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2024 Sining Tanghalan Guidelines As of 09january2023

The document provides guidelines for the 2024 National Festival of Talents (NFOT) Sining Tanghalan event. It will focus on four categories: Sulatanghal, Himig Bulilit, Bayle sa Kalye - Sayaw ng Kabataang Pinoy, and Pintahusay. Sulatanghal is a creative writing competition that allows participants 4 hours to write a one-act play. Himig Bulilit allows groups of 4 students to perform a 3-5 minute song and will be judged on musicality, interpretation, vocal quality, and showmanship. The event aims to provide a platform for various artistic disciplines and create continuous excitement in the performing arts.

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0% found this document useful (0 votes)
76 views11 pages

2024 Sining Tanghalan Guidelines As of 09january2023

The document provides guidelines for the 2024 National Festival of Talents (NFOT) Sining Tanghalan event. It will focus on four categories: Sulatanghal, Himig Bulilit, Bayle sa Kalye - Sayaw ng Kabataang Pinoy, and Pintahusay. Sulatanghal is a creative writing competition that allows participants 4 hours to write a one-act play. Himig Bulilit allows groups of 4 students to perform a 3-5 minute song and will be judged on musicality, interpretation, vocal quality, and showmanship. The event aims to provide a platform for various artistic disciplines and create continuous excitement in the performing arts.

Uploaded by

reymart
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Enclosure No.___ to DepEd Memorandum No.

___s, 2024

2024 NATIONAL FESTIVAL


OF TALENTS

Implementing Guidelines on
Sining Tanghalan
The 2024 Sining Tanghalan is streamlining its categories to focus on four
(4) key areas. These are the following:

No. of
Mode of No. of Learner- Time
Category Teacher-
Delivery Participant Allotment
Coach
Sulatanghal in-person 1 1 4 hours
Himig Bulilit 3-5
in-person 4 1 minutes/
entry
Bayle sa Kalye - Sayaw in-person
12 2 8 hours
ng Kabataang Pinoy
Pintahusay in-person 1 1 8 hours
TOTAL 18 5
OVERALL TOTAL PARTICIPANTS PER REGION 23

The remaining categories will be showcased in 2025, and this alternating


format will not only provide a platform for all artistic disciplines but also
create a continuous cycle of excitement and innovation.
Enclosure No.___ to DepEd Memorandum No. ___s, 2024

SINING TANGHALAN
(A Celebration of Talents and Skills Through Performances and Exhibitions
in Various Art Disciplines)

COMPONENT
CREATIVE WRITING
AREA
KEY STAGE Key Stage Three (3) to Four (4)
EVENT TITLE SULATANGHAL
NO. OF
1 learner-participant and 1 coach
PARTICIPANT/S
TIME
4 hours
ALLOTMENT
PERFORMANCE ● The learner creates literary works that apply the
STANDARD features/elements of rituals, festivals, folklore, myths,
and legends.
● The learner develops literary works using a combination
of local/traditional and digital-based literary styles.
● The learner creates literary works that spur social
transformation.
21ST CENTURY Creativity, Communication, Collaboration, Critical thinking,
SKILL/S Flexibility, Adaptability, Initiative, Self-direction, Social and
Cross-cultural skills, Productivity and Accountability,
Leadership and Responsibility
CREATIVE Performing Arts, Creative Services, Publishing and Printed
INDUSTRIES Media
DOMAIN
DESCRIPTION Sulatanghal (In-Person) is an NFOT event category of Sining
Tanghalan that focuses on-the-spot playwriting. The learner
is given 4 hours to develop and create a one-act stage play
depending on the given theme.
(Note: The best script will be used for the Direk Ko, Ganap Mo
event category. )
CRITERIA FOR
PRESENTATION Criteria Percentage
Plot (Use of form and stage) 20%
Character (Originality and character 20%
development)
Dialogue (appropriate use of language) 20%
Themes and Ideas (relationship between 20%
form and content)
Theatricality (Ambition of the work and 20%
intended genre)
Total 100%

EVENT RULES AND MECHANICS


A. Sulatanghal is a Playwriting event.
B. One (1) participant per region accompanied by one (1) coach.
C. The resource person will orient the participants on the theme and
mechanics before the start of the event.
D. During the writing phase, each participant will be asked to write a one-act
stage play based on the given theme. They will be given a total of 4 hours to
write.
Enclosure No.___ to DepEd Memorandum No. ___s, 2024

