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Quarter 3 Module 2

1. Teental is the most common tala used in Hindustani music, with 16 beats divided into four equal sections. 2. The first beat is called "sam" and the 9th beat is called "khali". 3. It has a characteristic rhythmic pattern called a theka that is played on the tabla using specific syllables or bols to represent the beats.

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0% found this document useful (0 votes)
51 views

Quarter 3 Module 2

1. Teental is the most common tala used in Hindustani music, with 16 beats divided into four equal sections. 2. The first beat is called "sam" and the 9th beat is called "khali". 3. It has a characteristic rhythmic pattern called a theka that is played on the tabla using specific syllables or bols to represent the beats.

Uploaded by

harleipactol
Copyright
© © All Rights Reserved
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd
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8

Music
Third Quarter
Module 2: Music of South Asia and
the Middle East
Republic of the Philippines
Department of Education
REGION VII, CENTRAL VISAYAS
SCHOOLS DIVISION OF SIQUIJOR

COPYRIGHT NOTICE
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“No copyright shall subsist in any work of the Government of the Republic of the
Philippines. However, prior approval of the government agency of office wherein the work is
created shall be necessary for exploitation of such work for profit.”

This material has been developed through the initiative of the Curriculum Implementation
Division (CID) of the Department of Education – Siquijor Division.

It can be reproduced for educational purposes and the source must be clearly
acknowledged. The material may be modified for the purpose of translation into another language
but the original work must be acknowledged. Derivatives of the work including the creation of an
edited version, supplementary work or an enhancement of it are permitted provided that the original
work is acknowledged and the copyright is attributed. No work may be derived from this material for
commercial purposes and profit.

Borrowed materials (i.e. songs, stories, poems, pictures, photos, brand names,
trademarks, etc.) included in this module are owned by their respective copyright holders. Every
effort has been exerted to locate and seek permission to use these materials from their respective
copyright owners. The publisher and authors do not represent nor claim ownership over them.

Published by the Department of Education

OIC-Schools Division Superintendent: Dr. Neri C. Ojastro


Assistant Schools Division Superintendent: Dr. Edmark Ian L. Cabio

Development Team of the Learning Module

Writer: Renato Manginsay Quimno

Evaluators: Concisa P. Duhaylungsod, Ruby D. Bation, Cecil A. Merencillo, Luche Mae T. Yabo

Management Team: Dr. Marlou S. Maglinao


CID – Chief
__________________
Education Program Supervisor ( )

Edesa T. Calvadores
Education Program Supervisor (LRMS)

Printed in the Philippines by___________________________


Department of Education – Region VII, Central Visayas, Division of Siquijor
Office Address: Larena, Siquijor
Telephone No.: (035) 377-2034-2038
E-mail Address: [email protected]
8
Music
Third Quarter
Module 2: Music of South Asia and
the Middle East

INTRODUCTION
This module is written in support of the K to 12 Basic Program to ensure attainment of
standards expected of you as a learner.

This aims to equip you with essential knowledge on the source of sound with different
body movements.

 Expected Learning Outcome – This lays out the learning outcome that you are expected to have
accomplished at the end of the module.

 Pre – test – This determines your prior learning on the particular lesson you are about to take.

 Discussion of the Lesson – This provides you with the important knowledge, principles and attitude
that will help you meet the expected learning outcome.

 Learning Activities – These provide you with the application of the knowledge and principles you
have gained from the lesson and enable you to further enhance you skills as you carry out
prescribed tasks.

 Post-test – This evaluates your overall understanding about the module.

With the different activities provided in this module, may find this material engaging and
challenge as it develop your critical thinking skills.
What I Need to Know?

At the end of this lesson, you will be able to:

 analyze musical elements of selected songs and instrumental


pieces heard and performed,
 explore ways of producing sounds on a variety of sources that
would simulate instruments being studied,
 improvise simple accompaniment to selected South Asia and the
Middle East music,
 perform music from South Asia and Middle East with own
accompaniment,
 evaluate music and music performances using guided rubrics
applying knowledge of musical elements and style.

What I Know?
Directions:

Read each sentence carefully with understanding. Choose the correct answer on your activity
notebook.

