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Level One Dante Certification Program Introduction Audinate Pres

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Level One Dante Certification Program Introduction Audinate Pres

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Srle B
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© © All Rights Reserved
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DANTE

CERTIFICATION
PROGRAM
LEVEL 1

1
Copyright 2016 Audinate Pty Ltd. All rights reserved http://www.audinate.com/resources
THE DANTE CERTIFICATION PROGRAM

Training program from Audinate



Official certification lets your
customers know that you have the
knowledge and skills to implement
Dante networks

Ensures a consistent set of methods
and knowledge

2
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THE DANTE CERTIFICATION PROGRAM

With Dante Certification,


you receive:
• Use of the Level 1 and Level 2 “Dante
Certified” logos
• A certificate of completion for each level
passed.
• Optional listing in directory of Dante
Certified professionals

3
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THE DANTE CERTIFICATION PROGRAM

Level 1: Introduction to Dante


• In-person and online delivery
• Background
• Basic signal routing with Dante Controller
• Setting up Dante in simple systems
(approximately 6 devices, 1 switch)
• Recording with Dante Virtual Soundcard

4
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THE DANTE CERTIFICATION PROGRAM

Level 2: Intermediate
Dante Concepts
• Delivered in-person
• Larger systems (approx. 12 devices)
• Clocking options
• Understanding unicast & multicast
• Latency
• Redundancy
• Dante Virtual Soundcard and
Dante Via in depth

5
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THE DANTE CERTIFICATION PROGRAM

Required steps:
• Level 1: Pass Level 1 online exam
• Level 2: Pass Level 2 online exam
PLUS “hands on” exam at event

6
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INTRODUCTION
TO DANTE
DANTE CERTIFICATION PROGRAM
LEVEL 1

7
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ABOUT AUDINATE

Headquartered in Network Develop Dante as


Sydney, Australia engineers first 100%
interoperable
solution
for all audio
manufacturers

8
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WHAT WE MAKE

Dante technology
(all of it)
Hardware modules
Development tools
Software products:
• Dante Controller
• Dante Virtual Soundcard
• Dante Via

9
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LEVEL 1 TOPICS

IP What is Using
Digital audio
networking
basics
basics

10
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DIGITAL
AUDIO BASICS
LEVEL 1
DANTE CERTIFICATION PROGRAM

11
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ANALOG TO DIGITAL CONVERSION

Analog signal is sampled at


constant intervals

Yields a stream of values
in time

Pulse Code Modulation (PCM)

12
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SAMPLE RATE

Interval at which samples are


taken

Nyquist Theorem:
Samples must be taken at
least 2x maximum audio
frequency

13
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BIT DEPTH
Number of
Number of Bits
Values
How many bits are used to 1 2
represent amplitude 2 4
● 4 16
More bits -> more accuracy
8 256
CDs: 16 bits
Pro: 24 bits 16 65536
24 16777216
32 4294967296

14
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COMBINING SAMPLE RATE & BIT DEPTH
More of each -> greater fidelity

Increased bandwidth usage

Greater sample rates -> fewer I/O channels

15
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BANDWIDTH USAGE

PCM Audio Bandwidth = (Sample rate) x (Bit depth) x (No. of


channels)

Example: 64 channels of PCM audio at 48kHz/24-bit =
48,000 x 24 x 64 = 74 mbits/sec

With network overhead, 64 channels ≈ 96mbps

Less than 10% of a gigabit link

16
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WORD CLOCK

The clock that determines where in the


data an audio sample begins

Must be consistent for all devices in a
digital system so that data is read the
same way

Single Clock Master for multi-device
systems

17
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JITTER

Distortion caused by inconsistent word


clock in playout

Exists in all Digital Audio Systems

AES3, MADI, ADAT, S/PDIF

Expensive to solve in older systems

19
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LATENCY

Audio signal delay in a system



Transport and processing

Mainly a problem when we hear delayed and
un-delayed signal simultaneously

Problem for legacy networking systems (VoIP)

20
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SUMMARY

Digital audio works by playing out or recording samples


Bit depth describes amplitude resolution
Sample rate determines maximum analog frequency

Word clock must be consistent and correctly sync'd

Digital audio produces data that can be transported like any
other – time is the key that Dante provides

21
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IP NETWORKING
BASICS
DANTE CERTIFICATION PROGRAM
LEVEL 1

22
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HOW MUCH
NETWORKING DO I
NEED TO KNOW?
NOT VERY MUCH
(USUALLY)

23
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PHYSICAL SIDE OF NETWORKING
Modern small networks are made of 3 things:
Things that get connected
Switches: provide a central bridge for connections
Cables: connect them together

24
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WHAT KIND OF CABLE FOR DANTE?

Same as for any regular


computer network

Gigabit rated:
CAT5E
CAT6

100 meters max per run

25
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WHAT ABOUT WI-FI?

