Bailey Trgovina
Bailey Trgovina
Bailey Donald. The Roman Terracotta Lamp Industry. Another view about exports. In: Les Lampes de terre cuite en
Méditerranée. Des origines à Justinien. Table ronde du CNRS, tenue à Lyon du 7 au 11 décembre 1981. Lyon : Maison de
l'Orient et de la Méditerranée Jean Pouilloux, 1987. pp. 59-63. (Travaux de la Maison de l'Orient, 13);
https://www.persee.fr/doc/mom_0766-0510_1987_act_13_1_2143
Donald BAILEY
aware, for those mentioned in Diocletian's Maximum Price Edict3, where their
low price (either one lamp or ten lamps - the text is defective - should sell for
no more than 4 denarii) reflects the fact that lamps at the beginning of the fourth
century, throughout the Empire, were of exceptionally poor quality and essentially
local products, used locally. One might use Professor Harris's arguments here and
say that these lamps were not exported because they were so cheap ; but on the
other hand they might not have moved because they were of low quality and
unlikely to appeal to buyers elsewhere. Also the state of the markets after many
decades of military and political upheaval might well have discouraged exportation.
But although in AD 301 a maximum price was laid down, there is unlikely to
have been such a thing as a standard price for a lamp in the early Empire, as
Professor Harris suggests (Harris, p. 134). He says there is evidence to show that
lamps of that period cost only one as. But lamps of the early Empire had a huge
variety of size shape, quality and decoration, all of which must have commanded
different prices. Harris, p. 134, note 60, mentions inltynium, costing one as at
Pompeii, as possibly meaning a lamp, but it seems just as likely to have been a
comestible, as are many of the other items listed with it in the same painted
inscription (CIL IV, 5380). His only other evidence is inscriptions on lamps
suggesting that they cost one as each. As Professor Harris himself points out in
the same footnote, there is certainly some obscurity concerning the inscriptions
on these lamps, with their variants of EMI TE LVCERNAS COLATAS AB ASSE.
H. Leclercq4 came to the tentative conclusion that this inscription could be expanded
to read EMITE LVCERNAS COLATAS [DE 0FFICINA] AfVLIJ BASfllJ
SEfNECAEJ. Be that as it may, these lamps, made in the extreme west of North
Africa, cannot be used, as Harris uses them, as evidence that the general price of
a lamp was one as in the early Empire, as they are products of the fifth century
AD, when the as was not a unit of currency.
Lamp prices must always have been what the market could stand, and no doubt
the cost of transport would be taken into consideration when, arriving at the selling
price. But it is a hopeless exercise to argue, as Professor Harris does, using the
unproven price of a lamp and the cost of land-transport (Harris, pp. 134-5), known
only for a few places (mainly Egypt) for a few limited periods of time, that a
transaction would be uneconomic. One cannot say, with regard to antiquity, that
because a thing seems unlikely by modern standards, that it would not have been
done. But the transport of cheap items in bulk is eminently possible when one
considers (perhaps invidiously, in the light of the previous sentence) the vast
amount of worthless trash moved from one side of the world to the other by
modern entrepreneurs. Good quality lamps must always have been saleable (Athenian
lamps were purchased all over the Mediterranean world in the fifth and fourth
centuries BC because the oil did not seep through them), and such lamps had
novelty value, even where there were plenty of local products. Further, the
'consignment
in a single of
cart1000
or by
lamps
several
quoted
packbyanimals
Professor
' can
Harris,
only p.be 135,
a guess,
as being
and carried
in the
present writer's opinion is a grave error which undermines the whole of Professor
3 - See JRS LXIII, 1973, p. 103 and p. 108, where Joyce Reynolds describes in the Aphrodisias copy
of the Price Edict, found by E.T. Erim, the entry for clay lamps. I am grateful to Andrew Burnett
for this reference ; he tells me that a denarius at this period was worth very little. I would also like
to thank at this point Catherine Johns and Susan Walker, for reading the manuscript and making very
helpful suggestions.
4 - F. Cabrol and H. Leclercq, Dictionnaire d'Archéologie Chrétienne et de Liturgie VIII, Paris, 1928,
cols. 1196-7. For further examples of these lamps, some of which were made at Tipasa, see J. Baradez
in Libyca IX, 1961, pp. 147-9; P. Leveau in Antiquités Africaines XI, 1977, p. 234, fig. 25, from
Cherchell ; J. Deneauve, Lampes de Carthage, Paris, 1969, No. 1 137 ; M. Ponsich, Les lampes romaines
en terre cuite de la Maurétanie Tingitane, Rabat, 1961, Nos. 350-2.
THE ROMAN LAMP INDUSTRY 61
5 - I used the largest group of equal-sized lamps to hand, Cnidian lamps of Loeschcke Type VIII.
These are about the same average length as Italian Firmalampen, but are rather wider.
6 - D.M. Bailey, A Catalogue of the Lamps in the British Museum II, Roman Lamps made in Italy,
London, 1980, pp. 92-3 ; A.K.B. Evans, in A.C. and A.S. Anderson, Roman Pottery Research in Britain
and North-West Europe, Oxford, 1981, p. 527.
