Gender and Media - Notes
Gender and Media - Notes
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Dr. Nima John_GENDER AND MEDIA, ASCO AUM
02 00 - 02 00 - 02
Term Work /
Theory
Practical/Oral
Internal Assessment Duration
End Total
Of End Term
Continuous Attendance Total Sem Pract. Oral
Sem Work
Test Evaluation Internal Exam
Exam
15 10 05 30 - - 70 - 100
Course outcome
Course Objectives
Course Objective:
1) The subject will develop a sense of awareness and sensitivity amongst students
regarding gender; its impact, interventions and interpretation in media.
2) It will give a greater understanding of the media culture and help students examine the
concepts, constructs and various content in media.
3) It will enable to students to acquire knowledge on various issues and the dialogue
over relationship between media and gender.
4) It will make them familiar to the approaches used to study media and gender.
5) It will enhance oral and written skills along with analytical thinking and critical
reading, while appreciating media’s cultural influences and making them more media
literate.
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Dr. Nima John_GENDER AND MEDIA, ASCO AUM
Detailed Syllabus
Module/ Marks
Course Module / Contents Hours
Unit Weightage
Introduction Gender and Media
1.1 Gender as Social Construction
1.2 Stereotypes, (In) Visibility, and the Gaze 8
1
1.3 Feminism and Ideology 25%
1.4 Post feminism
Media Texts and Representation
2.1 Intersectionality
2.2 Bodies and Objectification 8
2 25%
2.3 Femininity & Masculinity
2.4 Media Audiences: Reception and Resistance
Media Production
3.1 Political Economy
3.2 Feminized Labour 7
3 3.3 Gender Inequality
3.4 Consumer Culture and Selling Feminism
25%
Digital Culture
4.1 Genders and Self - Presentation
4 4.2 Cyber misogyny and Trolling 7 25%
4.3 Intimacy and Disclosure
4.4 Gender and Online Activism
Total 30 100%
Recommended Books:
• Gauntlett, “Introduction,” Media, Gender, and Identity.
• Lorber, J. (1993). “Believing Is Seeing: Biology as Ideology.” Gender & Society.
• ‘The Aftermath of Feminism: Gender, Culture and Social Change.’ Angela McRobbie
• ‘The Second Sex.’ Simone de Beauvoir
• ‘The Feminine Mystique.’ Betty Friedan
• ‘Feminist Criticism: Women As Contemporary Critics.’ Maggie Humm, Published by
Palgrave Macmillan (1986)
• Tuchman, G. (1978). “The Symbolic Annihilation of Women by the Mass Media.”
• Hearth and Home: Images of Women in the Mass Media. Mulvey, Laura. (1975). “Visual
Pleasure and Narrative Cinema,” Screen.
• Van Zoonen, (1996).“Feminist Perspectives on the Media.”
• Byerly, C. and Ross, K. (2006). “Women and Production: Gender and the Political Economy
of Media Industries,”
• Elias, A. S., & Gill, R. (2016). “Beauty surveillance: The digital self-monitoring cultures of
neoliberalism.” European Journal of Cultural Studies.
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Gender and media are interconnected topics that play a significant role in shaping societal
attitudes, values, and norms. Media, including film, radio, television, advertisement, social
media, and video games, contribute to the representation of gender and can influence the way
people perceive and treat each other.
Some key aspects of the relationship between gender and media include:
Participation and influence of women in the media: The media industry is dominated by
men, and women are underrepresented in various media professions.
However, initiatives and resources exist to promote gender equality and reinforce women's
empowerment in the media
Media content and portrayal of men and women: Media content often perpetuates gender
inequalities, with women being underrepresented and stereotyped in various ways.
However, there is potential for media to show more balanced, inclusive, and diverse portrayals
of gender, thereby contributing to a more just society.
Changing attitudes and behavior: Media play an important role in how people form their
identities, social norms, and values in relation to gender.
Research shows that from a young age, children are influenced by the gendered stereotypes
that media present to them.
Gender equality in media content: Efforts to promote gender equality in media content
involve challenging and addressing gender inequalities present across many aspects of society
Gender-sensitive indicators for media: Initiatives like the Gender-sensitive Indicators for
Media, developed by UNESCO in cooperation with the International Federation of Journalists,
aim to contribute to gender equality and reinforce women's empowerment in the media
The relationship between gender and media is complex and multifaceted, with media
professionals and organizations playing a crucial role in working towards gender equality and
challenging societal norms.
Gender is a social construct, meaning that it is a concept created by cultural and societal
norms rather than being an inherent or natural characteristic. The World Health Organization
defines gender as "the characteristics of women, men, girls, and boys that are socially
constructed," including norms, behaviors, and roles associated with being a woman, man, girl,
or boy, as well as relationships with each other
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Dr. Nima John_GENDER AND MEDIA, ASCO AUM
This social construction of gender is manifested through cultural origins, mechanisms, and
corollaries of gender perception and expression in the context of interpersonal and group social
interaction.
Gender socialization begins at birth and occurs through major agents of socialization like
family, education, peer groups, and mass media.
As a result, individuals learn cultural norms for what is considered masculine and feminine
from a very young age and perform gender without questioning it.
The social construction of gender has significant implications for societal norms, behaviors,
and inequalities. It influences people's experience of and access to healthcare, and harmful
gender norms, especially those related to rigid notions of masculinity, can affect boys and men's
health and wellbeing negatively
The concept of gender as a social construct underscores the importance of understanding and
challenging societal norms and expectations related to gender.
Stereotypes, invisibility, and the gaze are interconnected concepts that shape the way we
perceive and represent gender in various forms of media and social interactions.
Stereotypes: Stereotypes are oversimplified and often inaccurate beliefs or images about a
particular group or situation, often based on gender.
These stereotypes can influence how we perceive and treat others, as well as how we create
and consume media content.
Invisibility can also manifest in the way some individuals may choose not to be visible in
certain situations, such as in a gym setting, where they may wear minimal makeup or avoid
certain clothing choices.
The Gaze: The gaze refers to the act of looking at someone or something, often with an implied
criticism or evaluation.
The concept of the male gaze, as described by Laura Mulvey, suggests that women are often
objectified and sexualized in media and visual culture, with the focus on their appearance and
desirability for men.
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The female gaze, on the other hand, has been conceptualized as an alternative to the male gaze,
but it still propagates stereotypes about female identity.
The gaze can also be experienced by individuals in various settings, such as in a gym, where
they may be aware of being looked at by others.
These concepts are interconnected, as stereotypes can influence the visibility and
representation of certain groups, while the gaze can contribute to the invisibility or
underrepresentation of certain perspectives. Challenging these stereotypes and promoting a
more balanced and inclusive representation of gender in media and social interactions is
essential for fostering a more equitable and respectful society.
Laura Mulvey's concept of the male gaze, introduced in her 1975 essay "Visual Pleasure and
Narrative Cinema," refers to the way in which visual media, particularly classical Hollywood
cinema, is structured to cater to a presumed male viewer, positioning the female characters as
objects of desire to be looked at and enjoyed
Mulvey argued that this dynamic reinforced traditional gender power structures and
objectified women on screen.
In her essay, Mulvey also introduced the concept of the female gaze, which represents a shift
in perspective that allows for the portrayal of women as subjects rather than objects of the
gaze.
The female gaze seeks to challenge and subvert the traditional male gaze by offering a more
nuanced and authentic representation of women's experiences and desires.
Mulvey's concept of the male gaze has been influential in feminist film theory and has
sparked discussions about the representation of women in visual media. It has also been
applied to other art forms, such as literature and photography, as a way of interrogating and
reimagining the ways in which women are depicted and perceived.
Overall, Mulvey's work on the male and female gaze represents a critical intervention in the
way gender and power are negotiated in visual culture, offering a new framework for
understanding and critiquing the representation of women in art and media.
The main argument of laura mulvey's "visual pleasure and narrative cinema"
Laura Mulvey's main argument in "Visual Pleasure and Narrative Cinema" is that classical
Hollywood cinema uses women to provide a pleasurable visual experience for men, a concept
she refers to as the "male gaze"
Mulvey argues that the cinematic text is organized along lines that correspond to the cultural
subconscious, which is essentially patriarchal. She contends that the popularity of Hollywood
films is determined and reinforced by preexisting social patterns that have shaped the fascinated
subject. Mulvey's analysis combines semiotic methodology of cinematic means of expression
with psychoanalytic analysis of desire structures and the formation of subjectivity. She asserts
that the cinematic gaze is always produced as masculine, both by means of the identification
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produced with the male hero and through the use of the camera. Mulvey identifies two manners
in which Hollywood cinema produces pleasure, both of which arise from different mental
mechanisms. The first involves the objectification of the image, and the second involves the
identification with it, both of which represent the mental desires of the male subject
Laura Mulvey's concept of the female gaze is a response to her earlier concept of the male gaze,
which she introduced in her influential 1975 essay "Visual Pleasure and Narrative Cinema."
The male gaze refers to the way in which visual media, particularly classical Hollywood
cinema, is structured to cater to a presumed male viewer, positioning the female characters as
objects of desire to be looked at and enjoyed. Mulvey argued that this dynamic reinforced
traditional gender power structures and objectified women on screen.
The female gaze, in contrast, represents a shift in perspective that allows for the portrayal of
women as subjects rather than objects of the gaze. It is a feminist theory term that refers to the
gaze of the female spectator, character, or director of an artistic work, emphasizing the agency
and perspective of women. The female gaze seeks to challenge and subvert the traditional male
gaze by offering a more nuanced and authentic representation of women's experiences and
desires.
Mulvey's concept of the female gaze has been influential in feminist film theory and has
sparked discussions about the representation of women in visual media. It has also been applied
to other art forms, such as literature and photography, as a way of interrogating and reimagining
the ways in which women are depicted and perceived.
Overall, the female gaze represents a critical intervention in the way gender and power are
negotiated in visual culture, offering a new framework for understanding and critiquing the
representation of women in art and media.
It seeks to challenge and change societal norms and structures that prioritize the male point of
view and limit opportunities for women.
Feminist ideologies have evolved over time and vary in goals, strategies, and affiliations, often
overlapping and intersecting with one another.
Radical Feminism: Critiques the male-controlled capitalist hierarchy as the defining feature
of women's oppression and seeks to dismantle this power structure.
Socialist or Marxist Feminism: Views capitalism as the root cause of women's oppression
and advocates for the overthrow of the capitalist system to achieve gender equality.
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Gender Reform Feminisms: Rooted in the political philosophy of liberalism and emphasize
gender equality within existing societal structures.
Gender Resistant Feminisms: Focus on specific behaviors and group dynamics through
which women are oppressed and seek to resist and challenge these dynamics.
Gender Revolution Feminisms: Aim to fundamentally transform gender relations and societal
structures to achieve gender equality.
Feminist ideology aims to address various aspects of inequality, including social, economic,
and political disparities between genders.
It seeks to provide equal opportunities for women in all areas of social life and challenge
historical restrictions and discrimination against women.
Feminist theory, which extends into various disciplines, including anthropology, sociology,
economics, and philosophy, aims to analyze and understand the complexities of gender
inequality and advocate for change.
Feminism encompasses a diverse range of ideologies and movements that seek to achieve equal
social, political, and economic rights for all genders, challenging existing power structures and
advocating for societal transformation.
Suffrage Movement: The suffrage movement, also known as the women's suffrage movement,
was a decades-long struggle to secure the right to vote for women in the United States and other
countries. The movement was a key part of the first-wave feminism and led to the passage of
the 19th Amendment to the U.S. Constitution in 1920, which granted women the right to vote.
Second Wave Feminism: The second-wave feminism movement emerged in the 1960s and
'70s and focused on a wide range of issues, including reproductive rights, workplace
discrimination, and sexual violence. The movement led to significant legal and social changes,
including the passage of Title IX, which prohibits sex discrimination in education, and the
legalization of abortion in the United States.
Third Wave Feminism: The third-wave feminism movement emerged in the 1990s and
focused on issues of diversity, inclusivity, and intersectionality. The movement sought to
address the limitations of second-wave feminism and to include the voices and experiences of
women of color, LGBTQ+ women, and women from other marginalized groups.
