Oral Comm. Reviewer
Oral Comm. Reviewer
demands.
CONTROL
A company uses effective
communication strategies as a way to
READING-TRANSMITTING FUNCTION CHANNEL
Taking down notes, comments and This is the pathway through which the
interactions during discussion or message travels to reach the
interviews are some ways practicing this destination. The channel maybe oral,
function of communication. visual, or audio visual.
INSTRUMENTAL COMMUNICATION ENCODING
When the sender sends message, it is This is the process of planning out the
decoded and something takes place as messages to be transmitted to the
the result of message sent. receivers.
AFFECTIVE COMMUNICATION DECODING
Affective communication refers to the This is to analyze and interpret the
expression of feelings about things, message. Decoding results
others and themselves. differently due to the various types of
listeners.’
CATHARSIS
FEEDBACK
Catharsis is the process of releasing or
venting out emotions and thereby Whenever you talk with someone, you
providing relief from, strong or are aware of that person’s reactions –
repressed emotions. verbal, facial, and physical.
NOISE
Noise refers to anything that interfere
Elements of Communication with or hinders the transmission and
SPEAKER reception of the message.
The person who creates and transmits
the message. He maybe called the
sender, source, or encoder. Elements of Communication
Process
LISTENER 1. SHANNON AND WEAVER
He is the one who receives, analyses, According to Shannon and Weaver's Model,
understands, and interprets the an information begins from the message
message. source which is transmitted to the receiver.
Before the message is received by the
MESSAGE receiver, the message pass through various
Message is the element transmitted in interferences such as noise. Then, the
communication. It may consist of idea, receiver receives.
opinion, information, feeling, emotion, or
attitude, or skill.
2. MU CONSTRUCTIVIST MODEL 6. BARLUND’S TRANSACTIONAL
MODEL
The MU Constructivist Model is a modified
version of the Schramm Model where a a two-way process that acknowledges the
common "field of experience" is emphasized active participation of both the sender and
The way the receiver will decode or interpret receiver in constructing meaning.
the sender's message will be based on the Dependent to cues.
light of his/her frame of reference (past
experience. stored knowledge, etc.) and
internal and external factors (weather,
place, and mood).
3. SCHRAMM MODEL
The emphasis of the Schramm Model is the
"held of experiences" concept. It is assumed
here that every individual communicator has
within himself past and present experiences
that help him relate to other communicators.
These experiences form a "field" of
experiences from which he draws meaning
at any point of communication.
4. DANCE’S MODEL
This Dance model looks like a helix which
shows that each interaction in a
communication alters each of the
participants, and so has an effect on what
follows. Its geometrical shape connotes that
communication, as it moves upward is
somehow affected by the other factors as
symbolized by its intertwining spirals. The
helix-like communication is progressing
upward even as it, turns back upon itself
and is affected by its past confirmations.
5. BERLO’S MODEL
In this model of communication, we
presume that communication transpires
within four faction: source, message,
channel, and receiver. A source, or speaker,
gives a message that passes through a
channel (either visual or auditory or audio-
visual). A receiver, or listener,