T he Question

Concerning Technology
� and Other Essays X;

MARTIN HEIDEGGER

Translated and with an Introduction by

WILLIAM LOVITT

GARLAND PUBLISHING, INC.

New York & London
1977
THE QUESTION CONCERNING TECHNOLOGY AND O THER ESSAYS. English translation
copyright @ 1977 by Harper & Row, Publishers, Inc. All rights reserved.
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Designed by Eve Callahan

This edition published by arrangement with Harper & Row, Publishers, Inc.

LIBRARY OF CONGRESS CATALOGING IN PUBLICATION DATA

Heidegger, Martin, 1889-1976.

The question concerning technology, and other essays.

Translations of essays which Originally appeared in

Die Technik und die Kehre, Holzwege, and Vortrage und
Aufsatze.
CONTENTS: The question concerning technology.-The
turning.-The word of Nietzsche: "God is dead". [etc.]
1. Ontology-Addresses, essays, lectures. 2. Tech­
nology-Addresses, essays, lectures. 1. Title.
B3279.H48Q47 1977 193 77-87181
ISBN 0-8240-2427-3
 Contents

Acknowledgments vii

Preface ix

Introduction xiii

PART I

The Question Concerning Technology 3

The Turning 36

PART II

The Word of Nietzsche: "God Is Dead" 53

PART III

The Age of the World Picture 115

Science and Reflection 155
 Acknowledgments

I am greatly indebted to Professor J. Glenn Gray for initiating

me into the demanding art of translating Heidegger and for our
close association over the past two years, in the course of which
his meticulous reviewing of my translations for this volume has
rescued me from many dangers but left me largely free to build
my own way.
To Professor Gray, as well as to Professor Heidegger himself,
lowe thanks for access to the unpublished transcripts of two
seminars conducted by Heidegger in France: "Seminaire tenu par
Ie Professeur Heidegger sur Ie Differenzschrift de Hegel" and
"Semina ire tenu au Thor en septembre 1969 par Ie Professeur
Martin Heidegger." The latter has helped provide the perspective
for my Introduction, and both have enhanced my understanding
of the five essays included here.
Those on the faculty and staff at California State University,
Sacramento, who have helped and supported me in my work on
this volume are too numerous to be acknowledged each individ­
ually, but I am particularly grateful to my colleague in German,
Professor Olaf K. Perfler, for hours of intense conversation in
which many secrets of the German idiom were revealed to me.
To Moira Neuterman, who was my typist from the beginning
of this project almost to the last, and to Mary Ellyn McGeary,
viii Acknowledgments

her successor, are due my special thanks for exceptional skill and
care.
Every page of this book owes its final shaping in very large
measure to the imaginative and rigorous scrutiny of my wife,
Dr. Harriet Brundage Lovitt, who, though trained in another
discipline, has now become indisputably a scholar and interpreter
of Heidegger in her own right.

WILLIAM LOVITT
 Preface
The essays in this book were taken with Heidegger's permission
from three different volumes of his works: Die Technik und die
Kehre (Pfullingen: Gunther Neske, 1962); Holzwege (Frankfurt:
Vittorio Klostermann, 1952); and Vortriige und Aufsiitze (Pful­
lingen: Gunther Neske, 1954). liThe Question Concerning Tech­
nology" is contained in both Die Technik und die Kehre and
Vortriige und Aufsiitze.
In Die Technik und die Kehre the following prefatory note
appears regarding the two essays, "The Question Concerning
Technology" ("Die Frage nach der Technik") and "The Turning"
("Die Kehre"):

Under the title "Insight into That Which Is," the author gave, on
December 1, 1949, in the Club at Bremen, four lectures, which were
repeated without alterations in the spring of 1950 (March 2S and
26) at Biihlerhohe. The titles were "The Thing ["Das Ding"], "En­
framing" ["Das Gestell"], "The Danger" ["Die Gefahr"], "The
Turning" ["Die Kehre"]. *

The first lecture was given in an expanded version on June 6,

1950, before the Bavarian Academy of Fine Arts. (See Vortriige und
Aufsiitze, 1954, pp. 163 ff.)t
* Throughout the translations in this volume parenthetical elements
interpolated by me are shown in brackets, while those present in the
author's original text are given in parentheses.
t "The Thing" has been published in Poetry, Language, Thought, trans.
Albert Hofstadter (New York: Harper & Row, 1971), pp. 165-186.
x Preface

The second lecture was given on November 18, 1955, also in an

expanded version, under the title "The Question Concerning Tech­
nology," in the series entitled "The Arts in the Technological Age."
(See Vortriige und Aufsiitze, 1954, pp. 13 ff.). The present volume
repeats this text unaltered.
The third lecture remains still unpublished.
The fourth lecture, "The Turning," is published here for the first
time according to the first unaltered version.

At the end of Holzwege Heidegger makes the following ob­

servations concerning "The Word of Nietzsche : 'God Is Dead' "
("Nietzsches Wort 'Gott ist tot' ) and "The Age of the World
It

Picture ("Die Zeit des Weltbildes") :

"The Word of Nietzsche : 'God Is Dead' " : The major portions were
delivered repeatedly in 1943 for small groups. The content is based
upon the Nietzsche lectures that were given between 1936 and 1940
during five semesters at the University of Freiburg im Breisgau.
These set themselves the task of understanding Nietzsche's thinking
as the consummation of Western metaphysics from out of Being.
"The Age of the World Picture": The lecture was given on June
9, 1938, under the title "The Establishing by Metaphysics of the
Modern World Picture," as the last of a series that was arranged by
the Society for Aesthetics, Natural Philosophy, and Medicine at
Freiburg im Breisgau, and which had as its theme the establishing
of the modern world picture. The appendixes were written at the
same time but were not delivered.

Of all the essays in Holzwege Heidegger remarks :

In the intervening time these pieces have been repeatedly revised
and, in some places, clarified. In each case the level of reflection and
the structure have remained, and so also, together with these, has
the changing use of language.

And at the end of Vortriige und Aufsiitze Heidegger gives the

following notes :
"The Question Concerning Technology" ["Die Frage nach der
Technik"]: Lecture held on November 18, 1955, in the main audi­
torium of the Technische Hochschule, Munich, in the series "The
Arts in the Technological Age," arranged by the Bavarian Academy
of Fine Arts under the leadership of President Emil Preetorius;
published in volume III of the Yearbook of the Academy (ed. Clem­
ens Graf Podewils), R. Oldenbourg, Munich, 1954, pp. 70 ff.
 Preface xi

"Science and Reflection" ["Wissenschaft und Besinnung"J: Lecture,

in its present version given in August, 1954, before a small group,
in preparation for the above-mentioned conference in Munich.
WILLIAM LOVITT
Sacramento, California
 The Question
Concerning Technology

In what follows we shall be questioning concerning technology.

Questioning builds a way. We would be advised, therefore, above
all to pay heed to the way, and not to fix our attention on iso­
lated sentences and topics. The way is a way of thinking. All
ways of thinking, more or less perceptibly, lead through language
in a manner that is extraordinary. We shall be questioning con­
cerning technology, and in so doing we should like to prepare
a free relationship to it. The relationship will be free if it opens
our human existence to the essence of technology .1 When we

1. "Essence" is the traditional translation of the German noun Wesen.

One of Heidegger's principal aims in this essay is to seek the true meaning
of essence through or by way of the "correct" meaning. He will later show
that Wesen does not simply mean what something is, but that it means,
further, the way in which something pursues its course, the way i n which
it remains through time as what it is. Heidegger writes elsewhere that the
noun Wesen does not mean qu idditas originally, but rather "enduring as
presence" (das Wiihren als Gegenwart). (See An Introduction to Meta­
phys ics, trans. Ralph Manheim [New York : Doubleday, 1961], p. 59.) Wesen
as a noun derives from the verb wesen, which is seldom used as such in
modern German. The verb survives primarily in inflected forms o f the verb
sein (to be) and in such words as the adjective anwesend (present). The
old verbal forms from which wesen stems meant to tarry or dwell. Heideg­
ger repeatedly identifies wesen as "the same as wiihren [to last or endure] ."
(See p. 30 below and SR 161.) As a verb, we5en will usually be translated
4 The Question Concerning Technology

can respond to this essence, we shall be able to experience the

technological within its own bounds.
Technology is not equivalent to the essence of technology.
When we are seeking the essence of "tree," we have to become
aware that That which pervades every tree, as tree, is not itself
a tree that can be encountered among all the other trees.
Likewise, the essence of technology is by no means any­
thing technological. Thus we shall never experience our relation­
ship to the essence of technology so long as we merely conceive
and push forward the technological, put up with it, or evade it.
Everywhere we remain unfree and chained to technology,
whether we passionately affirm or deny it. But we are delivered
over to it in the worst possible way when we regard it as some­
thing neutral; for this conception of it,2 to which today we par­
ticularly like to do homage, makes us utterly blind to the essence
of technology.
According to ancient doctrine, the essence of a thing is con­
sidered to be what the thing is. We ask the question concerning
technology when we ask what it is. Everyone knows the two
statements that answer our question. One says : Technology is a
means to an end. The other says : Technology is a human activity.
The two definitions of technology belong together. For to posit
ends and procure and utilize the means to them is a human
activity. The manufacture and utilization of equipment, tools,
and machines, the manufactured and used things themselves,
and the needs and ends that they serve, all belong to what tech-

