DIALOGUE CONTINUITY SCRIPT Episode #4 "cRiMs STORY” "THE WAR" DISTRIBUTED BY: NEW WORLD PICTURES 1640 So Sepulveda Blvd. Los Angeles, CA 90025 tel (213) 444-8100 Running Time: 46:46 CONTINUETY SCRIPT PREPARED BY: CASABLANGA CONTINUITY tel (213) 397-7741CRIME STORY ~ THE WAR TIME Locarron DrALoguE 00:00 RECAP ANNOUNCER (VO)-Chicago 1963 Last week on Crime Story, Ray Luca's scheme for a natioral gambling operation centered on buying the Las Vegas sports book owned by Noch Ganz, a major Nevada oddsmaker, Acting on his own, Luca ordered Frank Holman to Saint Lous to steal a book from Ganz's hone. ‘The book contains the sports world contacts from which Ganz builds the odds on sporting events. Manny Weisbord told Luca to negot-ate first before taking action, and Ray Luca realized that he was out im a limb, Ne was further out than he knew, because Lieutenant Michael Torelio and the MCU had Holman under surveillance and tailed him ro Saint Lowis Torello caught Holman in the act of stealing Ganz's book and carrying evidence linking him ro the Novak murder. If indicted, Holman would roll over and give Torello Ray Luca. But before Torelle could obtain an extradition request and a warrant, Holman convinced a Saint Louis Sheriff to le: him go on his own recognizance, Holman promptly fled Saint Louis and escapad from Torello, He is now a wanted fugitive. What has not escaped Torello, however, is the book Ray Luca had Holman steal Ir is in Michael Torello's possession and Ray Luca is in trouble, Tonight, on CRIME STORYCRIME STORY - THE VAR PAGE 2 01:20 INT TORELLO'S TORELLO-So, what's in the book? OFFICE. DAY GROSSMAN-Do not know Lab can't break the code, because they haven't got a code key But the boys are pretty sure it's mostly names and addresses, maybe a couple of bank account numbers. KRYCHEK (CS)-We got another problem KRYCHEK (CONT)-We lost our third er: night ‘TORELLO (CS)-What'd they get? KRYCHEX-Bunch of cigarettes TORELLO (0S)-From where? KRYCHEK-Depot at Thirty-fifth and Western GROSSMAN-Joey and 1 covered it this morning The loss wae about two hundred and soventy- five thousand bucks. ‘TDORELLO-This can't be that difficult, even if ve can't read it, we should be able to figure out vhat it means. GROSSNAN-Vhat's Ganz's claim to fame? CLEMMONS-Major Vegas oddemaker. INDELLI-Then what business is it that Luca wants this out? KRYCHEK (98)-A nationwide bookmaking operation, Joey.CRIME STORY - THE WAR PAGE 3 01:57 INE TORELLO'S ‘TORELLO-So what's in here is crucial to that OFFICE CONT He's an oddsmaker He Knows the names of the teams, athletes, coaches Luca muscles Ganz Ganz says no, Luca steals the book. TORELLO (03 CONT)-Let's turn up the pressure on Ray Lica and see if he makes a mistake This'll let Ganz and everybody else know who's got the book. ‘TORRLLO (GONT)-Find out where Ganz is and mail this to him, 02:37 TITLE SEQUENCE BEGINS CRIME STORY Starring DENNIS FARINA ANTHONY DENTSON TDLIAM SMTTROVIGH STBVE RYAN BILL CAMPBELL PAUL BUTLER And Starring STEVEN LANG As David Abrans 03:47 BLACK SPACE 03:53 INT, DROP, NIGHT DISC JOCKEY (VO)-Time to stay in the entertainment know with Daddy-o, “ame WAR wich JOSEPH WISEMAN DARLANNE FLUEGEL SON POLETO SOHANN CARLO Guest Stars MICHAEL MADSEN 04:17 INT. SOCIAL CLUB, LUCA (INTO PHONE)-Hello, Max? sicit, TAGLIA (VO FILTERED)-It's not Max, Ray. It's me, Paull. LCA (INT) PHONE)-Yeah, all right What do you want?CRIME STORY + THE WAR 04:23 INT DROP NIGHT 04:29 INT, SOCIAL CLUB NIGkT 04:34 EXT TRUCK DEPOT. NIGHT MARTIN FERRERO RAYMOND SERRA JOHN BENTLEY and MILES DAVTS Music Composed And Performed by ‘TODD RUNDGREN Produced by Pace 4 TAGLIA (INTO PHONE)-You want us to move or not? You teld me to wait for your not LUCA (INTO PHONE)-Yeah, yeah. Move NAGLEA-Come on Come on PETER R McINTOSH Created by CHUCK ADAMSON TAGLIA-You know where to go? We own it. GUSTAVE RETNINGER Teleplay by CHUCK ADAMSON and TONY CASTRO & CARLTON CUSE Story By CHUCK ADAMSON GUSTAVE REININGER DAVID J BURKE Directed by LEON IcHASCO 05:27 EXY DROP DAY TAGLEA-Let's get this tied down Come on! Let's get this loaded Ain't got all day LUCA-Pauli C'mere Whatsa matter with you? TAGLIA-What? WeA-What is this?CRIME STORY - THE WAR PAGE 5 05:48 EXT DROP CONT 06:29 INT. DROP Day 07:01 EXT BARTOLL'S HOUSE DAY TAGLIA-A truck! What? what'd 1 do? LUCA-You're phenomenal, you know that? Look, the more scores we put down, the dusber you get. What aw T supposed to carry on thie little truck, your luach? I can't get half the load on here! TAGLIA-Tt's the best I could'a done LUGA-Aw, shut up, Pauli! You're a mental case, you know that? TAGLIA-Get this tied over here. Just load it You heard what the boss called me. Remarkable LUCA CANTO EKUNE)=Yean? BODYGUARD (VO FILTERED)-Mister Bartoli would Like you at the house, LUCA (INTO FHONE)-Tel1 him when I'm finished with this Jeb BODYGUARD (VO FILTERED)-He says right away LUCA (INTO FHONE)-Yeah, I'11 be there LUCA-Pauli, wait here. TAGLIA-Yeah, yeah LUCA-Hey, Frank How are ya? BODYGUARD-Ycu gotta wait a minuteCRIME STORY - THE WAR PAGE 6 07:38 INT BARTOLI'S HOUSE. DAY BODYGUARD-Come in WOA-Max, yeu didn't call GOLDMAN-It's not good, Ray LUCA (08)~The load a' whiskey's on the way to Florida WCA (CONT)-What's goin’ on here? BARTOLI-This is your end on the cartage We live by the rules So we pay Bue that's it LWCA-Okay I give up, What happened? FASSI (0S)-That was stupid, Ray FASSI (CONT)-That was very stupid We know about your toking Ganz's book why a'ya think Max'a face looks Like putty? BARTOLT-You tell everybody what your gonna do? No. You go off and you do it all by yourself. You think you look like a hero? You look ttke a Jerk! tot only do you take Gana's book, you lose i: And Torelto at NOU hae te FASSI-Ganz has gone to Cleveland, GOLDMAN-He said he could do your idea with them, Manny's real upset, Ray LUCA-He's doin! this with Cleveland? BARTOLT-We don't know what he's doin’, Because he ain't talkin’, because a cop has got his bookORIME STORY ~ THE WAR PAGE 7 09:20 INT BARTOLT'S WUCA (08)-1 was. WUCA (CONT; -makin' a move! Manny afraid to make noves? BARTOL-Manny Weisbord was makin’ moves while you vag still suckin’ on bottles GOLDMAN (05)-When Manny GOLDMAN (CONT)-makes a move, the earth shakes, Ray. He's the king of makin’ moves. And when he makes a move, the one thing he doesn't do is fail You embarrassed him! You make him look weak People get ideas, Ray BARTOLI-I told you ar the beginning how things work, Decisions are made at the top. You ain't at the top You ain't anyplace. Now you did chis like, Like and independent, Like an amateur, Now you get out GOLDMAN-Ray Lemme put it to you this way. Manny says ‘You screwed up’, Manny says "You fix it.’ BARTOLI-Or you get Fixed. 