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Atemporal - Score & Partes

The document is a musical score containing notes and rhythms for various instruments. It contains two verses of music written for clarinet, trumpet, congas, claves, maracas, piano, violin, and contrabass. The time signature is written as 9/8 and the tempo is marked as 90 beats per minute for verse 1 and the word "Bolero!" is written for verse 2.

Uploaded by

Aimee Warren
Copyright
© © All Rights Reserved
Available Formats
Download as PDF, TXT or read online on Scribd
0% found this document useful (0 votes)
36 views

Atemporal - Score & Partes

The document is a musical score containing notes and rhythms for various instruments. It contains two verses of music written for clarinet, trumpet, congas, claves, maracas, piano, violin, and contrabass. The time signature is written as 9/8 and the tempo is marked as 90 beats per minute for verse 1 and the word "Bolero!" is written for verse 2.

Uploaded by

Aimee Warren
Copyright
© © All Rights Reserved
Available Formats
Download as PDF, TXT or read online on Scribd
You are on page 1/ 15

Atemporal Aarón Madrigal

Kevin Quesada

 
                 

        
  
= 50

  
Verso 1


 
Clarinet in B♭

 
           
 


Trompeta en Si♭ 1

       
        
Congas

Claves          

         


Maracas
 

                       


   
       

          
 
      
Piano Am G F Am G F Am F C E/G# A G F Em E

  
         
Violin 
        
Contrabass
 

     


9 = 90 Verso 2
Bolero!

      


Cl. in B♭

  
            
3


Tpt. en Si♭ 1


              
3 3 3 3 3 3
3

Con.

        
        

Clv.

                   




Mrcs.

            
               



  
  
       
           


          
  

  
Pno.
Am G F G Am Dm E Am etc.


      

      
     
Vln.

   
            
 pizz.   
Cb.
2

       
15

       
Cl. in B♭



        
Tpt. en Si♭ 1

    
 
 
Con.

       


Clv.

                            
                                                          
Mrcs.

            
                 
          
Pno.

       
Vln. 
   
                                      
Cb.
    

     
            
             
 
 

22


Coro

                         
           
Cl. in B♭

                      
   

        
Tpt. en Si♭ 1

 
   
Con.


        
Clv.

           
                   
Mrcs.

 
  
           
Pno. Am G

        

           
                     
Vln.

Cb.

30 
  Interludio (solos)                       
        
 
    

    
Cl. in B♭

          
            
3 3 3 3 3 3 3


   
Tpt. en Si♭ 1

            
3 3 3 3 3

           
 
Con.


              
Clv.

          
                      
Mrcs.

    
 
             
Pno.
Am Dm E Am G F G

     
           
          
         
     
3

                    
         
      
Vln.

 
  
Cb.
   
                      Verso 3

3
    

37
Cl. in B♭

  3
                     

 
3 3

       
3 3 3
3 3 3

    
      
Tpt. en Si♭ 1

3 3 3

 
 
        
Con.

             
Clv.


      
Mrcs.

              
      
Pno.




         
   3 
  
                 
  
   
          
      
     

Vln.

Cb.
   

        

43


      
Cl. in B♭



       
Tpt. en Si♭ 1

    
 
 

Con.

       
Clv.



                           
Mrcs.

                                                          
            
                      
     
Pno.

       
Vln. 
   
                                      
Cb.
    

 4       
  

50
Verso

        
Cl. in B♭



         
Tpt. en Si♭ 1

 
 
 
 

Con.

        
Clv.



                          
                        
Mrcs.

                                                     
                 
     
            
              
Pno.

 
Vln. 
       
                                       
      
Cb.
   
    
                
4
         
     
58


Coro

             
                      
Cl. in B♭

         
  
  
  
    
        
Tpt. en Si♭ 1

 
 
 
 

Con.

        
Clv.


           
                   
Mrcs.

    
           
Pno.

        
Vln. 
           
                     
Cb.

   Puente
       
 
66

         
     
Cl. in B♭

   
          
Tpt. en Si♭ 1

            
 

Con.


            
Clv.

                        

                                                       
Mrcs.

     
      

                      
       
Pno. Am Em F# Bm A G Bm A/C# D F# Bm Em A7 D A/C# Bm B7

        
Vln. 
                 
                      
Cb.
     

        
 
73

        
 
Cl. in B♭


        
Tpt. en Si♭ 1

 
 
 
 

Con.


        
Clv.

                 
                           
                                         
Mrcs.

                     
       
         
                       
Pno. Em F#m F# Bm A G Bm A/C# D F# Bm Em A7 D A/C# Bm B7

         
Vln. 
 
                                             
Cb.
     

             
5

       
81 Coro


Cl. in B♭

                                
  

Tpt. en Si♭ 1


Con.         

 
 
 
 

Clv.

        


Mrcs.