7 - C. Daniels in Libyan Studies VIII, 1976-7, pp. 5-6 ; G. Caputo in Mon. Ant. XLI, 1951, cols. 329-
30, fig. 121, col. 343, fig. 133; R.E.M. Wheeler, Rome Bevond the Imperial Frontier, London. 1954.
pi. XVIII B.
8 - A. Leibundgut, Die römischen Lampen in der Schweiz, Bern, 1977, pp 100-129.
9 - For example, S. von Schnurbein in RCRF Ada XVII-XVI1I. 1977, pp. 38-50, at Haltern; M.
Vegas in Bonner Jahrbuch CLXVI, 1964, pp. 308-20 and in Novaesium II, Berlin, 1966, pp. 63-127,
at Neuss; D. Haupt in Das rheinische Landesmuseum Bonn, 1977, pp. 199-207, and 1979, pp. 151-
5, at Xanten.
62 D. BAILEY
to decide this. The present writer is chided in Professor Harris's Footnote 52 : 'To
suppose that red-brown and brick-red are the colours of lamps made in Northern
Italy... would simply be uncorrect '. It can be agreed that if north Italian lamps
in general were being discussed this would be so. However, the lamps in question
are north Italian Firmalampen, and the majority of north Italian Firmalampen
are, without doubt, in a ' brick-red, or red-brown, unslipped or self-slipped, fabric '10.
One of the difficulties here turns on the nature of verbal descriptions of such
features as texture, density and above all, colour: even the most elaborate colour-
chart (Munsell) is inadequate to convey the latter in archaeological work. These
nuances cannot be described in words, and yet, some generalizations must be made
if a work of synthesis is to be useful to the reader. Statements on such matters
as colour and texture must therefore be over-simplified ones, which do not begin
to convey the complexity of judgements made on the basis of years of experience
in handling and observing the artefacts themselves. Most practical archaeologists
are fully aware of the limitations inherent in putting into words these infinitely
subtle mental, visual and tactile judgements, and accept general statements as broad
guidelines rather than literal and strict rules. It is often forgotten that the human
mind, hand · and eye are every bit as sensitive as any scientific test : it is merely
that their conclusions cannot be presented in a print-out or histogram. To echo
the words of Professor Ashmole, writing about marble identification and scientific
examination : ' I fear that we shall have to rely on a method.. ..which was
employed.. ..for centuries...., namely, that of the naked eye and common sense*".
Professor Harris has come to the conclusion that ' most signed lamp found in
areas away from the original places of manufacture were in fact made locally *
(Harris, p. 144). (The question of branch workshops versus unauthorized copies
will not be discussed here : the facts are unknown, the ramifications so complex
and the possibilities so endless, that it will never be established what really happened
Empire-wide). While there are many examples of lamps bearing, for example, the
names of Italian or African makers, found in provincial areas and which were
undoubtedly made in those provincial areas12, there are also found, in the writer's
opinion, many more examples of lamps made in Italy or Africa but found elsewhere
than Professor Harris is prepared to admit. Deneauve is criticized for regarding
many of the signed lamps of Flavian to Antonine times from Carthage as being
imports: Professor Harris regards this as 'beyond belief (p. 132). Would he also
regard it as beyond belief that, except for a barely significant quantity made at
Colchester, all the terra sigillata found in such huge numbers in Britain was
imported ? As mentioned above, it can be comparatively easy for arr archaeologist's
trained eye to recognize fabrics, and when such a fabric, bearing all signs of being,
say, Italian, is found in a provincial context, and is, in addition, signed by a known
Italian maker, the conclusions are inescapable : it is an import from Italy. The
10 - Bailey, op. cit., p. 277. M. Cicikova in Actes du 9e Congrès international d'études sur les frontières
romaines, Bucarest, 1974, pp. 158-9, distinguishes a group of slipped Firmalampen exported from north
Italy (Groupe B), and much different from the dark red, red and grey unslipped lamps which she
regards as the normal imports from north Italy (her Groupe I A, pp. 156-8). But I am not convinced
that her footnote
Harris' Groupe I78,B lamps
wherearehe notstates
of provincial
that handles
manufacture.
on Firmalampen
Incidentally,
are I rare
do not
except
understand
in the Professor
German
provinces and in western central Italy and goes on to say that I go too far in saying that 'central Italian
Firmalampen normally have handles'. This appears to be what he himself has just said. I would repeat
that central Italian Firmalampen do normally have handles, from the Flavian products of the maker
Myron to the late Antonine-Severan lamps of Passerius Augurinus and Saeculus, when the type dies out.
11 - BSA LXV, 1970, p. 1.
12 - Compare, for example, adjacent kilns at Montans in southern France,' producing lamps with the
signatures of the Italian L. Munatius Threptus and the African M. Novius Justus : T. Martin in Figlina
II, 1977, pp. 51-78.
THE ROMAN LAMP INDUSTRY 63
BRITISH MUSEUM
13 - And probably even later than this : a recent paper by C. Pavolini indicates that many signed
Italian Bildlampen were made much later in the second century than I had thought (Bull, della Comm.
Arch. Com. di Roma LXXXV, 1976-7, Tabelle I-II).