OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Com

483 1 Agay Mysterious Procession %e.t Hand Melody his is .or the total eginner& and can e taught on the ve
6ight Ceading ostinato using only the note 7& while the le.t hand plays t
Hand Independence di..erent orders and simple rhythms, 7cellent .or sightEr
7pressive Playing epressive playing and .or ringing up a melody on the le
.ree improvisation,
489 1 Alt Hot Noon in the Meadow Introduction to how chords develop emotion 6imilar in di..iculty to the aove& this set o. pieces uses m
very good introduction to how and why chords and interv
instance& Ghe spider uses tritons to uild up suspense&
intervals to emulate u>>ing,
488 1 Alt he !cean Pattern Introduction A collection o. 1 pieces .or the complete eginner& mos
interesting thing here is that t hey use the whole 0eyoard
appear in the more advanced pieces& so they are ecelle
recital material .or eginners,
84" 1 #ach $horale %ord& do with me as you will& #'( )14
84* 1 #ach& +,$, Air in -& #' ( Anh, 131& .rom /he Anna Magdalena #ach #oo0 o. 1")/
84) 1 #ach& +,$, Aria in A minor
8)1 1 #art20 $hildren at Play
848 1 #art20 uasi Adagio no 3 .rom /-or $hildren/ vol 1
8) 1 #art20 wo %ittle 5ialogues
849 1 #art20 wo 6hort Pieces and wo %ittle 5ances
84 1 #eethoven 7cossaise in 7 maor 'o! 8* hese are oneEpage very easy pieces Fgrade 1 that #ee
material .or is pupils,
841 1 #eethoven 7cossaise in : maor 'o! 3
8) 1 #urgm;ller 6tudy in Am& !p, 1<
8)3 1 $lementi Arietta in $& !p 4& %esson )
8)4 1 $lementi 6onatina& !p 3*<3& =n Poco Adagio
8)8 1 :urlitt Allegretto gra>ioso in $& !p 11"<*
8)" 1 :urlitt Andantino in -& !p 18"<48
8)) 1 :urlitt Melodic 6tudy
8* 1 :urlitt Moderato
8)9 1 :urlitt 6onatina in $
8)* 1 :urlitt 'alt> in -& !p 1"9<1
8*1 1 Handel Menuet in -
8* 1 Handel Passepied in $& H'( ))9
8*3 1 Hen0el Piano Piece .or the ?oung& no 13
494 1 Hovhaness 60etchoo0 o. Mr, Purple Poverty op, 39 6leeping $at is a hauntingly eauti.ul piece @ etremely e
8*4 1 Hovhaness 6leeping $at& .rom /60etchoo0 o. Mr Purple/
8** 1 Baalevs0y :ame
8*) 1 Baalevs0y heme and (ariation 1 -rom ) Happy (ariations on a Cussian -ol0song& !p )1<
8*" 1 Bhachaturian 6cher>ino
8"1 1 % Mo>art Menuet in $
8*9 1 %e $ouppey Melody in $& no 14 .rom /A#$ du Piano/
8" 1 %e $ouppey Melody in $& no 1 .rom /A#$ du Piano/
8*8 1 %e $ouppey 6tudy in $& !p, 1"<1
8") 1 Mo>art Allegretto .rom /he %ondon 60etchoo0/& B( 1)pp
8" 1 Mo>art Allegro in # .lat& B3
8"3 1 Mo>art Menuett in -& B
8"4 1 Mo>art Menuetto I& .rom 6onata in $& B*
8"" 1 Purcell Air in 5 minor& D *"*
8"* 1 Purcell Ciggadoon
8"8 1 Cameau Minuet in $
8"9 1 6carlatti Minuetto in $ -rom 6onata in $ minor& B"3 %1"
OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Com
88 1 6chumann Melody& !p *8 No, 1
881 1 chai0ovs0y Italian 6ong& !p 39 No, 1) -rom /Alum .or the ?oung/
883 1 chai0ovs0y Cussian 6ong -rom /Alum .or the ?oung/
88 1 chai0ovs0y he 5oll/s -uneral -rom /Alum .or the ?oung/
884 1 elemann :avotte in $
88) 1 elemann Menuetto in :
48)  Agay -our popular diversions -orm L Chythm More di..icult than the one aove& they are also more mo
#lues 6cales repertory and as teaching material, G%ittle prelude in 'al
6yncopation .orm and rhythm& G#aroJue ounce li0ewise can e use
the lues introduces the lues scales& and GCagtime dol

484  Agay Petit rianon suite hese are ten easy pieces& each one covering a dance s
.or rhythm development and to introduce the student to o
the piano repertory, 7cellent recital material . or the eg
48*  Alderighi 6igni %ieti 1 very easy& short pieces, he harmonies are traditiona
ma0e up ecellent recital material,
48"  Aleandrow Pieces .or $hildren he whole collection consists o. 8 sets o. short pieces .o
with Baalevs0ys pieces .or children& this is similar,
49  Alt 'here the palm tree grows Introduction to contemporary music More di..icult than the previous two& this is thoroughly co
contemporary music is not the most appealing to eginn
is not too radically contemporary,
4"  Attwood 6onatina No, 1 in : maor 6cale .ragments his has to e the .i rst sonatina to e learned, :rown up
Alerti patterns 1 is a great repertory, he second movement is the eas
#ro0en arpeggios movements are ecellent,
(ery good .or .inger articulation<
independence,
88"  #ach #ourrKe .rom !verture in -
4*3  #ach March in 7& #'( Anh, II 1" Fanon, Intro to Evoice inventions Another ecellent preparation .or Evoice inventions,
4)8  #ach Minuet in Am& #'( Anh, II 1 Fanon, Hand independence Another ecellent  voice canonic wor0 that will develop
enough .or a eginner,
4)9  #ach Minuet in $m& #'( Anh, II 11 FAnon, Hauntingly eauti.ul slow minuet,
4*4  #ach Minuet in 5m& #'( Anh, II 13 Fanon, Hand independence Another very eauti.ul re.lective minuet& which will devel
Noteoo0 .or Anna Magdalena #ach
4*1  #ach Minuet in :& F:, #ohm Intro to counterpoint Another good introduction to counterpoint that is simple e
4))  #ach Minuet in :& #'( Anh, 114 F$, Pet>old !rnamentation his minuet is meant to e played with the Minuet in :m
minuet in :,
4)"  #ach Minuet in :& #'( Anh, II 11* Fanon, Intro to Evoice inventions 7cellent piece to introduce canon Fround writing, It is a
which are .ar too di..icult .or a eginner,
4)*  #ach Minuet in :m& #'( Anh, 11) F$, Pet>old !rnamentation #eauti.ul lyrical minuet& re.lective and slow, his minuet
in A#A .orm Fminuet in : @ minuet in :m @ minuet in :,
more advanced players there is a lot o. scope .or learnin
pieces,
4*  #ach Musette in 5& #'( Anh, II 1*Fanon, 60ips 7cellent piece .or the virtuoso to e Fvery easy ut impr
-ast runs .ast runs on the CH, A .avorite with 0ids,
888  #ach !verture in -& #'( 8 )th mvt& #ourrKe
88*  #ach Polonaise in : minor& #'( Anh 119
4**  #ach Prelude in $& #'( 84*<I !ne o. the .ew pieces in the noteoo0 that is actually y
'$ oo0 I,
4*"  #ach Prelude in $& #'( 94 A eauti.ul prelude ased on ro0en triads& this is very e
several ornaments, hese can added later on when the s
4*8  #ach Prelude in $& #'( 939 Arpeggios An ecellent study in arpeggios .or oth CH and %H and
writing, !nly 1* ars long
OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Com
4*9  #ach Prelude in :m& #'( 999 #ro0en riads -or the udding virtuoso, (ery e..ective at a .ast speed&
tempo, he repetitive .iguration in ro0en triads ma0e it a
4*  #ach& $,P,7, March in 5& H, 1,1 =pli.ting and .ull o. oy,
4*)  #ach& +,$, Aria in - !nly 1* ars long& this eauti.ul aria can e easily learne
stage to teach improvised ornamentation,
889  #art20 Comanian $hristmas $arol No 4 .rom /Comanian $hristmas $arols/& 6eries 1
4"  #each $hildren $arnival op, ) 'alt> Pierrot L Pierrette F.rom op, ) is a wonder.ul walt> wit
Arpeggio very easy and yet it sounds very Gpro.essional,
7Juali>ing Hand one My .avourite though is G6ecrets Falso .rom op, ) wher
the hands so that they are Falmost never together, 7ce
and an eJuisite piece o. music,
4"1  #each $hildrens Alum op, 3* hey are proaly more suited to the later eginner F* mo
89  #eethoven 6onatina in : Anh )<1& nd mvt& Coman>e
491  #loch 7n.antines #loch composed a set o. ten very interesting pieces calle
not .or eginners though& ecept the .irst one& which may
1 year o. lessons
49  #loch %ullay %egato playing Impressionistic writing& this is a very epressive piece th
$antaile concepts Modes Fthe piece is written in the Aeolian mod
one .inger e held while the other .ingers o. the same ha

493  #owles -ol0 preludes Paul -rederic0 #owles hese are really .or intermediate
hese are ecellent arrangements o. classical American

89  #urgm;ller 5ouce Plainte F6ighing& !p, 1<1*

891  #urgm;ller 6tudy in : minor& !p, 1<1*
893  $ouperin %a #ouronnaise
89)  $>erny 6tudy in # minor& !p 139<98
894  $>erny 6tudy in :& !p 139<)
89*  5iaelli Andantino& !p 1)<11
4""  :urlitt A song without words& op, 11" no, 34 #ro0en $hords A study in ro0en chords very e..ective in per.ormance,
4"9  :urlitt In the garden& op, 14 no, 4 %H melody voicing he melody is in the %H while the CH accompanies with
how to voice etween the hands,
4"8  :urlitt %ullay Prep .or 4E) .inger melody #eauti.ul piece with the accompaniment eJually divided
with .ingers 4E) o. the CH, 7cellent preparation .or simi
repertory Fe,g, Mendelssohns 6ong without words op, 19
eginner,
4"3  :urlitt Morning prayer& !p, 11 no,  #eauti.ul chorale in three voices& will prepare .or .our voi
the one elow,
9  :urlitt 6erenade in # .lat No 18 .rom /Alum .or the ?oung/& !p 14
9)  :urlitt 6onatina in : 1st and 3rd mvts
4"4  :urlitt 6unday& !p, 11 no, 18 -ourEpart Harmony -our part chorale, 7cellent to learn .our part harmony an
#ring out upper voice
4")  :urlitt he -air& op, 11 no, 8 5evelop in.lection o. short melodic moti.s (ery light& with a .ast CH going through a circular semiJu
in.lection o. short melodic moti.s, -or the udding virtuos
898  :urlitt he Hurdy :urdy Man& !p1<19
89"  :urlitt =ndismayed& !p 19"<"
4"*  :urlitt (alse Nole op, 11 no, 14 $ontrast gra>ioso w< scher>o A very nice walt> with ust 1* ars Ftwo 8Ear phrases, :
gra>ioso section with the scher>o section,
899  :urlitt 'ild Mignonette
91  Handel $hanson /6ans y penser/
9  Handel -uga in :& #1")<31
OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Com
9)  Baalevs0y A %ittle 6ong& .rom !p "
94  Baalevs0y :alop& !p 39<18
9*  Baalevs0y Nights on the Civer -rom /$hildren/s Pieces/& !p "<4
93  Baalevs0y 'alt> in 5 minor& !p 39<13
9"  Buhlau 6onatina in -& !p ))<4 Andantino con espressione
91  % Mo>art Allegro in : -rom /Nannerl Noteoo0
98  %e $ouppey 6tudy in A minor& !p 1
91  %e $ouppey 6tudy in # .lat& !p 4<8
99  %e $ouppey 6tudy in $& !p, 4<*
911  %e $ouppey 6tudy in $& !p, 4<1
48  Mac5owell o a 'ild Cose 7pressive Playing %ovely piece very easy technically& ut demanding the gr
etter suited to older students, :ood .or awa0ening the s

