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Rhea Sawant - Synthesis Matrix Template

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Rhea Sawant - Synthesis Matrix Template

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Copyright
© © All Rights Reserved
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Research Question: How do musicians represent themselves on Instagram in anticipation of hosting a major conc

Author Last Name

Source Title

Journal, Book, or Conference Title (if


relevant)
Field of Study

Subjects, Keywords and Search Terms

Synthesis: related, overlapping sources


musicians represent themselves on Instagram in anticipation of hosting a major concert event, and what rhetorical features do t
Source 1
Delbaere, Brittany, and Phillips

"Social Media Influencers: A Route to Brand Engagement for Their


Followers"

Journal of Pyschology and Marketing

Psychology & Media Influence

media influence, engagment, followers, social Trends, etc.

Audrezet, A., Kerviler, G., & Guidry Moulard, J. (2018). Authenticity under threat: When social media influencers need to

Booth, N., & Matic, J. A. (2011). Mapping and leveraging influencers in social media to shape corporate brand perceptions. Corporate

Gensler, S., Volckner, F., Liu-Thompkins, Y., & Wiertz, C. (2013). Managing
brands in the social media environment. Journal of Interactive Marketing, 27,
242–256, https://doi.org/10.1016/j.intmar.2013.09.004
major concert event, and what rhetorical features do they employ to enhance and manage their public image on the platform?
Source 2
Replogle

"Fame, Social Media, Use, and Ethics"

Scological Forum

Social Media
ethical manners, social media, usage from
celebrities/musicians

O’Leary, P. N., Miller, M. M., Olive, M. L., & Kelly, A. N.


(2017). Blurred lines: Ethical implications of social media for
behavior analysts. Behavior Analysis in Practice, 10, 45-51,
https://link.springer.com/article/10.1007/s40617-014-0033-0

Click, M.A., H. Lee, and H.W. Holladay. 2013. "Making


Monsters: Lady Gaga, Fan Identification, and Social
Media." Popular Music and Society 36: 3: 360-379.

Amin, H., Qureshi, J. A., & Chandio, S. (2017). Cultural,


ethical and legal considerations of using social media
marketing in Karachi-Pakistan. JISR management and
social sciences & economics, 15(2), 165-180,
https://doi.org/10.31384/jisrmsse/2017.15.2.11
ploy to enhance and manage their public image on the platform?
Source 3
Guo & Ren

“Managing Image: The Self-Praise of Celebrities on Social Media”

Discourse, Context, & Media

Social Media

celebrities on social media, perserving image, etc.

"Booth, N., & Matic, J. A. (2011). Mapping and leveraging


influencers in social media to shape corporate brand
perceptions. Corporate Communications, 16(3), 184–191.
https://www.emerald.com/insight/content/doi/10.1108/13563
281111156853/full/html

"Lipsman, A., Mudd, G., Rich, M., & Bruich, S. (2012). The
power of "like": How brands reach (and influence) fans
through social-media marketing. Journal of Advertising
Research, 52(1), 40-52. https://doi.org/10.2501/JAR-52-1-
040-052

Delbaere, Marjorie, and Micheal Brittany. “Social Media


Influencers: A Route to Brand Engagement for Their
Followers.” Psychology & Marketing. vol. 38, no. 1, pp. 101-
112. Communication and Mass Media Complete,
https://doi.org/10.1002/mar.21419
rm?
Source 4
Jaakola
“Digital performance at the side stage: the communicative
practices of classical musicians and music hobbyists on
Instagram”

Journal of Media and Cultural Studies

Social Media (again lol)


musicians on social media (ex. Instagram), music hobbyists,
etc.
Albinsson, S. 2018. “Musicians as Entrepreneurs or
Entrepreneurs as Musicians?” Creativity and Innovation
Management 27 (3): 348–357.
https://doi.org/10.1111/caim.12254.

Djafarova, E., and O. Trofimenko. 2018. “‘Instafamous’ –


Credibility and Self-Presentation of Micro-Celebrities on Social
Media.” Information, Communication & Society 22 (10): 1432–
1446. https://doi.org/10.1080/1369118X.2018.1438491.

"Klein, B., L. M. Meier, and D. Powers. 2017. “Selling Out:


Musicians, Autonomy, and Compromise in the Digital Age.”
Popular Music and Society 40 (2): 222–238.
https://doi.org/10.1080/03007766.2015.1120101.
Source 5
Alifan & Nilowardono

"The Influence of Social Media Marketing Instagram, Word of Mouth, and Brand Awarness.."

International Journal of Entrepreneurship and Business Development

Branding/Marketing

marketing on instagram, brand awarness, etc.

"Teo, L. X., Leng, H. K., & Phua, Y. X. P. (2019). Marketing on Instagram: Social
influence and image quality on perception of quality and purchase intention.
International Journal of Sports Marketing and Sponsorship, 20(2), 321-332,
https://www.emerald.com/insight/content/doi/10.1108/IJSMS-04-2018-0028/full/
html"

Salunke, P., & Jain, V. (2022). Instagram marketing (2015–2021): A review of past
trends, implications, and future research. Exploring the latest trends in
management literature, 129-146,
https://www.emerald.com/insight/content/doi/10.1108/S2754-
586520220000001007/full/html

"Matikainen, K. (1999). The use of social media in marketing musicians: focus on


independent music. nature, 6(10),
https://www.utupub.fi/bitstream/handle/10024/144933/Matikainen%20Katriina.pdf?
sequence=1
Source 6
Martinez

"The Use of Social Media Marketing by Independent Musicans"

Capstone Projects & Master's Theses

Social Media Marketing

independent musicans, marketing, social media influence, etc.

"Evans, D., Bratton, S., & McKee, J. (2021). Social media marketing. AG Printing & Publishing

"Dwivedi, Y. K., Kapoor, K. K., & Chen, H. (2015). Social media marketing and
advertising. The Marketing Review, 15(3), 289-309,
https://doi.org/10.1362/146934715X14441363377999

"Salunke, P., & Jain, V. (2022). Instagram marketing (2015–2021): A review of


past trends, implications, and future research. Exploring the latest trends in
management literature, 129-146,
https://www.emerald.com/insight/content/doi/10.1108/S2754-
586520220000001007/full/html
Source 7
Lozano-Blasco, Marta, & Merecedes

"Social Media Influence on Young People and Children:


Analysis on Instagram, Twitter, and Youtube"

Groupo Comunicar

Communication on Social Media


instagram's influence, social media affecting young minds,
etc.

Keegan, B.J., & Rowley, J. (2017). Evaluation and decision making in social media marketing. Management Decision, 55(1

Lipsman, A., Mudd, G., Rich, M., & Bruich, S. (2012). The power of "like": How brands reach (and influence) fans through

"Boerman, S.C. (2020). The effects of the standardized


Instagram disclosure for micro- and meso-influencers.
Computers in Human Behavior, 103, 199-207.
https://doi.org/10.1016/j.chb.2019.09.015
Source 8
Lenders, Farrell, Zwaan, and Bogt

"How Are Young Music Artists Configuring Their Media and Sales
Platforms in the Digital Age?”

Journal of Marketing Managment

Marketing & Sales

platform appearance, digital media, sales through media, etc.

EMarketer (2011), Global music: Tuning into new opportunities.


Retrieved November, 2012, from www.emarketer.com

"Burkart, P. (2005). Loose integration in the popular music


industry. Popular Music and Society, 28(4), 489–500,
https://doi.org/10.1080/03007760500159013"

"Fox, M. A., & Kochanowski, P. (2007). Multi-stage markets in the recording industry. Popular Music and Society, 30(2),

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