A Semiotic Reflection On Self Interpreta
A Semiotic Reflection On Self Interpreta
Theory & Psychology Copyright © 2005 Sage Publications. Vol. 15(1): 51–75
DOI: 10.1177/0959354305049744 www.sagepublications.com
52 THEORY & PSYCHOLOGY 15(1)
But dualism in its broadest legitimate meaning [is] the philosophy which
performs its analyses with an axe, leaving as the ultimate elements,
unrelated chunks of being . . . . (CP 7.570)2
In Peirce’s semiotic, discourse and objective reality are not irreconcilable
opposites, but complementary terms. Therein lies the kernel of Peircean
pragmatism, his theory of sign generation construed as a process which is
inseparable from behaviour (Greek pragma), and from experience in gen-
eral. Liszka (1998) describes Peirce’s semiotic as ‘discursive realism’,
because it presupposes the existence of reality as something external to
representation, something independent though incomplete until it is repre-
sented. Thus reference is embedded in the triadic sign as a trigger and limit.
This is one of the original aspects of Peirce’s critical rather than neo-Kantian
approach to representation. The triadic semiotic has a central concern with,
and develops an exhaustive analysis of, the process whereby something
perceptible represents something else, its object, ‘in some respect or ca-
pacity’, so as to determine an equivalent or more developed sign of itself to
some mind, the sign’s meaning, namely its interpretant, to paraphrase a
classic sign definition (CP 2.228).
Being itself a sign, the interpretant, whose generation is the aim of the
process of sign action called semiosis, is also the starting point of a new
interpretive cycle. The relationship between representamen and interpretant
54 THEORY & PSYCHOLOGY 15(1)
Peirce (CP 6.356), being and being knowable or interpretable are synony-
mous; in fact, it is the same phenomenon considered from two com-
plementary perspectives.
The specific mode of sign action is to be distinguished from the physical,
mechanistic collision of action-reaction of one element upon another. The
existence of this dynamic force, however, is presupposed by semiosis, which
functions as a ‘tri-relative influence’ (CP 5.484), because it is a law-like
regularity that involves existents and the qualities which inhere in them.
Thus the three components of sign action correspond ontologically to the
three universal layers of experience (quality, fact, law) postulated by Peirce
(CP 1.304). They constitute the phenomenological basis of the semiotic, and
manifest themselves epistemologically as a three-tiered sign. The categories
and the triadic sign underlie Peirce’s very broad definition of ‘mind’, so
broad that it is synonymous with the life principle or psykhé (CP 1.253)3 in
all its possible manifestations (see Ransdell, 1977). An example of it is the
‘little creature’ observed through a microscope, because as it shows a
purpose, the scientist must conclude that ‘there is mind there’ (CP 1.269).
Therefore no form of life is excluded from the ‘universal mode of action’ of
the triadic sign:
By semiosis I mean . . . an action or influence, which is, or involves a
coöperation of three subjects, such as sign (representamen), its object, and
its interpretant, this tri-relative influence not being in any way resolvable
into actions between pairs . . . and my definition confers on anything that so
acts the title of a ‘sign’. (CP 5.484)
Let us now provide an illustration of the above. What we wrote so far
about pragmatism and the triadic semiotic, namely the English words we
chose and then put down on paper (actually on screen), are a series of signs
or representamina (the plural form of ‘representamen’) which refer to
Peirce’s sign theory, which thus constitutes the sign’s object. Lastly, the
comprehension that these visible marks aim at eliciting in the reader,
including, of course, the writers of this text, is the interpretant or meaning of
it, what would be understood by anyone who goes through the text with the
purpose of gaining some knowledge on the relation between sign theory of
the self. Rather than concrete, separate things in the world, the three sign
components are logical relations to the world, which produce (fallible)
knowledge thereof. The aforementioned words are, by turns, sign, object or
interpretant. This depends on the analyst’s concern, when she deals with this
text semiotically, and not on some natural, pre-established order. Figure 1
shows the triadic logical relationship which underlies semiosis.
A corollary of the conception of the self as a triadic sign is that its
development is not to be seen as isolated or as radically estranged from
nature, but, on the contrary, as a living component of it, namely a
manifestation of the universal life principle, which is defined in the present
56 THEORY & PSYCHOLOGY 15(1)
ideals embodied in the signs of our culture. Becoming a self takes place
through the continuous generation of tangible ‘dynamic interpretants’ de-
fined as ‘whatever interpretation any mind actually makes of a sign’ (CP
8.315), which are the logical conjunction of what is most idiosyncratic—
dreams and fantasies—and of that which is most impersonal—the voice of
the other as it is manifested in the expectations and traditions of our
community.