91)  Mo>art Andante in 7& B1)mm -rom /he %ondon Noteoo0/

913  Mo>art Minuet and rio B)8)
914  Mo>art Minuet in # .lat& B1)pp
481  !esten May.lowers op, *1 $hords ) easy pieces very romantic& most less than a page lon
the CH& %H rhythmic repeated chords, As you 0now egi
good one,
918  Purcell Hornpipe in 7 minor
91*  Purcell Minuet
91"  Purcell Minuet in :
919  Purcell Cigadoon in 5 minor D 5"
9  6chuert %Ondler in 7& 5*"9<
93  6chumann 5oll /s $radle 6ong& !p *8<
91  6chumann 6t;c0chen& !p *8 No, )
9  6chumann he Poor !rphan& !p *8 No,*
94  6travins0y %es $inJ 5oights
48  chai0ovs0y Alum .or the ?oung !p, 39 Not all pieces are .or eginners, he easier are no, 1 GM
Ghe sic0 doll which is very easy& ut the melody is on th
attention to voicing& no, 8 Ghe dolls urial very slow an
learn how to do o..eat chord accompaniment and no, 
easier ecause o. repeated chords, 7cellent to learn sy
9)  chai0ovs0y Ma>ur0a& !p, 39 No, 1 -rom /Alum .or the ?oung/
9*  c hai0ov s0y 6weet 5reams
9"  elemann -antasia No 1 in 5 3rd 5o>en& nd mvt& 5olce
*8 3 #ach -rench 6uite No, * E Menuet
933 3 #ach -rench 6uite& No * in 7 Minuet
1* 3 #ach %ittle Prelude& #'( 999
934 3 #ach Prelude in $ minor& #'( 999
93) 3 #ach Prelude& no 1 7ighteen %ittle Preludes/
93 3 #ach& $,P,7, Allegro in $ minor
98 3 #ach& $,P,7, Allegro in :& H38 ' 11*<)4
99 3 #ach& $,P,7, Menuet %a Pott& ' 11"<18 No  .rom /$P7 #ach& 3 PiQces $haracteristiJues/
931 3 #ach& $,P,7, 6onata in $ Allegretto
93 3 #ach& $,P,7, 6onata in - Allegretto
938 3 #art20 $horal No 8 .rom /-or $hildren/ vol 1
94 3 #art20 Beringo
93* 3 #art20 %ento No 11& .rom /-or $hildren&/ vol 1
939 3 #art20 Peasant/s -lute No * .rom /-or $hildren/ v ol 
93" 3 #art20 Cound 5ance No 1"& . rom /-or $hildren&/ vol 1
94 3 #urgm;ller :race.ulness
OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Com
941 3 #urgm;ller Innocence& !p, 1<)
943 3 #urgm;ller 6tudy in $ minor& !p, 1<1)
19 3 $lementi :rand 'alt>
944 3 $ouperin Condo
94) 3 $>erny 6tudy in A .lat& !p 139<)1
94* 3 $>erny 6tudy in :& !p *1<1"
 3 5acJuin %e $oucou
94" 3 5iaelli 6onatina in -& !p 1*8<1 & nd mvt& Andante
949 3 :urlitt Impromptu& !p 4<)
9) 3 :urlitt %ittle -lower
9)1 3 :urlitt 6onatina in - Allegro 6cher>ando
948 3 :urlitt he 5eserted $hild& !p "4<*
9)4 3 Handel Air in # .lat& H'( 4"1
9)) 3 Handel Air& #1")<4
9)* 3 Handel :avotte in :& H'( 491
9)" 3 Handel Minuet in -
9)3 3 Handel 6onatina in # .lat
9)8 3 Haydn Arietta con (aria>ione
9)9 3 Heller Prelude& !p 119<1"
9* 3 Heller 6tudy in 5& !p 1)<"
9* 3 Hummel Allegro in - No )* .rom /Blavierschule/
9*1 3 Hummel Menuetto& !p 4<3
9*4 3 Baalev s0y $lowning& !p "<1
9*3 3 Baalevs0y $lowns& !p 39<
9*) 3 Baalevs0y 6oldiers/ March
9** 3 Buhlau 6onatina& !p ))<1
9*" 3 % Mo>art Menuet in A
9*8 3 Mo>art Andantino in 7 .lat B3*
4 3 Pro0o.iev Music .or $hildren !p, *) No, 4 arantella @ -ast and rhythmical with a melodic middle s
actually is,
9*9 3 Purcell Hornpipe in # .lat
1"4 3 6carlatti 6onata B 3 Interpretation<7pression F5 minor @ Aria %yrical sonata much easier than it sound
page long it reJuires some musical maturity to e truly e
recital& since it is slow and introspective it will calm you d
technically unchallenging Fgrade 3& and yet one o. the m
euding tranJuillity& this re.lective piece is the est o. the
1"* 3 6carlatti 6onata B 4 A nice minuet only a page long F4 ars @ amongst the e
1"" 3 6carlatti 6onata B 431 A delight.ul GaroJue prelude style piece with a .ast righ
the le.t hand provides a melody in minims and crochets,
e..ective i. use a slower tempo, +ust 1* ars,
9" 3 6chumann he 'ild Horseman& F'ilder Ceiter& !p *8 No,8
9"1 3 chai0ovs0y March o. the 'ooden 6oldiers& !p 39 No, ) -rom /Alum .or the ?oung/
9"3 3 chai0ovs0y !ld -rench 6ong -rom /Alum .or the ?oung/
9" 3 chai0ovs0y Pol0a& !p 39 No 14 -rom /Alum .or the ?oung/
9"4 3 chai0ovs0y he 'itch
9"* 3 elemann Allegro in 7 minor No 4 .rom /-ugues legQres et petits eu/& '( 3)
9") 3 elemann -antasia No 9 in 7 minor nd 5o>en& '( 331& 3rd mvt& rQs vite
9"" 4 Attwood 6onatina No,  in $ nd mvt& Minuetto and 3 variations
"8 4 #ach 7nglish 6uite No, 1 E #ouree 
84 4 #ach 7nglish 6uite No,  E #ouree 1
8) 4 #ach 7nglish 6uite No,  E #ouree 
98 4 #ach 7nglish 6uite No, 4 E Menuet 1
OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Com
99 4 #ach 7nglish 6uite No, 4 E Menuet 
1* 4 #ach 7nglish 6uite No, ) E Passepied 
3) 4 #ach -rench 6uite No, 1 E Menuet 
41 4 #ach -rench 6uite No,  E Menuet
4* 4 #ach -rench 6uite No, 3 E Menuet
** 4 #ach -rench 6uite No, * E Polonaise
98 4 #ach March i n 7 .lat& #' ( Anh 1" he Anna Magdalena #ac h #oo0 o. 1")
981 4 #ach Minuet no 1 in # minor
98 4 #ach Prelude in - No 8 o. /welve %ittle Preludes/
9"8 4 #ach& $,P,7, -antasia in 5 minor -rom /Bur>e und leichte $lavierst;c0e/& 'J 113<3
9"9 4 #ach& +,$,-, Musical %eisure Hours& no  E Menuet and rio in -
983 4 #art20 -or $hildren& vol 1 no 3 E +eering 6ong
984 4 #art20 -or $hildren& vol  no 18 E easing 6ong
98) 4 #eethoven #agatelle in -& !p 33<3
98* 4 #eethoven #agatelle& !p 33<*
1" 4 #eethoven -ur 7lise
98" 4 #eethoven Merry and 6ad& #agatelle in A minor& !p 119<9
)88 4 #eethoven 6onatina in -
988 4 #enda 6onata in Am 3rd mvt& Presto
989 4 #enda 6onatina in -
1" 4 #enda 6onatina No, 3 in Am Arpeggios 7hilarating and athletic piece with .ast arpeggios divide
Hand crossing on the second part, his is a oneEmovement sonatina Fo
di..icult than it actually is,
99 4 #erens 6tudy in -& !p *1<4
991 4 #erens 6tudy in -& !p 88<18
99 4 #urgm;ller #arcarolle& !p, 1<
8) 4 $hopin $antaile in # maor
8* 4 $hopin -euille dalum
8" 4 $hopin Ma>ur0a in $ maor& op, " no, )
88 4 $hopin Ma>ur0a in - maor& op, posth, *8 no, 3
89 4 $hopin Ma>ur0a in - minor& op, posth, *8 no, 4
91 4 $hopin Preludes !p, 8, no, 4
9 4 $hopin Preludes !p, 8, no, "
9 4 $hopin Preludes !p, 8, no, 
93 4 $hopin 'alt> no, 1" in A minor
94 4 $hopin 'alt> no, 18 in 7 maor
993 4 $lementi 6onatina in :& !p 3*< 1st mvt& Allegretto
994 4 $lementi 6onatina in :& !p 3*<4 nd mvt& Andante con espressione
99* 4 $ouperin Allemande
99) 4 $ouperin %e Moucheron
99" 4 -ranc0 %/!rganiste/ vol 1 no 3 E uasi %ento
998 4 :ranados #ocetos No 4 E he 7vening #ell
) 4 :ranados 5edication G5edication is ust one page long and very eauti.ul,
1 4 :rieg Arietta
)3 4 :rieg %yric Pieces !p, 1<1 FArietta
)4 4 :rieg %yric Pieces !p, 1< F'alt>
)) 4 :rieg %yric Pieces !p, 1<3 F'atchman/s song
)* 4 :rieg %yric Pieces !p, 1<) F-ol0song
)" 4 :rieg %yric Pieces !p, 1<" FAlum lea.
)8 4 :rieg %yric Pieces !p, 1<8 FNational song
)9 4 :rieg %yric Pieces !p, 38< F-ol0 song
)1 4 :rieg %yric Pieces !p, 38<" F'alt>
OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Com
)11 4 :rieg %yric Pieces !p, 43< F6olitary traveller
)1 4 :rieg %yric Pieces !p, 43<3 FIn my native country
)13 4 :rieg %yric Pieces !p, 4"<3 Fmelody
)14 4 :rieg %yric Pieces !p, 4"<" F7legy
)1) 4 :rieg %yric Pieces !p, )4<* F#ell ringing
)1* 4 :rieg %yric Pieces !p, *)<) F#allad
)1" 4 :rieg %yric Pieces !p, *8< F:randmother/s menuet
)18 4 :rieg %yric Pieces !p, "1<* Fgone
)19 4 :rieg %yric Pieces !p, "1<" Frememrance
999 4 :rieg %yric Pieces& !p 1<4 7lves/ 5ance
11 4 :urlitt Bleine #lumen& !p )<3 Allegretto
13 4 Handel $ourante in -& #*<4
14 4 Handel $ourante in -& H'( 488
1 4 Handel :igue& .rom 6uite in : minor& #*<19
1* 4 Handel 6onata in $& #*<9 3rd mvt
1) 4 Handel 6onatina in # .lat& H'( )8) #aroJue Beyoard Pieces& oo0 & pu, Assoc, #oard
"91 4 Haydn 6onata S(I<) in A maor Allegro F" Menuet and trio F<3 -inale Presto F*
"93 4 Haydn 6onata S(I<* in : maor Allegro F" Menuet and rio F* Adagio F) -inale F*
114 4 Heller A 6trange 6tory
113 4 Heller Melody in :
111 4 Heller Prelude& !p 119<*
11 4 Heller 6tudy in A .lat& !p 4"<3
19 4 Heller 6tudy in # minor& !p 4"<1
1" 4 Heller 6tudy in 5& !p 4*<8
18 4 Heller 6tudy in 5& !p 4"<1
11 4 Heller 6tudy in 7& !p 1)<18
11) 4 Hummel Allegretto in -
11* 4 Hummel :igue
11" 4 Baalevs0y 3 Pieces .or $hildren& !p 3<* E 6ad 6tory
118 4 Baalev s0y Condo in 5& !p *<
119 4 Mendelssohn $hristmas Piece& !p "<
1 4 Mo>art Minuetto -rom 5ivertimento II
843 4 P, 5, , #ach Prelude and .ugue no, 1 in $ .rom the G6hortEtempered clavier, A hilarious .ugue with
over two octaves on the %H, An ecellent encore,
3 4 Pro0o.iev Music .or $hildren !p, *) No,  Promenade @ +oy.ul and ouncy
1 4 Purcell Air& D*41
11 4 Purcell Mo..at wo #ourrKes
1") 4 6carlatti 6onata B 34 A slow thought.ul piece& only 8 ars long
"44 4 6carlatti 6onata B 44 FA maor @ #eauti.ul lyrical sonata and technically undem
14 4 6chuert 7cossaise in #m
13 4 6chuert 6cher>o in #& 5 )93<1
1" 4 6chumann Aout 6trange %ands and People
)1 4 6chumann Alum .or the young op, *8 here are over 4 eceptional pieces in this set& ut only
Ghe cycle is a totally shattering pro.ile o. spiritual develo
and childish nos, 1 @ )& where no shadows are yet to e
cloud Fhe poor orphanUVW with nos 1 and 13 the cycle
the second section& the tone changes& with a contrast e
4& and 8 and the intervening pieces li0e the sad no, 19
the sinister no, 3 the ecited no, ), UVW Uthe lastW ten n
uniJuely introverted worlds o. late 6chumann,X

1* 4 6chumann Ceaper/s 6ong& !p *8 No, 18

1) 4 6chumann 6onata in :& !p 118 No, 1 Allegro& nd mvt
OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Com
19 4 6hosta0ovich $loc0wor0 5oll
13 4 chai0ovs0y 5aydream& !p, 39 No, 1 -rom /Alum .or the ?oung/
131 4 chai0ovs0y he oy 6oldiers/ March
13 4 elemann -antaisie No 1 in # .lat nd mvt
133 4 elemann Partita in : -rom /5er getreu Musi0meister/& Aria
134 ) Al0an %/Homme au 6aots !p,*3 No,3
13* ) Arne 6onata in 5 minor Andante
13" ) Arne 6onata in : minor 1st mvt
13) ) Arne 6onata No, ) :avotte in # .lat
"" ) #ach 7nglish 6uite No, 1 E #ouree 1
") ) #ach 7nglish 6uite No, 1 E 5oule 
8 ) #ach 7nglish 6uite No,  E $ourante
89 ) #ach 7nglish 6uite No, 3 E $ourante
9 ) #ach 7nglish 6uite No, 3 E :avotte 
1) ) #ach 7nglish 6uite No, ) E Passepied 1
14 ) #ach 7nglish 6uite No, ) E 6araande
11 ) #ach 7nglish 6uite No, * E $ourante
11 ) #ach 7nglish 6uite No, * E 5oule
34 ) #ach -rench 6uite No, 1 E Menuet 1
4 ) #ach -rench 6uite No,  E Air
38 ) #ach -rench 6uite No,  E $ourante
4) ) #ach -rench 6uite No, 3 E 6araande
4" ) #ach -rench 6uite No, 3 E rio
)3 ) #ach -rench 6uite No, 4 E Air
)9 ) #ach -rench 6uite No, ) E #ouree 1
)8 ) #ach -rench 6uite No, ) E :avotte
*" ) #ach -rench 6uite No, * E #ouree
*) ) #ach -rench 6uite No, * E :avotte
1 ) #ach Invention 1
 ) #ach Invention 
4 ) #ach Invention 4
8 ) #ach Invention 8
1 ) #ach Invention 1
13 ) #ach Invention 13
14 ) #ach Invention 14
138 ) #ach& $,P,7, Presto in $ minor& ' 114<3
139 ) #ach& $,P,7, 6olo per il $emalo& ',*)<" -rom Anna Magdalena
14 ) #ach& +,$,-, Musical %eisure Hours E Allegretto in -
141 ) #ach& +,$,-, 6onata in : !p, ) No, 3 heme and (ariations
*38 ) #arer hree 60etches Fno, 1 E %ove 6ong is a eauti.ul song without words and
which is written with modern harmonies ut .ollowing +oh
14 ) #art20 Mi0ro0osmos& (ol 4 No, 1 E Harmonics
143 ) #art20 en 7asy Piano Pieces E 7vening in the $ountry
144 ) #art20 en 7asy Piano Pieces E Hungarian -ol0song
14* ) #eethoven #agatelle in 5& !p 119<3
14) ) #eethoven #agatelle in :m& !p 119<1
18 ) #eethoven 6i 7cossaises in 7 maor 'o! 83 hese are actually to e played as a single piece, his is
the edition& and more advanced than the other two Farou

14" ) #eethoven 6onatina in $ nd movement

148 ) #enda 6onatina in :m
149 ) #rahms 'alt> in 5 minor& !p,39 No,9
OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Com
1) ) #ritten 'alt> in 5 minor& !p,3 No,1
1)1 ) #urgm;ller %/Hirondelle& !p, 1<4
1) ) #urgm;ller !rage& !p,19<13
1)4 ) $lementi 6onata in 5& !p )<* nd movement& =n poco andante
1)) ) $lementi 6onata in 5& !p *<3 Andante
1)3 ) $lementi 6onata in -& !p 4<* 1st mvt
1)* ) $lementi 6onatina in $& !p 3*<3 6piritoso
1)8 ) $ouperin Allemande in 5 minor
1)" ) $ouperin :igue in : minor& /%a Milordine/
1*" ) 5e#ussy %a -ille au $heveu de %in
1)9 ) 5iaelli 6onatina in # .lat& !p 1*8<4 1st mvt
1* ) 5vorY0 :randpa 5ances with :randma no  .rom / %ittle Pearls/
1*1 ) -ield Nocturne in # .lat& no )
1* ) -ranc0 %ittle Piece FPoco Allegro in $Z minor& .rom /%/!rganiste/
1*3 ) :ranados $uentos de la +uventud/& !p 1 no 9 E he !rphan :irl
1*) ) :rieg -ol0 6ong& !p 1<)
1** ) :rieg :randmother/s Minuet& !p *8<
1*4 ) :rieg Poetic one Picture& !p 3<)
1*" ) :rieg Cigaudon& No ) o. the /Holerg 6uite/
1*8 ) :urlitt 6erenade in A !p 1" No )
1*9 ) Handel Minuet and (ariations& .rom 6uite no 1
1" ) Handel Minuet in : minor& .rom 6uite no 1 in # .lat
1"" ) Handel Partita in : H'( 4) )th Movt :igue
1"1 ) Handel 6uite in # .lat& #*<1) $orrant
1" ) Handel 6uite in : #*<1* nd Movt Allegro
1"4 ) Handel 6uite in : minor& H'( 4) 1st mvt& Allemande
1"* ) Handel 6uite No 1 Minuet and (ariations
1") ) Handel 6uite no 13 $ourante
1"3 ) Handel 6uite no "& H'( 43 Passacaglia
"8" ) Haydn 6onata S(I<1 in $ maor Allegro F) Adagio F4 Menuet and rio F<3
"89 ) Haydn 6onata S(I<3 in $ maor Allegretto F) Andante F) -inale Presto F4
"9 ) Haydn 6onata S(I<4 in 5 maor Moderato F) Menuet and rio F4
"94 ) Haydn 6onata S(I<" in $ maor Allegro moderato F4 Menuet and trio F4 -inale Allegro F
"9) ) Haydn 6onata S(I<8 in : maor =nepected s0ips F3rd Mvmt Allegro F) Menuet F<3 Andante F<3E A wonder.ul slow
-orearm rotation F4th mvmt .or the early eginners, (ery easy& ut due to the unepe
#ass Melody F4th mvmt -inalle Allegro F<3 or less his is a .ast ehilarating mo
Hand 6waps F4th mvmt ro0en chord .igurations, 7cellent .or .orearm rotation a
o. sound created y the very .ast CH, Hands swap .igura
wor0out, I. you hear this piece& you will not elieve how e

"9* ) Haydn 6onata S(I<9 in - maor 6peed F3rd mvmt Allegro F) Menuet and rio F4 6cher>o F -or the udd
Accuracy F3rd mvmdt this movement at slow speed, More advanced eginners
learning<practicing tric0s can e learned as one studies t
get accuracy& etc,
"9" ) Haydn 6onata S(I<1 in $ maor Moderato F) Menuet and rio F4 -inale Presto F)
"98 ) Haydn 6onata S(I<11 in : maor Presto F) Andante F4 Menuet and trio F)
8 ) Haydn 6onata S(I<13 in 7 maor Moderato F) Menuet and trio F4 -inale Presto F)
838 ) Haydn 6onata S(I<51 in 5 maor Moderato F) Menuet F3 or less -inale Allegro F)
839 ) Haydn 6onata S(I<:1 in : maor Allegro F) Menueto F<3 -inale Presto F)
18) ) Heller :ipsy 5ance& !p 13*<19
183 ) Heller Prelude in $Z minor& !p 81<1
184 ) Heller Prelude in -& !p 119<1*
OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Com
181 ) Heller Ceverie in A .lat& !p 1<9 E 'alt>
18* ) Heller 6leepless Nights !p 8" No 3
1"8 ) Heller 6tudy in # .lat& !p 4)<1*
18" ) Heller 6tudy in $ !p 4* No 1
1"9 ) Heller 6tudy in -& !p 4)<19
18 ) Heller 'alt> in A minor& !p 14)<3
18 ) Heller 'alt> in A minor& !p 9"<*
188 ) Baalev s0y Nov elette& !p "<)
19 ) Baalevs0y 6cher>o in # minor !p " No 14
189 ) Baalevs0y 6ong o. the $avalry& !p "<9
191 ) Buhlau 6onatina in $& !p ))<3 nd mvt& Allegro gra>ioso
19 ) Buhlau 6onatina in -& !p 88<4 Allegra Molto& Andante con moto
19* ) % Mo>art Allegro Moderato in - -rom /Nannerl Noteoo0
38 ) %is>t $onsolations& 6, 1" no, 1
31 ) %is>t 7tude !p, 1 No, 4
3) ) %is>t -ive Hungarian -ol0 6ongs 6, 4)
4* ) %is>t -ive piano pieces 6, 19
4" ) %is>t Nuages gris 6, 199
3" ) %is>t 6ancta 5orothea 6, 18"
4) ) %is>t he $hristmas ree 6, 18*
3* ) %is>t he 6hephards at the Manger s, 18*
44 ) %is>t 'iegenlied 1"4
193 ) Mac5owell Hunting 6ong& no 1 o. /welve 6tudies/
194 ) Mac5owell Coman>e !p 39 No 3
"1) ) Mendelssohn 6ongs 'ithout 'ords !p, 1 no, *
*"* ) Mendelssohn 6ongs 'ithout 'ords !p, 3 no, 3
19) ) Mo>art Adagio in $& B 3)*
1*8 ) Mo>art 6onata $ maor& B )4)
)*9 ) Mo>art 6onata in $ maor& B )4)
84 ) Mo>art (ariations on Ah vous dirai e maman (ariations & 4& * and 1 are ecellent .or the %H,
19" ) Pro0o.iev Atrappe Jui peut& !p *)<9 .rom /MusiJues d/7n.ants/
9 ) Pro0o.iev :randmother ales !p, 31 No,  Andantino
1 ) Pro0o.iev :randmother ales !p, 31 No, 3 Andante Assai
198 ) Pro0o.iev Music .or $hildren !p, *) No, 3 Historiette
) ) Pro0o.iev Music .or $hildren !p, *) No, * 'alt> E A nice little walt> with unepected turns o. the ha
modern,
" ) Pro0o.iev Music .or $hildren !p, *) No, 1 he moon strolls in the Meadows @ his is my top .avour
delicacy with the melody played alternatively in the right
198 ) Pro0o.iev (isions -ugitives !p,  No, 1 %entamente E 6low and melancholic
199 ) 6carlatti $apriccio in :& Bp *3
"3" ) 6carlatti F-Z minor @ Allegro @ A not too .ast& eauti.ul two voice i
with one o. the most eauti.ul moti.s o. all sonatas, $ros
6onata B ) oth hands, Harmonically adventurous and mood setting
"" ) 6carlatti 6onata B *3 F: maor @ Allegro @ Also 0nown as $apriccio& this is c e
much easier to play than it sounds, An all time .avourite,
surprisingly well,
"8 ) 6carlatti 6onata B *" F-Z minor @ Allegro occatta li0e& this is a . ast& da>>ling
.avourites,
1"8 ) 6carlatti 6onata B " F# maor E Allegro  A two voice invention Fwith a third vo
part& this is ecellent .or .inger and hand independence,
"" ) 6carlatti 6onata B 11 F# maor E Allegro @ A eauti.ul& lyrical sonata, $rossing
OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Com
")8 ) 6carlatti 6onata B 1") FA minor @ Allegro @ A vigorous impulsive sonata with m
le.t hand Fwhich demands a hand span covering at least
clusters @ with up to ten notes[ @ imitating the strumming
1"), Here 6carlatti succeeds in ma0ing conventional ha
etraordinary .or the period, he 6onata has real 6panis
Musically& the guitarEli0e sounds o. the le.t hand chords a