here with "to come to presence," a rendering wherein the meaning "endure"
should be strongly heard. Occasionally it will be translated "to essence,"
and its gerund will be rendered with "essencing." The noun Wesen will
regularly be translated "essence" until Heidegger's explanatory discussion
is reached. Thereafter, in this and the succeeding essays, it will often be
translated with "coming to presence." In relation to all these renderings, the
reader should bear in mind a point that is of fundamental importance to
Heidegger, namely, that the root of wesen, with its meaning "to dwell,"
provides one integral component in the meaning of the verb sein (to be).
(Cf. An Introduction to Metaphysics, p. 59.)
2. "Conception" here translates the noun Vorstellung. Elsewhere in this
volume, Vorstellung will usually be translated by "representation," and its
related verb vorstellen by "to represent." Both "conception" and "repre­
sentation" should suggest a placing or setting-up-before. Cf. the discussion
of Vorstellung in AWP 131-132.
 The Question Concerning Technology 5

nology is. The whole complex of these contrivances is tech­

nology. Technology itself is a contrivance, or, in Latin, an
instrumentum.3
The current conception of technology, according to which it is
a means and a human activity, can therefore be called the in­
strumental and anthropological definition of technology.
Who would ever deny that it is correct? It is in obvious con­
formity with what we are envisioning when we talk about tech­
nology. The instrumental definition of technology is indeed so
uncannily correct that it even holds for modern technology, of
which, iil other respects, we maintain with some justification
that it is, in contrast to the older handwork technology, some­
thing completely diHerent and therefore new. Even the power
plant with its turbines and generators is a man-made means to
an end established by man. Even the jet aircraft and the high­
frequency apparatus are means to ends. A radar station is of
course less simple than a weather vane. To be sure, the construc­
tion of a high-frequency apparatus requires the interlocking of
various processes of technical-industrial production. And cer­
tainly a sawmill in a secluded valley of the Black Forest is a
primitive means compared with the hydroelectric plant in the
Rhine River.
But this much remains correct : modern technology too is a
means to an end. That is why the instrumental conception of
technology conditions every attempt to bring man into the right
relation to technology. Everything depends on our manipulating
technology in the proper manner as a means. We will, as we say,
Uget" technology "spiritually in hand." We will master it. The
will to mastery becomes all the more urgent the more technology
threatens to slip from human control.
But suppose now that technology were no mere means, how
would it stand with the will to master it? Yet we said, did we

3. Instrumentum signifies that which functions to heap or build up or to

arrange. Heidegger here equates it with the noun Einrichtung, translated
"contrivance," which can also mean arrangement, adjustment, furnishing, or
equipment. In accordance with his dictum that the true must be sought by
way of the correct, Heidegger here anticipates with his identification of
technology as an il1strumentum and an Einrichtul1g his later "true" charac­
terization of technology in terms of setting-in-place, ordering, Enframing,
and standing-reserve.
6 The Question Concerning Technology

not, that the instrumental definition of technology is correct?

To be sure. The correct always fixes upon something pertinent
in whatever is under consideration. However, in order to be cor­
rect, this fixing by no means needs to uncover the thing in
question in its essence. Only at the point where such an uncov­
ering happens does the true come to pass.4 For that reason the
merely correct is not yet the true. Only the true brings us into
a free relationship with that which concerns us from out of its
essence. Accordingly, the correct instrumental definition of tech­
nology still does not show us technology's essence. In order that
we may arrive at this, or at least come close to it, we must seek
the true by way of the correct. We must ask : What is the instru­
mental itself? Within what do such things as means and end
belong? A means is that whereby something is effected and thus
attained. Whatever has an effect as its consequence is called a
cause. But not only that by means of which something else is
effected is a cause. The end in keeping with which the kind of
means to be used is determined is also considered a cause.
Wherever ends are pursued and means are employed, wherever
instrumentality reigns, there reigns causality.
For centuries philosophy has taught that there are four causes :
(1) the causa materialis, the material, the matter out of which,
for example, a silver chalice is made ; (2) the causa formalis, the
form, the shape into which the material enters ; (3) the causa
finalis, the end, for example, the sacrificial rite in relation to
which the chalice required is determined as to its form and mat­
ter; (4) the causa efficiens, which brings about the effect that is
the finished, actual chalice, in this instance, the silversmith. What
technology is, when represented as a means, discloses itself when
we trace instrumentality back to fourfold causality.
But suppose that causality, for its part, is veiled in darkness
with respect to what it is? Certainly for centuries we have acted
as though the doctrine of the four causes had fallen from heaven
as a truth as clear as daylight. But it might be that the time has
come to ask, Why are there just four causes? In relation to the
aforementioned four, what does "cause" really mean? From

4. "Come to pass" translates sich ereignet. For a discussion of the fuller

meaning of the verb ereignen, see T 38 n. 4, 45.
 The Question Concerning Technology 7

whence does it come that the causal character of the four causes
is so unifiedly determined that they belong together?
So long as we do not allow ourselves to go into these ques­
tions, causality, and with it instrumentality, and with the latter
the accepted definition of technology, remain obscure and
groundless.
For a long time we have been accustomed to representing cause
as that which brings something about. In this connection, to
bring about means to obtain results, effects. The causa efficiens,
but one among the four causes, sets the standard for all causality.
This goes so far that we no longer even count the causa finalis,
telic finality, as causality. Causa, casus, belongs to the verb
cadere, "to fall," and means that which brings it about that some­
thing falls out as a result in such and such a way. The doctrine
of the four causes goes back to Aristotle. But everything that
later ages seek in Greek thought under the conception and rubric
"causality," in the realm of Greek thought and for Greek thought
per se has simply nothing at all to do with bringing about and
effecting. What we call cause [Ursache] and the Romans call
causa is called aition by the Greeks, that to which something
else is indebted [das, was ein anderes verschuldetJ .5 The four
causes are the ways, all belonging at once to each other, of being
responsible for something else. An example can clarify this.
Silver is that out of which the silver chalice is made. As this
matter (hyle), it is co-responsible for the chalice. The chalice is
indebted to, i.e., owes thanks to, the silver for that out of which
it consists. But the sacrificial vessel is indebted not only to the
silver. As a chalice, that which is indebted to the silver appears
in the aspect of a chalice and not in that of a brooch or a ring.
Thus the sacrificial vessel is at the same time indebted to the
aspect (eidos) of chaliceness. Both the silver into which the
aspect is admitted as chalice and the aspect in which the silver
appears are in their respective ways co-responsible for the
sacrificial vessel.
5. Das, was ein anderes verschuldet is a quite idomatic expression that
here would mean to many German readers "that which is the cause of
something else." The verb verschulden actually has a wide range of mean­
ings-to be indebted, to owe, to be gUilty, to be responsible for or to, to
cause. Heidegger intends to awaken all these meanings and to have conno­
tations of mutual interdependence sound throughout this passage.
8 The Question Concerning Technology

But there remains yet a third that is above all responsible for
the sacrificial vessel. It is that which in advance confines the
chalice within the realm of consecration and bestowal.6 Through
this the chalice is circumscribed as sacrificial vessel. Circum­
scribing gives bounds to the thing. With the bounds the thing
does not stop; rather from out of them it begins to be what,
after production, it will be. That which gives bounds, that which
completes, in this sense is called in Greek telos, which is all too
often translated as "aim" or "purpose/' and so misinterpreted.
The telos is responsible for what as matter and for what as aspect
are together co-responsible for the sacrificial vessel.
finally there is a fourth participant in the responsibility for
the finished sacrificial vessel's lying before us ready for use, i.e.,
the silversmith-but not at all because he, in working, brings
about the finished sacrificial chalice as if it were the effect of a
making ; the silversmith is not a causa efficiens.
The Aristotelian doctrine neither knows the cause that is
named by this term nor uses a Greek word that would corre­
spond to it.
The silversmith considers carefully and gathers together the
three aforementioned ways of being responsible and indebted.
To consider carefully [iiberlegen] is in Greek legein, logos.
Legein is rooted in apophainesthai, to bring forward into ap­
pearance. The silversmith is co-responsible as that from whence
the sacrificial vessel's bringing forth and resting-in-self take and
retain their first departure. The three previously mentioned ways
of being responsible owe thanks to the pondering of the silver­
smith for the "that" and the "how" of their coming into appear­
ance and into play for the production of the sacrificial vessel.
Thus four ways of being responsible hold sway in the sacrificial
vessel that lies ready before us. They differ from one another,
yet they belong together. What unites them from the beginning ?
In what does this playing in unison of the four ways of being

