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History of Architecture Reviewer

Mesopotamian architecture was massively influenced by geography and climate. Civilizations like the Babylonians and Assyrians used thick mud bricks and employed vaulted ceilings, with ornate decorations added. The Persians introduced the use of columns and made buildings with square plans and flat roofs from timber and limestone. Major structures included ziggurats in Babylon and palaces across empires, with ornate sculptures and bas-reliefs added.
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0% found this document useful (0 votes)
41 views

History of Architecture Reviewer

Mesopotamian architecture was massively influenced by geography and climate. Civilizations like the Babylonians and Assyrians used thick mud bricks and employed vaulted ceilings, with ornate decorations added. The Persians introduced the use of columns and made buildings with square plans and flat roofs from timber and limestone. Major structures included ziggurats in Babylon and palaces across empires, with ornate sculptures and bas-reliefs added.
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© © All Rights Reserved
Available Formats
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88History of Architecture (PRE-HISTORIC – BYZANTINE) ARCHITECTURAL CHARACTERISTICS

PRE-HISTORIC o General Character


 MASSIVENESS, MONUMENTALITY, GRANDEUR
STONE AGE o System of Construction
 PERSIAN: Columnar and Trabeated with flat timber roof sometimes
o PALEOLITHIC / OLD STONE AGE domed.
o MESOLITHIC / MIDDLE STONE AGE  ASSYRIAN & BABYLONIAN: Arch, Vault and Buttresses w/
o NEOLITHIC / NEW STONE AGE glazed tile adornment.
o Çatal Höyük, Anatolia. Largest and best-preserved Neolithic site o PRINCIPAL STRUCTURES
found to date.  BABYLON (Ziggurats)
o Hill of Heaven, Mountain of God, Temple
BRONZE AGE Close to Heaven
o Oriented to 4 Cardinal Directions
o MINOAN ARCHITECTURE (CRETE)  ASSYRIA (PALACES)
o Named after King Minos of Knossos  PARTS OF PALACE
o HARAPPA o Seraglio – palace proper of Assyrian palace
o Harappan Civilisation (HC) was spread over large parts of western o Harem – private family
region of the Indian Subcontinent apartments/women’s quarter
o KHAN – Service chamber
IRON AGE  PERSIA (PALACES)
o PLANS
o MEGALITH  MESOPOTAMIA
o Very large stone used to construct a structure or monument, either  Rooms were narrow
alone or with other stones.  Rectangular
o At Carnac (largest in the world)  Persia
o MENHIR / MONOLITH - Single  Square
 massive upright  Could be Large (help of Columns)
 stone/rock used as a monument o ROOFS
o DOLMEN  MESOPOTAMIA (Flat outside)
 Stone table  Persia (Flat, timber)
 (Altar or tomb) Large horizontal slab with 2 vertical slabs o CEILINGS
o CROMLECH / STONE CIRCLE  MESOPOTAMIA
 Ancient stone burial chamber  Babylonian (brick barrel vaults; sometimes dome)
 Stonehenge (Salisbury Plains of Southern England)  Assyrian (flat)
 Unsolved mystery  Persia (Wooden Brackets & Beams)
o WALLS
MESOPOTAMIAN ARCHITECTURE  MESOPOTAMIA
 Thick-walled; whitewashed/painted
INFLUENCES
 Babylonian (sun-dried bricks faced w/ kiln-burnt bricks)
o GEOGRAPHICAL  Assyrian (sun-dried bricks finished w/ alabaster)
o Palace of Sargon II (mud brick wall w/
 (MESOPOTAMIA) Means Between 2 rivers (Rivers Tigris &