"4 ) 6carlatti F7 minor @ 3<8 @ #eauti.ul s onata with most o. the .igura
and catchy moti. 0eeps ringing the sonata together, =n
6onata B 3 hand span and accurate s0ips in some o. the .igurations
181 ) 6carlatti 6onata B 8 FA maor @ Andante e cantaile @ %yrical sonata& with a h
harmonic progressions, ranJuil and luminous& this is a m
19 ) 6carlatti 6onata B 13 F5 minor E Andante  @ Another o. my .avourites amongs
melody increases gradually in intensity up to an unusual
to,
"34 ) 6carlatti 6onata B 34 FA maor @ Allegro @ 5a>>ling and .ast& this GaroJue pre
impressive .inger wor0 in the right hand, 7cellent .or .in
much easier than it sounds, :reat .un to play,
")9 ) 6carlatti 6onata B 3"3 F: minor @ Presto a .ugato 'onder.ul sonata with scale
the whole etent o. the 0eyoard,
"8 ) 6carlatti 6onata B 381 F7 maor @ Allegro @ his eauti.ul twoEvoice invention is
and independence, A most eauti.ul melody on the seco
193 ) 6carlatti 6onata B 4 F7 minor @ Andante !ne o. my .avourites slow sonatas,
seven pages is one o. the longest sonatas E this is a ma
Ce.lective and spiritual,
"3* ) 6carlatti 6onata B 4) FA maor @ Allegro #ased on a 6panish #uleria Fa 0ind o

"* ) 6carlatti 6onata B 4)4 F: maor @ Andante spirituoso A.ter a calm opening and
onto a reathless seJuence o. scurrying scales and ro0
0eyoard on oth hands, =nepected changes, :ood $>

"4* ) 6carlatti F$ maor @ Allegro A eauti.ul sonata .ull o. guitar sound

6onata B 4*1 is .ollowed y a most evocative second part,
"48 ) 6carlatti F# maor @ $antaile @ A eauti.ul aria& this lyrical sona
6onata B )44 couterpoint it has digni.ied& overlapping phrases,
"8* ) 6carlatti 6onata B )4" F: maor @ Allegro @ %ively and imposing sonata with a
invention Fwith an occasional third voice eJually shared
tempo, :reat warm up,
11 ) 6chumann A 6trange 6tory
11) ) 6chumann Aendlied& !p 118& no <3
111 ) 6chumann :l;c0 es genug& !p 1) No, )
11 ) 6chumann Bind im 7inschlummern& .rom /Binderscenen/& !p 1)
114 ) 6chumann %ento& .rom /Alum .or the ?oung/ !p *8<
113 ) 6chumann Ceiterst;c0& .rom /Alum .or the ?oung/ !p *8 No, 3
11* ) 6chumann 6lumer 6ong& !p 14 No, 1*
"1* ) 6criain Prelude !p, 11 no, 1)
11" ) 6hosta0ovich :avotte No  .rom /5ance o. the 5olls/
118 ) 6ielius he Harpist& !p 34 No, 8
119 ) 6metana Pisen !p,  No, 
1111 ) chai0ovs0y $hanson riste& !p, 4 No, 
111 ) chai0ovs0y $hant de l/Alouette& !p, 39 No,  -rom /Alum .or the ?oung/
1113 ) elemann -antaisie No * in # .lat& nd 5o>en& '( 3318 1st mvt& endrement
OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Com
111 ) elemann -antaisie No 1 in A minor& 1st 5o>en& '( 331 1st mvt& Allegro
1114 ) elemann -antasia No * in $ minor 1st Movt :ratioso
111) * Arne 6onata No,  in 7 minor Andante
111* * Arne 6onata No, " in A 1st mvt& Presto
" * #ach 7nglish 6uite No, 1 E $ourante 1
"3 * #ach 7nglish 6uite No, 1 E $ourante 
"4 * #ach 7nglish 6uite No, 1 E 5oule 1
"9 * #ach 7nglish 6uite No, 1 E :igue
"* * #ach 7nglish 6uite No, 1 E 6araande
8* * #ach 7nglish 6uite No,  E :igue
83 * #ach 7nglish 6uite No,  E 6araande
88 * #ach 7nglish 6uite No, 3 E Allemande
91 * #ach 7nglish 6uite No, 3 E :avotte 1
9* * #ach 7nglish 6uite No, 4 E $ourante
9" * #ach 7nglish 6uite No, 4 E 6araande
13 * #ach 7nglish 6uite No, ) E $ourante
113 * #ach 7nglish 6uite No, * E :avotte 1
114 * #ach 7nglish 6uite No, * E :avotte 
111 * #ach 7nglish 6uite No, * E 6araande
3 * #ach -rench 6uite No, 1 E $ourante
33 * #ach -rench 6uite No, 1 E 6araande
39 * #ach -rench 6uite No,  E 6araande
44 * #ach -rench 6uite No, 3 E $ourante
48 * #ach -rench 6uite No, 3 E :avotte
) * #ach -rench 6uite No, 4 E 6araande
* * #ach -rench 6uite No, ) E #ouree 
)* * #ach -rench 6uite No, ) E $ourante
* * #ach -rench 6uite No, * E Allemande
*4 * #ach -rench 6uite No, * E 6araande
3 * #ach Invention 3
) * #ach Invention )
* * #ach Invention *
" * #ach Invention "
9 * #ach Invention 9
111" * #ach Polonaise No 4 in 5 minor
1* * #ach 6in.onia 1
18 * #ach 6in.onia 3
1 * #ach 6in.onia *
) * #ach 6in.onia 1
* * #ach 6in.onia 11
" * #ach 6in.onia 1
8 * #ach 6in.onia 13
" * #ach :iga .rom Partita no, 1
1131 * #ach& $,P,7, 6ol.eggietto
1118 * #art20 5ance with 6tic0s  no 1 .rom \* Comanian -ol0 5ances 
1119 * #art20 No 39 .rom \-or $hildren& (ol 1
11 * #art20 Cevelry no  .rom \-or $hildren& (ol 
111 * #art20 (illage +o0e no 13 .rom \Mi0ro0osmos vol )
11 * #eethoven #agatelle in A& !p 33 No, 4
113 * #eethoven #agatelle in $& !p 119<
114 * #eethoven #agatelle in 7& !p 33<1
11) * #eethoven 6i (ariations on \Nel cor pi] non mi sento 'o! "
OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Com
)3 * #eethoven 6onata 1, !p, 49 no,  F7asy However I .ind this sonata a it dull F#eethoven thought s
)4 * #eethoven 6onata , !p, 49 no, 1 !p, 49<1 eing .ar more musical Fthe rondo is a real gem
these however are not Juite .ullE.ledged sonatas Fthey w
his students,
)* * #eethoven 6onata 4, !p, 14 no, 
)" * #eethoven 6onata ), ! p, 14 no, 1
)8 * #eethoven 6onata *, !p,  no, 1
)) * #eethoven 6onata 3, !p, "9 FAlla edesca 'hy not stretch a it and try !p, "9& which is a real sona
movement is wonder.ul, It is considered to e around gr
pieces& you can manage grade ",
11* * #rahms 'alt> in $Z minor& !p 39<"
11" * #rahms 'alt> in 7& !p 39<
118 * #rahms 'alt>& !p 39<3
)1 * #ritten Holiday 5iary
499 * #ritten Notturno #eauti.ul and haunting
) * #ritten hree $haracter Pieces Cange .rom the .ast and .un Michael to the eauti.ul 5ap
1 * $harier #ourKe -antasJue
9) * $hopin $ontradanse
9* * $hopin %argo in 7 maor
9" * $hopin Ma>ur0a in A minor& op, " no, 
98 * $hopin Ma>ur0a in A minor& op, posth, *" no, 4
99 * $hopin Ma>ur0a in A minor& op, posth, *8 no, 
3 * $hopin Ma>ur0a in A maor& op, 4 no, 3
31 * $hopin Ma>ur0a in # minor& op, 3 no, 
3 * $hopin Ma>ur0a in # maor no, )1
33 * $hopin Ma>ur0a in # maor& op, " no, 1
34 * $hopin Ma>ur0a in $ maor& op, 4 no, 
3) * $hopin Ma>ur0a in $ maor& op, 33 no, 3
3* * $hopin Ma>ur0a in $ maor& op, posth, *" no, 3
3" * $hopin Ma>ur0a in $ minor& op, 3 no, 1
38 * $hopin Ma>ur0a in 7 minor& op, 1" no, 
39 * $hopin Ma>ur0a in - minor& op, *3 no, 
31 * $hopin Ma>ur0a in : maor no, )
311 * $hopin Ma>ur0a in : minor& op, 4 no, 1
31 * $hopin Ma>ur0a in : minor& op, posth, *" no, 
313 * $hopin Ma>ur0a in :Z minor& op, 33 no, 1
314 * $hopin Nocturne in $ minor& no, 1
31) * $hopin Polonaise in # maor no, 1
31* * $hopin Polonaise in : minor no, 11
31" * $hopin Polonaise no, 11 in :m
318 * $hopin Polonaise no, 1 in #
319 * $hopin Preludes !p, 8, no, *
3 * $hopin Preludes !p, 8, no, 9
3) * $hopin 'alt> No, 3 FAm& !p, 34 no, 
31 * $hopin 'alt> No, 1 F#m& !p, Posth, *9 no, 
3 * $hopin 'alt> No, 1 F-m& !p, Posth, " no, 
33 * $hopin 'alt> No, 14 FA
34 * $hopin 'alt> No, 1) F7
 * $hopin Polonaise !p, 4 no, 1 in A
119 * $lementi 6onata in -Z minor& !p )<) nd mvt& %ento e patetico
113 * $lementi 6onatina in 5& !p 3*<* 1st mvt
1134 * $ouperin %Atalante& .rom \PiQces de $lave^in& #oo0  !rdre 1
OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Com
113) * $ouperin %a %utine& .rom \Pi Qces de $lave^in& #oo0 1 !rdre 3
113* * $ouperin %e #avolet -lottant
113" * $ouperin %es Petits Moulins _ (ent
)93 * 5eussy 5un cahier desJuisses
)91 * 5eussy Images I  E Hommage a Cameau
)9 * 5eussy Images II 3 E 7t la lune descend sur le temple Jui .ut
)9 * 5eussy Pour le piano  E 6araande
)89 * 5eussy Ceverie
3 * 5eussy AraesJue 1
4 * 5eussy 5r, :radus ad Parnassum
*4 * 5oni>etti %a ricordan>a
1133 * 5vorY0 6ilhouette& !p 8<11
*14 * -aurK Nocturnes op, 33 no, 1
*1) * -aurK Nocturnes op, 33 no, 
*1* * -aurK Nocturnes op, 33 no, 3
*1" * -aurK Nocturnes op, 3*
*18 * -aurK Nocturnes op, 3"
*19 * -aurK Comances sans paroles !p, 1" not eactly nocturnes& ut very eauti.ul and lyric
1138 * -ield Nocturne no 13 in 5 minor& H )9
) * :rieg %yric Pieces !p, 1<4 F-airy dance
)1 * :rieg %yric Pieces !p, 1<* Fnorwegian dance
) * :rieg %yric Pieces !p, 38<3 FMelody
)3 * :rieg %yric Pieces !p, 38<4 FHalling
)4 * :rieg %yric Pieces !p, 38<* F7legy
)) * :rieg %yric Pieces !p, 4"<1 F(alseEImpromptu
)* * :rieg %yric Pieces !p, 4"<4 FHalling
)" * :rieg %yric Pieces !p, 4"<) FMelancholy
)8 * :rieg %yric Pieces !p, )"<3 FIllusion
)9 * :rieg %yric Pieces !p, )"<4 F6ecret
)3 * :rieg %yric Pieces !p, *< F:ratitude
)31 * :rieg %yric Pieces !p, *<3 F-rench 6erenade
)3 * :rieg %yric Pieces !p, *<) FPhantom
)33 * :rieg %yric Pieces !p, *)< FPeasant/s song
)34 * :rieg %yric Pieces !p, *8<3 FAt your .eet
)3) * :rieg %yric Pieces !p, *8<4 F7vening in the mountain
)3* * :rieg %yric Pieces !p, *8<) FAt the cradle
)3" * :rieg %yric Pieces !p, "1<3 FPuc0
)38 * :rieg %yric Pieces !p, "1<4 FPeace o. the 'oods,
1139 * :rieg Poetic one Picture& !p 3<1
114 * :rieg Poetic one Picture& !p 3<*
1141 * :rieg (`glein F%ittle #ird !p 43<4
) * :rieg Holerg suite
114 * Handel 6uite in 5 minor& # *<18 Allemande
1143 * Handel 6uite in : minor& H'( 4)3 nd mvt& 7ntrKe
1144 * Handel 6uite in :& H'( 441 $ourante
* * Handel 6uite no ) in 7 maor
114) * Haydn Adagio in -& Ho S(II<9
114* * Haydn 5ivertimento in 7 nd mvt
"88 * Haydn 6onata S(I< in # maor Moderato F* %argo F* Menuet and trio F)
"9 * Haydn 6onata S(I<) in 5 maor Moderato Fincomplete Menuet and trio F*
"99 * Haydn 6onata S(I<1 in A maor Andante F* Menuet and rio F) -inale Allegro molto F)
811 * Haydn 6onata S(I<" no, 4 in : maor Allegro con #rio F* Menuet F) -inale Presto F)
OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Com
831 * Haydn 6onata S(I<4" is in 7 minor Adagio F* Allegro F* -inale empo di Minuetto F*
114" * Heller 7tude in 5& !p 4*<8
49* * Heller Melodius 7tudes I/ll ust list my .avourites Fut they are all pretty good,,,,o
here are plenty o. goodies .rom op 1) and 4)
1148 * Heller 6tudy in # minor& !p 4*<11
1149 * Heller 6tudy in $ minor& !p 4*<*
11) * Buhlau 6onatina in :& !p 88<
) * %is>t Aschied 6, )1
39 * %is>t $onsolations& 6, 1" no, 
4 * %is>t $onsolations& 6, 1" no, 3
41 * %is>t $onsolations& 6, 1" no, 4
11)1 * %is>t No 1 o. \-our 6hort Piano Pieces& 6 19
"11 * Mendelssohn 6ongs 'ithout 'ords !p, 1 no, 
"13 * Mendelssohn 6ongs 'ithout 'ords !p, 1 no, 4
"14 * Mendelssohn 6ongs 'ithout 'ords !p, 1 no, )
**9 * Mendelssohn 6ongs 'ithout 'ords !p, 19 no, 
*"1 * Mendelssohn 6ongs 'ithout 'ords !p, 19 no, 4
*"3 * Mendelssohn 6ongs 'ithout 'ords !p, 19 no, *
*"9 * Mendelssohn 6ongs 'ithout 'ords !p, 3 no, *
*83 * Mendelssohn 6ongs 'ithout 'ords !p, 38 no, 4
*8" * Mendelssohn 6ongs 'ithout 'ords !p, )3 no, 
*89 * Mendelssohn 6ongs 'ithout 'ords !p, )3 no, 4
*9 * Mendelssohn 6ongs 'ithout 'ords !p, )3 no, )
*9 * Mendelssohn 6ongs 'ithout 'ords !p, * no, 1
*93 * Mendelssohn 6ongs 'ithout 'ords !p, * no, 
*94 * Mendelssohn 6ongs 'ithout 'ords !p, * no, 3
*9) * Mendelssohn 6ongs 'ithout 'ords !p, * no, 4
" * Mendelssohn 6ongs 'ithout 'ords !p, *" no, 3
" * Mendelssohn 6ongs 'ithout 'ords !p, *" no, )
"4 * Mendelssohn 6ongs 'ithout 'ords !p, 8) no, 1
") * Mendelssohn 6ongs 'ithout 'ords !p, 8) no, 
"8 * Mendelssohn 6ongs 'ithout 'ords !p, 8) no, )
11) * Mendelssohn (ivace in -& !p "<*
8 * Mendelssohn $appriccio in A minor& op, 33 no, 1
1*9 * Mo>art Alla urca .rom 6onata B,331
11)3 * Mo>art Allegro in : minor& B 31
**" * Mo>art -antasia in $ minor B4") argualy the dar0est and moodiest o. all Mo>arts compo
1" * Mo>art -antasy in 5 minor B,39"
)" * Mo>art 6onata in # maor& B )"
)"1 * Mo>art 6onata in 7 maor& B 8
)" * Mo>art 6onata in - maor& B 8
9 * Paderews0y Minuet op, 14 no, 1
11)4 * Poulenc Mouvements Perpetuels no 1
11)) * Pro0o. iev $ortQge de 6auterelles& !p *)<"
8 * Pro0o.iev :randmother ales !p, 31 No, 1 Moderato @ %ots o. crossing hands, Main di..iculty is peda
11 * Pro0o.iev :randmother ales !p, 31 No, 4 6ostenuto @ the most di..icult o. the lot, he melody is in
repeated Fut comple dotted rhythm pattern,
* * Pro0o.iev Music .or $hildren !p, *) No, 9 Playing tag @ a .ast moto perpetuo reJuiring good .inger a
11)* * Purcell wo #ourrKes Fpu, Augener
1"3 * 6atie :ymnopedies
113 * 6carlatti Pastorale& Bp 44*& % 433
OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Com
188 * 6carlatti 6onata B 1 F5 minor E Allegro his is actually a two voice invention,
scale runs on the right hand& ut no di..iculty at all in the
easy i. played slowly Fand still e..ective Cecorded y Iv
") * 6carlatti 6onata B 13 F: maor @ Presto -ast and rilliant with a catchy& rhythm
.avourites,
")1 * 6carlatti 6onata B  F7 maor @ Presto (irtuosistic sonata that is the sort o. G
6panish rhythms& .ast scales in thirds& repeated notes an
I. you want to develop a certain 0ind o. techniJue& urn t