In his useful discussion of the state of the art in the study of subjectivity,
Colapietro (1990a) concludes that the pragmatic approach to human agency
is an adequate response to the dangers entailed by some postmodern
theoretical analyses which ‘displace the cogito from its position of privilege
and authority’, and lead to ‘the vanishing of the subject’ (p. 651) as an
autonomous agent. In view of this theoretical risk, Colapietro (1990b) states
elsewhere, we must prevent the integrity of the self from being jeopardized
by the proclivity to overemphasize multiplicity to the detriment of unity, in
both the social sciences and the humanities. He holds that we must heed both
multiplicity and ‘an overarching identity’ (p. 192), and concludes by
positing the need for a more comprehensive theoretical analysis of the self
‘if I am to be more than an ever shifting signifier, if I am to be a steadfast
self’ (p. 207).
Another relevant contribution to this alternative approach to the self is
Schrag’s (1997). In metaphorical terms, he gives an account of a critical
revision of the postmodern deconstructive turn, whereby the self re-emerges
like ‘the phoenix arising from its ashes—a praxis-oriented self, defined by
its communicative practices, oriented toward an understanding of itself in
its discourse, its action, its being with others, and its experience of
transcendence’ (p. 9).
To explore the self in action as well as in discourse or in exchange with
others, which are all inseparable realms for the pragmatic semiotic, we need
to consider in some detail the aforementioned ‘tri-relative influence’ em-
bodied by the sign. Only thus can we get away from the too abstract,
disembodied self of post-structural theory, which, in fact, has progressed
little further than its Cartesian ancestor, the split subject of modernity.
In an effort to reconsider critically the psychological self, Esgalhado
(2002) posits a sign-based perspective to develop an alternative formulation
of subjectivity. She draws most of her arguments from French post-
structuralism, which, in turn, derives from Saussurean, binary semiological
theory, with some contributions from contemporary psychoanalytic theory.
The overall goal of Esgalhado’s analysis, namely to bring out the importance
of signification as a solution to Cartesian dualism, so as to offer ‘a view of
58 THEORY & PSYCHOLOGY 15(1)
the subject as dynamic and multiple’ (p. 778), comes close to our own.
However, we have some reservations concerning her theoretical framework.
Binary sign theory seems adequate to explain the multiplicity of identities
that the subject successively adopts as a member of different groups
separately, but the signifier/signified pair, which is the basis of semiology,
does not seem sufficient to account for the subject’s agency, nor for his or
her sense of enduring personal identity, of unity and sameness through time.
We believe that the triadic sign can yield better results if it is used as the
epistemological basis of a psychological theory of the self, since it allows us
to conceive of the generation of a multiplicity of identities as partial
realizations of the continuous interpretive process which is the self. That is
why the ‘living metaboly’ (CP 5.402) of sign action is essential to analyze
the self and the development of identity.
Peirce (CP 5.462) claims that we are immediately conscious of feeling
qualities but not so of the attribution of feelings to an ego. As we stated
above, the semiotician concludes that the self is the result of an inference, of
an instinctive logical process. Reason starts with perception: we perceive
embodied qualities of feeling through their reaction against our will, and we
infer their generality (CP 8.144). As opposed to the act of reading the units
of a binary abstract code, interpretation entails, for Peirce, the progressive
revelation of ‘brute’ reality through signs, which is a fallible, purposive
endeavor determined—in the sense of being constrained—by the semiotic
object: ‘the idea of one thing manifesting a second to a third—providing
experiential access to it, revealing it, mediating the one to the other—is
among the most helpful intuitive understandings of what semiotic is sup-
posed to be about’ (Ransdell, 1991).
Every semiotic process must have a unity of consistency as it evolves in
time, but how can the subject be at once multiple and still preserve a unity?
Peirce’s (CP 6.237) answer, which is based on the Kantian analysis of unity,
is that the unity of consciousness can logically imply multiplicity without
incurring in paradox. To understand this postulation, it is necessary to give a
brief introduction to the universal phenomenological categories that account
for experience in the triadic semiotic. Multiplicity in its sheer variety
corresponds to the category of firstness, namely feelings considered abso-
lutely in their purely qualitative aspect, not yet embodied in any fact or
existent. The definition of firstness is based on the monadic unrelated aspect
of things or events, which is the analytical result of regarding them neither
as actual facts nor as regularities, but as sheer possibilities: ‘it is the mode of
being which consists in its subject’s being positively such as it is regardless
of aught else’ (CP 1.25).