#MeToo Movement: The #MeToo movement emerged in 2006 and gained widespread
attention in 2017 following allegations of sexual misconduct against film producer Harvey
Weinstein. The movement led to a global conversation about sexual harassment and assault
and led to the downfall of numerous powerful men in politics, entertainment, and other
industries.
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Dr. Nima John_GENDER AND MEDIA, ASCO AUM
Women's Liberation Movement: The women's liberation movement emerged in the late
1960s and '70s and focused on issues of gender equality, reproductive rights, and workplace
discrimination. The movement led to significant legal and social changes, including the passage
of the Equal Rights Amendment and the legalization of abortion in the United States.
These are just a few examples of the many important women's movements that have emerged
throughout history. Each movement has played a crucial role in advancing the rights and
opportunities of women and has led to significant legal and social changes.
The early feminists refer to the first-wave feminist movement that occurred during the 19th
and early 20th centuries throughout the Western world.
The first-wave feminism focused on legal issues, primarily on securing women's right to vote,
and was characterized as focusing on the fight for women's political power, as opposed to de
facto unofficial inequalities.
The first wave of feminism emerged out of an environment of urban industrialism and liberal,
socialist politics, and the goal of this wave was to open up opportunities for women, with a
focus on suffrage.
The first wave of feminism formally began at the Seneca Falls Convention in 1848 when three
hundred men and women rallied to the cause of equality for women.
The first wave of feminism was an important era of history that helped bring about significant
social change and pave the way for equality for women of the Western world.
The first wave of feminism is usually tied to the first formal Women's Rights Convention that
was held in 1848.
The early feminists were instrumental in advocating for women's rights and worked toward
basic legal reform for single and married women.
First-wave feminism refers to the feminist movement that occurred during the 19th and early
20th centuries throughout the Western world. It focused on legal issues, primarily on securing
women's right to vote. The movement was primarily led by white women in the middle class,
and it was not until the second wave of feminism that women of color began developing a
voice.
The first wave of feminism emerged out of an environment of urban industrialism and liberal,
socialist politics, and the goal of this wave was to open up opportunities for women, with a
focus on suffrage. The first wave of feminism formally began at the Seneca Falls Convention
in 1848 when three hundred men and women rallied to the cause of equality for women. The
first wave of feminism was an important era of history that helped bring about significant social
change and pave the way for equality for women of the Western world.
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Dr. Nima John_GENDER AND MEDIA, ASCO AUM
First-wave feminists fought for a range of issues, primarily focusing on legal inequalities and
women's suffrage.
Some of the key issues that first-wave feminists fought for include:
Women's Suffrage: One of the most prominent issues that first-wave feminists fought for was
women's right to vote. The suffrage movement was a central focus of the first-wave feminist
movement, and it led to significant political and social change.
Legal Inequalities: First-wave feminists also focused on overturning legal inequalities that
discriminated against women. This included issues such as property rights, divorce laws, and
employment rights.
Education Rights: First-wave feminists fought for women's right to education and access to
higher education. They advocated for equal educational opportunities for women and men.
Working Conditions: First-wave feminists also advocated for better working conditions for
women, including fair wages, safe working environments, and an end to child labor.
Temperance and Prohibition: Some first-wave feminists were involved in the temperance
movement, which sought to limit or ban the sale and consumption of alcohol. They believed
that alcohol abuse was a significant social problem that affected women and children.
Overall, first-wave feminists fought for a range of issues related to women's rights and legal
inequalities, with a primary focus on women's suffrage and political equality. Their efforts laid
the groundwork for the subsequent waves of the feminist movement and led to significant
social and political change.
Lucretia Coffin Mott (1797-1880): A prominent American physician, speaker, and writer who
advocated for women's rights and the right to vote
Elizabeth Cady Stanton (1818-1898): A key figure in the women's rights movement and a
leader of the Seneca Falls Convention in 1848, which marked the beginning of the first-wave
feminism movement.
Lucy Stone (1818-1893): An American abolitionist and women's rights advocate who played
a significant role in the movement.
Susan B. Anthony (1820-1906): A prominent figure in the women's rights movement and one
of the founders of the National Woman Suffrage Association (NWSA).
These women were instrumental in advocating for women's rights and working towards basic
legal reform for single and married women during the first-wave feminism movement.
Their efforts laid the groundwork for the subsequent waves of the feminist movement and led
to significant social and political change.
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Dr. Nima John_GENDER AND MEDIA, ASCO AUM
Mary Wollstonecraft
Mary Wollstonecraft (1759–1797) was a British writer, philosopher, and advocate of women's
rights. She is best known for her work "A Vindication of the Rights of Woman" (1792), in
which she argued for the equal education of women and men.
Wollstonecraft's work was a foundational text in the development of feminist thought and has
had a lasting impact on the struggle for women's rights. She was also a novelist, and her work
"Maria: or, The Wrongs of Woman" (1798) is considered one of the earliest works of feminist
fiction.
Wollstonecraft's life was marked by personal and professional struggles, and she was an
outspoken critic of the social and political conditions of her time. Her work continues to be
studied and celebrated for its contributions to the advancement of women's rights and the
development of feminist theory.
Mary Wollstonecraft's most famous work is "A Vindication of the Rights of Woman" (1792).
In this groundbreaking work, Wollstonecraft argues for the equal education of women and men,
and challenges the prevailing notions of women as inherently inferior to men.
She advocates for women's right to participate in the public sphere, and calls for an end to the
social and legal restrictions that have historically limited women's opportunities. "A
Vindication of the Rights of Woman" is considered a classic of feminist literature, and has had
a lasting impact on the struggle for women's rights.
The main argument of "A Vindication of the Rights of Woman" by Mary Wollstonecraft is that
women are not naturally inferior to men, but appear to be so only because they lack education.
Wollstonecraft asserts that women should have access to the same educational opportunities as
men, and that they should be able to participate fully in the public sphere.
She argues that the subordination of women is a result of their lack of education, and that
women's minds are as capable as men's of reason and virtue. Wollstonecraft's work is a call for
women to be treated as rational and moral beings, and to be given the same rights and
opportunities as men. Her argument is a foundational text in the development of feminist
thought, and has had a lasting impact on the struggle for women's rights.
Equal Education: Wollstonecraft argues that women should have access to the same
educational opportunities as men, and that they should be able to participate fully in the public
sphere. She asserts that the subordination of women is a result of their lack of education, and
that women's minds are as capable as men's of reason and virtue.
Social and Political Rights: The book calls for the empowerment of women in education,
politics, society, and marriage. Wollstonecraft challenges the prevailing notions of women as
inherently inferior to men, and advocates for women's right to participate in the public sphere
and to have a voice in the political and social issues that affect their lives.
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Call for Revolution: The book is a call for a "revolution" for women, reiterating that their
subordinate status is due to men’s prejudices and not to any inherent weakness. Wollstonecraft
argues that when society gives women more rights, it is fairer and women can equally
contribute to the world alongside men.
These key points make "A Vindication of the Rights of Woman" a foundational text in the
development of feminist thought, and it has had a lasting impact on the struggle for women's
rights.
The second wave of feminism was a period of feminist activity that began in the early 1960s
and lasted roughly two decades before ushering in a third wave of feminism beginning in the
early 1990s
It took place throughout the Western world and aimed to increase equality for women by
building on previous feminist gains in the late 19th and early 20th centuries. Whereas first-
wave feminism focused mainly on suffrage and overturning legal obstacles to gender equality,
second-wave feminism broadened the debate to include a wider range of issues, including
sexuality, family, domesticity, the workplace, reproductive rights, de facto inequalities, and
official legal inequalities
The second wave of feminism was characterized by a diversity of voices and perspectives,
including liberal, radical, and socialist feminism.
The movement was largely defined and led by educated middle-class white women who built
the movement primarily around their own concerns, which created an ambivalent, if not
contentious, relationship with women of other races and classes.
The second wave of feminism, which took place in the 1960s and 1970s, addressed a wide
range of issues related to gender equality and discrimination.
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Dr. Nima John_GENDER AND MEDIA, ASCO AUM
Reproductive Rights: Second-wave feminists fought for access to birth control and the
legalization of abortion. They also sought to raise awareness about reproductive health and
rights.
Equal Pay and Workplace Discrimination: Second-wave feminists advocated for equal pay for
equal work and sought to address workplace discrimination and sexual harassment.
Domestic Violence and Marital Rape: The movement drew attention to the issues of domestic
violence and marital rape, and worked to create rape crisis centers and women's shelters.
Sexuality and Body Image: Second-wave feminists sought to challenge traditional gender roles
and stereotypes, and to promote positive representations of women's sexuality and body image.
Legal and Political Inequalities: The movement aimed to address de facto and official legal
inequalities, and to increase women's representation in politics and government.
Expansion of Issues: Unlike first-wave feminism, second-wave feminism broadened the debate
to include a wider range of issues, including sexuality, family, domesticity, the workplace,
reproductive rights, de facto inequalities, and official legal inequalities.
Reproductive Rights: Second-wave feminists fought for access to birth control and the
legalization of abortion. They also sought to raise awareness about reproductive health and
rights.
Equal Pay and Workplace Discrimination: Second-wave feminists advocated for equal pay for
equal work and sought to address workplace discrimination and sexual harassment.
Domestic Violence and Marital Rape: The movement drew attention to the issues of domestic
violence and marital rape, and worked to create rape crisis centers and women's shelters.
These are just a few examples of the key arguments of second-wave feminism. The movement
had a profound impact on society and led to significant legal and social changes that continue
to shape the lives of women today.
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Dr. Nima John_GENDER AND MEDIA, ASCO AUM
Gloria Steinem: An American feminist, journalist, and social-political activist, Steinem was a
prominent leader and spokeswoman for the feminist movement during the 1960s and 1970s.
She co-founded both "New York" and "Ms." magazines and covered political issues ranging
from abortion to rape
Betty Friedan: An American feminist writer and activist, Friedan is best known for her book
"The Feminine Mystique," which is often credited with sparking the second-wave feminist
movement. She also co-founded the National Organization for Women (NOW), an influential
feminist organization
Angela Davis: An American political activist, scholar, and author, Davis was a prominent
leader in the second-wave feminist movement. She is known for her work on issues of race,
class, and gender, and her involvement in the civil rights and feminist movements.
Kate Millett: An American feminist writer, artist, and activist, Millett is best known for her
book "Sexual Politics," which was a key text in the second-wave feminist movement. She was
also a co-founder of the National Organization for Women (NOW).
These are just a few examples of the many important leaders of the second-wave feminism
movement. The movement was characterized by a diversity of voices and perspectives, and
many women played key roles in shaping its development and impact.
Simone de Beauvoir
Simone de Beauvoir, a renowned existentialist philosopher and one of the principal founders
of second-wave feminism, is best known for her trailblazing work in feminist philosophy,
particularly "The Second Sex" (1949). In this seminal work, Beauvoir examined women's
subordinate role as the 'Other', patriarchally forced into immanence. She argued that women
are not born but rather become women, introducing what has come to be called the sex-gender
distinction.
"The Second Sex" by Simone de Beauvoir is a foundational work in feminist philosophy that
explores the social and existential situation of women. The main argument of the book is that
women have been historically defined and treated as the "Other" in relation to men, and that
this has led to their subordination and oppression.
Beauvoir argues that women are not born, but rather made, and that their social and cultural
situation has led to their status as the "second sex." She examines the ways in which women
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have been defined by their biology, their roles as mothers and wives, and their exclusion from
the public sphere. Beauvoir also explores the ways in which women have internalized their
subordinate status, and the ways in which they have been complicit in their own oppression.
The book is a call to women to recognize their situation, to assert their agency, and to work
towards their own liberation. It has been widely influential in feminist theory and has sparked
significant debate and discussion about the nature of gender and the social and existential
situation of women.
The Concept of the Other: De Beauvoir's primary thesis is that men fundamentally oppress
women by characterizing them, on every level, as the Other, defined exclusively in opposition
to men. Man occupies the role of the self, or subject; woman is the object, the other. He is
essential, absolute, and transcendent. She is inessential, incomplete, and mutilated. He extends
out into the world to impose his will on it, whereas woman is doomed to immanence, or
inwardness. He creates, acts, invents; she waits for him to give her meaning.
