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MT149 Assignment 8

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32 views2 pages

MT149 Assignment 8

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petethebeat21
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suden: Pekor Fasetos MT149: Freshman Theory I Assignment 8: Triads (Root Position / Inversions) and Analysis DUE: Friday, 10 November 2023 Part 1: Building and Identifying Triads in Root Position and Inversions Construct the following triads as indicated by quality (Aug, M, m, dim) and inversion: 2 diminished © 4” *™*- —inor Seu Major 6 2 ‘Augmented § on ‘Now construct the triad indicated by the lead-sheet notation GéimBh cmiG Fhat c+ Write the key signatures implied by the following triads. Then add the missing figured bass to reflect the versions of each triad (eg. 6, 6/4): one. Dog & ews ie Vv iis Ve vig iii Put each of these triads in CLOSE position, then name them using lead-sheet notation, REMEMBER to keep the lowest pitch where it is so that you preserve the inversion!!! be ie oble A/cm 6 dn Part 2: Analysis Provide a harmonic analysis of the following excerpt, from Robert Schumann's Opus 68/2. Along the top of the score, provide the Lead-Sheet notation (although this is atypical for this genre of music). Beneath the score, provide the (more typtical) Roman numeral/figured bass analysis, omitting the two chords indicated in the second system, Make sure your analysis reflects the inversions of each chord! C_A%e 6 op FAA OG ow 8G ° a 3 i USE ri vow 6 xe T SHEET TEA ONLY SHEET ONLY Here's a link to a recording of the Schumann work: https://www-youtube.com/watch?v=w7ouYmyW3vo Part 3: Chord Connections / Voice Leading Try your hand at writing the following chord progressions, taking care to connect each voice as we have done in class. Do this in keyboard style (see my example: three notes in the soprano, one in the bass) 9 * AMaj: V I FMaj: CH min Gres

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