Something corresponds to the category of secondness if it consists in an
embodied dualistic relation, one which involves an element in reaction
against another. This kind of experience implies the existence of a second
subject; it is what enables our perception of objective reality. By ‘objective’
ANDACHT & MICHEL: SELF-INTERPRETATION AND IDENTITY 59
our very existence as meaningful beings depends largely on our being part of
the sign process: ‘the subject in its innermost being is itself a form
of semiosis’ (p. 37).
A triadic model of the sign is required if we are to avoid positing either the
human subject or objective reality as irrelevant to the interpretive process.
In this lies one of the key contributions of triadic semiotic, namely a steady
flux of perception–action–understanding which can be compared with the
Moebius strip, whereby world and interpreter, as manifestations of both
external reality and the semiotic web, intermingle creatively. The subject
and the real are fully placed within the process of sign-interpretation. This
perfectly continuous relationship of the subject and the object of thought
contrasts sharply with Saussurean semiology’s dualistic sign of signifier and
signified, which inevitably weakens and blurs the influence of the world
outside, as it were, in favor of mental signs.
Saussure’s sign theory or semiology was originally (1915/1974) defined
as the study of the life of signs within society, and it was said to belong to
social psychology. Therefore, signification was deemed to be to be part of
society’s ways and customs, a kind of taxonomic analysis of some of its
practices. Peirce construed ‘semiotic’ as a synonym of ‘logic’, which has a
different kind of relation with psychology, as we wrote above.
The Saussurean sign is defined as an arbitrary relation between a signifier
( = sound image) and a signified ( = mental concept), while co-reference, as
an upshot of logical transitivity between object, representamen and inter-
pretant, makes the triadic relation between them a necessary one. The
relation between signifier and signified depends on a conventional, social
code—the Saussurean langue or language system. Thus meaning in semi-
ology is construed as the purely negative upshot of structural differences
among signs which belong to a system, for example national military
insignia. This becomes even clearer in the work of one of Saussure’s
followers, the Danish linguist Hjelmslev (1935/1961), for whom meaning is
nothing but the projection of an abstract grid over an amorphous and inert
substance, namely brute reality before language cuts it out and shapes it in
orderly meaningful units. In structuralism signs are understood not so much
on account of the existence of an intrinsic meaning within the sign unit, but
owing solely to a system of oppositions within an abstract pattern, the
language system construed as a closed, self-sufficient universe. It is no
coincidence that Saussure’s favourite example of a meaningful sign system
is the chess board: the value of each place is wholly dependent on the other
62 THEORY & PSYCHOLOGY 15(1)
spaces of the board; nothing external enters into the abstract, oppositional
definition of meaning of semiology.
Let us sum up the inconvenience of working with a dyadic theory of
signification for an account of the self. First, objective reality tends to lose
its relevance regarding meaning, and this jeopardizes the self-understanding
of a being who exists in the world, surrounded by things and by others with
which he or she must interact and negotiate the meaning of his or her self.
Second, since in semiology reference to reality and to mental concepts are
fused into just one notion, that of the signified, meaning generation as an
evolving process which compounds the determination of the real and that of
the sign structure to elicit an interpretant cannot be accounted for. The
theoretical loss of the generation of interpretants is a death blow for the
understanding of the self as a continuous process whereby subjectivity
evolves, and adapts or fails to do so while it interacts with the world. Far
from denying the strong ties of self with discourse, we believe that to
construe the self as exclusively dependent on verbal conventions cannot but
weaken its other essential features. If the three phenomenological categories
are part of every experience, then possible qualities and the hard evidence of
existents, namely imagination and concrete circumstances, are as much part
of meaning as regularities, which exceed by far those of human linguistic
patterns. The determination of the real consists in its being what it is
regardless of any personal opinion about it (CP 6.495). If we do not want to
withdraw a vital sustenance from the self, its perceptual as well as its
imaginative connections with the world, with the lived situation, the triadic
semiotic account seems more adequate.
We may conclude this brief contrast of the two sign models by means of
an analogy proposed by Wiley (1994): ‘Peirce’s semiotic triad is dynamic
and in potential perpetual motion, involving an indefinite amount of inter-
pretation and reinterpretation. To stretch a metaphor, it is more a (triadic)
moving picture than a (dyadic) snapshot’ (p. 14).
both, being dyadic, are based on faulty semiotics. In the pragmatic scheme
there are three semiotic elements that can be missing: the sign, interpretant,
or object’ (p. 212).