The Social and Historical Construction of Woman: De Beauvoir chronicles the social and
historical construction of woman as the Other, and the ways in which this construction has been
used to justify the subordination and oppression of women. She argues that the concept of
woman as the Other is a product of a male-dominated society, and that it has been used to
justify the exclusion of women from the public sphere and the denial of their rights and
opportunities.
The Possibility of Change: De Beauvoir's work is a call for women to recognize their
situation, to assert their agency, and to work towards their own liberation. She argues that
women have the power to change their situation, and that they can work towards a more just
and equitable society. Her work has had a lasting impact on the struggle for women's rights,
and has inspired generations of feminist activists and scholars.
These key points make "The Second Sex" a foundational text in the development of feminist
thought, and it has had a lasting impact on the struggle for women's rights.
Betty Friedan
Betty Friedan (1921–2006) was an American feminist writer and activist, and a leading figure
in the women's movement in the United States. She is best known for her 1963 book "The
Feminine Mystique," which is often credited with sparking the second wave of American
feminism in the 20th century. Friedan's book explored the causes of the frustrations of modern
women in traditional roles and described the pervasive dissatisfaction among women in
mainstream American society in the post-World War II period.
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She co-founded the National Organization for Women (NOW) in 1966, a civil rights group
dedicated to achieving equality of opportunity for women. Friedan was also a co-founder of
the National Association for the Repeal of Abortion Laws (NARAL) in 1969, which later
became NARAL Pro-Choice America.
Throughout the 1970s and 1980s, she was an outspoken advocate for women and a leading
figure of the feminist movement. Friedan's advocacy helped advance women's reproductive
rights, and she was influential in changing outdated laws such as unfair hiring practices, gender
pay inequality, and pregnancy discrimination. She was a prolific writer and published several
books on the women's movement and feminist issues. Friedan's work has had a lasting impact
on the women's movement and the struggle for gender equality.
"The Feminine Mystique" is a landmark book by feminist Betty Friedan, published in 1963.
The book described the pervasive dissatisfaction among women in mainstream American
society in the post-World War II period.
Friedan coined the term "feminine mystique" to describe the societal assumption that women
could find fulfillment through housework, marriage, sexual passivity, and child rearing alone.
The prevailing attitudes held that "truly feminine" women had no desire for higher education,
careers, or a political voice; rather, they found complete fulfillment in the domestic sphere.
Friedan, however, noted that many housewives were unsatisfied with their lives but had
difficulty articulating their feelings. She deemed that unhappiness and inability to live up to
the feminine mystique the "problem that has no name."
The book is widely regarded as one of the most influential nonfiction books of the 20th century
and is credited with sparking the beginning of second-wave feminism in the United States.
"The Feminine Mystique" by Betty Friedan is a landmark book that described the pervasive
dissatisfaction among women in mainstream American society in the post-World War II period.
Feminine Mystique: Friedan coined the term "feminine mystique" to describe the societal
assumption that women could find fulfillment through housework, marriage, sexual passivity,
and child rearing alone. She noted that many housewives were unsatisfied with their lives but
had difficulty articulating their feelings, deeming that unhappiness and inability to live up to
the feminine mystique the "problem that has no name."
Systemic Sexism: Friedan pointed out the systemic sexism, or sex-based discrimination, in the
United States in the 1950s and 60s. She critiqued the prevailing attitudes that held that "truly
feminine" women had no desire for higher education, careers, or a political voice; rather, they
found complete fulfillment in the domestic sphere.
Impact on Women: The book tapped into the dissatisfaction of American women and
challenged the widely shared belief that "fulfillment as a woman had only one definition for
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American women after 1949—the housewife-mother." It resonated with women who were
experiencing a sense of yearning and dissatisfaction in the middle of the twentieth century in
the United States.
Emancipation of Women: Friedan rejected the feminine mystique and suggested that women
develop a new "life plan." She contended that a woman could have a successful career as well
as a family, and that education had less to do with reinforcing the feminine mystique than with
the outright emancipation of women.
"The Feminine Mystique" is widely credited with sparking second-wave feminism in the
United States and has had a lasting impact on the women's movement and the struggle for
gender equality.
The third wave of feminism emerged in the early 1990s and was characterized by a focus on
diversity, inclusivity, and individualism in women. It was led by so-called Generation Xers
who, born in the 1960s and '70s in the developed world, came of age in a media-saturated and
culturally and economically diverse milieu.
The third wave of feminism emerged in the early 1990s and was characterized by a focus on
diversity, inclusivity, and individualism in women. It sought to redefine what it meant to be a
feminist and to address the intersecting forms of oppression that affect women, including race,
class, and sexuality.
The third wave of feminism sought to redefine what it meant to be a feminist and to address
the intersecting forms of oppression that affect women, including race, class, and sexuality. It
also saw the emergence of new feminist currents and theories, such as intersectionality and sex
positivity. Third-wave feminists actively subverted, co-opted, and redefined symbols of
oppression, and engaged in grassroots activism and radical democracy.
The movement was influenced by the postmodernist movement in the academy and sought to
question, reclaim, and redefine feminist theory and practice. It was a diffuse movement without
a central goal, and as such, there's no single piece of legislation or major social change that
defines it. The confusion surrounding what constitutes third-wave feminism is in some respects
its defining feature. The third wave is still a captivating silhouette, and it is almost impossible
to talk with any clarity about it because few people agree on when it started, or if it’s still going
on.
The movement saw the emergence of new feminist currents and theories, such as
intersectionality, sex positivity, vegetarian ecofeminism, transfeminism, and postmodern
feminism. It was a diffuse movement without a central goal, and as such, there's no single piece
of legislation or major social change that defines it. The third wave is still a captivating
silhouette, and it is almost impossible to talk with any clarity about it because few people agree
on when it started, or if it’s still going on.
The beginning of the third wave is pegged to two things: the Anita Hill case in 1991, and the
emergence of the riot grrrl groups in the music scene of the early 1990s. The third wave of
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feminism is a complex and contested movement, and its legacy continues to shape the feminist
movement today.
Types of feminism
Liberal Feminism: Focuses on achieving gender equality through political and legal reform.
It emphasizes individual rights and equal opportunity for women in the public sphere.
Radical Feminism: Seeks to dismantle the patriarchy and traditional gender roles. It views
gender inequality as a fundamental aspect of society and advocates for radical social and
political change.
Marxist and Socialist Feminism: Grounded in Marxist theory, it examines the ways in which
capitalism and class systems intersect with gender oppression. It seeks to address economic
and social inequalities that affect women.
Intersectional Feminism: Recognizes that gender inequality intersects with other forms of
oppression, such as race, class, and sexuality. It aims to address the interconnected nature of
these systems of oppression.
Black Feminism: Focuses on the experiences and struggles of black women. It addresses the
unique forms of oppression that black women face and seeks to create space for their voices
and perspectives.
These are just a few examples of the diverse range of feminist ideologies and movements that
have emerged over time. Feminism continues to evolve and adapt to address new challenges
and issues facing women and gender minorities.
Equality: Feminist theory advocates for equality between the sexes, both in terms of rights and
opportunities.
Difference: Feminist theory recognizes and values the differences among women and men,
and seeks to understand how these differences impact individuals and society.
Choice: Feminist theory emphasizes the importance of individual choice and autonomy,
particularly in relation to reproductive rights and personal expression.
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Care: Feminist theory highlights the importance of care work, both paid and unpaid, and seeks
to challenge traditional gender roles that assign care work to women.
Time: Feminist theory examines the ways in which time is gendered, and how this impacts
individuals' experiences and opportunities.
Experience: Feminist theory values and centers women's experiences, and seeks to understand
how these experiences are shaped by gender and other social factors.
These concepts are central to feminist theory and are used to analyze and understand the ways
in which gender inequality operates in society.
Post feminism is a term used to describe a societal perception that many or all of the goals of
feminism have already been achieved, thereby making further iterations and expansions of the
movement obsolete.
Post feminism is not a unified ideology but encompasses a range of perspectives, including
those that strive towards a society no longer defined by rigid gender roles and expressions.
The term "post" in "post feminism" has caused confusion, as it can be interpreted as both
announcing the end of feminism and becoming a site of feminist politics.
Some scholars argue that it is problematic to align feminism with "post" when the current world
still grapples with issues related to gender equality.
Post feminism has been discussed as a sensibility or ethos rather than a critical movement, and
it has been associated with the renewed embrace of activities and positions that previous
generations of feminists have deemed sexist or oppressive.
It has also been linked to a backlash against feminism, as well as a new way in which young
women engage in feminist activism and theory.
Post feminism is a complex and multi-faceted term, and its usage and implications continue to
be the subject of scholarly debate and analysis.
It is a set of ideologies, strategies, and practices that draw on various, and often contradictory,
ideas in feminism, such as freedom, choice, and individualism.
Postfeminism can be seen as a critical way of understanding the changed relations between
feminism, popular culture, and social issues.
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Rejection of the need for the feminist movement: Postfeminism often portrays the belief that
many or all of the goals of feminism have already been achieved, making further iterations and
expansions of the movement obsolete.
Embrace of individualism: Postfeminism often promotes individualism and the idea that
women can "have it all" - a successful career, a happy marriage, and a perfect body, for
example.
Influence on popular culture: Postfeminism has become a significant force in popular culture,
shaping TV shows, movies, and other media representations of women and gender.
Backlash against feminism: Some critics argue that postfeminism is a backlash against
feminism, as it often embraces ideas and practices that feminists have previously deemed sexist
or oppressive.
Diverse opinions: Postfeminism is a complex and contested term, with some scholars and
activists embracing the term and others rejecting it as a misrepresentation of feminism and its
goals.
Postfeminism is a term that describes the societal perception that many or all of the goals of
feminism have already been achieved. It has both positive and negative aspects, with some
seeing it as a way to challenge traditional gender roles and others seeing it as a backlash against
feminism and an embrace of individualism and the status quo.
Post-feminism is a term used to describe a societal perception that many or all of the goals of
feminism have already been achieved, thereby making further iterations and expansions of the
movement obsolete
Post-feminist philosophy is a complex and contested field, but it generally refers to a set of
ideas that emerged in the late 20th century and sought to move beyond the second-wave
feminist movement
Post-feminist philosophers sought to critique and expand upon the ideas of second-wave
feminism, and to address the ways in which gender intersects with other forms of oppression,
such as race and class. Some key post-feminist philosophers include Rosalind Gill, Catherine
Rottenberg, and Sarah Banet-Weiser
Focus on Diversity and Inclusivity: Post-feminism seeks to address the ways in which gender
intersects with other forms of oppression, such as race and class, and to be more inclusive of
diverse experiences and perspectives.
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Critique of Second-Wave Feminism: Post-feminism critiques and expands upon the ideas of
second-wave feminism, and seeks to move beyond the binary thinking that characterized much
of second-wave feminist theory.
These are just a few examples of the key characteristics of post-feminism. The movement is
complex and contested, and its definition and implications continue to be the subject of much
debate and discussion.
Gender and media text representation is a complex and multifaceted topic, with significant
implications for society and individual perceptions. The media plays a crucial role in shaping
gender identities and roles, and its portrayal of gender can influence various aspects of life,
including body image, relationships, and career choices.
Stereotypical Portrayals: Men and women are frequently portrayed in stereotypical ways that
reflect and sustain socially endorsed views of gender. This can lead to the perpetuation of
outdated and limiting perceptions of gender roles.
Objectification and Sexualization: Media often sexualizes women, objectifying them and
focusing on their physical appearance. This can contribute to unhealthy body image issues and
reinforce negative gender stereotypes.
Influence on Body Image: Media portrayals can have a significant impact on body image, as
individuals are constantly exposed to unrealistic and stereotypical images of men and women.
This can lead to dissatisfaction with one's own appearance and contribute to eating disorders
and other body image issues.
It is essential to identify and address these gender imbalances and gaps in the media, as media
professionals are subject to prevailing social, economic, and cultural norms, and their views,
outlook, and output often reflect these norms. Conscious efforts should be made to portray
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women and men in non-stereotypical situations and to promote gender parity in media
representation.
