Literary Devices & Figures of Speech
Literary Devices & Figures of Speech
Diop uses a number of poetic devices to make this lyric more appealing to readers. The use of
figurative language not only heightens the speaker’s love for his motherland but also his pain for
his fellow citizens’ suffering. The important devices used in the poem are exemplified below:
Personification
The speaker attributes Africa to human characteristics. Firstly, he infuses life into the abstract
idea of a nation and enables it with the capability of listening: “Africa my Africa.” This
impassioned plea is heightened with the representation of personified Africa as a mother whose
“blood,” according to the speaker, “flows in my veins”. He feels inspired when he sees her
unyielding spirit “that never breaks under the weight of humiliation” though her back
trembles “with red scars”. In this way, Diop personifies his nation, and later in lines 16-23, he
incorporates omniscience into the abstract idea.
Apostrophe
● Diop uses this poetic device to personify Africa. In the very first line, he addresses the
nation, “Africa my Africa,” with passion.
● “Africa, tell me Africa.” In these lines, Diop uses apostrophe by evoking the spirit of
his mother nation.
Metaphor
● Diop uses metaphors in order to draw comparisons between two distant ideas. For
example, Diop’s persona compares “blood” to water in the line, “You beautiful black
blood that irrigates the fields”.
● The next line, “The blood of your sweat,” contains another metaphor. Here the term
“blood” is synonymous with an untiring attitude and their will force that reflects in
Africans “sweat”.
● The “young and strong” tree is a metaphor for Africa: “That is your Africa springing up
anew,”
● “liberty” is compared to bitter fruit. Its taste is ironically bitter as liberty is hard to obtain.
Therefore, the fruit of liberty may taste sweet, but the journey is undoubtedly “bitter”.
Alliteration
Alliteration is when there is a repetition of identical sounds at the beginning of adjacent words. It
is used for the enhancement of the rhythm of the lines. Examples of alliteration include:
● “never known” (line 5)
● “But your blood” (line 6)
● “beautiful black blood” (line 7)
● “back that never breaks” (line 13)
● “faded flowers” (line 19)
● “bit by bit” (line 22)
Besides, readers can find consonance and assonance in the poem.
Consonance
The repetition of the same consonant sound in closely placed words can be found in the
following examples:
● “Africa of proud warriors in ancestral savannahs”
● “back that is unbent”
● “under the midday sun”
● “young and strong”
● “bitter taste of liberty”
Assonance
The recurrence of the same vowel sound in neighboring words can also be found in the poem. It
occurs in:
● “Africa my Africa”
● “But your blood”
● “black blood”
● “irrigates the fields”
● “trembling with red”
● “grave voice answers”
● “alone amidst”
● “patiently, obstinately”
Allusion
Allusion occurs when something significant is indirectly hinted at through a phrase. It
develops an understanding that becomes important to fully appreciate a text’s depths and
layers. For instance, Diop alludes to the glorious past of African tribal culture in the line
● , “Africa of proud warriors in ancestral savannahs,” and describes how the
ancestors fought against the expansion of European powers on their soil.
● “On the banks of the distant river” is an allusion to the Garonne river of Southwestern
France. Diop was born and brought up in Bordeaux, a port city on the Garonne bank.
● “The work of your slavery,” is another reference to the custom of slavery and how
Africans were bought and sold by colonizers. The torturous events of slavery are
captured through the lines:
Repetition
● From the very beginning, Diop employs this device in order to make his appeal to his
nation more emotive. He repeats the term “Africa” in the first three lines to evoke
her spirit.
● In lines 6-8, he emphasizes the term “blood”, a symbol of national identity. This
repetition creates a resonance of the poet’s African identity.
● Again in lines 12-14, the word “back” is emphasized to draw readers’ attention to the
sufferings of Africans as enslaved people.
● Another repetition occurs when the speaker uses the term “tree” twice in lines 17-18
and the term “springing” in lines 20-21.
Anaphora
● Anaphora occurs when consecutive lines begin with a similar word or phrase to
emphasize specific ideas. For instance, the first three lines of the poem begin with the
word “Africa”.
● In lines 8-10, Diop uses the same poetic technique in order to emphasize the inherent
power within Africans. These lines begin with the term “The”. Later, in lines 13 and 14,
the speaker emphasizes “This back” to portray the torture inflicted upon enslaved
people vividly:
Metonymy
● The term “blood” is a metonym for African identity. Diop focuses on this particular term
in order to incorporate the essence of the Négritude movement, aiming to raise and
cultivate “Black consciousness” and African identity.
● The term “back” is another metonym (or symbol) for Africans’ unyielding spirit. Diop
employs the variation: a symbol for the thing symbolized in these examples.