6. Literally, "confines into"-the German preposition in with the accusa­

tive. Heidegger often uses this construction in ways that are unusual in
German, as they would be in English. It will ordinarily be translated here
by "within" so as to distinguish it from "in" used to translate in with the
dative.
 The Question Concerning Technology 9

responsible play? What is the source of the unity of the four

causes? What, after all, does this owing and being responsible
mean, thought as the Greeks thought it?
Today we are too easily inclined either to understand being
responsible and being indebted moralistically as a lapse, or else
to construe them in terms of effecting. In either case we bar to
ourselves the way to the primal meaning of that which is later
called causality. So long as this way is not opened up to us we
shall also fail to see what instrumentality, which is based on
causality, actually is.
In order to guard against such misinterpretations of being
responsible and being indebted, let us clarify the four ways of
being responsible in terms of that for which they are respon­
sible. According to our example, they are responsible for the
silver chalice's lying ready before us as a sacrificial vessel. Lying
before and lying ready (hypokeisthai) characterize the presencing
of something that presences. The four ways of being responsible
bring something into appearance. They let it come forth into
presencing [An-wesenV They set it free to that place and so
start it on its way, namely, into its complete arrival. The prin­
cipal characteristic of being responsible is this starting something
on its way into arrival. It is in the sense of such a starting some­
thing on its way into arrival that being responsible is an occa­
sioning or an inducing to go forward [V er-an-lassen] . 8 On the

7. By writing An-wesen, Heidegger stresses the composition of the verb

anwesen, translated as "to presence." The verb consists of wesen (literally,
to continue or endure) with the prepositional prefix an- (at, to, toward) .
It is man who must receive presencing, man to whom it comes as enduring.
Cf. On Time and Being, trans. Joan Stambaugh (New York : Harper & Row,
1972), p. 12.
8. Ver-an-Iassen is Heidegger's writing of the verb veranlassen in noun
form, now hyphenated to bring out its meaning. Veranlassen ordinarily
means to occasion, to caUSe, to bring about, to call forth. Its use here re­
lates back to the use of anlassen (to leave [something] on, to let loose, to
set going), here translated "to start something on its way." Anlassen has
just been similarly written as an-lassen so as to emphasize its composition
from lassen (to let or leave) and an (to or toward) . One of the functions of
the German prefix ver- is to intensify the force of a verb. Andre Preau
quotes Heidegger as saying : "Ver-an-Iassen is more active than an-lassen.
The ver-, as it were, pushes the latter toward a doing [vers un faire] ." Cf.
Martin Heidegger, Essais et Conferences (Paris : Gallimard, 1958), p. 16 n.
10 The Question Concerning Technology

basis of a look at what the Greeks experienced in being re­

sponsible, in aitia, we now give this verb "to occasion" a more
inclusive meaning, so that it now is the name for the essence of
causality thought as the Greeks thought it. The common and
narrower meaning of "occasion" in contrast is nothing more
than striking against and releasing, and means a kind of second­
ary cause within the whole of causality.
But in what, then, does the playing in unison of the four ways
of occasioning play? They let what is not yet present arrive into
presencing. Accordingly, they are unifiedly ruled over by a
bringing that brings what presences into appearance. Plato tells
us what this bringing is in a sentence from the Symposium
(20sb) : he gar toi ek tau me onton eis to on ionti hotoioun aitia
pasa esti poiesis. "Every occasion for whatever passes over and
goes forward into presencing from that which is not presencing
is poiesis, is bringing-forth [Her-vor-bringen] ."9 "..,
It is of utmost importance that we think bringing-forth in its
full scope and at the same time in the sense in which the Greeks
thought it. Not only handcraft manufacture, not only artistic
and poetical bringing into appearance and concrete imagery, is
a bringing-forth, poiesis. Physis also, the arising of something
from out of itself, is a bringing-forth, poiesis. Physis is indeed
poiesis in the highest sense. For what presences by means of
physis has the bursting open belonging to bringing-forth, e.g.,
the bursting of a blossom into bloom, in itself (en heautoi). In
contrast, what is brought forth by the artisan or the artist, e.g.,

9. The full gamut of meaning for the verb hervorbringen, here function­
ing as a noun, includes to bring forth or produce, to generate or beget, to
utter, to elicit. Heidegger intends that all of these nuances be heard. He
hyphenates the word in order to emphasize its adverbial prefixes, her­
(here or hither) and vor- (forward or forth). Heidegger elsewhere makes
specific the meaning resident in H er-vor-bringen for him by utilizing those
prefixes independently. Thus he says (translating literally), "Bringing-forth­
hither brings hither out of concealment, forth into unconcealment" (d. be­
low, p. 11) ; and-after identifying working (wirken) and her-vor-bringen­
he says that working must be understood as "bringing hither-into uncon­
cealment, forth-into presencing" (SR 161). Because of the awkwardness
of the English phrase "to bring forth hither," it has not been possible to
include in the translation of her-vor-bringen the nuance of meaning that
her- provides.
 The Question Concerning Technology 11

the silver chalice, has the bursting open belonging t o bringing­

forth not in itself, but in another (en alloi), in the craftsman or
artist.
The modes of occasioning, the four causes, are at play, then,
within bringing-forth. Through bringing-forth, the growing
things of nature as well as whatever is completed through the
crafts and the arts come at any given time to their appearance.
But how does bringing-forth happen, be it in nature or in
handwork and art? What is the bringing-forth in which the
fourfold way of occasioning plays? Occasioning has to do with
the presencing [Anwesen] of that which at any given time comes
to appearance in bringing-forth. Bringing-forth brings hither out
of concealment forth into unconcealment. Bringing-forth comes
to pass only insofar as something concealed comes into uncon­
cealment. This coming rests and moves freely within what we
call revealing [das Entbergen] .10 The Greeks have the word

10. The verb entbergen (to reveal) and the allied noun Entbergung (re­
vealing) are unique to Heidegger. Because of the exigencies of translation,
entbergen must usually be translated with "revealing," and the presence of
Entbergung, which is rather infrequently used, has therefore regrettably
been obscured for want of an appropriate English noun as alternative that
would be sufficiently active in meaning. Entbergen and Entbergung are
formed from the verb bergen and the verbal prefix ent-. Bergen means to
rescue, to recover, to secure, to harbor, to conceal. Ent- is used in German
verbs to connote in one way or another a change from an existing situa­
tion. It can mean "forth" or "out" or can connote a change that is the
negating of a former condition. Entbergen connotes an opening out [rom
protective concealing, a harbOring forth. For a presentation of Heideggcr's
central tenet that it is only as protected and preserved-and that means as
enclosed and secure-that anything is set free to endure, to continue' as
that which it is, i.e., to be, see "Building Dwelling Thinking" in Pocl ry,
Language, Thought, trans. Albert Hofstadter (New York : Harper & Row,
1971), p. 149, and cf. p. 25 below.
Entbergen and Entbergung join a family of words all formed from /,,'rgctl
-verbergen (to conceal), Verborgenheit (concealment), das Verborgenc (the
concealed), Unverborgenheit (unconcealmentl, das Unverborgcne (the un­
concealed)-of which Heidegger makes frequent use. The lack of viable
English words sufficiently numerous to permit a similar use of but one
fundamental stern has made it necessary to obscure, through the use of
"reveal," the close relationship among all the words just mentioned. None
of the English words used-"reveal," "conceal," "unconceal"-evinces with
any adequacy the meaning resident in bergen itself; yet the reader should
be constantly aware that the full range of connotation present in bergen
sounds for Heidegger within all these, its derivatives.
12 The Question Concerning Technology

aletheia for revealing. The Romans translate this with veritas.

We say "truth" and usually understand it as the correctness of
an idea.

But where have we strayed to? We are questioning concerning

technology, and we have arrived now at aletheia, at revealing.
What has the essence of technology to do with revealing? The
answer : everything. For every bringing-forth is grounded in
revealing. Bringing-forth, indeed, gathers within itself the four
modes of occasioning-causality-and rules them throughout.
Within its domain belong end and means, belongs instru­
mentality.l1 Instrumentality is considered to be the fundamental
characteristic of technology. If we inquire, step by step, into
what technology, represented as means, actually is, then we shall
arrive at revealing. The possibility of all productive manufactur­
ing lies in revealing.
Technology is therefore no mere means. Technology is a way
of revealing. If we give heed to this, then another whole realm
for the essence of technology will open itself up to us. It is the
realm of revealing, i.e., of truth.12
This prospect strikes us as strange. Indeed, it should do so,
should do sO' as persistently as possible and with so much urgency
that we will finally take seriously the simple question of what the
name "technology" means. The word stems from the Greek.
Technikon means that which belongs to techne. We must observe