Media texts and representation refer to the various forms of media, such as radio segments,
newspaper articles, photographs, films, television programs, and television news segments, that
construct and present reality for the audience
Media texts are constructed, and the way they represent subjects can be influenced by various
factors, including the code used to communicate meaning, conventions, and the values and
attitudes of the creators
Construction: The way a media text is put together, including editing, choice of camera angles,
layout, and selection of images.
Mediations: The process that involves selecting, constructing, and presenting media content,
such as writing a film script, editing photographs, or reporting real-life events.
Anchorage: The words that give images a specific meaning in a particular context, including
captions, headlines, and taglines.
Stereotypes: Preconceived ideas and beliefs held by society, which can influence the way
media texts represent certain social groups.
Media representations can have a significant impact on society, as they can shape an audience's
knowledge and understanding of important topics and influence ideas and attitudes.
It is essential to analyze media texts and representation to understand how various social
groups, such as different ages, genders, ethnicities, sexualities, social classes, and disabilities,
are portrayed in the media.
This analysis can help identify and challenge stereotypes, tokenism, and other forms of
misrepresentation.
Several initiatives have been developed to promote gender parity in the media. Here are some
examples:
The 50:50 Project: This initiative aims to achieve gender parity in media representation by
encouraging newsrooms to ensure that women occupy all roles in the newsroom and that
content is balanced across gender lines. The project has shown promising results, with 74% of
the English-language programs involved in the project reaching 50%+ female contributors on
their shows after one year.
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This can help challenge traditional social and cultural norms and attitudes regarding gender
perceptions both in content and in the media houses.
UNESCO's Efforts: UNESCO aims to foster gender equality in media content, enhance media
coverage of gender-related issues, implement and monitor gender equality in media
organizations, and promote gender-sensitive journalism education and training. These efforts
can help promote gender parity in media representation and content.
Research and Advocacy: Academic research and advocacy efforts can also play a crucial role
in promoting gender parity in media representation. By highlighting the underrepresentation of
women in media and advocating for change, researchers and advocates can help raise
awareness of the issue and promote gender equality in the media.
These initiatives and efforts are crucial in promoting gender parity in media representation and
content. By encouraging newsrooms to ensure that women occupy all roles, developing gender-
transformative content, and fostering gender equality in media organizations, it is possible to
achieve greater gender parity in the media.
Depiction of diverse relationships: Media content that features diverse relationships, such as
same-sex couples or relationships where the roles are reversed, can help challenge traditional
gender norms and promote a more inclusive understanding of relationships.
Positive body image representation: Media content that promotes positive body image
representation, especially for women, can help combat the objectification and sexualization
often associated with traditional gender portrayals. This can include movies, television
shows, and advertising campaigns that feature diverse body types and sizes, as well as stories
that discuss body positivity and self-esteem.
Inclusion of women in expert panels and news coverage: Initiatives like the 50:50 Project aim
to achieve gender parity in media representation by ensuring that women occupy all roles in
the newsroom and that content is balanced across gender lines. This can lead to more gender-
transformative content and a more diverse range of perspectives being represented in news
coverage.
These examples demonstrate that gender-transformative content in media is possible and can
help promote a more inclusive and balanced understanding of gender roles and relationships.
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By challenging traditional gender norms and stereotypes, such content can contribute to the
achievement of gender equality in society.
Elaine Showalter is an American literary critic, feminist, and writer on cultural and social
issues, born on January 21, 1941, in Boston, Massachusetts. She is known for her influential
work in feminist literary criticism, particularly the concept and practice of gynocritics, which
is the study of "women as writers."
Showalter has written and edited numerous books and articles focused on a variety of subjects,
from feminist literary criticism to fashion, sometimes sparking controversy, especially with her
work on illnesses. She has been a television critic for People magazine and a commentator on
BBC radio and television.
Showalter is a specialist in Victorian literature and culture and has taught at Rutgers University
and Princeton University, where she was a professor emerita of English. She has received
numerous awards for her work, including the Truman Capote Award for Literary Criticism.
"Gynocriticism"
It aims to create a female framework for the analysis of women's literature, develop new models
based on the study of female experience, and map the territory left unexplored in earlier literary
criticisms
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Development of Female Canon: Gynocriticism seeks to uncover the history of female literary
tradition and establish a distinct female canon, where a female identity is sought free from
masculine definitions and oppositions.
The main difference between gynocriticism and traditional literary criticism is that
gynocriticism focuses on women's internal experiences, personal history, and female literary
tradition, rather than relying solely on male literary culture and literature.
Gynocriticism aims to create a female framework for the analysis of literature, develop new
models based on the study of female experience, and map the territory left unexplored in earlier
literary criticisms. It is a critical study of women's literature that is no longer occupied with
women's relationships, roles, and their treatment in a patriarchal literary society and world.
Gynocriticism perceives the author as the creator of texts rather than as a producer and
considers the traditional terminology of elite theories limiting to women's literature. In contrast,
traditional literary criticism has been dominated by male perspectives and has often ignored or
marginalized women's experiences and perspectives. It has relied on male literary culture and
literature as the standard for literary analysis, and has often excluded or minimized the
contributions of women writers.
2.1 Intersectionality
Intersectionality is an analytical framework that recognizes how individuals' various social and
political identities result in unique combinations of discrimination and privilege
Coined by Kimberlé Crenshaw in 1989, it acknowledges that social identities such as gender,
race, class, ability, sexual orientation, religion, and other factors interact on multiple levels,
creating complex convergence of oppression.
This framework broadens the scope of feminism to include the different experiences of women
of color, poor women, immigrant women, and other marginalized groups
Intersectionality opposes analytical systems that treat each axis of oppression in isolation and
aims to promote social and political egalitarianism.
For example, it recognizes that tackling the gender pay gap alone, without considering other
dimensions such as race, socio-economic status, and immigration status, may reinforce
inequalities among women.
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While intersectionality has been recognized for its importance in addressing discrimination and
oppression, it has also faced criticism. Some critics argue that it tends to reduce individuals to
specific demographic factors and lacks defined goals, while others have expressed concerns
about its application in practice.
Kimberlé Crenshaw is a leading scholar in the field of critical race theory who coined the term
"intersectionality" in 1989. Intersectionality is the study of overlapping or intersecting social
identities and related systems of oppression, domination, or discrimination.
The theory suggests that various biological, social, and cultural categories such as gender, race,
class, ability, sexual orientation, religion, caste, age, nationality, and other sectarian axes of
identity interact on multiple and often simultaneous levels.
Crenshaw's work has focused on the experiences of Black women and the double
discrimination of racism and sexism they face.
Crenshaw's work has had a significant impact on academic and policymaking contexts, and her
theory of intersectionality has been widely influential in the fields of law, sociology, gender
studies, and critical race theory.
The crux of intersectionality is the study of overlapping or intersecting social identities and
related systems of oppression, domination, or discrimination. The theory suggests that various
biological, social, and cultural categories such as gender, race, class, ability, sexual orientation,
religion, caste, age, nationality, and other sectarian axes of identity interact on multiple and
often simultaneous levels.
Intersectionality recognizes that identity markers do not exist independently of each other, and
that each informs the others, often creating a complex convergence of oppressions. The theory
highlights the limitations of a "single-axis framework" that is dominant in antidiscrimination
law, feminist theory, and anti-racist politics, and calls for a more nuanced understanding of
how multiple forms of oppression intersect and compound each other.
Crenshaw's work has focused on the experiences of Black women and the double
discrimination of racism and sexism they face. Her theory of intersectionality has been widely
influential in the fields of law, sociology, gender studies, and critical race theory.
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Intersectionality is an analytical framework that examines how various social and political
identities result in unique combinations of discrimination or privilege. It originated in critical
race studies and demonstrates a multifaceted connection between race, gender, and other
systems that work together to oppress, while also allowing privilege in other areas.
The theory suggests that various biological, social, and cultural categories such as gender, race,
class, ability, sexual orientation, religion, caste, age, nationality, and other sectarian axes of
identity interact on multiple and often simultaneous levels.
Missing and Indigenous Women: In Canada, indigenous people have been raising the alarm
about the apparent lack of police or government interest in the high rates of missing indigenous
women.
Families highlight that, for decades, there have been insufficient police investigations.
Missing White Woman Syndrome: This term refers to the media's disproportionate coverage
of missing or endangered white women, while cases involving women of color receive less
attention.
Stereotypes about Asian Women: Media often perpetuates stereotypes about Asian women,
portraying them as submissive, exotic, or hypersexual.
Disabled and LGBT: Disabled individuals who are also part of the LGBT community may face
compounded discrimination due to both their disability and sexual orientation.
Rosa Parks: Rosa Parks was a black woman who took a stand against segregation in the United
States. In an era when women and people of color were excluded from public discourse, Parks
took a stance and insisted on her fundamental rights.
These examples illustrate how intersectionality operates in various social contexts, highlighting
the compounding effects of multiple forms of discrimination or privilege. The theory
encourages a well-rounded inquiry into disadvantage that does not box itself into just one line
of inquiry, allowing for a more nuanced understanding of how power operates along multiple
lines of identity.
The objectification of bodies, particularly in the context of sexualization, has been a subject of
extensive research due to its implications for individuals' well-being and societal attitudes.
Objectification Theory, developed by Fredrickson and Roberts in 1997, posits that individuals,
particularly women, may internalize an objectifying observer's perspective on their own bodies,
leading to self-objectification and preoccupation with physical appearance.
This theory suggests that the portrayal of women's bodies in media and social interactions often
leads to their sexual objectification, where their bodies or body parts are separated from their
personhood and reduced to mere instruments or objects.
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Research has shown that objectification, both in media representations and interpersonal
encounters, can have detrimental effects, including increased body shame, mental health issues,
and negative social consequences.
Moreover, studies have highlighted the association between self-objectification and impaired
cognitive capacity, particularly in the recognition of whole bodies.
The dehumanization of objectified women has also been associated with more rape proclivity
among men, indicating the broader societal implications of objectification.
It is important to note that objectification theory is not limited to women, as recent research
has suggested that self-objectification is also a phenomenon experienced by men, albeit to a
lesser extent.
This highlights the need to consider the effects of body-objectification on individuals of all
genders.
The objectification of bodies, particularly in the context of sexualization, has been associated
with a range of negative consequences, including self-objectification, impaired cognitive
capacity, and societal attitudes that contribute to harmful behaviors. Understanding and
addressing the impact of objectification is crucial for promoting healthy body image and well-
being.
Masculinity and femininity are social constructs that describe the expected behaviors, roles,
and attitudes associated with men and women in a given society.
These constructs are not necessarily tied to biological sex, but rather to cultural and societal
expectations.
The definitions of masculinity and femininity vary across cultures and time periods, and they
are often influenced by factors such as religion, politics, and social norms.
Masculinity is often associated with traits such as assertiveness, independence, and dominance,
while femininity is associated with traits such as nurturing, emotional expression, and
collaboration.
However, these traits are not inherently gendered, and individuals of any gender can exhibit
them to varying degrees.
The concept of masculinity and femininity has been criticized for reinforcing gender
stereotypes and limiting individuals' expression of their true selves.
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It is important to recognize that individuals have the freedom to express themselves in ways
that feel authentic to them, regardless of societal expectations based on gender.
The masculinity and femininity are social constructs that describe the expected behaviors,
roles, and attitudes associated with men and women in a given society. These constructs are
not necessarily tied to biological sex, and individuals have the freedom to express themselves
in ways that feel authentic to them, regardless of societal expectations based on gender.
Cultural differences significantly influence the concepts of masculinity and femininity, shaping
societal expectations, behaviors, and social roles associated with men and women. These
differences can be observed in various dimensions, reflecting the values and norms of different
cultures.
Cultures high in masculinity emphasize ambition, wealth acquisition, and distinct gender roles,
while those low in masculinity prioritize nurturing behaviors, flexible gender roles, and gender
equality.
In masculine cultures, gender differences are more pronounced, whereas in feminine cultures,
these differences tend to disappear.
For instance, masculinity is associated with traits such as assertiveness, independence, and
dominance, while femininity is linked to nurturing, emotional expression, and collaboration.
Research has shown that different degrees of the masculinity/femininity dimension create
aggregate dimensions that affect communication in a multinational context both positively and
negatively.
Moreover, cultural values shape how some gender stereotypes are perceived, with
individualistic traits being viewed as more masculine in some cultures, while collectivist
cultures rate masculine traits as collectivist and not individualist.
