Sharp - Writing. .Building - Better.writing - Skills
Sharp - Writing. .Building - Better.writing - Skills
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sharp
WRITING
Building Better Writing Skills
KAPLAN
PUBLISHING
New York
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This publication is designed to provide accurate and authoritative information
in regard to the subject matter covered. It is sold with the understanding that
the publisher is not engaged in rendering legal, accounting, or other profes
sional service. If legal advice or other expert assistance is required, the ser¬
vices of a competent professional should be sought.
All rights reserved. The text of this publication, or any part thereof, may
not be reproduced in any manner whatsoever without written permission
from the publisher.
August 2008
10 98765432
ISBN-13: 978-1-4195-5037-9
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Contents
Introduction.vii
SECTION I
Sharper Writing
Chapter 3: Punctuation.61
SECTION II
Sharper Writing Stages
Chapter 6: Prewriting.151
Chapter 7: Writing.177
SECTION III
Sharper Writing Formats
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Introduction
Dear Reader,
Are your business e-mails so long that they’re often ignored? Are there
words you frequently misspell? Do you misuse they’re, there, and their?
Whatever the reason, you picked up this book, which means you want to
improve your writing—a smart decision. Why? Because knowing and
using proper writing will get you places—on standardized tests, in the
workplace, and in everyday life.
Since elementary school, you’ve been learning the parts of speech, parts of
sentences, and their uses. Yet many well-educated, successful people retain
little of what they learned. You need look no further than local street and
shop signs, newspapers, and the Internet for evidence of this problem.
The goal of this book is to present the principles of great writing one last
time, using a unique Building Block Method that helps you retain the
information. You don’t need to commit every bit of information in this
book to memory. What you take away is the knowledge of what makes
good writing and how you currently measure up.
The experts at Kaplan devised this teacher-approved method to make
learning as painless as possible. You’ll begin with the basic rules of writ¬
ing. Then you’ll move on to application of those rules in real-life writ¬
ing formats, and you’ll develop your own Writing Guide to keep track
of errors you make frequently. When you are aware of your weaknesses,
you can find and correct mistakes more easily, and you’ll know how to
proceed.
There’s no smarter way to learn. So get started—good writing is only a
few building blocks away!
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Sharp Writing
The chapters in this book are divided into three sections, beginning with
sentence fundamentals, so everything else builds upon a firm foundation.
2. Detailed Lessons
Each chapter explains one specific topic in detail, with lots of relevant
examples and strategies to help you remember what you need to know.
3. Plentiful Practice
Repetition is the key to mastery. Be prepared to practice, practice, prac¬
tice! You’ll find everything from simple matching exercises to exercises
that ask you to apply the skills you’re learning to practical, real-life situa¬
tions. By “learning from all sides,” you’re much more likely to retain the
information.
The answers follow the Summary and precede the Chapter Quiz.
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Sharp Writing
4. Summary
Each chapter concludes with a concise review of key points.
5. Chapter Quiz
At the end of each chapter, you’ll take a quiz covering material in that
chapter and key concepts from previous chapters, to practice what you’ve
learned and assess your progress.
Writing Guide
Throughout the book, you will be prompted to create your own Writing
Guide (similar to style sheets used by professional editors)—a unique
document on which you note all your problem areas. Anything you come
across in this book that you respond to by saying, “I didn’t know that,” or
“I have trouble with that,” should be included. We’ve added prompts for
some, called Sharp Writing Tips, to jumpstart an entry for you rather
than be used verbatim.
You may wish to keep your guide in a blank notebook or on your word
processor, with sheets headed:
• Parts of Speech
• Grammar, Mechanics, Punctuation
• Prewriting
• Writing
• Editing
• Business Writing
• Personal Correspondence and
• Academic Writing.
To promote even greater retention, we suggest you organize and type your
final Writing Guide.
With a system as easy as this, good writing is well within your reach. All
you have to do is take the first step. Good luck!
IX
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SECTION I
Sharper Writing
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CHAPTER 1
Start your study of grammar with this 10-question Building Block Quiz.
Read each sentence below carefully. Determine the part of speech of the
underlined word or phrases.
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6. "We just sold a red one yesterday, but I think I know where
I can get another one" said the dealer.
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Chapter 1: The Parts of Speech and Their Uses
8. The dealer made some phone calls, and located a red sedan a few
miles away.
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The parts of speech work together. Verbs, adjectives, and nouns have little
meaning by themselves. Instead, they function within sentences to convey
meaning. And words can act as different parts of speech depending on how
they are used in a sentence.
The word show can be a noun, as in “The show is about to begin.” But
it can also be an adjective, as in “show time,” or a verb, as in “show me
the way to go home.” To determine the part of speech, determine how the
word is used in the sentence.
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Chapter 1: The Parts of Speech and Their Uses
NOUNS
WRITING SPEAK
Types of Nouns
• Singular, as in pencil, mouse, or book, or plural, as in pencils, mice,
or books
• Collective or group, naming a single entity composed of more than
one part, such as jury, class, or team
• Concrete, naming things that can be directly experienced by the
senses: igloo, sandwich, phone; or abstract, naming an idea, con¬
cept, or quality that can’t be experienced by the senses: fairness,
truth, neurosis
• Proper, naming specific people, places, or things: Maria Callas,
University of Pennsylvania, White House; or common, naming gen¬
eral people, places, or things: opera singer, school, building
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Practice 1
Underline each noun in the paragraph below and identify whether each is
singular or plural, concrete or abstract, proper or common.
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Chapter 1: The Parts of Speech and Their Uses
PRONOUNS
A phrase is a set of words that are grammatically linked but do not include
both a subject and verb.
Will one of the people who finished eating clean the table?
Will somebody clean the table?
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Types of Pronouns
The pronoun he refers to Jeremy. Since Jeremy names one male, the pro¬
noun is also singular and male:
Incorrect: Clarice and Larissa went the party after she finished work.
Correct: Clarice and Larissa went to the party after they finished work.
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Chapter 1: The Parts of Speech and Their Uses
REMEMBER THIS!
Some pronouns are subjects (I, you, he, she, we, they, who) and others
are objects (me, him, her, us, them, whom). Remember, objects receive
the action of the sentence, while subjects perform it. If you’re not sure
whether to use I or me, he or him, we or us, or who or whom, you need to
understand the difference between subjects and objects. Let’s look at an
example:
Practice 2
Circle the correct pronoun(s) in each of the sentences below.
1. Neither Bill nor (I/me) caused the damage.
VERBS _ - . - -w • - ^
WRITING SPEAK
A verb expresses actions, events, or states of being.
Verbs, by their tenses, also ground the sentence in time. They can be a sin¬
gle word, a compound, or a phrase formed by adding one or more helping
verbs (such as will, shall, may, might, can, could, must, ought to, should,
would, used to, and need) to the main verb.
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Chapter 1: The Parts of Speech and Their Uses
Assigned and gave are transitive verbs because they need objects (in this
case, a term paper, and plenty of reasons). You wouldn’t say, “The profes¬
sor assigned,” or “Raul gave”; an object is needed to show what the action
refers to. Verbs that do not need objects are intransitive.
Verbals
Remember learning that nouns can function as subjects, adjectives,
adverbs, and objects? Verbs can perform a similar variety of functions
within a sentence. Verbals are formed from verbs, but by themselves are
not verbs. They include gerunds, participles, and infinitives.
Gerunds always end in —ing and act as nouns (which may be subjects or
objects).
Participles can also function as part of the verb. Present and past forms
both use the help verb to be. Here are examples of the present participle
and past participle used as verbs:
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Practice 3
For the following sentences, indicate whether the underlined verb is
(a) transitive, (b) intransitive, or (c) helping.
7. We (had eaten / had ate) all the popcorn before the movie even
started.
ADJECTIVES
WRITING SPEAK
It’s my book.
We go on vacation the second week of January.
The alarm is going off.
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Chapter 7: The Parts of Speech and Their Uses
Practice 4
In each sentence that follows, underline adjectives (if any) and identify
what each modifies.
ADVERBS__
WRITING SPEAK
Adverbs tell us when; where; how; why; under what conditions; and to
what degree something happened. They differ from adjectives, which tell
us about the thing (or person or place) itself.
Recognizing Adverbs
Most adverbs end with the suffix -ly, making them easy to identify.
The adverb quietly describes how we walked; angrily describes how the
customer complained.
The adverb late tells when Rafael slept, and here tells where.
And not all words ending in -ly are adverbs. Some adjectives also end with
the suffix:
The adjectifriendly describes the noun woman, and lovely describes the
noun flowers.
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Adjective-Adverb Confusion
Adjectives and adverbs are often misused for each other. To avoid making
this error, identify the part of speech that is being modified.
Rapid and transit modify the noun train, therefore they are adjectives.
Quickly explains how the train left, making it an adverb.
Adjectives and adverbs that are absolute should never appear in the com¬
parative or superlative form. Something is either unique or it sn’t; it can’t
be more unique than something else. Other words in this category are:
complete, entire, fatal, ideal, impossible, preferable, and whole.
Not all adjectives can be put into comparative and superlative forms.
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Chapter 1: The Parts of Speech and Their Uses
Practice 5
Find and underline each adverb. Then identify the word it modifies, and
label it a verb, adjective, or adverb.
14. I used to remember them early and forget to send a card, almost
miss them, or remember them late.
b. Badly is an_.
18. Use the comparative form to compare_things.
PREPOSITIONS
WRITING SPEAK
Prepositions are words that show a relationship between one
or more nouns or pronouns and one or more other words in a
sentence.
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Common prepositions:
Prepositional Phrases
Prepositions always appear in phrases that begin with a preposition.
The firefighters scaled the building despite the intense heat and
darting flames.
Despite shows the relationship between the intense heat and darting flames
and scaled. Since it modifies the verb, it is an adverb. In the following sen¬
tences the preposition is underlined and the phrase is italicized:
REMEMBER THIS!
Between refers to two things. Among refers to more than two things.
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Chapter 7: The Parts of Speech and Their Uses
Practice 6
Underline the prepositional phrase or phrases in the following sentences
and decide whether each functions as a noun, adjective, or adverb.
23. The children were afraid of the scary witch in the movie.
CONJUNCTIONS ___
WRITING SPEAK
Conjunctions join two or more parts of sentences—words, phrases,
or clauses—expressing a relationship between them.
Types of Conjunctions
Coordinating conjunctions are words that connect words, phrases, and
clauses that are grammatically equivalent. There are seven common
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coordinating conjunctions: and, or, nor, for, but, so, and yet. In the exam¬
ples below, the coordinating conjunctions are underlined:
You must either drive to the bank or complete the transaction online.
Not only is tennis my favorite sport; it’s also the one I’m best at.
The sentence contains two clauses, Now that he is eighteen, and he can
register to vote. The second is independent; the first is dependent, since
Now that he is eighteen cannot stand alone. The phrase now that estab¬
lishes the relationship between the clauses.
REMEMBER THIS!
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Chapter 1: The Parts of Speech and Their Uses
Practice 7
Circle T for true or F for false for each of the following statements.
The subject of a sentence is who or what the sentence is about. You can
usually find the subject by asking who or what carries out the action of the
sentence:
As you can see, the subject usually comes before the verb (what the sub¬
ject is or does or has done to it). Most of the time, subject-verb is the
word order we expect in the English sentence, the rhythm of our language.
There are three exceptions:
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• questions
Understood Subjects
Do your homework!
Kinds of Subjects
The simple subject is the subject minus any modifiers or articles (a/an,
the). The complete subject is the subject with its modifiers and articles:
The simple subject can be a single word, a phrase (a group of words with¬
out a subject and verb), or a clause (a group of words containing both a
subject and verb):
These subjects are still simple (even though there’s more than one word).
The predicate of a sentence is the verb and anything that logically belongs
with it—the objects, modifiers, or complements (we’ll define these shortly).
The predicate usually ends the English sentence. In the sentences below,
complete subjects are underlined and predicates are in brackets:
I [love to paint.]
Pearl and Jasmine [attend karate class on Wednesdays and Fridays.]
Remaining silent [can be just as destructive as telling a lie.]
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Chapter 1: The Parts of Speech and Their Uses
WRITING SPEAK
Single predicate:
Compound predicate:
s-v: subject-verb
s-lv-c: subject-inking verb-complement
s-v-o: subject-verb-direct object
s-v-io-o: subject-verb-indirect object-object
GRAMMAR SPEAK
A complement is the part of a predicate that describes or renames
the subject. To complement means to make perfect or complete; a
complement completes the subject. Complements are connected to
the subject by a linking verb.
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I / am / a painter,
s/lv/ c
"Once in a blue moon" / means / about once every two and a half years.
s Iv c
The complement a painter describes the subject I. The phrase about once
every two and a half years defines once in a blue moon.
Forms of the verb to be {am, is, are, was, were, being, and been) often
serve as helping verbs, but when to be is the base verb (as in the first exam¬
ple) it is a linking verb. Descriptive verbs, such as become, feel, appear,
look, seem, taste, sound, and smell, are often linking verbs as well.
To test for a linking verb, remove the verb and insert an equal sign; does
it make sense?
I = painter
Once in a blue moon = about once every two and a half years
This doesn’t work for predicates that do not have subject complements:
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Chapter 1: The Parts of Speech and Their Uses
s hv tv io o
A raise is what will be given, so it is the direct object. But who will receive
that raise? Me—the indirect object.
Here’s one more example:
Pattern Variations
As you’ve seen, the four basic sentence patterns—s-v, s-lv-c, s-v-o, and
s-v-io-o—can vary (1) when writers invert order for effect, (2) in ques¬
tions, and (3) in there is/are constructions:
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TYPES OF SENTENCES
Note that in the second example, the subordinate clause is the subject of
the sentence.
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Chapter 1: The Parts of Speech and Their Uses
[Before you can be true to [those you / love]], [you / must be true to
yourself.]
[subordinate clause [subordinate clause]], [independent clause]
Practice 8
In each of the following, identify subject (s), verb (v), and object (o) and
then the sentence type.
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SUMMARY _ _
The parts of speech are the foundation of smarter writing. They are the
components of phrases, clauses, and sentences. When you are confident in
your knowledge of the parts of speech and their forms and uses, your writ¬
ing will improve. Here is an overview of what you’ve learned.
Both subjects and predicates can be single (one singular or plural subject
or predicate) or compound (two or more singular or plural subjects or
predicates).
The basic order for English sentences is subject-predicate, but that order
is reversed in questions, there is/are statements, and sentences that are
inverted for effect. There are four common subject-predicate patterns: s-
lv-c, s-v-o, s-v-io-o, and s-v.
Practice 1
Steaks (plural, concrete, common), charcoal (singular, concrete, com¬
mon), ash (singular, concrete, common), coals (plural, concrete, common),
steaks, chef (singular, concrete, common), Robert Lamouille (singular,
concrete, proper), Shoreline Steakhouses (plural, concrete, proper), sizzle
(singular, abstract, common), steaks, grill (singular, concrete, common),
minutes (plural, abstract, common), steaks, flare-up (singular, concrete,
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Chapter 1: The Parts of Speech and Their Uses
Practice 2
1. 1.1 is part of the compound subject of the sentence; if it read “The
damage was done by neither Bill nor_” the answer would be
me because it is an object.
Practice 3
4. c (the main verb is be)
5. a (anti-virus software is the object)
6. a (software is the object)
7. had eaten. This action was already completed before the time of
another action (the movie starting).
8. tore. The past tense form of the irregular verb tear is tore.
9. crept, blanketed. Both verbs should be in the simple past tense as they
occured at the same time. Crept is the past tense form of creep.
Practice 4
10. Adjectives drivers’ and education both modify the noun course.
11. Possessive pronoun my acts as an adjective limiting the noun test',
motor describes vehicles.
12. No adjectives; if you chose before, recall that adjectives don’t indicate
time-review the section on adverbs.
Practice 5
13. Easily is an adverb that tells how the speaker remembers (verb).
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14. Early also tells how the speaker remembers (note that it can also func¬
tion as an adjective, as in the early bird); almost modifies the verb
miss; late describes the verb remember.
Practice 6
21. Approval is the subject of the sentence, and it is modified by the prep¬
ositional phrase of the project. That means the phrase functions as an
adjective.
22. For their vacation is an adverb that modifies the verb leaving.
23. Afraid is an adjective that describes the children. It is modified by
the adverbial prepositional phrase of the scary witch. In the movie is
also a prepositional phrase; it acts as an adjective, describing the noun
witch.
Practice 7
24. False. Correlating conjunctions only join grammatically equal parts
of a sentence, such as a noun and a noun, and a verb phrase with a verb
phrase.
26. False. Not only and but also are correlating conjunctions.
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Chapter 1: The Parts of Speech and Their Uses
Practice 8
30. [Every road / has two directions.]
[s-v-o]
Independent clause.
Simple sentence.
31. [Those [who / sleep with dogs] / will rise with fleas.]
[s [s-v]—v]
Subordinate clause within independent clause.
Complex sentence.
32. [Under a ragged coat lies / wisdom.]
[v-s]
Independent clause.
Simple sentence. (Notice that the sentence structure is inverted.)
33. [Since we / cannot get [what we / like]], [let us / like [what we / can
get]].
[s-v-o [s-v]], [s-v-o [s-v]].
[Subordinate clause [subordinate clause]], [independent clause
[subordinate clause]
Complex sentence.
CHAPTER 1 QUIZ __
Identify the part of speech of each of the underlined words in the following
paragraph. Note the tenses of verbs, and types of conjunctions.
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8
cylinder in a bamboo mat. Nigirizushi, which was developed in
9 10
Read each sentence below carefully and determine the part of speech
needed to fill in the blank.
4. Based is a past tense verb that expresses the action of its subjects,
makizushi and nigirizushi.
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Chapter 1: The Parts of Speech and Their Uses
10. Or is a (coordinating) conjunction that links the nouns pad and ball.
11. Adverb. The word would tell how Jeffery talked on the phone, (qui¬
etly, incessantly, loudly).
13. Adjective. This word would describe the play (mysterious, awful,
fabulous).
19. Verb. An action word or phrase (clapped, went home, stayed in their
seats) would complete this sentence and tell us what the subject did.
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CHAPTER 2
from viruses.
Choose the letter that describes the grammatical error in each of the fol¬
lowing. If the sentence is correct as written, choose (E).
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5. You're scarcely eating anything from the buffet; one should at least
try the salad bar.
6. Shelly bought a souvenir while on her vacation that cost too much
money.
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Chapter 2: Structure, Syntax, and Usage
6. A Did the souvenir or the vacation cost too much? The modifier
cost too much is ambiguous. The words should be rearranged to convey the
intended meaning clearly: “Shelly bought a souvenir that cost too much
while on vacation,” or “While on a vacation that cost too much, Shelly
bought a souvenir.”
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9. D The first time the verb to play is used, it is in the past tense
(played), but the second is in the present (play)—they should both be in
the same tense.
SUBJECT-VERB AGREEMENT
Chapter 1 reviewed the parts of speech and their functions. This chapter
will focus on some of the most common grammatical errors and how to
avoid them.
What It Is
This seemingly straightforward rule causes difficulty for many writers: sin¬
gular subjects take singular verbs, and plural subjects take plural verbs.
The subject Abe is singular, and needs the singular form of the verb, does:
Abe doesn’t like his hair cut too short.
Getting It Right
There are four instances when determining subject-verb agreement can be
tricky.
Since the plural raccoons is closest to the verb, the correct verb is were.
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Chapter 2: Structure, Syntax, and Usage
For compound subjects joined by or, the verb agrees with the closest
noun.
FLASHBACK ■ .-----.—...—
Practice 1
Choose the correct verb or verbs for each sentence.
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Fill in the blanks or circle the correct word in parentheses in each sentence
below.
This sentence contains two independent clauses (Pick up some milk, and
don’t forget to use the coupon). Because they can stand alone, they can’t
be joined with a comma.
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Chapter 2: Structure, Syntax, and Usage
Getting It Right
To correct sentence fragments, determine what is missing (subject or verb)
and add it or change the parts of speech to convert a word into the miss¬
ing part. Note that number of words has nothing to do with distinguishing
fragments from sentences.
Taking a taxi when it is raining to keep her shoes from being ruined by
the water.
Taking a taxi when it is raining keeps her shoes from being ruined by
the water.
Incorrect: When spring break is over, we will get back to work, there
will be plenty of studying to do before finals.
Practice 2
Choose the correct explanation for each of the following sentences or
fragments.
11. After the Civil War, and during the antebellum period when many
southern homes were rebuilt.
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12. The Albrights went to the beach last summer, they said it was the
best vacation they ever had.
Part 2
List the three ways to fix a sentence fragment, on your own paper.
Part 3
List the five ways to fix a run-on sentence, on your own paper.
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Chapter 2: Structure, Syntax, and Usage
What It Is
When a verb is active, the subject of the sentence performs an action and
an object (if there is one) receives the action. In a passive construction, the
subject receives the action.
Getting It Right
Note how many more words it takes to communicate the same idea in the
passive voice. This is one reason the active voice is preferred for most
types of writing. It is more direct and concise.
There are two easy ways to spot passive verbs in your sentences:
1. Does the subject perform or receive the action? Subjects with passive
verbs always receive the action.
Practice 3
For each pair, note which sentence is active.