Based on Peirce’s dialogic construal of thought, and on G.H. Mead’s
(1913) symbolic interactionism, Wiley (1994) devises his own model of the
communicative self (see Figure 2), which he depicts as a triad engaged in an
internal conversation (pp. 13–16), a self ‘not based on cogito but on a slow
self discovery’ (N. Wiley, personal communication, April 22, 2003). Thus
Wiley combines Peirce’s I–you systemic directionality with Mead’s dialogic
self—‘I–me’—to obtain a reflexive trialogue that involves the three personal
pronouns: ‘Me–I–you’. The ‘I-self’ of the present stands for the ‘Me-self’ of
the past and addresses a ‘You-self’ of the future if we formulate this model
of the self in terms of Peirce’s definition of sign (CP 2.228).
Concerning the development of personal identity, Wiley’s (1994) central
tenet is that the ‘I–you–me’ self structure ought to be conceptually distin-
guished from the manifold of particular semiotic identities (pp. 26–39),
which are the concrete contents of that structure. The pathological usurping
of the self by a single identity is compared by Wiley with the unrestricted
growth of a tumor. The normal self-governed process comes to a halt as one
of its momentary products replaces the entire process. We will illustrate this
below with a clinical example. To illustrate this dangerous confusion, Wiley
describes the ‘overall structure of the self’ (p. 36) as a ‘container’, and the
specific identities, which are sets of particular signs, as being ‘contained’
(p. 38).
ANDACHT & MICHEL: SELF-INTERPRETATION AND IDENTITY 65
However, this spatial image of the self may unwittingly conspire against
our grasping the processual nature of the semiotic self which Wiley himself
assumes, as he acknowledges (p. 27). Let us recall that Peirce’s original
conception of the ‘tri-relative influence’ involves the generation of inter-
pretants across time. The use that Wiley makes of the three personal
pronouns which structure human communication points strongly to the
teleological dimension of sign action: the development of the commun-
icative self through time, the tendency to address the ‘You’ in the future,
starting from the ‘Me’ in the past, and going through the present mediation
of the ‘I’.
The question now is how to advance in the characterization of concrete
identities that Wiley (1994, p. 36) relates to ‘social traits’, to ‘personalized
psychological traits’ and to ‘self-concepts’, on the one hand, and the generic
self as the center of meaning generation, on the other. The hegemony
exerted by a partial component of the self process cannot but reify and
falsify the true nature of human beings as temporal creatures, who must find
their feet in an ever-changing, Heraclitean reality.
Short’s (1981a) assertion that the basic issue of the triadic semiotic is not
that of sign but that of semiosis, the process of sign interpretation, [which] is
essentially teleological (p. 202) is no overstatement. The corollary of a
semiotic theory of personal identity is that ‘to be a self is to be in process of
becoming a self’ (Colapietro, 1989, p. 77). To develop the consequences
of the self/identities distinction we must rely on the teleological functioning
of semiosis. The autonomous generation of interpretants is decisive for the
generation of the ‘significate effects’ (CP 5.475) which we call our identity,
and which occurs at a certain place and time, in our interaction with others.
If this distinction becomes blurred, or worse if it is obliterated by the
unwarranted halting of what is in fact a continuous flow of change (self)
which includes and integrates its stationary pauses (identities), then we are
apt to become the prisoners of a jail of our own devising, namely a fixed
identity which we feel and think we have to adopt for all times and
circumstances. Against such trouble, psychology must focus its analytical
strategies, lest the flow of adaptive creativity not become frozen, and bring
about a numbing of psyche, the life principle of all that exhibits a purpose.
her; from being a lively, playful child, she had become cheerless and
devitalized. There was an obvious reason for this loss of vitality which
seemed to escape her mother. Her father had been recently killed in an
accident. During the interview, the mother repeatedly emphasized that Lucia
was not herself any longer. The girl agreed wholeheartedly that she was
indeed a cheerful kind of girl. Her manifest concern was that she was not
able to be who she used to be, someone always willing to play with her
friends.
This is the story Lucia told to the group. Once upon a time there was a
kitten that did not want not to play. A rabbit offered to play with him, and
the kitten said ‘no’. A dog asked him to play, and he also said ‘no’. Finally,
the kitten felt so sad and lonely that he went home and died.
From the semiotic point of view, the reduction of her self to a single
identity had diminished the generative power of the self as an evolving sign.
In terms of Wiley’s (1994) proposed distinction of generic self and particular
identities, we can say that Lucia had mistaken the identity of a cheerful girl,
of a single dominating ‘self-concept’ or ‘psychological trait’ (Wiley, 1994,
p. 36), for her self. Therefore, in spite of her peers’ considering her story an
extremely sad one, she did not see herself as responsible for having told a
heart-breaking story. There was no doubt that the intense sadness that was
felt all around was of her own making, but Lucia did not heed the others’
request. She said that she was tired and she did not feel like changing the
plot at that moment.