● the “whip” represents the slavers, and the “midday sun” is a reference to the
scorching heat of the sun.
● -“Africa” represents Africans, and the variety used here is the container for the thing
contained.
Rhetorical Question
Though the line, “Is this your back that is unbent,” does not contain a question mark at the end,
it is an example of a rhetorical question. The speaker asks this question to his nation or fellow
citizens emotively. The answer lies in the question itself that is the back of his nation never
breaks.
Lines 4-6
On the banks of the distant river
I have never known you
But your blood flows in my veins
The country “on the banks of the distant river” is where Diop was born and brought up. He spent
the most part of his life in Bordeaux, in Southwestern France. In his sojourn in a foreign land
(ironically that of the French colonizers), he never came to know about his nation’s glory. The
foreign banks of the Garonne river somewhat made him forget about his nation. As he says so,
his voice sounds sad and reverberates the aching of his heart.
The speaker has never known Africa, having lived in France, but he is aware of the
African “blood” gushing through his veins. Diop symbolizes the “blood” as his true African
identity. Like blood caters sustenance to the body, the sense of cultural consciousness keeps
his spirit alive. Else, his mind will become a hybrid of foreign culture and the broken remnants of
his own.
Lines 7-10
Your beautiful black blood that irrigates the fields
The blood of your sweat
The sweat of your work
The work of your slavery
In these lines, Diop addresses Africa as a human being representing all colonized
Africans who irrigated fields for their white masters by putting in back-breaking labor.
The colonizers and their superiority complex subjugated them and their culture. The repetition of
the term “blood” creates a resonance of one of the main themes, cultural identity. Diop refers to
the beauty of their culture as well as identity. The blood that flows in his veins is the same that
runs through all the Africans, who toil under the scorching sun, work tirelessly, and serve under
European slavers. In this way, Diop binds all the Africans with the thin thread of equality. The
African farmers, enslaved people, and even the well-off intellectuals living abroad are all equal.
They are Africans.
Lines 11-15
Africa, tell me Africa
Is this your back that is unbent
This back that never breaks under the weight of humiliation
This back trembling with red scars
And saying no to the whip under the midday sun
With another impassioned address to his mother nation, the speaker asks her a rhetorical
question. He says whether her back is unbent under gruesome torture. Through this line,
the speaker refers to the slaves carrying the burden of lifelong “humiliation” on their
back sored “with red scars”.
● Despite the tortures, their back remains “unbent”. They carry the courage within
their heart to say no to the “whip” representing brutal colonizers. Their “whip”, an
instrument of torture, was brought down upon them frequently to punish them for not
meeting their disproportionate demands. Despite the pain and suffering, Africa will not
fear to fight back.
Lines 16-23
But a grave voice answers me
Impetuous child that tree, young and strong
That tree over there
Splendidly alone amidst white and faded flowers
That is your Africa springing up anew
springing up patiently, obstinately
Whose fruit bit by bit acquires
The bitter taste of liberty.
While the speaker thinks about Africa’s pain under colonial rule, a voice reaches out to him. She
points towards a tree, “young and strong”, standing “amidst white and faded flowers”, to
say that it is the Africa he is searching for. The phrase “white and faded flowers” portrays
the colonizers’ culture in the dim light in order to contrast the glow of his own culture.
Besides, the tree represents the nascent state of African nationalism that was “alone” amidst the
dominant European culture in the latter half of the 20th-century.
Like a perennial tree,
● Africa will grow slowly but steadily. Its fruits will obtain “the bitter taste of liberty”
gradually. The fruits of the tree represent Africans who will slowly cultivate a sense of
nationalism, black consciousness, and, most importantly, liberty within their hearts. Then
the time will come when they will rise up to assert what is their own. These lines provide
a sense of assurance and hope to the Africans that no matter what, the sense of
freedom will flourish in their hearts with time.
Themes
Identity & Nationalism
In “Africa,” Diop reminisces about the marvelous land of his ancestors and the history that
has been passed down to the generations and finally reached him. He feels one-half of
himself is in his homeland, Africa, even though he has neither lived in Africa nor fully
experienced what it means to be an African living under colonial rule. In admiration of his fellow
Africans, he paints a vivid picture of their resilience and persistence in the face of suffering and
pain. Diop’s poetic voice is also filled with longing for a free, self-sufficient Africa that will grow
uninhibitedly, breaking the shackles of slavery.
Africa was colonized for an extended period. While Diop was writing this poem,
imperialism was at its height in Africa. Protests and liberation movements were on the
rise, and Diop, even being in France, showed his support for such revolutionary events
through writing. That’s why one of the major themes of this poem is nationalism. Through this
poem, he tries to say that Africans would no longer be oppressed. The theme of nationalism is
explored through the reference to history (lines 2-3), identity (or “blood”), collective sense (lines
7-10), and pride (lines 12-15).