Hofstede's cultural dimension of masculinity/femininity provides further insights into the traits
associated with each dimension. Masculinity emphasizes ambition, acquisition of wealth, and
differentiated gender roles, while femininity stresses caring and nurturing behaviors, gender
equality, environmental awareness, and more fluid gender roles.
Cultural differences significantly influence the concepts of masculinity and femininity, shaping
societal expectations, behaviors, and social roles associated with men and women. These
differences reflect the values and norms of different cultures and impact various aspects of
social interaction, communication, and gender roles.
Lucy Irigray
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committed to active participation in the women’s movement in both France and internationally,
especially in Italy.
Irigaray's work focuses on the uses and misuses of language in relation to women, and she is
best known for her theory of "sexual difference," which critiques the supposedly sexless notion
of the subject in Western philosophy and psychoanalytic theory. She has been a significant
figure in the field of feminist theory, and her work continues to be influential in the study of
gender, language, and identity.
Speculum of the Other Woman (1974): This book is the published version of Irigaray's thesis,
which was removed from the Freudian School of Paris. In it, she critiques the exclusion of
women from both philosophy and psychoanalytic theory and engages in heavy criticisms of
the key tenets of Freudian psychoanalytical theory.
This Sex Which Is Not One (1979): This work further develops Irigaray's theory of "sexual
difference" and critiques the supposedly sexless notion of the subject in Western philosophy
and psychoanalytic theory
Ethics of Sexual Difference (1984): In this book, Irigaray explores the moral implications of
sexual difference and the ways in which gender intersects with other forms of oppression, such
as race and class.
The Way of Love (2002): This work delves into the nature of love, desire, and sexuality, and
how they are shaped by gender and cultural norms.
Sharing the Fire: Outline of a Dialectics of Sensitivity (2019): This is Irigaray's latest book,
which continues to explore the themes of gender, language, and identity.
These works have made Irigaray a highly influential figure in psychoanalysis and feminist
theory, and her ideas continue to shape the study of gender, language, and identity.
Gender Identities
Luce Irigaray's work on gender identities focuses on the concept of sexual difference and the
ways in which it shapes individual subjectivity and experiences.
Critique of the Binary: Irigaray argues against the binary structure of sexual difference, which
forces women into the private sphere and restricts their subjectivity. She seeks to uncover a
feminine order of meaning, allowing for the construction of a feminine subject without
reducing it to the masculine.
Masculine and Feminine Subjectivity: Irigaray's work compels us to look at men and their
bodies from a different conceptual space, where the feminine and female bodies cannot be
consumed, devalued, or defined in masculine terms. She suggests that men should start thinking
and living their own bodies and participate in the construction of the world within their own
terms without devouring 'others'.
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Strategic Essentialism: Irigaray's work employs strategic essentialism to challenge the binary
of sexual difference and engage with the issue of masculinities and male bodies. She argues
that sexual difference underpins our culture and that individuals need to cultivate themselves
within themselves to break the dichotomous relationship that alienates us all, thus granting
access to true unmediated love and salvation.
Queer Implications: Irigaray's theory of sexual difference has been critiqued as essentialist
and problematic for queer, transgender, intersex, and gender non-conforming people. While
her work silences these identities in some respects, it follows in the same vein as Kristeva, who
questioned whether heterosexual relationships are "a miracle of civilization" or a
"quintessential success story".
New Linguistic Modes: Irigaray argues that the Lacanian idea that language is phallic implies
a dangerous situation for women. For the woman to speak, she must speak like a man, or else
to break away from the social/symbolic. She searches out new linguistic modes of expressing
the feminine self, proceeding from the assumption that a different order of meaning is necessary
to construct a positive representation of the feminine.
Julia Kristeva
Some of her notable works include "Powers of Horror," "Tales of Love," "Black Sun:
Depression and Melancholia," "Desire in Language: A Semiotic Approach to Literature and
Art," and "Revolution in Poetic Language." She has been a professor at Columbia University
and is currently a professor emerita at Université Paris Cité. Kristeva's theories have
synthesized elements from various thinkers, and she has made important contributions to the
philosophy of language, the study of signs, and the understanding of subjectivity and identity.
Her work has been the subject of scholarly interest and has had a significant impact on the
fields of philosophy, linguistics, and literary studies.
Julia Kristeva's work on gender identities has been influential in feminist theory and has
contributed to the development of various discussions and debates.
Rejection of Essentialism: Kristeva's work is known for its rejection of essentialist views of
gender and her emphasis on the social and cultural construction of identity. She argues that a
child's sexual identity is formed through a struggle to separate from its mother's body, and that
the male does this by expelling the mother's influence.
Maternal and Preoedipal: Kristeva focuses on the significance of the maternal and preoedipal
in the constitution of subjectivity. She argues that the mother's body operates between nature
and culture, and that the process of social change and the conception of what it means to be a
woman are interconnected.
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Three Phases of Feminism: In her essay "Women's Time," Kristeva identifies three phases of
feminism. The first phase seeks universal equality and overlooks sexual differences, the second
phase focuses on the development of woman-centered approaches, and the third phase seeks to
reconceive identity and difference, exploring multiple identities, including multiple sexualities.
The Abject and the Maternal Erotic: Kristeva's work on the abject and the maternal erotic
emphasizes the powerful erotic bond that connects mother and child. She argues that in order
to become a subject, the child has to 'abject' (to expel or cast off) the mother, to disentangle
from her overwhelming influence.
Motherhood and Subjectivity: Kristeva's work on motherhood highlights the ways in which the
experience of motherhood shapes her thinking. She emphasizes the importance of the maternal
task to disconnect and let go of the passionate attachment to one's child, which is made possible
through two mental operations.
Despite her influential ideas, Kristeva's relation to feminism has been ambivalent, and her
views on gender and identity have been critiqued for their heteronormative and essentialist
assumptions.
Reception theory, as developed by Stuart Hall, emphasizes the active role of the audience in
interpreting and decoding media texts. The theory posits that media texts are encoded with
messages and values by the producers, which are then decoded by the audience. However,
different audience members may decode the media in different ways, leading to various
interpretations and responses.
According to Hall, audience members adopt one of the following three positions when they
decode media texts:
Dominant or Preferred Reading: This occurs when the audience accepts and agrees with the
messages put forward in the media. It reflects how the producer wants the audience to view the
media text. This position is taken when the messages are clear, the narrative is easy to follow,
and the themes are relevant to the audience.
Oppositional Reading: In this case, the audience rejects the preferred reading and creates their
own meaning for the text. This can happen if the media contains controversial themes that the
audience member disagrees with or if the narrative structure is complex.
Negotiated Reading: This position represents a compromise between the dominant and
oppositional readings, where the audience accepts parts of the producer's views but also has
their own views on other parts. This can occur when there is a combination of the above
positions.
Reception theory recognizes that the audience's interpretation of media messages is influenced
by various factors, including their cultural background, beliefs, and personal experiences. It
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highlights the active and dynamic nature of audience engagement with media texts, challenging
the notion of a passive and homogenous audience.
The theory also acknowledges that the meaning of a message can change based on how the
audience perceives and interprets it, emphasizing the importance of understanding the diverse
ways in which audiences engage with and make meaning from media content.
Reception theory, as articulated by Stuart Hall, underscores the active role of the audience in
interpreting and decoding media texts, highlighting the diverse and dynamic nature of audience
responses to media messages.
What are some examples of advertising campaigns that use stuart hall's reception theory?
Stuart Hall's reception theory can be applied to various advertising campaigns to understand
how audiences receive and interpret the messages encoded in the ads.
Here are some examples of advertising campaigns that can be analyzed using Stuart Hall's
reception theory: Labour Isn't Working Campaign: This campaign, created by the advertising
agency Saatchi & Saatchi, featured a billboard poster with the message "Labour Isn't Working"
and was used by the Conservative Party in the UK in 1978 and 1979. The poster was a
tremendous success and was credited with helping the Conservative Party win the election.
Analyzing this campaign using Stuart Hall's reception theory can help understand how different
audience members decoded the message and whether they took a dominant, oppositional, or
negotiated reading of the ad.
Sephora's "Black Beauty is Beauty" Campaign: This campaign by Sephora aimed to challenge
traditional beauty standards and celebrate diversity. Analyzing this campaign using Stuart
Hall's reception theory can help understand how different audience members decoded the
message and whether they took a dominant, oppositional, or negotiated reading of the ad. This
can provide insights into how the campaign was received by different audience members and
how it may have influenced their perceptions of beauty and identity.
These examples demonstrate how Stuart Hall's reception theory can be applied to advertising
campaigns to understand how audiences receive and interpret the messages encoded in the ads.
This can provide valuable insights into how different audience members decode the messages
and how this may influence their perceptions and behaviors.
Écriture féminine, coined by French feminist and literary theorist Hélène Cixous, refers to a
uniquely feminine style of writing characterized by disruptions in the text, such as gaps,
silences, puns, and new images. It is eccentric, incomprehensible, and inconsistent, and the
difficulty to understand it is attributed to centuries of suppression of the female voice, which
now speaks in a borrowed language.
The concept of écriture féminine is rooted in the idea that women can bring about a shift in
language by articulating their female sexuality in writing and speaking
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Articulation of female sexuality: The basic concept of écriture féminine is the articulation of
female sexuality in writing and speaking, which can eventually bring a shift in the language
system.
Fluidity and 'otherness': Cixous believed that only women, who are decentered and freer to
create, could bring about fluidity in language. She associated écriture féminine with the
Lacanian Real, with the maternal body, which is barred from the Symbolic Order
Disruption and deconstruction: Écriture féminine is a disruptive and deconstructive force that
shakes the security and stability of the phallogocentric Symbolic Order.
Influence on literary works: Cixous's concept of écriture féminine has been applied to various
literary works, such as Emily Dickinson's poetry and the experimental forms of avant-garde
and Modernist writers.
However, the notion of écriture féminine has been criticized for its essentialism and difficulty
to define. Some critics argue that the realm of the body, seen as immune to social and gender
conditioning, can issue forth a pure essence of the feminine, which is difficult to square with
feminism that emphasizes femininity as a social construction.
Additionally, the term has been criticized for its implication that not all women could or would
produce texts from this alternative practice, as it is impossible to define a feminine practice of
writing.
"The Laugh of the Medusa" is an essay by French feminist critic Hélène Cixous
"The Laugh of the Medusa" is an essay by French feminist critic Hélène Cixous, originally
written in French as "Le Rire de la Méduse" in 1975. The essay is a call for women to write
themselves and to use the body as a way to communicate.
Cixous describes a writing style, écriture féminine, that she says attempts to move outside of
the conventional rules found in patriarchal systems. She argues that Écriture feminine allows
women to address their needs by building strong self-narratives and identity. The essay is
situated in a history of feminist conversations that separated women in terms of their gender
and women in terms of authorship.
The "Laugh of the Medusa" addresses this rhetoric, writing on individuality and commanding
women to use writing and the body as sources of power and inspiration. The essay is an
exhortation and call for a "feminine mode" of writing which Cixous calls "white ink" and
"écriture féminine". Cixous builds the text using the elements of this mode and fills it with
literary allusions. She instructs women to use writing as a means of authority and explores how
the female body is closely connected to female authorship. The essay has been widely
influential in feminist theory and literary criticism, and has been translated into multiple
languages.
The main argument of "The Laugh of the Medusa" by Hélène Cixous is a call for women to
write themselves and to use the body as a way to communicate. Cixous describes a writing
style, écriture féminine, that she says attempts to move outside of the conventional rules found
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in patriarchal systems. She argues that écriture féminine allows women to address their needs
by building strong self-narratives and identity. The essay is an exhortation and call for a
"feminine mode" of writing which Cixous calls "white ink" and "écriture féminine". She
instructs women to use writing as a means of authority and explores how the female body is
closely connected to female authorship. The essay has been widely influential in feminist
theory and literary criticism, and has been translated into multiple languages.
Media production refers to the process of creating media content, such as radio segments,
newspaper articles, photographs, films, television programs, and television news segments.
This process involves various steps, including the construction of media texts, mediation,
selection of content, and anchorage of images.
