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Romeo and Juliet Script

The document lists the members and their roles for a production of Romeo and Juliet, including Harold Saad Delfino as Romeo and Sarah Jane Alagadmo as Juliet. It then provides a brief 3 paragraph summary of the classic story, describing Romeo's infatuation with Rosaline that turns to love for Juliet after seeing her at a Capulet ball, where their love is discovered and causes conflict between their families.

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dhanacruz2009
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0% found this document useful (0 votes)
137 views

Romeo and Juliet Script

The document lists the members and their roles for a production of Romeo and Juliet, including Harold Saad Delfino as Romeo and Sarah Jane Alagadmo as Juliet. It then provides a brief 3 paragraph summary of the classic story, describing Romeo's infatuation with Rosaline that turns to love for Juliet after seeing her at a Capulet ball, where their love is discovered and causes conflict between their families.

Uploaded by

dhanacruz2009
Copyright
© © All Rights Reserved
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd
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ROMEO AND JULIET SCRIPT

MEMBERS AND THEIR ROLES

Harold Saad Delfino- Romeo


Sarah Jane Alagadmo- Juliet
Vyriel Troy Lajato Alama- Capulet
Francis Ege Elloreg- 2nd Capulet
John Carlo Tugiam Alabata--Tybalt
Kasheica Bandoquillo- Rosaline/Nurse
Jaybie Baga- Benvolio
Vandenver Alabata- Mercutio
Kimberly Carreon- Lady Capulet
Kyle Bacus- Lord Montague
Handsen Bantoto- Father Lawrence
Jack Smith Davad- Paris
Kathlyn Delfino- Shopkeeper

The Story Of ROMEO AND JULIET


Based on the play by William Shakespear, as told by Bart Marks

In the town of Verona lived to families.the Capulets and the


Montagues,engaged in a bitter feud.
Among the Montagues was Romeo, a hot-blooded lad with an eye for the
ladies.
One day, Romeo was recounting for his friends his love for Rosaline, a haughty
beuty from a well-to-do family. Romeo’s friends chided him for his “love of
love” but agreed to a plan to attend the feast of the Capulets ,a costume party
where Rosaline is expected to make an appearance. The disguises would
provide Roemo and his friends a bit of sport and the opportunity to gaze
undetected upon the fair Rosaline. Once there however,Romeo’s eyes fell
upon Juliet, and he thought of Rosaline no more.

Asking around to learn the identity of Juliet. Romeo’s voice is recognized by


Tybalt, a member of the Capulet clan. Tybalt calls for his sword, but the elder
Capulet intervenes, insisting that no blood be shed in his home. So Romeo is
tolerated long enough to fid an opportunity to speak to Juliet alone, still
unaware of her identity.

A hall in Capulet’s house.


Musicians waiting. Enter servingmen with napkins.

First Servant: Where’s Potpan, that he helps not to take away? He shift a
trencher? He scrape a trencher!
Second Servant:When good manners shall lie all in one or two men’s hands
and they unwashed too,
Tis a foul thing.

First Servant: Away with the joint-stools,remove the court-cupboard,look to


the plate.Good thou,save me a piece of marchpane;ad,as thou lovest me,
Anthony, and Potpan!

Second Servant:Ay,boy,ready.

First Servant:You are looked for and called for,asked for and sought for,in the
great chamber

Second Servant:We cannot be here and there too. Cheerly, boys;be brisk
awhile, and the longer liver takes all

Enter CAPULET, with Juliet and others of his house, meeting the Guests and
Maskers

Capulet:Welcome, gentlemen! Ladies that have their toes unplagued with


corns will have a bout with you. Ah ha, my mistress! Which one of you all will
now deny to dance? She that makes dainty, she, I’ll swear, hath corns; am I
come near ye now? Welcome, gentlemen! I have seen the day that I have
worn a visor and could tell a whispering tale in a fair lady’s ear, Such as would
please:tis gone, tis gone, tis gone: You are welcome, gentlemen! Come,
musicians,play a hall, a hall! Give room! And foot it, girls.
(Music plays, and they dance)
More light, you knaves: and turn the tables up, and quench the fire, the room
is grown too hot. Ah, sirrah, this unlook’d-for sport comes well. Nay sit, nay,
sit, good cousin capulet;For you and I are past our dancing days:
How long is’t now since last yourself and I were in a mask?

Second Capulet:By’r lady, thirty years.

Capulet:What, man! Tis not so much “Tis since the nuptials of Lucentio, Come
pentecost as quckly as it will, Some five and twenty years; and then we
mask’d.

Second Capulet:Tis more, tis more, his son is elder, sir; his son is thirty.

Capulet:Will you tell me that? His son was a but a ward two years ago.

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