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There are instances when you should use the passive voice. Choose the
passive voice when:
Practice 4
Is the passive voice used correctly in each of the following sentences?
Rewrite each of the following in the active voice on your own paper.
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Chapter 2: Structure, Syntax, and Usage
UNNECESSARY SHIFTS
Verb tenses are often the only words that place the sentence’s action in
time. Tense should be used carefully to logically represent the sequence
of actions. When tenses shift unnecessarily, your writing becomes confus¬
ing.
Pronouns take the place of nouns, and may be masculine or feminine, sin¬
gular or plural. Shifting pronoun types within a sentence is another way to
confuse your reader.
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Another type of shift occurs when verbs move from active to passive, or
vice versa.
Incorrect: John wrote poetry and many novels were written by him.
The first clause, John wrote poetry, is in the active voice. The second,
many novels were written by him, is needlessly passive.
Getting It Right
The key to avoiding verb tense shifts is to be aware of the tense in which
you are writing, and to use it consistently.
Incorrect: If one is careful, they can avoid additional cell phone fees.
Correct: If cell phone users are careful, they can avoid additional fees.
Incorrect: Gordon bought the nachos, and they were eaten by the
children.
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Chapter 2: Structure, Syntax, and Usage
Practice 5
Avoid or correct the unnecessary shift in each sentence by rewriting the
sentence.
29. After he drove for hours, the car was stopped by my father at
a gas station.
32. Because the directions were not listened to, he completed the
assignment incorrectly.
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The modifier only seems to mean that there is only one girl. But if the
author’s intended meaning was he did nothing more than ask the girl on
the date, the modifier should be before the word asked in order to convey
the correct meaning.
By accident, she fell off the ladder onto the ground, which was
wobbly.
The phrase which was wobbly is a modifier, but what is it modifying? The
ground was probably not wobbly (no earthquake is mentioned). It prob¬
ably describes the ladder, but is placed too far away from that noun to
function properly.
Modifiers are said to dangle when they have nothing to modify. They are
typically phrases made with participles or gerunds (see chapter 1 for a
review of verb forms) that don’t relate to the subject or verb in a sen¬
tence.
The phrase waiting at the station seems to modify the subject, the
bus. Since the bus is not waiting at the station, the phrase is a dangling
modifier. A simple rewrite adds the person intended:
While Joe was waiting at the station, the bus drove by without
stopping.
Waiting at the station, Joe saw the bus drive by without stopping.
Even when placed next to the term they modify, modifiers can be ambigu¬
ous: Yoko said at the meeting Jake raised a good point. Did Yoko say it at
the meeting or did he raise it at the meeting?
Getting It Right
To keep the meaning of your sentences clear, place modifiers as close
as possible to the word(s) they describe. For example, the following two
sentences have two very different meanings:
She almost told her mother all of the details of her trip.
She told her mother almost all of the details of her trip.
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Chapter 2: Structure, Syntax, and Usage
In the first sentence, almost modifies told, and in the second, it modifies
all. If the author intended to say, she told her mother most, but not all, of
the details the first sentence would be wrong. To fix dangling modifiers,
add a word or words to the modifier or the clause to give the modifier
something to describe.
The participle beating does not refer to the noun cake. An appropriate
noun must be added for the sentence to make sense.
Practice 6
Are the modifiers correctly located in the following sentences? If not,
rewrite the sentence correctly.
33. yes/no Hernando gave a present to his mother that was useless.
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What It Is
Matching constructions must be expressed in parallel form. Make sure that
when a sentence contains a list or makes a comparison, the items listed or
compared are in parallel form.
Getting It Right
Incorrect: I love skipping jumping, and to play tiddlywinks.
Correct: I love skipping jumping, and playing tiddlywinks.
Also correct: I love to skip Jump, and play tiddlywinks.
Neither.. .nor The better [or worse].. .the better [or worse]
Either.. .or The more [or less].. .the more [or less]
Both...and Not only...but also
Faulty Comparison
Comparisons must do more than be in parallel form. Most faulty compari¬
sons are illogical—you can’t compare apples and oranges.
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Chapter 2: Structure, Syntax, and Usage
Practice 7
Identify any parallel structure problems in the following sentences; think
of one way to correct each, then either edit the sentence or rewrite on the
line provided.
39. The flowers I received from Becker's Florist Shop were fresher but
less beautifully arranged than Danson's.
40. It was neither responsible nor did it show proper respect to leave
the car blocking the way.
41. Parallel structure means that two or more items in a sentence have
the same_.
44. At the party, the children stuffed themselves with cake and ice
cream and they were exhausted from backyard games.
45. Our foundation serves those who have been displaced because of
natural disasters and people needing shelter from relationships that
are abusive.
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SUMMARY
In this chapter, we covered the most common grammar errors. When you
understand them and why they’re wrong, you can avoid them in your
writing.
Verbs are either in the active or passive voice. When a verb is active,
the subject of the sentence performs an action. The active voice places
emphasis on the subject, conveys meaning clearly, and is preferred in
most types of writing. In a passive construction, the subject receives the
action. Use of the passive voice can create confusing sentences in which
meaning is obscured. It is often used inappropriately, when the active
voice is needed.
Shifts are unnecessary moves from one form of a part of speech to anoth¬
er. Shifts of pronouns, active, and passive voice, and verb tenses are
the most common. Once you establish whether you are speaking in or
referring to first, second, or third person, singular or plural, usage should
remain consistent. This follows with active and passive voice, and verb
tenses. Tense use should not change unless you are deliberately referring
to another time.
Modifiers are words or phrases that describe nouns and verbs. If they’re
misplaced within a sentence, it’s not clear what they’re modifying.
Dangling modifiers are phrases using participles (verbs with -ing endings)
that have nothing to modify. In other words, they don’t relate to the subject
or verb of the sentence.
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Chapter 2: Structure, Syntax, and Usage
Practice 1
1. Are. Jason and I is a compound subject connected by the word and,
so it takes the plural verb.
5. Comes. The singular subject, last year’s marathon winner follows the
verb.
7. third, singular
8. compound
9. plural
Practice 2
11. c. This fragment is a subordinate clause that should be joined with
an independent one (a clause that has a subject and verb) to make a sen¬
tence.
13. a. Dan left and Kara returned are both independent clauses. They
can be divided by a comma followed by and or but.
14. a.
The fragment is a noun clause; what do the baseball fans and
their knowledge do, or what action do they receive? A verb is needed.
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• Turn the clauses into two sentences; separate them with a period.
• Separate the clauses with a comma and the appropriate coordinating
conjunction.
• If the clauses are closely related, separate them with a semicolon.
• If the second clause explains the first, separate them with a colon; if
you want the second to be set off for emphasis, use a dash.
• Turn one of the independent clauses into a subordinate clause or
modifier.
Practice 3
15. a. The subject is the implied you (refresh your memory in chapter
1). The subject performs the action of turning, so this is the active voice.
In contrast, the subject in (b) is key. The key does not perform the action,
but instead receives the action; that means it is in the passive voice.
16. b. The subject Sheila performs the action. In the first sentence, the
subject bank account is acted upon by Sheila.
17. a. The action of the sentence is the verb made, and it is performed
by the subject we. Sentence (b). uses vacation plans as its subject, and
those plans do not make themselves.
Practice 4
18. yes. The emphasis is on the clock, not on the person who adjusted it.
19. no. Unless the context makes this necessary, this sentence is awkward,
and should be rewritten in the active voice: She unwrapped the gift.
20. yes. The grandmother raised her grandchildren, but if we are focusing
on Shauna and her brother, the passive is appropriate.
21. active
22. passive
23. active
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Chapter 2: Structure, Syntax, and Usage
26. a. The passive voice is more logical here because the agent of action
(what delayed the train) is unknown.
27. a. The active voice is best here. The context doesn’t provide reason
to minimize the significance of Alfonse or to emphasize your opinion, and
the agent of action is known.
Practice 5
28. Displayed, because the action is in the past.
29. After he drove for hours, my father stopped the car at a gas station.
(The clause after the comma has been changed from the passive to the
active voice.)
31. Will campaign, because the action is going to take place in the future.
Practice 6
33. No. The modifier useless obviously refers to the present, not to the
mother. The sentence should read, Hernando gave a present that was use¬
less to his mother, or better yet, Hernando gave a useless present to his
mother. (See the section on conciseness in chapter 4.)
34. No. Considering the economy is not something that a bank account
can do. To make sense, the sentence should be Considering the economy,
I think my bank account is doing well.
35. Yes. The modifiers in front of and black are correctly placed.
36. No. The modifier that was hot should be placed next to the noun it
modifies, coffee.
37. No. While bookstores could place orders online, clearly the intended
meaning is that the practice of ordering books online is hurting the sales of
independent bookstores. A better sentence would be: Independent bookstores
are losing business because people order books online. Or Independent
bookstores lose money when people order books online.
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Practice 7
38. This list could read “reading, skiing, and collecting.” If stamp collect¬
ing isn’t a hobby, that should be made clearer: “George’s hobbies include
reading and skiing. For a living, he collects international stamps.”
39. You can’t compare the flowers to Danson’s shop. “The flowers
from Becker’s were fresher ... than those from Danson’s.” Alternatively,
“Becker’s provides fresher flowers than Danson’s.”
40. The “neither...nor” structure requires parallel elements. “It was nei¬
ther responsible nor respectful to leave the car blocking the way.”
44. At the party, the children stuffed themselves with cake and ice cream
and exhausted themselves with backyard games.
45. Our foundation serves those who have been displaced because of nat¬
ural disasters and those who need shelter from abusive relationships.
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Chapter 2: Structure, Syntax, and Usage
CHAPTER 2 QUIZ
11. C I The Thomases, the Chius, and Joanne, bored with life in the
country, is moving to the city.
Error types:___
12. C I That store's customer service was great; it helps me find just
what I was looking for.
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Error types:__
Error types:_
Error types:_
16. C I Flying to the Caribbean, I thought about all the work I was
leaving behind.
Error types:_
Error types:_
18. C I Why can't you take any of those overdue books back to the
library?
Error types:_
Error types:__
20. C I After Sarah failed to figure out what was wrong, the car
trouble was diagnosed by the mechanic.
Error types:_
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Chapter 2: Structure, Syntax, and Usage
1. True.
3. False. Sentences written in the passive voice do not use the performer
of the action as their subject.
4. False. In an inverted sentence, the noun follows the verb. For exam¬
ple, There are many common grammatical errors. The subject is many
common grammatical errors.
5. True.
7. True.
8. False. Verb tense shifts are typically unnecessary and should be avoid¬
ed unless deliberately changing reference to time periods.
9. True.
10. False. Sentence fragments are missing a subject or verb.
11. Incorrect; subject-verb agreement. The verb should be the plural are,
because the subject is compound, consisting of the Thomases, the Chius,
and Joanne.
12. Incorrect; unnecessary shift. The verb helps should be in the past
tense because the first part of the sentence is in the past (was great) and
there is no reason to change the tense.
13. Incorrect; dangling modifier. The phrase learning to cook has noth¬
ing to modify (the dinner party was not learning to cook).
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14. Correct.
16. Correct.
18. Correct.
19. Incorrect; misplaced modifier. The store isn’t at the top of the charts;
the CD is. That modifying phrase should be moved closer the word it mod¬
ifies: At the new music store, Quinn bought a CD that is at the top of the
charts.
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CHAPTER 3
Punctuation
1. Time was up, however,. Gail still had 20 questions left_ to answer.
(A) (B) (C)
5. By the time the dinner party was over, it was well past
(A)
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For questions 6-8, choose the best version of each sentence, if the original
is best, choose (A).
7. Frank Scully said, "Why not go out on a limb? Isn't that where the
fruit is"?
(A) No change
(B) Frank Scully said: "Why not go out on a limb? Isn't that where
the fruit is"?
(C) Frank Scully said; "Why not go out on a limb? Isn't that where
the fruit is?"
(D) Frank Scully said, "Why not go out on a limb? Isn't that where
the fruit is?"
8. Either I will find a way: or I will make one. —Sir Philip Sidney
(A) No change
(B) Either I will find a way—or I will make one.
(C) Either I will find a way, or I will make one.
(D) Either I will find a way; or I will make one.
For questions 9-10, identify which underlined portion (if any) contains an
error. If there is no error, choose (E)
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Chapter 3: Punctuation
10. The pitcher threw a curve balL Quintero swung with all his
(A) (B)
2. C Affect is a verb; effect is a noun and is the correct word for this
sentence.
5. A The clause by the time the dinner party was over introduces the
main action of the sentence, so set it off with a comma.
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Don’t do that!
That tie is a little ... colorful, don’t you think?
We’ll cover all of punctuation in this chapter; the next chapter will be
devoted to capitalization and spelling.
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Chapter 3: Punctuation
you can omit the comma. On the other hand, you may want to keep that
comma for effect.
FLASHBACK I_—--
In the last example, a subordinate clause introduces the main clause. But
be careful: a subordinate clause at the beginning of a sentence does not
always serve that function:
This subordinate clause is the subject of the main clause, so the comma is
wrong.
Practice 1
Insert any necessary commas in the following sentences.
1. I wanted to call you right away but I didn't want to wake you so I
decided to wait until the morning.
2. Whatever you decide I will support you for you are my best friend.
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When one or more items in the series itself has a comma, use semicolons
to separate the items in the list.
MEMORY TIP
If you can logically insert the word and between two consecutive
adjectives, there should be a comma between them.
Practice 2
Insert any necessary commas in the following sentences.
3. Neither rain nor sleet nor hail nor a plague of grasshoppers will keep
me from Miller's one-day sale.
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Chapter 3: Punctuation
Essential elements are not set off by commas. Without the information in
the phrase, clause, or appositive, the sentence loses its specific meaning.
REMEMBER THIS!
Practice 3
Insert any necessary commas in the following sentences.
5. My cousin Mikala who has been suffering from back pain for years
swears that acupuncture has cured her.
6. The package that I needed for the meeting had been delivered to the
wrong address.
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Transitions
Transitional words and phrases link sentences or parts of sentences, show¬
ing the relationship between them (e.g., comparison or cause and effect).
Parenthetical expressions
A parenthetical expression offers ancillary information or acts as an after¬
thought that interrupts or concludes the sentence.
Question tags
Question tags are exactly that: questions we tack on to the end of a sentence.
On second thought, no, Haily and Jules would not make good
lab partners.
Hey, isn’t that Old Man Morrison’s dog running down the street?
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Chapter 3: Punctuation
Direct address
In a direct address, the specific person being addressed should be set off
by commas.
This is essential for clarity; without the commas, we might grill Huang.
Direct quotation
When you quote someone else’s words, set them off with commas as well
as quotation marks. Indirect quotes should have neither commas nor quo¬
tation marks:
REMEMBER THIS!
Dates
Place commas around the year, unless the date is inverted or only the
month and year are stated:
Addresses
Use commas to separate the street from the town, the town from the state
or province, and the state or province from the country.
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Practice 4
Insert any necessary commas in the following sentences.
8. "Please excuse me" Joel said and then he raced out of the room.
10. Noam Feighter AIA was the chief architect for the building at 3305
Main Street in Red Rock Arkansas.
SEMICOLON
The semicolon’s form actually reflects its function. Like a period, the
semicolon separates two independent clauses; like a comma, it keeps them
connected.
FLASHBACK L----—.-
Common conjunctive adverbs include however, therefore, further¬
more, similarly, still, and thus (see chapter 1).
Incorrect: The first Oscars were awarded in 1927; this year, the
nominees for best picture include three historical films.
In this case, even a coordinating conjunction isn’t wise; the best punctua¬
tion between these two sentences is a period.
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Chapter 3: Punctuation
Practice 5
Determine whether the semicolon is correct and appropriate in each of
the following sentences.
11. You don't get ulcers from what you eat; you get ulcers from what's
eating you. —Anonymous
12. A failure is not always a mistake; it may simply be the best one can
do under the circumstances. —B.F. Skinner
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Practice 6
Determine whether each space should be filled by a comma or a
semicolon, or left blank.
14. It's great to be great_ but it's greater to be human. —Will Rogers
COLON
Introducing Quotations
Quotations introduced by an independent clause should be preceded by a
colon.
According to Maria Tatar, the power of fairy tales lies in their ability
to help us cope: “Fairy tales register an effort to develop maps for
coping with personal anxieties.”
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Chapter 3: Punctuation
Introducing Lists
If a list is introduced by an independent clause, separate the clause and list
with a colon:
Practice 7
Determine whether the colons in the following sentences are correct.
15. Henry L. Doherty said: "It is the studying that you do after your
school days that really counts."
16. According to Henry L. Doherty: "It is the studying that you do after
your school days that really counts."
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Practice 8
Correct any colon, semicolon, or comma errors in the following
sentences.
18. Experience is the worst teacher, it gives the test before presenting
the lesson. —Vernon Law
DASH
A favorite punctuation mark of many writers, the dash is often used in places
where a comma, semicolon, colon, or parenthesis would also be correct.
The dashes emphasize the writer’s emotions; the commas are correct, but
deflating. Don’t overuse the dash: that defeats its purpose and makes your
writing choppy.
Practice 9
Correct any inappropriate uses of the dash in the following sentences.
19. You do not lead by hitting people over the head—that's assault, not
leadership. —Dwight D. Eisenhower
20. Conscience is the inner voice that warns us—that someone may be
looking. —HI. Mencken
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Chapter 3: Punctuation
QUOTATION MARKS
Long Quotations
When quoting poetry or prose and the quotation is more than four full
lines of text or more than three lines of poetry, omit the quotation marks.
Instead, indent the quotation.
In his August 2003 article in The Nation, Joe Conason explains the
term “compassionate conservative”: “‘Compassionate’ softens con¬
servative,’ a word that tends to be associated with smug stinginess.”
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Practice 70
Correct any quotation mark errors in the following sentences.
Around Titles
Titles of short works or portions of long works should appear in quota¬
tion marks. Short works include: newspaper and magazine articles, short
stories, poems, chapters or sections of books, songs, episodes of television
or radio programs.
Hamson wrote, “Dear Jane: I cannot tell you how deeply you
hurt me”; then he tore up the paper and threw it away, deciding
it was best to speak to Jane in person.
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Chapter 3: Punctuation
Practice 11
Insert quotation marks where needed in the following sentences.
24. The Love Song of J. Alfred Prufrock is one ofT. S. Eliot's most
famous poems.
END MARKS _
The Period
All sentences except direct questions and exclamations should end in
a period.
REMEMBER THIS!
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In the second example, the quotation gets the exclamation point, not the
entire sentence—and the exclamation point is inside the quotation marks.
Practice 12
Correct any errors in end mark punctuation in the sentences below.
f FI ASHRArif 1
Periods in Abbreviations
The period is also used in many abbreviations.
Period(s)
No Period(s)
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Chapter 3: Punctuation
Practice 13
Correct any errors in abbreviations in the following sentences.
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The apostrophe has two uses you know well: to show possession and
omission.
Possessives
Most nouns and indefinite pronouns (e.g., someone, anybody) show pos¬
session by adding the apostrophe and -s.
Nouns ending in -s
For singular nouns ending in -s, add both the apostrophe and -s unless the
pronunciation will be awkward.
Individual: Roxanne’s and Ravi’s dogs won prizes in the dog show.
[Roxanne and Ravi each own dogs.]
Joint: Roxanne and Ravi’s dogs won prizes in the dog show.
[Roxanne and Ravi jointly own the dogs.]
To Show Omission
Use the apostrophe when you omit one or more letters from a word or
numbers from a date.
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Chapter 3: Punctuation
Incorrect Uses
Avoid the following common misuses of the apostrophe.
Incorrect: There are two 10’s missing from this deck of cards.
Correct: There are two 10s missing from this deck of cards.
Incorrect: Both of the M’s had faded, so the sign read “Toy’s”
instead of “Tommy’s.”
Correct: Both of the Ms had faded, so the sign read “Toy’s”
instead of “Tommy’s.”
Correct: There are four Ps and four sis in Mississippi.
[Without the apostrophe, readers might mistake is for
is; use the apostrophe for both letters for consistency.]
Practice 14
Correct any apostrophe errors in the following sentences.
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Parentheses
Parentheses set off information that is supplemental or tangential—a
minor example, a digression, an afterthought. Parentheses are also used
for numbering items in a list as well as for citation material.
Brackets ([ ])
Brackets indicate that you have added words to, or changed words in, a
quotation. Brackets also indicate stage directions in a play. As you’ve seen
over and over in this text, brackets can also set off special instructions or
explanations.
Practice 15
Correct any errors in the use of parentheses or brackets in the following
sentences.
32. In the final scene, Joy [crying softly] confesses to Hitch (her dying
son), "Dylan (Hitch's coach) is your real father, and he's loved you
more than you'll ever know."
Ellipsis (...)
Ellipsis has two uses: (1) to indicate that you have deleted one or more
words from a quotation and (2) to indicate hesitation, interruption, or
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Chapter 3: Punctuation
unfinished thought in speech. (If you delete a full sentence or more from a
quotation, use an additional period after the ellipsis.)
SUMMARY
DO use a comma:
Colons have three major functions: to introduce quotations, lists, and sum¬
maries or explanations that are introduced by an independent clause. If the
quotation is introduced by said, use a comma. Never use a colon between
a verb and its objects or complement, between a preposition and its object,
or after such as, including, and for example.