Euphrates) orthostats (Base of walls)
o GEOLOGICAL INFLUENCE / PRINCIPAL MAT.  Persia (double mud-bricks)
o COLUMNS
 Babylon
 MESOPOTAMIA (not used)
 Use of bricks
 Persia (slender & graceful; ornate)
 Chaldaea
o OPENINGS
o Bitumen (Cementing materials)
 MESOPOTAMIA (semicircular headed)
 Assyria
 Assyrian (ventilation through terra-cotta pipes)
 Use of bricks
 Persia (square headed)
 Alabaster/limestone slabs o ORNAMENTS
 PERSIA
 MESOPOTAMIA
 TIMBER and COLORED LIMESTONE due to no rain.
 Flat buttress (vertically paneled), & stepped
 Persian Tiles Battlements above & stone plinths below
o CLIMATIC INFLUENCE
 Assyrian
 Babylon o Lamassu (Colossal winged bulls)
 Chaldaea  Persia
o Swamps & Floods (produces miasma)
 Ornate Columns
 Assyria
 Bas-reliefs/reliefs sculptures
 Less Swamps
 PERSIA ARCHITECTURAL EXAMPLES
 Hot and dry
 Extreme Cold and Heat  BABYLON
 Abundnat sunlight (innovation of open-columned halls o ZIGGURATS (ARCHAIC, 2-3 STAGE, 7 STAGE)
in palaces of Susa (First Capital) and Persepolis (Present  NANNA ZIGURRAT AT UR
Capital)  3 FLIGHT STAIRS
o RELIGIOUS INFLUENCE
 Load bearing construction of mud
 Polytheism (3000 Gods) brick core
 Because of City states, each worship their own God  ZIGURRAT AT BORSIPPA (TONGUE
 Gods TOWER)
o Anus (Father)  Surviving ziggurat
o Ninhursag (Mother)  Honor of the local god NABU
o Adad (Rain)  Rebuilt by Nebuchadnezzar II
o Apsu (Primeval of Sweet Water)  CHOGHA ZANBIL ZIGGURAT
o Ea (Wisdom)  Best preserved in the world
o Enlil (earth)  First inscribed on the UNESCO
o Nisaba (Grain) WORLD HERITAGE list.
o Dumuzi (Vegetation & Underworld) o CITY OF BABYLON (w/ towers and 100 bronze gates)
o Ishtar (love)  HANGING GARDENS
o Sin (Moon)  Legendary garden (7 wonders of
o Skanash (sun) Ancient World)
 Superstition and Symbolism  Some say built by Nebuchadnezzar II
 Theocracy (Priests Rule in the name of God) for his wife AMYTIS
 Persia  Others say built by Assyrian Queen
 Zoroastrianism (one good, one evil) Sammu-Ramat
 Fire (Manifestation of Good & Purity)  Ishtar Gate (for Ishtar – Goddess of love)
o SOCIAL & POLITICAL INFLUENCE  built by Nebuchadnezzar II
 Classes  One of the 8 gates in the walls of
 Upper (Priests/Merchants) Babylon
 Middle (Artisans)  Meant to impress and intimidate
 Lower (Unskilled Workers) visitors
 Serfs/Slaves  ASSYRIAN
 Assyrian and Persian believe in military superiority thus o Palaces (celebrates victories, wealth & power)
manifested in their bldgs.  PALACE OF SARGON (reason why Sagron is
o HISTORICAL INFLUENCE the most famous king)
 Babylonian Period  PERSIAN
 Akkadian Empire (First Empire) o Palaces
o King Sargon the Great (older)  PALACE FLATFORM at PERSOPOLIS
 Neo-Babylonian Period  Ruins still exist
 Assyrian Period  Took 50 yrs to build
 Persian Period  Parts:
o Propylaea (entrance to o Greek Royal Family
hall) ruled Ptolemaic Empire
o Audience & Reception of Egypt
Halls o Ptolomi I
o Storerooms (Satrap/Governor)
o Military Quarters (General of Alex. The
 GATE OF ALL NATIONS (BY ERXES) Great)
 Consisted of grand hall (square), w/ 4
columns) & entrance on west wall EGYPTIAN ARCHITECTURE
 APADANA PALACE (tallest building)
 Built by Darius, finished by Xerxes I.  FLOURISHED IN NILE RIVER IN NORTHWEST AFRICA
 Greatest palace of Persepolis.  MASSIVE MASONRY OF TOMBS AND TEMPLES