E. Scripts should be submitted with the following requirements:


i. Dialogue should be tailored for 2 characters.
ii. Written in Filipino and /or English
iii. Saved in .doc/.docx format (Font size 12, double-spaced, A4 size
bond paper)
F. The best play/script for Sulatanghal will be used for the Direk Ko, Ganap
Mo in the NFOT of the following year.
G. Participants must be on time thus late participants will no longer be
entertained.
RESOURCE REQUIREMENTS
Participants Host Division/Region
● Supplies and - Type Writing paper - Type Writing paper
Materials - Two (2) pcs pencils - Two (2) pcs pencils
- Two (2) long-sized
folders - Two (2) long-sized
folders
● Tools and - One (1)
Equipment desktop/laptop each
per participant;
- One (1)
- Printer
desktop/laptop each
- Tables and chairs for
per participant
the participants and
TWG
- Time-keeper
● Room/ Hall - One (1) fully air-
Specification conditioned room that
can accommodate 20
pax preferably
computer laboratory)
Enclosure No.___ to DepEd Memorandum No. ___s, 2024

SINING TANGHALAN
(A Celebration of Talents and Skills Through Performances and Exhibitions
in Various Art Disciplines)

COMPONENT
MUSIC
AREA
KEY STAGE Key Stages One (1) to Two (2)
EVENT TITLE HIMIG BULILIT
NO. OF 4 learner-participants (Kindergarten to Grade 6) and
PARTICIPANT/S 1 Coach
TIME
3 to 5 minutes performance
ALLOTMENT
PERFORMANCE ● participates actively in a group performance to
STANDARD demonstrate different vocal and instrumental
sounds
● accurate performance of songs following the musical
symbols pertaining to melody indicated in the piece
● participates in a group performance to demonstrate
different vocal and instrumental sounds
● applies learned concepts of melody and other
elements of composition and performance
21ST CENTURY Creativity, Communication, Critical Thinking, Social and
SKILL/S Cross-cultural Skills, Flexibility, Productivity
CREATIVE
● Audiovisual Media
INDUSTRIES
● Performing Arts
DOMAIN
DESCRIPTION Himig Bulilit (Onsite) is an NFOT event category of Sining
Tanghalan that allows learner-participants to present their
talents and vocal development in singing (Quartet).
CRITERIA FOR
PRESENTATION Criteria Percentage
Musicality (rhythm, balance, tonality, and 35%
harmony)
Interpretation (expression, dynamics, 30%
phrasing)
Vocal quality (harmony) 25%
Showmanship (stage presence) 10%
Total 100%

EVENT RULES AND MECHANICS


A. Himig Bulilit is a children’s quartet exhibition.
B. There will be one (1) entry per region.
C. The group should be composed of 4 elementary learners (K to 6) per
region. They shall sing and actively participate during the exhibition with
one (1) teacher/coach.
D. The group shall sing two (2) songs in acapella: One (1) warm-up song of
choice and one (1) common piece in SSAA arrangement.
E. The common piece shall be provided by the NTWG.
F. The groups are encouraged to wear any appropriate attire.
Enclosure No.___ to DepEd Memorandum No. ___s, 2024

RESOURCE REQUIREMENTS

EACH PARTICIPATING REGION


Tools and Equipment - Five (5) Microphones with mic
stand
- Tables and chairs for the
participants and TWG
Room/Hall Specification - One (1) fully air-conditioned room
for the showcasing of talents that
can accommodate 50 pax
- One (1) holding area for
participants.
Enclosure No.___ to DepEd Memorandum No. ___s, 2024

SINING TANGHALAN
(A Celebration of Talents and Skills Through Performances and Exhibitions
in Various Art Disciplines)

COMPONENT AREA MAPEH (DANCE)


KEY STAGE Key Stages Three (3) and Four (4)
EVENT TITLE BAYLE SA KALYE AT EKSIBISYON - Sayaw ng Kabataang
Pinoy
NO. OF
12 learner-participants and 2 Coaches
PARTICIPANT/S
TIME ALLOTMENT A. BAYLE SA KALYE = Grand entrance parade
B. BAYLE EKSIBISYON = Five (5) minutes including entrance
and exit
PERFORMANCE SPA 7- FOLK DANCE & BALLET STRAND
STANDARDS Performance Standards
● exhibits skills in the different dance forms/genres.
● performs basic dance movement combinations
(locomotor and non-locomotor) in relation to space.
● creates basic movement combinations using the
elements of dance in accordance with the movement
framework of Rudolph Laban
● creates movement combinations inspired by the local
cultural experiences and/or a regional dance.
SPA 8 - FOLK DANCE STRAND
● performs skillfully selected local/regional/national
dances from Luzon, Visayas, and Mindanao, based on
dance literature.
● showcases and skillfully performs selected local and
national dances.
SPA 8 - BALLET STRAND
● performs correctly some ballet steps and movements
using the principles of classical ballet.
● performs contemporary dance movements using the
Cunningham technique.
● showcases and skillfully performs selected
classical/contemporary dances.
SPA 9 - DANCE – FOLK DANCE STRAND
● performs at least three (3) dances from different
countries.
● executes the different ballroom/ dancesport movements
with precision.
● interprets at least one (1) Philippine or foreign dance
literature.
● conducts documentation of selected local dances
through videos and other multimedia facilities.
SPA 9- DANCE – BALLET STRAND
● performs choreographed ballet movement phrases.
● creates dance pieces utilizing the modern dance
technique.
● creates a collaborative ballet dance composition
Enclosure No.___ to DepEd Memorandum No. ___s, 2024