Wi-Fi is another way to connect to


IP networks

Less reliable that wired Ethernet

Not compatible with Dante audio

OK for Dante Controller only

26
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WHAT ABOUT FIBER?

Much
Just another Requires
greater
way to do switches with
distances if
Ethernet SFP
needed

27
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SWITCHES
Switches connect devices on a common network

Available small (5 ports) up to large (48 ports)

Switches support all ports going full speed all the time

Use gigabit (or faster) switches!

28
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SWITCHES – UNMANAGED & MANAGED

Unmanaged switches – plug ‘n play, limited



Managed switches – many, many options, tests and adjustments

Dante works with either type

Managed switches useful in “mixed” (e.g., audio + other data) or
heavily loaded networks

Unmanaged switches good in small dedicated audio networks

29
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THEN YOU DON’T
NEED A MANAGED
SWITCH
If you use only one switch to connect your Dante devices…
And you are only using the network for Dante audio…

30
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EEE SWITCHES
One special note:

EEE or “Green” switches are often not good
choices for real time media

The energy saving feature will shut down ports
and prevent parts of Dante from working
properly

Disable this feature, or use switches that do
not support it

31
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TOPOLOGY

Device
1
Daisy chain

Device 1 Device 2 Device 3 Device 4 Device Device


3
Switch 2

Device
4 Star

32
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SINGLE SWITCH EXAMPLE

SWITCH

PC or Mac

Dante Virtual
Soundcard

33
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MULTIPLE STARS

Device Device
1 5

Device Device Device Device


3
Switch 2 8
Switch 6

Device Device
4 Switch 7

34
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MULTIPLE STARS EXAMPLE

35
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SUMMARY

• Always use gigabit switches


• Use CAT5E or CAT6 cable
• Use fiber for long runs (over 100 meters)
• Use either managed or unmanaged switches for smaller networks
• Dante-only networks with one switch do not require management
features, and may safely use unmanaged switches.
• Use a ”Star” topology to minimize switch hops
• Avoid or disable “green” or EEE features

36
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LOGICAL SIDE OF NETWORKING

In analog, physical wiring showed signal paths



In networks, connections “logical” – name-to-name

Each cable carries many signals for many devices

Data delivered in packets

Network technology is neutral; no special gear needed
for audio

37
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A WORD ABOUT NETWORK LAYERS

Each layer passes data to the next

Layer 1: physical connections (e.g., cables) Physical (hardware & cables)



Layer 2: devices represented by fixed
hardware addresses (MAC) Hardware addresses

Layer 3: devices represented by variable IP IP addresses
addresses

38
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WHAT IS AN IP ADDRESS?

Numeric addresses associated with devices



On a LAN, direct communication only possible
between devices in the same IP address range

LAN: all addresses in same range

Dynamic (preferred) or user-assigned

Avoid manual (static) addressing to avoid
duplicates or unreachable addresses

39
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WHAT IS A LAN?

Local-area Network

Small number of devices (<200)

Very reliable, fast

Shares a common IP address range

Majority of audio networks are LANs

40
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WHAT IS A “STAND ALONE” NETWORK?
A single LAN

Usually dedicated to one purpose

Not dependent upon external resources
(e.g., internet, servers)

Not connected to other LANs through a router

Commonly used to separate responsibilities of AV installer

41
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AUTOMATIC ADDRESSING

LAN requires IP addresses in


a common range

Automatic addressing
enabled by default on Dante
devices

Self-assigned addresses
create a working LAN

42
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SUMMARY

Automatic
“Stand alone”
Layer 3 addressing
networks are
networking allows enables simple
commonly used to
use of IP “plug and play”
separate and
addresses for use of Dante in
simplify
connections stand alone
responsibilities
networks – use it!

43
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WHAT IS
DANTE?
DANTE CERTIFICATION PROGRAM
LEVEL 1

44
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DANTE IS A HARDWARE AND
SOFTWARE SOLUTION THAT
TRANSPORTS PRECISELY
TIMED DIGITAL AUDIO
BETWEEN DEVICES USING
STANDARD IP NETWORKING

45
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DANTE FEATURES AND BENEFITS

All devices use human-


readable names
Low, deterministic latency


Precise time alignment of
Virtually jitter-free
all audio


Automatic re-connection
Automatic device discovery
after power cycles

One-click routing

46
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HOW IS DANTE BUILT INTO PRODUCTS?

47
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DANTE BANDWIDTH

Max Channels per link


Legacy digital systems constrained to lower 512
channel count

Gigabit means Dante is capable of
512x512 at each link, many more
for entire network 64
● 32
Even a large 64 channel console consumes Dante over MADI Cobranet over
only 1/8 capacity of a single port Gigabit 100bT
Ethernet Ethernet

48
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SAMPLE RATE AND CONNECTION

Only Dante channels using


48kHz the same sample rate
may connect

Multiple sample rates on the same
network OK

Higher sample rates = fewer
48kHz channels for same bandwidth

All common sample rates supported

49
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LATENCY

• 100% deterministic – always


well-defined
• Default Dante latency 1ms –
suitable for large networks
(10 hops!)
• Adjustable to suit needs
– Minimum 150μs
– Maximum 5ms
• Set per Device

50
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CLOCKING

Dante handles clocking


automatically

Clock Master is determined by
election

All devices sync'd to Master

Each device has a clock

New Clock Master elected as
needed

51
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WHAT DOES DANTE NOT DO?