The production of media content is influenced by factors such as cultural background, societal
norms, and the interests of media corporations.
Construction: The way a media text is put together, including editing, choice of camera angles,
layout, and selection of images.
Mediations: The process involves in creating media content, such as writing a film script,
editing photographs, or reporting real-life events
Selection: The process of choosing what to include in a media text, which can be influenced
by factors such as societal issues, events, and audience preferences
Anchorage: The words that give images a specific meaning in a particular context, including
captions, headlines, and taglines
Media production is a dynamic process that involves various professionals, such as writers,
directors, producers, editors, and actors, working together to create media content
The production process has evolved over time, with digital technologies enabling greater access
to media production tools and platforms for creating and distributing content
This has led to a more diverse range of media content, including user-generated content and
independent productions.
It is essential to understand the production process of media content to analyze and evaluate
the portrayal of gender, race, and other social issues in media
By examining the construction, mediation, selection, and anchorage of media content, we can
identify patterns and trends in media representation and challenge the negative consequences
of media stereotypes and misrepresentations.
Analyzing media production from a gender perspective involves examining the roles,
representation, and influence of women and men in the creation of media content. This analysis
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considers the portrayal of gender in media, the participation and influence of women in media
production, and the impact of gender representation on audiences. Here are some
Key Insights:
Initiatives and resources exist to promote gender equality and reinforce women's empowerment
in the media industry and representations.
Media Content and Portrayal of Men and Women: Research indicates that women are
underrepresented in media content, and when they are portrayed, they often serve primarily as
"eye candy" or are depicted in stereotypical ways that reflect and sustain socially endorsed
views of gender.
The portrayal of gender in media content perpetuates unrealistic, stereotypical, and limiting
perceptions of men and women.
Women's representation in media and entertainment companies is well below parity, and they
face a glass ceiling that prevents them from reaching top leadership roles.
Analyzing media production from a gender perspective involves examining the representation
of women and men in media content, the participation and influence of women in media
production, and the impact of gender representation on audiences. This analysis sheds light on
the gender disparities in media careers, the portrayal of gender in media content, and the
importance of promoting gender equality and reinforcing women's empowerment in the media
industry.
This field encompasses the study of economic systems, such as markets and national
economies, and their governance by political systems, including law, institutions, and
government.
The political economy of economic policy analyzes how political forces affect the economy
and how the economy affects politics. It recognizes that governments, voters, and interest
groups have a powerful impact on economic policy, and that macroeconomic trends can
influence political outcomes.
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Political economy also studies how economic theories, such as capitalism, socialism, and
communism, operate in the real world and how they are influenced by political systems and
policies.
The study of international political economy focuses on the interactions between markets and
politics, examining how markets influence politics and how policy, in turn, influences markets.
It delves into topics such as international money, international finance, international trade and
investment, and the influence of policy on the global economy.
Political economy is an interdisciplinary field that examines the complex interactions between
economic systems and political governance, shedding light on how political institutions and
economic systems influence each other. It encompasses the study of economic theories,
international political economy, and the practical applications of political economy in various
sectors.
The political economy of gender is a critical area of analysis that examines how gender and
other social inequalities shape people's access to power and resources, and how this impacts
feasible pathways of pro-poor and equitable change.
This approach explicitly considers the perspectives of diverse women, ensuring that their
voices inform the process, findings, and use of the analysis
By integrating gender into political economy analysis, practitioners gain a more holistic
understanding of the causes of poverty and inequality, and are better equipped to identify how
to support marginalized individuals in actively changing root causes
The political economy of gender also delves into the systematic and empirically testable
propositions about the supply and demand of labor, and the bargaining consequences of
remuneration, shedding light on the patterns of gender gaps in wages and power across
countries and sectors.
It explores how time constraints on females, due to socially mandated family work, hinder their
advancement in endeavors that prioritize availability and continuous career investment.
Moreover, the political economy of gender inequality examines women's power in the home,
workplace, and politics from a political economy perspective, demonstrating that equality is
tied to the demand for women's labor outside the home, which is influenced by structural,
political, and institutional conditions.
This approach integrates the micro-level of families with the macro-level of national
institutions, presenting an original and groundbreaking approach to gender inequality.
The political economy of gender provides a comprehensive framework for understanding how
gender and social inequalities intersect with political and economic systems, shaping power
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dynamics, resource distribution, and pathways for pro-poor and equitable change. This
approach is essential for promoting gender equality and addressing the root causes of gender-
based disparities.
Analyzing media production from a gender perspective involves examining the roles,
representation, and influence of women and men in the creation of media content. This analysis
considers the portrayal of gender in media, the participation and influence of women in media
production, and the impact of gender representation on audiences.
Initiatives and resources exist to promote gender equality and reinforce women's empowerment
in the media industry and representations.
Media Content and Portrayal of Men and Women: Research indicates that women are
underrepresented in media content, and when they are portrayed, they often serve primarily as
"eye candy" or are depicted in stereotypical ways that reflect and sustain socially endorsed
views of gender.
The portrayal of gender in media content perpetuates unrealistic, stereotypical, and limiting
perceptions of men and women.
Women's representation in media and entertainment companies is well below parity, and they
face a glass ceiling that prevents them from reaching top leadership roles.
Hence, the analysis of media production from a gender perspective involves examining the
representation of women and men in media content, the participation and influence of women
in media production, and the impact of gender representation on audiences. This analysis sheds
light on the gender disparities in media careers, the portrayal of gender in media content, and
the importance of promoting gender equality and reinforcing women's empowerment in the
media industry.
The political economy of media production involves analyzing the interplay between economic
and political factors in the creation and distribution of media content. This approach considers
how power dynamics, economic structures, and political influences shape the production
process and the resulting media products. Here are some key insights from the search results:
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Power Relationships: A political economy approach analyzes the power relationships between
politics, mediation, and economics in the context of media production.
It examines how economic and political factors impact the production, distribution, and
consumption of media content.
Gender Perspective: Integrating a gender perspective into the political economy of media
production involves examining how gender influences power dynamics, labor relations, and
representation within the media industry.
This analysis considers the roles and influence of women and men in media production, as well
as the impact of gender representation on media content and audiences.
Empirical Analysis: Political economy of media production grounds its approach within
empirical analysis of the actual systems of cultural production and distribution.
It seeks to understand how economic and political factors shape the production and distribution
of media content, as well as the broader implications for society.
The political economy of media production involves analyzing the complex interactions
between economic and political factors in the creation and distribution of media content.
Integrating a gender perspective into this analysis provides insights into how gender influences
power dynamics, labor relations, and representation within the media industry. This approach
sheds light on the impact of economic and political forces on media production and its
implications for society.
What are some criticisms of the political economy approach to media production?
Lack of Theoretical Development: Critics argue that the Political Economy of Communication
(PEC) has generally failed to develop theories of media production, with existing theories
heavily influenced by accounts of mass production and flexible specialization in Hollywood
film production
This lack of theoretical development may limit the depth and scope of political economy
approaches to media production.
Methodological Rigor and Conceptual Changes: Critics have focused on the presumable lack
of methodological rigor and conceptual changes since the early 1990s.
This may lead to concerns about the validity and reliability of the political economy approach
to media production.
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Critics argue that this paradigm may not adequately capture the complexities and diversities of
media production in the modern era, where digital technologies and flexible specialization are
more prevalent.
Limited Empirical Evidence: Some critics argue that the political economy approach to media
production lacks empirical evidence to support its claims and assertions.
This may limit the credibility and impact of the political economy approach to media
production.
Neglect of Macroeconomic and Socio-Political Context: While the political economy approach
acknowledges the importance of economic and political factors in media production, critics
argue that it may neglect the macroeconomic and socio-political context of media production,
such as the influence of globalization, digital technologies, and changing social norms.
The political economy approach to media production has faced criticisms for its lack of
theoretical development, methodological rigor, reliance on outdated paradigms, limited
empirical evidence, and neglect of macroeconomic and socio-political context. These
criticisms highlight the need for further refinement and expansion of the political economy
approach to media production to better address the complexities and diversities of
contemporary media production.
The effect of political economy on media production can be analyzed through the following
aspects:
Ownership: The political economy of media is influenced by the ownership structure of media
corporations, which can be dominated by a few large conglomerates
This ownership structure can lead to consolidation and homogenization of media content,
limiting diversity and independent voices.
Support Mechanisms: The political economy of media also considers how media corporations
are supported, including advertising and other funding sources.
These support mechanisms can shape the types of content that can be produced and distributed,
potentially influencing the portrayal of gender, politics, and other social issues.
Media and Cultural Policies: Political economy approaches to media production examine how
media and cultural policies influence the production process and the resulting media products.
These policies can impact the diversity and quality of media content, as well as the
representation of different social groups and perspectives.
These regulations can shape the production, distribution, and consumption of media content,
potentially influencing the types of stories told and the voices heard.
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These particularities can influence the production, distribution, and consumption of media
content, potentially shaping the portrayal of gender, politics, and other social issues.
The political economy of media production has several effects on media production, including
the ownership structure of media corporations, support mechanisms, media and cultural
policies, and regulations. These factors can influence the diversity and quality of media content,
as well as the representation of different social groups and perspectives.
Feminized labor refers to the increasing participation of women in paid work, as well as the
deterioration of working conditions in previously male-dominated jobs.
Increased Female Labor Force Participation: The feminization of labor is marked by a rapid
and substantial increase in the proportions of women in paid employment over the last two
decades.
This shift has led to women being incorporated into various professions and industries,
challenging traditional gender roles and expectations.
Inequalities and Poverty: The feminization of labor has resulted in greater income and asset
inequalities between and within countries.
Flexible and Precarious Employment: Feminized labor is often associated with flexible and
precarious employment, as women are concentrated in low-paid, part-time, and temporary jobs.
This type of employment can lead to increased insecurity and poverty, particularly for women
who are the main breadwinners of their families.
However, this shift has not necessarily led to equal representation or equal treatment for women
in the workplace.
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Feminized labor describes the increasing participation of women in paid work and the
deterioration of working conditions in previously male-dominated jobs. This phenomenon is
characterized by increased female labor force participation, inequalities and poverty, flexible
and precarious employment, and occupational gender-related discrepancies.
Feminized labor refers to the increasing participation of women in paid work, as well as the
deterioration of working conditions in previously male-dominated jobs.
Professions in Health Care, Law, and Human Resources: These are higher-level occupations
in which women have significantly increased their employment share.
The increasing presence of women in these professions reflects the feminization of certain
higher-level occupations.
Postal Clerks and Bakers: These represent lower-level occupations that have become feminized
The entry of women into these traditionally male-dominated occupations reflects the changing
dynamics of the labor market.
Export-Processing Zones: In parts of the Caribbean, Central America, South and Southeast
Asia, light industry export-processing zones have employed labor that is overwhelmingly
young and female.
This reflects the feminization of labor in the context of global trade and industrial production.
Non-Traditional Horticultural Exports: The feminization of labor is evident in the production
of non-traditional horticultural exports, where women are increasingly employed in these
sectors.
This reflects the changing nature of employment and the feminization of certain types of work.
These examples illustrate the diverse ways in which feminized labor manifests across different
sectors and regions, reflecting the changing dynamics of the labor market and the increasing
participation of women in paid work.
Feminized labor in media production refers to the increasing participation of women in various
roles within the media industry. This includes positions such as production assistants,
administrative staff, makeup artists, costume designers, and other support roles that have
historically been associated with women. Additionally, women are increasingly entering roles
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such as producers, directors, and writers, challenging traditional gender norms within the
industry.
The feminization of labor in media production has led to greater gender diversity within the
industry, challenging historical gender imbalances. However, it is important to note that women
in media production still face challenges related to wage gaps, underrepresentation in
leadership roles, and the persistence of gender stereotypes.
The term "feminized labor" in media production also refers to the increasing participation of
women in various roles within the media industry. This includes positions such as production
assistants, administrative staff, makeup artists, costume designers, and other support roles that
have historically been associated with women. Additionally, women are increasingly entering
roles such as producers, directors, and writers, challenging traditional gender norms within the
industry.
The feminization of labor in media production has led to greater gender diversity within the
industry, challenging historical gender imbalances. However, it is important to note that women
in media production still face challenges related to wage gaps, underrepresentation in
leadership roles, and the persistence of gender stereotypes.
