Basic Elements of Art
Basic Elements of Art
Vertical lines give the impression of height and strength Negative space is very important, and an artist must plan
and often have a spiritual connotation the negative space as carefully as the main subject. ▪
Imaginary Lines can be imaginary or implied; for Negative space can be cut to a minimum or eliminated
example line of sight can be a very strong albeit invisible entirely for a very close up and intimate focus on the
line along which the viewer’s eye travels. Also a subject.
pointing finger can send the viewers eye on a journey
All choices which will affect how the viewer sees the
through the painting
overall composition
Three Dimensional Lines alone can also be used to
Value is how light or dark something is.
create a three-dimensional effect, (depth, in a 2-
dimensional artwork. Hatching lines (straight or curved) If a painting is done on the lower (darker) edge of the
are used to turn shape into form using value as seen value scale it is called a “low key” painting. Low key
works of the masters like Rembrandt paintings give rise to a heavy, mysterious, dramatic,
sometimes brooding feeling in the viewer
Shape When a line meets up to enclose a space, a
By contrast “high key” paintings take their range of
shape is formed.
values from the upper end of the value scale and create
Shapes can be GEOMETRIC OR ORGANIC emotions of lightness, quickness, spirituality etc
Form is the next step up from shape as we now add Color is created when light is reflected into the viewer’s
depth to it to create a three dimensional form. In eye.
drawing and painting form can only be implied because
In art, colors are arranged on a color wheel. The color
they are 2-dimesional (flat) media.
wheel was developed by Isaac Newton who took the
Space is what lies between, around or within an object. color spectrum and bent it into a circle.
Overlapping When an object is drawn or painted on top Hue It’s the name of a color in its purest form. For
of another object the viewer’s eye interprets this as one example, red, green, magenta are all pure colors
object being in front of another implying there must be a
Saturation It’s the intensity of a color. It makes colors
space between them
more vibrant or more mute
Placement Objects higher up in the picture plane will
seem to the viewer’s eye to be further away than objects
placed low down in the picture frame
Tint It’s the intensity of white in a color. If the level of Its important for the perception and appreciation of art,
tint is higher, the color will be lighter but it’s also important for the degradation and damage of
objects. Light can cause damage such as color fading
Shade It’s the intensity of black in a color. The higher
and embrittlement
the level of shade is, the darker and moody the color will
be Forms of Shadow and Light
Texture Drawing or painting texture on a 2–dimensional, ▪ Highlight
flat surface is a challenge for artists. The artist must
▪ Direct light
instead convey the illusion of the actual texture to the
viewer on the flat surface. ▪ Reflected light
Perspective in art is what gives your work a 3D look ▪ Shadow
rather than a flat painting or drawing.
▪ Core shadow
a technique that enables artists to add the illusion of
depth to a painting or drawing ▪ Cast shadow