10:50 TITLE CARD CRIME StoRY 10:53 BLACK SPACE 11:00 CRIME STORY 11:57 IND SEPER'S TAGLIA-Stngapore Sling with whipped cream, LOUNGE NIGHT LUGA-Scoteh on the rocks LUCA-Hey, David Join us for a drink, huh? ABRAMS-Thank youCRIME STORY - THE WAR PAGE 8 12:41 INT PEPPER'S LOUNGE CONT LUcA-itow' re you doin'? ABRAMS-I'm good LWCA-You know Pauli, ABRAMS-Very well. How are you? TAGLIA-Hov are ya? LUCA-So, Like the way you play ABRAMS (03)-Thanke you TAGLIA-Hot too, squire ABRAMS-Thank you LUCA-So, Counselor, how's Life in the Public .. LUCA (0S CONT)-Defender's office, huh? ABRAMS-I think Mister Taglia likes it pretty well. TACLIA-It ain't bad by me, Kept me outta jail so far LUCA-Ah, well, you can't spend gratitude ABRAMS-I get by LUGA-You'd make out a lot better if you left that bust out of a job you got Come to think of it, I've asked you before, Why don't you come in with us?CREME STORY - 13:17 INT PEPPERS LOUNGE CONT: THE WAR PAGE 9 ABRAMS (0S)-Ray, you don't need me. You're doin’ fine LUCA-Hey, ya think so? ABRAMS-Hey, thank you, Terry LUCA (08)-Chaers ABRAMS-To dives LUCA-Pauli, to me a favor Go feed your face at the bar, alright? David and £ got some things to talk about Thank you LUGA (0$)-So, do ya play with this band a lot? ABRAMS-Once in a while Wanna talk about music, Ray? WUGA-Hey, Listen I got this, uh . I got this business deal LUCA (0S)-And it's goin’ south on me, I got this group cf investors together for this, uh . LUCA-real estate thing Concerning a real hot piece cf property ABRAMS-So. LUCA (OS)-Sc the buyers and sellers are fighting each other Like... LUGA-crazy, which puts me in the middie, And so now I got everybody jumpin' on my case ABRAMS-And? UIGA-And thet's it We're talkin’ about big bucks.14:27 15:26 15:45 16:16 L741 CRIME STORY - THE WAR PAGE 10 INT PEPPER'S. LOUNGE CONT INT. THUG'S CAR, Nicir INT LUCA'S CAR wIcat EXT | DEPFERENT THUG'S CAR NIGHT INT, MCU OFFICE NrGir ABRAMS-So negotiate between the two parties, LUCA-It's rot that simple Besides, negotiating is not ay strong suit. ABRAMS-Ray, I don't know what you're askin’ me, You're not good at negotiating? Don’t negotiate. WCA-That's it? ‘that's your advice for me? ABRAMS (0S}-Look, Ray ABRAMS-Number one, you're not my client, Number two, I don't do civil law And number three, I feel like I got a pretty hot hand tonight So if you'll excuse me, I'd like to get back to the music Look, thanks for the drink. Enjoy the evening. LUCA-Yeah, suze You knock yourself out DRIVER #1 (0S)-This is him coming. ANNOUNCER (VO FILTERED)-This is Daddy-o Daily, the musical host that loves you most. Dropp:n' by to say hi, and for you to check some of the clean sounds from our supply DRIVER #2-That's him Let's go. TORELLO-We've got nothin’ on the trucks, but we shouldn't treat ‘om as a dead issue Did you get copies of the shipping papers? GROSSMAN-Yeah, right here Uhh, two loads came im pigayback on trains, a third was driven in from Harrisburg, Pennsylvania, All,CRIME STORY - THE WAR PAGE LL 17:55 INT MOU OFFICE GROSSMAN (CONT)-different shippers, all different cont destinations TORELLO-Al. different truck lines What's the exact location they're grabbed from? KRYCHEK-Well, two loads came off the lots, uh, the third one, uh, right outta the garage ‘TORELLO-Here's what T want RRYCHEK (IYTERRUPTING)-Hey Hi, how're you feelia'? TGNACIO-Not so good. KRYCHEK-What Ls this? JULIE-T kenew you guys'd be working late, 1 Figured you'd be hungry TORELLO-What's he doin’ here? JULTE-Doesn't he work with you? IGNACIO-A prima donna I knew she was yours because, you know, you got all that ja And you, you have all my sympathies, I'm payir' for the pizza, Cubs one and ten Ron Santo, Coulda cleaned up TORELLO-Listen, I don't know how long ie's gonna take me to get outta here JULIE-T had a long day, too. I'm gonna go home and crawl in bed,CRIME STORY - THE WAR PAGE 12 18:52 INT_ MCU OFPTGR cont ‘TORELLO-Al1 right, I'L1 be there as soon as 1 JULIE-No tush But I want you to wake me up when you get there TORELLO-It's a deal. Okay JULIE-'Night guys ‘THE UNIT RESPONDS BN MASSE TORELLO-What happened to you? IGNACIO-I was in the yard, watchin", listenin’ pit bull, It was terrible, Coumandante But Ignacio, as usual, was victorious Pit bull is over at Cook County hospital if you want to talk to him CLEMMONS-1 hope he looks worse than you. IGNACIO-And then this woman there, with a brocm. ‘TORBLLO (INTERRUPTING)-A witch IGNACIO-Mo, she said I was peepin' through her window I am many things But lookin’ through a window? TORELLO-How'd she Look? YGNACIO-ot bad TORELLO-shere were we?CRIME STORY - THE WAR 19:52 INT MCU OFFICE cour 20:40 INT MCU OFFICE NIGHT PAGE 13 IGNACIO-Uthh, What now, Conmandante? ‘TORELLO-Ge home KRYCHEK-Hey, Burn. Good pizza. CLEMMONS-Yeah, thanks INDELLI~Thanks, Iggy. TORBLLO (0S)-fL's all small stuff. TORELLO (SONT)~Could be moved easy through discount houses TORELEO (OS CONT)-fach trailer load is worth # cougle'a hundred thousand dollars And they know always, which one to grab TORELLO (CONT)-Which means, they got somebody inside the trucking company. TORELLO (OS CONT)-settin’ up the scores. ‘FORELLO (CONT)-Which means you guys got a lot of peogle to round up How's che pizza? TORELLO-At three-twenty AM. yesterday, somebody stole a tractor-trailer load of cigarettes off of your property. One of you is responsible for that theft FXECUTIVE #1 (0S)-You drag me down here BXECUTIVE #1 (CONT)-at this hour to accuse me of stealing from ay ovn company? TORELLO-vhat's your name? EXECUTIVE #1-Walsh, John WalshCRIME STORY - 20:55 ine conT cu OFFICE THE WAR PAGE 14 TORELLO-what do you do? EXECUTIVE #i-I'm the district manager for the Bastern Ohio railroad. TORELLO-Are you a thief, too? EXSCUTIVE #1-Look, you can't talk to me like that ‘TORELLO-I can't? You should de happy we're all down here tryin’ to find out who stole your property EXECUTIVE #2-You talk as though it's your property TORELLO-My property? No But when two hundred thousand doliars worth of merchandise Gisappears, ay bosses think I'm not doin’ ay job You get the measage? When it gets stolen, it becomes my property until I find out who stole te, which starts with you guys, because one of you guys gave up che score They had the time, the place, the trailer mumbers, the bills of lading, everything And I'11 drag you down here every night until I get something what's your name? DRIVER #1-Crotty, TORELLO-Tou reported the loss? DRIVER #1-I come in, I got ay bills of lading Joe, there, told we where the rig was 1 g out, no rig. 1 go back in and, uh, Joe calls the copsCRIME STORY = THE WAR 21:50 INT. MCU OFFICE cont 23:06 INT TORELLO'S OFFICE. NIGHT PAGE 15 DISPATCHER-Yes, sir I called right away ‘TORELIO-Good You ever been arrested? DRIVER #l-Hever, TORELLO-what's your claim to fame? DRIVER #2-['m a husband and a father, I believe in God and che Scriptures TORELLO-Evar do any time? DRIVER #2-No, never, no TORELLO-You're ali gonna take Lie tests EXBCUTIVE #2-You ever hear of the Escobedo rule? TORELLO-Hey, to me, Escobedo was a guy who played the cutfield with the Waite Sox, You feel you reed a lawyer? EXECUTIVE #2-No, T ‘TORELLO (INTERRUPTING)~Then wait 'til after the test The first one who doesn't wanna take the test, 1 know where to look. EXECUTIVE #2-Lteutenant Gan we talk, privately? TORELLO-Ia ay office. ‘TORELLO-You're gonna tell me how you've been rippin’ off those loads, and you're gonna tell me about the next load, Where, when and how. You got it? You got it?CRIME STORY - THE WAR PAGE 16 23:17 INT SOCIAL CLUB LUCA~Do me a favor. Holman’s in Cleveland, by NIGHT Swaggert Contact him and tell him don't go anywhere ‘TAGLIA-What're you doin'? LCA-Whae'd T just say, huh? TAGLIA-A1] right. All right listen, ay guy, with the trucks, is comin’ in with a couple of good loads for us LUGA-1 don't have time for that I have other mattezs that need my attention, all right? TAGLIA-T gotta guy we can deal direct though, No fuss, no muss, In and out LUCA-No fuss, no muse? You sound Like a TV. conmereial TAGLIA-You got trouble, Ray? LUCA-Nah TAGLIA-Wha:'s the problem, then? Can't we talk about it? You wanna play sone gin? LycA-Yeah, all right TAGLIA-Penay 2 point? LUCA (0S)-¥eah Tell your guys to take a load, 24:31 EXT, TRUCK DEPOT GROSSMAN-Gotta tell you That executive pal of Nici yours 1s like gold.CRIME STORY - THE WAR PAGE U7 24:33 EXT TRUCK DEPOT cont 25:28 INT, LUCA'S HOUSE. Nii TORELLO-Whet'd they grab? INDBLLI-Uh, a truckload of those new cameras where you get your picture right away, GROSSMAN-We used a traffic helicopter for the tail We'd of never been able to stay with ‘em on the streets KRYCHEK-Pretty slick, huh? Swing with the rig. Lay it up here for a couple of days who'd ever find ic, right? ‘TORELLO-You lost the crew? GROSSMAN-Yeah, but the bonus is that we got most of the cigarettes back, Right here. ‘TORELLO (0S)-great, CLEMMONS-Got two trucks, three-four hundred thousand dollar recovery, Sounds like we! re hurtin’ Luca where it stings the most. in his pocket. ‘TORELLO-And he's got a brand new house KRYCHEK-Les's get this junk inventoried and get it back to it's rightful owners, huh? TORELLO-And Let's bring our friend Ray Luca a house-warming gift. CORI-Ray, vhat's chat noise? LUCA~Go back inside. Take the kids and go back Go back inside, alright? PleaseCRIME STORY - THE WAR PAGE 18 26:06 EXT LUCA'S HOUSE NIGHT HTL CARD cRIME TORY 26:30 BLACK SPACE CRIME STORY 26:40 BLACK SPACE 26:45 CRIME STORY 26:52 INT, ABRANS' OFFICE, NIGHT CORT-Ray! What's going on? LUGA-Go back inside! Go inside! Go back inside ther: Get in the house! ANNOUNCER (VO)-Crime Story will return in a moment. LUCA-I'm not lookin’ for advice anymore. I want you :0 go to work for me Now Here's thirty grand. ABRAMS-1 don't want your money. I only represent indigent clients. LUCA-It's good money. What's wrong with you? ABRAMS-I don't want it LUCA-You take it, David. You hear ne? ABRAMS-Look, Ray You and I have a couple's drinks. We like the same music that's as far as it goes, You take your money to Dean Morton, WEA-T don't wane Dean Morton, I want you ABRAMS-I'm not 2 mob lawyer T get to choose the work that I want to do. LUCA-Do you? ABRAMS-You're threatening me?CRIME STORY - THE WAR PAGE 19 27:56 INT ASRANS' OFFICE. CONT 29:24 INT, TORELLO'S OFFice NIGHT 29:48 INT, TORELLO HOME Nici LUCA-Look Devid, I need T need you to arrange for your father to call Manny Weisbord for me mean, they came up together Nanny'IL Listen to him ABRAMS-You vanna talk to ay father, call hin, WCA-No, dammit! You gotta tell him to do this! ABRAMS-I don't have to do a dann ching, I don't work fer you, Luca, end I don't work for my father. WCA-You have no idea what's goin' on heze! And I'm gettin nowhere! ABRAMS-What, this negotiation It's a Lousy apartment building isn't it, Ray CA (0S)-Yeah, rightl ABRAMS-Don't forget your money LUCA (08)-Keep it. \WeA-Then ycur cleaning lady is gonna have an early Christmas. ‘TORELLO-Somethin's wrong, Danny TORELLO-Julie! Juliet NEIGHSOR-Mike! ‘TORELLO~Where's Julie?CRIME STORY ~ TH 29:58 INT, TORELLO HOME cont 30:02 INT HOSPITAL NLGaT 30:34 INT, HOSPITAL CORRIDOR. NIGHT 30:55 INT aicet JULIE'S ROOM, WAR PAGE 20 NEIGHBOR~They took her to Saint Joseph's hospital TORELLO-Julie Torello, Where is she? Come on, come on, where is she? NURSE-She's been moved to room 213. ‘TORELLO-What's the fastest way there? NURSE-Stairs Oh, ‘There. DOCTOR-She's all right. Uh, she had 2 miscarriage She can probably stiil have children TORELLO-Cen I see hex? pocTOR-Yesh, of course. TORELLO-Hi, JULIR-L. Oh, Michael TORELLO-The doctor told me that everything is gonna be alright Things like this happen We'll have co exy again. JULTB-mayze Le's not @ good idea TORELLO-Don' say that JULTE (08)-You know what I vant? I think T wanna be left alone. Would you leave me alone, please? JULIE (VO)-I don't know whet I think anymore about having children Michael.CRIME STORY - THE WAR PAGE 21 33:48 EXT STREETS CONT JULIE (VO)-What's happening to us? SULIE (VO)-They haven't invented a hard time we can't handle, JULIE (VO)-z think I wanna be Left alone, 94:25 INT, ABRAMS OFFICE. ABRAMS’ FATHER (VO)-David, my son, Listen to ae aoe Twas chere at the Waldorf Astoria in 1933, when Luciano, Anastasia, Lence, Costello, Segal, and all the otters got together. nd tt all became an organization for the free cine This te @ business, Like any other business, Methods, whet, what aethods? The methods are the sane as the Garnegles and the Morgans when they started, ‘You show ne the sin in giving people vhat they vant and taking @ bet and making aoney tote a business, that'e all Like any ole business ABRAMS (VO)-I don't want any part of that business, I've seen all the Justice money can buy, Who I'm most interested in defending: people with the wrong color skin, people who live on the wrong side of town, people who speak the wrong language. 35:36 EXT, STREETS, FASSI (VO)-Ray Luca? What's he got to do with NtGit anything? He's just a punk from the patch BARTOLI (VO)-I told you at the beginning how things work Decisions are made at the top. You ara not the top, You ain't at the top. You ain't anyplaceCRIME STORY - THE WAR PAGE 22 35:59 EXT STREETS CONT ABRAMS (VO)-Ray, I don't know what you're 37:35 EXT PHONE BOOTH, NIGHT 37:42 CRIME STORY 37:44 BLACK SPACE 37:48 CRIME STORY 37:54 INT TORELLO'S OFFIcs, DAY askin’ me You're not good a negotiating? Don't negotiate. Ganz (Vo)-You're nothin’ but a punk in a sharkskin suit, You're not foolin' anybody. FASSE (VO)-Think you can take over Nevada just because you whacked a couple'a guys over on Halstead street? ABRAMS (VO}~An apartuent building LUCA (VO)-Right, yeah Just an apartment building. ABRAMS (VO}-You'ye not good at negotiating? Don't negotiate LCA (INTO PHONE)-Pauls, it's Ray. Gee the work car Come pick me up ‘TORELLO-Counselor, what brings you here? ABRAMS-Money, Ray Luca dropped this money on me. TL refused it He left it anyway TORELLO-Why te)1 me? ABRAMS-I don’t work for Luca, and I don't work for you 1 know you're the one who's puting