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Vrev 305

The VREV-305 plugin emulates a rare 1970s spring reverb unit with a unique 12-spring design that produces a dense, complex reverb tail. The plugin faithfully recreates the original unit's spring chamber and graphic EQ, while adding digital controls for decay time, pre-delay, and more. It provides per-channel and global controls to sculpt the reverb sound.

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0% found this document useful (0 votes)
34 views

Vrev 305

The VREV-305 plugin emulates a rare 1970s spring reverb unit with a unique 12-spring design that produces a dense, complex reverb tail. The plugin faithfully recreates the original unit's spring chamber and graphic EQ, while adding digital controls for decay time, pre-delay, and more. It provides per-channel and global controls to sculpt the reverb sound.

Uploaded by

puzzle lini
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as PDF, TXT or read online on Scribd
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ABOUT THE VREV-305 VINTAGE SPRING REVERB PER CHANNEL CONTROLS

The VREV-305 is an emulation of a very rare and iconic spring Decay (0.5...32 s)
"chamber" reverb system from the 1970s. The 305 is beloved
The Decay time knob is used to set the time it takes the reverb
for its dense, complex and plate-like response. Unlike many of
tail to decrease by 60 dB @1 kHz.
its competitors the unit featured a custom-built spring tank
that included 12 (!) springs whose signal propagation times
NOTE: In the original circuit the decay time is fixed at about 3.5
were logarithmically equally spaced in order to form a har-
seconds due to the physical properties of the spring system. In the
monic series of reflection patterns. Using this approach the
plugin version this limitation is removed allowing for more control
echo density builds very quickly and exhibits only minimal
over the reverb tail and thus for much more versatility.
amounts of the splatty artifacts that spring reverbs are typical-
ly known for.
Pre-Delay (0...500 ms)
The Fuse Audio Labs VREV-305 is a faithful recreation of the The Pre-Delay knob is used to set the time of a delay that is
original unit including its unique spring reverberation cham- applied to the input signal before it enters the reverb process-
ber, its interactive graphic EQ, as well as a set of digital feature ing section. This can be used to delay the onset of reverbera-
additions such as a decay time control and a pre-delay. tion so that it can be separated from the dry signal.

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Output Mix (0...100 %) Output (-12...12 dB)
The Output Mix control is used to set the amount of effect The Output screw is used to set the linear gain of the respec-
present in the output of the respective channel by applying a tive channel's output signal. It does not introduce any addi-
gradual cross-fade between the dry and processed signals (0% tional coloration.
= only the dry signal, 100% = only the wet signal is present).

EQ 150 Hz band (-12...12 dB)


The 150 Hz EQ knob is used to set the gain of the 150 Hz EQ
band between -12 and +12 dB.

EQ 600 Hz band (-12...12 dB)


The 600 Hz EQ knob is used to set the gain of the 600 Hz EQ
band between -12 and +12dB.

EQ 2 kHz band (-12...12 dB)


The 2 kHz EQ knob is used to set the gain of the 2 kHz EQ
band between -12 and +12 dB.

EQ 6 kHz band (-12...12 dB)


The 6 kHz EQ knob is used to set the gain of the 6 kHz EQ
band between -12 and +12 dB.

NOTE: The equalizer is applied to the processed signal. It is imple-


mented as a graphic EQ so the bands are highly interactive.

2
GLOBAL CONTROLS fect signal that's purely mono. This can be useful on mono
sources such as snares or vocals. This parameter is available in
Power Switch (Off/On) stereo instances only.

The Power Switch engages or bypasses the plug-in’s entire pro- NOTE: The Mono Chamber Return summing node is located after
cessing chain. the EQ and before the Dry/Wet mix node, just like in the original
circuit.
Mono Chamber Drive (Off/On)
The Mono Chamber Drive button engages stereo summing of
Link Button (Off/On)
the left and right signals before they enter the spring process- Pressing the link button enables channel-linked operation. In
ing system. The virtual spring system features 12 reverbera- this mode the left and right channel controls will move in
tion springs. The left channel is sent to the odd numbered linked fashion so the same settings can be applied to both
springs while the right channel drives the even numbered channels simultaneously. This parameter is available in stereo
ones. Engaging Mono Chamber Drive summing causes all instances only.
springs to “see” the same signal resulting in a slightly more
centered effect signal. This parameter is available in stereo in- NOTE: Entering link mode will copy the settings from the left chan-
stances only. nel to the right channel potentially overwriting the right channel’s
current settings.
Mono Chamber Return (Off/On)
Please also note that due to technical restrictions and in order to
The Mono Chamber Return button engages stereo summing maintain compatibility with various host protocols, only the pa-
of the left and right signals after they are processed by the rameters that are touched will create automation data when in
spring system. The virtual spring system features 12 link mode. This is by design. Playing back your recorded automa-
reverberation springs. The left channel is sent to the odd num- tion will result in the correct behavior, nevertheless, given that the
bered springs, while the right channel drives the even num- plugin takes care of synchronizing the parameter values internal-
bered ones. Engaging Mono Chamber Return summing causes ly.
the left and right effect returns to be summed yielding an ef-

4
Pre-Delay Sync (Off/On) METERING
The Pre-Delay Sync button enables quantization of the pre-de-
lay time (see above) to the closest musical subdivision. The PPM Meter LEDs
subdivision corresponding to the current session tempo and The PPM Meter LEDs show the the PP (Peak Program) level of
pre-delay setting will be displayed in a callout box below the the respective channel. The reference point is -12 dBFS = 0 dB
Pre-Delay knob. PP.

Lock (Off/On) Meter Mode (Input/Output)


The Lock button (located at the lower right of the plug-in’s in- Clicking on the PPM Meter LEDs opens a configuration menu
terface) is used to “freeze” the current Link, Sync and Mix set- that enables the selection of either input and output peak pro-
tings. This is useful when comparing different presets which gram metering.
would otherwise possibly change these settings.

NOTE: The lock setting isn't saved in the DAW session, so it won't
be restored when the project is re-loaded. This is by design.

6
SYSTEM BLOCK DIAGRAM

7
KEYBOARD SHORTCUTS FAQS AND TECHNICAL SUPPORT

VST hosts An overview of Frequently Asked Questions can be found on


our website under the following link
Ctrl/CMD+Click: Reset to default
Alt+Drag: Switch to circular knob mode
https://fuseaudiolabs.com/faq.html
Shift+Drag/Mouse wheel: Fine control

Our tech support can be reached via the following link


AU / AAX hosts
Alt+Click: Reset to default https://fuseaudiolabs.com/support.html
Shift+Drag/Mouse wheel: Fine control

All hosts
Double Click: Reset to default / jump to value

SYSTEM REQUIREMENTS

• Intel compatible or Apple Silicon CPU


• 2GB RAM
• Mac OS 10.12 or newer (Mac users)
• Windows 7 or newer (PC users)
• A display resolution of 1280×1024 pixels or more
• A VST2, VST3, AAX or AU compatible 64-bit host (Mac
users)
• A VST2, VST3 or AAX compatible 32-bit or 64-bit host (PC
users)

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