11. Here and elsewhere "belongs within" translates the German gehort in
with the accusative (literally, belongs into), an unusual usage that Heidegger
often employs. The regular German construction is gehort zu (belongs to) .
With the use of "belongs into," Heidegger intends to suggest a relationship
involving origin.
12. Heidegger here hyphenates the word Wahrheit (truth) so as to expose
its stem, wahr. He points out elsewhere that words with this stem have a
common derivation and underlying meaning (SR 165). Such words often
show the connotations of attentive watchfulness and guarding that he there
finds in their Greek cognates, horao, ora, e.g., wahren (to watch over and
keep safe) and bewahren (to preserve). Hyphenating Wahrheit draws it
overtly into this circle of meaning. It points to the fact that in truth, which
is unconcealment (Unverborgenheit), a safekeeping carries itself out.
Wahrheit thus offers here a very close parallel to its companion noun
Entbergung (revealing; literally, harboring forth), built on bergen (to
rescue, to harbor, to conceal). See n. 10, above. For a further discussion of
words built around wahr, see T 42, n. 9.
 The Question Concerning Technology 13

two things with respect t o the meaning o f this word. One is that
techne is the name not only for the activities and skills of the
craftsman, but also for the arts of the mind and the fine arts.
Techne belongs to bringing-forth, to poiesis ; it is something
poietic.
The other point that we should observe with regard to techne
is even more important. From earliest times until Plato the word
techne is linked with the word episteme. Both words are names
for knowing in the widest sense. They mean to be entirely at
home in something, to understand and be expert in it. Such
knowing provides an opening up. As an opening up it is a re­
vealing. Aristotle, in a discussion of special importance (Nico­
machean Ethics, Bk. VI, chaps. 3 and 4), distinguishes between
episteme and techne and indeed with respect to what and how
they reveal. Techne is a mode of aletheuein . It reveals whatever
does not bring itself forth and does not yet lie here before us,
whatever can look and turn out now one way and now another.
Whoever builds a house or a ship or forges a sacrificial chalice
reveals what is to be brought forth, according to the perspectives
of the four modes of occasioning. This revealing gathers together
in advance the aspect and the matter of ship or house, with a
view to the finished thing envisioned as completed, and from
this gathering determines the manner of its construction. Thus
what is decisive in techne does not lie at all in making and
manipulating nor in the using of means, but rather in the afore­
mentioned revealing. It is as revealing, and not as manufactur­
ing, that techne is a bringing-forth.
Thus the clue to what the word techne means and to how the
Greeks defined it leads us into the same context that opened
itself to us when we pursued the question of what instrumental­
ity as such in truth might be.
Technology is a mode of revealing. Technology comes to
presence [West] in the realm where revealing and unconcealment
take place, where aletheia, truth, happens.
In opposition to this definition of the essential domain of
technology, one can object that it indeed holds for Greek
thought and that at best it might apply to the techniques of
the handcraftsman, but that it simply does not fit modern
machine-powered technology. And it is precisely the latter and
14 The Question Concerning Technology

it alone that is the disturbing thing, that moves us to ask the

question concerning technology per se. It is said that modern
technology is something incomparably different from all earlier
technologies because it is based on modern physics as an exact
science. Meanwhile we have come to understand more clearly
that the reverse holds true as well : Modern physics, as experi­
mental, is dependent upon technical apparatus and upon prog­
ress in the building of apparatus. The establishing of this
mutual relationship between technology and physics is correct.
But it remains a merely historiographical establishing of facts
and says nothing about that in which this mutual relationship
is grounded. The decisive question still remains : Of what es­
sence is modern technology that it happens to think of putting
exact science to use?
What is modern technology? It too is a revealing. Only when
we allow our attention to rest on this fundamental characteristic
does that which is new in modern technology show itself to us.
And yet the revealing that holds sway throughout modern
technology does not unfold into a bringing-forth in the sense of
poiesis. The revealing that rules in modern technology is a chal­
lenging [Herausfordern] ,13 which puts to nature the unreasonable
demand that it supply energy that can be extracted and stored
as such. But does this not hold true for the old windmill as well?
No. Its sails do indeed turn in the wind; they are left entirely to
the wind's blowing. But the windmill does not unlock energy
from the air currents in order to store it.
In contrast, a tract of land is challenged into the putting out of
coal and ore. The earth now reveals itself as a coal mining dis­
trict, the soil as a mineral deposit. The field that the peasant
formerly cultivated and set in order [bestellte] appears differently
than it did when to set in order still meant to take care of and
13. Herausfordern means to challenge, to call forth or summon to action,
to demand positively, to provoke. It is composed of the verb fordern (to
demand, to summon, to challenge) and the adverbial prefixes her- (hither)
and aus- (out). The verb might be rendered very literally as lito demand
out hither." The structural similarity between h erausfordern and h er-vor­
bringen (to bring forth hither) is readily apparent. It serves of itself to
point up the relation subsisting between the two modes of revealing of
which the verbs speak-modes that, in the very distinctive ways peculiar to
them, occasion a coming forth into unconcealment and presencing. See
below, 29-30.
 The Question Concerning Technology 15

t o maintain. The work of the peasant does not challenge the

soil of the field. In the sowing of the grain it places the seed in
the keeping of the forces of growth and watches over its increase.
But meanwhile even the cultivation of the field has come under
the grip of another kind of setting-in-order, which sets upon
[stellt] natureY It sets upon it in the sense of challenging it.
Agriculture is now the mechanized food industry. Air is now set
upon to yield nitrogen, the earth to yield ore, ore to yield
uranium, for example; uranium is set upon to yield atomic
energy, which can be released either for destruction or for peace­
ful use.
This setting-upon that challenges forth the energies of nature
is an expediting [Fordern] , and in two ways. It expedites in that
it unlocks and exposes. Yet that expediting is always itself
directed from the beginning toward furthering something else,
i.e., toward driving on to the maximum yield at the minimum
expense. The coal that has been hauled out in some mining
district has not been supplied in order that it may simply be
present somewhere or other. It is stockpiled; that is, it is on call,
ready to deliver the sun's warmth that is stored in it. The sun's
warmth is challenged forth for heat, which in turn is ordered to
deliver steam whose pressure turns the wheels that keep a
factory running.

14. The verb stellen (to place or set) has a wide variety of uses. It can
mean to put in place, to order, to arrange, to furnish or supply, and, in a
military context, to challenge or engage. Here Heidegger sees the connota­
tions of herausfordern (to challenge, to call forth, to demand out hither) as
fundamentally determinative of the meaning of stellen, and this remains
true throughout his ensuing discussion. The translation of stellen with "to
set upon" is intended to carry this meaning. The connotations of setting in
place and of supplying that lie within the word stellen remain strongly
present in Heidegger's repeated use of the verb hereafter, however, since
the "setting-upon" of which it speaks is inherently a setting in place so as
to supply. Where these latter meanings come decisively to the fore, stellen
has been translated with "to set" or "to set up," or, rarely, with "to supply."
Stellen embraces the meanings of a whole family of verbs : bestellen (to
order, command; to set in order), vorstellen (to represent), sicherstellen (to
secure), nachstellen (to entrap), verstellen (to block or disguise), herstellen
(to produce, to set here), darstellen (to present or exhibit), and so on. In
these verbs the various nuances within stellen are reinforced and made
specific. All these meanings are gathered together in Heidegger's unique
use of the word that is pivotal for him, Ge-stell (Enframing). Cf. pp. 19 ff.
See also the opening paragraph of "The Turning," pp. 36-37.
16 The Question Concerning Technology

The hydroelectric plant is set into the current of the Rhine. It

sets the Rhine to supplying its hydraulic pressure, which then
sets the turbines turning. This turning sets those machines in
motion whose thrust sets going the electric current for which
the long-distance power station and its network of cables are
set up to dispatch electricity.15 In the context of the interlocking
processes pertaining to the orderly disposition of electrical
energy, even the Rhine itself appears as something at our com­
mand. The hydroelectric plant is not built into the Rhine River
as was the old wooden bridge that joined bank with bank for
hundreds of years. Rather the river is dammed up into the power
plant. What the river is now, namely, a water power supplier,
derives from out of the essence of the power station. In order
that we may even remotely consider the monstrousness that
reigns here, let us ponder for a moment the contrast that speaks
out of the two titles, "The Rhine" as dammed up into the
power works, and "The Rhine" as uttered out of the art work,
in Holderlin's hymn by that name. But, it will be replied, the
Rhine is still a river in the landscape, is it not? Perhaps. But how?
In no other way than as an object on call for inspection by a tour
group ordered there by the vacation industry.
The revealing that rules throughout modern technology has
the character of a setting-upon, in the sense of a challenging­
forth. That challenging happens in that the energy concealed in
nature is unlocked, what is unlocked is transformed, what is
transformed is stored up, what is stored up is, in turn, distributed,
and what is distributed is switched about ever anew. Unlocking,
transforming, storing, distributing, and switching about are ways
of revealing. But the revealing never simply comes to an end.
Neither does it run off into the indeterminate. The revealing
reveals to itself its own manifoldly interlocking paths, through
regulating their course. This regulating itself is, for its part,
everywhere secured. Regulating and securing even become the
chief characteristics of the challenging revealing.