The dash sets off words, phrases or clauses for emphasis. It should be used
sparingly, only when an idea really deserves to be set off.
Finally, quotation marks set off direct quotations, titles of short works,
and words being used in a special way within sentences. Long quotations
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Chapter 3: Punctuation
Practice 1
1. I wanted to call you right away, but I didn’t want to wake you, so I
decided to wait until the morning. [Comma between independent clauses;
it would be acceptable to omit the first comma as both clauses are short.]
2. Whatever you decide, I will support you, for you are my best friend.
[Comma after the introductory clause and between the two independent
clauses]
Practice 2
3. Neither rain, nor sleet, nor hail, nor a plague of grasshoppers will keep
me from Miller’s one-day sale. [Comma between items in the series]
4. The only thing we had to eat was watery vegetable soup. [No comma
between cumulative adjectives; vegetable describes soup]
Practice 3
5. My cousin Mikala, who has been suffering from back pain for years,
swears that acupuncture has cured her. [Commas around nonessential
clause]
6. The package that I needed for the meeting had been delivered to the
wrong address. [No comma; the clause is essential]
Practice 4
7. We have lots of time to kill, Eddie, so what should we do? [Commas
around direct address and between independent clauses]
8. “Please excuse me,” Joel said, and then he raced out of the room.
[Comma after direct quotation and between independent clauses]
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10. Noam Feighter, AIA, was the chief architect for the building at 3305
Main Street in Red Rock, Arkansas. [Commas around title and between
town and state]
Practice 5
11. Yes. Both clauses are independent and directly related.
Practice 6
13. Semicolon. Both clauses are independent and there is no coordinat¬
ing conjunction, so a comma would create a sentence fragment.
Practice 7
15. No. Use a comma with the he said construction.
16. No. The introduction is only a phrase, so the punctuation mark should
be a comma.
Practice 8
17. Delete the colon; do not use a colon to introduce an explanation that
is a subject complement.
Practice 9
19. The dash is appropriate.
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Chapter 3: Punctuation
Practice 10
21. The quotation marks around miserable wretch and become linked to
the chain of existence should be single quotation marks (‘) since they are
quotations within a quotation.
Practice 11
23. Read “Chapter 3: Invertebrates” for next class.
Practice 12
25. You don’t know where you’re going, do you? [This is a direct ques¬
tion and should end in a question mark. (Note the comma setting off the
question tag.)]
Practice 13
27. Tamar earned her B.S. degree in just three years. [Use periods in
academia degrees and avoid informal abbreviations.]
28. Mai. Wrubleski has a reputation for being especially tough on new
recruits. [Use periods for title abbreviations.]
Practice 14
29. Alana’s resume is very impressive, isn’t it? [Alana s is possessive,
not plural; isn’t is a contraction needing an apostrophe.]
30. The 1980s is known as the “me” decade. [No apostrophes for decades
or other numbers.]
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Practice 15
31. Do you want to (1) go to the movies, (2) go out to dinner, or (3) both?
[Put parentheses around the numbers; the periods create confusion.]
32. In the final scene, Joy, crying softly, confesses to Hitch, her dying
son, “Dylan [Hitch’s teacher] is your real father, and he’s loved you more
than you’ll ever know.” [The brackets are incorrect; though the sentence
discusses a play, these are not stage directions. The first parentheses can
be replaced by commas for an appositive. The parentheses in the quotation
should be brackets.]
CHAPTER 3 QUIZ_
point. —Mistinguett
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Chapter 3: Punctuation
5. With tears in his eyes,, the defendant told the jurors,, he was
(A) (B)
deeply sorry^ for what he'd done.
(C)
10. What did Lindsay mean when she said "We need to take a break?"
13. If you look closely, you will see, that the numbers increase at a
ratio of 1-3.
14. Our cat UFO (short for Unique Feline Organism) licked it's paws
and curled up on the pillow, purring contentedly.
(E) No change
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15. Dear Mr. Holmes: Enclosed please find a copy of my invoice from
Sept. Please remit ASAP as the invoice is now several months past
due. Thx.
16. Carlito tried to open the door, but it was locked! So was the other
one! How was he going to get out?
17. I want a car that gets at least 18 m.p.g. and that I can finance at a
reasonable APR.
18. After surveying both crime scenes, Det. Mombasa had no doubt
that the two robberies were the work of the same thief.
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Chapter 3: Punctuation
19. "We're goin fishin," Bubba said "Do you wanna come?"
20. "Giles needs to take his p.m. medicine," Patricia told the R.N.
on duty.
(E) No change
5. B and C The clause he was deeply sorry should not be set off by
commas; it serves as the object (B). The comma between sorry and for (C)
unnecessarily sets off the prepositional phrase. The first comma sets off an
introductory phrase.
6. The colon correctly sets off the explanation for why life “is the great¬
est bargain.” Life is the greatest bargain: we get it for nothing.
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7. The two independent clauses are closely related and should be con¬
nected by a semicolon. Doing what you like is freedom; liking what you do
is happiness.
8. These two independent clauses are also closely related and should be
separated by a semicolon. Some people grow under responsibility; others
merely swell.
9. Again, the two independent clauses are closely related and should be
connected by a semicolon. A pair of dashes would make the quotation
choppy. Never mind your happiness; do your duty.
11. The title of the editorial should be enclosed in quotation marks. The
title is essential to the meaning of the sentence so it should not be set off
by commas. The editorial “Justice for Mall” is worth reading.
12. No correction needed. The dash effectively sets off the introduc¬
tion from the main clause. The exclamation point suggests that the dash is
ideal, indicating emotion.
13. The introductory clause needs to be set off by a comma, but the
comma after see and the object (the that clause) is incorrect. The ratio is
correctly expressed by a colon between the numbers. If you look closely,
you will see that the numbers increase at a ratio of 1:3.
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Chapter 3: Punctuation
19. B Both goin and fishin are missing the final g; mark this omission
with an apostrophe.
20. A Don’t use p.m. except with a specific time. Don’t abbreviate
titles unless used with a name.
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CHAPTER 4
Spelling, Capitalization,
and Italics
Start with this 10-question Building Block Quiz. The first few questions
test material you’ve already seen.
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8. While many over the counter cold remedies are safe during
(A) (B)
pregnant women should always consult their doctor before taking
(C) (D)
any medication. No error
(E)
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Chapter 4: Spelling, Capitalization, and Italics
10. The secretarvs in the office have filed a joint complaint alleging
(A) (B)
sexual harassment by several top managers at the firm. No error
(C) (D) (E)
8. A The words over the counter work together to form one modifier
for cold remedies, so they should be hyphenated: over-the-counter.
10. A When forming the plural of words ending in -y, if the y is pre¬
ceded by a consonant, change the y to ie before adding -5.
SPELLING . ..
English spelling may seem illogical or haphazard, but there are a few pow¬
erful rules.
General Rules
Rule 1:1 before e except after c, unless the sound is a or i.
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There are numerous exceptions, including either and neither (for those
who pronounce those words with a long e sound instead of an i sound),
counterfeit, caffeine, weird, foreign, seize, protein, skein, leisure, science,
and conscience.
Add -es to nouns ending in -s, -sh, -ch, and -x. For most nouns ending in
/, change the/to a v before adding -es.
editors-in-chief forget-me-nots
Rule 5: If a word ends in a silent -e, drop the e if adding a suffix that
begins with a vowel. Keep the e if the suffix begins with a con¬
sonant.
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Chapter 4: Spelling, Capitalization, and Italics
Rule 7: If the stress falls on the final syllable and the final vowel is
short, double the consonant when adding a suffix beginning
with a vowel.
Practice 1
Circle the correct spelling of the word in parentheses in each sentence.
Hyphenation
Here are the half-dozen rules for proper hyphen use.
Some compound nouns are hyphenated, others are not; some are com¬
bined into one word, others stay as two separate words. When in doubt,
consult a dictionary.
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When two or more words work together to create one modifier for a noun
or pronoun that follows them, hyphenate them. Do not use hyphens when
they follow the noun.
Rule 3: Hyphenate the prefixes all-, ex- (when ex- means former)
and self-.
Most other words formed with prefixes do not have hyphens, except if
the second element is capitalized or a number (anti-Semitic, pre-1800s,
mid-May).
Divide words only between syllables. Don’t separate the final syllable
unless it is more than two letters.
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Chapter 4: Spelling, Capitalization, and Italics
Practice 2
Insert any necessary hyphens.
5. Make sure your records are up to date before you register for the fall
semester.
6. The movie tells the story of an excon who falls in love with his
parole officer.
Practice 3
Indicate with a slash where each word could be divided at the end of
a line.
7. egregious
8. microphone
9. stadium
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Practice 4
Choose the correct homophone(s) within parentheses.
10. This design is stunning, but I don't think the bridge will be able
to ( bare / bear) ( wait / weight) in the center.
11. If you come over ( hear / here ) you can ( hear / here ) the
noise clearly.
Capitalization
Even minor capitalization errors can be disconcerting for readers, so it’s
important to master these dozen rules.
Proper nouns are the specific names of people, places, and things.
Family titles such as mom and dad should be capitalized only when used
as a proper name (as when you directly address that person):
Correct: Hey, Mom, are you really going back to college to finish
your degree?
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Chapter 4: Spelling, Capitalization, and Italics
Rule 3: Capitalize the first word of a quoted sentence but not a quoted
word or phrase.
Rule 4: You may capitalize the first word after a colon if it begins an
independent clause.
But you don’t have to. As always, be consistent; capitalize all independent
clauses after colons or don’t capitalize any.
The FBI was founded in 1908; the CIA was created 40 years
later in 1947.
The program Kids Komer is on WXPN every night at 7:00.
We bought stock in UJB back when the company first started.
Rule 6: Capitalize the first word and all important words in the titles
of publications, movies, songs, and works of art.
Do not capitalize prepositions (e.g., of, for, in) or articles (a, the) except at
the beginning of the title.
Hemingway’s novel For Whom the Bell Tolls takes its title from
John Donne’s poem “Meditation XVII: No Man Is an Island.
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Rule 8: Capitalize the days of the week and months of the year.
Rule 10: Capitalize the names of special events and historical periods,
but not centuries.
Rule 12: Capitalize the names of the planets, stars, and other celestial
structures.
The Crab Nebula, which is 6000 light years away, is the remnant of a
supernova explosion that was visible from Earth in 1054.
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Chapter 4: Spelling, Capitalization, and Italics
Practice 5
Correct any errors in capitalization in the following sentences.
14. Take your forms to the financial aid office on the Third Floor in
the Meyer building.
15. The MacAdoo annual flower and art show is coming up in april.
16. The Officer said, "there's an accident ahead; you'll have to turn
around."
ITALICS _
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FLASHBACK
Practice 6
Circle any words or phrases that should be italicized or underlined.
18. The movie Apollo 13 is the true story of the spacecraft Apollo 13.
20. Only the contraction they're gets an apostrophe, not their or there.
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Chapter 4: Spelling, Capitalization, and Italics
SUMMARY
2. Form the plural of most words by adding -5. Form the plural of
hyphenated words by adding -s to the main word. Form the plural
of most words derived from foreign languages as they would in
their original language.
3. If a word ends in a silent —e, drop the e if adding a suffix that begins
with a vowel. Keep the e if the suffix begins with a consonant.
Use a hyphen:
3. after the prefixes all-, ex- (when it means former), and self-
1. the first and all important words in the titles of publications, movies,
songs, and artworks
2. titles when they precede a name, but not if they follow a name or
stand on their own
3. days of the week and months of the year, but not seasons
5. names of the planets, stars, and other celestial bodies and structures
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Practice 1
1. merry-go-rounds
2. criteria
3. receding
Practice 2
4. short-, long-term [short and long both modify term]
6. ex-con
Practice 3
7. e/gre/gious
8. mi/cro/phone
Practice 4
10. bear, weight
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Chapter 4: Spelling, Capitalization, and Italics
Practice 5
13. Construction on the new middle school begins next month.
14. Take your forms to the Financial Aid Office on the third floor in the
Ostermeyer Building.
15. The MacAdoo Annual Flower and Art Show is coming up in April.
16. The officer said, “There’s an accident ahead; you’ll have to turn
around.”
Practice 6
17. The Italian word for beautiful is bella.
18. The movie Apollo 13 is the true story of the spacecraft Apollo 13.
19. Oh, Anna, I’m so sorry! [So could be italicized for emphasis.]
20. Only the contraction they’re gets an apostrophe, not their or there.
CHAPTER 4 QUIZ
(E) No change
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2. Mothers to be crave nachos more than any other food, including ice
cream and pickles.
4. The eight year old child has already composed two symphonies
that have been critically acclaimed and are being performed by
orchestras around the world.
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Chapter 4: Spelling, Capitalization, and Italics
7. Dancing is the raison d'etre for Zelda, who has been studying ballet
since she was three years old.
(E) No change
(E) No change
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10. I always seem to spell foreign wrong; either I switch the / and e or
forget the g.
11. Tim O'Brien's novel In The Lake Of The Woods won the James
Fenimore Cooper Prize for historical fiction.
13. We are two thirds of the way to our goal of $450,000 for the new
Greenlawn Children's Library.
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Chapter 4: Spelling, Capitalization, and Italics
14. Monica firmly believes her son (who just turned two) will become
President of the United States one day.
16. Prasaad's play Unamerican has caused quite a stir and has
reportedly caught the attention of several major movie studios.
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18. All leaders should remember this quotation by Epicurus: "a man
who causes fear cannot be free from fear."
19. Oliver was extremly disappointed by the reviews of his first novel,
but that didn't stop him from writing a second, and third, and
fourth...
20. " You are the only person in the whole world that I can trust!" Xavier
exclaimed.
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Chapter 4: Spelling, Capitalization, and Italics
9. B Pizza shop is part of the title of the company and should be capi¬
talized.
17. D The silent e at the end of value should be dropped when adding
a suffix beginning with a vowel.
18. C Since the quotation is a full sentence, its first word should be
capitalized.
19. A The silent e at the end of extreme should not be dropped when
adding a suffix beginning with a consonant.
20. B Use italics for emphasis sparingly; here, the exclamation point
is sufficient, though you might italicize only.
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CHAPTER 5
Start with this 10-question Building Block Quiz. The first few questions
test material you’ve already seen.
Circle T for true or F for false for each of the following statements.
5. T F Use the word can when talking about permission, and the
word may when talking about ability.
10. T F Use "big" words when you can; they add a formal tone
that's professional yet approachable.
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2. False. Dashes are used to set apart and emphasize parenthetical infor¬
mation, or to highlight something about the items in a list (following
the list). Semicolons are used to join two independent clauses.
3. True.
4. True.
6. True.
7. False. It’s better to say it right the first time, and make that the only
time. Writers typically repeat themselves when they aren’t sure of
their message.
8. False. Cliches are boring, and should be eliminated. Use fresh images
instead. Slang should only be used when you are imitating speech.
10. False. “Big” words are pompous and intended to intimidate or impress
the reader. Strive instead for a less formal, more comfortable syntax
that helps the reader understand your message.
While writing, you continually make choices about the words you use. It’s
such an integral part of the process that you probably aren’t conscious of
it. Most of these choices are a matter of personal preference and an expres¬
sion of individual style. One writer might describe an event as “incredibly
dull” while another might say it was “tedious.” If the intended message is
conveyed, both choices are valid.
However, there are word choices that can cause problems. In this section,
we’ll explore the importance of paying attention to denotative and connota-
tive meanings. Using the wrong word, or the right word in the wrong con¬
text, can confuse or offend your audience. When you are certain of meaning,
and really pay attention to word choice, your writing speaks more clearly.
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Chapter 5: Diction, Clarity, and Tone
Denotation
The literal, dictionary meaning of a word is known as its denotation. For
most of the words you use—like table, costly, or special—the denotative
meaning is well known. But bacchanal, koan, or salubrious may need a
quick look-up in the dictionary or be left out of your writing. So what is so
important about denotation?
Mistakes can occur when you use words you think you’re sure of, but
you’re not. For most writers using a highly complex and ever-evolving
language like English, there are thousands of words with meanings that
are unclear or unknown. That’s not surprising; English includes more than
800,000 words.
What may be surprising is the number of ordinary words and phrases that
are often used incorrectly. There are three categories of such words: con¬
fused, misused, and substandard. As you read through each category, note
those words that cause you trouble.
Confused Words
There are many pairs (and a few trios) of words that look or sound very
similar but have meanings that are vastly different. As you study the fol¬
lowing list, pay close attention to parts of speech where they are indicated.
Many of the confused words have different functions.
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brake means a device used for slowing or stopping motion, and to cause
slowing or stopping of motion4, break means an escape or the act of sepa¬
rating into parts and to separate into parts4, both may be nouns or verbs.
capital is the city or town that serves as the seat of government4, capitol is
a government building.
decent, with the accent on the first syllable, is an adjective meaning well-
mannered; descent, with the accent on the second syllable, is a noun
meaning decline or fall.
disburse means to pay, while disperse means to spread out; both are
verbs.
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Chapter 5: Diction, Clarity, and Tone
miner means a person who works in a mine; minor is a person who has
not reached the age of majority.
passed is the past tense of the verb to pass and means went by or went
away; past is an adjective meaning over (as in time) or ago.
waist is a noun meaning the part of the body below the ribs and
above the hips. As a noun, waste means refuse; as a verb, it means to use
carelessly.
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Practice 1
Circle the word that correctly completes the following sentences.
1. I'm not sure what he means because he just (implied, inferred) it.
3. The English language has many more words (than, then) the French
language.
4. After he lost his job, his financial situation was on the (decent,
descent).
Misused Words
The word pairs in this group look and sound nothing alike, but are
frequently misused because their meanings are similar (although not close
enough to make them interchangeable).
amount refers to the measurement of things you can’t count; number
refers to the measurement of things you can count
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Chapter 5: Diction, Clarity, and Tone
each other is for situations involving two people or things; one another is
for situations involving three or more people or things
e.g. is the abbreviation for the Latin “exempli gratia,” meaning free
example or for example; i.e. is the abbreviation for the Latin “id est,”
meaning it is or that is
fewer is used when you can count the items (see “number”), less when
you cannot count the items (see “amount”)
more is used for comparisons of two things to each another, most for
comparisons of one thing to more than one other thing
REMEMBER THIS!
To remember the difference between that and which: insert the
phrase by the way before the phrase or clause following either word.
If it makes sense, use which {by the way indicates that what follows
could be left out).
Incorrect: The eggs, which are combined with the milk, make the
batter rich.
Correct: The eggs that are combined with the milk make the batter
rich.
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Practice 2
Can you spot the error? Circle C for correct or I for incorrect; if incorrect,
note the correct word.
12. C I I felt bad when they took the injured player away in the
ambulance.
Substandard Words
Your purpose in writing is to convey a message to your readers. If they don’t
understand what you’re saying, you’ve failed. Reports are intended to share
ideas with colleagues and associates. Business communication shouldn’t be
about impressing the reader with “important-sounding” words, buzzwords,
technobabble, or industry-specific jargon. Letters and emails aren’t notes
to yourself; they should be meaningful to your intended audience.
Many substandard words are used frequently in speech, but are not standard
written English and should be avoided. They are only appropriate if you
are deliberately imitating someone’s speech or adopting a “folksy” tone.
REMEMBER THIS! ».
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Chapter 5: Diction, Clarity, and Tone
—iize: this overused suffix creates verbs from nouns. Avoid words such as
calendarize, potentialize, and therapize.
medias: This Latin word is the plural of medium. The alternate plural
mediums is acceptable.
Practice 3
In the following sentences, replace any substandard words with standard
ones.
16. The invitation was addressed only to him, but he brang his
whole family to the party.
17. We can get into the 9:00 show; supposably they have plenty
of tickets left.
18. Walter gets his news from many medias, including radio,
television, and newspapers.
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Connotation
Although some words may cause confusion, their denotative meanings are
straightforward. You can always look up good and well, for example, to
check their definitions. Connotation involves emotions, cultural assump¬
tions, and suggestions. For example, you could describe someone who
works in a restaurant kitchen as a chef ox a cook. Both words have the same
denotation, but chef has a more professional connotation.
Practice 4
Circle the word with the most positive connotation for sentences 19-21.
19. During the kazoo performance, the audience wore (smirks, smiles).
Choose the word with the most negative connotation to fill in the blanks
for sentences 22-24.
22. Hearing the fire alarm ringing, he (walked, ambled) out of the
building.
23. Not only was it rainy in London, but it was (breezy, blustery) as
well.
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Chapter 5: Diction, Clarity, and Tone
Other words and phrases that have taken on negative connotations over
time involve gender, racial and ethnic identity, and physical ability. At one
time, the term handicapped was considered neutral. When some found it
offensive, that word was replaced with disabled, which in turn gave way
to differently abled or physically challenged.
If you are not aware of these types of connotations, your writing may
be considered biased. Stereotypes and other hurtful or offensive language
alienate you from your audience, and obscure the real meaning of your
communication. How can you avoid biased language and make your
writing more inclusive? Here are some rules:
Gender
Avoid the exclusive use of masculine pronouns by rewriting sentences to
eliminate the need for any pronoun; using he/she, and him/her (but don’t
overuse these); alternating between masculine and feminine; or making
the pronoun and its antecedent plural (them and they are gender neutral).
