IELTS Reading Module - Answers
IELTS Reading Module - Answers
You should spend about 20 minutes on Questions 1-13, which are based on
Reading Passage 1 below.
Questions 14-18
The text has eight paragraphs, A-H
Which paragraph contains the following information?
Write the correct letter, A-H, in boxes 14-18 on your answer sheet.
N.B. You may use any letter more than once.
15 a statement regarding the fact that no further developments are possible in some
areas of airport trade.
16 reference to the low level of income that meeting facilities produce for airports.
Questions 19-22
Complete the sentences below.
Choose NO MORE THAN TWO WORDS from the text for each answer. Write your answer
in boxes 19-22 on your answer sheet.
19 The length of time passengers spend shopping at airports has been affected by
updated __________________
21 Both passengers and ________________ may feel encouraged to use and develop
a sense of loyalty towards airports that market their business services.
Choose NO MORE THAN TWO WORDS from the text for each answer.
Survey Findings
Despite financial Constraints due to the 23 ______________,a significant
percentage of airports provide and wish to further support business meeting
facilities. Also, just under 30% of the airports surveyed plan to provide these
facilities within 24 _______________:
However, the main users of the facilities are 25 _____________ and as
many as 16% of respondents to the survey stated that their users did not
take any 26 ________________ at the airport.
READING PASSAGE 3
You should spend about 20 minutes on Questions 27-40, which are based on
Reading Passage 3 below.
IS PHOTOGRAPHY ART?
This may seem a pointless question today. painters and a section of the public, was that
Surrounded as we are by thousands of photographs should not be considered ‘art’
photographs, most of us take for granted that, because they were made with a mechanical
in addition to supplying information and device and by physical and chemical
seducing customers, camera images also serve phenomena instead of by human hand and
as decoration, afford spiritual enrichment, and spirit; to some, camera images seemed to have
provide significant insights into the passing more in common with fabric produced by
scene. But in the decades following the machinery in a mill than with handmade
discovery of photography, this question creations fired by inspiration. The second
reflected the search for ways to fit the widely held view, shared by painters, some
mechanical medium into the traditional photographers, and some critics, was that
schemes of artistic expression. photographs would be useful to art but should
not be considered equal in creativeness to
The much-publicized pronouncement by
drawing and painting. Lastly, by assuming that
painter Paul Delaroche that the daguerreotype*
the process was comparable to other techniques
signalled the end of painting is perplexing
such as etching and lithography, a fair number
because this clever artist also forecast the
of individuals realized that camera images were
usefulness of the medium for graphic artists in
or could be as significant as handmade works
a letter written in 1839. Nevertheless, it is
of art and that they might have a positive
symptomatic of the swing between the outright
influence on the arts and on culture in general.
rejection and qualified acceptance of the
medium that was fairly typical of the artistic Artists reacted to photography in various ways.
establishment. Discussion of the role of Many portrait painters — miniaturists in
photography in art was especially spirited in particular — who realized that photography
France, where the internal policies of the time represented the ‘handwriting on the wall’
had created a large pool of artists, but it was became involved with daguerreotyping or
also taken up by important voices in England. paper photography in an effort to save their
In both countries, public interest in this topic careers; some incorporated it with painting,
was a reflection of the belief that national while others renounced painting altogether.
stature and achievement in the arts were Still other painters, the most prominent among
related. them the French painter, Jean-Auguste-
Dominique Ingres, began almost immediately
From the maze of conflicting statements and
to use photography to make a record of their
heated articles on the subject, three main
own output and also to provide themselves with
positions about the potential of camera art
source material for poses and backgrounds,
emerged. The simplest, entertained by many
vigorously denying at the same time its artist might 'raise himself to heights that we do
influence on their vision or its claims as art. not yet know'.
The view that photographs might be The question of whether the photograph was
worthwhile to artists was enunciated in document or art aroused interest in England
considerable detail by Lacan and Francis Wey. also. The most important statement on this
The latter, an art and literary critic, who matter was an unsigned article that concluded
eventually recognised that camera images that while photography had a role to play, it
could be inspired as well as informative, should not be 'constrained' into 'competition'
suggested that they would lead to greater with art; a more stringent viewpoint led critic
naturalness in the graphic depiction of Philip Gilbert Hamerton to dismiss camera
anatomy, clothing, likeness, expression, and images as 'narrow in range, emphatic in
landscape. By studying photographs, true assertion, telling one truth for ten falsehoods'.
artists, he claimed, would be relieved of menial
These writers reflected the opposition of a
tasks and become free to devote themselves to
section of the cultural elite in England and
the more important spiritual aspects of their
France to the 'cheapening of art' which the
work.
growing acceptance and purchase of camera
Wey left unstated what the incompetent artist pictures by the middle class represented.
might do as an alternative, but according to the Technology made photographic images a
influential French critic and poet Charles common sight in the shop windows of Regent
Baudelaire, writing in response to an exhibition Street and Piccadilly in London and the
of photography in 1859, lazy and untalented commercial boulevards of Paris. In London, for
painters would become photographers. Fired by example, there were at the time some 130
a belief in art as an imaginative embodiment of commercial establishments where portraits,
cultivated ideas and dreams, Baudelaire landscapes, and photographic reproductions of
regarded photography as ‘a very humble works of art could be bought. This appeal to the
servant of art and science’; a medium largely middle class convinced the elite that
unable to transcend 'external reality'. For this photographs would foster a desire for realism
critic, photography was linked with 'the great instead of idealism, even though some critics
industrial madness' of the time, which in his recognized that the work of individual
eyes exercised disastrous consequences on the photographers might display an uplifting style
spiritual qualities of life and art. and substance that was consistent with the
defining characteristics of art.
Eugene Delacroix was the most prominent of
the French artists who welcomed photography * the name given to the first commercially
as help-mate but recognized its limitations. successful photographic images
Regretting that 'such a wonderful invention'
had arrived so late in his lifetime, he still took
lessons in daguerreotyping, and both
commissioned and collected photographs.
Delacroix's enthusiasm for the medium can be
sensed in a journal entry noting that if
photographs were used as they should be, an
Questions 27-30
Choose the correct letter, A, B, C or D.
Write your answers in boxes 27-30 on your answer sheet.