                                               
                                
                   

                       
   
Pno. Em F#m F# F Em F#m F# Bm A

         

    
                                      
Vln.

Cb.


         
                          
89

 
           
Cl. in B♭

                  
Tpt. en Si♭ 1                           

 
Con.             

 
 
        

Clv.

            
 


Mrcs.

   
    

      


   
          
Pno.

       

   
Vln.

                   
Cb.

      
Clarinet in B♭ Atemporal
Aarón Madrigal
Kevin Quesada

  Verso       
 = 50
           
  
1

 
  
 = 90
  
      
 
6
Bolero! Verso 2
Coro


 
                         
        
24

   Interludio (solos)
                 
       
      
30


 
3 3 3 3 3

  
3

    


               
37


3

         
3 3 3 3

 
         
41 Verso 3


Verso 4 Coro

 
        
                 
   

60



         Puente 
              
 
66
Coro



               
                 
 
89
Trumpet in Bb Atemporal
Aarón Madrigal
Kevin Quesada


 = 50
      
      
 = 90
           
Verso 1

   3
Bolero! 3


  
3 3

  
3 3

                
  
12 Verso 2 Coro


                                    
3 3

    
      
24

                


 

     

  

Interludio (solos) 3


30

 3 3 3 3 3

                                 
3

 
36


3 3 3

 
         
   
3 3 3

     
Verso 4

  
42 Verso 3 Coro


                          
   


     
         
61

 Puente  
    
               
 
67 Coro

  
                           
 

   

          
86

     

  

        
92
Congas Atemporal
Aarón Madrigal


Kevin Quesada


 = 90

 = 50
                     
 
Verso 1 Bolero!

          
14 Verso 2
Coro

            
24 Interludio (solos)

            
33

          
42 Verso 3 Verso 4

            
52
Coro

            
64 Puente

            
73


              
85
Coro
Claves Atemporal
Aarón Madrigal
Kevin Quesada

  
 = 50
                   
Verso 1
 = 90
Bolero! Verso 2

 
 
 
 
 
 

16
Coro

 
            
 
 

28
Interludio (solos)

 
    3     
    Verso 
 
 

39

 
 
 
 
 
 

50
Verso 4
Coro

 
 
            
 

62
Puente

 
 
 
 
 
 

73

 
 
 
 
     
85


Coro
Maracas Atemporal
Aarón Madrigal
Kevin Quesada

 
 = 50
 Bolero!
            
Verso 1  = 90


 Verso
   2            
14

            
22
Coro

 Interludio
    (solos)
       
31

                  
39
Verso 3

            
48
Verso 4 Coro

           Puente
     
60

             
68

            
81
Coro

        
93



Piano Atemporal Aarón Madrigal
Kevin Quesada


 = 50
                     
Verso 1

        
      

          

       
Am G F Am G F Am F C E/G# A G F Em E


  
                

      
                           
= 90

     
Verso 2

 
9

      
Bolero!

      

              
      
Am G F G Am Dm E Am etc.


                   
                                        
16

               
               
    


    Coro           
            
               
21

         
   
 
      
     
Am G


  (solos)
        
               
   
   



  
30 Interludio

   
  
               
Am Dm E Am G F G


                
        
                
     
    
Verso 3

  
39

           
  
                
 


                Verso  4  
   
       
                             
46

                
  
                 

                
2

  
                 
                    
     
51

             
             
      


       Coro          
          
      
          
          
56

         
        
          



                
               
              
        
   
Puente

      
64

    
          D 
          
Am Em F# Bm A G Bm A/C# F#


          

                         
 
  
   

 
     

  
71

         
   
             

 
Bm Em A7 D A/C# Bm B7 Em F#m F# Bm A


                   
    
                  
 
  
   

 

   
      
 

 
  
76

    D     D  A/C# Bm
          
G Bm A/C# F# Bm Em A7 B7


                            Coro   
                    
   

 



81

               
                Bm  
  
Em F#m F# F Em F#m F#


       
  
   

       
      

86

   
  
       

   
   
A
Violin Atemporal
Aarón Madrigal
Kevin Quesada

   
 = 50  = 90

      
Verso 1 Bolero! Verso 2 Coro
Interludio (solos)

   

   
         
        
32

        
3

   
       
Verso 3 Verso 4

    
     
37


3

   

58
Coro Puente Coro
Contrabass Atemporal
Aarón Madrigal
Kevin Quesada

                        
 = 50
  Bolero!
 = 90
    
Verso 1

  

                                    
pizz.

   
14 Verso 2

Coro
           
                  
20

              (solos)
            Interludio

26

                                            
  
32

                          
            
  
  
39 Verso 3

     4         
                        Verso

 
46

          
    
                    
  
52

Coro  
              
           
58

                          
Puente
            
  
64


         
                         
2

  
71

                
        
          
 
 
77

               
                
83

     
                   
  
89

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