Examples of Narration - 3 Main Types in Literature
Examples of Narration - 3 Main Types in Literature
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Whenever we read a novel, short story, poem, or academic essay, we're looking at a form of
narration. The art of storytelling (or academic writing) takes a lot of consideration. Choosing
a topic isn't enough. We must also choose how to convey the topic to the reader. In a
moment, we'll work through three types of narration: first person, second person, and third
person. Each serves its own purpose.
But, before we enjoy some examples of narration, it's important to distinguish between a
narrative and narration. The two terms are often interchanged, but they don't mean exactly
the same thing. A narrative is a story. It recounts a series of events that have taken place.
We see this a lot in narrative essays. These essays are telling a story in order to drive a
point home.
Narration, however, is the act of telling a story. Narration is like the voiceover. Consider your
favorite documentary. If you're a nature buff, you'll come to love the way David Attenborough
narrates his films. We see this in major motion picture too. Fight Club and Forrest Gump are
great examples of movies with narration. With that in mind, let's discuss the various forms of
narration and enjoy a few samples.
Types of Narration
As a writer, you can choose to tell a story any way you'd like. This is known as point of view.
There are three popular forms:
1. First Person - In this point of view, a character (typically the protagonist, but not
always) is telling the story. You'll notice a lot of "I" and "me" or "we" in first person
narrations.
2. Second Person - In this point of view, the author uses a narrator to speak to the
reader. You'll notice a lot of "you," "your," and "yours" in second person narration.
3. Third Person - In this point of view, an external narrator is telling the story. You'll
notice a lot of "he," "she," "it," or "they" in this form of narration.
Choosing how to tell your story is almost as important as the story itself. Do you want to
write from the perspective of a single character, like the protagonist? If so, you'll probably
use a lot of "I," "me," and "mine." Or, do you want to take on a more omniscient tone as a
third-party observer who is detached from the action? Let's enjoy a few samples of each
form and see which one stands out the most to you.
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First Person Narration
First person narration allows you to "get personal" with your audience. It's as if one of the
characters is speaking directly to his or her audience; we're able to listen in on their
thoughts. The audience will understand how the narrator is feeling and how he or she
interprets the events taking place around them. Let's take a look at a few samples of this
form.
Where I want to start telling is the day I left Pencey Prep. Pencey Prep is this
school that's in Agerstown, Pennsylvania. You probably heard of it. You've
probably seen the ads, anyway. They advertise in about a thousand magazines,
always showing some hotshot guy on a horse jumping over a fence.
It's worth mentioning the concept of reliable versus unreliable narration at this point. Some
might say Holden Caulfield is not a reliable narrator because he's far from objective. He
seems increasingly jaded about the world around him. You'll note a lot of sarcasm with
underlying waves of anger in his retelling of the story of his life.
Turns out (spoiler alert) he's retelling these events from a mental facility, making his
recounting utterly unreliable. Others would most likely have a different version of the events
Holden lays out.
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Sherlock Holmes by Arthur Conan Doyle
Given the title, you'd think Sherlock Holmes was told from Holmes' perspective. Arthur
Conan Doyle chose a different approach. Holmes' sidekick, Dr. John Watson, is actually the
one engaging in first person narration.
This is an interesting technique also employed by F. Scott Fitzgerald in The Great Gatsby.
We don't hear the story from Gatsby himself, but rather his friend (and narrator) Nick. Let's
take a look at a sample from A Scandal in Bohemia:
I had seen little of Holmes lately. My marriage had drifted us away from each
other. My own complete happiness, and the home-centred interests which rise up
around the man who first finds himself master of his own establishment, were
sufficient to absorb all my attention, while Holmes, who loathed every form of
society with his whole Bohemian soul, remained in our lodgings in Baker Street,
buried among his old books, and alternating from week to week between cocaine
and ambition, the drowsiness of the drug, and the fierce energy of his own keen
nature.
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Us by Richard Mason
Richard Mason wrote a novel about an aspiring artist. By writing in the first person, we
quickly understand some of the main character's personality traits. He says he's not envious
of other artists, yet he seems to have a lot of negative remarks about their work. He also
seems to stand on principle more than anything else, refusing to sell his work for a quick
paycheck. Here's a glimpse into Julian's mind in Us:
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Second Person Narration
Second person point of view isn't quite as popular in literature. It takes on more of an
instructional tone. It uses a lot of "you should" or "you can." That said, it can forge a nice
bond with the audience because it treats the reader like they're part of the story. Our first
sample comes from a popular book that went on to become a movie and a play.
You have friends who actually care about you and speak the language of the
inner self. You have avoided them of late. Your soul is as disheveled as your
apartment, and until you can clean it up a little you don't want to invite anyone
inside.
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The Night Circus by Erin Morgenstern
The Night Circus is a fantasy novel set in Victorian London. It features a magical circus that's
only open when the sun goes down. Interestingly, Morgenstern manages to write the novel in
all three points of view. But, we enjoy a fair share of the second person point of view in
excerpts like this:
What kind of circus is only open at night?" people ask. No one has a proper
answer, yet as dusk approaches there is a substantial crowd of spectators
gathering outside the gates.
You are amongst them, of course. Your curiosity got the better of you, as curiosity
is wont to do. You stand in the fading light, the scarf around your neck pulled up
against the chilly evening breeze, waiting to see for yourself exactly what kind of
circus only opens once the sun sets.
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Neil Patrick Harris: Choose Your Own Autobiography
Now, this is an interesting feat. Actor Neil Patrick Harris wrote the story of his life in the
second person. You'd think an autobiography would contain a lot of "I" and "me." Never one
to conform to society, Neil Patrick Harris takes an interesting approach to his life story. Watch
how he lures us into the story by making it seem like he's speaking directly to us:
Then you go backstage and get a tour, and this to you is truly the coolest thing in
the world. You're shown the set and the lights and the costumes and learn
another variation on the same basic lesson about showbiz you will learn over and
over again-it's all, fundamentally, just a bunch of crap glued together and
spray-painted over. But the wonderful paradox is that knowing this does not
detract from the experience of watching it a second time. On the contrary: it
makes it that much more miraculous.
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Third Person Narration
Third person narration is quite popular. It allows the author to open up the hearts and minds
of several characters. With this form of narration, you could have two lovers, for example,
who don't remain a mystery to the audience. Both of their thoughts and feelings are exposed
to the reader and the reader is now able to take the journey to discovery or heartbreak. Let's
enjoy a few examples.
He shoved at his hair, wished he could delude himself so he could just go back to
sleep, but he knew if he closed his eyes again, he'd be right back in the little
library, right back beside the body of his murdered wife. And yet he couldn't think
of a single good reason to get out of bed.
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Pride and Prejudice by Jane Austen
Continuing with the theme of romance, let's go to one of the classics. Jane Austen also
allows us to peer into the minds of two love interests in Pride and Prejudice. Here's a
glimpse into Elizabeth's mind:
Elizabeth allowed that he had given a very rational account of it, and they
continued talking together, with mutual satisfaction till supper put an end to cards,
and gave the rest of the ladies their share of Mr. Wickham's attentions. There
could be no conversation in the noise of Mrs. Phillips's supper party, but his
manners recommended him to everybody. Whatever he said, was said well; and
whatever he did, done gracefully.
The Dursleys hadn't even remembered that today happened to be Harry's twelfth
birthday. Of course, his hopes hadn't been high; they'd never given him a real
present, let alone a cake - but to ignore it completely…