the pressure on Luca and I don't want it coming up that I took money from him.CRIME STORY ~ THE WAR PAGE 23 38:19 INT TORELLO'S OFFrcE CONT 39:41 INT, CLEVELAND HOTEL ROOM, DAY TORELLO-It seems to me, Counselor, that you're on a ferce You have a decision to make Go be a mob lawyer and defend the Lucas of the worlé, oF prosecute the Lucas of the world ABRAMS-Nobody else out there accused of any crimes TORELLO-Sure there is, but not for you, You're your father's son and you're victimized by that, Wea figures, ‘bern to the outfit, die to the outfit’, You don't have che full spectrum of the legal profession before you. You can forget about that The Lucas of the world aren't gonna let you live the life that you vanna Live You're gonna have to go one way or the other, On the other hand, Counselor, lige for me is a bowl of cherries ABRAMS-Well, you're a luck guy. The thing is ., ABRAMS (03 CONT)-I like my fence and the work I do there ‘TORELLO-Don't forget your retainer, BODYGUARD (08)-Hiere you are, Mister Ganz. GaNd-Cheers, Lloyd Mc MANUS-Sheers, Noah GAN2-1t'11 be so good to watch thet two-bit punk come cravling in here with his hat in his hands beggin’ us to go easy, You shoutda seen the way that punk talked to me and Morrie back in Chicago.40:06 40:31 41:39 41:53 42:56 43:03 43:05 CRIME STORY - THE WAR PAGE 24 INT CLEVELAND HOTEL ROOM. CONT INT, TAGLIA'S HOTEL ROOM. DAY INT HOTEL RALLWAY. DAY INT ELEVATOR. DAY INT. BARTOLI'S HOUSE. DAY INT BARTOLL'S. HOUSE CONT INT, WELSBORD'S STUDY. DAY ENTERCUT LUCA & WEISBORD MC MANUS-I'm anxious to here what he thinks he's got to negotiate GANZ-Manny's got to be sore as hell, He cones out lookin’ like a Jerk over this thing It's unbelievable, MC MANUS-What's surprising to me is vhy manny hooked up with Luca I don't get it, Are you ready? GANZ~Yeah Let's get my book back All right, let's go Come on, Let's get over to the other suite. TAGLIA (VO)-Ganz and them... TAGLIA (CONT)-they're moving, Frank GANZ-1 think I ate too much for lunch today You know, I always eat too much whenever I win. GANZ-there do you get some antacid around here? NC MANUS-Room service when we get up to Luca's suite, BARTOLI (INTO PHONE)-He's here. Ray LUCA (INTO PHONE)-Yes, Mister Weisbord? WEISBORD (VO FILTEREDS-You took care of them, Ray? LUCA (VO FILTERED)-Yeah, you won't hear from them anynore Yeah, not Ganz, not Mc Manus « LUCA (INIO PHONE CONT)-not the people around ‘eaCRIME STORY - THE WAR PAGE 25 43:11 PRONE CONVERSATION LUCA (VO FELTERED CONT)-And also, our new cont 44:18 INT TORELLO'S orFrcs. DAY business partner, Morrie Hartman? Formerly with Janz, is finishing negotiations on our aquisition of the River Downs Sports Book. . LUCA (INTO PHONE CONT)-in Las Vegas WEISBORD (INTO PHONE)-T see. LUCA (VO FILTERED)-1 hope so, Mister Weisbord WEISBORD (INTO PHONE)-Cal1 me Manny. And by the way yee WETSBORD (VO FILTERED CONT)-congratulations. LUGA (INTC PHONE)-Thank you BARTOLI-Al1 right. Whoa. Mere we go. FASSI-I like the way you do business, I think we're gonna work well together LUGA-Okay, Johnny. Sure. FASSI-Yeah BARTOLL-Here we g0. COLDMAN-Wait for we, fellas. LUCA-Paul:, get some champagne, join. . LUCA (0S CONT)-the celebration BARTOLT-Salud. ‘AGLIA-What'd you drag me in here for, LieutenantCRIME STORY - THE WAR PAGE 26 44:21 INE TORELLO'S ‘TORELLO-shut up and sit down, Pauli, Where's OFFICE CONT Holman? TAGLIA-T don't know where Holman's at TORELLO-What do you think? You keep gettin’ free Passes because you gave us the department store? That you can walk around the streets Like a ps ock? I want Holman or T put you away for anything from pickin’ your nose to takin' milk offa doorsteps. Now where is he? TAGLIA-I don't know! ‘TORELLO-Where's Luca? TAGLIA-Luca'e in Vegas TORELLO-Doin' what? TAGLIA-Gettin' a tan What do I know about . TORFLLO (INTERRUPTING)~Don't get smart with me, Pauli, TAGLIA-What am I, 411 on the telephone? TORELLO-You'd better be, You better be informstion to me, Pauli, Or I tell Luca who gave us Barnett's department store TAGLIA-Fine, And then i'm dead, And you got nothin’, I ain't puttin' a gun to my head and pullin' the trigger You wanna do it? You go ahead, But no way. No way Am T. gonna help you get Ray Luca Holman?45:30 INT TORELLO'S TAGLIA (COWT)-I'1L see what 1 ean do OFFICE CONT GRIME STORY - THE WAR Yeah, Bur Luca ain't makin’ scores, Luca's outta your reach VORELLO-Get outta here, Pauli to be continued... 46:09 CLOSING CREDITS Executive Producer MICHAEL MANN 46:11 BLACK SPaci 46:15 Executive Story Editor CHUCK ADAMSON Story Editor DAVID J) BURKE Associate Producer GUSMANO CESARETTI Casting by BONNIE: TINMERNANN Co-Starring JOHN SANTUCCE as Pauli Taglia TED LEVINE as Frank Holman ANDREW DICE CLAY as Max Goldman And Featuring In Alphabetical Order DAWN ARNEMANN: as Nurse EDWARD BLATCHFORD as Doctor JAMES BICHLING as Driver #1. TONY LINCOLN as Executive 42 FRANCINE LOCKE as Neighbor CHARLES MUELLER ae Bodyguard DAVE REYNOLDS as Driver #2 DAVID STUDWELL as Dispatcher DARRYL WARREN as Executive #1 Director of Photography JAMES A. CONTWER Unit Production Manager HENRY BRONCHTETN First Assistant Director FRED MILLER Second Assistant Director MICHAEL WAXMAN Music Supervisor AL KOOPER "Runaway" ¢ 1961 BUG MUSIC/MOLE HOLE MUSTC UNECHAPPEL MUSIC Songwriters DEL SHANNON MAX CROOK Performed by DEL SHANNON So forget it,46:32 46245 CRIME STORY ~ THE WAR PAGE 28, CLOSING CREDITS coNT Costume Designer LYNETTE BEINAY Production Designer STEPHAN DANE Edited by TIM TOBIN Chicago Casting HELTZ/SMITH New York Casting Ass{stant JEPFEREY BLOCK Extras Casting GEDDES AGENCY Set Decorator LINDA SUTTON Sound Mixer RAY CYMOSZINSKT Production Office Coordinator LYNN GOLDMAN Gaffer MIKE MOYER Key Grip MIKE KREVITT Property Master BILLY DAMBRA Script Supervisor HARRIET KEHL Stunt Coordinator GARY COMES Supervising Film Editor BARRY B LEHRER Post Production Supervisor J. PAUL HUNTSMAN Supervising Sound Rditor GEORGE M. ANDERSON BLUE LIGHT SOUNDS INC Music Editor DAN GARDIE/SEGIE MUSTC Titles and Opticals PACIFIC TITLE Golor by C.F. 1, Sound Services TODD A0/GLEN GLENN Filmed on location in Chicago, {1linois Special Thanks to The Illinofs Pilm Office and ‘The Chicago office of Film and Entertainment ALL MATERIAL I$ PROTECTED BY COPYRIGHT LAWS OF THE UNITED STATES AND ALL COUNTRIES THROUGHOUT THE WORLD, "ALL RIGHTS RESERVED. ANY UNAUTHORIZED EXHIBITION, DISTRIBUTION OR COPYING OF THIS FILM OR ANY PART THEREOF (INCLUDTNG SOUNDTRACK) IS AN INFRINGEMENT OF ‘THE RELEVANT COPYRIGHT AND WILL SUBJECY IME INFKINGER LU SEVERE CLYLL AND CRIMINAL PENALTIES. Copyright (c) 1986 by NEW WORLD TELEVISION all Rights Reserved IATSE Seal THE STORY, ALL NAMES, CHARACTERS AND INCIDENTS PORTRAYED’ IN “FHS PRODUCTICN ARE FICTITIOUS, NO IDENTIFICATION WITH ACTUAL PERSONS, PLACES, BUILDINGS, AND PRODUGTS IS INTENDED OR SHCULD BE’ INFERRED, A MICHAEL MANN PRODUCTION NEW WORLD TELEVISION.DIALOGUE CONTINUITY ScRIPT Bpisode #4 "CRIME STORY" “THE WAR" NEW WORLD P:cTURES 1440 So. Sepulveda Blvd Los Angeles. CA 90025 rel (213) 444-8100 Running Time: 46:46 CONTINUITY SCRIPT PREPARED BY: CASABLANCA CONTINUITY tel (213) 397-7741CRIME STORY - THE WAR PAGE 1 ‘TIME LOCATION DIALOgY 00:00 RECAP ANNOUNCER (WO)-Chicago 1963 Last week on Grime Etory, Ray Luca's scheme for a nationsl gambling operation centered on buying the Las Vegas sports book owned by Noah Ganz, a major Nevada oddsmaker Acting on his own, Luca ordered Frank Holman to Saint Louis to steal a book from Ganz's home The book contains the sports world contacts from which Ganz builds the odds on sporting events Manny WeLebord told Luca to negotiate first before taking action, and Ray Luca realized that he vas out ina limb He was further out then he knew, because Lieutenant Michael Torello and the MCU had Holman under surveillance and tailed him to Saint Louls, Torello caught Holman in the act of stealing Ganz's book and carrying evidence linking him to the Novak murder Tf indieted, Holman would roll over and give Toretio Ray Luca But before Torello could obtain an oxtrad:tion request and a warrant, Holman convinced a Saint Louis Sheriff to let him go on his own recognizance Holman promptly fled Saint Louis and escaped from Torello He is now a wanted fugitive. What has not escaped Torello, however, is the book Ray Luca had Mo.man steal, It is in Michael Torello's possession and Ray Luca is in trouble Tonight, on CRIME STORYCRIME STORY - THE WAR PAGE 2 01:20 INT TORELLO'S TORELLO-So, vhat’s in the book? OFFICE. DAY GROSSMAN-Do not Know. Lab can't break the code, because they haven't got a code key But the boys are pretty sure it's mostly nanes and addresses, maybe 2 couple of bank account numbers KRYCHEK (0S)-We got another problem KRYCHEK (COUT)-We lost our chird trailer last night TORELLO (0S}-What'd they get? KRYCHEK-Bunch of cigarettes. TORELLO (08)-From where? KRYCHEK-Depot at Thirty-fLfth and Western, GROSSMAN-Joey and T covered it this morning ‘The loss was about two hundred and seventy~ five thousand bucks TORELLO-This can't be that difficult, even if we can't read ir, we should be able to Figure out what ie means GROSSMAN-What's Ganz's claim to fase? CLEMMONS-Major Vegas oddsmaker. INDELLI-Then whet business is it that Luca wants this ont? KRYCHEK (0S)-A nationwide bookmaking operation, Joey.CRIME STORY - THE WAR PAGE 3 01:57 INT TORELLO'S ——TORELLO-So vhat‘s in here is crucial to that OFFICE CONT e's an oddsnaker He knows the names of the teams, athletes, coaches, Luca muscles Ganz, Ganz says no, Luca steals the book TORELLO (0S CONT)-Let's turn up che pressure on Ray Luca and see Af he makes a mistake This'IL let Ganz and everybody else know who's got the book, TORELLO (CONT)-Find out where Ganz is and wail this to him, 02:37 TITLE SEQUENCE BEGINS CRIME STORY Starring DBNNIS FARINA ANTHONY DENISON WILLIAM SMITROVICH STEVE RYAN BILL CAMPBELL PAUL BUTLER and Starring STEVEN LANG As David Abrams 03:47 BLACK SPACE 03:53 INT, DROP NIGHT — DISC JOCKBY (VO)~Time to etay in the entertainment know with Daddy-o THE WAR" with JOSEPH Wis MAN DARLANNE FLUEGEL JON POLITO JOHANN CARLO Guest Stare MICHAEL MADSEN 04:17 INT SOCIAL CLUB LUCA (INTO PHONE)-Hello, Max? NrcHr. TAGLIA (VO FILTERED)-Tt's not Max, Ray, It's ae, Paull LUCA (INTO PHONE)-Yeah, all right, What do you want?CRIME STORY - THE HAR 04:23 INT DROP. NIGHT 04:29 INT NICHT SOCTAL CLUB 04:34 EXT TRUCK DEPOT. NIGHT MARTIN FERRERO RAYMOND SERRA ‘JOHN BENTLEY and MILES DAVIS Music Composed And Performed by ‘TODD RUNDGREN Produced by PAGE & TAGLIA (INTO PHONE)-You vant us to move or not? You told me to wait for your not LUCA (INTO PHONE)-Yeah, yeah Move TAGLIA-Come on, Come on. PETER R MeINTOSH Created by HUCK ADAMSON TAGLIA-You know where to go? We own it, GUSTAVE REENINGER Teleplay by CHUCK ADAMSON and TONY CASTRO & CARLTON CUSE Story By ‘CHUCK ADAMSON GUSTAVE REININGER DAVID J. BURKE Directed by LEON ECHASCO 05:27 EXT DROP DAY TAGLIA-Let's get this tied down Come on! Let's get this loaded. Ain't got all day LUCA-Pauli C'mere Whatss matter with you? TAGLIA-What? LUGA-What is this?ORIME STORY - THE WAR PAGE 5 05:48 EXT DROP cont 06:29 INT DROP. DAY 07:01 EXT, BARTOLI'S HOUSE DAY TAGLIA-A cruel What? What'd I do? WCA-You' re phenomenal, you know that? Look, the more scores we put down, the dumber you get. What am I supposed to carry on chis little truck, your lunch? I can’ get half the Load on here! TAGLIA-It's the best I could'a done LUCA-Aw, shut up, Pauli! You're a mental case, you know that? TAGLIA-Get this tied over here Just load it You heard what the boss called me Remarkable LUCA (INTO PRONE)-Yeah? BODYGUARD (VO PILTERED)-Mister Bartoli would like you at the house. LUCA (INTO PHONE)-Tell him when I'm finished with this job, BODYGUARD (VO PILTERED)-He says right avay LUCA (1NTC PHONE)-Yeah, I'LL be there. LWCA-Pauli, wait here TAGLIA-Yeah, yeah LUCA-Hey, Prank Wow are ya? BODYGUARD-You gotta wait a minute,CRIME STORY - THE WAR PAGE 6 07:38 INT, BARTOLE'S HOUSE DAY BonYGUARD-Come in, LUCA-Max, you didn't call GOLDMAN-Le's not good, Ray LUCA (0S)-The load a! whiskey's on the way to Florids LUCA (CONT)-What's goin’ on heze? BARTOLI-This is your end on the cartage We live by the rules So we pay But that's ir. LUCA-Okay I give up, what happened? FASSI (08)~That was stupid, Ray. SASSI (CONT}-That was very stupid We know about your taking Ganz's book Why d'ya think Max's face looks Like putty? BARTOLT-You cell everybody what your gonna do? No. You go off and you do it all by yourself, You think you look like e hero? You look like @ jerk! Not only do you take Ganz"s book, you lose it And Torello at MCU has it FASS1-Ganz has gone to Cleveland GOLDMAN-He said he could do your idea with them. Manny's real upset, Ray LUCA-He's doin' this with Cleveland? BARTOLI-We don't know what he's doin’ Because he ain t talkin’, because a cop has got his book.CRIME 09:20 INT BARTOLI'S 10:50 THTLE CARD CRIME StoRY 10:53 BLACK SPACE 11:00 GRIME STORY 12:57 INT PEPPER'S LOUNGE. NIGHT STORY = THE WAR paca 7 LCA (0S)-I was ICA (CONT)-makin’ a movel Manny afraid to make meves? BARTOLI-Manry Weisbord was makin‘ moves while you was still suckin’ on bottles. GOLDMAN (0S)-When Manny. GOLDMAN (CONT)-makes a move, che earth shakes, Ray e's the king of makin’ moves, And when he makes a move, the one thing he doesn't do is fail You embarrassed hia! You make him look weak People get ideas, Ray BARTOLI-1 told you at the beginning how things work, Decisions are made at the top You ain't et the top. You ain't anyplace Now you did this like, like and independent, Like an amateur Now you get out GOLDMAN-Ray, Lemme put it to you this way Manny says ‘You screwed up’ Manny says "You fix ir BARTOLI-Or you get fixed TAGLIA-Singapore Sling with whipped cream, LUCA-Seoteh on rhe rocks. LUCA-Hey, David, Join us for a drink, huh? ABRANS~Thank you.CRIME STORY - THE