1. How many beats composed the teental?


a. 14
b. 16
c. 18
d. 24

2. How can teental be played?


a. It is played solo only.
b. Teental is played with accompaniment only.
c. A teental played both accompaniment and solo.
d. A teental played either with accompaniment or duet.

3. What do you call the first beat of teental out of 16 beats?


a. Bam
b. Dam
c. Sam
d. Tam

4. What kind of material that you can use for the body of the improvised accompaniment?
a. Any kind of recycled cans.
b. Any kind of recycled bottles.
c. Any kind of plates and spoons.
d. Any kind of strings and boards.

5. What do you call the instrument used in teental?


a. Glass
b. Basin
c. Tabla
d. Xylophone

6. What do you call the 9th beat of teental?


a. Cam
b. Khali
c. Ghrome
d. Iqa

7. How many minutes is required for these performance for teental?


a. 5 minutes
b. 10 minutes
c. 15 minutes
d. 20 minutes

8. What is the required costume for these performances in teental?


a. Expensive clothing
b. Recycled materials from environment
c. Create a material that you can buy in a mall.
d. Rent expensive clothing in your neighbors or dress shops.

9. How many syllables in each bar lines of teental?


a. 2
b. 3
c. 4
d. 5

10. How to make your performance effective in teental?


a. Show lack of the required performance.
b. Show complete understanding of the required performance.
c. Show without complete understanding of the required performance.
d. All of the above

11. What is the highest score of the performance in teental?


a. 5
b. 10
c. 15
d. 20

12. What do you call the words that the performer recites during the performance?
a. Bols
b. Khali
c. Sam
d. Style

What`s In
You learned some musical instruments from Central Asia, South Asia and West Asia.
Can you still remember them? Try doing the activity below.

Directions: Search for the terms used in vocal and instrumental music of West Asia. Identify
the words that you found and write words in your notebook.
What’s new?

Let’s see how much you have learned.

How do you think these instruments are to be played? If you are to make this
instrument, what are the materials to be used? Can you identify Indian, Pakistan,
Israel musical instruments? Write it in your notebook.

https://en.wikipedia.org/wiki/Teental

What Is It
Let’s Do Tala

Arrangement

Teental (alternatively spelled tintal, teentaal, or tintaal, and also called trital; Hindi: तीन ताल) is the
most common tala of Hindustani music, and is used for drut (fast-tempo) Khyal. The structure of tintal is so
symmetrical that it presents a very simple rhythmic structure against which a performance can be laid. It is
played on Tabla as well as on Percussion instruments.

Uses

Tintal has sixteen (16) beats in four equal divisions (Vibhag). The period between every two beats
is equal. The first beat out of 16 beats is called sam and the 9th beat is called khali ('empty'). To count the
Teental, the audience claps on the first beat, claps on the 5th beat, then waves on the 9th beat and lastly
again claps on the 13th beat; these three claps (Hindi tin 'three' + tāl 'clap') give the rhythm its name.
Theka

Tintal can be used for both accompaniment and solo. There are various Kaidas and Parans for it.
Tintal is the widely used tal. The Tintal is mostly used in the drut laya and Zhalas. When Tintal is played at
a fast rate or in the drut laya then it sounds as if tintal is played in the reverse i.e. the reverse of tintal would
be;
Dha Dhin Dhin Dha
Dha Dhin Dhin Dha
Dha Tin Tin Na
Ta Dhin Dhin Dha

मात्रा भाग: ४-४-४-४.


धा धिं धिं धा - धा धिं धिं धा - धा तिं तीं ता - ता धिं धीं धा
It has a characteristic pattern of bols (theka).
The Theka for Tintal
dha dhin dhin dha | dha dhin dhin dha |
x 2

dha tin tin Na | Ta dhin dhin dha |

This can also be shown using the following figure

Taal signs X 2 0 3

1
Maatra 1 2 3 4 5 6 7 8 9 10 12 13 14 15 16
1

dh dhi
Bols dha dhin dhin dha Dhin dhin dha dha tin tin ta ta dhin dha
a n

Note the bols used for the first beat of each division: Dhaa, a bol involving both hands, is played at
the beginning of the first, second and final divisions; for the khali section, Naa – a right hand bol – is used
to indicate that the division is open. There are some pedagogical variations as to the actual syllables
pronounced when reciting the bol, most of which occur in the final two vibhags. Also note that this variation
is from Lucknow Style.