 The Throne Hall (100 Column Palace)  Hieroglyphic systems
 Starter by Xerxes, finished by (son)  Hieratic (cursive ink)
Artexerxes I.  Measurement (cubic)
 2nd largest building
ARCHITECTURAL CHARACTER
Terminologies
 General Character
 Voussoir – used to form curved parts of arch/vault o MASSIVENESS, MONUMENTALITY, SIMPLICITY
 Battlement, Embattlement – indentation forming defensive/decorative  System of Construction
parts o COLUMNAR & TRABEATED CONSTRUCTION
 Buttress – built against a wall o POST & LINTEL
 Plinth – square block beneath a column
 PRINCIPAL STRUCTURES
 Dado – lower part of interior wall o Tombs (esp. pyramids) & temples
 Frieze - decoration below ceiling
 Roofs
 Stela, Stele – ancient stone slab/pillar o Flat and made of timber beams
 Propylon – monumental gateway before a main gate o Thatched roofs (layering plants & vegetation)
 Columns
ANCIENT –EGYPT (EGYPTIAN ARCHITECTURE)
o Placed together to support the stone entablature (a horizontal,
Influences continuous lintel)
o Shafts & capitals were formed out of stacked stone/half drums
 GEOGRAPHICAL  Bud Shape
o Arch. is along the river  Bell Shape/ Campaniform
o Often mimicked palms, papyrus plants, lotus flowers & other
 GEOLOGICAL INFLUENCE/ PRINCIPAL MAT.
plan forms.
o STONE (TOMBS & TEMPLES)
o SUN-BAKED MUD-BRICKS (DWELLINGS)
o SANDSTONE & GRANITE (IMPORTANT SPACES)
 CLIMATIC INFLUENCE
o Dry, hot climate, relatively low humidity
 RELIGIOUS INFLUENCE
o Polytheism
o Pharao (king of Egypt)
 Viewed as human and divine
o Gods
 Amun - 1st & greatest God of Egypt
 Isis - Sister & Wife of Osiris (Cow)
 Osiris - Father of Horus (God of death)
 Horus – Sky God (Falcon)
 Ra/Re – Sun God (Hawk)
 Hathor – Mother of Ra (Cow)
 Anubis – Leads the dead (Jackal)
 Thoth – Moon (Ibis/Baboon)
 Wadjet – (cobra)
 Sphinx – lion bodied
 Sekhmet- lion headed
 Nephthys – vulture wings
o Symbols
 Bull – power & regen.
 Cow - mother
 Ram – sexual power & fecundity
 Papyrus - fertility
 Uraeus- (sacred serpent) sovereignty
 Ankh – eternal life
 Ansate cross
 Crux ansata
 Griffin – head wings of eagle, body of lion
 Beard
 Gods (curved)
 Kings (straight)
 Crook & Flail – Scepters
 Scarab – sacred beetle
 SOCIAL & POLITICAL INFLUENCE
o Monarchy
 Pharaonic religion and state
 Pharao ruler of all (toms, pyramids &
temples)
 Slave labor
 Farming (when rainy builders)
o Social Strata
 Pharao
 Gov. Off. Nobles & Priests
 Soldiers
 Scribes
 Merchants
 Artisans  Walls
 Farmers o Immensely thick (9- 24)
 Slaves o Massive blank wall crowned w/ characteristic “gorge” cornice
 HISTORICAL INFLUENCE of roll & hollow moldings.
o Predynastic  Openings
o Archaic o Colonnade and doorway were trabeated (usually square-headed
o Old Kingdom & spanned with massive lintels)
 (Started pyramid building) o Clerestory screens (hypostyle halls)
o 1st intermediate  Moldings
o Middle Kingdom o gorge” cornice of roll & hollow moldings.
o 2nd intermediate  Ornaments
o New Kingdom o Colossal Statues (colossus)
 (Peak of Egyptian Success)  Gods represented by animals
 Cleopatra VII (last ruler before conquered by o Bas-relief
romans)  Basso-relievo (low)
 Ended w/ the rule of Ptolemies  Alto- relievo (high)
 Ptolemies Dynasty o Hieroglyphic in Bas-relief
 Pictorial representation
o Painting
o Chief Ornamental Motifs (lotus, palm, papyrus)