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Physical Ability
As with race and ethnicity, do not mention physical ability unless neces¬
sary. If you must use labels, use those that are preferred, such as disabled
and disability rather than crippled and handicap. Question your use of
phrases such as suffering from, victim of, and confined to.
Practice 5
Replace biased language in the following sentences with more inclusive
words and phrases.
Words such as sleep, slumber, rest, and repose vary in shade. They provide
writers with the opportunity to say exactly what they mean. Why, then, is
so much of what we read confusing or boring? By choosing the word that
is exactly right, you convey your message in as few words as possible.
Don’t use ten words when three will do.
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Chapter 5: Diction, Clarity, and Tone
What I mean to say is, I think our department should probably set some
goals. We’ve been working too hard, for too long, without something
specific to aim for. We’re all going off in different directions. Why
don’t we sit down together, have a meeting, and decide where we want
to be six months from now? Let’s plan for the future and set some
goals so we can all work toward them together.
Not only does this use five sentences to say repeatedly what was already
said in one or two, but it also sounds less than professional.
These two sentences are confident and professional. They convey the mes¬
sage without repetition. The reader knows exactly what the writer means,
and no time has been wasted.
Economize
After you eliminate repetition of ideas, look at your words. Some writers
use too many words because they think it sounds more important or intel¬
ligent. But wordiness has the opposite effect. Economy can be as simple
as deleting extraneous words and phrases.
What purpose does the introductory phrase serve? If it’s important to know
who predicted the storm, this sentence fails because it doesn’t identify
the forecaster. You can also tighten your writing by eliminating redundant
parts of a phrase.
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Chapter 5: Diction, Clarity, and Tone
Practice 6
In the following sentences, cross out extraneous and repetitious words and
phrases.
28. During the period of time in question, each and every man,
woman, and child was able to receive a hot meal last week.
29. Thanks to true and accurate reporting, the story about the space
crew not reaching its final destination was revealed to the public.
30. It was totally obvious that every car that is black in color, when
you compare and contrast them with cars that are lighter in color,
get dirty faster.
31. For all intents and purposes, the meeting that was held with our
biggest client was a complete and utter failure.
Some of the lessons you learned in chapters 1-3 will help you write more
precisely. Let’s revisit four of them.
Incorrect: Parents agree they show too much violence on TV. (Who
are “they”?)
Incorrect: Graduation is coming soon, which is nice. (What does
which refer to?)
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Vague or understated writing is dull. Get specific and don’t settle for mean¬
ingless cliches. Consider these examples, noting that the more specific or
emotional language will not clutter or add unnecessary words.
Succinct: Vague:
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Chapter 5: Diction, Clarity, and Tone
Practice 7
Replace vague words and phrases, if any, with more concrete language.
Make up details as necessary.
For each of the following sentences, identify the specific problem that ere
ates wordiness in the sentence. Choose from the following list:
.36. Sputnik I, the first man-made satellite to orbit the Earth, was only
about as small in size as a soccer ball.
39. This gun has the appearance of having been recently shot, said
the detective.
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This employee was about 5'10" tall in height. He had wavy black hair
down to his shoulders. He wore thick glasses. The glasses were tortoise
shell and large.
It should be clear to see that this employee made me feel very funny. I
do not wish to return back to your store to have another experience like
that again.
Sincerely,
Herbert Haines
44. I convinced her dogs are too much work to make good pets.
45. The divers said when there are sharks they are not scared of them.
46. After months at sea dreaming of a better life, the Statue of Liberty
finally appeared on the horizon.
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Chapter 5: Diction, Clarity, and Tone
Tone and voice convey attitude, individuality, and energy, making your
message something that’s worth reading. Note that in this context, voice
refers not to verb forms (active or passive), but to the personal qualities of
writing. Just as your speaking voice is unique, so is your writing voice.
Tone
Tone is the attitude you express toward your audience and your subject
by your word choice, sentence and paragraph structure, and punctuation.
It ranges on a sliding scale:
Formal. .Informal
Serious. .Humorous
Pompous. .Friendly
Heavy. .Light
Impersonal. .Personal
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Tone helps your reader feel comfortable about what you’re saying. If you
wrote the second sentence to elderly relatives, would it make them com¬
fortable, conveying the message that you are interested in communicating?
Would they understand you? Keep your audience in mind, and write using
a tone that will work for them.
Voice
With voice, your reader hears you in your writing. You are the one who
chose to say antidote instead of cure. You used short sentences to make
a point and create a rhythm, or you used longer, more complex sentences
to indicate the importance of your topic. Your voice is your writing style.
It’s how you use all of the information packed into the first four chapters
of this book.
f RFMFMRFP THIS! 1
What does writing look like without voice? Here is the first paragraph of
an emailed meeting synopsis sent to all in attendance.
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Chapter 5: Diction, Clarity, and Tone
To improve this, consider the audience. The author is writing to her col¬
leagues, all of whom were at the meeting, so why give details they already
know (that everyone was there and where the meeting was)? The impor¬
tant information—the suggested improvements—isn’t in the paragraph.
Business people receive dozens of emails a day; be respectful of their time
by quickly giving them the information they need.
If your writing suffers from lack of voice, try one or more of these
methods:
• Explore and express your thoughts and feeling about the topic.
• Picture your readers and “talk” to them through your writing.
• Use the active rather than the passive voice.
• Don’t be pompous; being direct and concise is better than trying to
impress.
• Read your words aloud; if they sound wooden they probably don’t
belong.
• Read it aloud to someone you trust, and ask if it sounds like you.
• Be confident. If your subject is intimidating, do more research. If the
writing process is intimidating, write more! Keep a journal or blog,
correspond with friends and family.
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Practice 8
Choose the response that best describes each sentence.
48. Let's have a meeting to talk about whether we should take on new
clients right now.
49. It might be a good idea to talk about whether or not we are too
busy to take on new clients right now, but maybe not.
50. Just when you thought we had too much work, we've got new
clients knocking on the door! Should we let them in and start
working 80 hours a week?
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Chapter 5: Diction, Clarity, and Tone
SUMMARY
Style is about the words you use and how you use them. The style of great
writers makes their writing come alive, communicating clearly and cor¬
rectly without boring or annoying them.
Concision is about using as few words as possible to get your point across.
Choose the precise words needed. Eliminate ambiguous and meaningless
words and phrases. Don’t use a phrase when a word will do, don’t use
a clause when a phrase will do, and don’t use a sentence when a clause
will do.
Clarity means saying precisely what you mean. Check your writing
for pronoun or modifier ambiguity. Don’t be vague when you can be
specific.
Tone is the attitude you take toward your audience and your subject. You
convey tone through word choice, sentence and paragraph structure, and
punctuation. It may be formal or casual, serious or humorous, positive or
negative. Consider who your readers are, and use a tone that will make
them feel comfortable.
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Practice 1
1. implied, which means to hint at
6. E
7. C
8. D
9. A
10. F
11. B
Practice 2
12. Correct; the speaker is referring to emotional feelings.
13. Incorrect; the speaker means to say “that is” (i.e.). The writers in
the parentheses are not examples of the Big Three—they are the Big
Three.
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Chapter 5: Diction, Clarity, and Tone
Practice 3
16. Incorrect; brang is not the correct past tense form; it should be
changed to brought.
18. Incorrect; medias is not the correct plural form; it should be mediums
or media.
Practice 4
19. smiles; smirks connotes a more negative reaction
22. ambled; most people leave a building that may be on fire more quickly
than what ambling connotes
23. blustery; this word connotes more severe weather than breezy
Practice 5
Note that there are acceptable variations to these responses.
25. Ask the flight attendant to get you another cup of coffee.
Practice 6
Answers may vary. Check to see if you eliminated wordiness and repetition.
29. Thanks to accurate reporting, the public heard the story about the
space crew not reaching its destination.
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30. It is obvious that, in comparison with lighter colored cars, black cars
get dirty faster.
31. The meeting with our biggest client was a complete failure.
Practice 7
Answers will vary. Check to see that you have replaced the vague lan¬
guage with more precise words and phrases.
36. h
37. c
38. d
39. c
40. h
41. Answers will vary, because there is much wrong with this letter and
many ways to revise to make the letter more concise. Notice how this
revision eliminates clutter and repetition, combines sentences and
simplifies structure, and uses more precise words.
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Chapter 5: Diction, Clarity, and Tone
This employee was about 5’ 10” tall with wavy black hair down to his
shoulders. He wore large, thick tortoise-shell glasses.
Sincerely,
Herbert Haines
Answers will vary. We’ve underlined our changes to each sentence below.
44. I convinced her that dogs are too much work to make good pets.
45. The divers said they are not afraid when there are sharks around
them.
46. After months at sea dreaming of a better life, Yvgenv finally saw
the Statue of Liberty appear on the horizon.
47. Answers will vary. Note how we turned some simple sentences into
modifiers and varying sentence openers.
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Practice 8
48. a. The contraction let’s and pronoun we, along with words choices
like talk about rather than discuss, and take on rather than the more
formal accept, make the tone informal.
49. c. No matter what you’re writing about (even if you’re writing to say
you don’t understand something), your voice should be confident.
Using modifying phrases such as might be a good idea and but
maybe not tells your reader not to take you seriously.
50. d. This example is too informal even for the closest business col¬
leagues. The tone borders on sarcasm, which is inappropriate for
the subject.
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Chapter 5: Diction, Clarity, and Tone
CHAPTER 5 QUIZ
3. I feel bad that you won't be able to come swimming with us.
words.
impaired.
10. Considering the fact that each and every man on the team is
this time.
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12. Thinking ahead. I'm not sure that taking out a home equity
modifiers.
personal.
18. Reading your writing to yourself is a good way to check for voice.
formal.
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Chapter 5: Diction, Clarity, and Tone
1. Change to lay. Lie means “to recline,” lay means “to put or place
something down” and takes an object.
9. Change to less. Repetition can bore your reader, and make you sound
unsure of your message.
10. Considering the fact that should be replaced with because. Either
each or every should be removed. Either tired or exhausted should be
removed. At this time should be replaced with now.
12. Correct. The phrase thinking ahead clearly modifies the subject of
the sentence, I.
13. Rewrite in the active voice, adding information. Who made the deci¬
sion, and what was it?
14. Correct.
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16. Change to a phrase that repeats the idea, but in a more formal tone
that fits with the rest of the sentence. An example is, eating over the
keyboard.
17. Correct.
19. Change to less. Contractions, personal pronouns, and less formal word
choices (chew instead of masticate) make your writing less formal.
20. Change to makes it easier to. When you know who your readers are,
you can gauge level of formality, word choices, and other components
of tone and voice.
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SECTION II
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CHAPTER 6
Prewriting
had sold.
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Circle C for correct for those sentences with no grammatical errors, and I
for incorrect for those with errors. Responses of I should also include the
type of error.
Error types:_
Error types:_
8. C I She got her subject to open up when she asks neutral ques¬
tions and takes the time to listen.
Error types:_
Error types:_
10. C I Either our local paper or the regional one followed the
story.
Error types:_
11. Its a great opporotunity for the class of 04, they get to lead
12. A rowsing sing-along will help deemphasize the fact that the
Dickinson MD.
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Chapter 6: Prewriting
15. After the movie let's head downtown, everyone will be hungry for
supper.
16. Ask the stewardess to bring more peanuts to each and every
17. Due to the fact that his actionable report urges us to progress
18. Would you hand me the lid (that/which) fits on this pot?
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8. Incorrect; unnecessary shift. The sentence begins with the past tense
{got her subject), and changes to the present (asks, takes).
10. Correct.
15. A comma should follow the introductory phrase after the movie; a
semicolon rather than a comma should separate the closely related
independent clauses (let’s head downtown and everyone will be hun¬
gry for supper).
17. Due to the fact that is wordy, so replace it with the more con¬
cise because; actionable is a business buzzword and not standard
English, so it should be eliminated or replaced with an adjective that
describes the report; progress forward is redundant and should be
simply progress.
18. That; the clause that fits on this pot is essential, because it determines
the lid to be chosen.
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Chapter 6: Prewriting
19. The correct word, disburse, means to pay (disperse means to spread
out); irregardless is not standard English; their is the possessive pro¬
noun (they’re is a contraction of they are).
The following three chapters examine the writing process step by step.
First you’ll learn how to get ideas on paper and organize them using a
variety of prewriting strategies. In chapter 6 you’ll see how a well thought-
out plan is executed, becoming a piece of writing. Chapter 7 will explain
the art of fine-tuning. Revising, editing, and proofreading will polish your
work and leave the mistakes behind.
The strategies in this chapter represent the first two stages of the writ¬
ing process. In the first stage, you formulate ideas. Whether your topic is
clear, or you’re not sure what you want to say, there is a technique that can
assist you in putting workable ideas on paper. The second stage involves
planning your writing by organizing the material you gathered in the first
stage.
All of these strategies are offered as suggestions. Some writers prefer one
or two, and use them for any type of writing they tackle, whether personal,
business, or academic. Others use different strategies for different writing
forms. Work your way through the entire chapter. To familiarize yourself
with all of them, even if a strategy hasn’t worked for you in the past, read
over the material and do the practice activities. Presented differently, the
technique may work well for you now.
The five strategies in this stage will help you move from “I don’t know
where to begin” to developing workable ideas for your writing. They re
not all suitable for every type of writing situation you’ll encounter, so
learn them all, and be prepared to prewrite no matter what type of final
product you’re after.
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Brainstorming
What It Is
Brainstorming is an active, energetic method of getting your ideas on
paper. In order to brainstorm effectively, you must first establish a topic.
If your writing is an assignment, you’ve already got an idea about which
direction you’ll take. If your boss has asked you to write a report, you
know, at least generally, the material you need to cover. The idea behind
brainstorming is that, even if you feel hesitant or nervous about tackling
your topic, chances are you’ve already got some good ideas about how to
approach it. You just need to get them from your brain onto the page.
Getting It Right
To begin, write your topic at the top of a blank piece of paper. Then, let
go. Write down any and every thought that comes to mind pertaining to
that topic (remember the word brainstorm contains the word storml) Try
not to edit yourself yet; you can always toss out an idea later if it doesn’t
make sense, or doesn’t fit with the topic. Don’t worry about spelling or
grammar.
You might write ideas in a list, in short phrases, or as a “web,” with fines
drawn between connecting ideas. It doesn’t matter how you put the infor¬
mation on paper, as long as you understand what your notations mean.
Don’t get bogged down in details, which can slow the process. If you
know you’ll need specific information later, make a note of it. And remem¬
ber that your brainstorming will be impossible to use if you can’t read it;
neatness doesn’t count, but legibility does!
Example
Suppose you need to write a proposal that argues for updating your com¬
pany’s safety regulations regarding winter weather conditions. You’ll
probably have to do some research during the writing process to fill in
such details as key dates, federal regulations, and safety violations. But, as
our following sample shows, brainstorming merely mentions those things,
and moves on.
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Chapter 6: Prewriting
Practice 1
Choose one of the following topics. Brainstorm on it for three minutes on
your own paper.
Freewriting
What It Is
Freewriting is similar to brainstorming in that you write ideas as they come
to mind without editing.
But freewriting differs in that it is best used when you don’t have a specific
topic. If you need to write an essay, but have been given the freedom to
choose a subject, try freewriting. Most types of business writing, because
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it is clear from the beginning the material you need to cover, do not lend
themselves to this prewriting strategy.
Getting It Right
Effective freewriting is creative. It’s about flow. To get the most from this
technique, you need to allow your mind to wander, making connections
that lead from one idea to the next. Rather than listing ideas, you freewrite
in paragraph form. But that doesn’t mean you should worry about proper
sentence structure, spelling, punctuation, or grammar. Don’t reread any¬
thing you’ve written until you’ve finished freewriting.
f BFMFMRFB THIS! 1
Good ideas may not appear in the first few minutes of freewriting.
Don't judge yourself. Continue writing until the timer goes off.
Example
I need to write a paper about Herman Melville, but I’m not sure where to start. I liked
Moby Dick, but why was it dedicated to Nathaniel Hawthorne? Did Melville like his
wriitng (I don’t see any similarities) or where they friends? I should look this up.
What are the connections between Melvilles’ life and his work? I know Typpee and
Omoo are considered autobiographical, but what about Moby Dick? Does it confine
a writer to use his life as subject matter, or does it free him? I’ve heard Moby
Dick is less autobiographical than the other two novels, so maybe I could compare
the three against his life story to draw conclusions about autobiography and his
creative proceas.
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Chapter 6: Prewriting
Practice 2
Select a general theme, and freewrite for 5 minutes on your own paper.
Note that these themes are intentionally general; you must decide how to
approach the one you choose.
(B) Cooking
(D) Work
Journalists' Questions
What It Is
Another effective technique for exploring a topic is to ask the six ques¬
tions every good journalist uses: who, what, where, when, why, and how?
These questions can help you look at your topic more closely, and discover
inventive ways of approaching it. Remember that the better you know your
topic, the better you can write about it.
Getting It Right
To get the most out of these questions, break them down into subtop¬
ics. Every question won’t apply to every topic. Be flexible, allowing the
nuances of your subject to emerge. The following lists are not exhaustive,
but are meant to get you started.
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Use the journalists' questions (who, what, where, when, why, how)
to gather ideas.
Example
you’ve been assigned to write an essay on Stephen Crane s The Red dadge of
Courage. A more specific topic has not been determined.
Who: Henry Fleming (protagonist, Union Army soldier in Civil War), Jim Conklin (Henry’s
friend), Wilson (another friend), tattered soldier, lieutenant, Henry’s mother
What: Henry joins army to fight in civil war; questions his courage and manhood; runs
away from battle; rejoins regiment and fights courageously; becomes color
bearer; feels he has acquired courage and manhood
When: during the civil war (the battle of Chancellorsville took place in early May, 1363)
Why: Henry joins the army because he wants to experience the glory of battle; he
realizes that he might be a coward-, after running from one battle, he enters
the fighting and becomes a fierce soldier; believes he has passed through the
“red sickness” of battle; comes to understand what courage and manhood
really are
How: Henry grows and changes not only because of battle, but because of encoun¬
ters with death (corpse in woods, Jim Conklin); he works through his feelings
about manhood, courage, and even the meaning of human existence
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Note that many of the journalists’ questions could have been answered in
various ways. For example, why could mean why did Crane write the short
novel, why did the story end as it did, why did the protagonist act a certain
way, or even why the civil war was fought. All are valid responses. When
using this prewriting strategy, allow yourself to answer the questions in
whatever way makes sense to you. Some answers may seem offbeat, but
they could result in a workable idea.
Practice 3
Read a story in the newspaper, asking the journalists’ questions about it.
Note the information the printed story didn’t cover, but that you’d like to
know. What angle did the story take, and what did it ignore?
Journaling
What It Is
Journaling is the process of keeping a written record of your thoughts,
experiences, and/or ideas. Depending upon the type of writing you are
preparing for, you could try out different topics, write about experiences
and anecdotes, or explore some of your likes and dislikes.
FLASHBACK
As we noted in chapter 4, without voice, writing is dull and lifeless.
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As you write to yourself, notice the words you use. What is your tone like?
It might be too casual for every occasion, but by keeping and reading your
journal, you will begin to hear yourself, and become familiar with your
unique voice.
If you know you have three months to complete a report, a journal could
help you keep track of thoughts and ideas before you begin writing.
College application essays that may be written on any topic could also
benefit from journaling.
Getting It Right
Three suggestions for keeping a journal are the common blank book, a
word processing format, or the increasingly popular online blog (short for
Web log).
Computer-based journals are great if you don’t mind spending more time
at the computer and if you write better at a keyboard. Open a new docu¬
ment in your word processing program and begin typing.
When you’ve chosen a method, stick with it. Journaling only works if you
do it regularly, and stay loosely on topic, whether that means writing about
yourself, or thinking of solutions to your company’s manufacturing line
problems. If you find yourself veering off on wild tangents, follow them
for a few paragraphs (you never know when a good idea might emerge).
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Chapter 6: Prewriting
But if you’ve got pages of unusable material, it’s time to refocus on your
topic.
Practice 4
Choose a journal format and describe an incident that happened to you
yesterday—not as a journalist would, but as if you were telling a friend
about it. Include the setting; the other people involved, if applicable; and
the action or actions taken. What made you act/think/feel as you did? Are
there any consequences of this incident? Use as many details as you can.
Some writers benefit from ruminating during the prewriting stage. These
people will often tell you their best ideas come while driving, shaving, or
even dreaming. Allow yourself the freedom to think as if you were free-
writing. Let ideas flow from one to another without inhibition. Ruminating
doesn’t work for everyone, but you won’t know if this is a useful technique
without trying it.
What It Is
This prewriting technique uses other sources of information to help you
formulate ideas. It’s not about plagiarizing, but rather involves diving into
your topic to find relevant data, statistics, and other types of information
that you can incorporate and agree or disagree with in your writing.
Getting It Right
To use reading and research effectively, you need to know at least gener¬
ally what your subject is. Look it up at a library or online using a search
engine or a general reference site such as:
• www.bartleby.com (searchable encyclopedias, works of literature,
dictionaries, and many other full texts)
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Remember as you read and research that you are prewriting. Don’t stray
too far from your topic, but be willing to go off on a tangent. For example,
if your subject is the use of steroids by athletes, you can find magazine and
newspaper articles on specific athletes, legal documents about the con¬
sequences of distributing the drugs, medical explanations of the effects
steroids have on the body, and colleges’ drug use policies.