189 * 6carlatti 6onata B )4 FA minor @ Allegro A.ter a typical plaintive start in A mino
theme, (ery unusual sonata, he main di..iculty is to e
cross, here are some thirds and siths ut they are eas
")3 * 6carlatti 6onata 0 *4 F5 minor @ Allegro @ A determined and energetic gavotte
0nown pieces,
"" * 6carlatti 6onata B 99 F$ minor E  @ A eauti.ul & tranJuil and lyrical sonata that

""1 * 6carlatti 6onata B 19 FA minor @ Adagio @ #eauti.ul lyrical writing in three and
in voicing, Cecital material .or the intermediate player,
"3 * 6carlatti 6onata B 119 F5 maor @ Allegro @ Another sonata ideally suited t o rep
studies, -ast repeated notes& ro0en chords& arpeggios&
unusual& percussive @ watch out .or the castanet sounds
moti., !ne o. my .avourites,
"3 * 6carlatti 6onata B 1) F: maor @ (ivo @ his nonEstop sonata will not allow yo
and an ecellent virtuosistic piece to end a recital on a h
alternative loo0 no .urther it is a study .or the le.t hand p
and octaves, Also good practice .or Juic0 adustments,
191 * 6carlatti 6onata B 13 F$ maor @ $antaile @ A slow Fwell& sort o. A lyrical s
haunting dissonances and arpeggios that are suddenly in
melody ased on repeated notes, !ne o. my all time .av
1"9 * 6carlatti 6onata B 14* F: maor @ Allegretto @ 3<8 @ A nice little menuet .ull o. h
da>>ling and virtuosic it is much easier than it sounds, M

""3 * 6carlatti 6onata B 14" F7 minor @ %ento A eauti.ul lyrical and re.lective sonata,
""4 * 6carlatti 6onata B 193 F7 .lat maor E Allegretto @ A eauti.ul& lyrical sonata not t
18 * 6carlatti 6onata B 198 F7 minor @ Allegro @ A masterpiece, 5ramatic and powe
intruding on 4 ars near the start o. the s econd part is s
.avourites,
"") * 6carlatti 6onata B 9 FA maor @ Allegro =pli.iting sonata& not too .ast,
18 * 6carlatti 6onata B 39 F- minor E Allegro  An ecellent Gdance piece .ull o. 6pa
"43 * 6carlatti F$Z minor @ Allegro @ #eauti.ul lyrical sonata Fslightly re
voice counterpoint, 7nharmonic modulations and movem
6onata B 4"
""9 * 6carlatti 6onata B 3 FAmaor E Allegro  A delicate& oy.ul sonata with a Mo>art
"3) * 6carlatti 6onata B 38* F- minor E  Another sonata .ull o. rilliance& with .ast sca

"* * 6carlatti 6onata B 4* F$ maor @ Allegro, his is oy.ul music that ma0es you w
the 0ind o. music that ma0es you smile .or hours a.ter lis
:reat .or your trills and glissandoEli0e scales,
"*1 * 6carlatti 6onata B 41 F$ maor @ Allegro !ne o. my .avourites& this is a rillian
repeated notes, It is said to represent children running th
"8 * 6carlatti 6onata B 49 FA maor E Allegro @ %yrical and gently lilting sonata, $ou
OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Com
"84 * 6carlatti 6onata B 44* F- maor E Pastorale Allegrissimo In spite o. the tempo d
lyrical and re.leive,
"*3 * 6carlatti 6onata B 4" F: maor @ Allegretto @ 6tarts with determined& percussi
.iguration o. great delicacy eJually shared etween the h
up, -ast and da>>ling this sonata eudes con.idence,
183 * 6carlatti 6onata B 481 F- minor @ Andante e cantaile Introspective& delicate a
opening a recital, And i. you need a study in phrasing an
"83 * 6carlatti 6onata B 491 F5 maor @ Allegro @ Chythmical percussive eginning .o
Fnot unli0e a 6chuert impromptu with a most pleasing m
"*) * 6carlatti 6onata B ) F$ maor @ Allegro @ Inventive sonata with many origina
modulates to : minor to end the .irst hal. in : maor, !n
returns to 3<8 at the end, 5otted .iguration& including dott
184 * 6carlatti 6onata B )11 F5 maor @ Allegro @ A masterpiece, his is a  voice inv
distriuted etween the hands, =rgent and dramatic it wi
echnical prolems are minimal,
11)" * 6chuert Adagio in :& 51"8
11)8 * 6chuert Andante in $& 59
11)9 * 6chuert Menuett in A& 5334
11* * 6chumann F=ntitled piec e !p *8<3
498 * 6chumann AraesJue !p, 18 #eauti.ul haunting melody with 1*th note acompanying .
li0e some o. Mendelsohnn/s 6''s,
11*1 * 6chumann $atch Me i. ?ou $an& Binderscenen& !p 1) No, 3
11* * 6chumann 5reaming
11*3 * 6chumann 7insame #lumen F%onely -lowers& .rom \'aldscenen& !p 8
11*4 * 6chumann he 7ntreating $hild& Binderscenen& !p 1) No, 4
11** * 6chumann 'alt>& !p 14 No, 1)
11*) * 6chumann he 'ayside Inn& 'aldscenen& !p 8 No, *
"19 * 6criain Prelude !p,  no, 
"18 * 6criain Prelude !p, 11 no, 
"1" * 6criain Prelude !p, 1* no, 3
11*" * 6hosta0ovich 5ance& no " .rom \5ances o. the 5olls
11*8 * 6metana 6ouvenir F(>pomin0 a& !p, 4 No, 3
11*9 * chai0ovs0y Avril PerceEneige& !p, 3"a No, 4
11" * chai0ovs0y #aaE?aga& !p, 39 No,  -rom /Alum .or the ?oung/
11"1 * c hai0ov s0y (alse in A .lat
11" * cherepnin #agatelle in : .lat& !p, ) No, *
11"3 * elemann -antasia No 9 in A& 1st 5o>en& '( 339 1st mvt& Allegro
11"4 * elemann 6uite in A
3 * (illaE%oos $irandas No, 4
11") * 'eern Binderst;c0 F$hilds Piece
11"* " AlKni> Cumores de la $aleta& !p "1<*
11"" " AlKni> 6erenata& .rom /7spaba/& !p 1*)
* " Arens0y $onsolation !p, 3* No, )
*1 " Arens0y 7legie !p, 3* No, 1*
11"8 " Arens0y %e $oucou
11"9 " Arens0y Prelude in 7 maor& !p, *3 No, "
118 " Arne 6onata No, 1 in - 3rd mvt
1181 " Arne 6onata No, 3 in : nd mvt& Allegro
118 " #ach 1 No 1) in : # E Preludes L -ugues
119 " #ach  No * in 5m E Preludes L -ugues
1 " #ach 3 No 1 in # E Preludes L -ugues
11 " #ach 4 No 1 in 7m E Preludes L -ugues
OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Com
1 " #ach ) No  in Am # E Preludes L -ugues
13 " #ach * No 11 in - E Preludes L -ugues
14 " #ach " No  in $m E Preludes L -ugues
1) " #ach 8 No 9 in 7 E Preludes L -ugues
1* " #ach 9 No 13 in -Z E Preludes L -ugues
1" " #ach 1 No 1 in # # E Preludes L -ugues
18 " #ach 11 No * in 5m # E Preludes L -ugues
19 " #ach 1 No 19 in A # E Preludes L -ugues
13 " #ach 13 No 11 in - # E Preludes L -ugues
131 " #ach 14 No 19 in A E Preludes L -ugues
13 " #ach 1) No 14 in -Zm E Preludes L -ugues
133 " #ach 1* No 18 in :Zm E Preludes L -ugues
134 " #ach 1" No  in $m # E Preludes L -ugues
13) " #ach 18 No ) in 5 E Preludes L -ugues
13* " #ach 19 No " in 7 E Preludes L -ugues
13" " #ach  No 14 in -Zm # E Preludes L -ugues
138 " #ach 1 No " in 7 # E Preludes L -ugues
139 " #ach  No 1 in $ E Preludes L -ugues
14 " #ach 3 No 1" in A E Preludes L -ugues
141 " #ach 4 No 13 in -Z # E Preludes L -ugues
14 " #ach ) No 1) in : E Preludes L -ugues
143 " #ach * No 1 in -m # E Preludes L -ugues
144 " #ach " No 1 in $ # E Preludes L -ugues
14) " #ach 8 No 4 in #m # E Preludes L -ugues
14* " #ach 9 No 1 in 7m # E Preludes L -ugues
14" " #ach 3 No 1* in :m E Preludes L -ugues
148 " #ach 31 No ) in 5 # E Preludes L -ugues
149 " #ach 3 No 18 in :Zm # E Preludes L -ugues
1) " #ach 33 No 4 in #m E Preludes L -ugues
1)1 " #ach 34 No 9 in 7 # E Preludes L -ugues
1) " #ach 3) No 4 in $Zm E # Preludes L -ugues
1)3 " #ach 3* No 3 in # E Preludes L -ugues
1)4 " #ach 3" No 3 in $Z E # Preludes L -ugues
1)) " #ach 38 No 1 in -m E Preludes L -ugues
1)* " #ach 39 No 3 in $Z E Preludes L -ugues
1)" " #ach 4 No 8 in 5Zm E # Preludes L -ugues
1)8 " #ach 41 No  in #m E Preludes L -ugues
1)9 " #ach 4 No 1" in A # E Preludes L -ugues
1* " #ach 43 no 4 in $Zm E Preludes L -ugues
1*1 " #ach 44 No 8 in 5Zm E Preludes L -ugues
1* " #ach 4) No  in Am E Preludes L -ugues
1*3 " #ach 4* No  in #m # E Preludes L -ugues
1*4 " #ach 4" No 1* in :m # E Preludes L -ugues
1*) " #ach 48 No 3 in # # E Preludes L -ugues
" " #ach 7nglish 6uite No, 1 E Prelude
81 " #ach 7nglish 6uite No,  E Allemande
93 " #ach 7nglish 6uite No, 3 E :igue
9 " #ach 7nglish 6uite No, 3 E 6araande
9) " #ach 7nglish 6uite No, 4 E Allemande
1 " #ach 7nglish 6uite No, 4 E :igue
1" " #ach 7nglish 6uite No, ) E :igue
31 " #ach -rench 6uite No, 1 E Allemande
OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Com
3" " #ach -rench 6uite No,  E Allemande
4 " #ach -rench 6uite No,  E :igue
49 " #ach -rench 6uite No, 3 E :igue
) " #ach -rench 6uite No, 4 E Allemande
)1 " #ach -rench 6uite No, 4 E $ourante
)" " #ach -rench 6uite No, ) E 6araande
*3 " #ach -rench 6uite No, * E $ourante
11 " #ach Invention 11
1 " #ach Invention 1
1) " #ach Invention 1)
118 " #ach Partita No, )& #'( 89 $orrente
1" " #ach 6in.onia 
19 " #ach 6in.onia 4
 " #ach 6in.onia )
 " #ach 6in.onia "
3 " #ach 6in.onia 8
4 " #ach 6in.onia 9
9 " #ach 6in.onia 14
3 " #ach 6in.onia 1)
118" " #ach& $,P,7, Allegro in A& ' 11*<1*
1188 " #ach& $,P,7, 6in.onia No,1) in # minor& #'( 81
118* " #ach& $,P,7, 6onata in $ minor& ' * 1st mvt& Allegretto
1183 " #ach& $,P,7, 6onata in $& ' ))<1& 3rd mvt
1184 " #ach& $,P,7, 6onata in 5 minor& ' )"<4 3rd mvt& Allegro
118) " #ach& $,P,7, 6onata in - minor& ' )"<* nd mvt
) " #ach& $,P,7, 6onatas Almost .orgotten these days and almost never played& h
sonatas are around grade "E8& so you should e ale to