15. In these two sentences, in order to show something of the manner in

which Heidegger gathers together a family of meanings, a series of stellen
verbs-stellen (three times), herstellen, bestellen-have been translated with
verbal expressions formed around "set." For the usual meanings of these
verbs, see n. 14.
 The Question Concerning Technology 17

What kind o f unconcealment i s it, then, that i s peculiar to that

which comes to stand forth through this setting-upon that chal­
lenges? Everywhere everything is ordered to stand by, to be
immediately at hand, indeed to stand there just so that it may
be on call for a further ordering. Whatever is ordered about in
this way has its own standing. We call it the standing-reserve
[Bestand] .16 The word expresses here something more, and some­
thing more essential, than mere "stock." The name "standing­
reserve" assumes the rank of an inclusive rubric. It designates
nothing less than the way in which everything presences that is
wrought upon by the challenging revealing. Whatever stands by
in the sense of standing-reserve no longer stands over against
us as object.
Yet an airliner that stands on the runway is surely an object.
Certainly. We can represent the machine so. But then it conceals
itself as to what and how it is. Revealed, it stands on the taxi
strip only as standing-reserve, inasmuch as it is ordered to en­
sure the possibility of transportation. For this it must be in its
whole structure and in every one of its constituent parts, on call
for duty, i.e., ready for takeoff. (Here it would be appropriate
to discuss Hegel's definition of the machine as an autonomous
tool. When applied to the tools of the craftsman, his characteri­
zation is correct. Characterized in this way, however, the machine
is not thought at all from out of the essence of technology within
which it belongs. Seen in terms of the standing-reserve, the
machine is completely unautonomous, for it has its standing
only from the ordering of the orderable.)
The fact that now, wherever we try to point to modern tech­
nology as the challenging revealing, the words "setting-upon,"
"ordering," "standing-reserve," obtrude and accumulate in a dry,
monotonous, and therefore oppressive way, has its basis in what
is now coming to utterance.
16. Bestand ordinarily denotes a store or supply as "standing by." It
carries the connotation of the verb bestehen with its dual meaning of to last
and to undergo. Heidegger uses the word to characterize the manner in
which everything commanded into place and ordered according to the
challenging demand ruling in modern technology presences as revealed. He
wishes to stress here not the permanency, but the orderability and substi­
tutability of objects. Bestand contrasts with Gegenstand (object; that which
stands over against). Objects indeed lose their character as objects when
they are caught up in the "standing-reserve." Cf. Introduction, p. xxix.
18 The Question Concerning Technology

Who accomplishes the challenging setting-upon through which

what we call the real is revealed as standing-reserve? Obviously,
man. To what extent is man capable of such a revealing? Man
can indeed conceive, fashion, and carry through this or that in
one way or another. But man does not have control over un­
concealment itself, in which at any given time the real shows
itself or withdraws. The fact that the real has been showing
itself in the light of Ideas ever since the time of Plato, Plato did
not bring about. The thinker only responded to what addressed
itself to him.
Only to the extent that man for his part is already challenged
to exploit the energies of nature can this ordering revealing
happen. If man is challenged, ordered, to do this, then does
not man himself belong even more originally than nature within
the standing-reserve? The current talk about human resources,
about the supply of patients for a clinic, gives evidence of this.
The forester who, in the wood, measures the felled timber and
to all appearances walks the same forest path in the same way
as did his grandfather is today commanded by profit-making in
the lumber industry, whether he knows it or not. He is made
subordinate to the orderability of cellulose, which for its part
is challenged forth by the need for paper, which is then delivered
to newspapers and illustrated magazines. The latter, in their
turn, set public opinion to swallOWing what is printed, so that a
set configuration of opinion becomes available on demand. Yet
precisely because man is challenged more originally than are the
energies of nature, i.e., into the process of ordering, he never is
transformed into mere standing-reserve. Since man drives tech­
nology forward, he takes part in ordering as a way of revealing.
But the unconcealment itself, within which ordering unfolds, is
never a human handiwork, any more than is the realm through
which man is already passing every time he as a subject relates
to an object.
Where and how does this revealing happen if it is no mere
handiwork of man? We need not look far. We need only appre­
hend in an unbiased way That which has already claimed man
and has done so, so decisively that he can only be man at any
given time as the one so claimed. Wherever man opens his eyes
and ears, unlocks his heart, and gives himself over to meditating
 The Question Concerning Technology 19

and striving, shaping and working, entreating and thanking, he

finds himself everywhere already brought into the unconcealed.
The unconcealment of the unconcealed has already come to pass
whenever it calls man forth into the modes of revealing allotted
to him. When man, in his way, from within unconcealment
reveals that which presences, he merely responds to the call of
unconcealment even when he contradicts it. Thus when man,
investigating, observing, ensnares nature as an area of his own
conceiving, he has already been claimed by a way of revealing
that challenges him to approach nature as an object of research,
until even the object disappears into the objectlessness of
standing-reserve.
Modern technology as an ordering revealing is, then, no merely
human doing. Therefore we must take that challenging that sets
upon man to order the real as standing-reserve in accordance
with the way in which it shows itself. That challenging gathers
man into ordering. This gathering concentrates man upon or­
dering the real as standing-reserve.
That which primordially unfolds the mountains into mountain
ranges and courses through them in their folded togetherness is
the gathering that we call FlGebirgFl [mountain chain] .
That original gathering from which unfold the ways in which
we have feelings of one kind or another we name FlGemiit" [dis­
position] .
We now name that challenging claim which gathers man
thither to order the self-revealing as standing-reserve : FlGe-stell"
[Enframing] .17
We dare to use this word in a sense that has been thoroughly
unfamiliar up to now.

17. The translation "Enframing" for Ge-stell is intended to suggest,

through the use of the prefix "en-," something of the active meaning that
Heidegger here gives to the German word. While following the discussion
that now ensues, in which Enframing assumes a central role, the reader
should be careful not to interpret the word as though it simply meant a
framework of some sort. Instead he should constantly remember that En­
framing is fundamentally a calling-forth. It is a "challenging claim," a
demanding summons, that "gathers" so as to reveal. This claim en frames
in that it assembles and orders. It puts into a framework or configuration
everything that it summons forth, through an ordering for use that it is
forever restructuring anew. Cf. Introduction, pp. xxix ff.
20 The Question Concerning Technology

According to ordinary usage, the word Gestell [frame] means

some kind of apparatus, e.g., a bookrack. Gestell is also the name
for a skeleton. And the employment of the word Ge-stell [En­
framing] that is now required of us seems equally eerie, not to
speak of the arbitrariness with which words of a mature language
are thus misused. Can anything be more strange? Surely not.
Yet this strang eness is an old usage of thinking. And indeed
thinkers accord with this usage precisely at the point where it is a
matter of thinking that which is highest. We, late born, are no
longer in a position to appreciate the significance of Plato's dar­
ing to use the word eidos for that which in everything and in
each particular thing endures as present. For eidos, in the com­
mon speech, meant the outward aspect [Ansicht] that a visible
thing offers to the physical eye. Plato exacts of this word, how­
ever, something utterly extraordinary : that it name what precisely
is not and never will be perceivable with physical eyes. But even
this is by no means the full extent of what is extraordinary here.
For idea names not only the nonsensuous aspect of what is
physically visible. I S Aspect (idea) names and is, also, that which
constitutes the essence in the audible, the tasteable, the tactile,
in everything that is in any way accessible. Compared with the
demands that Plato makes on language and thought in this and
other instances, the use of the word Gestell as the name for the
essence of modern technology, which we now venture here, is
almost harmless. Even so, the usage now required remains some­
thing exacting and is open to misinterpretation.
Enframing means the gathering together of that setting-upon
which sets upon man, i.e., challenges him forth, to reveal the
real, in the mode of ordering, as standing-reserve. Enframing
means that way of revealing which holds sway in the essence of
modern technology and which is itself nothing technological.
On the other hand, all those things that are so familiar to us and
are standard parts of an assembly, such as rods, pistons, and
chassis, belong to the technological. The assembly itself, how­
ever, together with the aforementioned stockparts, falls within