Reading and research take time. Set aside a few hours to look for, read, and
take notes on various sources pertaining to your subject.
Practice 5
On your own paper, using the subject of heirloom vegetables, use a search
engine to find information on the Internet. Make a list of five specific
sources with pertinent information, with a brief explanation of the type
(retail supplier, opinion, news story, how-to, etc.). Next, go to an online
library or other research center, and perform another search. Find five more
specific sources, and add them to your list. Finally, using those sources,
come up with three different topics you could write about on the subject
of heirloom vegetables.
STAGE 2: PLANNING
Once you’ve done some kind of prewriting, you will need to shape the
information and ideas you’ve gathered. Planning means getting ready to
write by discovering a main topic, subtopics, and examples or other illus¬
trative forms within your prewriting notes. The following pages explain
the most effective ways to transform your notes into a workable, organized
writing scheme.
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Chapter 6: Prewriting
What It Is
A graphic organizer is a visual tool that presents ideas in a connected, clear
way. There are many types of graphic organizers, but no matter which one
you choose, you will first have to identify your subject, main idea(s), sec¬
ondary ideas, and examples or details from the prewriting you did in Stage
1. Notice that this list moves from general (subject) to specific (examples
and details).
Read through your prewriting and note each category. What stands out as
a main idea? Are there related secondary ideas? Do you have details or
examples to support your ideas?
Two of the most common graphic organizers are webs and outlines.
Think of a spider creating a web; she begins in the center, and works her
way outward. A writing web is similar. The subject is placed in the center,
and spokes radiate out from it. Those spokes are filled in with main ideas
(closest to the center), secondary ideas (next closest to the center), and
examples or details (furthest from the center).
Most writers are familiar with outlines, even if they’ve never used one
for prewriting. Standard outline form uses Roman and Arabic numerals
and upper and lower case letters to arrange ideas, details, and examples.
Depending on your subject, you may not use all of these layers; however,
main ideas should be placed at capital Roman numerals. Secondary ideas
are found at upper case letters and sometimes also Arabic numerals. The
details and examples used to support your ideas should be placed at Arabic
numerals or lower case letters, depending on how complex your subject is.
(The more complex, the more likely you’ll have layers of secondary ideas;
see the example on the following page.)
I.
A.
B.
1.
2.
a.
b.
i.
ii.
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You won’t use all of these subcategories for every topic. Here’s an
example:
I. Intro: College education is a right, not just a privilege. It should be
available to every citizen, and those with talent should be offered extra
opportunities.
Getting It Right
The most important step in graphic organizing is extracting information
from your prewriting. You’ll probably need to read it a few times to deter¬
mine how best to organize it. At this stage, you can gather any necessary
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Chapter 6: Prewriting
facts and cut anything that doesn’t work. Webs and outlines are flexible,
and should be completed in pencil. Rearrange, add, and delete until you
are pleased with the result.
If you are making an outline, you’ll need to think about how your main
ideas relate to one another. Could they be presented in any order, or do
they lead from one to another? Do they vary in importance? Arrange them
in a way that makes sense. As you create your outline, you may also wish
to reword or rephrase your ideas.
Web Example
Let’s go back to the brainstorming example earlier in the chapter, and cre¬
ate a web from that list. The writer has checked the OSHA website and
determined that mandatory breaks and screening for existing medical con¬
ditions are required by law.
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Webs can get as complicated as needed, as you can see on the following
page.
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Chapter 6: Prewriting
FLASH FORWARD
Chapter 6 will cover how to write the three parts of almost any kind
of communication: Introduction, Body, and Conclusion. The subject
will be part of your introduction, and main ideas will anchor the
body, supported by details and examples.
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Outline Example
Let’s again use the brainstorming example. The writer has checked the
OSHA website and determined that mandatory breaks and screening for
existing medical conditions are required by law. He or she also checked
company records and found that, throughout the company’s history, two
workers were treated for hypothermia, and one was treated for frostbite.
Practice 6
Using the notes you took in practice 3, determine your main idea, second¬
ary idea(s), and details and examples. On the following lines, create a web
or outline, adding or deleting information as necessary.
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Chapter 6: Prewriting
SUMMARY
Prewriting is the first step in the writing process. Its two stages are: (1)
gathering ideas and (2) making a writing plan. In this chapter, you learned
seven great strategies for successful prewriting:
Brainstorming helps you get ideas from your brain onto the page. It’s an
active, energetic prewriting strategy in which you list any and every idea
you have about a given subject. Don’t worry about spelling, grammar, or
even making sense when you’re brainstorming.
Journalists’ Questions (who, what, where, when, why, and how) are
another great way to explore a writing topic. Remember to get detailed in
your answers; who isn’t just a name, but might also be a physical descrip¬
tion, family history, educational background, and/or political leaning. Why
might include causes, motives, results, objectives, and reasoning.
Once you have your ideas on paper, you need to organize them before
beginning to write. The planning stage of prewriting is when you take a
hard look at your notes, and determine what are main ideas, secondary
ideas, examples, and details. Then, map them out with a graphic organizer
such as a web or outline. Graphic organizers get you ready to write by
imposing a framework on your ideas.
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Practice 1
Your brainstorming page should have the topic printed at the top. Your
ideas could be words or phrases that are listed, “webbed,” or scribbled
around the page. They should also be legible.
For example:
Practice 2
Your freewriting should be in paragraph form, allowing ideas to flow from
one to another. There will probably be spelling and other mechanics errors.
Good ideas and direction may not appear until the middle or end of your
freewriting.
For example:
Cooking
Why I like to cook. It relaxes me after work. It’s fun to share
meals with my friends. It feels almost like traveling to another
country and experiencing another culture when I dive into an ethnic
cookbook. Spicy food is great. I love the smell of exotic spices, and
experimenting with flavors. There is always something new to learn.
Some of the complicated French recipes are intimidating.
Practice 3
The journalists questions (who, what, where, when, why, and how) should
be listed, with responses to each. Some responses should involve specula-
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Chapter 6: Prewriting
tion on what was left out of the news story you read (perhaps the who or
when wasn’t specified, or wasn’t as detailed as you would have liked).
For example:
Practice 4
Your mock journal entry should have a casual tone that you would use to
talk with a friend. Did you use details to bring the incident to life? As you
reread it, is there an aspect of the incident you hadn’t given much thought
to, but which now seems important?
For example:
Yesterday my boss called a meeting for the three of us working on the
Ogden account. At first I thought something had to be wrong. Which
one of us messed up? What happened? When I got into her office, she
asked me to sit down with Ken and Mani, who were already there.
They both looked nervous. I saw through the blinds that the Ogden
group was sitting in the reception area. They were halfway across
the building, but I could tell they were chatting and laughing. Why
were they here? Our meeting was supposed to be tomorrow. When
I sat down I saw my boss smiling. My heart beat faster. She said,
“congratulations.”
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Practice 5
The sources and types of information on your list should be varied. Possible
heirloom vegetable topics include: superiority of, history of, health risks
of genetically modified organisms (GMOs), propagating techniques, and
reasons for maintaining biodiversity.
For example:
Search engine:
1. www.extension.edu University website, definition, why grow, how
to save seeds
2. www.bookstore.com Retail site with guides and how-to books
3. www.vegetablecooking.net Recipes, other food information;
explains why heirloom varieties taste better, shows how to use
them
4. www.seedsoftheearth.com Retail site offering seeds
5. www.oldendays.net Nostalgia site with page on connecting with
the past through food; mentions heirloom vegetables as way to step
back in time
Online library:
1. American Folklife Center, Library of Congress, Local Legacies
project: Maine lumbeijacks prepare heirloom varieties of beans
with special technique used by Native Americans
2. American Folklife Center, Library of Congress, Local Legacies
project: Denver Farmers’ Market gives small growers of heirloom
vegetables retail exposure
3. American Folklife Center, Library of Congress, Local Legacies
project: history of county fairs-judging of heirloom vegetables
4. Science Reference Guides, Library of Congress: list of Internet
resources on container vegetable gardens
5. Immigration collection, Library of Congress: laws passed to prevent
Chinese immigrants from growing and selling certain vegetables
Possible topics:
Heirloom vegetables from Native Americans
Methods of seed saving
Laws dealing with heirloom vegetables
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Chapter 6: Prewriting
Practice 6
If you made a web, it should have the subject at the center, with main
ideas surrounding it. Secondary ideas, details, and examples should also
be properly placed. You may have had to add or delete information to cre¬
ate a cohesive plan.
If you made an outline, it should show the relationship between main ideas
and secondary ideas, and list supporting examples and details.
For example:
I. Acupunture
A. History of
B. Veterinary Use
1. Case of elephant in Singapore Zoo
a. description of ailment
b. treatment
c. results
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CHAPTER 7
Writing
In this chapter, you will learn how to create a rough draft. Although this
step in the process is considered the most intimidating, it doesn’t have
to be.
Think of writing as freewriting with a plan. Let your writing flow unen¬
cumbered by worries about revising, editing, or proofreading (those will
come later). If your plan is good, your rough draft should be too. All you
are trying to achieve in this step is the creation of material that you can
later shape into a final piece of writing (except if you are writing a timed
essay).
Let’s first look at some general guidelines that will help you create your
rough draft. Then, we’ll examine the three parts of almost every written
communication: the Introduction, Body, and Conclusion.
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Let It Flow
The first rule is the simplest: write! Put pen to paper or fingers to keyboard
and begin. As with freewriting, forget about mechanics and style when
you’re writing. Let it flow. Using your plan from chapter 5 as your guide,
create sentences and paragraphs that communicate your ideas.
Use Paragraphs
Paragraphs visually display the organization of your writing. When you
move on to a new idea, or from one outline heading to another, begin a new
paragraph. That’s not to say you should worry too much about structure,
especially if it gets in the way of your main goal (getting your ideas into
a rough draft). But if you separate information logically into paragraphs,
it will help you to see where you have sufficient support and where you
don’t, it will make the process of revising easier, and it will help your
reader follow your argument, too.
Make Copies
A little paranoia can help you keep your writing safe. It’s unlikely that
someone will walk off with the notebook you’re writing in, but it’s still not
a bad idea to make a copy of your prewriting plan and your rough draft. If
you’re working on a computer, back up your work often. You don’t want to
have to go back to Square One unless it’s to improve your writing.
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On occasion, you will find that your entire plan doesn’t work. That’s when
you need to take another look to determine whether any of it is worth
saving. Chances are you already have some good ideas. Perhaps one of
your secondary ideas should be the main idea, or perhaps a detail could be
expanded to create a new focus. Don’t abandon your work without trying
first to rework it.
Note any general rules you weren't familiar with or have trouble
with.
THE INTRODUCTION
What It Is
Good introductions do two things; they announce your subject and they
grab (or hook) the reader’s attention. Depending on the type of writing
you’re working on, you might need to write more “announcement and
less “hook.”
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Examples
Let’s look at a sample thesis statement:
The SUV has been blamed for many of our country’s woes.
FLASHBACK 1..
SUVs are a threat to the environment. Scientists are warning that their
contributions to global warming and air pollution are far greater than
most people realize.
Why It Works
This statement works because it takes a stand in the first sentence, and gets
specific about it in the second. It has one main idea (SUV as threat to the
environment) and is written in the active voice.
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Practice 1
Using your brainstorming notes or freewriting from the first or second
practice in chapter 5, come up with a strong thesis statement.
1. Scene or Anecdote
2. Statistic
Operating under the assumption that numbers don’t lie, a statistic can
startle the reader, making the information you are about to present more
real. Instead of beginning with a thesis statement, “New York is the most
expensive U.S. city to live in,” consider opening with a statistic. “To get
by in New York, you’ll need an income of at least $80,000” gets more
attention.
3. Quote
Using someone else’s words can also grab the attention of your reader. But
keep this in mind: a quote works because of the credibility and familiar¬
ity of the person quoted, as well as the relevance of the words they used.
Therefore, the person (or organization) you’re quoting should be familiar
to your reader, and that person should say something insightful.
4. Context
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5. Question
Practice 2
Building on Practice 1, use your thesis statement and brainstorming notes
or freewriting to write two introductory hooks. Choose any of the five
types that appeal to you and work well with your topic.
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Chapter 7: Writing
urge to repeat what has been written countless times before. One
introductory cliche that should never find its way into your writing
is the dictionary definition: It’s boring and probably too general to
shed light on your topic.
THE BODY
What It Is
In the body of your writing, you develop your argument, present your
ideas, and analyze your topic. The body is made up of paragraphs that sep¬
arate ideas and include details, examples, and evidence to support those
ideas.
Getting It Right
It’s important to let the writing of your rough draft flow. Use your plan as
a guide, and remember to use paragraphs to separate ideas. Those para¬
graphs can be from four to about ten sentences in length, depending upon
how much supporting material you include for the main idea of that para¬
graph. Variety in paragraph and sentence length adds interest. But don’t
worry too much about structure; your objective is to get a workable draft
onto the page.
Most writers are familiar with the rule that one must not use the work of
another writer without proper citation. Quotation marks, footnotes, and
acknowledgement within the text are all acceptable citations. But what
type should be used where? If you aren’t sure, you can end up plagiarizing
without any intention of doing so. Here are a few simple rules to avoid
plagiarism in your writing:
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The writer did not come up with the idea that the two rulers had much in
common, but he or she also did not want to quote directly from Gibbon’s
text. A mention of him and his work is sufficient to give credit for the
idea.
THE CONCLUSION
What It Is
As you end your writing, you have another chance to show your reader
why everything you’ve said is important. Your conclusion should answer
the question, “So what?” Leave a good last impression with your reader
with a strong conclusion that avoids cliches. “To conclude,” “To summa¬
rize,” and “In closing” are boring and overused. Leave them out.
Getting It Right
Conclusions are not the place for introducing new information. But you
also don’t need a paragraph to repeat everything in the body of your writ¬
ing. What makes an effective conclusion? Many of the techniques that
help create strong introductions also work well as endings.
We can hope that our government will take a harder look at the
problems caused by SUVs, and begin to take action to correct them.
If we implement this plan, by next quarter we should begin to see
results.
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Chapter 7: Writing
3. Issue a call to action. Tell your readers what they should do.
Begin by making better choices the next time you shop for a car.
Improve customer relations today by calling or emailing your contact
for each account.
4. Remind your reader why your topic is important to them.
The family that had to relocate out of the city could have been helped
by these reforms.
Practice 3
Building on Practice 2, use your thesis statement and introductory hooks
to write two conclusions. Choose any of the five types that appeal to you
and work well with your topic.
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In addition to using a variety of these basic sentence forms, you can enliv¬
en your sentences by placing “interrupters,” phrases and clauses in various
places:
X is unlike Y because of Z.
Because of Z, X is unlike Y.
However, X is unlike Y because of Z.
X, however, is unlike Y because of Z.
However, because of Z, X is unlike Y.
Practice 4
Each sentence is provided in either simple, compound, complex, or
compound-complex form. Rewrite each given example in the three
other forms.
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Chapter 7: Writing
Length
Write in a variety of sentence lengths to create rhythm for your readers.
A short sentence (four to eight words) can effectively emphasize a simple
point; a long sentence (30-45 words) might be necessary to present a rela¬
tively complicated idea. However, too many short sentences are likely to
sound monotonous while too many long sentences may be difficult on
your reader.
Sentence Openers
How you start your sentences should vary too. If all of your sentences start
with the subject, even if the sentence lengths and forms vary, it can sound
awfully tedious (unless you are purposely using parallel construction).
To add variety, combine sentences as in the example above and start some
sentences with introductory clauses and phrases rather than the subject.
But keep the basic order for sentence structure for your core clause (sub¬
ject, verb, indirect object, object).
Needs Variety: Nashville was founded in 1779. It became the state
capital in 1812.
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A VARIED VOCABULARY
Practice 5
The following paragraph contains examples of overly repetitive word use.
Correct the problems by rewriting the paragraph with appropriate syn¬
onyms in place of the repetitive words and phrases.
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Chapter 7: Writing
TRANSITIONAL PHRASES
Below, you’ll find a list of some of the most useful transitional words and
phrases for your essays.
Purpose Transitions
Show addition and, also, again, in addition, furthermore,
moreover, besides, next, too
Introduce an for example, for instance, such as, in particu¬
example lar, in fact, in other example words, that is,
specifically, on the one hand/other, to illustrate
Indicate the before, after, afterward, next, during, mean¬
passage of time while, later, eventually, passage of time in the
meantime, immediately, suddenly, finally
Indicate rank first, second, third, etc. (of all); first and
foremost; most important; more importantly;
above all
Indicate cause because, since, for this reason
Indicate effect as a result, consequently, therefore, hence
Indicate comparison similarly, likewise, like, just as, in the same
manner
Indicate contrast but, however, on the other hand, on the con¬
trary, conversely, in contrast, yet, whereas,
instead, rather, while, although, though,
despite
Add emphasis in fact, indeed, certainly, above all
Summarize or in sum, in summary, in short, in conclusion,
conclude to conclude, to sum or conclude up, that is,
therefore
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SUMMARY
The most important general guideline for producing a first draft is also
the simplest: let your writing flow. Don’t stop to worry about mechanics
and style, but do use your writing plan as a guide. Before you begin, cre¬
ate a thesis statement that distills your topic into a sentence or two. Your
statement should take a stand on one idea, be written in the active voice,
and be specific. While writing, use paragraphs to separate main ideas,
and make copies of your work to safeguard it. Finally, tweak your plan if
it has problems. Add or delete, change the order of ideas, or make other
necessary modifications.
Good introductions announce your topic and grab the reader’s attention.
You can begin with some general information, and lead up to a strong,
precise thesis statement, or begin with the statement, and generally show
how you will prove, explain, or argue for or against it. Some writing needs
very little announcing, but should begin with a strong hook for the reader.
Some good strategies for these types of introductions include the use of an
anecdote, statistic, or quotation. Information or facts that startle or elicit an
emotional response make good hooks.
The body of your writing is where you develop your argument using the
ideas and supporting facts and examples from your writing plan. It should
be structured in paragraphs that help to visually demarcate different ideas.
Remember if you are using words, phrases or ideas from another source,
you must credit that source. Even if you are paraphrasing, the originator of
ideas that aren’t your own must be mentioned.
Good conclusions avoid two mistakes: they don’t repeat everything you’ve
already said, and they don’t introduce new information. Strong conclu¬
sions leave a great final impression while answering the question, “So
what?” End your writing with a strategy similar to one you used in your
introduction.
As you write, vary your vocabulary as well as the length and complexity
of your sentences, and use transitions that make it easier for a reader to
follow your reasoning.
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Chapter 7: Writing
Practice 1
Your thesis statement should tell, in one or two sentences, what you are
going to write about (a roadmap statement) or why your topic is important
(a justification statement). It should be written in the active voice, and take
a stand. Only one main idea should be expressed, and that idea should be
specific.
For example:
Cooking not only helps me relax and entertain my friends, but it allows
me to experience other cultures.
Practice 2
If you used a scene or anecdote in your introduction, does it illustrate or
introduce your thesis statement? Does it contain details that appeal to the
emotions and senses?
If you used a statistic, does it have the power to startle your reader? Do the
numbers make your topic seem more real?
If you used a quote, the person you quoted should be familiar to your
reader, and the words should be insightful.
For example:
How can you experience another culture without leaving your home?
The smell of toasting cardamom and coriander filled the kitchen as I
chopped the fresh garlic, ginger, and onions.
Practice 3
Your conclusions should not begin with a cliche such as In conclusion,
or “To summarize.” You may have provided a vision of your topic in the
future, given your reader a call to action, or reminded him or her why
your topic is important. Or, you may have asked a question that can be
answered by your thesis statement. If you used a scene or anecdote in your
introduction, you could refer to it again in your conclusion.
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For example:
My credit card never left my wallet, and I didn ’t have to wait in lines
at the airport, but I felt as if I’d just returned from a night out in
Bagalore.
The table was cleared, the pots and pans were washed and put away,
and the stove was scrubbed. But my kitchen was still fragrant with
curry, chutney, and basmati rice.
Practice 4
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Practice 5
Answers will vary slightly.
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CHAPTER 8
In this chapter, you’ll learn how to hone your rough draft at two levels.
First, you will consider broad issues. How well do you address your topic?
Does your writing flow? Are your ideas well supported?
Second, you’ll examine the draft more closely, looking at sentences, word
choices, and mechanics. Is there variety in sentence length and structure?
Are the words you’ve chosen fresh and appropriate for your audience?
Are there errors in punctuation, grammar, and spelling? Knowing how to
edit your own work is a critical skill that will significantly improve your
writing.
Those who make their living as editors have some tricks and tips that all
writers can use to make the process of refining a rough draft easier and
more thorough.
Wait
The longer you take between the time you finish writing and the time
you begin fine-tuning, the greater the chance you’ll see it with fresh eyes.
A minimum of twenty minutes is recommended; some editors wait at least
24 hours before taking another look.
Speak
Reading your writing aloud may help you to catch awkward passages,
word choices, and other errors that looked fine on paper.
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Slow down
Reading at a normal pace is too fast to catch errors.
Print
Many editors find it is easier to revise, edit, and proofread on paper than
on a computer screen. Print out a copy and mark it up as you find areas for
improvement. You may want to make changes after revising and print out
a new copy for editing, repeating the process before proofreading.