119 " #art20 14 #agatelles& !p * no 

1189 " #art20 Mi0ro0osmos (ol ) No,139 E Merry Andrew
119) " #eethoven #agatelle in A& !p, 33 No,"
1193 " #eethoven #agatelle& !p 1*<4
1191 " #eethoven Condo in A& 'o! 49
119 " #eethoven Condo& !p )1<1
)9 " #eethoven 6onata ", !p, 1 no, 1
* " #eethoven 6onata 8, !p, 1 no, 
*1 " #eethoven 6onata 9, !p, , no, 
* " #eethoven 6onata 1, !p,  no, 3
*3 " #eethoven 6onata 11, !p, 1 no, 3
*4 " #eethoven 6onata 1, !p, 13 FPathetiJue
*) " #eethoven 6onata 13, !p, 
** " #eethoven 6onata 14, !p, 8 FPastorale
*" " #eethoven 6onata 1), !p, " F:rand
*8 " #eethoven 6onata 1*, !p, "8 F-or herese
*9 " #eethoven 6onata 1", !p, * F-uneral March
" " #eethoven 6onata 18, !p, 31 no, 3 Fhe Hunt
1194 " #eethoven 6onatina in :& !p "9 3rd mvt& (ivace
119" " #enda 6onata in # 3rd mvt
119* " #enda 6onata in - 3rd mvt
1198 " #orodin Petite 6uite no 4E Ma>ur0a
1199 " #rahms Interme>>o in 7& !p 11*<*
OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Com
844 " $harier Pieces PitoresJues Idylle E the CH is almost as usy as the %H in this delight
octaves& s0ipping over two octaves, 7cellent .or s0ip ac
eauti.ul piece,
3* " $hopin 7cossaise no,  in :m !p, posth " no, 3
3" " $hopin -ugue in Am
38 " $ho pin -uneral march in $m F!p, posth, no, 
331 " $hopin Ma>ur0a no,  in $Zm Fop, * no, 
334 " $hopin Ma>ur0a no, 3 in 7 Fop, * no, 3
33* " $hopin Ma>ur0a no, 4 in 7m Fop, * no, 4
341 " $hopin Ma>ur0a no, " in -m Fop, " no, 3
34 " $hopin Ma>ur0a no, 8 in A Fop, " no, 4
39 " $hopin Ma>ur0a no, 1 in A Fop, 1" no, 3
33 " $hopin Ma>ur0a no, 13 in Am Fop, 1" no, 4
33 " $hopin Ma>ur0a no, * in 7m Fop, 41 no, 1
333 " $hopin Ma>ur0a no, 8 in A Fop, 41 no, 3
33) " $hopin Ma>ur0a no, 31 in A Fop, ) no, 
33" " $hopin Ma>ur0a no, 41 in $Zm Fop, *3 no, 3
338 " $hopin Ma>ur0a no, ) in Am
339 " $hopin Ma>ur0a no, )) in #
34 " $hopin Ma>ur0a no, )" in A
34" " $hopin Nocturne no,  in 7 F!p, 9 no, 
349 " $hopin Nocturne no, * in :m F!p, 1) no, 3
343 " $hopin Nocturne no, 11 in :m F!p, 3" no, 1
344 " $hopin Nocturne no, 1) in -m F!p, )) no, 1
34) " $hopin Nocturne no, 1) in -m F!p, )) no, 1
34* " $hopin Nocturne no, 19 in 7m F!p, posth& " no, 1
348 " $hopin Nocturne no,  in $Zm
3) " $hopin Nocturne no, 11 in :m F!p, 3" no, 1
3)1 " $hopin Nouvelles 7tudes no,  in A
3) " $hopin Polonaise no, 13 in A
3)* " $hopin Preludes !p, 8, No, 
3)3 " $hopin Preludes !p, 8, No, 13
3)4 " $hopin Preludes !p, 8, No, 14
3)) " $hopin Preludes !p, 8, No, 1)
3)" " $hopin Preludes !p, 8, No, 1
3)8 " $hopin 6oanta no,  in #m F!p, 3) 3rd mov, Marche -unere
3)9 " $hopin 6onata no, 1 in $m Fop, 4 3rd mov, %arghetto,
3* " $hopin 6onata no, 3 in #m F!p, )8 3rd mov, %argo
3*1 " $hopin (ariations in 7 on #ellinis I Puritani,
3*3 " $hopin 'alt> No, * F5& !p, *4 no, 1
3*4 " $hopin 'alt> No, " F$Zm& !p, *4 no, 
3** " $hopin 'alt> No, 9 FA& !p, Posth, *9 no, 1
3* " $hopin 'alt> No, 13 F5& !p, Posth, " no, 3
3*) " $hopin 'alt> No, 8 FA& !p, *4 no, 3
1 " $lementi 6onata in A maor& !p 1<1 1st mvt& Allegro con spirito
11 " $lementi 6onata in # .lat& !p 4"< 1st mvt
13 " $ramer 7tude no 33 in 5
1 " $ramer 6tudy in -Z minor& No  o. /84 6tudies/
14 " $>erny 6tudy in 5 minor& !p "4<3"
*1 " 5eussy AraesJue 
* " 5eussy #allade
1** " 5e#ussy $lair de %une
OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Com
* " 5eussy 5anse
)94 " 5eussy 7stampes  E 6oirees dans :renade
*3 " 5eussy MasJues
)98 " 5eussy Ma>ur0a
)9) " 5eussy 6uite #ergamasJue 1 E Prelude
)9" " 5eussy 6uite #ergamasJue  E Menuet
)9* " 5eussy 6uite #ergamasJue 3 E $lair de lune
*4 " 5eussy 6uite #ergamasJue 4 E Passepied
)99 " 5eussy (alse ComantiJue
*) " 5oni>etti %arghetto in A minor A nocturneEli0e version .or piano o. the .amous aria G=na
1) " -ield Nocturne no 1* in -
*49 " :ershwin hree Preludes I, Allegro en ritmato e preciso :ershwin called this prelude G6panish, his is a .ast virt
**) " :ershwin hree Preludes II, Andante con moto e poco ruato :ershwin called this prelude a Glues lullay, 6low and
good piece to play e.ore an intermission,
*** " :ershwin hree Preludes III, Allegro en ritmato e preciso his is my .avourite o. the three Fand the most di..icult,
18 " :ranados 5an>a de la Cosa& no 3 .rom /7scenas PoKticas/
1" " :ranados 5an>a :alante& .rom /5an>as 7spabolas/
1* " :ranados (iniendo de la . uente& !p 1<)
19 " :rieg Alum %ea. in A -lat& !p,8 No,1
)39 " :rieg %yric Pieces !p, 38<1 F#erceuse
)4 " :rieg %yric Pieces !p, 38<) F6pringdans
)41 " :rieg %yric Pieces !p, 38<8 F$anon
)4 " :rieg %yric Pieces !p, 43<1 F#utter.ly
)43 " :rieg %yric Pieces !p, 43<4 F%ittle ird
)44 " :rieg %yric Pieces !p, 43<) F7roty0on
)4) " :rieg %yric Pieces !p, )4<1 F6hepherd/s oy
)4* " :rieg %yric Pieces !p, )4<4 FNotturno GNotturno is haunting and yet not the usual nocturne patt
)4" " :rieg %yric Pieces !p, )4<) F6cher>o
)48 " :rieg %yric Pieces !p, )"< F:ade
)49 " :rieg %yric Pieces !p, )"<* FHome sic0ness
)) " :rieg %yric Pieces !p, *<1 F6ylphe
))1 " :rieg %yric Pieces !p, *)<3 FMelancholy
)) " :rieg %yric Pieces !p, *)<4 F6alon
))3 " :rieg %yric Pieces !p, *8<1 F6ailor/s song
))4 " :rieg %yric Pieces !p, *8<* F(alse MelancholiJue
))) " :rieg %yric Pieces !p, "1<1 F!nce upon a time
))* " :rieg %yric Pieces !p, "1< F6ummer/s eve
11 " :rieg Prelude .rom Holerg 6uite !p,4
111 " :rieg 6cher>o Impromptu in # -lat !p,) No,3
114 " Handel Allegro in 5 minor
11* " Handel -antasia in $& #,*<1
11) " Handel :igue .rom 6uite No,1
11 " Handel 6uite no 4 in 7 minor& 1" $ollection& H'( 49 nd mvt& Allemande
113 " Handel 6uite no 8 in - minor& 1" $ollection& H'( 433 :igue& 3rd mvt Allemande
81 " Haydn 6onata S(I<14 in 5 maor Allegro moderato F" Menuet and rio F) -inale Allegro
8) " Haydn 6onata S(I<1 in $ maor Allegro F" Adagio F* Presto F*
8* " Haydn 6onata S(I< in 7 maor Allegro moderato F" Andante F* -inale empo di menu
8" " Haydn 6onata S(I<3 in - maor Moderato F" Adagio F) -inale Presto F*
88 " Haydn 6onata S(I<4 in 5 maor Allegro F" Adagio F* -inale presto F"
814 " Haydn 6onata S(I<3 in A maor Allegro F" empo di menuet F"
81) " Haydn 6onata S(I<31 in 7 maor Moderato F" Allegretto F* -inale Presto F*
81" " Haydn 6onata S(I<33 in 5 maor Allegro F" Adagio F* empo di menuet F)
OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Com
818 " Haydn 6onata S(I<34 in 7 minor Presto F" Adagio F* -inale (ivace molto F*
819 " Haydn 6onata S(I<3) in $ maor Allegro con rio F" Adagio F) Allegro F*
84 " Haydn 6onata S(I<4 in : maor Allegretto innocente F" Presto F"
8" " Haydn 6onata S(I<43 in A maor Moderato F" Menuetto F<3 Condo Presto F"
89 " Haydn 6onata S(I<4) in 7maor Moderato F" Andante F" -inale Allegro di Molto F8 
83* " Haydn 6onata S(I<)1 in 5 maor Andante F" Presto F"
11" " Heller Nuits lanches F6leepless Nights& !p 8<"
118 " Heller 6tudy in 7& !p,4) No,9
119 " Heller 6tudy in 7& !p,4" No,1*
1 " Baalevs0y Prelude& !p 38<
11 " Bal0renner 7tude in $ 6harp minor& !p,143 #0 No,1*
4 " %is>t $onsolations& 6, 1" no, )
43 " %is>t $onsolations& 6, 1" no, *
1 " %is>t No  o. /-ive Hungarian -ol0songs/& 6 4)
3 " %is>t ?ears o. Pilgrimage 1yr 6wit>erland No, 
33 " %is>t ?ears o. Pilgrimage yr Italy No, 
34 " %is>t ?ears o. Pilgrimage yr Italy No, 3
13 " Macdowell 6tarlight& !p ))<4
14 " Macdowell 'ald.ahrt FIn the -orest& !p 3)<)
1) " Mendelssohn Presto agitato& No  o. /wo Musical 60etches/
"1 " Mendelssohn 6ongs 'ithout 'ords !p, 1 no, 3
*" " Mendelssohn 6ongs 'ithout 'ords !p, 19 no, 3
*"4 " Mendelssohn 6ongs 'ithout 'ords !p, 3 no, 1
*") " Mendelssohn 6ongs 'ithout 'ords !p, 3 no, 
*8* " Mendelssohn 6ongs 'ithout 'ords !p, )3 no, 1
*88 " Mendelssohn 6ongs 'ithout 'ords !p, )3 no, 3 (ery .ast arpeggio .igurations on %H with a power.ul mel
.or $hopin !p, 1 no, 1 FCevolutionary& which it remind
*9* " Mendelssohn 6ongs 'ithout 'ords !p, * no, )
*9" " Mendelssohn 6ongs 'ithout 'ords !p, * no, *
*98 " Mendelssohn 6ongs 'ithout 'ords !p, *" no, 1
*99 " Mendelssohn 6ongs 'ithout 'ords !p, *" no, 
"3 " Mendelssohn 6ongs 'ithout 'ords !p, *" no, *
"* " Mendelssohn 6ongs 'ithout 'ords !p, 8) no, 3
"" " Mendelssohn 6ongs 'ithout 'ords !p, 8) no, 4
"9 " Mendelssohn 6ongs 'ithout 'ords !p, 8) no, *
1* " Moscheles Prelude& op "<4
1" " Mos>0ows0i $alme du 6oir& !p 94<
18 " Mos>0ows0i Melodie !p,"" No,9
131 " Mo>art :igue in :& B,)"4
19 " Mo>art Minuet in 5& B 3))
1"1 " Mo>art Condo in 5 B 48)
)"* " Mo>art 6onata in A maor& B 331
)"3 " Mo>art 6onata in $ maor& B "9
)") " Mo>art 6onata in 5 maor& B 311
13 " Mo>art 6onata in -& B Anh 13)
)"4 " Mo>art 6onata in : maor& B 83
13 " Mussorgs0y :opa0
133 " Poulenc $oda no * .rom /(illageois/
134 " Poulenc Novelette in $ maor& no 1
13) " Poulenc 6taccato No, .rom /(illageoises/
1 " Pro0o.iev 1 Pieces !p, 1 No,  No,  @ :avotte @ reJuires a large hand span,
13* " Pro0o.iev :avotta& !p 3<3
OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Com
13" " Pro0o.iev (ision -ugitive in # -lat minor& !p, No,1
199 " Pro0o.iev (isions -ugitives !p,  No, 9 Allegretto tranJuilo @ this is my .avourite o. the set
 " Pro0o.iev (isions -ugitives !p,  No, 11 $on vivacita
138 " Cachmanino.. Comance
14 " Cavel Menuet sur le nom d/Haydn
139 " Cavel Prelude
141 " Cavel (alse Nole et 6entimental No, )
49) " Cespighi Notturno 'onder.ul& lyrical piece& much closer to :riegs GNotturn
-ields,
"*" " 6carlatti 6onata B 8 F: minor @ Allegro In spite o. the tempo indication this is
intense,
") " 6carlatti 6onata B 14 F: maor @ Presto %oo0ing .or .ast Fvery .ast scale runs
melody %oo0 no .urther than this spar0ling gigue,
19" " 6carlatti 6onata B 39 FA maor @ Allegro @ -ast and . urious& .ull o. nervous en
-igurations are shared eJually y oth hands, 7cellent
piece, 7Jually e..ective at a slower tempo,
") " 6carlatti 6onata B 43 F: minor @ Allegrissimo -erocious and virtuosistic sonat
"39 " 6carlatti F5 minor @ Andante moderato @ 'onder.ul sonata& lyric
6onata B ) 'ritten Fmostly in 3Evoice counterpoint, Another master
19 " 6carlatti 6onata B *9 F- minor My .avourite amongst the slow& lyrical sonatas
comple polyphonic teture @ di..icult to read ut easy to
structure e.ore tac0ilng it at the piano, A masterpiece,
"*9 " 6carlatti 6onata B "" F5 minor @ Moderato e cantaile @ minuet Pain.ully nost
y a lively minuet, A masterpiece,
"4 " 6carlatti F# minor E Andante  Intensely lyrical wor0 o. great music
6onata B 8" parts, 6aid to e Horowit> .avourite 6carlatti sonata,
"9 " 6carlatti 6onata B 98 F7 minor @ Alegrissimo 'onder.ul study in rhythm with u
and syncopations,
"31 " 6carlatti 6onata B 13 F7 maor @ Allegro @ +oy.ul and upli.ting,
")* " 6carlatti 6onata B 14 F: maor @ Allegro ired o. practising arpeggios ry thi
with very .ast triplet semiJuavers, =pli.ting and etrovert