o GEOGRAPHICAL
o GEOLOGICAL INFLUENCE
o CLIMATIC INFLUENCE
o RELIGIOUS INFLUENCE
o SOCIAL & POLITICAL INFLUENCE
o HISTORICAL INFLUENCE

ARCHITECTURAL EXAMPLES

 TEMPLES
o Classes
 Cult (for GODS)
 Mortuary (for the dead & pharaohs)
o Parts  Rock-Hewn Tomb
 Avenue of sphinxes  For Nobility
 Obelisks  Examples
 Pylon o Mastaba
 Court hypostyle halls  Mastaba K.1 at Beit Khallaf
 Sanctuary  Most impressive of the huge tombs in
 Various chapels Beit Khallaf
o Examples  Mastaba at Gizeh
 Temples of Khons, Karnak  4th – 5th dynasty
 Constructed Rameses III  Adjoin the famous pyramids
 Erected Nectanebo I  Mastaba of Ti (Ty or Thi), Sakkara
 Temples of Mentuhetep, Der el-Bahari  5th dynasty
 Built during middle kingdom  Most famous of the Old Kingdom
 Mortuary o Pyramids
 Temples of Hatshepsut, Der el-Bahari, Thebes  Pyramid of Djoser (Zoser) at Saqqara
 Built by Queen Hatshepsut  Step pyramid
 Architect was Senmut  World’s first large scale monument in
 Great Temple of Amun, Karnak, Thebes stone
 Grandest of all Egyptian temple  Built by Imhotep
 Largest religious structure built  The North Pyramid of Seneferu at Dahshur
 Temple at Luxor or Amon-Mut-Khonsu Temple  Red Pyramid
of Luxor
 Earliest known true pyramid
 Built by King Amenhotep III:
 Made after abandonment of bent
Architect was Hotep (Hapu)
pyramid
 Dedicated to Theban triad, Amun,  The Great Pyramids of Giza
Mut & Khons
 Pyramid of Cheops (Khufu)
 Temple of Serapeum, Alexandria
o Area twice than St. Peter,
 Built by Ptolemmy II; Ar.
Rome
Parmeniskos
 Pyramid of Chephren (Khafre)
 4 Seti I, Abydos
o Less Large than Cheops
 Mortuary, (but buried Seti in the
valley of kings)  Pyramid of Mykerinos (Menkaura)
 Completed by Ramesses II o Smallest
 The Ramesseum, Thebes o Rock-Hewn Tombs
 Mortuary  The Valley of the Kings at Thebes
 by Ramesses II  Tomb of the kings
 Temple of Rameses II, Abydos  Principal burial site for the ruler in
 For Osiris New Kingdom
 Temple of Rameses III, Medinet-Habu  Tombs only served only for the
 Resembles Ramesseum SARCOPHAGUS & funerary
 The Great Temple, Abu-Simblel deposits
 Most suspended & impressive rock-  OBELISKS
hewn temple o Greek word obeliskos (pointed pillar), obeliskus (in the shape
 By Rameses II of spear)
 The Small Temple, Abu-Simblel o Huge monoliths
 Dedicated to wife Queen Nefertari & o Height is 9-10 times the diameter of the base
Hathor o Examples
 TOMBS  Obelisk in the Piazza of St. John of Laterano
o CLASSES  Obelisk in St. Peter’s Square
 MASTABA  A large pink or red granite obelisk
 Rectangular base, sloping sides & flat  Move to St. Peter’s under Domenico
roof Fontana
 Pyramid  Cleopatra’s Needle in London
 Principal Royal Tomb  Built for the third jubilee of
 Types: Thutmosis III
o Step (Earliest form)  Now stands in the city of
o Bent (Steeper slope) Westminister near Golden Jubilee
o True Bridges
 Cleopatra’s Needle in Central Park, New York
 Parts of a Complex
 Twin of London’s Obelisk but taller
o Pyramid
 Cleopatra’s Needle in Place de la Concorde,
o Offering Chapel
Paris
o Raised & Enclosed  Magnificent gift to King Louis-
causeway Philippe by Mahomet-Ali
o Valley Building  Obelisk in Heliopolis
o Canal (connect VB &  Oldest obelisk in Egypt
Nile)  Obelisk in Luxor
 Partner obelisk in Paris
 Obelisk in Aswan
 Unfished  Triangular-headed Opening
 Others  Dome-shaped roofs
o Sphinx  Cyclopean walls/ Mycenaean Citadels
 Body of a lion; head of a human o Made up of huge limestone boulders
 Types:
 Criosphinx (head of a Ram) EXAMPLES
 Hieracosphins (head of a Hwak)
 Anrosphinx (head of a Man)  TOMBS
 Example: o TREASURY OF ATREUS MYCENAE
 The Great Sphinx, Giza
 CITADELS & PALACES
o The Great of Chephren
o THE ACROPOLIS OF TIRYNS
 Sphinx of Queen Hetepheres II
o Fist Sphinx o PALACE OF MYCENAE
o Colossi of Memnon, Thebes 
 2 massive statues of Pharaoh Amenhotep III
 Original function was to stand guard HELLENIC CULTURE & CIV. (recognized the Greek Arch)
o Pharos/Lighthouse
 By Ptolemy II ARCHITECTURAL CHARACTER
o Mammisi / Mammisi temple
 Birth house GENERAL CHAR.