Back up
A great tip for proofreading is to read backwards, one word at a time. You
have a better chance of finding misspelled words (especially those not
caught by a spell check program), missing words, and misused words.
Enlist help
Ask a friend or colleague whose skills you trust to read your writing. They
may catch errors you missed and be able to point out areas that don’t make
sense, or need additional explanation.
REVISING
What It Is
“Re-vision” means literally to see again. When applied to writing, it means
looking at your rough draft with “fresh eyes,” as if you’re the reader and
not the writer. This kind of objectivity is needed to find and fix errors.
Some writers avoid the revision process because, once their writing is
on paper or computer screen, it seems “good enough.” They’re willing to
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Chapter 8: Revising, Editing, and Proofreading
proofread, correcting the obvious errors, but stop short of revision, which
considers the quality of their work more generally. Most great writers,
however, confide that revision is everything; their work would not be near¬
ly as good if they weren’t better at “re-visioning” than they were at writ¬
ing a first draft. Don’t think of revising as an optional step; it’s part of the
writing process.
Structure:
Do your main ideas follow a logical order?
Is each idea supported by examples, details, and/or evidence?
Compare your writing to your prewriting plan; if it doesn’t follow it
exactly, is there a good reason why you rearranged it?
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Getting It Right
There are a number of effective ways to remedy clarity problems. They
include:
1. Refining your thesis statement if it’s too broad
2. Adding text that provides relevant information that was missing from
your first draft
When you feel you’ve successfully addressed any clarity issues, go over
your writing once again, asking the same questions. Don’t stop the process
until you’re satisfied with your results.
If you find problems with structure, try one or more of the following:
1. Change the order of your paragraphs if your main ideas would make
more sense arranged differently. You may need to rework the topic sen¬
tences of those paragraphs, or add transitional sentences, to make the
new order flow.
2. Add more or better evidence, details, and examples if an idea needs fur¬
ther support, especially if all other main ideas are better supported.
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Chapter 8: Revising, Editing, and Proofreading
Examples
1. The War of 1612, sometimes called the “Second War for Independence” marked
the end of a near century-long conflict between America and Britain. The first
War for Independence (the Revolutionary War) ended with the formation of the
United States of America as a separate country that was no longer a British
colony. The British lost land, including vital trade routes, after that war. The
Native American leader Tecumseh, who was pushing for a separate state for
his tribes to be located south and west of Lake Erie, along with so-called War
Hawks like Henry Clay of Kentucky, helped push the Americans into a war with
Britain.
This paragraph begins with a strong thesis statement, which declares that
the War of 1812 “marked the end of’ the “conflict between America and
Britain.” It gives some historical context, explaining why the conflict
began. But then it veers off course. The topic is the end of the conflict with
Britain, and not who pushed us into the war. The last sentence therefore
does not support the topic. Either it needs to be dropped, or the thesis
statement needs to be reworded. The writer decided to remove the last
sentence, and instead continue to introduce the general argument about the
conflict. Here is the revised version:
This paragraph conveys information about the meeting, but it’s dull. Every
sentence is eight words or less in length, sounding as if they were written
for an audience of beginning readers. To correct it, make some sentences
longer, while leaving others short. In addition, change some word choices
to make the new sentences flow.
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many of which were reached. We also devised goals for this year,
which are more ambitious.
Practice 1
Take one or two paragraphs of your rough draft (or any other writing you’d
like to revise), and check for clarity and organization problems. Rewrite
and rearrange until you are satisfied with the results.
PROOFREADING_ _
What It Is
Some writers consider proofreading a quick run of their computer’s
grammar and spell check programs. While those programs do find errors,
reliance on them to find every mistake is itself a mistake!
Do your own proofreading, and then carefully use grammar and spell
check to search for errors you may have missed (see suggestions for their
use in the last section of this chapter).
Working from a hard copy, examine your writing one sentence at a time.
Mark problems with a pencil as you find them. You might circle words you
want to replace, cross out what could be deleted, and make notes about
other possible changes in the margin.
As you examine the mechanics of your writing, check for one type of
error at a time. That means for each of the following questions, you will
read through your entire piece. This method helps you maintain focus and
catch more mistakes than you would trying to keep all of the questions in
mind at once.
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Chapter 8: Revising, Editing, and Proofreading
Getting It Right
The goal of proofreading is to eliminate poor word choices and errors in
mechanics. Remove or replace words and phrases that don’t work, and
correct mistakes such as unnecessary verb tense shifts and confusing pro¬
noun usage. After proofreading, your writing will be more fresh, original,
interesting and understandable.
Example
The problems with my dishwasher began a weak ago. I ran a cycle, and the detergent
dispenser didn’t open. I tried again and it worked. The next day, I ran it, and, it leaked.
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Caused a flood in my kitchen. I hired a plumber to fix the leak, but when I try to run it
again, it isn’t starting. An appliance repair person told me the motor died, and I would
have to spend about $300 to replace it.
This paragraph has numerous errors, none of which were caught by gram¬
mar or spell check. They include a misused word (weak instead of week),
a sentence fragment (caused a flood in my kitchen), and incorrect comma
use (the next day, I ran it, and, it leaked). Here’s the proofread and cor¬
rected version:
PROOFREADER'S MARKS
Save yourself time and make your notes clearer by using standard proof¬
reader’s marks. Here are the most common ones.
No No new paragraph
$0 Lowercase
UC Uppercase
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Chapter 8: Revising, Editing, and Proofreading
[ Move left
] Move right
][ Center
Flush left
¥
Flush right
// Align
Let it stand (with dotted line under the text that is to be left to
skt stand as it was originally)
f'-1 trows Transpose (with a line curved around the text that is to be
transposed)
A Insert here
A Insert comma
© Insert period
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© Insert colon
Insert hyphen
Insert dash
M Insert parentheses
Practice 2
Exercise 1
Proofread the following paragraph, making all necessary changes and
corrections.
Eliza Lynch was an Irish women living in Paris, when she met Francisco
Lopez, son of the dictator of Pariguay. Traveling with him for three
months back to his native land, she had five sons. Lynch remains in
Pariguay for 15 years. While her adopted country was at war with three
palaces, acquisition of almost half the land in the country, and amassing
Paraguayans called her. The population and economy during that time.
Only 10% of Paraguayan males survived the war, and over 1 million
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Chapter 8: Revising, Editing, and Proofreading
citizens lost there lives. Although today she is revered with a majestic
Exercise 2
(1) The advise given to the company managers that hiring more addi¬
tional workers will result in a larger number of houses being built con¬
tion are not taken into consideration in the reasoning that more workers
means more houses built, a moments reasoning reveals that many fac¬
tors other then merely the number of workers determines the answer to
the question of how many houses will be built? (3) For example, if the
tools to equip more worker’s, then extra workers won’t help irregard-
less. (4) If there aren’t enough building sights available, a raw materials
hiring more workers might well been just a waste of money. (5) The
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Exercise 3
(1) While the School Boards argument that eating breakfast is related
convincing. (2) The conclusion that forcing more students to eat break¬
both result from a third, unexamined cause that creates the observed
affect. (5) For example, students who eat school breakfasts everyday
might just happen to be the ones who go to bed early, and therefore are up
in time for both the breakfast and for classes. (6) Or maybe the students
that contributes to both one’s better diet and their improved attendance.
While both of these word processing features are useful, they aren’t fool¬
proof. Grammar and spell check software can miss errors, and flag correct
usage as mistakes. A recent university study concluded that students with
strong language skills, relying on these programs, made almost as many
errors as a group with weaker skills who proofread without grammar and
spell check.
It’s still not a bad idea to use grammar and spell check. But run them as a
skeptic. Don’t automatically make every change they suggest, or assume
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Chapter 8: Revising, Editing, and Proofreading
that they’re always right. You need to think, and use resources such as dic¬
tionaries and the grammar, mechanics, and style chapters in this book.
Use, but don't rely exclusively on, grammar and spell check
software.
Grammar Check
Run a grammar check program on your writing after you’ve finished revis¬
ing and proofreading. Even if you’ve set it to check as you type, it’s a good
idea to run it one more time to find any additional errors.
3. Click on “Options”
4. Left-click on the options you want, and check the writing style; for
most written communications, “standard” is preferred, but the style can
also be set to casual, formal, technical, or custom
5. Select “settings” and left-click to choose how many spaces there should
be between sentences, whether punctuation should be placed inside
quotation marks, and many other options
6. Click on “OK”
Grammar check won’t catch every mistake. Pronoun references and dan¬
gling modifiers are examples of possible errors that grammar check won’t
even look for. Here are a few specific mistakes grammar check missed:
Grammar check flagged the first subject-verb agreement error (Sasha are),
but not the second (he eat).
• The bus for which we waited for was already full.
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Grammar check finds no errors in this sentence, which uses the preposi¬
tion “for” twice.
Grammar check catches this sentence fragment and suggests revising it. But
what if the writer revises it by adding “the doorbell rang?” Now the sen¬
tence fragment is a dangling modifier, and grammar check won’t flag it.
Spell check will also identify correct words as misspelled. It uses a dic¬
tionary of over 100,000 words, but that number represents only about half
of the commonly used words in English today. Add most proper nouns and
industry-specific terms to the list of missing words for a total of hundreds
of thousands of words spell check won’t recognize, and possibly consider
misspelled.
When you do misspell a word, don’t rely on spell check’s suggestion for
the correction. It may not be right. This happens frequently when your
misspelling is inadvertently closer to another real word than to the one you
intended. For example, if you leave out the “c” from the word balcony,
you’ll be prompted to change the word to baloney. Don’t automatically
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Chapter 8: Revising, Editing, and Proofreading
Most spell check programs allow you to add words to their dictionary. As
you type, include correct but flagged words, such as your name, your com¬
pany or school’s name, other proper nouns, and words pertaining to your
line of work or field of study. It will save time and effort in the future.
Practice 3
Type the paragraph from Practice 2, Exercise 1 into a blank word process¬
ing document. Check the setting for grammar and spell check, and run the
software. Compare the results with the answers found at the end of this
chapter. Which errors did those programs find, which did they miss, and
which were incorrectly flagged as mistakes?
SUMMARY _
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that can make your work seem sloppy and reflect poorly on your skills as
a writer.
Grammar and spell check software can find many errors, but they also
miss errors, and flag correct usage as mistakes. Use them skeptically,
assuming they’re not always right. Use resources such as dictionaries and
this book to check errors and determine the correct remedy.
Practice 1
Your revision should have checked for problems with clarity and structure
by asking each of the questions listed. Did you use the suggested remedies
to these problems? After revising, you should have asked the questions
again to determine whether your revised version includes any clarity or
structure issues.
Practice 2
Exercise 1
Eliza Lynch was an Irish woman [changed from incorrect women] liv¬
ing in Paris [comma deleted] when she met Francisco Lopez, son of the
dictator of Paraguay [corrected spelling]. She traveled for three months
with him back to his native land, and had five sons [reworded dangling
modifier—Lynch did not have five sons in that time]. Lynch remained
[changed present tense to past—shift was unnecessary] in Paraguay for
15 years. While her adopted country was at war with three neighboring
[corrected spelling] nations, “La Lynch,” [comma placed within quotation
marks] as the Paraguayans called her [changed rest of sentence to active
voice] oversaw the building of opera houses and palaces, acquired almost
half the land in the country, and amassed a fortune in gold and jewels.
The population and economy during that time were ruined [added words
to make fragment a complete sentence]. Only 10% of Paraguayan males
survived the war, and over 1 million citizens lost their [changed word from
incorrect there] lives. Although today she is revered with a majestic shrine
in Asuncion, many historians believe [changed from believes to agree with
subject historians] she was a powerful influence [changed word from incor¬
rect affluence] on Lopez, but had no concern for the people of Paraguay.
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Chapter 8: Revising, Editing, and Proofreading
Exercise 2
(1) The advice given to the company managers that hiring additional
workers will result in a larger number of houses being built contains a
fallacy of exclusion. (2) Several pieces of vital information are not taken
into consideration in the reasoning that more workers means more houses
built, and a moment’s thought reveals that many factors other than merely
the number of workers determines the answer to the question of how many
houses will be built. (3) For example, if the construction company doesn’t
have enough construction equipment or tools to equip more workers, then
extra workers won’t help regardless. (4) If there aren’t enough building
sites available, enough raw materials, or sufficient infrastructure to sup¬
port additional workers, then hiring more workers might well be just a
waste of money. (5) The whole question of diminishing returns in increas¬
ing staff size is not considered by this line of reasoning at all.
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(4) The sentence here refers to building locations (sites), not things seen
(sights).
The middle term in this series violates parallelism in the original, cre¬
ating confusion.
The future conditional subjunctive here takes the verb be rather than
been.
(5) The phrase in increasing staff size modifies the question of diminish¬
ing returns, so put the modifier next to the thing it modifies in order to
avoid confusion.
Exercise 3
(1) While the school board’s argument that eating breakfast in the school
breakfast program is related to a reduction of absenteeism may be convinc¬
ing, (2) the conclusion that forcing more students to eat breakfast on the
school program will cause a decrease in absences is unwarranted. (3) The
statistics show a correspondence that is far from clear enough to assume
causation. (4) The attendance of students at the school-sponsored breakfast
program and at subsequent classes might both result from a third, unexam¬
ined cause that creates the observed effect. (5) For example, students who
eat school breakfasts every day might just happen to be the ones who go to
bed early [no comma] and therefore are up in time for both the breakfast
and for classes. (6) Or perhaps the students with better attendance experi¬
ence a different kind of parent supervision that contributes to both their
better diet and their improved attendance.
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Chapter 8: Revising, Editing, and Proofreading
(5) The word everyday means “ordinary.” The phrase every day means
“happening on each day.”
The phrase that follows the conjunction and is not an independent
clause (it shares its subject with the clause before the conjunction) so
the comma is omitted in this case.
Practice 3
Note that the answer for Practice 2, Exercise 1 corrects ten errors; grammar
and spell check caught just four. They were the misspellings of Paraguay
and neighboring, the sentence fragment, and the confusion of their/there.
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I •
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SECTION III
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CHAPTER 9
Business Writing
Business writing takes many forms, from the resume that gets you hired, to
informal emails, to highly organized, formal reports. Some are created for
internal use, meaning they are sent within a company or institution. Others
are meant for an audience outside the company. All of these documents are
written in specific formats that act as a roadmap for the writer as well as
the reader. The writer uses each standard format as a framework for his or
her ideas—one that is instantly recognizable by the reader.
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RESUMES _
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Chapter 9: Business Writing
When listing your work history, begin with the most recent job, and
work backwards chronologically. Include the name, city or town, and state
of each employer (complete contact information is not necessary). Use
strong verbs to describe your duties and achievements, and mention any
awards, special recognition, and/or promotions you received. Volunteer
work, military service, and internships can also constitute professional
experience; include them if they’re relevant to the position for which you
are applying.
If it’s not clear from your experience or education the type of position
you are seeking, you may want to begin your resume with an objective
statement. It should be a concise sentence. Don’t be general or vague.
“I am seeking a challenging position that will enable me to contribute to
the advancement of the company while affording me the opportunity for
growth and advancement,” tells the reader nothing, and wastes space on
your resume. Only use an objective statement if you can write one that is
clear and specific.
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[ writing speak 1_
Specific, vivid verbs add power to your resume. Use them to explain
both professional and educational experiences.
Example 1
Dena H. Kosinsky
46 Sandhill Road
Morristown, NJ 07960
800-555-1212
dhkosinsky @ acmeintemet.com
Objective
To obtain an entry-level position requiring strong organizational and writ¬
ing skills in the paralegal department.
Education
Eastern Virginia University
B.S. in Paralegal Science, May 2003
Honors: Alumni Prize for Legal Writing, 2003
Phi Beta Kappa
Professional Experience
Intern; Whittlesey, Smith, and Starbuck; Waitsfield, Virginia; Spring 2002
Assisted partner by performing legal research, writing memoranda, and
filing pleadings.
Computer Skills
DBASE IV, QBASIC, Word, Excel
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Chapter 9: Business Writing
Example 2
Sam Wildemuth
32 W. Clover Ave., Apt. 3
Redstone, PA 16842
800-555-1212
OBJECTIVE
Hospitality professional with extensive experience, seeks management
position.
PROFESSIONAL EXPERIENCE
Banquet/Restaurant/Bar Manager
Radisson Pittsburgh; Pittsburgh, Pennsylvania; 2003-present
Assistant manager of restaurant and catering department that produces over
$2 million annually in food and beverage revenues. Duties include menu devel¬
opment, quality and inventory control, product ordering, and cost analysis.
EDUCATION
B.S. Degree in Hotel/Restaurant Management, 2001
Pennsylvania State College; Holdensville, Pennsylvania
CERTIFICATIONS
TIPS—Health Communications, Inc., 2003
ServSafe—National Restaurant Association Educational Foundation, 2004
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Business email is the preferred format for most internal business commu¬
nications, eclipsing the more formal memo. Its ease of use and immediacy
are two of its best features, but they’re also two of its biggest detriments.
Because it’s so quick and easy, many businesspeople feel compelled to
send dozens of them each day, relaying information that may or may not
be of importance to the recipient(s).
Getting It Right
Business email is a fast, easy way to communicate with your colleagues.
But it’s not without its problems. Here is a list of many of those problems,
along with simple solutions.
Solution: You’re at work. Write emails as you would any other business
correspondence. Avoid using emoticons, such as smiley faces
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Chapter 9: Business Writing
Email has spawned a language of its own: acronyms that make using this
quick communication tool even quicker. Most are not appropriate for busi¬
ness use, unless deemed acceptable by your company. For an extensive
list, check www.netlingo.com.
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MEMOS _
Memos are internal communications that provide information quickly and
concisely to a group of people within a company. Their tone is more for¬
mal than emails, and less formal than business letters or reports.
Getting It Right
Memos are made up of three parts: heading, discussion, and conclusion.
Each part has a specific purpose. The heading is made up of four or five
lines that note who the memo is directed to, who prepared it, others who
should receive a copy of the memo (if necessary), the date on which it is
distributed, and the subject. Use the subject line to draw attention to the
memo and capture your reader’s attention by writing something specific
and important. “Today’s Meeting” is vague. “Attendance Requested at
Emergency Budget Meeting” works better.
The discussion begins with a strong, concise thesis statement that expands
on the subject identified in the heading. It then explains the major points
of the subject, using details and examples to support them. Use formatting
tools such as headings, indentations, or bold type to organize information
in longer discussions.
The conclusion reiterates the goal and main points. If the purpose of the
memo is to persuade others to take action or respond in some other way,
the conclusion clearly but politely requests it.
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Chapter 9: Business Writing
Example
Once the new system is operating, employees will need to slide an entry
card through a slot (similar to a credit card machine) located next to the
front door. If you have trouble, press the red button beneath the slot to
speak with the Security Department.
To obtain your entry card, report to the Security Department during this
week with photo identification and a letter from your supervisor confirm¬
ing employment with Meekins, Thurber, Jones, and Associates.
The new system will be working next Monday morning. Due to a need for
increased security, the only way to gain entry to the building is described
above.
Why It Works
The memo follows the three-part format, using the company’s heading.
The introduction explains why the new system is necessary, and how to
comply with it. The body of the memo discusses the specific details of the
system, both how to use it, and how to get the card needed to access it. The
concise (two sentence) conclusion reminds the reader why the system is
needed and when it will be functional. The tone of the memo is appropri¬
ate, being both formal and instructional.
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FLASHBACK!
BUSINESS LETTERS
Getting It Right
To write a business letter, follow the procedure outlined in section II. First,
decide on a subject, and begin prewriting. Create an outline, and write a
draft, keeping your audience in mind. Finally, edit the letter to make it more
readable and easier to understand, and to eliminate errors in mechanics and
grammar. Remember that business letters are addressed to busy people;
state your purpose clearly and concisely, and don’t stray from your topic.
There are three formats used for the majority of business letters: block,
semi-block, and indented. In block format, all entries are set on the left-
hand margin. Semi-block format moves the date and inside address to
the right-hand margin. To create an indented format, use either block or
semi-block, and indent each paragraph five spaces. These formats may be
found as templates in most word processing programs. Remember to deter¬
mine if your company specifies a business writing format before writing
your first letter on the job. All of the formats are printed on letterhead that
includes the company’s name, address, and other contact information.
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Chapter 9: Business Writing
Depending on the type of letter you are writing, there are as many as
12 elements in a business letter. Their correct use and placement is essen¬
tial in making your document look professional. The elements are listed in
order as they appear on the page, from top to bottom.
Date: the date on which the letter was written; placed at the top of the
page, at least two lines below the letterhead
Salutation: a personal greeting to your reader; two lines below the inside
address.
Subject Line: a short phrase that describes the content of the letter
(optional); at least two lines below the salutation
Body: the message of the letter; two lines below the salutation or subject
line, single-spaced.
Signature Block: signature of the person writing the letter below the com¬
plimentary close; four lines below the closing signature is typed name
(followed by the job title when writing on behalf of a company).
Initials: the person signing the letter (all capital letters), colon, followed
by the typist (all lowercase).
Continuation Pages: any page after the first page of a document. Put the
addressee’s name, the date, and the page number at the top left comer of
each page, flush left. Do not use letterhead for continuation pages.