according to a “thematic concept.”


SPA 10- DANCE – FOLK DANCE & BALLET STRAND
● prepares a design for mounting a dance production.
● creates a plan for the ballet and folk dance production.
● organizes appropriate production rehearsal for the
dance production.
● develops an understanding of quality dance production.

PE 4-10 (Quarters 3 & 4)


● Executes the skills involved in the dance.

ARTS & DESIGN (DANCE)


21ST CENTURY
Creativity, Collaboration, Critical thinking, Leadership
SKILL/S
CREATIVE
INDUSTRIES Performing Arts, Traditional Cultural Expressions
DOMAIN
DESCRIPTION Bayle sa Kalye at Eksibisyon - Sayaw ng Kabataang Pinoy
is an NFOT event category of Sining Tanghalan that allows
learner-participants to present a fusion of dances inspired by
the culture of the region.
CRITERIA FOR
PRESENTATION Percentage Percentage
Criteria
for Dance for Dance
(DFOT/RFOT)
Parade Exhibition
Choreography
(Creativity/ Composition/ 30% 20%
Originality/ Style)
Performance
(Skills and Technique, Timing
40% 50%
and Coordination,
Showmanship and Mastery)
Production Design (costume/
20% 10%
props) and Music
Theme/Concept 10% 20%
Total 100% 100%

EVENT RULES AND MECHANICS


A. The “Bayle” is a dance parade and exhibition presenting a fusion of dances
inspired by the culture of the region. The concept or theme for performance,
costume, and props must be reflective and relevant to their region but not
limited to the festivals.
B. The “Bayle” shall have two (2) separate categories:
a. Grand Dance Parade - It is the choreographed parade routine performed
by each group as they enter the festival venue.
b. Dance Exhibition - It is the full presentation of the group’s choreographed
dance performance.
C. Only one (1) entry per region is allowed. The region shall combine the results of
the dance parade and dance exhibition to determine the regional entry to the
national level.
D. Twenty (20) dancers and 2 teacher-coaches per region shall be allowed.
E. The group may use any music of their choice during the dance exhibition, but
the dance routines should be purely transformational in nature which is
characterized by the use of dance steps and movements which could be a fusion
Enclosure No.___ to DepEd Memorandum No. ___s, 2024

of two or more dance forms such as classical ballet, contemporary/modern


dance, jazz, hip-hop, folk dance, neo-ethnic, and other genres.

F. The following are strictly prohibited:


a. tossing of dancers
b. lifting of dancers
c. use of flammable materials (fireworks/pyrotechnics)
d. live animals as part of the performance
e. props that do not fit inside a 160L storage box or beyond the following
dimensions: L:69cm x W:51.5cm x H:42cm or L:29in x W:22in x H:19.5in.
f. provision for pre-set stage
G. Participants are encouraged to use costumes and props that may represent their
culture.
H. The sound system shall be provided by the host division/region.
RESOURCE REQUIREMENTS
Participants Host Division / Region
A. Tools and - Props - 6 pcs Two-way radio
Equipment - Music for Dance (optional)
- Sound System for
Exhibition
- Speakers to be installed in
strategic areas during the
dance parade
- Two (2) Big Screens
(Preferably LED wall)
during the exhibition
- Tables and chairs for
experts and TWG
- Extension cords for the
TWG table
- Stop watch
- Signboards
B. Room/ Hall - Preferably one (1) fully air-
Specification conditioned hall that can
accommodate dancers and
coaches as a holding area.
- Preferably one (1) fully air-
conditioned hall that can
accommodate audience of
3000 pax (for NFOT
Opening Program and
Bayle Exhibition event)
Enclosure No.___ to DepEd Memorandum No. ___s, 2024

SINING TANGHALAN
(A Celebration of Talents and Skills Through Performances and Exhibitions
in Various Art Disciplines)

