Diffusionism IGNOU
Diffusionism IGNOU
UNIT 2 DIFFUSIONISM*
Contents
2.0 Introduction
2.1 Essential Features of Diffusion
2.2 Schools of Diffusionism
2.2.1 British School of Diffusion
2.2.2 German-Austrian School of Diffusion
2.2.3 American School of Diffusion
2.3 Summary
2.4 References
2.5 Answers to Check Your Progress
OBJECTIVES
After going through this unit, you will be able to:
explain how cultural traits spread from one region to another;
outline the essential features of diffusion;
distinguish between diffusion and acculturation; and
critically examine British, German and American schools of diffusion.
2.0 INTRODUCTION
Many of you would be aware of what happens when a drop of ink is placed on
the surface of water in a cup or when a tea bag is immersed in a cup of water. We
notice that as the drop of ink or tea bag comes in contact with water in the cup,
colour spread from a region of its high concentration to the region of low
concentration (i.e., from the drop of ink/tea bag towards the margins of the cup
filled with water). Just as colour in our example, objects and ideas belonging to
one culture spread over to other cultures. In our day-to-day lives we use objects
that belong to people living far away from us. In fact, we tend to adopt and use a
few of them so routinely that we tend to forget that they have come from elsewhere.
You could think of noodles (which originally belongs to China but prepared in
different ways and consumed in different parts of India). Two other examples of
interest and relevance are: paper (first invented in China from where it spread to
the West via the silk route and to other parts of the world); and fax machine (first
developed in Germany and now used worldwide). The transmission of objects,
customs, beliefs, ideas, and values from one culture to another or more cultures
is referred to as diffusion.
Two questions arise, (i.) How does diffusion actually take place? (ii.) Is diffusion
the only way through which cultural traits travels from one culture to another?
Diffusionism assumes that there has been direct transmission of cultural elements
from one stable population to another or through migration of people from one
culture to another. The transmission is one way i.e., let us say from population A
to population B or from population B to population A, or to population C and so
Expectedly, diffusion does not lead to change in both the cultures. In acculturation,
however, both cultures adopt elements from each other and in this way exhibit
change. Herskovits (1955:742) distinguishes between diffusion and acculturation
in following words, ‘diffusion is study of achieved cultural transmission while
acculturation is the study of cultural transmission in process’. This means, that
diffusion assumes that contact between culture did take place some time in the
course of which elements got transferred from one culture to the other.
Acculturation, on the other hand, obtains from contact between cultures that can
be demonstrated.
Silk Route: It is also known as silk road and refers to a series of routes
through which both trade and transmission of culture took place between
Asia and the West chiefly through soldiers, monks, pilgrims and traders.
Apache: The term Apache is used to collectively refer to the American Indians
in the United States.
Peyote: It is a small cactus known for its psychoactive properties when
consumed
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3) What are the processes through which diffusion takes place? Diffusionism
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According to him, sun worship and stone monuments were of critical value in
Egyptian culture. Other traits were: irrigation and agriculture, mummification,
pyramids and other megalithic structures, ear piercing and circumcision practices.
He began looking for these in other cultures as well.
Smith maintained that the soil along the banks of the river Nile that flows in
Egypt was very fertile. Here, wild barley grew in abundance which was later
cultivated by Egyptians. In order to cultivate barley, Egyptians developed
hydraulic system of irrigation. The rich harvest of barley had to be stored. So,
Egyptians invented pottery and constructed granaries. Later, granaries developed
into dwellings. When people did not have to worry about food and house, they
had leisure. They used this leisure to develop different skills such as those of
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Emergence of Anthropology basketry, matting and weaving. Additionally, they invented the wheel and plough,
domesticated cattle, and developed metallurgy. Thereafter, they set up towns,
and cities. Large monuments for law and governance came up. River Nile
continued to be the most important resource for the people. The king could predict
the course that the river would take and since the river was very important for
them, the people came to believe that their king was an embodiment of sun and
that he was immortal. This made them to preserve his body as a mummy after he
died.
As one would expect, (i) religion based on sun-worship developed; and (ii) rituals,
dance, drama and music developed to protect the body of the king from getting
corrupted in any way. These were the beginnings of religion. According to Smith,
around 4000 BC Egyptians travelled to different parts of the world in search of
precious metals and raw materials. This enabled them to master the skill of
navigation. In the course of travel to different places, they passed on the traits of
culture to people in distant lands. The position of Graffon Elliot Smith and Perry
postulating that Egypt was the cradle of all cultures is referred to as an extreme
diffusionism. Perry was far too impressed with sun temples at Cairo. He asserted
that the process of diffusion of art and craft from Egypt to different cultures was
inevitably accompanied with their degradation. But Smith and Perry were not
the only two diffusionists within the British school of diffusion.