Examples
Block: Cover Letter
17 Chestnut Street
Austin, TX 78759
6 June 2006
Raul G. Ramirez
Women’s and Children’s Hospital
4505 Central Ave.
Austin, TX 78703
For the past three years, I have been employed in the food service indus¬
try, working first for Standard Corporate Catering Services, and then for
American International Group. I have experience in purchasing, hiring,
training, and management.
Sincerely,
Alice Smith
Enel.: resume
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Chapter 9: Business Writing
REMEMBER THIS! ». ■- .
You can use any format for a cover letter, but don’t forget these basics:
• Customize each letter for the position, company, and potential
employer
• Identify the position you’re applying for in the first sentence, and
mention how you heard about it, especially if it was through a per¬
sonal referral
• Demonstrate that you understand the job requirements and can
exceed their expectations
• Replace generalities with specifics; “I am responsible and hard¬
working” is meaningless. Try instead “At my previous position, I
was promoted from clerk to floor manager after my supervisor rec¬
ommended me.”
• Explain anything on your rdsumd that may be questioned by the
reader, including gaps in employment and reasons for leaving a job
• Show that you have researched the company and are familiar with
the position
• Be proactive; ask for an interview, and let them know you expect to
hear from them, or say that you will contact them to follow up
• Stand out through your skills and experience; use standard paper,
fonts, and format
• At the end of your letter, provide your contact information follow up
in a week if you haven’t received a response
March 2, 2006
Carolyn J. Stein
Fab Fabrics, Inc.
1267 Main Street
Manchester, VT 05609
I received your letter about the incomplete shipment you received from
our company and regret the inconvenience our error has caused you.
Sincerely,
DHM:kp
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Chapter 9: Business Writing
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Proposals
The purpose of a proposal is to persuade its audience to take action; the
action might be buying your company’s services, donating grant money
to a worthy cause, or allowing you to launch a new program within your
company or department.
Getting It Right
Before you begin any prewriting exercises for your proposal, consider the
following:
Who is your audience? Are your readers in your field? Do they need any
background information to understand your proposal? Is there any techni¬
cal or other field-specific jargon that should be explained or avoided?
What are the needs of your audience? If you’re asking them to take
action, do they have the time? If you are asking for funding, is it within
their budget? If you are asking them to choose you over the competition,
what can you do better to fill their needs? Anticipate any questions or con¬
cerns they might have, and answer them within the proposal.
The content of a proposal also varies depending upon subject matter. Here,
we 11 explain the parts of a proposal; each part won’t be necessary for
every proposal. Use this list like a menu, choosing those parts will work
best for your purposes.
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Chapter 9: Business Writing
Table of Contents: necessary only for longer proposals with many head¬
ings and subheadings.
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End Matter: information that may be of value to the reader, but does not
warrant inclusion in the body of the proposal. May include appendices
such as letter of reference, resumes, schedules, charts, statistics,
Reports
Reports are typically longer than memos, and are written to convey infor¬
mation to an audience that will use it to make decisions. For example,
a report analyzing the performance of a stock will be used by potential
investors to decide whether to purchase shares.
Getting It Right
Reports should present information so it is concise, easy to understand,
and useful. These tips will help you achieve those goals:
• Don’t include “padding,” whether in the form of unnecessary words
and phrases, useless appendices, or information that is not essential
to the topic
• Write in the active voice
FLASHBACK!
In section II, you saw how outlines turn prewriting notes into a
writing plan. Remember, the outline is not the end product. Reports
should contain explanations, recommendations, and conclusions.
Think of them as outlines with depth and substance.
There are between four and six components to a business report, depend¬
ing upon your topic and your company’s report protocol. Here’s what they
should include, with ideas about how to maximize the value of each part:
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Chapter 9: Business Writing
The headline includes the name of the report, author(s), date, and other
necessary identifying information. Some companies prefer a distinct cover
page for headline information, while others place this information at the
top of the first page.
The body contains all supporting information for the topic. It relays facts,
figures, results, examples, and details. Write the body in short paragraphs
that include only the most pertinent information. Don’t make your reader
hunt for what he or she is looking for.
REMEMBER THIS!
Use appendices in reports if some of your audience might not be
familiar with significant background information.
SUMMARY
You’ve reviewed the six basic formats of business writing, how to maximize
the effectiveness of each, and how to avoid the most common errors.
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for the job, it needs to look perfect. Content should also be presented to put
you in the best light. Which is more impressive—your academic qualifica¬
tions or professional experiences? Place your strongest assets first.
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CHAPTER 10
Personal Correspondence
Most of these are decidedly less formal than business correspondence, but
they do follow some rules and social conventions. It’s important to know,
for example, why you shouldn’t forward emails without first verifying that
their content is correct, or why an overly aggressive complaint letter prob¬
ably won’t get you the result you want. Learn how best to create effective
personal letters, notes, and emails.
LETTERS
Personal letters take many forms. The one you write to an elected official
is very different from the one you’d write to a friend. Some require the
warmth and individuality of handwriting, while others may be typed. In
this section, we’ll explain the formatting and styling of personal letters, as
well as three common occasions on which to write them.
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The preferred salutation for personal letters is Dear. Use titles such as
Mr., Mrs., Ms., and Dr. for people whose name is familiar to you, but
whom you either haven’t met, or have a formal relationship with. If you
are writing to someone whose name and title you don’t know, use the
greeting Dear Sir or Madam, or To Whom It May Concern. Appropriate
complimentary closes for formal situations include Sincerely, Yours truly,
Regards, and Best Wishes. When writing to a friend or family member, you
may wish to close with something more casual and familiar such as See
you soon, Love, or Kindest Regards. A post script (P.S.) can be added to a
personal letter, setting an afterthought or additional short message at the
bottom of the page.
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Chapter 10: Personal Correspondence
Date
Salutation
Body Paragraph 1
Body Paragraph 2
Body Paragraph 3
Complimentary Close
Signature
P.S.
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As you write your formal letter, introduce your topic in the first paragraph.
Decide whether to state or imply the result you want, or wait to bring it up
at the end of the letter. If you are building an argument with many facts
and points to be made, it might be better to wait until the end of the letter,
when the conclusion (your desired result) is obvious.
Adopt a tone that says you’re serious. Don’t use slang or overly casual
words and phrases. Use the active voice, and keep sentences short and to
the point. Don’t allow your emotions to get in the way.
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Chapter 10: Personal Correspondence
Letter of Complaint
When you purchase a defective product, experience a company error, or
receive poor service, don’t simply swear off the product or company. Most
businesses want to remedy problems; they know the benefits of repeat busi¬
ness and positive word-of-mouth advertising. By channeling your anger or
frustration into a well-written letter of complaint, you’re likely to get the
results you want, and you might even get more. Many companies routinely
send coupons, gift certificates, or free products to help right a wrong.
Checklist
• Act quickly, when the details of your transaction are fresh in your
mind as well as the minds of the company or serviceperson. There
may be a return policy or guarantee that covers your problem.
• Find out to whom to address your letter. It should only take a phone
call to get the correct name and title. Use To Whom It May Concern
if you must, but be certain it is directed to the proper department if
it’s going to a large company.
• Explain the situation using the Journalist’s Questions prewriting
technique from chapter 5 to cover who, what, where, when, how, and
why. If you give only the most pertinent information, you should
only need a short paragraph.
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• Write in a serious but friendly tone. Angry threats and name calling
will make it harder for you to get results.
• Provide tangible evidence to support your claims, including copies
of receipts, contracts, warranties, and other documents.
• Explain how you want the situation rectified. Do you want a refund?
Credit applied toward your account? A replacement product? Be
specific.
• Make a copy of the signed letter for your records.
• Call the person you sent your letter to after one week if you haven’t
received a reply. Tell them you are following up and want to know
the progress being made on your claim.
• When you get results, send another letter thanking the person in
charge.
Using aggressive language and threats can make your reader feel
defensive and therefore unwilling to help you.
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Chapter 10: Personal Correspondence
That night, I lit the candles at 7:00 as guests began to arrive at my home.
After two hours, one of my guests remarked that she smelled smoke. I
walked into the dining room, and saw that both candles had completely
burned down to the wooden holders, which were smoldering!
Another guest thought quickly and picked up the candle holders and
brought them to the kitchen sink. He doused them with water and the
smoke subsided. However, both candleholders are mined. In addition, my
tablecloth has two black singe marks where the holders sat, and the marks
did not come out at the cleaners. A copy of the cleaner’s receipt is also
enclosed.
I expect to be reimbursed for the price of the candles ($11.26), the candle-
holders ($38.75), the tablecloth ($61.90), and the cleaning bill ($9.50). In
addition, I would advise you to discontinue the sale of these candles. They
are not only defective, but also dangerous!
Ginny Ackerman
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What It Is
Electronic mail, sent from one computer to another, is faster and easier
than writing letters, making phone calls, and sending faxes. Email may be
sent to one, one hundred, or hundreds of thousands of people at the same
time. It is becoming the preferred method of communication for friends
and families, organizations and associations, and business colleagues.
There are many different software programs used for composing and
reading email. Yours may allow you to personalize your message with
colors, boldface, italics, underlining, and a variety of fonts. However,
some programs can’t handle the formatting, and will translate your mes¬
sage into HTML tags. Instead of boldface, for example, your reader will
see <b>boldface</b>. It’s safer to skip the fancy formatting, which will
guarantee that your message will arrive in readable form no matter what
software your reader is using.
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Chapter 10: Personal Correspondence
through attachments, many people won’t open them, and some even block
email with attachments, so it never appear in their inbox. It’s best to ask
your recipients in a separate email whether they accept attachments. If they
do, ask if they have the software necessary to read the attachment, and even
if he or she has room on his or her computer for the attachment (pictures,
videos, and other types of files can take up hundreds of megabytes).
If you are sending a Web link, you may also have problems caused by differ¬
ing software programs. Some programs recognize a Web address as begin¬
ning with www but many only recognize them as beginning with http://. To
guarantee that your reader will be able to open the link, use the full address.
The casual nature of email can lull writers into thinking they don’t need
to follow the basic formatting conventions of written correspondence. For
example, salutations and closings are often left out. They shouldn’t be!
Greet your reader with a standard salutation such as Dear, or even with
a simple Hello or Hi. Close your letter with your name, which might not
appear anywhere else in the email (if your email address doesn’t include
your full name, and the “from” line only includes only your address).
These casual hallmarks of emails are accepted by many of its users, especial¬
ly younger ones who’ve grown up with email. But not everyone appreciates
or even understands them. Acronyms and emoticons, for example, may be a
mystery to a new, older emailer. Consider your audience when sending email,
and be certain that your message is readable and inoffensive to them.
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Length
Keep it short. Email is read on a screen that only shows about 20 lines at a
time. Try to keep emails that length or shorter. In addition, some email soft¬
ware breaks lines longer than 75 characters. While your message may look
fine on your screen, your reader may see part of a line, and have to scroll right
to read the rest. Some programs even delete characters after a certain number,
which would make most emails incomprehensible. By breaking lines at or
before the 75-character mark, you assure readability for any email recipient.
Forwarding
Think twice before forwarding emails. With the ease of forwarding, one
message can circulate to millions of people in a short period. Many such
emails are jokes, with graphics and/or animation that may take time to
download and take up valuable space on the recipients’ computers. Others
fall into the category of “urban legends” or email hoaxes, most of which
are false. These include stories about car thieves’ techniques, abductions,
and product safety warnings. To check the veracity of such an email before
forwarding it, search for its title or first line (in quotation marks) on a
search engine. Do some research to find out the source of the information,
and whether a website such as www.snopes.com,www.urbanlegends.com,
or www.scambusters.org has ascertained whether it is true. Don’t be guilty
of disseminating rumors, lies, or exaggerations.
If you decide to forward an email, clean it up. The person you’re sending
it to doesn’t need to receive five pages of strangers’ addresses and notes
to one another. Delete everything in the body of the email except for the
message itself. Not only does it show that you value your recipient’s time,
but it makes the message more readable too.
Tone
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Chapter 10: Personal Correspondence
Adding emphasis to key words can also be tricky. We’ve already explained
how italics and underlining can be unreadable by some email software
programs. So how do you add emphasis to a word or phrase? Some writers
capitalize entire words, but this is often interpreted as shouting, and it can
be hard to read. Try instead placing the word within asterisks; for example,
I already told you I *don’t* accept emails with attachments'.
SUMMARY
Some personal letters should be typed and formatted as you would a busi¬
ness letter. They are the letters you write when you want to be taken seri¬
ously, and desire a result. Examples include letters of complaint and letters
requesting information. Other letters should be handwritten, because they
need to convey a more personal message.
Take care when sending personal emails to ensure that your message
arrives in a readable form, and gets the attention of your recipient. Don’t
send attachments without first asking if they’re accepted. Keep your e-
mails short to make them easier to read and respond to, and don’t clutter
up friends’ and family’s inboxes with hoaxes and “urban legends.” Before
forwarding any email, check to see if it’s true.
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.
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CHAPTER 11
Academic Writing
The two major categories, reports and essays, have already been explored
at length in this book. You’ve learned how to prewrite to come up with a
plan for writing, how to write a strong thesis statement, and how to use the
introduction, body, and conclusion of your writing to great effect. All of
these skills are used in academic writing.
This chapter will focus on techniques you’ll need to conquer the writing
assignments you receive in school, from using style guides to finding and
evaluating sources, writing bibliographies, and taking notes.
Audience
One of the most important ways academic writing differs from many
other types of writing is its audience: the reader of your report or essay is
already at least as well informed on your subject as you are. Your teachers
or professors aren’t reading to learn something; they’re reading to see if
you learned something. They’ll look for:
Writing for this audience means you won’t have to give the kind of detailed
background information or context you might in a business report. You
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can assume that your professor knows who Tennyson or Einstein was;
short biographies aren’t necessary. Adopt a formal tone that’s objective
and acknowledges other points of view. Exclamation points, contractions,
and ellipses (unless they indicate where cited text has been cut) should be
avoided. Don’t be rude, harsh, mocking, satirical, or overly critical. Slang
and vulgarisms have no place in academic writing. State your case con¬
fidently, but without preaching. Review connotation and biased language
in chapter 4.
These are the most common style guides, with publishing or Internet
access information:
American Anthropological Association Style Guide (anthropology)
http://www.aaanet.org/pubs/style_guide.htm
ACS Style Guide (chemistry)
American Chemical Society; 2nd ed. (1997)
Scientific Style and Format: The CBE Manual (biology, medicine, natural
sciences)
Cambridge University Press; 6th ed. (1994)
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Chapter 11: Academic Writing
Exam Essays
Writing for an exam, whether it’s the SAT, a college final, the GED, or an
exit essay, requires excellent time management skills. Before taking the
exam, you need to spend time gathering all available information about it
and developing a writing strategy. You should walk into the exam know¬
ing exactly what you’ll be facing, and how to handle it. You might not be
able to eliminate normal test anxiety, but you can take away the fear of the
unknown.
How to Prepare
Standardized tests such as the SAT and GED have websites and published
study guides that provide critical information such as possible topics, sam¬
ple essays, and lists of criteria on which your essay will be judged. Take
advantage of it all! Try writing on the sample topics, and determine which
works best for you. Study the sample essays and figure out how they’re
structured: What does the introduction look like? Can you find a strong
thesis statement? how many paragraphs is the body made up of? How do
those paragraphs function? Is there a formal conclusion? are the grammar,
punctuation, and spelling perfect?
• clear organization
• development of ideas
• appropriate sentence structure and word choice
• correct punctuation, grammar, and spelling
Some state exams will score your prewriting notes and outline. Understand
exactly what is required of you, and practice until you can get it right.
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Begin by prewriting, and use the strategy that you chose during practice
sessions. If the topic is new to you, spend a minute or two thinking about
it. Why is it being asked? Is it looking for facts or opinion? If it can be
approached in a number of ways, which way can you best support? Write
your ideas in a loose outline form (don’t spend time trying to make it per¬
fect). Fill it in with examples and details, but remember you will have time
to come up with more during the writing process.
The bulk of your time should be spent writing (in fact, if errors in punctua¬
tion, spelling, and grammar won’t be held against you, use all but a few
final minutes to write). Begin with an introduction that includes a strong
thesis statement that refers directly to the topic. You might even include
some of the key words used in the topic in your thesis statement. This will
reinforce the idea that you understand it, and your essay will address it
clearly and deliberately.
The body of your essay is comprised of the main points you will make
about your topic. They should be developed and supported by details and
examples. In other words, don’t rely on unsubstantiated generalizations.
“Hemingway was one of the greatest writers of the 20th century” is simply
opinion. But if you preface the statement by noting: “Hemingway not only
won the Pulitzer and Nobel Prizes for literature, but his four major novels,
The Sun Also Rises (1926), A Farewell to Arms (1929), For Whom the Bell
Tolls (1940), and The Old Man and the Sea (1952), are read and studied as
much today as they were 60 years ago” you’ve substantiated it.
Use paragraphs to organize your essay, and don’t stray from your topic. If
you decide to use a quote or an important date, and aren’t sure if you have
it right, qualify it. Instead of hesitatingly noting, “the Civil War started
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Chapter 7 7: Academic Writing
in 1860,” write, “the Civil War started in the 1860’s,” or “the Civil War
started in the mid-nineteenth century.”
I PPMFMRFP THIS! ) -.
Leave room in both your outline and your essay to add information.
You might think of a better detail or example as you write, or notice
while revising that you could use a better transition between two
paragraphs.
In the concluding paragraph, restate your topic and the points you made in
the body of your essay. Emphasize the fact that you stayed on topic, and
that your points developed it and were well supported. Don’t contradict
any of your points or introduce new material. You also shouldn’t repeat
your introduction, or use cliches such as “It just goes to show,” or “This
essay was about.”
When you’re finished writing, you should have a few minutes to revise
it. If you’ll be penalized for errors in spelling, punctuation, and grammar,
check for them. As you re-read the essay, make sure you included exam¬
ples, details, and/or evidence in each paragraph. The tone should be con¬
sistent. Expand any confusing sentences or phrases, and eliminate those
that don’t pertain to your topic.
[question 1_i---—-
There are five elements of literature. Delineate and define each
element, and using a popular children's story (i.e., Little Red Riding
Hood), give an example of each element from the story.
Poor Response:
There are five elements of literature. These include title and author, plot,
main characters, setting, and conclusion.
The title, in this case. Little Red Riding Hood, tells what the story is
about. Sometimes, it can be misleading. The author is the person who
wrote the book. In this case, it is a fain/ tale and has been around a long
time. Thus, it does not really have an author.
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The plot tells what happens in the story. In this story, a child is on a
journey to her grandmother's house. She stops to talk to a wolf. The wolf
then tricks her. The main characters in the book are the little girl, the
wolf, and her grandmother.
The setting is another element. The setting where the story takes place.
This story takes place in the woods and at grandma’s house. The final
element is the conclusion. This is the final event that takes place. In this
case, the grandmother is saved and everyone is happy.
This essay has some of the elements correct (the elements are plot, char¬
acters, setting, theme, and point of view), but others that are incorrect.
Although the essay itself does contain correct grammar and spelling, it
does not include transitions. In addition, three things were required for
each of the elements. Each element was to be named, defined, and illus¬
trated by an example from the story. In order to receive higher points, the
writer would need to make sure all six elements were correct and that each
of the three parts for each element was included.
Strong Response:
The five elements of literature include plot, characters, setting, theme,
and point of view. Each of these elements are present in every story.
The first element is plot. The plot is the action that takes place in a
story. In the story, Little Red Riding Hood, the main action centers
around Little Red Riding Hood. She is walking through the woods to
her grandmother’s house when she encounters a wolf. She gives the
wolf information and then he uses that information to go to her
grandmother’s house to trick her. In the end, the grandmother and a
woodcutter help destroy the wolf.
The second element involves the characters in the story. In this story,
the characters are Little Red Riding Hood, the Sig Sad Wolf, the grand¬
mother, and the woodcutter. The characters are the main people (or
animals) who are involved in the action of the story.
The third element is the setting. This involves the places where the action
takes place in the story. In Little Red Riding Hood, there are two settings.
The first is the woods on the way to the grandmother’s house. The second
is the grandmother’s house.
The fourth element is theme. The theme is the moral of the story. It is the
main message the story is trying to convey. In this story, the main idea
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Chapter 11: Academic Writing
for children to learn is not to talk to strangers. Because the little girl
talks to the wolf, there is trouble later. Children reading this story learn
not to talk to strangers.
The final element is point of view. This involves what person the story is
written in as well as who is telling the story. This story is written in third
person. It is, however, written from the point of view of the main charac¬
ter—the little girl.
This essay answers the question fully. It includes the five correct ele¬
ments (plot, characters, setting, theme, point of view) and it gives the three
requirements for each element (name it, define it, and give an example
from the story of it). The essay is well written and includes transitions. It
follows the format of having an introductory paragraph (telling the main
points), a body (explaining the main points), and conclusion (wrapping up
the main points).
Research
If your assignment requires research, you must find source material (works
written by others) and use it to support your topic. Not only will you con¬
sult library books, periodicals, and other documents, but you’ll also search
the Internet for information. Staying focused when there’s so much mate¬
rial at your disposal can be difficult. It’s important that your topic is spe¬
cific before you begin research. Try writing a thesis statement that declares
your approach, and put the statement at the top of each page on which you
take notes. Don’t lose focus.