WAR PAGE 8 12:41 INT PEPPER'S LOUNGE CONT LuCA-How're you doin'? ABRAMS-I'm good, LUCA~You know Pauli, ABRAMS-Very well How are you? ‘TIAGLIA-How are ya? WCA~So, T Like the way you play ABRAMS (0S)-Thank you. TAGLIA-Hot too, squire ABRAMS Than’ you. Uulca-Su, Counselor, How's Lie in che Public LUCA (OS CONT)-Defender's office, huh? ABRAMS-I think Mister Taglia likes it pretty well, TAGLIA-It ain't bad by me Kept me outta jail so far LUCA~An, well, you can't spend gratitude ABRAMS-I gez by IUCA-You'd make out a lot better if you left chat bust out of a Job you got. Come to think of it, L've asked you before, Why don't you come ia with us?By CRIME STORY - THE WAR PAGE 9 INT PEPPERS LOUNGE CONT: ABRAMS (OS)-Ray, you don't need me You're doin’ fine LUCA-Hey, ya think 60? ABRAMS-Hey, thank you, Terry. LUCA (0S)-cheera, ABRAMS-To dives LUCA-Pauli, do me a favor. Go feed your face at the baz, alright? David and I got some things to talk about, Thank you LUCA (0S)~S9, do ya play with this band a lot? ABRAMS-Once in a while Wanna talk about music, Ray? LUCA-Hey, listen { got this, uk I got this business deal. LCA (08)-Aad tes goin’ south on me, 1 got this group of investors together for this, uh UWCA-real estate thing Concerning a veal hot piece 2f property ABRAMS -So. LUCA (0S)-S> the buyers and sellers are Fighting each other like LUcA-crazy, which puts ae in the middle. And so now I got everybody jumpin’ on ay case ABRAMS And? LUCA-And that's it We're talkin’ about big bucks.CRIME STORY - THE WAR PAGE 10 14:27 INT PEPPER'S LOUNGE, CONT’ 15:26 INT THUG'S CAR, NIGHT 15:45 INT LUCA'S cag NIGaT 16:16 EXT. DIFFERENT THUG'S CAR, NIGHT 17:41 INT, MCU OFFICE Nrcir ABRAMS-So negotiate between the cwo parties LUCA-Lt's not that simple, Resides, negotiating is not my strong suit ABRAMS-Ray, T don't know what you're askin’ ne You're not good at negotiating? Don't negotiate, LUCA~That's it? That's your advice for me? ABRAMS (0S)-Look, Ray. ABRAMS-Number one, you're not my client, Number two, I don't do civil law And number three, I feel like I got a pretty hot hand tonight. So if you'll excuse me, I'd Like to get back to the music Look, thanks for the drink Enjoy the evening LUCA-Yeah, sure You knock yourself out DRIVER #1 (0S)-This is him coming, ANNOUNCER (VO FILTERED)-This is Daddy-o Daily, the musical host chat Loves you most Droppin! by to say hi, and For you to check some of the clean sounds from our supply DRIVER #2-That's him Let's go. TORELLO-We've got nothin’ on the trucks, but we shouldn't treat ‘em as a dead issue. Did you get copies of the shipping papers? GROSSMAN-Yeah, right here. Uhh, two loads came in piggyback on trains, a ehird was driven in fron Harrisburg, Pennsylvania. All.CRIME STORY - THE WAR PAGE 11 17:59 INT MCU OFFICE GROSSMAN (CONT)-different shippere, all different cont destinations TORELLO-All different truck lines what's the exact location they're grabbed from? KRYCHEX-Well, two loads came off the lots, uh, the third one, uh, right outta the garage. TORELLO-He-e's what I want .. KRYCHEK (INTERRUPTING)-Hey Hi, how're you feelin'? IGNACIO-Noz so good. KRYCHEK-What is this? JULIE-I knew you guye'd be working late 1 figured you'd be hungry. TORELLO-What's he doin’ here? JULIE-Doesa!t he work with you? TGUACIO-A prima donn 1 knew she was yours because, you know, you got all that jazz And you, you have all ay sympathies I'm payin’ for che pizza, Cubs one and ten Ron Santo, Coulda cleaned up. TORELLO-Listen, I don't know how long it's gonna take me to get outta here. SULIE-I hed a long day, too, I'm gonna go hone and crawl in bed.GRIME STORY - THE WAR PAGE 12 18:52 INT, MCU OFFICE. cont TORELLO-ALl right, 1'11 be there as soon as 1 can JULIE-No rush But T want you co wake me up when you get chere TORELLO-It's a deal. Okay JULIE-'Night guys ‘THE UNIT RESPONDS EN MASSE TORELLO-Wiat happened to you? IGNACTO-I was in the yard, watchin’, listenin’ pie bull, It was terrible, Comandante. But Ignacio, as usual, was victorious Pit bull is over at Cook County hospital if you want to talk to hin CLEMMONS-I hope he Looks worse than you TGNACTO-And then this oman there, with a broom TORELLO (TNTERRUPTING)~A witch, IGNACLO-Ho, she said I was peepin' through her window, I om many things But lookin’ through a window? TORELLO-ow'd she Look? IGNACIO-Not bad. ‘TORELLO-Where were we?CRIME STORY - THE WAR PAGE 13 19:52 INT MCU OFFICE, cor 20:40 INT MCU OFFICE. Nigut IGNACIO-Uhih What now, Commandance? TORELLO-Go home, KRYCHEK-Hey, Burn Good pizza. CLEYMONS-Yeah, thanks INDELLI-Thanks, Iggy. IGNACO-Enjoy it TOABLLO (CS)-Te's all small stuff. TORELLO (CONT)-Could be moved easy through discount houses TORELLO (0S COKT)-Each trailer load is worth a couple'a hundred thousand dollars And they know alvaya, which one to grab. TORELLO (CONT)-Which means, they got sonebody inside the crucking company... TORELLO (9S CONT)-seetin’ up the scores TORELLO (CONT)-Which means you guys got a lot of, people to round up How's the pizza? TORELLO-At three-twenty AM. yesterday, somebody stole a tractor-trailer load of cigarettes off of your property. One of you ts responsible for that theft, EXECUTIVE #1. (0S)-You drag me down here EXECUTIVE #1 (CONT)-at this hour to accuse me of stealing from ay own company? TORELLO-vhat's your name? EXECUTIVE #1-Walsh, John Walsh.CRIME STORY - THE WAR PAGE 14 20:55 INE MCU OFFICE cont TORELLO-What do you do? EXECUTIVE #1-I'm the district manager for the Eastere, Ohio railroad TORELLO-Are you a thief, too? EXECUTIVE #1-Look, you can't talk to ae Like chat. TORELLO~I can't? You should be happy we're all. down here tryin’ to find out who etole your proper:y EXECUTIVE §2-You talk as though it's your proper=y. TORELLO-My oroperty? No But when two hundred thousand dollars worth of merchandise Gisappaars, ay bosses think I'm not doin’ ay Job You get the message? When it gets stolen, it becomes my property until I find out who stole it, which starts with you guys, decause one of you guys gave up the score They had the time, the place, the trailer numbers, the bills of lading, everything And I'l] drag you down here every ight unttl T get something what's your nane? DRIVER #1-Crotty TORELLO-You reported the loss? DRIVER #1-I come in, T got my bills of lading Joe, there, told me where the rig was, I go out, ro rig. I go back in and, uh, Joe calls the cops.CRIME STORY ~ THE WAR PAGE 15 21:50 INT MCU OFFICE DISPATCHER-Yes, sir 1 called right away. cont TORELLO-Good You ever been arrested? DRIVER #1-Never, TORELLO-what's your claim to fame? DRIVER #2-I'm a husband and a father, [ believe in Ged and the Scriptures ‘TORELLO-Ever do any time? DRIVER #2-Ho, never, no ‘TORELLO-You're all gonna take lie tests. EXECUTIVE #2-You ever hear of the Escobedo rule? TORELLO-Hey, to me, Escobedo was a guy who played the outfield with the White Sox, You feel you reed a lawyer? EXECUTIVE #2-No, Is. ‘TORELLO (INTERRUPTING)~Then wait ‘til after the test The first one vho doesn't wanna take the test, I know where to look. EXECUTIVE #2-Lieutenant Can we talk, privately? TORELLO-In my office. 