The feminization of labor in media production reflects broader societal shifts towards gender
equality and diversity in the workplace. It underscores the importance of promoting equal
opportunities and addressing gender-based disparities within the media industry.
Gender inequality in the media industry is a pervasive issue that impacts job satisfaction, career
progression, and representation. Women in the media industry typically achieve lower levels
of pay, status, and representation compared to their male counterparts.
The political economy of gender inequality in media production sheds light on the systematic
and empirically testable propositions about the supply and demand of labor and the bargaining
consequences of remuneration.
Time constraints on females, due to socially mandated family work, hinder their advancement
in endeavors that put a premium on availability and continuous career investment.
Research has shown that gender inequality in the media industry impacts job satisfaction and
career progression, particularly in the Global South. Workplace gender equality has been linked
to curbing experiences of sexual harassment and boosting job satisfaction.
However, women continue to face significant barriers to safety, support, and career
progression, and remain underrepresented in the sector.
Women make up about a third of the journalism workforce worldwide and hold just over a
quarter of top management positions.
Additionally, women's journalism is often linked to 'soft topics' like health and social issues,
while men are more likely to report on 'hard topics' such as politics and the economy.
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The underrepresentation of women in the media industry and the persistence of gender
stereotypes contribute to unequal pay, short-lived female careers, and exclusivity of senior
roles for males.
This imbalance creates an acceptance of stereotypes and a perception of power held by males,
impacting job satisfaction and career progression.
Gender inequality in the media industry is a complex issue that affects job satisfaction, career
progression, and representation. It is essential to address the barriers to gender equality, combat
stereotypes, and promote equal opportunities for women in the media industry.
Gender inequality in the workplace encompasses various issues that impact women's
experiences and opportunities. Some examples of gender inequality in the workplace include:
Unequal Pay: The gender pay gap persists, with women earning less than men for the same
work. This disparity is particularly pronounced for women of color, with Black and Latina
women earning even less compared to men and white women.
Disparity in Promotions: Women are promoted less often than men, leading to
underrepresentation in leadership positions. This disparity in career advancement contributes
to gender inequality in the workplace.
Sexual Harassment: Incidents of sexual harassment create a hostile work environment for
women, impacting their well-being and career progression. Addressing and preventing sexual
harassment is crucial for promoting gender equality in the workplace.
Racism: Intersectional discrimination, which combines gender and racial biases, contributes to
disparities in opportunities and treatment for women of color in the workplace.
Fear of Asking for Equal Pay: Women may be less likely to negotiate their pay compared to
men, contributing to the perpetuation of unequal pay. Overcoming the fear of asking for equal
pay is essential for addressing gender inequality in the workplace.
These examples highlight the multifaceted nature of gender inequality in the workplace,
encompassing issues such as unequal pay, disparities in promotions, sexual harassment, racism,
and challenges in negotiating equal pay. Addressing these issues is crucial for promoting
gender equality and creating inclusive work environments.
Gender inequality has a significant impact on women's mental health. Research has shown that
gender disparities and discrimination can lead to higher levels of stress, anxiety, depression,
and post-traumatic stress disorder (PTSD) in women and people of marginalized genders.
Association with Mental Health Problems: Gender inequality has been associated with a higher
risk of mental health problems and lower academic achievement in women.
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Women are more likely to experience generalized anxiety disorder, panic disorder, depression,
eating disorders, and PTSD compared to men.
Impact on Brain Structure: Country-level gender inequality has been linked to structural
differences in the brains of women and men, highlighting the pervasive impact of gender
inequality on various aspects of health and well-being.
Global Study: A global study revealed that gender inequality was significantly associated with
increased gender disparities in depressive disorders, emphasizing the link between social
inequalities and gender disparities in mental health.
Silent Pandemic: Gender inequality and the mental health crisis have been described as a
"silent pandemic" affecting the lives of many women, highlighting the urgency of addressing
this issue to ensure that no girl or woman has to suffer in silence.
These findings underscore the profound impact of gender inequality on women's mental health,
emphasizing the need to address systemic gender disparities and discrimination to promote
mental well-being and gender equality.
What are some potential solutions to address gender inequality in the workplace?
Promoting Gender Equality: Actively promoting gender equality at work by being vocal
about it and addressing issues such as hiring or training only one gender for a particular role,
lack of benefits for pregnant mothers, and sexual harassment at work.
Training and Awareness: Providing proper training and awareness to every employee about
gender and sexuality to foster a more inclusive and understanding workplace.
Supportive Policies: Implementing policies that support gender equality, such as providing
childcare facilities, pregnancy benefits, and childcare support.
Equal Rewards and Recognition: Implementing fair and equal rewards and recognition for
every employee irrespective of gender, caste, race, sexuality, and ethnicity.
Equal Pay Audits: Conducting timely company-wide audits to check the salaries given to men
and women in the same roles to ensure equal pay for comparable jobs.
Addressing Unequal Pay: Addressing the gender pay gap by ensuring equal pay for
comparable jobs and conducting regular salary audits to identify and rectify disparities.
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These solutions aim to address gender inequality in the workplace by promoting gender
equality, implementing supportive policies, addressing disparities in pay and promotions, and
fostering a more inclusive and diverse work environment.
Gender inequality in media production is a pervasive issue that impacts job satisfaction, career
progression, and representation. Women in the media industry typically achieve lower levels
of pay, status, and representation compared to their male counterparts.
These barriers limit opportunities for women to progress in their careers and contribute to
gender disparities in leadership positions.
Impact on Job Satisfaction: Gender inequality in the media industry has been linked to lower
job satisfaction and higher levels of stress, anxiety, and depression among women
This underscores the importance of addressing gender disparities and promoting a more
inclusive and diverse work environment.
Awareness and Training: Raising awareness of gender inequality in the media industry and
providing training to employees at all levels can help address disparities and promote a more
inclusive workplace.
Gender inequality in media production has significant impacts on job satisfaction, career
progression, and representation. Addressing gender disparities and promoting a more inclusive
and diverse work environment is crucial for promoting gender equality and creating a more
equitable media industry.
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Consumer culture and selling feminism are interconnected concepts that have evolved over
time. The rise of consumer culture and the association of women with consumerism can be
traced back to the Industrial Revolution and the emergence of modern advertising. Here are
some key points:
Association with Femininity: In the early 20th century, consumer culture emerged as a
cultural and marketing phenomenon that linked consumer identity with notions of femininity
and the path to a better life.
Women were seen as the primary consumers, and advertising began to target them specifically.
Fashion Industry: The fashion industry promoted the idea of women as consumers, and
women were portrayed in various publications, such as sports, buying soap, caring for children,
and driving cars.
This image of women as consumers was designed to sell products and expand consumer
demand.
Home Economist and Marketing Expert: In 1929, Christine Frederick, a home economist
and marketing expert, published "Selling Mrs. Consumer," a book that taught manufacturers
and advertisers how to pitch products to American women.
This book marked the beginning of a strong association between women and consumer culture.
Mass Consumer Culture: The mass consumer culture that emerged in the early 20th century
seemed resistant to more complicated definitions of consumer identity, and even women
involved in feminism and reform found themselves actively reinforcing conventional notions
of gender difference.
Entrepreneurial Women: The careers of Annie Turnbo Malone and Madam C. J. Walker,
leaders of the early African-American beauty industry, demonstrate how women have
challenged the traditional consumer culture and created spaces for alternative visions of
consumer culture.
Consumer culture and selling feminism are interconnected concepts that have evolved over
time. The rise of consumer culture and the association of women with consumerism can be
traced back to the Industrial Revolution and the emergence of modern advertising. The mass
consumer culture that emerged in the early 20th century seemed resistant to more complicated
definitions of consumer identity, and even women involved in feminism and reform found
themselves actively reinforcing conventional notions of gender difference.
The correlation between media production, consumer culture, and selling feminism can
be analyzed through the following aspects:
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Consumer Discourse and Feminism: In the age of consumption, women's independence and
achievement are often framed by and articulated through consumer discourses and practices.
This has led to a conflation of women's independence and consumerism, raising questions
about the shifting nature of feminism and feminist identities.
Media Representation of Women: Women are among the largest consumers of film and
television, making them a key demographic for the media and entertainment industry.
The representation of women in media and entertainment can influence gender norms and
consumer behaviors, shaping the portrayal of women in advertising and other media content.
This influx of feminine labor in media production has led to greater gender diversity and a shift
in consumer culture.
Impact of Feminism on Consumer Culture: The rise of consumer culture and the association
of women with consumerism can be traced back to the Industrial Revolution and the emergence
of modern advertising.
Fashion and Consumption: The fashion industry promoted the idea of women as consumers,
and women were portrayed in various publications, such as sports, buying soap, caring for
children, and driving cars.
This image of women as consumers was designed to sell products and expand consumer
demand.
The correlation between media production, consumer culture, and selling feminism can be seen
in the consumer discourse and feminism, media representation of women, feminine labor in
media production, the impact of feminism on consumer culture, and the fashion and
consumption industries. These factors have shaped the portrayal of women in media and
advertising, as well as the development of consumer culture and gender norms.
Digital culture refers to the behaviors, practices, and values that develop from the use of digital
technologies. It encompasses a broad range of digital technologies, including smartphones,
social media, digital collaboration tools, enterprise content management, cloud infrastructure,
software as a service, and digital environments such as the internet. The growth of digital
technology use across society, including inside companies, ensures the continued prominence
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and evolution of digital culture. This shift has created changes in societal structures and norms,
impacting how people communicate, work, learn, and entertain themselves.
Digital culture is the product of the endless persuasive technology around us and the result of
disruptive technological innovation. It describes how digital media and technology have shaped
everyday lives and interactions with society, people, and work. Embracing a digital culture is
important as it can break hierarchies, encourage innovation, attract new age talent, and retain
the current workforce. It also impacts corporate culture and business models, fostering a
workplace that motivates employees to try new things and enhances learning.
In the workplace, digital culture is shaped and influenced by digital tools and technologies.
Companies with advanced digital cultures use digital tech to collaborate, innovate, and offer
customers access to products, services, and support. Digital cultures allow organizations to
grow, innovate quickly, and adapt to customer needs, helping them stay agile and future-proof
their business. Digital tools help organizations stay nimble and respond to disruptions, enabling
leaders to interact with all levels of the company and quickly communicate new directions or
changes.
Digital culture encompasses the behaviors, practices, and values that develop from the use of
digital technologies, shaping how people interact, work, and engage with society. Embracing
a digital culture is important for organizations as it supports digital transformation, impacts
corporate culture and business models, and fosters a workplace that encourages innovation and
attracts new talent.
The search results provide insights into the relationship between gender and self-presentation
in various contexts, including academic achievement, social media, and emerging adulthood.
Academic Achievement: Research has shown that women tend to adopt a modest self-
presentational style when predicting their academic achievement, motivated by attempts to
protect the self-esteem of the experimenter
This suggests that gender differences in performance estimates may be attributable to self-
presentational style rather than a lack of confidence among women.
Social Media: Studies have explored how individuals engage in self-presentation of their
gender identities on social media, highlighting the pervading discourse of authenticity and the
desire for users to craft and perform a perceived "authentic self" online.
This often entails both expressions of gender fluidly and gender policing, with individuals
negotiating and navigating their gendered self-presentation online in an agentic manner or as a
protective measure.
Emerging Adulthood: Research has explored the ways emerging adults experience social
networking, highlighting the role of self-presentation and gender in shaping online interactions.
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Through focus group methodology, this study found that emerging adults use MySpace to
present themselves in ways that reflect their gender identity and to connect with others who
share similar interests and values.
Gender plays a significant role in self-presentation across various contexts, including academic
achievement, social media, and emerging adulthood. Women tend to adopt a modest self-
presentational style when predicting their academic achievement, while individuals negotiate
and navigate their gendered self-presentation online in various ways. Understanding the
relationship between gender and self-presentation is crucial for promoting gender equality and
creating inclusive environments that support diverse identities and expressions.
Social Media and Self-Presentation: Social media platforms have become a significant space
for self-presentation and identity exploration. Gender identity and expression can be more
freely explored and performed on social media, where users can create and curate their online
personas.