 Dedicated to local goddess and children
 SIMPLICITY & HARMONY
Terminologies  PURITY OF LINES
 PERFECTION OF PROPORTIONS
 Abacus – slab forming the crowning member of a capital  REFINEMENT OF DETAILS (long horizontal line; stylobates, architraves
 Capital – upper part of a pillar/ column & cornices)
 Cartouche – oblong/oval magical rope
 Cavetto – hollow molding PLANS
 Cenotaph – monument erected as memorial for dead people buried
elsewhere  TEMPLES (most important class of bldgs.)
 Cornice – topmost part of entablature o Simple, nice balanced & symmetrical
 Crypto-porticos – Colonnade or portico concealed/partly enclosed o Oriented to face east
 Entablature – part of building above columns
o Parts:
 Hypostyle hall – large room with flat roof
 Naos (Principal Chamber) – contains statue of
 Nemes – striped headcloth
gods
 Serdab – inner secret chamber in the mastaba
 Pronaos – Space between naos & portico
 Shaft – main body of a column
 Porticoes & Colonnades – colonnade space
 Soffit – underside of an arch. element, as an arch, beam, cornice or staircase
forming an entrance/vestibule.
 Stele – upright stone slab containing the name of the dead found in mastaba
 Torus – large convex molding  Prostylar – only a front portico
 Volute – decorative scroll\  Amphiprostyle – both ends portico
 Epinaos/Posticum – space in rear portico
corresponding to the pronaos
 Pteroma – Space between side walls of the naos
ANCIENT GREEK ARCHITECTURE and columns
 Theater
IINLUNECES o Orchestra – where chorus performed ritual dancing
o Cavea/Koilon/Auditorium – bank of seats
 GEOGRAPHICAL INFLUENCE
o Skene/Scene – dressing room
o Bounded By Black Sea and the Mediterranean Sea
o Logeion/Stage
o ATHENS as its center kingdom
o Proskenion/Proscenium – used as acting area (ground-level
 GEOLOGICAL INFLUENCE
portion)
o MARBLE is the chief building material
o Paraskenion/Parascenia – side additions to the skene
 CLIMATIC INFLUENCE o Diazoma – wide horizontal walkway
o COLD & HOT climate resulted to open-type of structures
o Kerkis – banks of stone seats of the cavea
 RELIGIOUS INFLUENCE o Parodos – side entrance for the actors or chorus
o AEGEANS: worship “nature”
o Klimakes - staircases separated the seating sections
o GREEKS: Represents their deities by large statues. They
worship natural phenomena. WALLS
 SOCIAL & POLITICAL INFLUENCE
o Music, dancing, wrestling, boxing, gymnastic  Solidly constructed of block of stones or marble
o Tyrannic, aristocratic & democratic governments  Hollow walls construction was used to lessen weight upon the architraves
 HISTORICAL INFLUENCE
o Early Period (3000 B.C – 1100 B.C.) OPENING
 Cycladic Civ.
 Minoan Civ.  Square-headed & spanned by lintels
 Helladic & Mycenaean/Late Helladic Period
o Hellenic Greece (800-323BC) ROOFS
 Archaic Greece
 Classical Greece  Timber framing
o Hellenistic Greece (323-31)  Sloping rafters were covered by antefixae (ornamental blocks fixed
vertically to cover the ends of roofing tiles)
AEGEAN ARCHITECTURE
COLUMNS
MINOAN CULTURE & CIV.
 Principal external features
 Nation of craftsmen & merchants enjoys dancing, bullfighting  THE GREEK ORDERS
 Interest in highly decorative art o DORIC (sturdy strength)
 Palaces were built comfortable intimate country villas  Plain Capitol
 Stands w/out base
ARCHITECTURAL CHARACTER  20 flutings separated by arrises
 Intercolumniation (no. of triglyphs)
 ROUGH & MASSIVE WALLS  Monotriglyph (1 triglyph interval)
 STAIRWAY WAS DEVELOPED  Ditriglyph (2 triglyph interval)
 COMPLICATED PLANS  Polytriglyph (more than 2 triglyph
 Low-pitch/flat roof interval)
 MEGARON (TRIPARTIE RECTANGULAR ROOM) o IONIC (clear-cut beauty)
 Thinner & more elegant
EXAMPLES  Decorated Capital (scroll-like/volutes)
 24 flutings separated by fillets
 PALACE OF KING MINOS, KNOSSOS 
o CORINTHIAN (florid detail)
MYCENAEAN CULTURE & CIV.
 Seldomly used by Greeks, often seen in Roman
temples
 Earliest Greek speaking people
 Distinguished by its bell shape & acanthus leaf
 War people
 Composed of many city-states