https://

e n.wikip
edia.org/ wiki/
Teental

https://en.wikipedia.org/wiki/Teental
Directions:

1. Clap four times then begin reciting the syllables Dha Dhin Dhin Dha 2x. Dha Tin Tin Na, Na Dhin Dhin
Dha.
2. Each syllable contains 1 bet.
3. Each bar line contains 4 syllables with 4 bets.
4. Perform this within 5 minutes using slow speed to fast speed as you could and you can make your own
style without destructing the syllables and bets.

https://

en.wikipedia.org/wiki/Teental
https://en.wikipedia.org/wiki/Teental

What`s
More?

 Independent
Activity 1
Task: You shall make an improvised simple accompaniment to accompany selected
South Asia and the Middle East music.
 Independent Assessment 1
Directions: Make your own improvised accompaniment.
https://en.wikipedia.org/wiki/Teental
https://en.wikipedia.org/wiki/Teental
Materials:

1. Empty can (any sizes) 2.


Scissor

https://en.wikipedia.org/wiki/Teental
https://en.wikipedia.org/wiki/Teental

3. Color paint (any color) 4.


Balloons
(any color)

https://en.wikipedia.org/wiki/Teental https://en.wikipedia.org/wiki/Teental
5. Paint brush small 6. Glue stick
https
://en.wikipedia.org/wiki/Teental https://en.wikipedia.org/wiki/Teental

7. Construction paper 8.
Ribbon or construction paper

https://en.wikipedia.org/wiki/Teental https://en.wikipedia.org/wiki/Teental
9. Glue gun or Lighter

https://en.wikipedia.org/wiki/Teental

Procedures:

1. Wash and dry your tin cans, removing the label.

2. Now add your paint. This is where you can get really creative. These are your drums, so decorate them
any way you’d like. You added some zigzags, even some black Decorated Twinkles paint for some extra
sparkle! Let the paint dry completely.

https://en.wikipedia.org/wiki/Teental

3. With your scissors, cut your balloon. You’ll want to cut farther down than you think, just about where it
starts to get big toward the base. You can always cut more, so it’s best to start cutting closer to the top.
4. Stretch your balloon over your tin can. You need to stretch it as much as possible to get the best drum
sound. If you’re having trouble with the stretching, you can help it stay in place with tape or glue dots.
Balloons were good at sticking to the can and staying in place.

https://en.wikipedia.org/wiki/Teental

5. With your glue, add your ribbon to the seam of your balloon. This will help glue the balloon in place as
well as glue on the ribbon.

https://en.wikipedia.org/ wiki/Teental

6. Now it’s ready for some drum sticks. Used paper tubes, pencils, and paint brushes, all worked well!
Discover that the sides of the tin can make a great sound too, when you rub a pencil down the ribbed side.
It’s an all-in-one musical instrument!

https://en.wikipedia.org/wiki/Teental
Rubrics:

20 15 10 5 Pts.
Creativity Exceptionally Good and unique in Not good in Misses key in
clever and unique showing deep showing deep showing deep
in showing deep understanding. understanding. understanding.
understanding.
Neatness and Exceptionally Shows good Shows some Lack of showing
Attractiveness attractive and particularly neatness and neatness and
particularly neat in neatness and attractiveness attractiveness
design and layout. attractiveness particularly in particularly in
particularly in design and layout. design and
design and layout. layout.

 Independent Activity 2

Task: You shall perform teental with the help of a simple improvised
accompaniment.
 Independent Assessment 2

Directions:

1. Performed teental using the simple improvised instrument you have just
made as an accompaniment.
2. Record your performance with at least 5 minutes.
3. Create costume that can be found in your surroundings so you would
look like somebody from South Asia or Middle East

Performance Task General Rubric

Improvised instrument Costume


Performance

Shows complete Uses complete There is clear, effective information


understanding of the required understanding of the about the costume.
20 performance. important elements of the
task for the instrument.