Sample rate conversion



Level control

MIDI

SMPTE time code
These are handled by products
Control and other data runs alongside Dante
on network

52
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USING
DANTE
DANTE CERTIFICATION PROGRAM
LEVEL 1

53
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DANTE CONTROLLER
Primary Dante tool

Routing: Setup, view, change

Clocking adjustments

Sample Rate settings

Latency settings

Clock and Latency monitoring

54
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DISCOVERY AND ROUTING

If no devices are connected, Dante


Controller is empty

Dante Controller always shows the
current state of the network

Key concept: Dante configuration lives
in devices, not on your computer

55
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DISCOVERY AND ROUTING
DIRECTLY CONNECT ONE DEVICE

When they are connected to network,


Dante devices automatically appear in
Dante Controller

No pre-configuration

Human readable names

A Dante device can be connected
directly to a computer

57
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DISCOVERY AND ROUTING
MULTIPLE DEVICES AND CHANNELS

Use switch to connect


multiple devices

Click “+” sign to view device channels
Click “-” sign to hide channels

Transmitter channels on horizontal

Receiver channels on vertical

59
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DISCOVERY AND ROUTING
SUBSCRIPTIONS

Dante connections are “subscriptions”



With device channels showing, click at
intersection of desired transmit and
receive channels

Green checkmark means subscription
is OK
Sample rates and types match

61
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DISCOVERY AND ROUTING
DELETING

To delete a subscription, click on


green checkmark

Checkmark disappears,
subscription deleted

63
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DISCOVERY AND ROUTING
SPLITS

Splits are easy with Dante



Simply click at intersections of
multiple receiver’s channels for a
desired transmitter

Audio is sent to all subscribed devices
and channels

65
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DEVICE NAMES

Recommended: Name first, then route



You can use device names of
your choice

Double click device in Routing view,
go to Device Config tab

Edit name

67
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CHANNEL LABELS

Labels can be applied to any channels



Use Device View

Makes it easy for volunteers or
newbies to use system

Software version of masking tape 😉😉

69
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ADJUST SAMPLE RATE

In Device View -> Device Config tab



Adjust sample rate and bit depth
(Encoding)

Choices determined by product

Most common 48kHz / PCM 24

71
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POWER CYCLE RECOVERY

Configurations are stored in Dante


devices – not in Dante Controller

At power up and/or reconnection, all
subscriptions are re-established

Dante Controller not required!

73
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NO
DOES DANTE CONTROLLER NEED TO BE
ON THE NETWORK ALL THE TIME?

74
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SUMMARY: KEY TAKEAWAYS 1
Dante Controller automatically displays connected devices

Dante devices and channels have user-definable names

Dante Controller displays both transmitter (source) and receiver
(sink) channels

Channel to channel connections are called subscriptions

Subscriptions are made and deleted by clicking at the intersection
of transmit and receive channels

75
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SUMMARY: KEY TAKEAWAYS 2

Subscriptions may only be made between devices running the same


sample rate, adjusted in Device View

Dante devices “remember” settings and subscriptions

Dante automatically selects a Master Clock

Dante Controller does not need to remain on network

Dante does not alter audio data in any way

76
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RECORDING WITH
DANTE VIRTUAL
SOUNDCARD
DANTE CERTIFICATION PROGRAM
LEVEL 1

77
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WHAT IS DANTE VIRTUAL SOUNDCARD?
(DVS)

Soft Soundcard for Mac or PC



Connects to Dante network

Record and playout from 2x2 up
to 64x64 channels using any
DAW software

78
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CONNECT TO A DAW

Launch Dante Virtual Soundcard



Set number of channels and Start
DVS

DVS will appear as audio device on
computer
Mac – Core Audio
Windows – ASIO or WDM

Select as I/O device in DAW
preferences

79
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SUBSCRIBE CHANNELS

Open Dante Controller



Computer with DVS appears as Dante
device

Subscribe channels to Dante devices on
network

Record and Playout with DAW

80
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NOW
WHAT?

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NEXT STEPS

• Want to know more?


• Take Level 2!
• Go in depth on:
– Dante Controller
– Dante Virtual Soundcard
– Using Multicast
– Redundant Dante networks
– More!

82
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TAKE THE TEST

http://www.audinate.com/certify

• Create Audinate account if you don’t


have one
• Login at URL
• Take Level 1 test
• Certificate automatically generated

83
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THANK
YOU

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