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December 1963 Oh What A Night The Four Seasons

The document appears to be sheet music for a keyboard part in a covers band playing "Oh What A Night" by The Four Seasons. It contains musical notation across multiple lines showing the keyboard part and includes annotations for other instruments.

Uploaded by

Shibil Benev
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
100% found this document useful (1 vote)
731 views5 pages

December 1963 Oh What A Night The Four Seasons

The document appears to be sheet music for a keyboard part in a covers band playing "Oh What A Night" by The Four Seasons. It contains musical notation across multiple lines showing the keyboard part and includes annotations for other instruments.

Uploaded by

Shibil Benev
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Oh What A Night


The Four Seasons
Covers Band - Keyboard Part
  

          
       
        
  
  
   
Drums

         
Piano

    
Piano

 


   
                       
5

    
    
      
          
Pno.

 


   

                    
VERSE

    
7

         
        
           
Pno.

 


   
                       
9

              
    
           
     
Pno.

 


  
                       
    
11

         
    
         
     
Pno.

 

    
                      
13

    
      
             
Pno.

 


  
                        
    
15

         
    
         
     
Pno.

 


   
                       
17

              
    
           
     
Pno.

 


  
                       
    
19

         
    
         
     
Pno.

 


     add lib
                          
21

                
 
      
    
               
Pno.

 



                
25

        
               
                
Pno.

 

  
                             
30

      
         
                
Pno.

 


   
                       
33

              
    
           
     
Pno.

 


  
                       
    
35

         
    
           
   
Pno.

 


   
                       
37

    
    
          
     
Pno.

 

    
       
    

 


39

                    


                 
Synth


      

Pno. Brass
   
          
   

   



42


               
  

        

Pno.


    1    
 
47

   
           
Synth Breakdown

                   
Pno.

  
 


    
    
51

   
           
                     
Pno.

  
 


   2   
                     
    
55

         
      
       
     
Pno.

 


   
                       
57

              
    
           
     
Pno.

 

  
                       
59

       
      
           
Pno.

 


   
                        
61

             
    
          
     
Pno.

 

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