23:06 INT TORELLO'S TORELLO-You're gonna tell me how you've been OFFICE, NIGHT 7 tippin' off those loads, and you're gonna tell me about the next load Where, when and how, You got it? You got it?CRIME STORY - THE WAR PAGE 16 23:17 INT SOCIAL CLUB, LUCA-Do me a favor. Holman's in Cleveland, by NIGHT Swaggert. Contact him and tell him don't go anywhere TAGLIA-What're you doin’? Luea-ihat'd 1 juse say, huh? TAGLIA-ALL right All right. Listen, ay guy, with the rvucks, 1s comin’ in with a couple of good loads for us, LUGA=I don’t have time for that. I have other matters that need my attention, all right? TAGLIA-I gotta guy we can deal direct though, No fuss, no muss In and out LUCA-No fuss, no muss? You sound like a T.V. commercial TAGLIA-You got trouble, Ray? LUCA-Nah TAGLIA-What's the problem, then? Can't we talk abou: Le? You wanna play some gin’ LCA-Yeah, all right TAGLIA-Pemy a point? LUCA (0S)-Yeah. Tell your guys to take a load. 26:31 EXT. TRUCK DEPOT — GROSSMAN-Gotta tell you. That executive pal of Nici yours is like gold.CRIME STORY - THE WAR PAGE 17 26:33 EXT, TRUCK DEPOT cont 25:28 INT LUCA'S HOUSE, NIGHT ‘TORELLO-What'd they grab? INDELLI-Un, a truckload of those new cameras where you get your picture right away. GROSSMAN-Ke used a craffic helicopter for the tail We'd of never been able to stay with ‘em on the streets KRYCHEK-Pretty slick, huh? Swing with che rig. Lay it up here for a couple of days. Who'd ever find it, right? TORELLO-Yeu lost the crew? GROSSMAN-Yeah, but the bonus is that ve got most of tke cigarettes back, Right here, TORFILO (0S) ~areat CLEMMONS-Got two trucks, three-four hundred thousand dollar recovery. Sounds like we're burtin' Luca where i stings the most in his pocket. TORELLO- And he's got a brand new house KRYCHEK-Let's get this junk inventoried and get it back to it's rightful owners, huh? TORELLO-And let's bring our friend Ray Luca a house-warming gift. CORI-Ray, what's that noise? LUCA-Go back inside, Take the kids and go back. Go back inside, alright? Please.26: 26 26 26 26: 26 26: 06 24 30 36 40 45, 52 CRIME STORY ~ THE WAR PAGE 18 EXT LUCA'S HOUSE NIGHT TITLE CARD CRIME stoRY BLACK SPACE cRINE stORY BLACK SPACE CRIME STORY INT ABRAMS’ OFFICE, NIGHT CORT-Ray! What's going on? LUGA-Go back inside! Go inside! Go back inside there! Get in the house! ANNOUNCER (VO)-Crime Story will return ia a moment LUCA-I'm not lookin’ for advice anymore. 1 want you to go to work for me Now Here's thirty grand ABRAMS-I doa't want your money, only represent indigent clients LUCA-Tt's good money What's wrong with you? ABRAMS-I don"t want it. WwCA-You take {t, David You hear me? ABRAMS-Look, Ray. You and I have a couple'a drinks, We like the same music that's os far as it goes. You take your money to Dean Morton, LUCA-I don't want Dean Morton, I want you, ABRAMS-I'm not a mob lawyer, I get to choose the work that I want to do. LUCA-Do you? ABRAMS-You're threatening me?CRIME STORY - THE WAR PAGE 19 27:56 INT, ABRAMS" OFFice, CONT 29:24 INT TORELLO'S OFFICE, NIGHT 29:48 INT, TORELLO HOME, Nici LUCA-Look David, I need need you to arrange for your father to call Manny Wetsbord for we Imean, they came up together Manny'l1 listen to him ABRANS-You wanna talk to my father, call him LUCA-No, dammit! You gotta tell him co do this! ABRAMS-I don't have to do a damn thing. I don't work for you, Luca, and T don't work for ay father LUCA-You have no idea what's goin’ on here! And I'm gectin nowhere! ABRAMS-What, this negotiation, It's a lousy apartment building isn't it, Ray. ICA (0S)-Yeah, rightl ABRAMS-Don': forget your money LUCA (0S)-Keep it WCA-Then your cleaning lady is gonna have an early christmas ‘TORELLO-Somathin's wrong, Danny. TORELLO~Julie! Julie! NEIGHBOR-Mikel ‘TORELLO-Where's Julie?CRIME STORY ~ THE WAR PAGE 20 29:58 INT TORELLO HOME NEIGHBOR-They took her to Saint Joseph's hospical cour 30:02 In. HOseTTAL. TORELLO-Julie Torello where is she? Come on, NTGH come on, where is she? NURSE-She's been moved to room 213. TORELLO-What's the fastest way there? NURSE-Staizs Oh, Taare 30:34 INT, HOSPITAL DOCTOR-She's all right Uh, she had a miscarriage coraio0R, NIGHT She can probably still have children, ‘TORELLO-Can { see her? DOCTOR-Yeah, of course. 30:35 INT, JULIE'S ROOM TOKELLU-HL, stair JULIE-Hi. oh, Michael TORELLO-The doctor told me that everything is gonna be alright Things 1{ka this happen, We'll have to try again maybe Les not a good idea ‘TORELLO-Don't say that. JULTE (08)-You know what f want? T think I wanna be left alone. Would you leave me alone, please? 33:31 EXT, CITY STREETS, JULIE (VO)-1 don't know what I think anymore NIGaT about having children MichaelcRRE 33:48 EXT STORY STREETS PAGE 21 JULIE (VO)-what's happening to us? JULIE (VO)~They haven't invented a hard time we can't handle JULIE (VO)-1 think I wanna be left alone, 34:25 INT ABRAMS OFFICE ABRAMS’ FATHER (VO)-David, my gon, listen to me. NIcaT 39:36 EXT. Nicht STREETS I was there at the Waldorf Astoria in 1933, when Luciano, Anastasia, Lence, Costello, Segal, and all the others got together. And it all became an organization for the first time, This is a business, like any other business Methods, what, what methods? The methods are the same as the Garnegies and the Morgans vhen they started. You stow me the sin in giving people what they want and taking @ bee and making money. Te'e g business, that’s all, Like any other business ABRAMS (VO)-I don't want any part of that business, I've seen all the justice aoney can buy Who I'm most taterested in defending: people with the wrong color skin, poople who live on the wrong side of tow, people who speak the wrong language. FASSI (VO)-Ray Luca? What's he got to do with anything? He's just a punk from the patch, BARTOLI (V0)-I told you at the beginning how things work, Decisions are made at the top. You are not the top You ain't at the top. You ain't anyplace.CRIME STORY - THE WAR PAGE 22, 35:59 EXT STREETS CONT ABRAMS (VO)-Ray, I don't know what you're askin’ me You're not good a negotiating? Don't negotiate GANZ (VO)-You're nothin’ but @ punk in a sharkskin suit You're not foolin' anybody, FASSI (VO)-Think you can take over Nevada juste because you whacked a couple'a guys over on Halstead street? ABRAMS (VO)~An apartment building. LUCA (VO)-Right, yeah Just an apartment building ABRAMS (VO)-You're not good at negotiating? Don't negotiate 97:95 EX, PRONE BOOTH, LUCA (INTO PHONE)-Pauli, it's Ray, Get the work Bone car Come pick me up. o7:42cRTN stoRY 27:44 BLACK SPACE 27:48 GRIME STORY 37:54 INT TORELLO'S ‘TORELLO-Counselor, what brings you here? Grice ORY ABRAYS-Honey, Ray Luce dropped this aoney on me, I refused it. He left it anyway. TORELLO-Why tell me? ABRAMS-1 don't work for Luca, and I don't work for you. 1 know