COMPONENT
VISUAL ARTS
AREA
KEY STAGE Key Stages Three (3) to Four (4)
EVENT TITLE PINTAHUSAY
NO. OF 1 learner-participant and 1 coach
PARTICIPANT/S
TIME
8 hours
ALLOTMENT
PERFORMANCE Create varied artworks using elements and principles of
STANDARD designs in the composition of structures and landscapes in
various positions and different angles.
21ST CENTURY ● Critical Thinking Skills
SKILL/S ● Creativity and Innovation
● Flexibility and Adaptability
● Initiative and Self-Direction
CREATIVE
INDUSTRIES Visual Arts
DOMAIN
DESCRIPTION On-the-Spot Painting is an NFOT event category of Sining
Tanghalan for Junior and Senior High School students where
they can display their creative interpretation of a given theme
through visual representation using acrylic paint on canvas
as medium.
CRITERIA FOR
PRESENTATION
Criteria Percentage
(DFOT/RFOT)
Artistic Merit
30%
(Elements and Principles of Art)
Interpretation of the theme (Relevance) 30%
Difficulty (Technique) 20%
Overall impression of the art
(Artwork on its own as a complete and 20%
outstanding work of art)
Total 100%

EVENT RULES AND MECHANICS


A. Pintahusay is an on-the-spot painting event.
B. One (1) learner-participant either from Key Stage (3) or Four (4) per region
is allowed.
C. Learner-participants are given 8 hours to finish their output.
D. Participants may be accompanied by one (1) teacher-coach. However,
teacher-coaches are only allowed to assist them during the setting up of
materials during the event.
E. The participants should execute one solid composition or concept (poster
concept is not allowed)
F. Participants must bring their own paintbrushes, sponges, and paint
cleaning materials (newspaper, washcloth, etc.) while acrylic paint in
Enclosure No.___ to DepEd Memorandum No. ___s, 2024

primary colors (red, blue, yellow) and neutral colors (black and white),
easels and canvas (36x48 inches) will be provided by the RTWG/NTWG.
G. Participants are not allowed to bring pictures or images as references to
their entries.
H. The subject of the painting shall be focused on PLEIN AIR or outdoor
painting.
I. Participants must come on time. However, late participants shall still be
accommodated but time shall not be extended.
RESOURCE REQUIREMENTS
Participants Host Division / Region
A. Supplies and - Typewriting
Materials - Twenty (20) pcs pencils
- Twenty (20) long-sized folders
B. Tools and - Seventeen (17) pcs canvass
Equipment (36x48 inches) with primer
and frame
- Seventeen (17) pcs painting
easels.
- 17 sets of Acrylic Paints (1 set
per participant)
o Blue (1 pint)
o Red (1 pint)
o Yellow (1pint)
o Black (1pint)
o White (1quart)
- Tables and chairs for the
judges and contestants
- Newspapers and rags
- Stopwatch
C. Room/ Hall - Any open space conducive and
Specification safe for the orientation before
the start of the painting event.
- Preferably one (1) air-
conditioned room for the art
display/exhibit for the entire
duration of the festival.
Enclosure No.___ to DepEd Memorandum No. ___s, 2024

RUBRIC FOR ASSESSMENT OF ENTRIES IN PINTAHUSAY


Category 5 4 3 2 1
Artistic Merit Demonstrates Demonstrates Demonstrates Demonstrates Demonstrates
a mastery of skill and some partial skill and limited skill and limited skill and
skill and a understanding of understanding understanding understanding
clear specific medium of specific of specific of specific
understandin qualities. The medium medium medium
g and output is qualities. The qualities. The qualities. The
application of pleasing and output is neat output is fairly output is fairly
specific partially and partially neat and neat and not
medium complete complete partially complete
qualities. The complete
output is
pleasing and
complete

Interpretation Design shows Design shows Design shows Design shows Design shows
of the Theme
unique and clear some creativity creativity with limited evidence
creative understanding of and adequate limited evidence of original
interpretation task and ability interpretation of of original thought and the
of the task to think with task and thought work appears
and ability to more effort and displays some unfinished.
think with with attention to details.
extreme details.
attention to
details.

Difficulty Shows and Shows Shows Shows some Shows limited


effectively knowledge by knowledge by elements and evidence of
utilizes combining all combining 3 to principles and elements and
knowledge of elements and 4 elements and filled the entire principles and
the elements principles of filled the entire space. partly filled the
and principles design and filled space. space.
of design and the entire space.
effectively
filled the
entire space.

Overall Extraordinary The organization The The The


Impression of
organization of art elements, organization of organization of organization of
the Art
of art content and art elements, art elements, art elements,
elements, execution are content and content and content and
content and addressed in the execution are execution with execution has
execution in artwork. partly some notable limited
the artwork. addressed in information in information in
the artwork. the artwork. the artwork

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