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2. Secondary Sources: what other people have said about your topic. The
paper on poetry would probably benefit from a reading of sources pro¬
viding biographical information, critical analysis, and historical con¬
text. The Civil Liberties paper might be enriched with books, articles,
and essays that furnish legal background, reasoned opinion, and even
public sentiment. Begin with general reference materials, and work
toward more specialized ones:
Taking Notes
Using secondary sources is an integral part of research. However, it can
also be dangerous. If you don’t cite those sources properly, that is, if you
don’t acknowledge that you consulted them, you’re plagiarizing. If you
string many quotes and borrowed ideas together, you’ve created a cata¬
logue of your sources, not an original paper. While it is not expected that
every idea in your paper will be your own, you must give credit when
you borrow, and synthesize the information you’ve gathered with your
thinking on your topic. Don’t simply restate the words and thoughts of
others.
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Chapter 7 7: Academic Writing
The best way to safeguard against plagiarizing is to take great notes during
your research. Notes will help you organize the material you’ve gathered,
and eventually create a formal bibliography of works consulted. Some stu¬
dents use sheets of paper for notes, while others prefer index cards. Either
way, here are some guidelines for note taking:
• Check your style guide for information needed for the bibliography
• Create a master list of works consulted as you research (see the sec¬
tion later in the chapter on bibliographies)
• Organize notes as you take them; if you’re using cards, put only one
note on each card, and label it by topic or sub-topic; if you’re using
pages, label the pages with topics and sub-topics, and list related
notes together
• Don’t crowd; leave plenty of room for additional thoughts and notes
to be added
• Add your comments in another color ink as you respond to information
• Use exact quotes only when a phrase or sentence stands out as truly
memorable, one that you may use in its entirety in your writing
• Summarize the most relevant ideas using short phrases and key
words (full sentences are not necessary)
• If the source is a borrowed book, consider using post-it notes to add
comments and point to important sections of the text
• Remember to include page numbers for each note
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Chapter 11: Academic Writing
Practice 1
Create a note card for each of the following passages.
2. Arthur Herman. How the Scots Invented the Modern World (New
York: Crown Publishers, 2001; New York: Three Rivers press,
2001) page 345. "The Scottish mass migration of the eighteenth
and nineteenth centuries...was as momentous as any in history.
In sheer numbers, it hardly stands out; perhaps 3 million all told,
compared to the 8 million Italians who left their native land
between 1820 and World War I. Yet its impact was far-reaching
in more ways than one."
Evaluating Sources
Remember the cliche, “you can’t judge a book by its cover?” It may be
trite, but it’s solid advice. Just because a book has a glossy cover and a
few glowing blurbs on the back proclaiming it to be well received doesn’t
mean you should trust it. Sources are not all of the same quality. The only
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Two important criteria to use for evaluating sources are bias and timeli¬
ness. Some books are written by writers who purport to objectively exam¬
ine a subject when in fact they simply promote an agenda. For example, if
you were researching the subject of gun control, would you rely on a book
published by the National Rifle Association, which is admittedly against
any kind of control? Unless you understand the bias of the publisher, you
risk including skewed statistics and other unreliable information.
Many subjects change over time. Scientific research, new rulings, and
even shifting public opinion can make information obsolete. If you’re
writing about the Fourth Amendment and its use by opponents of random
drug testing, you need to find the most current information. Courts reverse
decisions, legislation is passed, and regulations are approved frequently.
Relying on a six-month-old resource when you’re dealing with an ever-
changing subject such as law is risky.
Don’t stop asking questions once you’ve found the author of the site. Do
you know if the person or groups is qualified to write on the topic? What
are his or her credentials? If the author is a group or organization, is it legit¬
imate? Try to find similar information on three other websites that have not
copied it from the original site. Look up the author or organization. Do
they exist as they say they do? Is the contact information correct?
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Chapter 11: Academic Writing
As with information from books and periodicals, the data you find on the
websites could be obsolete. Are there links to other pages? Try them to see
if they work; links to pages that no longer exist could mean the site you’re
looking at hasn’t been updated in a while. Internal clues can also date the
site. Are there “current” references to old material (for example, is the
1996 presidential election referred to as the most recent)? Check the bot¬
tom of the home page for a date on which the site was last revised. If there
is no date, or it’s been a few months (or longer), question the information.
Most legitimate sites are well maintained.
Many researchers prefer to use note cards for keeping track of biblio¬
graphical information. Beginning in the upper-left-hand comer, place the
author’s name and title of the work. Then list the place and date of publica¬
tion, the publisher, pages consulted, and any other pertinent information,
such as date of the edition, number in a series, and volume and edition
number of periodicals. Other essential data includes the library and call
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number, URL, and other source identification so you can easily relocate
the material if necessary.
Your style guide will determine the formatting of your formal bibliogra¬
phy. For example, MLA dictates that a book by one author should be cited
with author’s last name first, followed by the first name and a period. APA
uses just the initial of the author’s first name. Type carefully, following all
rules for spacing, indentation, punctuation, alphabetization, and composi¬
tion of individual citations. Remember to list every work you consulted,
and not just those quoted directly in your work.
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Chapter 11: Academic Writing
SUMMARY
Audience
Scholarly writing is read by a unique audience, one that is as well
informed as, or perhaps better informed on your subject than you are. That
means the focus is as much on you as it is on your topic. You need to show
that you have learned something about your topic, and that you developed
and organized ideas about it.
Style
Style guides are used by most institutions to achieve conformity in student
writing. The guides dictate how to format essays and reports, how to style
footnotes and endnotes, and even how to punctuate. Some disciplines have
their own style manuals, and others use more general ones such as MLA,
Chicago, and Turabian. Don’t turn in a writing assignment without first
finding out which guide you need to follow, and then using it to create
your finished product.
Preparation
Before you take an essay exam, prepare thoroughly. If possible, get infor¬
mation about the test online, or from a published study guide. If it’s an
exam for a class, study your notes. Practice prewriting and writing essays
while the clock is ticking. The better prepared you are, the easier it will be
to write a well-crafted essay.
Reference
Don’t consult secondary research sources until you have a good under¬
standing of your topic and its primary sources. Begin with reference
books and Internet sources of general information. Then, move on to more
specific books, articles, and websites. Take notes for each source you con¬
sult, and cite the details you’ll need to create a formal bibliography.
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bias, and currency. Pay particular attention to personal Web pages, which
are notoriously inaccurate.
Cards will vary, but should contain the author’s name, title (may be con¬
densed), and page number. Content should be a brief summary, using
phrases and key words. If copying text word-for-word, it must be in quota¬
tion marks.
Practice 1
1.
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Chapter 11: Academic Writing
2.
3.
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4 .
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Sharp Writing
Cumulative Test
If you get any answers wrong, or find yourself uncertain about how to
approach any of the writing prompts, review the relevant chapters once
more.
Part 1
Read each sentence below carefully. Determine what part of speech is
needed to fill in the blank.
1. Constance walked_across the room.
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Part 2
Match each of the following terms to its example (we’ve done the first for
you).
Part 3
Correct any pronoun errors in the following sentences.
12. On the news they said that the president will be in town tomorrow.
13. A good doctor listens to his patients' words as well as their bodies.
15. If you talk to Rajesh before me, tell him I need my notebook back.
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Sharp Writing Cumulative Test
Part 4
Match each of the following terms with its example. We’ve done the first
one to get you started.
Subject Predicate
Linking verb Indirect object
16. Scientists know very little about the African bush elephant.
17. lam studying the African bush elephant._
18. Because they live so deep in the jungle, no one knows for sure
how many bush elephants there are.
19. The African Conservation Society has given me a grant for my
research.
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Part 5
sleep. While adults can often function on just a few hours of slumber.
Children and teenagers should get nine to ten hours of sleep each night,
otherwise their health and schoolwork will suffer. Studies show that
parents don't recognize that their children are sleep deprived, these
tired children actually are overactive during the day. Instead of sleepy.
Tired children are more likely to have accidents, they have less effective
to bed earlier however it is clearly very important. That they get enough
rest.
Part 6
For each of the following verbs, identify the form or tense indicated.
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Sharp Writing Cumulative Test
Part 7
Circle the correct alternative to complete each of the following sentences.
24. I didn't think it was possible, but Kendra ( may / could ) win this
debate after all.
25. Global warming ( could be / could been ) the main issue in the
next election.
27. With the (raising / rising ) cost of (raising / rising ) cattle, many
small farms have gone out of business.
28. Some diseases can (lay / lie ) dormant in a patient for years before
the patient becomes symptomatic.
Part 8
Word Sets:
32. location:
Which word...
(A) their
(B) there
(C) they're
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(A) then
(B) than
(A) ascent
(B) assent
(A) affect
(B) effect
(A) amount
(B) number
Part 9
The following paragraph is a draft cover letter for a resume in response to
a newspaper advertisement. Rewrite the letter to eliminate any inappropri¬
ate language and maintain a consistent and appropriate level of formality.
Dear Sir/Madam:
As I perused the newspaper yesterday, I took note of the advertisement
for the procurement of a position within your organization.
The job sounds just divine! I'd love to have it. Here's my resume. You'll
see I bring a lot to the table. I'm especially good at number-crunching
and tasks of an analytical nature.
Every employer seeks the perfect man for the position. When you check
out my resume, you'll see that I'm the one for you.
I thank you sincerely for your consideration. Can't wait to hear from you!
Part 10
Read the following paragraphs carefully and correct any errors in
punctuation.
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Sharp Writing Cumulative Test
and near death..." Many critics wondered if Miller was right? The
verdict may still be out, but this much is certain, Miller's plays
Part 11
39. List the two uses of a semicolon.
Part 12
Correct any errors in commas, semicolons, colons, dashes, and quotation
marks in the following sentences.
43. "I know one thing for sure", Juliette said; and that is: I'll always
love you."
44. Edward Bulwer-Lytton once wrote; But is a word that cools many
a warm impulse stifles many a kindly thought puts a dead stop to
many a brotherly deed.
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46. There are two things to aim at in life; first—to get what you
want—and after that—to enjoy it. —Logan Pearsall Smith
47. Money is like love, it kills slowly and painfully the one who
withholds it; and it enlivens the other who turns it upon his fellow
man. —Kahlil Gibran
Part 13
Part 14
Each of the sentences that follow contains at least one error in spelling,
capitalization, and/or italics. Find and correct those errors using standard
proofreader’s marks.
53. Dustin has submited his Poem Evening Moods to a Poetry Contest
in Images magazine.
54. This has been a long-trying semester for me, and I am really
looking forward to Summer Vacation.
55. Are you refering to the time I said No one compares to Elvis?
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Sharp Writing Cumulative Test
WRITING PROMPTS
These prompts are designed to help you practice the skills you acquired
from Sharp Writing: Building Better Writing Skills. Although they each
require a different type of writing, and not all might pertain to your situa¬
tion, we encourage you to complete each one.
Prompt 1
Write a letter soliciting a donation from a business for your charitable
organization. You may need to do some research to provide information
about the organization, and create an outline that helps organize your
ideas. A tone appropriate to your audience should be conveyed through
the formatting of the letter, word choice, and level of formality.
Prompt 2
All of the salespeople in your office will be required to attend a training
seminar. Write a memo or email to tell them about this upcoming event.
Both formats should include a specific, attention-getting subject line, a
mention of the fact that attendance is mandatory, and the time, date, and
place of the seminar.
Prompt 3
You researched the timed essay exam you’ll be taking in three weeks, and
found that you will need to develop a point of view on a topic, substantiat¬
ing it with concrete examples and details. Using the topic and assignment
that follow, prewrite in no more than five minutes, creating a list or loose
outline of your ideas.
Topic: In one of Robert Frost’s most famous poems, the speaker remem¬
bers being confronted with two paths in the woods, and choosing the one
that is slightly less-travelled. He remarks “with a sigh” that his choice
affected the rest of his life.
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Part 1
1. Adverb. The word here would tell us how Constance walked (slowly,
hesitantly, noisily).
3. Adjective. The word here would tell us what kind of movie it was
(fantastic, lousy, remarkable, banal).
Part 2
6. b
7. d
8. a
9. c
10. /
Part 3
11. Either Paul or Rita will bring a video camera. (The two singular ante¬
cedents are connected by or and one is male, the other female. The sen¬
tence needs to be revised because no pronoun can agree.)
12. The newscaster said that the president will be in town tomorrow. (The
indefinite they should be replaced by a specific noun.)
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Sharp Writing Cumulative Test
13. Good doctors listen to their patients’ words as well as their bodies.
(The singular generic noun a good doctor needs pronouns that include both
genders. Instead of using his or her, we revised to make the noun plural.)
14. To whom should I address this letter? (Whom is the object of the prep¬
osition to, so it must be in the objective case.)
15. If you talk to Rajesh before I [do], tell him I need my notebook back.
(The context makes it clear that the speaker doesn’t mean “If you speak to
Rajesh before [you speak to] me.” The subjective case is required here for
the unstated verb do.)
Part 4
16. Subject
17. Predicate
18. Indirect object
19. Linking verb
20. (C) 21. (D) 22. (B) 23. (A)
Part 5
In (A) below, fragments are underlined and run-ons are bracketed. In (B),
we offer one version of the corrected paragraph. Revised paragraphs may
vary as there are many ways to correct these problems.
(A) According to many experts. Most Americans do not get enough sleep.
While adults can often function on just a few hours of slumber. [Children
and teenagers should get nine to ten hours of sleep each night, otherwise
their health and schoolwork will suffer.] Studies show that nearly one-third
of school-age children. Do not get enough sleep. [Many parents don’t rec¬
ognize that their children are sleep deprived, these tired children actually
are overactive during the day.] Instead of sleepy. [Tired children are more
likely to have accidents, they have less effective memories and shorter
attention spans.] [It may be difficult to get children to bed earlier however
it is clearly very important.] That they get enough rest.
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Part 6
Part 7
27. Rising, raising. Rise is intransitive—it is the cost that is rising. Raise
is transitive and takes the object cattle.
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Sharp Writing Cumulative Test
Part 8
29. accept
30. explicit
31. assure
32. site
33. advise
34. A
35. B
36. B
37. A
38. B
Part 9
Answers will vary. There are many problems with this letter. The first
paragraph is pretentious; the second, too informal, and it contains several
instances of slang and jargon (bring a lot to the table, number crunching)
as well as a pretentious phrase at the end (tasks of an analytical nature).
The third paragraph is also too informal (I’m the one for you), and it also
contains sexist language {perfect man). The first sentence in the last para¬
graph is acceptable though perhaps a bit too formal (or at least wordy),
while the last sentence is far too casual.
Here is one possible revision, with a consistently formal (but not stuffy)
level of formality. (Note also that it is much more concise—pretentious
language in particular tends to be wordy—and that we’ve added a few
specific details, such as the job title and name of the newspaper.)
Dear Sir/Madam:
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I have enclosed my resume for your review. Thank you for your considera¬
tion. I look forward to hearing from you.
Sincerely,
Part 10
The playwright Arthur Miller (he was also a master carpenter) died on
February 11* 2005, leaving behind a remarkable body of work. His most
famous play is* of course* Death of a Salesman (1948). The play’s main
character* Willy Loman (portrayed by Lee J. Cobb in the original produc¬
tion)* is a traveling salesman who believes success is simply a matter of
being liked* Loman’s tragedy is so powerful because it is also so hopeful.
Indeed, Miller believed tragedy “brings us knowledge ... pertaining to the
right way of living in the world*” Death of a Salesman won the Pulitzer
Prize (in 1951) and has since come to be regarded as the quintessential
American play.
In the late 1980s. Miller published his autobiography and worried that
American theater “was gasping and near death.” Many critics wondered
if Miller was right* The verdict may still be out, but this much is certain:
Miller’s plays remain full of life and lessons for the living.
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Sharp Writing Cumulative Test
Part 11
39. Use a semicolon (a) to separate (yet connect) two independent clauses
that are closely related and (b) between items in a series when one or more
of those items has a comma.
40. Use a colon (a) to introduce quotations, (b) to introduce lists, and (c)
to introduce summaries or explanations.
41. Use a dash to set off a word, phrase, or clause for emphasis.
42. Use quotation marks (a) to set off direct quotations, (b) around titles
of short works or portions of long works, and (c) around words being used
as words.
Part 12
43. “I know one thing for sure,” Juliette said, “and that is I’ll always love
you.” [Put the first comma inside the quotation marks; change the semico¬
lon after said to a comma, put quotation marks before and that...to indi¬
cate that the quotation is continued, and eliminate the colon after is.]
44. Edward Bulwer-Lytton once wrote, “’But’ is a word that cools many
a warm impulse, stifles many a kindly thought, puts a dead stop to many
a brotherly deed.” [Change the semicolon introducing the quotation to a
comma or colon (both are correct), put quotation marks around the direct
quotation {But...deed), enclose but in single quotation marks, and insert
commas between the items in the list.]
45. There are certain principles to which we hold: the sanctity of trea¬
ties; good faith between nations; and the interdependence of peoples from
which no country, however powerful, can altogether escape. [Use a colon
after hold to introduce the list of principles and put semicolons between
the items in the list, since the last item contains a comma.]
46. There are two things to aim at in life: first, to get what you want, and
after that, to enjoy it. [Use a colon after life to introduce the explanation
(what those two things are). Insert commas after the introductory words
first and after that as well as after want.
47. Money is like love: it kills slowly and painfully the one who withholds
it, and it enlivens the other who turns it upon his fellow man. [Use a colon to
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introduce the explanation of how money is like love. Change the semicolon
between the two independent clauses connected by the coordinating conjunc¬
tion and to a comma.]
Part 13
48. question mark
49. slash
50. ellipsis
52. parentheses
Part 14
All corrections are underlined in the sentences below.
53. Dustin has submitted his poem “Evening Moods”to a poetry contest in
Images magazine.
54. This has been a long^trying semester for me, and I am really looking
forward to summer vacation.
55. Are you referring to the time I said no one compares to Elvis?
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Sharp Writing Cumulative Test
Prompt 1
Sample 1:
Jane Johnson
Patient Volunteer
Amold-St. Bernadette Hospital Center
3000 Broadway
St. Louis, Missouri 00007
Ms Alice Jones
Community Outreach Director
Trademark Cards, Inc.
235 Willowy Drive
St. Louis, Missouri 00009
Dear Ms Jones:
The Patient Relations staff greets all patients in the hospital upon arrival.
In addition to being sick, patients newly admitted to a large, busy hospital
are often frightened, lonely, and overwhelmed by the new environment.
Our staff would write personal messages to all the newly admitted people
on your beautiful cards and include a phone number of a Patient Relations
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staff member that could answer their questions and help to orient them to
their surroundings. Your cards, well known to our patients as messages
and love and caring, would provide a warm welcome to people who need
it, especially the many children we serve.
Billy is one patient at our hospital. He is six years old, one of five children,
and his mother cannot visit him often. While he may not be able to read
the message in a Trademark card, he can see the bright colors and know
that he is a special because he has received it. Irina, 82 and preparing for
heart surgery, could look at the card and know she was not alone and that
a volunteer was available to talk to her.
It is for patients like these that I hope you can donate 10,000 cards. I will
write frequently to let you know the good results of your generosity. This
gift really can make a difference to people who need comfort and reassur¬
ance. Please contact me if I can provide you with any additional informa¬
tion. Thank you for your consideration.
Sincerely,
Jane Johnson
Prompt 2
Sample 1:
Prompt 3
Writing plans will vary in form and detail, depending on whether you are
writing a timed essay (for which a quick, short plan is needed), a report
that will go out in a few hours, or a long term paper or report.
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Sharp Writing Cumulative Test
The less traveled road can lead to unusual, life-changing experiences, one
you wouldn’t have thought of except for this path.
Think of Mom’s decision to move to Vermont after her divorce. Took guts
for a woman with two small kids to pick up stakes and move to another
state. It certainly wasn’t what people advised her to do
We city kids had never seen that much green or wildlife. We learned to
enjoy finding and exploring hidden trails and usually saw the most inter¬
esting birds and flowers there.
Mom became a park ranger after being a secretary all her life. I plan to
study botany.
It would have been easy to stay, but she took a path that helped us all
grow.
Sample 2: Outline
I. Introduction
A. Nothing ventured, nothing gained.
B. The path less traveled offers the possibility for the unexpected.
Taking a chance on the unknown can open new possibilities.
C. My father took a different path from his five brothers and he has
been very successful and happy in his work.
II. Working-class boys in England during the 1950s generally left school
at fourteen and learned a trade. My father wanted to continue on in
school and get a college education.
A. The difficulty of making an unusual choice. Resisting expecta¬
tions of class and background
B. Lack of support from family because following a different path.
Because my father’s path was different, it was strange and threat¬
ening to his parents.
C. Necessary to be independent and confident in one’s choice.
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IV. Conclusion
A. The path less traveled is so for a reason; it is either harder to travel
or longer.
B. Taking this path requires strength and conviction. Because these
qualities are usually found in people who choose to take the more
challenging or difficult way, this path often leads to success.
C. There is something exciting about striking out where few other
people have been. My father has followed a path almost totally
unique for someone of his background and certainly so within
his family. There is a certain loneliness to the path he chose, but
he also takes pride in having defied people’s expectations and his
work is a source of great pride and enjoyment.
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