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Architechture

Indo-Saracenic architecture was a style prevalent in British India during the 19th and early 20th centuries. It combined elements of native Indo-Islamic architecture, particularly Mughal architecture, with Western architectural styles like Gothic revival and Neo-Classical. Key features included onion domes, pointed arches, contrasting colors, curved roofs, domed kiosks, towers or minarets, open pavilions, jalis or openwork screens, and mashrabiya-style windows.
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0% found this document useful (0 votes)
17 views5 pages

Architechture

Indo-Saracenic architecture was a style prevalent in British India during the 19th and early 20th centuries. It combined elements of native Indo-Islamic architecture, particularly Mughal architecture, with Western architectural styles like Gothic revival and Neo-Classical. Key features included onion domes, pointed arches, contrasting colors, curved roofs, domed kiosks, towers or minarets, open pavilions, jalis or openwork screens, and mashrabiya-style windows.
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© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as PDF, TXT or read online on Scribd
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Indo-Saracenic architecture was a style prevalent in British India during the 19th and early

20th centuries. It combined elements of native Indo-Islamic architecture, particularly


Mughal architecture, with Western architectural styles like Gothic revival and Neo-Classical.
This fusion was used primarily in public and government buildings in the British Raj, as well
as in the palaces of princely states.

Key features of Indo-Saracenic architecture include

onion domes,

pointed and horseshoe arches,

contrasting colors of voussoirs,

curved roofs, d

omed chhatri kiosks,

towers or minarets,

open pavilions,

jalis or openwork screens,

and mashrabiya-style windows.

The style was employed not only in India but also in British colonies like Sri Lanka and
Malaysia. In the latter, the style was adopted for significant public buildings despite its lack
of connection to local architectural traditions. British architects, unfamiliar with local
building practices, created an "Orientalist fantasy" in their designs, particularly in Malaya.

Indo-Saracenic architecture declined with the end of the British Raj but still remains visible
in many heritage buildings across the Indian subcontinent and other former British colonies.

Example-The Gateway of India, The Taj Mahal Palace Hotel in Mumbai,


Southern Railway Headquarters, Chennai, Howrah Railway Station, Raj
Bhavan
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Indian architecture is a rich tapestry woven from centuries of diverse cultural influences,
regional traditions, and historical developments. From the ancient civilizations of the Indus
Valley to the modern skyscrapers of Mumbai, Indian architecture reflects a blend of
indigenous styles, Islamic influences, colonial imprints, and contemporary trends. Here's a
detailed overview:

Ancient Indian Architecture:

Indus Valley Civilization: Planned cities with sturdy brick constructions.


Buddhist Architecture: Stupas, monasteries, and rock-cut caves with intricate sculptures.

Hindu Temple Architecture: Elaborate temples with towering spires and intricate carvings.

Islamic Architecture:

Indo-Islamic: Blend of Persian, Turkish, and Indian styles, featuring bulbous domes and
intricate patterns.

Mughal Architecture: Grand palaces, forts, and gardens with large domes and marble inlay
work.

Colonial Architecture:

British Colonial: Gothic, Neo-Classical, and Victorian styles in government and civic buildings.

Indo-Saracenic Revival: Hybrid style combining Indian and Islamic motifs with Western
forms.

Regional Architectural Styles:

Dravidian Architecture: South Indian temples with towering gopurams and colorful
sculptures.

Rajput Architecture: Fortified hill forts and ornate palaces in Rajasthan.

Indo-Islamic in Gujarat and Bengal: Intricately carved mosques and terracotta temples,
respectively.

Contemporary Architecture:

Modernist Movement: Influence of global trends, seen in projects like the Capitol Complex
in Chandigarh.

Post-Independence: Blend of modernist, regional, and sustainable design approaches, with


iconic structures like the Lotus Temple in Delhi.

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Islamic architecture is a diverse and rich architectural tradition that emerged from the
spread of Islam across regions historically influenced by various cultural and artistic
traditions. Here's a detailed overview:

Characteristics:

Emphasis on geometry, symmetry, and order.

Decorative calligraphy from Islamic texts.


Arches, domes, courtyards, and gardens.

Play of light and shadow for ambiance.

Regional Variations:

Arabian Peninsula: Simple structures using mud brick and stone.

Persian/Iranian: Intricate tile work, colorful mosaics, iwans, and pishtaq.

Moorish/Andalusian: Horseshoe arches, stucco decoration, and ornate tile work.

Mughal: Monumental structures with gardens and marble inlay work.

Types of Buildings:

Mosques: Prayer halls, mihrabs, minarets, and courtyards.

Palaces: Grand complexes with ornate courtyards and reception halls.

Madrasas: Schools with classrooms, libraries, and prayer halls.

Materials and Techniques:

Brick, stone, tile, and plaster.

Colorful mosaic tiles and glazed ceramics.

Stucco for intricate carvings and muqarnas.

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10 characteristics of Islamic architecture in points:

Geometry and Symmetry: Emphasis on intricate geometric patterns and symmetrical


designs.

Decorative Calligraphy: Use of Arabic calligraphy from Islamic texts for decoration and
spiritual significance.

Arches and Domes: Various arch types (e.g., horseshoe, pointed) and large domes
symbolizing the celestial realm.

Courtyards and Gardens: Inclusion of spacious courtyards and lush gardens for prayer and
social gatherings.

Light and Shadow: Manipulation of natural light to create a spiritual ambiance with play of
light and shadow.
Mosaic and Tile Work: Extensive use of colorful mosaic tiles and glazed ceramics for intricate
patterns.

Stucco Decoration: Intricate stucco carvings featuring arabesques, muqarnas, and other
motifs.

Minarets: Tall, slender towers serving as visual landmarks and platforms for the call to
prayer.

Water Features: Incorporation of fountains, pools, and channels for aesthetic beauty and
ritual ablutions.

Integration with Nature: Harmony with the natural environment through elements like
gardens and water features.

Nagara Architecture:

Originated in Northern India.

Mainly associated with temples in regions like Rajasthan, Gujarat, Uttar Pradesh, and parts
of Madhya Pradesh.

Characterized by a curvilinear spire called "Shikhara" or "Vimana" with a rounded top.

Often features multiple horizontal layers of miniature shrines and decorative elements on
the superstructure.

Typically has a square or rectangular ground plan.

Examples include temples like the Kandariya Mahadeva Temple in Khajuraho and the
Jagannath Temple in Puri.

Dravida Architecture:

Originated in Southern India.

Mainly associated with temples in regions like Tamil Nadu, Karnataka, Andhra Pradesh, and
parts of Kerala.

Characterized by a pyramidal or tiered tower called "Gopuram" over the entrance gate,
often adorned with intricate sculptures and carvings.

Generally follows a strict axial and symmetrical plan layout.

Typically has a square or rectangular ground plan with a central shrine (garbhagriha) and
circumambulatory path (pradakshina).
Examples include temples like the Brihadeeswarar Temple in Thanjavur and the Meenakshi
Amman Temple in Madurai.

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