"33 " 6carlatti 6onata B 13) F7 maor @ Allegro 5a>>ling .inger wor0 alternating with
$atchy and upli.iting,
"41 " 6carlatti F# minor E Andante @ 6 onata in a lyric& cantaile style& m
6onata B 19" Jualities,
19* " 6carlatti 6onata B 1 Arpeggios B1 is also ecellent to replace technical eercises dea
hirds
""* " 6carlatti 6onata B 1) F7 maor @ Andante @ 6udden shi.ts o. 0ey aound in thi
""" " 6carlatti 6onata B )9 F: maor @ Andante @ A two and three voice invention, %
8,
""8 " 6carlatti 6onata B 318 F-Z maor @ Andante An unusual 0ey that suggests that
temperament tuning, A lyrical and calm sonata,
"4) " 6carlatti F5 maor E Allegro  @ !ne o. my all time .avourites& A.ter
6onata B 443 6panish dances& a most gentle and evocative melody d
"*4 " 6carlatti 6onata B 48" F$ maor @ Allegro A percussive sonata& .ull o. >est and
rittle and sharp, 5i..icult octave leaps on the le.t hand,
"8) " 6carlatti 6onata B )4* F: minor @ 'ritten in  and 3 parts& this is another lyrica
.lowing melody, Cecorded y #enamin -rith .or Naos,
14 " 6chuert -;n. Blavierst;c0e& No, 3
14) " 6chuert Moment Musical in A& !p 94 No, *
149 " 6chuert Moment Musical in $Zm& !p,94 No,4& 5"8<4
OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Com
143 " 6chuert 6cher>o in 5& 5)93<
14" " 6chuert 6onata in A& 5,))" 1st mvt& Allegro moderato
14* " 6chuert 6onata in Am& 5,84) 3rd mvt
148 " 6chuert 6onata in 7& !p,1& 5,)*8
144 " 6chuert 6onata in 7& 5 4)9 3rd mvt
1)3 " 6chumann $anon& .rom 6onata& !p 118 No, 
1) " 6chumann $harming %andscape& !p 8 No, )
1)4 " 6chumann 5avidsundlertOn>& !p *& no 
1)* " 6chumann Impromptu& !p 14 No, 1
1)) " 6chumann Novelette in # minor& !p 99 No, 9
1)1 " 6chumann Comanc e in -Z& !p 8 No, 
1)" " 6chumann 6onata in 5& !p,118 No, nd mvt& $anon
1)8 " 6chumann AlumlOtter III& !p 99 No, *
1)9 " 6chumann Novelette in 5& !p 1 No, 4
"1 " 6criain Prelude !p, 11 no, 4
" " 6criain Prelude !p, 11 no, )
"3 " 6criain Prelude !p, 11 no, 9
" " 6criain Prelude !p, " no, 
1* " 6criain 6tudy in $Z minor& !p  No, 1
1*1 " 6hosta0ovich Prelude !p, 34 No, 18
1* " 6hosta0ovich Prelude !p, 34 No, 1
1*4 " 6metana Idyll& !p, 4 No, 
1*3 " 6metana 6ouvenir de #ohQme& !p 13 No, 1
1** " chai0ovs0y HumoresJue
1*) " chai0ovs0y +une F#arcarolle& !p 3"a No, *
1*" " chai0ovs0y Nocturne
1*8 " elemann -antasia in : minor
1*9 " (illaE%oos Minti0a .rom As tres Marias
1" 8 AlKni> $Ydi> Fsaeta 4th mvt .rom \6uite 7spabola no 1& !p 4"
1"1 8 AlKni> 7n la Playa no " .rom \Cecuerdos de (iae& !p "1
1" 8 AlKni> 7vocation -rom \Ieria
13 8 #ach $apriccio in # .lat& #'( 99 \on the 5eparture o. his most #eloved #rother
"1 8 #ach 7nglish 6uite No, 1 E Allemande
8 8 #ach 7nglish 6uite No,  E Prelude
8" 8 #ach 7nglish 6uite No, 3 E Prelude
94 8 #ach 7nglish 6uite No, 4 E Prelude
1 8 #ach 7nglish 6uite No, ) E Allemande
11 8 #ach 7nglish 6uite No, ) E Prelude
19 8 #ach 7nglish 6uite No, * E Allemande
11) 8 #ach 7nglish 6uite No, * E :igue
18 8 #ach 7nglish 6uite No, * E Prelude
131 8 #ach -antasia in $ minor& #'( 9*
13 8 #ach -rench !verture FPartita in # minor #'( 831 "th and 1th mvts& 6araande and :igue
3* 8 #ach -rench 6uite No, 1 E :igue
43 8 #ach -rench 6uite No, 3 E Allemande
)4 8 #ach -rench 6uite No, 4 E :igue
)) 8 #ach -rench 6uite No, ) E Allemande
*1 8 #ach -rench 6uite No, ) E :igue
*9 8 #ach -rench 6uite No, * E :igue
133 8 #ach Partita No, 3 in A minor& #'( 8" 1st and *th mvts& -antasia and 6cher>o
134 8 #ach Partita No, 4 in 5& #'( 88 Menuett and :igue
18) 8 #ach& $,P,7, 6onata in A .lat& ' 49<
OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Com
18* 8 #ach& $,P,7, 6onata in A& H 18 ' ))<4 1st mvt& Allegro assai
199 8 #ach& +,$, 6onata in # .lat& !p 1"<*
1"3 8 #art20 5ance in #ulgarian Chythm no ) no 1) .rom \Mi0ro0osmos vol *
1"4 8 #art20 Condo no 1 .rom \3 Condos on -ol0 unes
1") 8 #art20 6uite& !p 14& 1st mvt Allegretto
1"* 8 #eethoven Andante -avori& 'o! )"
"1 8 #eethoven 6onata 19, !p, 31 no, 1
" 8 #eethoven 6onata , !p, 9
"3 8 #eethoven 6onata 1, !p, " no, 1
"4 8 #eethoven 6onata , !p, " no,  FMoonlight
") 8 #eethoven 6onata 3, !p, )4
"* 8 #eethoven 6onata 4, !p, 31 no,  Fempest
"" 8 #eethoven 6onata ), !p, )3 F'aldstein
"8 8 #eethoven 6onata *, !p, 81 F%es Adieu
"9 8 #eethoven 6onata ", !p, )" FAppasionata
8 8 #eethoven 6onata 8, !p, 11
81 8 #eethoven 6onata 9, !p, 11
8 8 #eethoven 6onata 3, !p, 19
83 8 #eethoven 6onata 31, !p, 111
84 8 #eethoven 6onata 3, !p, 1* FHammer0lavier
1"" 8 #rahms #allade in 5 minor& !p 1<1
1"8 8 #rahms Interme>>o in A minor& !p "*<"
1"9 8 #rahms Interme>>o in # minor& !p 119<1
18 8 #rahms Interme>>o in 7 .lat& !p 11"<1
181 8 #rahms Interme>>o& !p 11*<4
18 8 $harier 5anse (illageoise F.rom \1 PiQces PittoresJues
183 8 $harier Idylle F.rom \1 PiQces PittoresJues
3*" 8 $hopin Andante 6pianatto Fprelude to :rande Polonaise #rillante op, 
3*8 8 $hopin 7cossaise no, 1 in 5 F!p, posth& " no, 3
3*9 8 $hopin 7cossaise no, 3 in 5 F!p, posth& " no, 3
48 8 $hopin 7tude !p, 1 no, 3
3" 8 $hopin 7tude !p, 1 no, *
4" 8 $hopin 7tude !p, 1 no, 9
4* 8 $hopin 7tude !p, 1 no, 1
49 8 $hopin 7tude !p, ) no, 1
3"1 8 $hopin 7tude !p, ) no, 
41 8 $hopin 7tude !p, ) no, "
411 8 $hopin 7tude !p, ) no, 9
41 8 $hopin -antaise Impromptu op, posth, **
413 8 $hopin Impromptu no, 1 in A F!p, 9
3" 8 $hopin Ma>ur0a no, 1 in -Zm Fop, * no, 1
3"3 8 $hopin Ma>ur0a no, 1 in # Fop, 1" no, 1
3"4 8 $hopin Ma>ur0a no, 1" in #m Fop, 4 no, 4
3") 8 $hopin Ma>ur0a no,  in 5 Fop, 3 no, 3
414 8 $hopin Ma>ur0a no, 1 in $Zm Fop, 3 no, 4
41) 8 $hopin Ma>ur0a no, 3 in 5 Fop, 33 no, 
3"* 8 $hopin Ma>ur0a no, ) in #m Fop, 33 no, 4
41* 8 $hopin Ma>ur0a no, " in # Fop, 41 no, 
41" 8 $hopin Ma>ur0a no, 9 in $Zm Fop, 41 no, 4
3"" 8 $hopin Ma>ur0a no, 3 in : Fop, ) no, 1
418 8 $hopin Ma>ur0a no, 3 in $Zm Fop, ) no, 3
419 8 $hopin Ma>ur0a no, 33 in # Fop, )* no,1
OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Com
3"8 8 $hopin Ma>ur0a no, 34 in $ Fop, )* no, 
4 8 $ho pin Ma>ur0a no, 3) in $m Fop, )* no, 3
3"9 8 $hopin Ma>ur0a no, 3* in Am Fop, )9 no, 1
38 8 $hopin Ma>ur0a no, 3" in A Fop, )9 no, 
381 8 $hopin Ma>ur0a no, 38 in -Zm Fop, )9 no, 3
38 8 $hopin Ma>ur0a no, 39 in # Fop, *3 no, 1
383 8 $hopin Ma>ur0a no, 4 in : Fop,posth, *" no, 1
384 8 $hopin Ma>ur0a no, 4* in $ Fop, posth, *8 no, 1
38) 8 $hopin Ma>ur0a no, )3 in Am
38* 8 $hopin Ma>ur0a no, )4 in 5
38" 8 $hopin Ma>ur0a no, )* in $
388 8 $hopin Nocturne no, 1 in #m F!p, 9 no, 1
4* 8 $hopin Nocturne No, 4 in - F!p, 1) no, 1
391 8 $hopin Nocturne no, ) in -Z F!p, 1) no, 
4" 8 $hopin Nocturne No, " in $Zm F!p, " no, 1
39 8 $hopin Nocturne no, 8 in 5 F!p, " no,
393 8 $hopin Nocturne no, 9 in # F!p, 3 no, 1
389 8 $hopin Nocturne no, 1 in A F!p, 3 no, 
41 8 $hopin Nocturne No, 1 in : F!p, 3" no, 
4 8 $hopin Nocturne No, 13 in $m F!p, 48 no, 1
39 8 $hopin Nocturne no, 14 in -Z F!p, 48 no, 
43 8 $hopin Nocturne No, 1* in 7 F!p, )) no, 
44 8 $hopin Nocturne No, 1" in # F!p, * no, 1
4) 8 $hopin Nocturne No, 18 in 7 F!p, * no, 
394 8 $hopin Nouvelle 7tude no, 1 in -m
48 8 $hopin Nouvelle etude no, 3 in 5
39) 8 $hopin Polonaise no, 1 in $Zm !p, * no, 1
43 8 $hopin Polonaise no,  in 7m !p, * no,
431 8 $hopin Polonaise no, 3 in A !p, 4 no, 1
39" 8 $hopin Polonaise no, 4 in $m !p, 4 no, 
43 8 $hopin Polonaise no, 8 in 5m !p, Posth, No, 1
433 8 $hopin Polonaise no, 9 in # !p, Posth, No, 
39* 8 $hopin Polonaise no, 1 in -m !p, Posth "1 no, 3
49 8 $hopin Polonaise no, 1) in #m
398 8 $hopin Preludes !p, 8, No, 1
4 8 $hopin Preludes !p, 8, No, 3
438 8 $hopin Preludes !p, 8, No, 8
434 8 $hopin Preludes !p, 8, No, 1
43) 8 $hopin Preludes !p, 8, No, 11
399 8 $hopin Preludes !p, 8, No, 1"
43* 8 $hopin Preludes !p, 8, No, 
43" 8 $hopin Preludes !p, 8, No, 3
41 8 $hopin 6onata in $m F!p, 4 nd mov, @ Menuetto
439 8 $hopin 6ouvenir de Paganini,
44 8 $hopin (ariations on a :erman National air
4 8 $hopin 'alt> No, 1 F7& op, 18 
44 8 $hopin 'alt> No,  FA& !p, 34 no, 1
4) 8 $hopin 'alt> No, 4 F-& !p, 34 no, 3
443 8 $hopin 'alt> No, ) FA& !p, 4
441 8 $hopin 'alt> No, 11 F: !p, Posth, " no, 1
43 8 $hopin 'alt> No, 1* F7m
44 8 $hopin 'alt> No, 19 F7
OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Com
184 8 $lementi 6onata in 5 minor<maor& !p 4<3 1st mvt& Adagio molto @ Allegro
*) 8 5eussy 7stampes 1 E Pagodes
*9 8 5eussy 7stampes 3 E +ardins sous la pluie
11" 8 5eussy :ardens in the rain
** 8 5eussy Images I 1 E Ce.lets dans l/eau
*1 8 5eussy Images I 3 E Mouvement
*" 8 5eussy Images II 1 E $loches a travers les .euilles
*11 8 5eussy Images II 3 E Poissons d/or
*1 8 5eussy %/isle oyeuse
*8 8 5eussy Pour le piano 1 E Prelude
*13 8 5eussy Pour le piano 3 E occata
18" 8 5eussy PrKlude no *& #oo0  \:KnKral %avineEeccentric
188 8 5eussy 6erenade o. the 5oll .rom \$hildrens $orner 6uite
189 8 -aurK #arcarolle no 4 in A .lat& !p 44
19 8 -aurK -ugue in 7 minor& !p 84<*
191 8 -aurK Nocturne in A .lat& !p 33<3
19 8 -ield Nocturne No 4 in A
193 8 :ranados 5an>a 7spabola No * +ota \Condalla Aragonesa
194 8 :rieg :ade& !p )"<
))" 8 :rieg %yric Pieces !p, 43<* Fo 6pring
))8 8 :rieg %yric Pieces !p, 4"< FAlum lea.
))9 8 :rieg %yric Pieces !p, 4"<* F6pringdans
)* 8 :rieg %yric Pieces !p, )4< F:angar
)*" 8 :rieg %yric Pieces !p, )4<3 FMarch o. the dwar.s
)*1 8 :rieg %yric Pieces !p, )"<1 F(anished days
)* 8 :rieg %yric Pieces !p, )"<) F6he dances
)*3 8 :rieg %yric Pieces !p, *<4 F#roo0let
)*4 8 :rieg %yric Pieces !p, *<* FHomeward
)*) 8 :rieg %yric Pieces !p, *)<1 F-rom early years
)** 8 :rieg %yric Pieces !p, *)<* F'edding day at roldhaugen
)*8 8 :rieg %yric Pieces !p, "1<) FHalling
19) 8 Handel -ugue no 3 in # .lat& H'( *"
19* 8 Handel -ugue no * in $ minor& H'( *1
19" 8 Handel 6uite no 3 in 5 minor& 1" $ollec tion& H' ( 48
198 8 Handel 6uite no * in -Z minor& 1" $ollection& H'( 431& #*<* 3rd mvt Allegro
8 8 Haydn 6onata S(I<18 in # maor Allegro moderato F8  Moderato F"
83 8 Haydn 6onata S(I<19 in 5 maor Moderato F8  Andante F* Allegro Assai F"
84 8 Haydn 6onata S(I< in $ minor Moderato F8  Andante com moto F" Allegro F8 
89 8 Haydn 6onata S(I<) in 7 maor Moderato F8  empo di menuet F*
81 8 Haydn 6onata S(I<* in A maor Allegro moderato F8  Menuet and trio Fal rovesc io F4 -i
81 8 Haydn 6onata S(I<8 in 7 maor Allegro moderato F8  Menuet and trio F) -inale Presto F
813 8 Haydn 6onata S(I<9 in - maor Moderato F8  Adagio F* empo di menuet F*
81* 8 Haydn 6onata S(I<3 in # minor Allegro moderato F" Menuet F) -inale Presto F8 
8 8 Haydn 6onata S(I<3* in $Z minor Moderato F8  6cher>ando allegro con rio F* Menuet an
81 8 Haydn 6onata S(I<3" in 5 maor Allegro con rio F8  %argo e sostenuto F) -inale Presto
8 8 Haydn 6onata S(I<38 no, )1 in 7 maor Allegro moderato F8  Adagio F* -inale Allegro F)
83 8 Haydn 6onata S(I<39 in : maor Allegro con rio F" Adagio F* Prestissimo F8 
8) 8 Haydn 6onata S(I<41 in # maor Allegro F8  Allegro di molto F"
8* 8 Haydn 6onata S(I<4 in 5 maor Andante con espressione F8  (ivace assai F"
88 8 Haydn 6onata S(I<44 in : minor Moderato F8  Allegretto F*
83 8 Haydn 6onata S(I<4* in A maor Allegro moderato F8  AdagioF8  -inale Presto F"
83 8 Haydn 6onata S(I<4" in - maor Moderato F8  %arghetto F* -inale allegro F*
OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Com
833 8 Haydn 6onata S(I<48 in $ maor Andante con espressione F8  @ Condo presto F8 
834 8 Haydn 6onata S(I<49 in 7 maor Allegro F8  Adagio e cantaile F8  -inale empo di men
83) 8 Haydn 6onata S(I<) in $ maor Allegro F8 Adagio F" -inale Allegro molto F"
83" 8 Haydn 6onata S(I<) in 7 maor Allegro F8 Adagio F8 -inale Presto F8 
13) 8 Baalevs0y 6onatina !p 13& no  Frevised edition
49 8 %is>t #agatelle without onality 6, 1*a
13* 8 %is>t 7glogue no " .rom \AnnKes de PQlerinage 1Qre AnnKe& 6uisse& 6 1*
13" 8 %is>t (alse ouliKe Fno 1 in A minor& 6 1)<1
48 8 %is>t (alses !uliees 6, 1)
138 8 Mendelssohn Andante with (ariations in 7 .lat& !p 8
139 8 Mendelssohn 7tude in - minor
131 8 Mendelssohn Prelude and -ugue in # .lat& !p 3)<*
1311 8 Mendelssohn Prelude and -ugue in 5& !p 3)<
"1 8 Mendelssohn 6ongs 'ithout 'ords !p, 1 no, 1
**8 8 Mendelssohn 6ongs 'ithout 'ords !p, 19 no, 1
*" 8 Mendelssohn 6ongs 'ithout 'ords !p, 19 no, )
*"" 8 Mendelssohn 6ongs 'ithout 'ords !p, 3 no, 4
*"8 8 Mendelssohn 6ongs 'ithout 'ords !p, 3 no, ) -ast %H runs throughout the whole piece,
*8 8 Mendelssohn 6ongs 'ithout 'ords !p, 38 no, 1
*81 8 Mendelssohn 6ongs 'ithout 'ords !p, 38 no, 
*8 8 Mendelssohn 6ongs 'ithout 'ords !p, 38 no, 3
*84 8 Mendelssohn 6ongs 'ithout 'ords !p, 38 no, )
*8) 8 Mendelssohn 6ongs 'ithout 'ords !p, 38 no, *
*91 8 Mendelssohn 6ongs 'ithout 'ords !p, )3 no, *
"1 8 Mendelssohn 6ongs 'ithout 'ords !p, *" no, 4
131 8 Messiaen PrKlude no 1 \%a colume .rom \8 Preludes
1313 8 Messiaen PrKlude no " \Plainte calme .rom \8 Preludes
*)3 8 Messiaen (ingt regards sur %en.ant +esus ?ou cannot get much more comple For modern than this
1314 8 Mo>art 1 (ariations on \%es Hommes pieusement F=nser dummer P`el meint B4))
131) 8 Mo>art 9 (ariations on a Menuett y 5uport& B)"3
)8 8 Mo>art 6onata F-antasia in $ minor& B 4")
)84 8 Mo>art 6onata in A minor& B 31
)"" 8 Mo>art 6onata in # maor& B 81
)81 8 Mo>art 6onata in # maor& B 333
)"9 8 Mo>art 6onata in $ maor& B 39
)8 8 Mo>art 6onata in $ maor& B 33
)83 8 Mo>art 6onata in $ minor& B 4)"
)"8 8 Mo>art 6onata in 5 maor& B 84
)8" 8 Mo>art 6onata in 5 maor& B )"*
)8) 8 Mo>art 6onata in - maor& B 33
)8* 8 Mo>art 6onata in - maor& B )33<B 494
131* 8 Poulenc Improvisation no 13 in A minor
131" 8 Poulenc %e coeur sur la main no  .rom \%es 6oirKes de Na>elles
1318 8 Poulenc Presto
1319 8 Poulenc occata in $ .rom \rois PiQces
13 8 Pro0o.iev 1 Pieces !p, 1 No, * No, * @ %egende @ 6low& lyrical piece& slightly reminiscen
14 8 Pro0o.iev 1 Pieces !p, 1 No, " No, " @ Prelude @ My .avourite, A eauti.ul& magical piec
creating a mist o. sound around the right hand melody, (
glissandi[, his piece was originally written .or harp,
1) 8 Pro0o.iev 1 Pieces !p, 1 No, 1 No, 1 @ 6cher>o @ A wonder.ul showEo.. piece Fproaly
.ull o. tension and nervous energy umping all over the 0e
13 8 Pro0o.iev Prelude in $& !p 1<"
OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Com
1 8 Pro0o.iev (isions -ugitives !p,  No, 1" Poetico
 8 Pro0o.iev (isions -ugitives !p,  No, 18 $on una dol>e lente>>a
11* 8 Cachmanino.. 7legie in 7m & !p, 3 No, 1
131 8 Cachmanino.. MKlodie in 7& !p 3<3
13 8 Cachmanino.. Prelude in -& !p 3<"
133 8 Cachmanino.. Prelude in :Z minor& !p 3<1
134 8 Cachmanino.. Prelude in :& !p 3<)
13) 8 Cavel -ugue Fnd mvt .rom \%e omeau de $ouperin
13* 8 Cavel Menuet .rom \%e omeau de $ouperin
13" 8 Cavel 6onatine in -Z minor
138 8 Cavel (alse Nole et 6entimental No, 3
"49 8 6carlatti 6onata B 3 FA minor E Presto @ 7lectrical piece with ultra .ast scale
until you try to play it up to tempo
"* 8 6carlatti 6onata B 4 FA maor E Allegro @ (irtuoso piece alternating relatively c