As a closure to the session, it was decided that a make-believe picture of
the whole group of children was to be taken. Its aim was to help Lucia see
herself through the eyes of the others, and thus to integrate what she so
insisted was not part of her. As she took her turn behind the imaginary
camera,4 she was taken aback with what she saw in front of her: ‘Lucia
looks sad!’ she exclaimed. Then she stopped to think for a while, until her
face lit up with an idea that had obviously just come to her: ‘I know why she
is sad! It’s because her father died!’ There was a long silence in the room. At
last, one of the boys said softly: ‘My mother also died.’ After that, he
approached Lucia and held her hand.
It is relevant to recall that the girl had attributed her distress not to an
inhibition of grief, but to the difficulty of accepting a manifest change in her
identity, which implied a limitation of her self-interpretive power. Expressed
in the girl’s words, the motive for her consulting was that she did not want
to be the kind of person she actually was. If her will had had its way
unrestrainedly, that is, if the self could be really constructed, Lucia would
have told the group the cheerful, carefree story of a character who was
energetic, sociable and lively. That was indeed her will, as it had been
clearly asserted on the day of the interview. Still, the story that came out of
the girl’s mouth seemed to have a life of its own, or a visible lack thereof, in
fact. The signs were independent of the manifest force of her will (CP
ANDACHT & MICHEL: SELF-INTERPRETATION AND IDENTITY 71
1.220), as opposed to the teleological power of ideas, which, for Peirce, are
the same as signs, whereby we ‘receive and transmit ideal influence of which
[we are] a vehicle’ (CP 1.212).
The playful characters who populated her story embodied a particular
identity of Lucia’s self, that of a cheerful girl. However, the kitten with the
deadly feeling stood for another voice or identity that was also part of the
girl’s self. The girl’s self is an interpretive ongoing unity and not the simple
sum of the voices. This explains that her liveliness is not the result of her
being always ‘a cheerful girl’, but of her capacity as an interpretive agent.
If we combine Short’s (1981b) proposal of human purpose as the
appropriation of some ideal type, and Ransdell’s (1992) proposal of our real
power consisting in observing and manipulating signs that already have
meaning-generating power, then we are able to understand human agency. It
is Lucia who picks the narrative signs that are able to express, as a living
purpose, what her past, concrete identity does not allow her to express. Thus
she becomes the vehicle for the emergence of telic originality, the truth,
which, in this case, is the aesthetic ideal of being a self continuously in the
process of becoming one, and not the reiteration of a single, predefined
interpretant/identity which is willed by others or by even herself. Her taking
up that ideal type or purpose, the tragic narrative, is what being a self is all
about: the manifestation of a multifarious continuum which is made of both
playfulness and grief, and many other possible identities, which are nothing
but the possible and actual interpretants of our self in changing circum-
stances. Each ‘self concept’ or ‘psychological trait’ (Wiley, 1994, p. 36)
corresponds semiotically to the generation of a single interpretation.
Short’s (1981b, p. 368) description of somebody’s purpose as the actualiz-
ation of an ideal type allows us to conclude that the girl’s choice of that story
shows the convergence of telic directionality and of telic originality (Alex-
ander, 2002). The narrative begins like a typical children’s story, since, like
so many others, it involves pets, and thus is akin to playing. But her story
also contains an unexpected, tragic turn of events that upsets the young
audience, and allows the girl’s unwilled identity to emerge, and then to be
observed and interpreted by the narrator herself.
Conclusion
Our paper began with the central problem tackled by Wiley (1994) concern-
ing the Cartesian influence on various forms of contemporary reductionism
affecting the self as a universal category. Theories such as constructivism
and social constructionism tend to identify human generic nature, the self,
with the shifting identities that are adaptive to changing social contexts and
different life circumstances. We argued that the framework of the pragmatic
triadic semiotic and the phenomenological categories which serve as its
72 THEORY & PSYCHOLOGY 15(1)
Notes
1. We follow a common practice among Peircean scholars, and use the term
‘semiotic’ to denote the specific kind of triadic sign theory developed by Peirce.
This serves to differentiate this model from other sign theories (e.g. semiology,
also known as European semiotics).
2. We follow the convention of quoting Peirce with the notation ‘CP [X.XXX]’,
referring to volume and paragraph in The Collected Papers of Charles S. Peirce
(1931–58).
3. Peircean semiotic distinguishes psychic truths from psychological truths. The
former refer to logical matters, and the latter to a special, applied science. See Ibri
(2000, p. 44) for a development of the opposition.
4. A psychodramatic technique was used.
74 THEORY & PSYCHOLOGY 15(1)
References