Cultural Heritage
Diop explores the theme of cultural heritage in this poem. He alludes to the courage of tribal
warriors who bravely fought against the colonial invasion. His grandmother sings in praise of
Africa. It means that Africans still took pride in their history even if they were dominated by an
alien culture and portrayed as an inferior race. Besides, the poet also depicts the tightly knit
communities of agrarian Africa and how they toiled together. Even as slaves, their spirit was
unbroken. Whenever the speaker thinks about his country, he is reminded of its cultural heritage
that includes the rich savannahs, its peace-loving agricultural communities, and its flora.
History of Africa
Another important theme of this poem is history. The speaker takes pride in his nation’s
glorious past. Through the songs of his grandmother, he came to know about the
courage of tribal fighters who tried to stop the colonizers. This poem shows the brief history
of Africa before and after colonization. Before colonization, Africa was a self-sufficient nation.
Afterward, when colonizers came, they undermined the indigenous culture, traditions, and lives.
The effect of colonization upon Africans is portrayed in the following lines:
Your beautiful black blood that irrigates the fields
The blood of your sweat
The sweat of your work
The work of your slavery
Africa, tell me Africa
Is this your back that is unbent
This back that never breaks under the weight of humiliation
This back trembling with red scars
Symbolism
Diop employs several symbols in this poem. Some of the important symbols include:
● Black Blood: The “beautiful black blood” of Africa is symbolic of identity. The later lines
describe the painful lives of Africans as enslaved people.
● Back: In the line, “Is this your back that is unbent,” the term “back” symbolizes the
African spirit that is unconquerable and firm. It never breaks or bends.
● Whip: The “whip” is a symbol of slavery. Diop uses this symbol to portray how the
instrument is used to torture and inflict physical pain upon slaves.
● Tree & Fruit: The “tree” in the poem is a symbol for the nation, and its “fruit” represents
Africans. The tree that grows “young and strong” among the “faded flowers” is Africa
repairing itself slowly after being hacked and exploited by colonizers. The fruit (or
Africans) of that tree has to acquire a sense of liberty before finally asserting their right.
Imagery
In “Africa,” Diop uses the following types of imagery:
● Visual Imagery: This type of imagery engages the sense of sight of readers. For
instance, in the second line, Diop vividly portrays the African savannahs: “proud warriors
in ancestral savannahs”. Other visual images in this highly descriptive poem include: “On
the banks of the distant river,” “This back trembling with red scars,” “That tree over there/
Splendidly alone amidst white and faded flowers”.
● Tactile Imagery: Diop evokes the sense of touch in the lines, “But your blood flows in
my veins”, “This back trembling with red scars/ And saying no to the whip under the
midday sun”.
● Auditory Imagery: This imagery engages the sense of hearing. Some of the auditory
imagery used in this poem are: “Africa of whom my grandmother sings”; “And saying no
to the whip under the midday sun/ But a grave voice answers me”.
● Gustatory Imagery: This type of imagery is used in the last line, “The bitter taste of
liberty”. The speaker refers to the taste of a bitter fruit as the taste of liberty.
Setting
Diop wrote this poem while he was in Bordeaux, France. The poem is set in a foreign land. It
presents a speaker who nostalgically thinks about his nation, Africa, and describes his steadfast
love for his country. The distance may be too long to overcome, but the bond is stronger to
undermine. As the poem progresses, the speaker finds himself amidst the African savannahs,
their lands, and a land where the “tree” grows among “white and faded flowers”.
Historical Background
The poem “Africa,” also known by its first line, “Africa my Africa,” was first published in French
as “Afrique” in David Diop’s only collection of poetry, Coups de pilon (“Pounding”) in 1956. It was
published by the Pan-African quarterly literary magazine Présence Africaine. This journal was
highly influential in the Pan-Africanist movement, the decolonization struggle of former French
colonies, and the Negritude movement. Diop’s works, including the collection, were
posthumously published as Hammer Blows and Other Writings in 1973, translated and edited by
Simon Mpondo and Frank Jones. The translated poem is taken from this book.
In this poem, Diop, sitting in France, expresses his admiration for Africa. He became “the voice
of the people without voice”, such as enslaved and colonized Africans. He was a prominent
figure of the Négritude movement, which was in vehement opposition to colonialism. His Coups
de Pilon poems, including “Africa,” kindle the hope for free Africa and show his detestation
toward the colonizers. The pride in the African spirit, an assertion of African identity, ideas of
home, and a sense of belonging are part of this piece.