"38 8 6carlatti F# minor @ Allegro his i s my all time .avourite 6carlatti

romantic& could very well have een composed y some
6onata B " Achingly eauti.ul melody, Arpeggio .igurations and lots
"*8 8 6carlatti 6onata B 3 F: minor E Moderato @ A eauti.ul and comple .ugue,
194 8 6carlatti 6onata B 4* F7 maor @ Presto his one o. my .avourite .ast sonatas
it ma0es my heart soar li0e a haw0, !ne o. the most cat
one wish to dance and ump .or oy, his is ama>ing mus
")4 8 6carlatti 6onata B 9* F5 maor @ Allegro Another Gtypical 6carlatti sonata Fsim
tetured, It has everything in it Horn calls& .ast repeated
parallel .i.ths& ig leaps& scale runs and guitar imitations,
")) 8 6carlatti 6onata B 1 F5 minor @ Allegro A .ast sonata .ull o. nervous energy& t
hand pieces[ %eaping ass .igures& doule notes in oth
18) 8 6carlatti 6onata B 141 F5 minor @ Allegro @ A masterpiece, A .ast toccata with l
#ro0en chords and s0ips, (irtuosic with dissonant guitar
hands, 7cellent as a study replacement,
")" 8 6carlatti 6onata B 1* F7 maor E Andante A.ter a slow& lyrical eginning all hell
ensues with occasional returns to the slow theme,
"81 8 6carlatti 6onata B 4* F: minor @ Andante Another eauti.ul lyrical sonata& dee
melancholic, Cich tetures and highly musical, (ery good
dramatic silences,
19) 8 6carlatti 6onata B 4" F: maor @ Prestissimo 'onder.ully ehilarating sonata
direction FGas .ast as possile gives you an idea o. wha
wor0 reJuiring pianism o. the utmost degree, Has a recu
catchy, My .avourite .ast sonata, F#ut only i. you play it a
speeds,
18* 8 6carlatti 6onata B 4** F- minor @ Andante moderato E A masterpiece, #eauti.u
with the lyrical sonatas& this one elicits tranJuillity and pe
grie., 7cellent .or developing rhythm awareness o. triple

"4" 8 6carlatti F5 maor @ Andante cantaile @ #eauti.ul lyrical sonata F

6onata B 4"8 0eyoard,
"** 8 6carlatti 6onata B )13 F$ maor @ Pastorale Moderato @ Molto allegro @ Presto
movements Ftempos, 6hepherd pipes and agpipes dro
Fpresto is ehilarating and virtuosic, his Pastorale was
period, It recalls the piping o. the shepherds who came d
at $hristmas time, hey egin in a moderate tempo& the
Juic0er section& and .inally they celerate in a oy.ul Pres
OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Com
18" 8 6carlatti 6onata B )1" F5 minor @ Prestissimo @ < Another .ast and .urious so
study, 'ith a typical aroJue .iguration shared y oth h
chords and close position passage wor0& and ecellent .
Intense& urgent and relentless,
133 8 6chuert Impromptu& !p, pos th, 14 No, & 593)
1331 8 6chuert Impromptu in $m& !p 9 No, 1& 5899<1
133 8 6chuert 6onata in #& !p 14"& 5 )") 1st mvt& Allegro ma non troppo
1333 8 6chuert 6onata in 5& 5 )*"
139 8 6chuert Piano Pieces& 594* No 1 in 7m
1334 8 6chumann Aschied no 9 .rom \'aldscenen& !p 8
133) 8 6chumann 7intritt no 1 .rom \'aldscenen& !p 8
133* 8 6chumann (ogel als Prophet no " .rom \'aldscenen& !p 8
133" 8 6criain Nocturne in -Z minor& !p ) No, 1
"4 8 6criain Prelude !p, 11 no, 8
1338 8 6hosta0ovich 3 -antastic 5ances& !p ) nos  and 3
1339 8 6hosta0ovich Prelude and -ugue in #& !p, 8" No, 11
134 8 6hosta0ovich Prelude and -ugue in 7& !p, 8" No, 9
1341 8 6hosta0ovich Prelude and -ugue in - minor& !p, 8" No, 18 \4 Preludes and -ugues& !p 8" vol 
134 8 6oler 6onata in 5 minor& C) I. you li0e 6carlatti you will li0e 6oler, A disciple o. 6carl
style,
49" 8 chai0ovs0y he 6easons !p, 3"
1343 8 (illaE%oos I Polichinello Fno " .rom \A Pr2le do #KK no 1
*44 9 #arer #allade op, 4*
*4 9 #arer 7cursions op, 
*39 9 #arer Interlude I F/-or +eanne/
*43 9 #arer Nocturne op, 33 $hromatic and highly atmospheric @ i. you want poetic an

*41 9 #arer 6onata op, * 7tremely comple @ advanced wor0 reJuiring the utmos
Horowit>, !riginally it had only the .irst three movements
.lashy .inale .or it& hence the E very di..icult E .ugue,
*4 9 #arer 6ouvenirs op, 8
*3 9 $haminade $onsolation !p, 8" No, )
* 9 $haminade Nocture !p, 1*)
44) 9 $hopin Polonaise no, ) in -Zm !p, 44
44* 9 $hopin Polonaise no, * in A !p, )3
444 9 $hopin Polonaise no, 14 in :Zm F$hopin was 1 when he composed this one
44" 9 $hopin PolonaiseE.antasie no, " !p, *1
*)* 9 6>imanows0i Metopes !p, 4 I. you are a.ter virtuoso& comple music& loo0 no .urther,
time, three very di..icult tone poems,
*)) 9 6>imanows0i Preludes !p, 1 I. you are a.ter virtuoso& comple music& loo0 no .urther,
time, 6ome highly lyric& some dramatic,
448 1 $hopin Nocturne No, 3 in # F!p, 9 no, 3
4)4 1 $hopin Preludes !p, 8, No, )
449 1 $hopin Preludes !p, 8, No, 1
4) 1 $hopin Preludes !p, 8, No, 1* FArgualy the most di..icult
4)1 1 $hopin Preludes !p, 8, No, 18
4) 1 $hopin Preludes !p, 8, No, 19
4)3 1 $hopin Preludes !p, 8, No, 4
**3 = Al0an 7sJuisses op, *3
**4 = Arens0y 4 $haracter pieces !p, *
*) = #erg 6onata op, 1 A one movement sonata that although supposedly in # m
you get used to it& it is very eauti.ul and lyrical,
OrSor Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Com
*4) = :inastera welve American preludes onal music ut with lots o. c hromaticism and strong rhy
encores,
*)1 = :ri..es Coman 60etches& !p, " Impressionistic& tonal music,
*) = :ri..es hree tone pictures& !p, ) Impressionistic& tonal music,
*)9 = !swald #erceuse !p, 14 no, 1 Although #ra>ilian y irth& !swald spent most o. his li.e
7uropean& with much -rench in.luence, All o. his wor0 is

*)" = !swald -euilles d/Alum !p,  Although #ra>ilian y irth& !swald spent most o. his li.e
7uropean& with much -rench in.luence, All o. his wor0 is

*)8 = !swald Il neige Although #ra>ilian y irth& !swald spent most o. his li.e
7uropean& with much -rench in.luence, All o. his wor0 is

** = !swald 6everal o. the Nocturnes Fop, * Although #ra>ilian y irth& !swald spent most o. his li.e
7uropean& with much -rench in.luence, All o. his wor0 is