ARCHITECTURAL CHARACTER
o Hexastyle– 6 columns
o Heptastyle– 7 columns
o Octastyle– 8 columns
o Enneastyle– 9 columns
o Decastyle– 10 columns
o Dodecastyle – 12
columns
 Arrangement of exterior columns
o Read Notes
 Examples of Temples
 READ NOTES

o THEATRES
 EXAMPLES
 Theatre of Dionysius Eleutherueus,
Acropolis Athens
o World’s first theatre
o Major theatre in Athens
o Prototype of all Greek
theatre
 Theatre of Epidaurus
o Dedicated to Asclepius
(God of meds)
o Arch. Polykleitos
(younger)
 Odeon (odeum)
 Comparatively small theatre of
Greece and Rome
 Example:
o Odeum of Heroes
Atticus, Acropolis,
Athens
(Stone theatre structure)
o OTHER PUBLIC SPACES/BLDGS.
 AGORA – town square
 STOA – long colonnaded bldg. connects public
monuments & other purposes
 PRYTANEION – senate house
 BOULEUTERION – council house
MOULDINGS  ASSEMBLY HALLS – for citizens
 STADIUM – where games were celebrated
 Refined & delicate  HIPPODROME – longer type bldg. for
 Most Important horse/chariot racing
o Cyma Reversa  PALAESTRA – wrestling school
o Cyma Recta  GYMNASIUM – place for PE
 NAVAL BLDGS. – included ship sheds & stores
o Ovolo
o Astragal o TOMBS
o Torus  Example
o Corona  Nereid Monument
o Fillet  The Alexander Sarcophagus –
o Cavetto adorned w/ carvings of Alexander the
o Scotia Great.
o Birds’ beak  The Mausoleum at Halicarnassus –
most famous of all tombs; Arch.
Satyros & Pythius of Priene
o DOMESTIC BLDGS.
 Parts
 Pasta – opens on one side; similar to
porch
 Andron – special room for men and
guests
 Gynaeceum – women’s apartment