Shows nearly complete Uses nearly complete of There is nearly complete use of accurate
understanding of the required the important information about the costume.
15 performance. understanding of the
required performance.

Shows some understanding of Shows some Shows some understanding of the


the required performance. understanding of the required improvised costume.
10 required improvised
instrument.

5 Shows no understanding of Shows no understanding Shows no understanding of the required


the required performance. of the required instrument. costume.

Overall score = 20

What I Have Learned?

I learned that:

 the music and musical instrument of South Asia and the Middle East
is unique and it is based on different cultures,

 the uniqueness will distinguish the origin of the instrument and music
styles.
Assessment

Directions:

Read each item carefully with understanding. Choose the correct answer and write on your activity
notebook.

1. How many beats composed the teental?

a. 14
b. 16
c. 18
d. 24

2. How can teental be played?


a. It is played solo only.
b. Teental is played with accompaniment only.
c. A teental played both accompaniment and solo.
d. A teental played either with accompaniment or duet.

3. What do you call the first beat of teental out of 16 beats?


a. Bam
b. Dam
c. Sam
d. Tam

4. What kind of material that you can use for the body of the improvised accompaniment?
a. Any kind of recycled cans.
b. Any kind of recycled bottles.
c. Any kind of plates and spoons.
d. Any kind of strings and boards.

5. What do you call the instrument used in teental?


a. Glass
b. Basin
c. Tabla
d. Xylophone

6. What do you call the 9th beat of teental?


a. Cam
b. Khali
c. Ghrome
d. Iqa

7. How many minutes is required for these performance for teental?


a. 5 minutes
b. 10 minutes
c. 15 minutes
d. 20 minutes

8. What is the required costume for these performances in teental?


a. Expensive clothing
b. Recycled materials from environment
c. Create a material that you can buy in a mall.
d. Rent expensive clothing in your neighbors or dress shops.

9. How many syllables in each bar lines of teental?


a. 2
b. 3
c. 4
d. 5

10. How to make your performance effective in teental?


a. Show lack of the required performance.
b. Show complete understanding of the required performance.
c. Show without complete understanding of the required performance.
d. All of the above

11. What is the highest score of the performance in teental?


a. 5
b. 10
c. 15
d. 20

12. What do you call the words that the performer recites during the performance?
a. Bols
b. Khali
c. Sam
d. Style

Reference:

TG_MUSIC_Q3.pdf
https://en.wikipedia.org/wiki/Teental
https://www.youtube.com/watch?v=R7d4T5L6qKI

Illustrations/Readings:
 Galaxy of Musicians.jpg
 goindia.about.com
 http://chandrakantha.com
 www.wikipedia.org/wiki/Rigveda
 www.jewishvirtuallibrary.org
 www.knowyourraga.com
 www.makingmusicfun.net
 www.soastrings.org/Perform
 www.sscnet.ucla.edu/southasia
 www.tabla.sr
 “Music of Israel.” Wikipedia: The Free Encyclopedia. Wikimedia Foundation, Inc. 22 October 2012
 “Music of Pakistan.” Wikipedia: The Free Encyclopedia. Wikimedia Foundation, Inc. 27 November 2012
RESOURCES 30
 “Music of India.” Wikipedia: The Free Encyclopedia. Wikimedia Foundation, Inc. 27 November 2012
 “Middle Eastern Music.” Wikipedia: The Free Encyclopedia. Wikimedia Foundation, Inc. 29 October
2012
 Teaching Guide: Music South and Central (UBD) Recordings:
 www.youtube.com
 www.makingmusicfun.net
 Interactive Music of the World by William Alves

Answer Key
Assessment

Directions:

Read each sentence carefully with understanding. Choose the correct answer and your answer on your
activity notebook.
1. b
2. c
3. c
4. a
5. c
6. b
7. a
8. b
9. c
10. b
11. d
12. a

What in

1. goblet
2. Qawwali
3. Wazn
4. Tala
5. Psalterion
6. Oud
7. Mitzvas
8. Hora
9. Iqa
10. Maqam
11. Jew

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