18. Where idea is italicized it is not the English word but a transliteration
of the Greek.
 The Question Concerning Technology 21

the sphere of technological activity ; and this activity always

merely responds to the challenge of Enframing, but it never
comprises Enframing itself or brings it about.
The word stellen [to set upon] in the name Ge-stell [Enfram­
ing] not only means challenging. At the same time it should
preserve the suggestion of another Stellen from which it stems,
namely, that producing and presenting [Her- und Dar-stellen]
which, in the sense of poiesis, lets what presences come forth
into unconcealment. This producing that brings forth-e.g., the
erecting of a statue in the temple precinct-and the challenging
ordering now under consideration are indeed fundamentally dif­
ferent, and yet they remain related in their essence. Both are
ways of revealing, of aletheia. In Enframing, that unconcealment
comes to pass in conformity with which the work of modern
technology reveals the real as standing-reserve. This work is
therefore neither only a human activity nor a mere means within
such activity. The merely instrumental, merely anthropological
definition of technology is therefore in principle untenable. And
it cannot be rounded out by being referred back to some meta­
physical or religious explanation that undergirds it.
It remains true, nonetheless, that man in the technological age
is, in a particularly striking way, challenged forth into revealing.
That revealing concerns nature, above all, as the chief storehouse
of the standing energy reserve. Accordingly, man's ordering
attitude and behavior display themselves first in the rise of
modern physics as an exact science. Modern science's way of
representing pursues and entraps nature as a calculable coher­
ence of forces. Modern physics is not experimental physics be­
cause it applies apparatus to the questioning of nature. Rather
the reverse is true. Because physics, indeed already as pure
theory, sets nature up to exhibit itself as a coherence of forces
calculable in advance, it therefore orders its experiments precisely
for the purpose of asking whether and how nature reports itself
when set up in this way.
·k But after all, mathematical physics arose almost two centuries
. before technology. How, then, could it have already been set
upon by modern technology and placed in its service? The facts
testify to the contrary. Surely technology got under way only
22 The Question Concerning Technology

when it could be supported by exact physical science. Reckoned

chronologically, this is correct. Thought historically, it does not
hit upon the truth.
The modern physical theory of nature prepares the way first
not simply for technology but for the essence of modern tech­
nology. For already in physics the challenging gathering-together
into ordering revealing holds sway. But in it that gathering does
not yet come expressly to appearance. Modern physics is the
herald of Enframing, a herald whose origin is still unknown. The
essence of modern technology has for a long time been conceal­
ing itself, even where power machinery has been invented, where
electrical technology is in full swing, and where atomic tech­
nology is well under way.
All coming to presence, not only modern technology, keeps
itself everywhere concealed to the lastY) Nevertheless, it re­
mains, with respect to its holding sway, that which precedes all :
the earliest. The Greek thinkers already knew of this when they
said : That which is earlier with regard to the arising that holds
sway becomes manifest to us men only later. That which is
primally early shows itself only ultimately to men.20 Therefore,
in the realm of thinking, a painstaking effort to think through
still more primally what was primally thought is not the absurd
wish to revive what is past, but rather the sober readiness to be
astounded before the coming of what is early.
Chronologically speaking, modern physical science begins in
the seventeenth century. In contrast, machine-power technology
develops only in the second half of the eighteenth century. But
modern technology, which for chronological reckoning is the
later, is, from the point of view of the essence holding sway
within it, the historically earlier.

19. "Coming to presence" here translates the gerund Wesende, a verbal

form that appears, in this volume, only in this essay. With the introduction
into the discussion of "coming to presence" as an alternate translation of
the noun Wesen (essence), subsequent to Heidegger's consideration of the
meaning of essence below (pp. 30 ff.), occasionally the presence of das
Wesende is regrettably but unavoidably obscured.
20. "That which is primally early" translates die anfiingliche Fruhe. For
a discussion of that which "is to all present and absent beings . . . the
earliest and most ancient at once"-i.e., Ereignen, das Ereignis-see "The
Way to Language" in On the Way to Language, trans. Peter D. Hertz (New
York : Harper & Row, 1971), p. 127.
 The Question Concerning Technology 23

If modern physics must resign itself ever increasingly to the

fact that its realm of representation remains inscrutable and
incapable of being visualized, this resignation is not dictated by
any committee of researchers. It is challenged forth by the rule
of Enframing, which demands that nature be orderable as
standing-reserve. Hence physics, in all its retreating from the
representation turned only toward objects that has alone been
standard till recently, will never be able to renounce this one
thing : that nature reports itself in some way or other that is
identifiable through calculation and that it remains orderable
as a system of information. This system is determined, then, out
of a causality that has changed once again. Causality now dis­
plays neither the character of the occasioning that brings forth
nor the nature of the causa efficiens, let alone that of the causa
formalis. It seems as though causality is shrinking into a re­
porting-a reporting challenged forth-of standing-reserves that
must be guaranteed either simultaneously or in sequence. To this
shrinking would correspond the process of growing resignation
that Heisenberg's lecture depicts in so impressive a manner.*
Because the essence of modern technology lies in Enframing,
modern technology must employ exact physical science. Through
its so doing, the deceptive illusion arises that modern technology
is applied physical science. This illusion can maintain itself only
so long as neither the essential origin of modern science nor
indeed the essence of modern technology is adequately found
out through questioning.

We are questioning concerning technology in order to bring to

light our relationship to its essence. The essence of modern tech­
nology shows itself in what we call Enframing. But simply to
point to this is still in no way to answer the question concerning
technology, if to answer means to respond, in the sense of
correspond, to the essence of what is being asked about.
Where do we find ourselves brought to, if now we think one
step further regarding what Enframing itself actually is ? It is
nothing technological, nothing on the order of a machine. It is
the way in which the real reveals itself as standing-reserve.

* W. Heisenberg, "Das Naturbild in der heutigen PhYSik," in Die Kiinste

im technischen Zeitalter (Munich, 1954), pp. 43 ff.
24 The Question Concerning Technology

Again we ask : Does this revealing happen somewhere beyond

all human doing? No. But neither does it happen exclusively in
man, or decisively through man.
Enframing is the gathering together that belongs to that
setting-upon which sets upon man and puts him in position to
reveal the real, in the mode of ordering, as standing-reserve. As
the one who is challenged forth in this way, man stands within
the essential realm of Enframing. He can never take up a rela­
tionship to it only subsequently. Thus the question as to how
we are to arrive at a relationship to the essence of technology,
asked in this way, always comes too late. But never too late
comes the question as to whether we actually experience our­
selves as the ones whose activities everywhere, public and pri­
vate, are challenged forth by Enframing. Above all, never too
late comes the question as to whether and how we actually
admit ourselves into that wherein Enframing itself comes to
presence.
The essence of modern technology starts man upon the way
of that revealing through which the real everywhere, more or
less distinctly, becomes standing-reserve. "To start upon a way"
means "to send" in our ordinary language. We shall call that
sending-that-gathers [versammelde Schicken] which first starts
man upon a way of revealing, destining [Geschick] .21 It is from
out of this destining that the essence of all history [Geschichte]
is determined. History is neither simply the object of written
chronicle nor simply the fulfillment of human activity. That
activity first becomes history as something destined. * And it is
only the destining into obj ectifying representation that makes the
historical accessible as an object for historiography, i.e., for a
science, and on this basis makes possible the current equating
of the historical with that which is chronicled.
Enframing, as a challenging-forth into ordering, sends into a
way of revealing. Enframing is an ordaining of destining, as is

21. For a further presentation of the meaning resident in Geschick and

the related verb schicken, d. T 38 ff., and Introduction, pp. xxviii ff.

* See Vom Wesen der Wahrheit, 1930; 1st ed., 1943, pp. 16 ff. [English
translation, "On the Essence of Truth," in Existence and Being, ed. Werner
Brock (Chicago : Regnery, 1949), pp. 308 ff.]
 The Question Concerning Technology 25

every way of revealing. Bringing-forth, poiesis, is also a destining

in this sense.
Always the unconcealment of that which is22 goes upon a way
of revealing. Always the destining of revealing holds complete
sway over man. But that destining is never a fate that compels.
For man becomes truly free only insofar as he belongs to the
realm of destining and so becomes one who listens and hears
[Horender] , and not one who is simply constrained to obey
[Horiger] .
The essence of freedom is originally not connected with the
will or even with the causality of human willing.
Freedom governs the open in the sense of the cleared and
lighted up, i.e., of the revealed.23 It is to the happening of reveal­
ing, i.e., of truth, that freedom stands in the closest and most
intimate kinship. All revealing belongs within a harboring and a
concealing. But that which frees-the mystery-is concealed and
always concealing itself. All revealing comes out of the open,
goes into the open, and brings into the open. The freedom of
the open consists neither in unfettered arbitrariness nor in the
constraint of mere laws. Freedom is that which conceals in a way
that opens to light, in whose clearing there shimmers that veil
that covers what comes to presence of all truth and lets the veil
appear as what veils. Freedom is the realm of the destining that
at any given time starts a revealing upon its way.
The essence of modern technology lies in Enframing. Enfram­
ing belongs within the destining of revealing. These sentences
express something different from the talk that we hear more
frequently, to the effect that technology is the fate of our age,
where "fate" means the inevitableness of an unalterable course.
But when we consider the essence of technology, then we ex­
perience Enframing as a destining of revealing. In this way we
are already sojourning within the open space of destining, a
destining that in no way confines us to a stultified compulsion to
push on blindly with technology or, what comes to the same
22. des sen was ist. On the peculiar significance of das was ist (that
which is), see T 44 n. 12.
23. "The open" here translates das Freie, cognate with Freiheit, freedom.
Unfortunately the repetitive stress of the German phrasing cannot be re­
produced in English, since the basic meaning of Freie-open air, open space
-is scarcely heard in the English "free."
26 The Question Concerning Technology