Terminologies

 Abacus - The uppermost member of the capital of a column.


 Acanthus - A common plant of the Mediterranean, whose leaves, stylized,
ORNAMENTS form the characteristic decoration of capitals of Corinthian and Composite
orders.
 Refined  Acropolis - The elevated stronghold of a Greek city
 Acroteria - Blocks resting on the vertex and lower extremities of the
ARCHITECTURAL EXAMPLES pediment to support statuary or ornaments.
 Adytum, adyton- The inner shrine of a temple reserved for priests.
 TEMENOS (citadels/acropolis)  Agalma - in ancient Greece, any work of art dedicated to God
o Sacred enclosure  Ancones - Consoles on either side of a doorway supporting a cornice.
o Important bldgs. (Acropolis, Athens)  Andron, andronitis,- the part of a building used by men, especially the
banquet room.
 Propylaea- erected under Pericles: Arch.
 Angle Capitals - capital at a corner column
Mnesicles
 Annulet - A small molding, usually circular in plan and square/angular in
 Pinacotheca – building to contain painted pictures
section;
 Parthenon – temple dedicated to Athena
 Anta - pilaster formed by a thickening at the end of a wall.
 Temple of Athena Nike – dedicated to Athena
 Antefixae - Ornamental blocks, fixed vertically at regular intervals along the
Nike; Arch. Callicrates lower edge of a roof, to cover the ends of tiles
 Erechteion – dedicated for Athena & Poseidon;  Anteral - term applied to a temple without columns at the sides.
Arch. Mnesicles  Anthemion - honeysuckle ornament.
o TEMPLES  Apophyge - part of a column which is molded into a concave sweep where
 Most important class of bldg. Also called scape or conge.
 Face east  Apotheca - a storeroom of any kind, but especially one for storing wine.
 Methods admitting light;  Apteral - building which has no columns along the sides but may have a
 Clearstories portico
 Skylights  Architrave - lowest member of the entablature;
 Light from temple door  Archivium - building in which archives of a city or state were deposited;
 Few temples were Hypaethral (party open to the also called archeion or tabularium.
sky)  Capital. -The crowing feature of a column or a pilaster.
 Type of Temples;  Choragic Monument - A type of monument erected to support a tripod as a
 No. of columns on the front entrance prize for athletic exercises or musical competitions in Greek festivals.
o Henostyle – 1 column  Clepsydra - water clock or instrument for measuring time
 Consoles - A bracket or truss generally with scrolls or volutes at the two
o Distyle– 2 columns
ends
o Tristyle– 3 columns
 Cornice - crowning or upper portion of the entablature
o Tetrastyle– 4 columns  Crepidoma - steps forming the base of a columned Greek temple (3 steps).
o Pentastyle – 5 columns
 Cyclostyle - structure composed of a circular ring of columns without a o XYSTUS
central core.  PUBLIC PARK WITH AVENUES OF TREES
 Cymatium- The crowning member of a cornice.  ATHLETIC SPORTS TOOK PLACE
 Cyrtostyle -A circular projecting portico. o THEATER – SEMI-CIRCLE IN SHAPE
 Demi-metope. half of a metope which is found at the retiring or projecting  SIMILAR TO GREEK THEATERS
angles of a Doric frieze o AMPITHEATER – ELLIPTICAL IN SHAPE
  FOR RACES & GLADIATOR COMBATS
 The Colosseum (Flavian
ANCIENT ROMAN ARCHITECTURE Amphitheater) – largest in the world
o CICRCUS – HORSE & CHARIOT RACING
Influence
o TRIUMPHAL ARCHES & GATEWAYS
 GEOGRAPHICAL  VICTORIUS CAMPAIGN OF EMPERORS & GENERALS
o PILLARS OF VISTORY/ MONUMENTAL COLUMNS/ VICTORY
o MEDITERRANEAN SEA
COLUMN
o CIVILIZATION OVER EUROPE, WESTERN ASIA AND NORTH
 RECORD VISTORIES OVER CONQUERS OF LAND
AFRICA o PALACES
 GEOLOGICAL  HOUSE THE EMPERORS
o CONCRETE was invented and helped romans build structure  PALACE OF DIOCLETIAN, SPALATO –
 CLIMATIC LARGEST (A CITY IN A HOUSE)
o 3 REGIONS: o ROMAN HOUSES
 NORTH ITALY  DOMUS - PRIVATE HOUSE
 CENTRAL ITALY  PROTHYRUM – CENTER APARTMENT
 SOUTH ITALY  ATRIUM – OPEN ENTRANCE
 RELIGIOUS INFLUENCE  TABLINUM – OPEN LIVING ROOM
o >> HONORED EMPERORS THAN GODS, LESS TEMPLES  PERISTYLE – INNER COLONNADE W/
GARDEN
 SOCIAL POLITICAL
 CUBICULA – BEDROOM
o WEALTH AND HIGH-DENSITY POPULATION
 OECUS – RECEPTION ROOM
o BUILDINGS TO IMPRESS AND PERFORM PUBLIC FUNCTION  ALAE – FOR CONVERSATION
 HISTORICAL INFLUENCE  NATATIO – SWIMMING ROOM
o ETRUSCAN  VILLA - LUXURIOUS COUNTRY HOUSE
 > North Italy, Terracotta Sculptures, Radiating  INSULA - APARTMENT BLOCK
Arch, Tuscan Order o AQUEDUCTS - USED FOR WATER SUPPLY
o ROMAN  AQUA MARCIA – LONGEST OF 11
 > Columnar and Trabeated o PONS / BRIDGES - STONE BRIDGES USED TO RESIST THE RUSH
 > Arch, Vault and Dome OF WATER
 PONS SUBLICOS – EARLIEST BRIDGE OF ROME
Architecture Character o FOUNTAINS
 LACUS / LOCUS - DESIGNED SIMILAR TO A LARGE
Own arch; arch, vault, dome, column, & aqueduct BASIN OF WATER
 SALIENTES - FOUNTAIN WITH SPOUTING JETS
 Gen. Char. Terminologies
o VASTNESS & MAGNIFICENCE  COFFER – ORNAMENTAL SUNKEN PANEL IN A CEILING OR DOME
o OSTENTATION & ORNATENESS  ROTUNDA – ROUND BLDG. COVERED W/ A DOME
o Importance for internal space
o Worshiped inside
 Bldg. System
o Post & Lintel Construction
o Arch & Vault
o Use of Domes
 ROMAN WALL
o OPUS RETICULATUM - NET MESH
o OPUS INCERTUM – POLYGONAL WORK (IRREGULAR
SHAPED UNCUT ROCKS)
o OPUS MIXTUM – TUFA BLOCKS APPLIED W/ MORTAR
o OPUS QUADRATUM - RECTANGULAR BLOSK W/ OR
OUT MORTAR
o OPUS TESTACEUM – TRIANGULAR BRICKS