*)4 = Preisner Gen easy pieces .or piano they are not that easyV ut not that di..icult either, Poetic
*4* = 6choenerg 6i %ittle Piano Pieces& !p, 19 $ompletely atonal music& and yet highly atmospheric an
re.lective,
** = 6chumann Alum #latter !p, 14 FI particularly li0e nos, 3& 4& )& *& 8& 1*& 1"
**1 = 6chumann #unte #latter !p, 99 FI particularly li0e nos, 1& & 4& )& *& 9& and 1 No, 9 E A.t
has a mist o. sound created y a .ast chromatic .iguratio
** = 6hosta0ovich Prelude !p, 34 No, 3 #eauti.ul lyrical writing& in an impressionist style, 6tarts l
passage,
*" = 6hosta0ovich Prelude !p, 34 No, ) Allegro vivace, (ery .ast& reminds me o. a $>erny eerci
was ma0ing a parody here& similar to 5eussys 5r, :rad
*8 = 6hosta0ovich Prelude !p, 34 No, * (ery .unny pol0a style with all you could epect .rom mo
sudden changes o. 0ey& itonality& wrongEnote writing,
*9 = 6hosta0ov ich Prelude !p, 34 No, 9 A .as t tarantellaEli0e piece,
*3 = 6hosta0ovich Prelude !p, 34 No, 1 Another eauti.ul lyrical piece with a nice melody and not
*31 = 6hosta0ovich Prelude !p, 34 No, 1 Allegro non troppo E I. no, ) was $>erny .or the right han
crosses over .reJuently, Not as dissonant as the others,
$>erny in a Gmoto perpetuo setting, Modern harmonies
*3 = 6hosta0ovich Prelude !p, 34 No, 14 Argualy the est o. the set& very lugurious& ma0ing .ull
Actually I read somewhere that 6to0ows0i made an orch
heard it though,
*33 = 6hosta0ovich Prelude !p, 34 No, 1) A very nice walt>& with the typical walt> accompaniment
olly,
*34 = 6hosta0ovich Prelude !p, 34 No, 1* Another humorous piece& marchEli0e& with lots o. GwrongE
*3) = 6hosta0ovich Prelude !p, 34 No, 1" A lyrical slow piece,
*3* = 6hosta0ovich Prelude !p, 34 No, 19 Another lyrical piece vaguely reminiscent o. Mendelssoh
*3" = 6hosta0ovich Prelude !p, 34 No, 4 Nice end piece& gavotte style& Juite .unny,
*48 = cherepnin #agatelles& !p, ) No, * (ery .ast& repetitive arpeggio .igurations on the %H
idiom,
*4" = cherepnin 7pressions& !p, 81
 K L P K! MO"MNTS K L
B1 %3** P )" 5m Allegro 0441 %639
B %388 P )8 : Maor Presto
B3 %3"8 P )9 Am Presto
B4 %39 P * :m Allegro
B) %3*" P *1 5m Allegro
B* %4"9 P * - Maor Allegro
B" %3"9 P *3 Am Presto
B8 %488 P *4 :m Allegro
B9 %413 P *) 5m Allegro
B1 %3" P ** 5m Presto
B11 %3) P *" $m Allegro
B1 %489 P *8 :m Presto
B13 %48* P *9 : Maor Presto
B14 %38" P " : Maor Presto
B1) %3"4 P "1 7m Allegro
B1* %39" P " # Maor Presto
B1" %384 P "3 - Maor Presto
B18 %41* P "4 5m Presto
B19 %383 P ") - Maor Allegro
B %3") P "* 7 Maor Presto
B1 %3*3 P "" 5 Maor Allegro
B %3* P "8 $m Allegro
B3 %411 P "9 5 Maor Allegro
B4 %49) P 8 A Maor Presto
B) %481 P 81 -Zm Allegro
B* %3*8 P 8 A Maor Presto
B" %449 P 83 #m Allegro
B8 %3"3 P 84 7 Maor Presto
B9 %4*1 P 8) 5 Maor Presto
B3 %499 P 8* :m Moderato
B31 %31 P 19 :m Allegro
B3 %43 P 14 5m Aria
B33 %44 P13 5 Maor
B34 %6 " P 1) 5m %arghetto
B3) %38* P  :m Allegro
B3* %4) P 91 Am Allegro
B3" %4* P  $m Allegro
B38 %4"8 P 9" - Maor Allegro
B39 %391 P )3 A Maor Allegro
B4 %3)" P119 $m Minuetto
B41 P3" 5m Andante moderato
B4 %63* P1 # Maor Minuetto
B43 %4 P133 :m Allegro assai
B44 %43 P11* - Maor Allegro
B4) %*) P3 5 Maor Allegro
B4* %) P1"9 7 Maor Presto
B4" %4* P11) # Maor Presto
B48 %1)" P 8" $m Presto
B49 %31 P1"8 $ Maor Presto
B) %144 P44 -m Allegro
B)1 % P1)1 7 Maor Allegro
B) %*" P 41 5m Andante moderato
B)3 %*1 P1*1 5 Maor Presto
B)4 %41 P14" 5 Maor Allegro
B)) %33) P11" 5 Maor Allegro
B)* %3)* P ) 5 Maor $on spirito
B)" %638 P18 # Maor Allegro
B)8 %1)8 P 39 5 Maor
B)9 %"1 P  5 Maor Allegro
B* %13 P 9 5 Maor
B*1 %13* P 1* 5 Maor
B* %4) P 49 A Maor Allegro
B*3 %84 P 3 : Maor Allegro
B*4 %)8 P 33 5m Allegro
B*) %19) P14 A Maor Allegro
B** %49* P134 # Maor Allegro
B*" %3 P1) -Zm Allegro
B*8 %114 P " 7 Maor
B*9 %38 P 4 -m
B" %) P 1 # Maor
B"1 %81 P 1" : Maor Allegro
B" %41 P 1 $ Maor Allegro
B"3 %1" P 8 $m Allegro E Minuetto E Minuetto
B"4 %94 P 3) A Maor Allegro
B") %)3 P 3 : Maor Allegro
B"* %18) P 3 :m Presto
B"" %1*8 P 1 5m Moderato e cantaile E Minuet
B"8 %") P * - Maor Allegro E Minuet
B"9 %8 P4 : Maor Allegrissimo
B8 P8 : Maor Minuet
B81 %"1 P 13 7m :rave E Allegro E :rave E Allegro
B8 %3 P ) - Maor
B83 %631 P 31 A Maor
B84 %1 P 4) $m
B8) %1** P 4 - Maor
B8* %43 P1 $ Maor Andante moderato
B8" %33 P 43 #m
B88 %3* P 8 :m :rave E Andante moderato E Allegro E Minuet
B89 %11 P 1 5m Allegro E :rave E Allegro
B9 %1* P 9 5m :rave E Allegro E E E Allegro
B91 %1"* P 11 : Maor :rave E Allegro E :rave E Allegro
B9 %3* P 44 5m
B93 %33* P 38 :m
B94 P" - Maor Minuet
B9) %3)8 $ Maor
B9* %4*) P1 5 Maor Allegrissimo
B9" P) :m Allegro
B98 %3) P19 7m Allegrissimo
B99 %31" P13) $m Allegro
B1 %3)) P3 $ Maor Allegrissimo
B11 %494 P1)* A Maor Allegro
B1 %89 P 88 :m Allegro
B13 %33 P33 : Maor Allegrissimo
B14 %44 P19 : Maor Allegro
B1) %4 P 9 : Maor Allegro
B1* %43" P19" - Maor Allegro
B1" %4"4 P 98 - Maor Allegro
B18 %49 P 9 :m Allegro
B19 %138 P9 Am Adagio
B11 %4*9 P19 Am Allegro
B111 %13 P 99 :m Allegro
B11 %98 P 94 # Maor Allegro
B113 %34) P1* A Maor Allegro
B114 %344 P141 A Maor 6pirito e presto
B11) %4" P1 $m Allegro
B11* %4) P111 $m Allegro
B11" %44 P181 $ Maor Allegro
B118 %1 P** 5 Maor Non presto
B119 %41) P1" 5 Maor Allegro
B1 %1) P14* 5m Allegrissimo
B11 %181 P 93 :m Allegrissimo
B1 %334 P118 5 Maor Allegro
B13 %111 P18 7 Maor Allegro
B14 %3 P11 : Maor Allegro
B1) %48" P1) : Maor (ivo
B1* %4 P18 $m
B1" %18* P198 A Maor Allegro
B18 %9* P199 #m Allegro
B19 %4* P148 $m Allegro
B13 %19 P" A Maor Allegro
B131 %3 P1)4 #m Allegro
B13 %4)" P9) $ Maor $antaile
B133 %8 P18 $ Maor Allegro
B134 %1 P143 7 Maor Allegro
B13) %4 P34 7 Maor Allegro
B13* %3"" P113 7 Maor Allegro
B13" %31) P31 5 Maor Allegro
B138 %4*4 P 9) 5m Allegro
B139 %* P1* $m Presto
B14 %1" P1" 5 Maor Allegro
B141 %4 P"1 5m Allegro
B14 P4 -Zm Allegro
B143 P*" $ Maor Allegro
B144 P31* : Maor $antaile
B14) %3*9 P1) 5 Maor
B14* %349 P1* : Maor
B14" %3"* P 48 7m
B148 %*4 P91 Am Andante
B149 %93 P41 Am Allegro
B1) %11" P) - Maor Allegro
B1)1 %33 P38 - Maor Andamte allegro
B1) %1"9 P114 : Maor Allegro
B1)3 %44) P3) : Maor (ivo
B1)4 %9* P183 # Maor Allegro
B1)) %19" P8 # Maor Allegro
B1)* %11 P48 $ Maor Allegro
B1)" %4) P391 $ Maor Allegro
B1)8 %4 P13 $m Andante
B1)9 %14 P418 $ Maor Allegro
B1* %1) P131 5 Maor Allegro
B1*1 %41" P1* 5 Maor Allegro
B1* %1 P1* 7 Maor Andante E Allegro
B1*3 %*3 P* 7 Maor Allegro
B1*4 %)9 P"4 5 Maor Andante moderato
B1*) %) P9 $ Maor Andante
B1** %)1 P19 $ Maor Allegro ma non molto
B1*" %39 P - Maor Allegro
B1*8 %8 P18 - Maor (ivo
B1*9 %331 P4" : Maor Allegro
B1" %33 P1*4 $ Maor Andante E Allegro
B1"1 %"" P1)3 : Maor Allegro
B1" %64 P313 # Maor Allegro
B1"3 %44" P )1 #m Allegro
B1"4 %41 P149 $m Allegro
B1") %49 P13* Am Allegro
B1"* %1*3 P1*3 5m $antaile Andante E Allegrissimo
B1"" %3*4 P184 5 Maor Andante
B1"8 %1* P39 5 Maor (ivo
B1"9 %1"" P 89 :m Allegro
B18 %" P19 : Maor Allegro (ivo
B181 %194 P)3 A Maor Allegro
B18 %139 P" A Maor Allegro
B183 %4"3 P1) -m Allegro
B184 %189 P1 -m Allegro
B18) %1"3 P11 - Maor Andante
B18* %" P 4* - Maor Allegro
B18" %8) P14) -m Allegro
B188 %39 P13 Am Allegro
B189 %143 P)" # Maor Allegro
B19 %) P)* # Maor Allegro
B191 %" P 18 5m Allegro
B19 %1* P3 7 Maor Allegro
B193 %14 P)4 7 Maor Allegro
B194 %8 P4"9 - Maor Andante
B19) %618 P18) - Maor (ivo
B19* %38 P44 :m Allegro
B19" %14" P14 #m Andante
B198 % P13 7m Allegro
B199 %)3 P"* $ Maor Andante moderato
B %)4 P4 $ Maor Allegro
B1 %19 P) : Maor (ivo
B %498 P1"3 # Maor Allegro
B3 %38 P 9* 7m (ivo non molto
B4a P1" -m Allegro
B4 P)) -m AllegroEAllegroEAllegrissimo
B) %63 P1"1 - Maor (ivo
B* %)" P3" 7 Maor Andante
B" %3"1 P14 7 Maor Allegro
B8 %38 P31) A Maor Adagio e cantaile
B9 %48 P9 A Maor Allegro
B1 %13 P93 : Maor Andante
B11 %133 P"" A Maor Andantino
B1 %13) P1)) A Maor Allegro molto
B13 %18 P88 5m Andante
B14 %1*) P43 5 Maor Allegro vivo
B1) %33 P81 7 Maor Andante
B1* %"3 P3 7 Maor Allegro
B1" %4 P8" Am Andante
B18 %39 P3" Am (ivo
B19 %393 P"8 A Maor Andante
B %34 P39 A Maor Allegro
B1 %)9 P1) A Maor Allegro
B %39 P3* A Maor (ivo
B3 %14 P188 5 Maor Allegro
B4 %*8 P) 5 Maor (ivo
B) %3)1 P $ Maor Allegro
B* %11 P11 $m Allegro
B" %34" P ) #m Allegro
B8 %399 P4 # Maor Allegro
B9 %199 P139 # Maor Allegro vivo
B3 %3)4 P 4" $m Allegro
B31 %49 P393 $ Maor Allegro
B3 %* P31" 7m Andante
B33 %4*" P49" 7m Allegro
B34 %49 P8* :m Andante
B3) %1)4 P1" : Maor Allegro
B3* %1*1 P1 5 Maor Allegro
B3" %38 P44* 5 Maor Allegro
B38 %" P )) -m Andante
B39 %81 P )* -m Allegro
B4 %69 P3*8 : Maor Allegro
B41 %18 P431 : Maor Allegro
B4 % P43 $ Maor (ivo
B43 %3)3 P394 $ Maor Allegro
B44 %348 P98 # Maor Allegro
B4) %4) P99 # Maor Allegro
B4* %* P9* $Zm Allegro
B4" %)* P9" $Zm Allegro
B48 %63) P18" # Maor Allegro
B49 %39 P44 # Maor Allegro
B) %1"4 P4*1 $ Maor Allegro
B)1 %3) P314 $ Maor Allegro
B) %1)9 P3 7 Maor Allegro
B)3 %3 P39 7 Maor Allegro
B)4 %19 P)4 $m Allegro
B)) %439 P* $ Maor Allegro
B)* %8 P48 - Maor Andante
B)" %1*9 P138 - Maor Allegro
B)8 %1"8 P494 5 Maor Andante
B)9 %13 P4*9 : Maor Andante
B* %14 P34 : Maor Allegro
B*1 %148 P3 # Maor Allegro
B* %44* P31 # Maor (ivo
B*3 %31 P83 7m Andante
B*4 %4** P38 7 Maor (ivo
B*) %63 P1*8 Am Allegro
B** %48 P)1 # Maor Andante
B*" %434 P3*3 # Maor Allegro
B*8 %41 P3*9 A Maor Allegro
B*9 %3" P43 A Maor Allegro
B" %4)9 P481 $ Maor
B"1 %1)) P44" $ Maor (ivo
B" %14) P)18 # Maor Allegro
B"3 %398 P1"4 # Maor (ivo E Moderato
B"4 %9" P491 - Maor Andante
B") %38 P43 - Maor Allegro
B"* %6 P433 - Maor Allegro
B"" %183 P") 5 Maor $antaile andantino
B"8 %61) P434 5 Maor $on velocita
B"9 %4*8 P3* A Maor Andante
B8 %3" P39) A Maor Allegro
B81 %)* P89 5 Maor Andante
B8 %484 P1** 5 Maor Allegro
B83 %318 P48 : Maor Andante Allegro
B84 %9 P1*9 : Maor Allegro
B8) %91 P31 A Maor Allegro
B8* %394 P41 A Maor Allegro
B8" %6 9 P31 5 Maor Andante Allegro
B88 %)" P311 5 Maor Allegro
B89 %"8 P49 : Maor Allegro
B9 %8) P39* : Maor Allegro
B91 %*1 P8 7m Andante
B9 %4 P3 7m Allegro
B93 %644 P1)" #m Allegro
B94 %*" P4" 5m Andante
B9) %" P11 5m Allegro
B9* %198 P3) - Maor Andante
B9" %619 P448 - Maor Allegro
B98 %6 * P194 5 Maor Allegro
B99 %1 P*8 5 Maor Allegro
B3 %9 P31 A Maor Andante
B31 %493 P3*1 A Maor Allegro
B3 %" P"9 $m Andante
B33 %9 P1 $m Allegro
B34 %88 P49 : Maor Andante
B3) %3 P39" : Maor Allegro
B3* %1* P4)* 7 Maor Allegro
B3" %11) P449 7 Maor Allegro
B38 %3)9 P318 $ Maor $antaile
B39 %4)4 P333 $ Maor Allegro
B31 %48 P84 # Maor Andante
B311 %144 P" # Maor Allegro
B31 %*4 P334 5 Maor Allegro
B313 %19 P398 5 Maor Allegro
B314 %441 P)) : Maor Allegro
B31) %3) P )4 :m Allegro
B31* %99 P193 - Maor Allegro
B31" %** P)8 - Maor Allegro
B318 %31 P3 -Z Maor Andante
B319 %3) P33 -Z Maor Allegro
B3 %341 P33) A Maor Allegro
B31 %)8 P4) A Maor Allegro
B3 %483 P3* A Maor Allegro
B33 %9) P411 A Maor Allegro
B34 %33 P8) : Maor Andante
B3) %3" P4)1 : Maor Allegro
B3* %1 P33* $ Maor Allegro
B3" %1) P399 $ Maor Allegro
B38 %6" P48) : Maor Andante comodo
B39 %6 ) P33" $ Maor Allegro
B33 %)) P $ Maor Allegro
B331 %18 P4"1 # Maor Andante
B33 %141 P)19 # Maor Allegro
B333 %*9 P338 5 Maor Allegro E Allegrissimo
B334 %1 P41 # Maor Allegro
B33) %61 P339 5 Maor Allegro
B33* %33" P* 5 Maor Allegro
B33" %6* P34 : Maor Allegro
B338 %8" P4 : Maor Allegro
B339 %)1 P189 $ Maor Allegro
B34 %1) P4 $ Maor Allegro
B341 %14 P13 Am Allegro
B34 %191 P341 A Maor Allegro
B343 %91 P49) A Maor Allegro andante
B344 %9) P1 A Maor Allegro
B34) %3* P34 5 Maor Allegro
B34* %* P) 5 Maor Allegro
B34" %1* P94 :m Moderato cantaile
B348 %1" P4* : Maor Prestissimo
B349 %1" P4) - Maor Allegro
B3) %3 P413 - Maor Allegro
B3)1 %634 P1*) # Maor Andante E Allegrissimo
B3) %613 P343 5 Maor Allegro
B3)3 %313 P41 5 Maor Allegro
B3)4 %*8 P48* - Maor Andante
B3)) %6 P344 - Maor Allegro
B3)* %443 P488 $ Maor $on spirito Andante
B3)" %64) P" $ Maor Allegro
B3)8 %41 P4)" 5 Maor Allegro
B3)9 %448 P4) 5 Maor Allegrissimo
B3* %4 P) # Maor Allegro
B3*1 %4" P14 # Maor Allegrissimo
B3* %1)* P1)9 $m Allegro
B3*3 %1* P14 $m Presto
B3*4 %43* P34) -m Allegro
B3*) %48 P11 -m Allegro
B3** %119 P*3 - Maor Allegro
B3*" %1" P4)3 - Maor Presto
B3*8 %63 P)* A Maor Allegro
B3*9 %4 P)9 A Maor Allegro
B3" %31* P34* 7 Maor Allegro
B3"1 %1" P*4 7 Maor Allegro
B3" %3 P4 : Maor Allegro
B3"3 %98 P1)8 :m Presto e .ugato
B3"4 %"* P4" : Maor Andante
B3") %389 P414 : Maor Allegro
B3"* %34 P4* #m Allegro
B3"" %*3 P4) #m Allegrissimo
B3"8 %"* P34" - Maor Allegro
B3"9 %"3 P1" - Maor
B38 %3 P483 7 Maor Andante comodo
B381 %) P33 7 Maor Allegro
B38 %633 P)8 Am Allegro
B383 %134 P*9 Am Allegro
B384 % P48" $ Maor $antaile andante
B38) %84 P $ Maor Allegro
B38* %1"1 P13" -m Presto
B38" %1") P41) -m (eloce e .ugato
B388 %414 P3" 5 Maor Presto
B389 %48 P331 5 Maor Allegro
B39 %34 P348 : Maor Allegro
B391 %"9 P3*4 : Maor Allegro
B39 %4* P3"1 # Maor Allegro
B393 %"4 P3* # Maor
B394 %") P349 7m Allegro
B39) %*) P"3 7 Maor Allegro
B39* %11 P43) 5m Andante
B39" %8 P3) 5 Maor
B398 %18 P493 $ Maor Andante
B399 %"4 P4)8 $ Maor Allegro
B4 %13 P8 5 Maor Allegro
B41 %*) P43* 5 Maor Allegro
B4 %4" P43* 7m Andante
B43 %4" P43* 7 Maor Allegro
B44 % P43* A Maor Andante
B4) %43 P43* A Maor Allegro
B4* %) P43* $ Maor Allegro
B4" %6 4 P43* $ Maor Allegro
B48 %34* P43* #m Andante
B49 %1) P43* #m Allegro
B41 %643 P3" # Maor Allegro
B411 %*9 P3)1 # Maor Allegro
B41 %18 P4*3 : Maor Allegro
B413 %1) P41* : Maor Allegro
B414 %31 P3"3 5 Maor Allegro
B41) %611 P1") 5 Maor Allegro
B41* %149 P4)4 5 Maor Presto
B41" %4* P4 5m Allegro moderato
B418 %* P)1 - Maor Allegro
B419 %"9 P)4 - Maor Presto
B4 %6  P3) $ Maor Allegro
B41 %) P4)9 $ Maor Allegro
B4 %4)1 P)11 $ Maor Allegro
B43 %1 P4)) $ Maor Presto
B44 %89 P3"4 : Maor Allegro
B4) %333 P4* : Maor Allegro molto
B4* %18 P18 :m Andante
B4" %8* P8* : Maor Presto Juanto sia possile
B48 %131 P131 A Maor Allegro
B49 %13 P13 A Maor Allegro
B43 %4*3 P4*3 5 Maor Non presto
B431 %83 P3*) : Maor Allegro
B43 %88 P88 : Maor Allegro
B433 %4)3 P4)3 : Maor (ivo
B434 %343 P498 5m Andante
B43) %3*1 P4** 5 Maor Allegro
B43* %19 P44 5 Maor Allegro
B43" %"8 P499 - Maor Andante comodo
B438 %381 P4*" - Maor Allegro
B439 %4" P4"3 # Maor Moderato
B44 %9" P38 # Maor
B441 %639 P3") # Maor Allegro
B44 %319 P9 # Maor Allegro
B443 %418 P3"* 5 Maor Allegro
B444 %4 P441 5m Allegrissimo
B44) %38) P4*8 - Maor Allegro o presto
B44* %433 P1"" - Maor Allegrissimo
B44" %94 P191 -Zm Allegro
B448 %48) P*1 -Zm Allegro
B449 %444 P4) : Maor Allegro
B4) %338 P4 :m Allegrissimo
B4)1 %43 P3** Am Allegro
B4) A Maor Andante Allegro
B4)3 P8 A Maor Andante
B4)4 %184 P43 : Maor Andante spirituoso
B4)) %9 P3)4 : Maor Allegro
B4)* %491 P3"" A Maor Allegro
B4)" %9 P44 A Maor Allegro
B4)8 %1 P* 5 Maor Allegro
B4)9 %614 P1*" 5m Allegro
B4* %34 P3"8 $ Maor Allegro
B4*1 %8 P34 $ Maor Allegro
B4* %438 P4"4 -m Andante
B4*3 %4"1 P)1 -m Molto allegro
B4*4 %1)1 P4* $ Maor Allegro
B4*) %4 P4* $ Maor Allegro
B4** %118 P)1 -m Andante
B4*" %4"* P)13 -m Allegrissimo
B4*8 %* P)" - Maor Allegro
B4*9 %431 P)14 - Maor Allegro molto
B4" %34 P3"9 : Maor Allegro
B4"1 %8 P3" : Maor
B4" %99 P4") # Maor Andante
B4"3 %9 P3)) # Maor Allegro
B4"4 %3 P) 7 Maor Andante cantaile
B4") % P319 7 Maor Allegrissimo
B4"* %34 P4" :m Allegro
B4"" %9 P419 : Maor Allegrissimo
B4"8 %1 P)3 5 Maor Andante cantaile
B4"9 %61* P38 5 Maor Allegrissimo
B48 %6 8 P381 5 Maor Presto
B481 %18" P)4 -m Andante cantaile
B48 %43) P3)* - Maor Allegrissimo
B483 %4" P4" - Maor Presto
B484 %419 P48 5 Maor Allegro
B48) %1)3 P49 $ Maor Andante cantaile
B48* %4)) P)1) $ Maor Allegro
B48" %) P41 $ Maor Allegro
B488 %63" P38 # Maor Allegro
B489 %641 P) # Maor Allegro
B49 %* P4"* 5 Maor $antaile
B491 %1*4 P484 5 Maor Allegro
B49 %14 P443 5 Maor Presto
B493 %64 P383 : Maor Allegro
B494 %8" P444 : Maor Allegro
B49) %4* P384 7 Maor Allegro
B49* %3" P33 7 Maor Allegro
B49" %14* P3)" #m Allegro
B498 %3) P3*" #m Allegro
B499 %193 P4"" A Maor Andante
B) %49 P3)8 A Maor Allegro
B)1 %13" P38) $ Maor Allegretto
B) %3 P48 $ Maor Allegro
B)3 %19* P19* # Maor Allegretto
B)4 %9 P*) # Maor Allegro
B)) %3* P38* - Maor Allegro non presto
B)* %" P49 - Maor Allegro
B)" %113 P4"8 7 Maor Andantino cantaile
B)8 %19 P)1* 7 Maor Allegro
B)9 %311 P38" 5 Maor Allegro
B)1 %"" P)) 5m Allegro
B)11 %314 P388 5 Maor Allegro
B)1 %339 P3)9 5 Maor Allegro
B)13 %6 3 P1"* $ Maor Moderato e Molto allegro E Presto
B)14 %1 P389 $ Maor Allegro
B)1) %)) P41" $ Maor Allegro
B)1* %61 P)3 5m Allegretto
B)1" %** P)1" 5m Prestissimo
B)18 %11* P39 - Maor Allegro
B)19 %4") P44) -m Allegro assai
B) %8* P3* : Maor Allegretto
B)1 %48 P49 : Maor Allegro
B) %6) P)* : Maor Allegro
B)3 %49 P)" : Maor Allegro
B)4 %83 P)8 - Maor Allegro
B)) %188 P)9 - Maor Allegro
B)* %4)* P)3 $m Allegro comodo
B)" %4)8 P)31 $ Maor Allegro assai
B)8 % P)3 # Maor Allegro
B)9 %3" P)33 # Maor Allegro
B)3 %44 P)34 7 Maor Allegro
B)31 %43 P)3) 7 Maor Allegro
B)3 %3 P)3* Am Allegro
B)33 %39) P)3" A Maor Allegro assai
B)34 %11 P)38 5 Maor $antaile
B)3) %* P)31 5 Maor Allegro
B)3* %3* P)4 A Maor $antaile
B)3" %93 P)41 A Maor Prestissimo
B)38 %)4 P)4 : Maor Allegretto
B)39 %11 P)43 : Maor Allegro
B)4 %61" P)44 - Maor Allegretto
B)41 %1 P)4) - Maor Allegretto
B)4 %1*" P)4* - Maor Allegretto
B)43 %" P)4" - Maor Allegro
B)44 %49" P)48 # Maor $antaile
B)4) %) P)49 # Maor Prestissimo
B)4* %31 P)) :m $antaile
B)4" %68 P))1 : Maor Allegro
B)48 %44 P)) $ Maor Allegretto

B)49 %6 1 P))3 $ Maor Allegro

B)) %64 P))4 # Maor Allegretto
B))1 %39* P))) # Maor Allegro
B)) %41 P))* 5m Allegretto
B))3 %4) P))" 5m Allegro
B))4 %61 P))8 - Maor Allegretto
B))) %4"" P))9 -m Allegro