1 - Module 2 N6
1 - Module 2 N6
READINGS
Aristotle claimed that every particular substance in the world has an
end, or telos in Greek, which means translates into “purpose.”
Every substance, defined as formed matter, moves according to a
fixed path towards its aim.
This telos, according to Aristotle, is intricately linked with function.
For a thing to reach its purpose, it also has to fulfill its function.
FUNCTIONS OF ART
When one speaks of function, one is practically talking about the use of the object whose function is in
question. An inquiry on the functions of art is an inquiry on what art is for. Alternatively, the answer to the
question “what is it for” is the function of whatever “it” in the question refers to.
Does it mean that paintings and literary works can never have any function?
Dr. Jose Rizal’s Noli Me Tangere and El Felibusterismo
The novels accrued vale and as a consequence, function.
They are functional in so far as they are designed to accomplish some definite end.
ART AS AN IMITATION
In Plato’s The Republic, paints a picture of artists as imitators and art as mere
imitation.
In his description of the ideal republic, Plato advises against the inclusion of
art as a subject in the curriculum and the banning of artists in the Republic.
In Plato’s metaphysics or view of reality, the things in this world are only
copies of the original, the eternal, and the true entities that can only be found
in the World of Forms.
For example, the chair that one sits on is not a real chair. It is an imperfect copy of the perfect “chair” in
the World of Forms.
Plato was convinced that artists merely reinforce the belief in copies and discourage men to reach for the
real entities in the World of Forms.
Plato was deeply suspicious of arts and artists for two reasons:
1. They appeal to the emotion rather to the rational faculty of men.
2. They imitate rather than lead one to reality
Poetry rouses emotions and feelings and thus, clouds rationality of people.
Art is just an imitation of imitation. A painting is just an imitation of nature, which is also just an
imitation of reality in the World of Forms.
Art then I to banished, alongside the practitioners, so that the attitudes and actions of the members of the
Republic will not be corrupted by the influence of the arts.
For Plato, art is dangerous because it provides a petty replacement for the real entities that can only be
attained through reason.
ART AS A REPRESENTATION
Aristotle, agreed with Plato that art is a form of imitation.
However, Aristotle considered art as an aid to philosophy in
revealing the truth.
The kind of imitation that art does is not antithetical to the reaching
of fundamental truths in the world.
Unlike Plato who thought that art is an imitation of another
imitation, Aristotle conceived of arts as representing possible
versions of reality.
For Aristotle, all kinds of art do not aim to represent reality as it is,
it endeavors to provide a version of what might be or the myriad possibilities of reality.
In Aristotelian worldview, art serves two particular purposes:
Art allows for the experience of pleasure (horrible experience can be made an object of humor)
Art also has an ability to be instructive and teach its audience things about life (cognitive)
LEARNING ASSESSMENT
Set 1.
Using the table below, list down as many different artworks that you have witnessed. On the
second column, identify what it is for. You can either research or surmise intelligently. Write
them down on the corresponding column.
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Set 3.
Look around your house and identify a product of art. In a short bond paper, paste a picture of that product of
art in your household. Trace the beginning of this item and identify what functions it has in history. (e.g., a
painting of the last Supper in your dining room or a spoon).
Name: _________________________________ Date: ___________
Course & Section: ________________________
REFERENCES:
Bernardo Nicolas Caslib, Jr., Dorothea C. Garing and Jezreel Anne R. casual. “Art Appreciation: Art
Appreciation: Creativity, Functions and Philosophical perspective” Rex Book store, Inc. Philippine Copyright
2018 p.25-36.
Butcher, S.h. (Ed.) (1902). The Poetics of Aristotle. New York: The Macmillan Company.
Dudley, L., Faricy, A., and McGraw-Hill Book Company. (1960) The Humanities. New York: McGraw-Hill.
Plato. (2000). The Republic. Accessed November 2, 2017. Retrieved from
http://catdir.loc.gov/catdir/samples/cam031/00024471.pdf.
Tolstoy, Leo. (2016). What is Art? Accessed November 2, 2017. Retrieved from
http://web.mnstate.edu/gracyk/courses/phil%20of%/printer-friendlyTolstoy_on_Art_TWO_COLUMNS.pdf.
Other resources: https://www.slideshare.net/janril/functions-and-philosophical-perspectives-on-art