This can lead to a more authentic self-presentation, as individuals can express their gender
fluidly and challenge traditional gender norms.
Gender Gaps in Deceptive Self-Presentation: Research has shown that gender gaps in deceptive
self-presentation on social media platforms vary with gender equality in society.
This suggests that the way individuals present themselves on social media is influenced by
societal gender inequalities and their own experiences of gender.
Physical and Auditory Gender Cues: Characteristics of internet communication, such as the
absence of physical and auditory gender cues, can affect gender self-presentation on social
media platforms
Users may compensate for the lack of nonverbal cues by emphasizing their gender identity
through their online interactions.
Digital Labor and Gender: The digital economy has led to the feminization of labor in various
sectors, such as fashion and beauty production
This has resulted in a gendered division of labor in digital cultural production, with women
disproportionately working in these industries. Understanding the gendered nature of digital
labor is crucial for addressing gender inequalities and promoting a more inclusive digital
culture.
Digital culture has a significant impact on genders and self-presentation. Social media
platforms provide a space for self-expression and identity exploration, while gender gaps in
deceptive self-presentation on social media platforms vary with gender equality in society.
Additionally, the digital economy has led to the feminization of labor in various sectors,
highlighting the gendered division of labor in digital cultural production.
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Dr. Nima John_GENDER AND MEDIA, ASCO AUM
Cyber misogyny and trolling have significant and detrimental effects on women, impacting
their mental health, safety, and ability to engage in online spaces. The online abuse faced by
women, often referred to as gender trolling, reflects and perpetuates everyday misogyny and
gender hierarchies. This form of abuse includes personal slurs, body shaming, character
assassination, and sexual harassment, creating a hostile online environment for women.
The abuse faced by women in online spaces, particularly political opponents and journalists, is
becoming an increasingly common feature of right-wing movements, often deployed as a
deliberate strategy to silence and discredit them.
This abuse aims to weaken the credibility of women and undermine their rights and democracy,
reflecting a broader pattern of gendered disinformation and tech-facilitated gender-based
attacks.
The impact of cyber misogyny and trolling extends to the mental health of women, leading to
stress, anxiety, and trauma. The abuse often escalates to issuing rape and death threats, forcing
many women to resort to blocking trolls and disengaging from online dialogue.
The pervasive nature of cyber misogyny and trolling reflects a broader expression of misogyny
and sexism, creating a hellscape for women in online spaces.
Cyber misogyny and trolling have profound and harmful effects on women, perpetuating
gender hierarchies, silencing voices, and undermining women's rights and mental well-being.
Addressing this issue requires concerted efforts to combat online abuse, promote digital safety,
and create inclusive and respectful online environments for all individuals.
The impact of cyber misogyny and trolling on digital culture is significant, as it creates a hostile
online environment for women, perpetuates gender hierarchies, and undermines women's rights
and mental well-being. The toll of gender trolling and its effects on women include personal
slurs, body shaming, character assassination, and sexual harassment, leading to stress, anxiety,
and trauma.
The abuse faced by women in online spaces reflects and perpetuates everyday misogyny and
gender hierarchies, creating a hellscape for women in online spaces.
Cyber misogyny and trolling affect women's participation in the public sphere, civil society
debate, and social media platforms, limiting their ability to engage in online spaces.
The impact of cyber misogyny and trolling on digital culture underscores the need for concerted
efforts to combat online abuse, promote digital safety, and create inclusive and respectful
online environments for all individuals. Addressing this issue requires a multifaceted approach
that includes education, awareness-raising, and policy interventions to promote gender equality
and combat gender-based violence in online spaces.
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Dr. Nima John_GENDER AND MEDIA, ASCO AUM
Cyber misogyny and trolling have significant and detrimental effects on women, perpetuating
gender hierarchies, silencing voices, and undermining women's rights and mental well-being.
The impact of this issue on digital culture underscores the need for concerted efforts to combat
online abuse, promote digital safety, and create inclusive and respectful online environments
for all individuals.
Cyber misogyny has a significant impact on women's mental health, leading to stress, anxiety,
and trauma. The abuse faced by women in online spaces, including personal slurs, body
shaming, character assassination, and sexual harassment, creates a hostile online environment
for women, leading to a myriad of emotions, from anger to shame.
Cyber misogyny refers to the various forms of gendered hatred, harassment, and abusive
behavior targeted at women and girls via the internet, leading to grave repercussions on the
mental health of Gen Z.
The abuse often escalates to issuing rape and death threats, forcing many women to resort to
blocking trolls and disengaging from online dialogue.
Women who experience cyberstalking are 25% less likely than other women to rate their
mental health as very good or excellent.
The impact of cyber misogyny on women's mental health underscores the need for concerted
efforts to combat online abuse, promote digital safety, and create inclusive and respectful
online environments for all individuals. Addressing this issue requires a multifaceted approach
that includes education, awareness-raising, and policy interventions to promote gender equality
and combat gender-based violence in online spaces.
It is crucial to create safe spaces for women online, where they can express themselves freely
without fear of abuse or harassment.
Intimacy and disclosure are closely related concepts that play a crucial role in building and
maintaining relationships. The impact of self-disclosure on intimacy and relationships,
including:
Expanding Intimacy Theory: According to the expanding intimacy theory, intimacy increases
when an individual discloses their personal thoughts or emotions to their partner
This self-disclosure creates a sense of vulnerability and trust, leading to increased intimacy and
closeness.
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Dr. Nima John_GENDER AND MEDIA, ASCO AUM
The impact of self-disclosure on social media depends on the level of intimacy and the type of
information disclosed.
Sharing one's true self with a partner creates a sense of vulnerability and trust, leading to
increased intimacy and closeness.
Mutual Disclosure and Trust: Mutual disclosure deepens trust in relationships and helps both
people understand each other more.
Self-disclosure can lead to closer relationships and a better-shared understanding with the
people you contact daily.
Sharing personal details of one's life with others creates stronger feelings of attraction and can
increase one's partner's interest in oneself.
The impact of digital culture on intimacy and disclosure is multifaceted and can have both
positive and negative effects on relationships and well-being.
Online Intimacy and Well-being: The digital age has transformed the nature of intimacy and
disclosure in online social interactions, influencing health and well-being outcomes.
While online communication can facilitate relationship development and provide social
support, it may also lead to excessive self-disclosure and unrealistic expectations about online
partners, impacting the quality of relationships and well-being.
Effects of Self-Disclosure on Relationship Intimacy and Satisfaction: Research has shown that
greater disclosure is associated with higher relational intimacy and satisfaction when done
offline, while disclosure done publicly online may be detrimental to romantic relationships.
The impact of self-disclosure on social media depends on the level of intimacy and the type of
information disclosed.
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positively relates to social rewards, influencing the intention to self-disclose. The study also
highlighted the moderating role of culture in shaping trust beliefs and privacy concerns among
digital natives.
Intimacy, Digital Technology, and New Geographies of Encounter: Digital technology has
reshaped encounters with unknown others, influencing intimate forms of stranger encounter.
The paper outlines various ways in which digital technology helps to bring unknown others
into intimate spaces, shaping new geographies of encounter.
The impact of digital culture on intimacy and disclosure is complex, influencing relationship
dynamics, well-being outcomes, and cross-cultural self-disclosure decisions. While digital
technology can facilitate intimacy and social support, it also presents challenges related to
excessive self-disclosure, unrealistic expectations, and the reshaping of encounters with
unknown others. Understanding the multifaceted impact of digital culture on intimacy and
disclosure is crucial for promoting healthy and meaningful relationships in the digital age.
Gender and online activism are closely intertwined, as digital platforms provide opportunities
for women to raise their voices, connect, and advocate for gender equality. However, online
activism also faces challenges such as harassment, trolling, and cyber misogyny. Here are some
key insights:
However, women activists still face harassment and threats from netizens;
Digital Activism in Urban Ghana and Nigeria: Social media give women advocacy groups a
voice, allowing them to speak more freely in a context of traditional patriarchy.
However, the reach of these groups is limited mostly to urban areas due to constrained access
to the internet in rural areas.
Networked Feminism and Cyber-Feminism: Digital activism has grown into a phenomenon
referred to as networked feminism or cyber-feminism, where women and girls worldwide come
together, connect, expand, and share their vision.
Despite the power of digital activism, cyber-hatred, trolling, and bullying have devastating
effects on individuals and campaigns.
Social Media and Online Activism: Social media and online activism can shift gender norms
in four main ways: mobilizing campaigns, amplifying messages, sharing personal stories, and
providing support.
However, online misogyny and gender-based violence are real risks to women's rights and can
hinder the effectiveness of online activism.
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Dr. Nima John_GENDER AND MEDIA, ASCO AUM
Gender and online activism are closely intertwined, with digital platforms providing
opportunities for women to raise their voices and advocate for gender equality. However,
online activism also faces challenges such as harassment, trolling, and cyber misogyny.
Understanding the potential of digital platforms for gender equality advocacy and addressing
the challenges faced by women activists are crucial for promoting a more inclusive and equal
online space.
The correlation between gender and online activism is multifaceted and influenced by various
contextual factors.
Enhanced Relationship Between Gender Identity and Well-being: Online activism has been
found to enhance the relationship between gender identity and well-being, showing positive
correlations between gender and well-being.
Gender Norms and Online Activism: Social media provides a platform for women to engage
in activism, resistance, and reconstruction of gender norms, allowing them to speak more freely
in a context of traditional patriarchy.
However, women's online experiences can also be unpleasant, with repeated encounters of
sexually inappropriate or aggressive behavior.
Variation in Activism on Social Media by Race, Ethnicity, Age, and Political Party:
Experiences and attitudes related to political activities on social media vary by race and
ethnicity, age, and party affiliation, indicating that online activism varies across different
demographic groups.
Shift in Gender Norms through Social Media Activism: Social media and online activism can
shift gender norms by mobilizing campaigns, amplifying messages, and sharing personal
stories, leading to real-world transformations in gender norms.
Transnational Feminism and Online Activism: Online activism plays a crucial role in
transnational feminist movements, addressing gender-based violence and creating alternate
spaces for feminist discourse and activism.
The correlation between gender and online activism is complex and influenced by various
factors such as well-being, gender norms, demographic differences, and transnational feminist
movements. Online activism provides a platform for women to engage in advocacy, resistance,
and reconstruction of gender norms, but it also presents challenges such as unpleasant online
experiences and variations in activism across different demographic groups. Understanding the
multifaceted correlation between gender and online activism is crucial for promoting gender
equality and inclusive online spaces.
Online Activism
Online activism and in-person activism have their own unique advantages and challenges.
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Dr. Nima John_GENDER AND MEDIA, ASCO AUM
Online Activism:
Advantages:
Cost-efficient: Online activism requires low effort from organizers and supporters, making it
accessible to a wider audience.
Raising awareness: Online activism can raise awareness about important political, economic,
cultural, and social problems.
Flexibility: Online activism allows individuals to participate from anywhere, at any time,
making it more convenient for people with busy schedules or mobility issues.
Challenges:
Passive participation: Online activism may lead to passive participation, as people can easily
click "like" or share a post without taking meaningful action.
Transience: Social media posts are temporary, which can undermine long-term systemic
change.
Superficial engagement: The instant visibility of online campaigns can lead to superficial
engagement, as people may forget the need for action in the real world.
In-person Activism:
Advantages:
Long-term planning: In-person activism allows for careful long-term planning, which can lead
to more sustainable and effective change.
Face-to-face connections: In-person activism allows for the building of strong, face-to-face
connections, which can foster more meaningful relationships and commitment among activists.
Direct action: In-person activism can involve direct action, which can lead to more tangible
and immediate changes.
Challenges:
Barriers to entry: In-person activism may have higher barriers to entry, such as transportation
costs, time commitment, and physical accessibility, making it less accessible to some
individuals
Limited reach: In-person activism may have a smaller reach compared to online activism, as it
may not reach as many people.
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In conclusion, both online and in-person activism have their own advantages and challenges.
While online activism offers accessibility and flexibility, it can also lead to passive
participation and superficial engagement. In contrast, in-person activism can foster face-to-face
connections and direct action, but it may have higher barriers to entry and a limited reach.
Understanding the strengths and weaknesses of each approach is crucial for choosing the most
effective strategies for social change.
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