thing, to rebel helplessly against it and curse it as the work of

the devil. Quite to the contrary, when we once open ourselves
expressly to the essence of technology, we find ourselves un­
expectedly taken into a freeing claim.
The essence of technology lies in Enframing. Its holding sway
belongs within destining. Since destining at any given time starts
man on a way of revealing, man, thus under way, is continually
approaching the brink of the possibility of pursuing and pushing
forward nothing but what is revealed in ordering, and of deriv­
ing all his standards on this basis. Through this the other possi­
bility is blocked, that man might be admitted more and sooner
and ever more primally to the essence of that which is uncon­
cealed and to its unconcealment, in order that he might experi­
ence as his essence his needed belonging to revealing.
Placed between these possibilities, man is endangered from out
of destining. The destining of revealing is as such, in every one
of its modes, and therefore necessarily, danger.
In whatever way the destining of revealing may hold sway,
the unconcealment in which everything that is shows itself at
any given time harbors the danger that man may quail at the un­
concealed and may misinterpret it. Thus where everything that
presences exhibits itself in the light of a cause-effect coherence,
even God can, for representational thinking, lose all that is
exalted and holy, the mysteriousness of his distance. In the
light of causality, God can sink to the level of a cause, of causa
efficiens. He then becomes, even in theology, the god of the
philosophers, namely, of those who define the unconcealed and
the concealed in terms of the causality of making, without ever
considering the essential origin of this causality.
In a similar way the unconcealment in accordance with which
nature presents itself as a calculable complex of the effects of
forces can indeed permit correct determinations i but precisely
through these successes the danger can remain that in the midst
of all that is correct the true will withdraw.
The destining of revealing is in itself not just any danger, but
danger as such.
Yet when destining reigns in the mode of Enframing, it is the
supreme danger. This danger attests itself to us in two ways. As
soon as what is unconcealed no longer concerns man even as
 The Question Concerning Technology 2/

object, but does so, rather, exclusively as standing-reserve, a n d

man in the midst o f objectlessness i s nothing but the orderer of
the standing-reserve, then he comes to the very brink of it
precipitous fall; that is, he comes to the point where he himself
will have to be taken as standing-reserve. Meanwhile man, pre­
cisely as the one so threatened, exalts himself to the posture of
lord of the earth. In this way the impression comes to prevail that
everything man encounters exists only insofar as it is his con­
struct. This illusion gives rise in turn to one final delusion : It
seems as though man everywhere and always encounters only
himself. Heisenberg has with complete correctness pointed out
that the real must present itself to contemporary man in this
way. * In truth, however, precisely nowhere does man today any
longer encounter himself, i.e., his essence. Man stands so de­
cisively in attendance on the challenging-forth of Enframing that
he does not apprehend Enframing as a claim, that he fails to see
himself as the one spoken to, and hence also fails in every way
to hear in what respect he ek-sists, from out of his essence, in the
realm of an exhortation or address, and thus can never encounter
only himself.
But Enframing does not simply endanger man in his relation­
ship to himself and to everything that is. As a destining, it
banishes man into that kind of revealing which is an ordering.
Where this ordering holds sway, it drives out every other possi-
( bility of revealing. Above all, Enframing conceals that revealing
which, in the sense of poiesis, lets what presences come forth
into appearance. As compared with that other revealing, the
setting-upon that challenges forth thrusts man into a relation to
that which is, that is at once antithetical and rigorously ordered.
Where Enframing holds sway, regulating and securing of the
standing-reserve mark all revealing. They no longer even let
their own fundamental characteristic appear, namely, this re­
vealing as such.
Thus the challenging Enframing not only conceals a former
way of revealing, bringing-forth, but it conceals revealing itself
and with it That wherein unconcealment, i.e., truth, comes to
pass.

* "Das Naturbild," pp. 60 ff.

 28 The Question Concerning Technology

Enframing blocks the shining-forth and holding-sway of truth.

The destinil1g that sends into ordering is consequently the ex­
treme q.afiger. What is dangerous is not technology. There is no
d<::m6nry of technology, but rather there is the mystery of its
: essence. The essence of technology, as a destining of revealing, is
the danger. The transformed meaning of the word "Enframing"
will perhaps become somewhat more familiar to us now if we
think Enframing in the sense of destining and danger.
The threat to man does not come in the first instance from
the potentially lethal machines and apparatus of technology. The
actual threat has already affected man in his essence. The rule
of Enframing threatens man with the possibility that it could
be denied to him to enter into a more original revealing and
hence to experience the call of a more primal truth.
Thus, where Enframing reigns, there is danger in the highest
sense.
But where danger is, grows
The saving power also.
Let us think carefully about these words of H6lderlin. What
does it mean "to save"? Usually we think that it means only to
seize hold of a thing threatened by ruin, in order to secure it in
its former continuance. But the verb "to save" says more. "To
save" is to fetch something home into its essence, in order to
Q[,ing the essence for the first time into its genuine appearing.
If the essence of technology, Enframing, is the extreme danger,
and if there is truth in H6lderlin's words, then the rule of
Enframing cannot exhaust itself solely in blocking all lighting-up
of every revealing, all appearing of truth. Rather, precisely the
essence of technology must harbor in itself the growth of the
saving power. But in that case, might not an adequate look into
what Enframing is as a destining of revealing bring into appear­
ance the saving power in its arising?
In what respect does the saving power grow there also where
the danger is? Where something grows, there it takes root, from
thence it thrives. Both happen concealedly and quietly and in
their own time. But according to the words of the poet we have
no right whatsoever to expect that there where the danger is we
 The Question Concerning Technology 29

should be able to lay hold of the saving power immediately and

without preparation. Therefore we must consider now, in ad­
vance, in what respect the saving power does most profoundly
take root and thence thrive even in that wherein the extreme
danger lies, in the hdlding sway of Enframing. In order to con­
sider this, it is necessary, as a last step upon our way, to look
with yet clearer eyes into the danger. Accordingly, we must once
more question concerning technology. For we have said that in
technology's essence roots and thrives the saving power.
But how shall we behold the saving power in the essence of
technology so long as we do not consider in what sense of
"essence" it is that Enframing is actually the essence of tech­
nology?
Thus far we have understood "essence" in its current meaning.
In the academic language of philosophy, "essence" means what
something is ; in Latin, quid. Quidditas, whatness, provides the
answer to the question concerning essence. For example, what
pertains to all kinds of trees-oaks, beeches, birches, firs-is the
same "treeness." Under this inclusive genus-the "universal"­
fall all real and possible trees. Is then the essence of technology,
Enframing, the common genus for everything technological? If
that were the case then the stearn turbine, the radio transmitter,
and the cyclotron would each be an Enframing. But the word
"Enframing" does not mean here a tool or any kind of apparatus.
Still less does it mean the general concept of such resources. The
machines and apparatus are no more cases and kinds of Enfram­
ing than are the man at the switchboard and the engineer in
the drafting room. . Each of these in its own way indeed belongs
as stockpart, available resource, or executer, within Enframing ;
but Enframing is never the essence of technology in the sense of
a genus. Enframing is a way of revealing having the character of
destining, namely, the way that challenges forth. The revealing
that brings forth (poiesis) is also a way that has the character of
destining. But these ways are not kinds that, arrayed beside one
another, fall under the concept of revealing. Revealing is that
destining which, ever suddenly and inexplicably to all thinking,
apportions itself into the revealing that brings forth and that also
challenges, and which allots itself to man. The challenging reveal-
30 The Question Concerning Technology

ing has its origin as a destining in bringing-forth. But at the

same time Enframing, in a way characteristic of a destining,
blocks poiesis.
Thus Enframing, as a destining of revealing, is indeed the
essence of technology, but never in the sense of genus and
essentia. If we pay heed to this, something astounding strikes us :
It is technology itself that makes the demand on us to think in
another way what is usually understood by "essence." But in
what way?
If we speak of the "essence of a house" and the "essence of a
state," we do not mean a generic type ; rather we mean the ways
in which house and state hold sway, administer themselves,
develop and decay-the way in which they "essence" [Wesen] .
Johann Peter Hebel in a poem, "Ghost on Kanderer Street," for
which Goethe had a special fondness, uses the old word die
Weserei. It means the city hall inasmuch as there the life of the
community gathers and village existence is constantly in play, i.e.,
comes to presence. It is from the verb wesen that the noun
is derived. Wesen understood as a verb is the same as wiihren
[to last or endure] , not only in terms of meaning, but also in
terms of the phonetic formation of the word. Socrates and Plato
already think the essence of something as what essences, what
comes to presence, in the sense of what endures. But they think
what endures as what remains permanently [das Fortwiihrende]
(aei on). And they find what endures permanently in what, as
that which remains, tenaciously persists throughout all that hap­
pens. That which remains they discover, in turn, in the aspect
[Aussehen] (eidos, idea), for example, the Idea "house."
The Idea "house" displays what anything is that is fashioned
as a house. Particular, real, and possible houses, in contrast, are
changing and transitory derivatives of the Idea and thus belong
to what does not endure.
But it can never in any way be established that enduring is
based solely on what Plato thinks as idea and Aristotle thinks
as to ti en einai (that which any particular thing has always been),
or what metaphysics in its most varied interpretations thinks as
essentia.
All essencing endures. But is enduring only permanent en­
during? Does the essence of technology endure in the sense of
 The Question Concerning Technology 31

