Lioness Headress Pattern
Lioness Headress Pattern
adult lionesses.
Finished size: About 10 inches (25.4 cm) high, 9 inches (22.86 cm) wide and 12 inches
(30.48 cm) deep. Instructions for taping the pattern pieces together begin on page 12.
Questions?
I’m happy to answer any questions you have. You can reach me by email at:
[email protected]
Please put “Lion King Mask” in the subject line so your email isn’t accidentally deleted.
You can also leave a comment on the Daily Sculptors page on my site, if you’d like some
feedback from my helpful readers, too.
Have fun!
©2019 Jonni Good. You may print this pattern and use it to make a mask for your own personal use or for a play, but you
may not sell the pattern or publish it without the express permission of the author. Some Amazon affiliate links are in this
file. If you make a purchase after clicking on the links, Amazon will give me a small commission. You can also simply do a
search for the same products if you prefer.
Helpful Videos:
Be sure to watch all five videos on this page:
https://www.UltimatePaperMache.com/LionKing
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Pieces 1 and 2: Tape the long darts togeth- Then tape the two pieces together along
er. the center seam. This may be easier to do
from the back first, to line up the curves.
Note - most pieces will have darts, and
they will always be taped first.
Tape pieces 11 and 12 to the head, as shown. Your lioness’s head will look a little strange
at this point, because it won’t hold its
Add pieces 13 and 14 the same way, and shape until the back is added. We’ll do that
tape the center seam. soon, but we need to do a few more things
first.
Tear off a strip of aluminum foil about 1.5 Crumple the foil and then roll it on the ta-
inches (3.81 cm) wide. Then tear it in half to ble to make a smooth, tight strip about 1/8”
make two pieces 6 inches (15.24) long. (0.3175 cm) thick.
Use narrow pieces of masking tape to at- Make sure the foil is behind the cardboard,
tach the foil around the entire edge on the and not covering the eye opening. This
inside of the eye. Cut off any extra foil. would make the eye appear smaller.
Put hot glue on the inside of the foil strip Quickly turn over the lion’s head and press
and press your foam eyeball into the glue. the edges of eye against the foam ball, so
the foam ball is held on securely. When the
glue is cool enough to hold, Do the other
eye.
Loosely crumple two pieces of foil into balls Use hot glue to attach the balls of foil to
about .5 inches (1.27 cm) wide. the inside of the nose. When the glue cools,
turn the head over and press your fingers or
a rounded edge of a pen into the nose, to
create an indentation for the nostrils.
Tape the long darts on pieces 18 and 19, and Tape the darts on pieces 20 and 21, and
then tape them together along the center then tape them together along the center
seam, which has two small marks. The tabs seam, the one with two small marks. This
will form a “V” shape at the front. creates the back of the cap.
Have the actor try on the cap. If it’s too large, cut the tape along the center seam at the
back and overlap the two pieces, as shown on the right .
Note: If you’re using felt on the bottom inside edge (recommended) be sure to leave a lit-
tle extra room so the felt won’t make the cap feel too tight.
Also check to see if the cap rubs on the top of the ear. If that happens, cut off part of the
bottom edge of the cap to make it more comfortable.
If the cap needs to be larger, cut the seam as shown, and add a triangular piece of card-
board across the opening.
Note: Watch this video to see how the cap is attached to the mask.
Bend the tabs and the long edge of pieces Put the two pieces together so the tabs on
22 and 23 to form tight creases. Then put a both pieces are facing outwards. Use a few
thin line of wood glue along the un-creased pieces of masking tape to hold them to-
curved edge of one of the pieces. To see gether until the glue has a chance to dry.
why you should only glue the curved edge,
see the photo on the bottom right of this
page.
If you want to smooth off the edges of the paper, you can use a very thin layer of drywall
joint compound, applied with a rubber spatula. Watch this video to see how. The video
shows the method being used on dry paper mache clay, but it works just as well over pa-
per strips and paste.
Use a scrap piece of corrugated cardboard The cap will slip over the cardboard piece
and the pattern on page 12. Use several piec- and hold it while you add paper mache and
es of masking tape to hold it to the top of a paint. In the photo above you see Scar,
quart jar. You might want to add some sand young Simba and grown-up Nala resting on
or a sealed bag of beans to the jar first, to their temporary stands.
add some weight.
Cut felt in narrow strips, about 1.5 inches The felt I used came in sheets 12 inches
(3.81 cm) wide. Add wood glue to the ends (30.48 cm) long, so I needed to use several
and edges of the felt. strips to cover the entire inside edge. If
there are any loose edges or corners, go
back and add additional glue.
Painting the lioness:
Before you paint the mask, seal the paper mache with a spray primer. As you can see in
the photos above, I used a black spray primer for the back of the head and the cap, so it
would disappear on stage. When the black is dry, cover it with a plastic bag and spray the
face with white or tan spray primer, and let it completely dry before adding acrylic paint.
Do a Google image search for Lion King masks to see
what style you like best.
I used Black for the outline around the eyes, the nose
and mouth. The muzzle is lightened with white paint,
dry-brushed over the tan. You could give Nala a pink
nose, if you prefer.
After all the paint was dry I put a coat of matte acrylic varnish over the face, except for
the eyes, which are shiny because of the Soft Gel. If you aren’t using the gel for your
mask, you can make the yes shiny with clear fingernail polish.