The theory that the human eye retains an image for a fraction of a second, allowing for the illusion of continuous
motion in film and animation.

5. Rotoscoping:
- A technique where animators trace over live-action footage frame by frame. This method captures realistic
movements and forms the basis for some classic animations.

6. The Multiplane Camera:

- In traditional animation, the multiplane camera allows for the movement of several layers of artwork at different
speeds, creating depth and dimensionality.

7. Emergence of Digital Animation:

- The transition from traditional to digital animation brought about changes in tools and techniques. Software like
Adobe Animate and Toon Boom Harmony offers new possibilities.

8. Impact on Visual Storytelling:

- Photo Editing has a rich history in visual storytelling. It allows for the creation of fantastical worlds and characters
while providing a unique aesthetic.

Understanding these theoretical aspects provides a foundation for creating engaging and visually appealing Photo
Editings. It's a combination of artistic principles, technical skills, and a deep understanding of how the human eye
perceives motion..
 Algorithm: Photo Editing Management System
1. Conceptualization:
- Define the central theme and concept for the animation.
- Brainstorm and outline the key elements of the story.
- Determine the tone, mood, and overall style of the animation.

2. Storyboarding:
- Create a storyboard outlining the sequence of scenes and key actions.
- Sketch rough frames to visualize the narrative flow.
- Review and refine the storyboard for clarity and coherence.

3. Character Design:
- Develop character profiles, considering personalities and roles.
- Sketch initial character designs with a focus on visual appeal.
- Iterate and refine character designs based on feedback.

4. Color Palette and Mood Development:

- Choose a color palette that complements the theme and mood.
- Create color studies to establish the visual atmosphere.
- Ensure consistency in color choices for characters and scenes.

5. Frame-by-Frame Animation:
- Begin animating keyframes, focusing on crucial actions and scenes.
- Fill in in-between frames for smooth transitions.
- Regularly review and adjust the animation sequence.

6. Soundtrack Composition:
- Compose a soundtrack that enhances the emotional impact of the animation.
- Consider the pacing and synchronization with key animation moments.
- Iterate on the soundtrack based on feedback and testing.

7. Integration of Soundtrack and Animation:

- Integrate the finalized soundtrack with the animation.
- Ensure synchronization between visual and auditory elements.
- Fine-tune timing and pacing for a cohesive experience.

8. Editing and Finalization:

- Compile all animation sequences and ensure a smooth flow.
- Edit scenes for consistency, removing any unnecessary elements.
- Conduct a final review for overall quality and coherence.

9. Feedback and Iteration:

- Share the project for feedback from peers or collaborators.
- Iteratively make adjustments based on feedback.
- Test the animation with a small audience for further insights.

10. Export and Distribution:

- Export the final animation in the desired format and resolution.
- Consider platforms for distribution, whether online or in a specific showcase.
- Celebrate the completion and share the project with the intended audience.
 ADVANTAGES

1. Cost-Effective:
- Photo Editing is often more budget-friendly compared to 3D animation.
It requires fewer resources and less complex software.

2. Quick Turnaround:
- Photo Editing projects can be produced more quickly, making it an ideal
choice for projects with tight deadlines.

3. Artistic Style and Aesthetics:

- Photo Editing allows for a wide range of artistic styles and aesthetics. It
can be stylized, cartoony, or highly detailed, offering flexibility for creative
expression.

4. Simplicity and Clarity:

- Photo Editing is inherently simpler than 3D animation, making it easy
for audiences to understand and follow the narrative.

5. Ease of Learning:
- Learning the principles of Photo Editing is often more accessible for
beginners. It requires less technical expertise compared to 3D animation.

6. Classic Appeal:
- Photo Editing has a timeless and classic appeal. It has been used in
animation for decades and is associated with many iconic and beloved
characters.

7. Versatility:
- Photo Editing can be applied to various mediums, including television,
web, mobile devices, and even print media. It is adaptable to different
screen sizes and resolutions.

8. Expressive Characters:
- Photo Editing allows for highly expressive characters with exaggerated
movements and emotions, contributing to the storytelling.

9. Quicker Production Iterations:

- Changes and iterations in Photo Editing are often quicker to implement,
making it easier to refine and improve the final product.
 DRAWBACKS

While Photo Editing comes with numerous advantages, like any creative process, it
also has its drawbacks. Here are some potential drawbacks you might encounter in
your project:

1. Limited Realism:
- Photo Editing may struggle to achieve the level of realism that can be attained
with 3D animation, especially in terms of lifelike character movements and detailed
environments.

2. Complex Scenes:
- Handling complex scenes with intricate backgrounds or detailed movements can
be challenging in Photo Editing, requiring meticulous frame-by-frame work.

3. Labor-Intensive:
- Creating detailed Photo Editings, especially those with a high frame count, can be
labor-intensive and time-consuming, potentially impacting project timelines.

4. Learning Curve for Complex Software:

- While Photo Editing is generally more accessible for beginners, mastering
complex animation software can still have a learning curve, especially for intricate
projects.

5. Limited Depth Perception:

- Photo Editing lacks the depth perception inherent in 3D animation. This
limitation can impact the portrayal of three-dimensional space in certain scenarios.