you're the one who's puting the pressure on Luca and I don't want it coming up that I took money from him,CRIME STORY - THE WAR PAGE 23 38:19 INT, TORELLO'S OFFicE CONT 39:41 INT CLEVELAND HOTEL ROOM DAY TORELLO-Tt seems to me, Counselor, that you've on a fence You have a decision to make. Go be a mob lawyer and defend the Lucas of the world, or prosecute the Lucas of the world. ABRAMS-Nobody else out there accused of any crimes? TORELLO-Sure there is, but not for you. You're your father's son and you're victimized by that. Luca figures, ‘born to the outfit, die to the outfic'. You don't have the full spectrum of the legal profession before you. You can forget about that. The Lucas of the world aren't gonna let you live the life that you wanna Live You're gonna have to go one way or the other On the other hand, Counselor, life for me is a bowl of cherries. ABRAMS-Well, you're # luck guy The ching is. ABRAMS (OS CONT)~I like wy fence and the work 1 do these TORELLO-Don't forget your retainer, BODYGUARD (0S)-Here you are, Mister Ganz GANZ-Uheers, Lloyd MC MANUS-Cheers, Noah. GANZ-Ee'Ll be so good to wateh that two-bit punk come crawling in here with his hat in his hands beggin’ us to go easy. You shoulda seen the way that punk talked to me and Morrie back in Chicago.40:06 40:31 ai:39 aussh 42:56 43:03 43:05 CRIME STORY - THE WAR PAGE 26 INT CLEVELAND HOTEL ROOM CONT INT, TAGLIA'S HOTEL ROOM. Day INT, HOTEL HALLWAY, Day INT BLEVATOR Day INT, BARTOLT'S HOUSE. DAY INT, BARTOLI'S HOUSE, CONT INT WEISBORD'S STUDY. DAY INTERCUT LUCA & WETSBORD MC MANUS-I'n anxious to here what he thinks he's got to negotiate GANZ-Manny's got to be sore as hell He comes out lookin’ like a Jerk over this ching Te's unbelievable MG MANUS-What's surprising to me is why manny hooked up with Luca don't get it. are you ready? GANZ-Yeah, Let's get my book back. All right, let's go. Come on. Let's get over to the other suite, TAGLIA (VO)-Ganz and them .. TAGLIA (CONT)-they're moving, Frank, GANZ-I think I ate too much for Lunch today. You know, I always eat too much whenever I ere do you get some antacid around here? 'C MANUS-Room service when we get up to Luca's suite BARTOLT (INTO PHONE)-He's here. Ray. LUCA (INTO PHONE)-Yes, Mister Weisbord? WETSBORD (VD PILTERED}-You took care of them, Ray? LUCA (VO FILTERED)-Yeah, you won't hear from them anymore, Yeah, not Ganz, not Me Manus... LUCA (INTO PHONE CONT)-not the people around ‘em.CRIME STORY - THE NAR PAGE 25 43:11 PHONE CONVERSATION LUCA (VO FILTERED CONT)-and also, our new cont 44:18 INT, TORELLO'S OFFicE. DAY business partner, Morrie Hartman? ¥Yormerly with Ganz, is finishing negotiations on our aquisition of the River Downs Sports Book... LUCA (INTO PHONE CONT)-in Las Vegas. WEISBORD (INTO PHONE)-T see. LUCA (VO FILTERED)-I hope so, Mister Weisbord, WETSBORD (INTO PHONE)=Caii me Manny And by the Way sees WEISBORD (VO FILTERED CONT)~congratulations LUCA (INTO PHONE)-Thank you. BARTOLI-AlI right Whoa. Here we go. FASSI-I Like the way you do business. I think we're gona work well together. LUCA-Okay, Johnny Sure FASSI-Yeah BARTOLI-Here we go. GOLDMAN-Wait for me, fellas. LUCA-Pauli, get some champagne, join.. LUCA (0S CONT)-the celebration, BARTOLT-Salud. TAGLIA-What'd you drag me in here for, Lieutenant.CRIME STORY - THE WAR PAGE 26 44:21 INT, TORELLO'S OFFICE CONT TORELLO-shut up and sit down, Pauli Where's Holman? TAGLIA-I don't know where Holman's at TORELLO-What do you think? You keep gettin’ free Passes because you gave us the department store? That you can walk around the streets like a peacock? I want Holman or I put you away for anything from pickin' your nose co takin’ milk offa doorsteps, Now where is he? TAGLIA-I don't know! ‘TORELLO-Wheze's Luca? TAGLIA-Luca's in Vegas. TORELLO-Doin' what? TAGLIA-Gettin' a tan What do I know about .. TORELLO (INTERRUPTING)-Don't get smart with ae, Pauli, TAGLIA-What am I, 411 on the telephone? TORELLO-You'd better be, You better be information to me, Pauli, Or I tell Luca who gave us Barnett's department store TAGLIA-Fine, And then I'm dead. And you got nothin’, I ain't puttin’ a gun to my head and pullin’ the trigger, You wanna do it? You go ahead, But no way, No way, am T gonna relp you get Ray Luca Holman?CRIME STORY - THE WAR PACE 27 45:30 INT TORELLO'S TAGLIA (CONT)-I'1L see what I can do Scores? 46:09 46:11 46:15 OFFICE CONT Yeah But Luca ain't makin’ scores, Luca's outta your reach. So forget it. TORELLO-Get outta here, Pauli to be continued CLOSING CREDITS Executive Producer MICHAEL MANY BLACK SPACE Executive Story Edicor CHUCK ADAMSON Story Editor DAVID J BURKE Associate Producer GUSMANO CESARETTT Casting by BONNIE TIMMERMANN Go-Starring JOHN SANTUCCE as Pauli Taglia TED LEVINE ag Frank Molaan ANDREW DICE CLAY ae Max Goldman And Featuring In Alphabetical Order DAWN ARNEMANN as Nurse EDWARD BLATCHFORD as Doctor JAMES EICHLING as Driver #. TONY LINCOLN as Executive #2 FRANCINE LOCKE as Neighbor CHARLES MUELLER as Bodyguard DAVE REYNOLDS as Driver #2 DAVID STUDWELL as Dispatcher DARRYL WARREN as Executive #1 Director of Photography JAMES A, CONTNER Unit Production Manager RENRY BRONCHTEIN First Assistant Director PRED MILLER Second Assistant Director MICHAEL WAXMAN Music Supervisor AL KOOPER "Runaway" c 1961, BUG MUSIG/MOLE HOLE vustC UNICHAPPEL MUSIC Songwriters DEL SHANNON MAK CROOK Performed by DEL SHANNON46:32 46:45 CRIME STORY - THE VAR PAGE 28 CLOSING CREDITS CONT Costume Designer LYNETTE BERNAY Production Designer STEPHAN DANE Edited by TIM TOBIN Chicago Casting HEITZ/SULTH New York Casting Assistant JEFFEREY BLOCK Extras Casting GEDDES AGENCY Set Decorator LINDA SUTTON Sound Mixer RAY CYMOSZINSKI Production Office Coordinator LYNN. GOLDMAN Gaffer MIKE MOYER Key Grip MIKE KREVITT Property Master BILLY DAMBRA Script Supervisor HARRIET REAL Stunt Coordinator GARY COMES Supervising Film Editor BARRY B LEHRER Post Production Supervisor. J. PAUL KUNTSMAN Supervising Sound Editor GEORGE M ANDERSON BLUE LIGET SOUNDS INC Music Editor DAN GARDIE/SEGUE MUSIC Titles and Opticals PACIFIC TITLE Golor by C F.I. Sound Services "TODD A0/GLEN CLENW Filmed on location in Chicagc, Tllinois Special Thanks to The Illinois Film Office and ‘The Chicago office of Film ard Entertainnent. ALL MATERIAL IS PROTECTED BY COPYRIGHT LANS OF THE UNITED STATES AND ALL COUNTRIES THROUGHOUT THE WORLD. "ALL RIGHTS RESERVED, ANY UNAUTHORTZED EXHIBITION, DISTRIBUTION OR COPYING OF THIS FILM OR ANY PART THEREOF (INCLUDING SOUNDIKAUK) IS AN INERINGENENT OF THE RELEVANT GOPYRIGH? AND WILL SUBJECT THE INFRINGER TO SEVERE CIVIL AND CRIMINAL PENALTIES. Copyright (c) 1986 by NEW WORLD TELEVISTON all Rights Reserved, TATSE Seal ‘THE STORY, ALL NAMES, CHARACTERS AND INCIDENTS PORTRAYED IN THIS PRODUCTION ARE FICTITIOUS NO IDENTIFICATION WrTA ACTUAL PERSONS, PLACES, BUTLEINGS, AND PRODUCTS IS INTENDED O& SHOULD BE’ INFERRED A MICHAEL MANN PRODUC LLON NEW WORLD TELEVIStON