Dear Alice

Lyricist: Itaru Baba Composer: Arai Tasuku

            
 = 125


Soprano

                             
 
                          
  
Piano

  
            
11


S.


                  
I'm lo sing my faith in you, my long

        
    
          
 
Pno.

      
          
17


S.


  
                 
lost friend, Ali ce. Ro ses have los t their

         
 
             
 
Pno.

   
   
         


23

S.

   
              
co lours and it's brea king my heart. Ah,


      3
      
      
 
Pno. 3 3
    
2

   


28

      
S.

     
         
 3  3  
     
       
3 3 3
Pno. 3 3 3 3 3 3 3


      
 
32

 


S.

           
         
you take my breath away

 
  3    3
  
       
3 3 3 3 3 3 3 3

 
Pno. 3 3

    
    


36

          
S.

          
 3  3  3 
           

3 3 3
Pno. 3 3 3 3 3 3


          
40

 


S.

              
           
and I don't know what to do.

 
 3  3   3  3
     
  
3 3 3 3 3 3 3 3

 
Pno.


 3

    


44

           
S.

           

 3  3  3
     
3 3 3 3 3 3 3 3 3


Pno.

   

   



48

        
S.

           
     
 3  3  3

  
3 3 3 3 3 3 3

  
Pno. 3 3

   

   



52

      
S.

                       

 3  3  3
 
   
3 3


Pno. 3 3 3 3 3 3 3

   

    



56

S.

                 
              
  
 3  3
   
     
3


3 3 3 3 3 3

 
Pno.

  
4

       


61

S.

              
  
   
   
  

                
           
Pno.

     



68

S.

           
       
    

    

    
      
Pno.

   
 
      


74

 Be
S.

  
                  
fore you say last word that makes me want

      
       
       
Pno.

           


  
79


S.

 
                 
to lay you down, I'll kiss, I'll touch, I'll

    
   
     
         



 
   
Pno.
    
5

             
 
  
85


S.

                
cut you in to the pie ces. And you'll feel the

       
        
      
Pno.

     
  
 
  
 

91


S.

                 
            
same, and you'll know my crave, and you'll see that


   3 
   
Pno. 3 3 3 3 3 3 3 3 3 3 3

   

   
            
  
95


S.

         

      
I'm the on ly one for you. But you don't un der


     
3 3 3 3 3 3 3 3 3 3 3 3

 
Pno.

     
 

          
    
99


S.

              
            
stand, but you don't feel the same, and I throw you


   3  3
   
Pno. 3 3 3 3 3 3 3 3 3 3

   
    
6

        

103


S.

         
         
down in to where you've come from. You've


 3  3   3
    
    
3 3 3 3 3 3 3 3 3


Pno.

 

        
        

107


S.

              
        
fal len through the cracks of time, on ly to re


 3  3
 
   
3 3 3 3 3 3 3
Pno.

  

         
 
  
    
110


S.

         

   
main the same. You've fal len down the path you made.


 3  3  3

  
3 3 3 3 3 3
Pno.

  

    
        
  
113


S.

        
        
You're trapped in Twi light. You'll ne ver ev er

 
 3  3
  
  
3 3 3 3 3
Pno. 3 3

  
       
  
7

     
   
116


S.

              

feel the pain, you'll ne


ver ev


er


hear the mor ning

 3  3

    
3 3


Pno. 3 3 3 3 3

  

 
           


 
119

S.

                       
            
rain. Keep fal ing, keep fal ling keep fal ling


 3  3  3
 
 
3 3 3 3

 
3 3 3 3 3


Pno.

   

       

123


S.

                
down.

         
          
          
Pno.

      



130

S.

        
                 
   
             

  
 
  
Pno.
8

        
137


S.

             
 
   
   
   
 
                 
       
Pno.

 

145


S.



        
     
 
Pno.