STRUCTURES:

 CLASSICAL ORDERS (2) ORDERS


o TUSCAN ORDER
 SIMPLEST AMONG THE 5 ORDERS
EARLY CHRISTIAN ARCHITECTURE
o COMPOSITE ORDER
 COMBINATION OF IONIC & CORINTHIAN ORDERS
ARCHITECTURAL CHARACTER:
o FORUM: MARKET, MEETING PLACE
 FORUM ROMANUM – OLDEST & MOST  SIMPLICITY IN DESIGN
IMPORTANT  COARSENESS IN EXECUTION
 FORUM OF TRAJAN - LARGEST
o TEMPLES INFLUENCES:
 RECTANGULAR (pseudo-peripteral style)
 CIRCULAR & POLYGONAL A. GEOGRAPHICAL – THE BIRTH OF CHRISTIANITY NEAR THE EASTERN PART OF THE
 PANTHEON – MOST FAMOUS & ROMAN EMPIRE
PERFECT PRESERVATION
 Temple of Vesta - most B. GEOLOGICAL – RUINS FROM THE ROMAN BUILDINGS WERE QUARRIED & USED AS
sacred shrine MATERIALS
o BASILICAS – halls of justice
 Basila of Constantine (Basilica Nova or Maxentius) C. CLIMACTIC – VARIETY IN CLIMACTIC CONDITIONS MEANS DIVERSITY OF ARCH’L
– Largest bldg. in Forum. FEATURES
o THERMAE: PUBLIC BATH
 APODYTERIA D. RELIGIOUS – THE SPREAD OF CHRISTIANITY HAS INSPIRED BUILDINGS IN THIS PERIOD
 DRESSING ROOM
 SUDARIUM E. HISTORICAL – CHRISTIANITY BECAME THE OFFICIAL RELIGION OF THE ROMAN EMPIRE
 DRY SWEATING ROOM
 TEPIDARIUM F. SOCIO-POLITICAL – CONSTANTINE CHANGED THE CAPITAL OF HIS EMPIRE FROM ROME
 WARM ROOM TO BYZANTIUM
 CALIDARIUM
 HOT ROOM / HOT WATER BATH STRUCTURES:
 FRIGIDARIUM
 HOUSE CHURCH - PRIVATE PLACE WHERE EARLY CHRISTIANS GATHERED TO
 COOLING ROOM
WORSHIP
 UNCTUARIA / UNTORIA
 BASILICA - RECTANGULAR; GREEK / LATIN CROSS
 OILS & PERFUME ROOM
o ATRIUM - OPEN COURTYARD WITH SURROUNDING
 SPAERESTERIUM
COLLONADES
 GAME ROOM
o NARTHEX - ENTRANCE HALL / PORCH
 PALAESTRA
o NAVE - CENTRAL AISLE
 PHYSICAL EXERCISE
o BALNEUM: PRIVATE BATH o AISLE - SIDE CORRIDORS RUNNING PARALLEL ALONG THE NAVE
 TEPIDARIUM, CALIDARIUM, FRIGIDARIUM
o TRANSCEPT - IN CRUCIFORM CHURCH, THE WHOLE ARM – FLAT ROOFS COMBINED WITH DOMES & OPEN COURTYARDS WITH SURROUNDING
PERPENDICULAR TO THE NAVE ARCADES WERE PREDOMINANT
o CROSSING - AREA WHERE THE NAVE AND TRANSCEPT  RELIGIOUS
INTERSECT – WITH BYZANTINE AS THE NEW CAPITAL OF THE ROMAN EMPIRE, NEW CHURCHES
o APSE - TERMINAL OF A CHURCH; USUALLY SEMI-CIRCULAR IN WERE BUILT FOR THE CHRISTIANS
SHAPE – THE “ICONOCLASTIC MOVEMENT” BANNED THE USE OF STATUES AS A DECORATION,
 BAPTISTERY - CIRCULAR / POLYGONAL; BAPTISM PLACE USUALLY THUS, PAINTING BECAME AS SUBSTITUTE. THIS IS SEEN ON THE DOME CEILINGS OF THE
SURROUNDS A BASILICA BUILDINGS.
 MAUSOLEUM - MONUMENTAL TOMBS  HISTORICAL
– INFLUENCED BY THE MASSIVE CHARACTER OF BABYLONIAN ARCHITECTURE
Terminologies – MOSTLY INCORPORATED THE DOME CONSTRUCTION FROM THE ROMANS
 SOCIO-POLITICAL
 BEMA – RAISED SATGE FOR CLERGY – PROMINENT MOVERS OF THIS ARCHT:
 LOULUS - ANCIENT TOMB JUSTINIAN I - ORDERED TO BUILD HAGIA SOPHIA
 SPECULAR – TOMB OR RECEPTACLE FOR RELICS THEODOSIUS II - BUILT SEVERAL MILITARY GATES & TOWERS AGAINST GOTHS & HUNS
 CANCELLO/CANCELLI – LATTICED SCREEN / GRILLE FEATURES
SEPARATING CHOIR FROM CHURCH  CENTRALIZED PLAN; GREEK CROSS
 FONT – BASIN FOR BAPTISM  MASSIVE DOMES WITH PENDENTIVES
 AMBO – RAISED STAND 2 OR MORE  SMALL DOMES AROUND A CENTRAL DOME
 EXTENSIVE USE OF MOSAIC DECORATIONS
NOTABLE STRUCTURE: – HAGIA SOPHIA @ CONSTANTINOPLE ARCHITECT : ISIDORUS OF
MILETUS ANTHEMIUS OF TRALLES – ST. MARK’S BASILICA @ VENICE ARCHITECT :
DOMENICO I CONTARINI

BYZANTINE ARCHITECTURE

ARCHITECTURAL CHARACTER:
 SIMPLICITY
 RICHNESS
INFLUENCES:
 GEOGRAPHICAL
– BYZANTINE EMPIRE STOOD ON SEVEN HILLS THAT GAVE IT A COMMANDING AND
CENTRAL POSITION FOR GOVERNMENT
 GEOLOGICAL
– CLAY BRICKS & CONCRETE RUBBLES FROM THE ROMAN BUILDINGS WERE MAINLY
USED AS MATERIALS
– MARBLES WERE SHIPPED
 CLIMACTIC
– CLIMATE WAS HOT SO SMALL WINDOWS & OPENINGS WERE USED

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