6. Potential for Repetitiveness:

- In certain projects, the simplicity of Photo Editing may lead to repetitive visual
elements, potentially affecting the overall visual interest.

7. Challenges in Perspective:
- Achieving complex perspective shifts or camera movements can be challenging
in Photo Editing compared to 3D animation.

8. Technology Advancements:
- The animation industry is evolving, and there's a constant push for technological
advancements. Photo Editing, while timeless, might face challenges in keeping up
with the latest trends.
Output:-
 Conclusion:

2D has been a journey of creativity and expression, showcasing the intricate process of transforming
imagination into animated reality. Through each carefully crafted frame and harmonious stroke of color,
the project has not only demonstrated the technical prowess of Photo Editing but also celebrated the
artistry inherent in the medium.

As we conclude this project, we reflect on the captivating characters brought to life, the dynamic
sequences that unfolded frame by frame, and the seamless integration of a thoughtfully composed
soundtrack. The simplicity and clarity of Photo Editing have been harnessed to convey a rich and
engaging narrative, reminding us of the timeless appeal and versatility of this art form.

The project has not only served as a visual feast for the audience but also as a testament to the
collaborative effort, dedication, and creativity of the team. Each step, from conceptualization to
finalization, has contributed to the creation of a unique and memorable piece of animated storytelling.
stands as a testament to the enduring charm of Photo Editing, captivating audiences with its visual allure
and narrative depth. As we bid farewell to this project, we carry with us the valuable lessons learned, the
joy of creative exploration, and the satisfaction of bringing a vision to life through the magical world of
Photo Editing..
 Conclusion

In the culmination of our Photo Editing project, "Whimsical Wonders," we

have ventured into the realm of creativity and brought to life a vibrant and
enchanting world. From the inception of the concept to the final frame, this project
has been a journey filled with collaboration, creativity, and learning.

Our animation revolves around the theme of imagination, exploring the

magical landscapes that reside within the minds of both the creators and the
audience. Through meticulous design, thoughtful storytelling, and the artful use of
animation techniques, we have endeavored to evoke emotions, spark inspiration,
and transport our viewers to a world where the possibilities are as limitless as one's
imagination.

The project showcased the power of teamwork, as each team member

contributed unique skills, ideas, and perspectives. From character design to
background art, from scriptwriting to animation, every aspect was a testament to
the diverse talents that came together to breathe life into our creation.

Technically, we embraced the intricacies of Photo Editing, employing a mix

of traditional hand-drawn animation and digital tools to achieve a visually
stunning and cohesive result. The use of color palettes, sound effects, and music
harmonized to create an immersive experience that captivates the audience from
start to finish.

As we reflect on our journey, it is evident that this project goes beyond the
pixels and frames. It represents a celebration of creativity, a showcase of skill, and
a collaborative effort to bring something truly magical into existence. Our hope is
that "Whimsical Wonders" not only entertains but also inspires others to embark
on their creative journeys.

In conclusion, this Photo Editing project stands as a testament to the

boundless potential of imagination and the remarkable outcomes that arise when
talented individuals unite with a shared vision. As our characters fade into the final
scene, the spirit of creativity lingers, inviting others to explore the infinite
possibilities that await in the world of animation and storytelling.
 Resources/Reference

1. Software:
- [Adobe Animate](https://www.adobe.com/products/animate.html)
- [Toon Boom Harmony](https://www.toonboom.com/products/harmony)
- [OpenToonz](https://opentoonz.github.io/e/)

2. Tutorials and Learning Platforms:

- [Toon Boom Learn](https://learn.toonboom.com/)
- [Adobe Animate Tutorials](https://helpx.adobe.com/animate/tutorials.html)
- [Animation Mentor](https://www.animationmentor.com/)

3. Animation Principles:
- ["The Animator's Survival Kit" by Richard
Williams](https://www.theanimatorsurvivalkit.com/)
- [12 Principles of Animation](https://www.animationtoolworks.com/principles.html)

4. Sound and Music:

- [Free Music Archive](https://freemusicarchive.org/)
- [Audacity (Free Audio Editing Software)](https://www.audacityteam.org/)

5. Concept Art and Design:

- [ArtStation](https://www.artstation.com/)
- [DeviantArt](https://www.deviantart.com/)

6. Storyboarding:
- [Storyboard That](https://www.storyboardthat.com/)
- [Toon Boom Storyboard Pro](https://www.toonboom.com/products/storyboard-pro)

7. Color Theory:
- [Adobe Color Wheel](https://color.adobe.com/create/color-wheel)
- [Coolors](https://coolors.co/)

8. Online Communities:
- [Animation Subreddit](https://www.reddit.com/r/animation/)
- [Newgrounds](https://www.newgrounds.com/)

9. Inspiration:
- [Motionographer](https://motionographer.com/)
- [Cartoon Brew](https://www.cartoonbrew.com/)

10. Animation Festivals and Events:

- [Annecy International Animated Film Festival](https://www.annecy.org/)
- [Animation Block Party](http://www.animationblock.com/)