the permanent enduring of an Idea that hovers over everything

technological, thus making it seem that by technology we mean
some mythological abstraction? The way in which technology
essences lets itself be seen only from out of that permanent
enduring in which Enframing comes to pass as a destining of
revealing. Goethe once uses the mysterious word fortgewiihren
[to grant permanently] in place of fortwiihren [to endure perma­
nently] . * He hears wiihren [to endure] and gewiihren [to grant]
here in one unarticulated accord?4 And if we now ponder more
carefully than we did before what it is that actually endures and
perhaps alone endures, we may venture to say : Only what is
granted endures. That which endures primally out of the earliest
beginning is what grants.25
As the essencing of technology, Enframing is that which en­
dures. Does Enframing hold sway at all in the sense of granting?
No doubt the question seems a horrendous blunder. For according
to everything that has been said, Enframing is, rather, a destining
that gathers together into the revealing that challenges forth.
Challenging is anything but a granting. 50 it seems, so long as
we do not notice that the challenging-forth into the ordering
of the real as standing-reserve still remains a destining that starts
man upon a way of revealing. As this destining, the coming to
presence of technology gives man entry into That which, of
himself, he can neither invent nor in any way make. For there
is no such thing as a man who, solely of himself, is only man.
But if this destining, Enframing, is the extreme danger, not
only for man's coming to presence, but for all revealing as such,
should this destining still be called a granting? Yes, most emphat-

* "Die Wahlverwandtschaften" [Congeniality] , pt. II, chap. 10, in the

novelette Die wunderlichen Nachbarskinder [The strange neighbor's chil­
dren] .
24. The verb gewiihren is closely allied to the verbs wiihren (to endure)
and wahren (to watch over, to keep safe, to preserve). Gewiihren ordinarily
means to be surety for, to warrant, to vouchsafe, to grant. In the discussion
that follows, the verb will be translated simply with "to grant." But the
reader should keep in mind also the connotations of safeguarding and
guaranteeing that are present in it as well.
25. Nur das Gewiihrte wiihrt. Das anfiinglich aus der Fruhe Wiihrende ist
das Gewiihrende. A literal translation of the second sentence would be,
"That which endures primally from out of the early. . . . " On the meaning
of "the early," see n. 20 above.
32 The Question Concerning Technology

icalIy, if in this destining the saving power is said to grow.

Every destining of revealing comes to pass from out of a granting
and as such a granting. For it is granting that first conveys to man
that share in revealing which the coming-to-pass of revealing
needs.26 As the one so needed and used, man is given to belong
to the coming-to-pass of truth. The granting that sends in one
way or another into revealing is as such the saving power. For the
saving power lets man see and enter into the highest dignity of
his essence. This dignity lies in keeping watch over the uncon­
cealment-and with it, from the first, the concealment-of all
coming to presence on this earth. It is precisely in Enframing,
which threatens to sweep man away into ordering as the sup­
posed single way of revealing, and so thrusts man into the
danger of the surrender of his free essence-it is precisely in
this extreme danger that the innermost indestructible belong­
ingness of man within granting may come to light, provided that
we, for our part, begin to pay heed to the coming to presence of
technology.
Thus the coming to presence of technology harbors in itself
what we least suspect, the possible arising of the saving power.
Everything, then, depends upon this : that we ponder this
arising and that, recollecting, we watch over it. How can this
happen? Above all through our catching sight of what comes
to presence in technology, instead of merely staring at the tech­
nologicar So long as we represent technology as an instrument,
we remain held fast in the will to master it. We press on past
the essence of technology.
When, however, we ask how the instrumental comes to pres­
ence as a kind of causality, then we experience this coming to
presence as the destining of a revealing.
When we consider, finally, that the coming to presence of the
essence of technology comes to pass in the granting that needs
and uses man so that he may share in revealing, then the follow­
ing becomes clear :

26. Here and subsequently in this essay, "coming-to-pass" translates the

noun Ereignis. Elsewhere, in "The Turning," this word, in accordance with
the deeper meaning that Heidegger there finds for it, will be translated with
"disclosing that brings into its own." See T 45; see also Introduction, pp.
xxxvi-xxxvii.
 The Question Concerning Technology 33

The essence of technology is in a lofty sense ambiguous. Such

ambiguity points to the mystery of all revealing, i.e., of truth.
On the one hand, Enframing challenges forth into the frenzied­
ness of ordering that blocks every view into the coming-to-pass
of revealing and so radically endangers the relation to the essence
of truth.
On the other hand, Enframing comes to pass for its part in the
granting that lets man endure-as yet unexperienced, but per­
haps more experienced in the future-that he may be the one
who is needed and used for the safekeeping of the coming to
presence of truth.:n Thus does the arising of the saving power
appear.
The irresistibility of ordering and the restraint of the saving
power draw past each other like the paths of two stars in the
course of the heavens. But precisely this, their passing by, is the
hidden side of their nearness.
When we look into the ambiguous essence of technology, we
behold the constellation, the stellar course of the mystery.
The question concerning technology is the question concern­
ing the constellation in which revealing and concealing, in which
the coming to presence of truth, comes to pass.
But what help is it to us to look into the constellation of truth?
We look into the danger and see the growth of the saving power.
Through this we are I).ot yet saved. But we are thereupon sum­
moned to hope in the growing light of the saving power. How
can this happen? Here and now and in little things, that we may
foster the saving power in its increase. This includes holding
always before our eyes the extreme danger.
The coming to presence of technology threatens revealing,
threatens it with the possibility that all revealing will be con­
sumed in ordering and that everything will present itself only
in the unconcealedness of standing-reserve. Human activity can
never directly counter this danger. Human achievement alone
can never banish it. But human reflection can ponder the fact that

27. "Safekeeping" translates the noun Wahrnis, which is unique to Hei­

degger. Wahrnis is closely related to the verb wahren (to watch over, to
keep safe, to preserve), integrally related to Wahrheit (truth), and closely
akin to wiihren (to endure) and gewiihren (to be surety for, to grant). On
the meaning of Wahrnis, see T 42, n. 9 and n. 12 above.
34 The Question Concerning Technology

all saving power must be of a higher essence than what is en­

dangered, though at the same time kindred to it.
But might there not perhaps be a more primally granted re­
vealing that could bring the saving power into its first shining
forth in the midst of the danger, a revealing that in the techno­
logical age rather conceals than shows itself?
There was a time when it was not technology alone that bore
the name techne. Once that revealing that brings forth truth into
the splendor of radiant appearing also was called techne.
Once there was a time when the bringing-forth of the true into
the beautiful was called techne. And the poiesis of the fine arts
also was called techne.
In Greece, at the outset of the destining of the West, the arts
soared to the supreme height of the revealing granted them.
They brought the presence [Gegenwart] of the gods, brought the
dialogue of divine and human destinings, to radiance. And art
was simply called techne. It was a single, manifold revealing. It
was pious, promos, i.e., yielding to the holding-sway and the
safekeeping of truth.
The arts were not derived from the artistic. Art works were
not enjoyed aesthetically. Art was not a sector of cultural ac­
tivity.
What, then, was art-perhaps only for that brief but mag­
nificent time? Why did art bear the modest name techne? Be­
cause it was a revealing that brought forth and hither, and
therefore belonged within poiesis. It was finally that revealing
which holds complete sway in all the fine arts, in poetry, and in
everything poetical that obtained poiesis as its proper name.
The same poet from whom we heard the words
But where danger is, grows
The saving power also.
says to us :
. . . poetically dwells man upon this earth.
The poetical brings the true into the splendor of what Plato
in the Phaedrus calls to ekphanestaton, that which shines forth
most purely. The poetical thoroughly pervades every art, every
revealing of coming to presence into the beautiful.
 The Question Concerning Technology 3S

Could it be that the fine arts are called to poetic revealing?

Could it be that revealing lays claim to the arts most primally,
so that they for their part may expressly foster the growth of
the saving power, may awaken and found anew our look into that
which grants and our trust in it?
Whether art may be granted this highest possibility of its
essence in the midst of the extreme danger, no one can tell. Yet
we can be astounded. Before what? Before this other possibility :
that the frenziedness of technology may entrench itself every­
where to such an extent that someday, throughout everything
technological, the essence of technology may come to presence
in the coming-to-pass of truth.
Because the essence of technology is nothing technological,
essential reflection upon technology and decisive confrontation
with it must happen in a realm that is, on the one hand, akin to
the essence of technology and, on the other, fundamentally
different from it.
Such a realm is art. But certainly only if reflection on art,
for its part, does not shut its eyes to the constellation of truth
after which we are questioning.

Thus questioning, we bear witness to the crisis that in our sheer

preoccupation with technology we do not yet experience the
coming to presence of technology, that in our sheer aesthetic­
mindedness we no longer guard and preserve the coming to
presence of art. Yet the more questioningly we ponder the es­
sence of technology, the more mysterious the essence of art
becomes.
The closer we come to the danger, the more brightly do the
ways into the saving power begin to shine and the more question­
ing we become. For questioning is the piety of thought.