There were other diffusionists as well who did not assert the importance of Egypt
but maintained that similarities and differences among cultures could be explained
in terms of contact with other cultural groups not just with those in Egypt. This
approach is referred to as moderate diffusionism. The chief proponent of moderate
diffusionism was, among others, W H R Rivers. Rivers studied people from
different parts of the world. He studied the Torres Strait Islanders, Todas (tribal
community in the Nilgiri hills of South India) and the Melanesians and
Polynesians. Rivers explained that similarities and differences, particularly among
islands comprising Melanesia were due to the process of diffusion which took
place through a series of migrations between them. Rivers suggested that cultural
complexes spread by way of successive migration. He stated that migration leads
to spread of cultural traits as also loss of some of them. When he did not find
canoes on some islands, for example, Rivers explained that in the past canoes
would have been used by the people but disappeared later due to dying out of the
island’s canoe making guild. He studied the Oceanian culture as well in terms of
cultural complexes. Interestingly, he accorded the presence of five different burial
rituals in Australia to a series of migrations.
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The British school of diffusion suffered from several weakness. The following Diffusionism
are a few of them: (i.) its basic assumption that other than those in Egypt, people
are largely uninventive has been challenged vehemently; (ii.) both extreme
diffusionists and moderate diffusionists assumed that culture complexes spread.
The difference between them was that the former argued that Egypt was the only
centre point while latter argued that there were other center points as well. It is
difficult to accept this proposition because certain cultural traits could have been
independently invented by the people; (iii) it does not account for the possibility
of multiple diffusions; and (iv) it does not give cognizance to the meaning and
significance attached with a cultural trait.
Ratzel proposed ‘criterion of form’ which could be stated as: ‘similarity between
two culture elements which do not automatically arise out of the nature, material,
or purpose of the traits or objects should be interpreted as resulting from diffusion,
regardless of the distance which separates the two instances’ (Harris 1968:384).
In fact, Ratzel examined similarities in bow-shaft, mechanism of fastening of
bow strings, material they are made from and the way on which features are
attached to the arrows in Africa and in Australia. He maintained that since these
features had nothing to do with how the bow and arrow would function, it was
safe to conclude that the similarities were due to historical contact leading to
diffusion between Africa and Australia. In other words, he explained that the
similarity is not due to functional reasons (i.e., not because the design was the
one that was best suited for hunting). Rather, the similarity was due to (i) historical
connection between them; and (ii) similarity in psychological makeup of people
in the two regions. Ratzel’s ‘criterion of form’ was called ‘criterion of quality’
by Schmidt.
Ratzel maintained that while cultural traits diffuse singularly, culture complexes
spread through migration. He insisted that regions and routes of migration and
diffusion across the world should be mapped. He added that cultural traits, could
get simplified or complicated when they get diffused.
Just as Ratzel proposed ‘criterion of form’, one of his pupils named Leo Frobenius
proposed ‘criterion of quantity’. Frobenius saw that certain cultural traits diffuse
together. We can conclude that diffusion has taken between two culture when
many similar traits are found together. The ‘criterion of quantity’ establishes that 31
Emergence of Anthropology diffusion has taken place between two or more cultures when we see many similar
traits in them. Let us refer to the example of the bow and arrow in West Africa
and Australia once again. The similarity in bow and arrow in the two cultures
was accompanied with similarity in house types, shields masks, clothing and
drums. With increase in number of similar traits between cultures, the possibility
that diffusion has taken place between them increases.
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5) What do you understand by kulturkreis?
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American diffusionists believed that people tend to learn and borrow elements
of cultures they come in contact with. The likelihood of learning and borrowing
increases when the duration and frequency of contact increases. They proposed
the concept of ‘culture area’ which referred to geographical space in which similar
cultures were found. The basic proposition was that mapping of distribution of
cultural traits in culture areas would provide an explanation of similarities and
differences between cultures, particularly Native American Cultures.
Alfred Louis Kroeber suggested that culture area should be looked at in the broad
framework of its cultural contact. He identified six culture areas of native America
based on geographical and ecological considerations and several other factors.
These culture areas were: Arctic zone, North-West Coast, South-West Coast,
Intermediate and Inter-mountain Area, East and North Area, and Mexico-Central
American Area. In fact, he argued in favour of using the term ‘culture climax’
instead of culture area. He defines culture climax as, ‘the point from which the
greatest radiation of cultural material has taken place’ (1952:39). The level of
organization of cultures increases as they become richer and more differentiated
in the sense of developing religious hierarchies, detailed norms and customs etc.
As cultures become richer, they are able to assimilate and incorporate new material
or traits that could be borrowed or developed internally.
The American school of diffusion has been criticized for its culture area concept:
(i) It is argued that cultural trait which constitutes the very core of culture area
concept is itself not a clearly understood one. Critics have expressed concern
over what constitutes cultural trait. Consider the example of a ship. Should ship
be considered as a simple unit or as a combination of traits such as nature and
design of the seating space, decorations in it etc. (ii) Equal importance was
assigned to each cultural trait. The number of oars in a ship, the number of wives
a man had or the number of husbands a woman had, for example, hold equal
value so far as diagnosis or determination whether diffusion had taken place was
concerned. What comes out of the example is the fact that only the trait as such
was taken into account while the function it performed in a culture was ignored.
(iii) In order to determine culture areas, large number of criteria were identified.
Based on these criteria several culture areas were noted. There was, however no
agreement among the diffusionists about the culture areas. (iv) Symbiotic
interaction between culture areas was largely ignored. (v) Geographical conditions
harbouring different cultures in different periods of time were not taken into
account. (vi) Free diffusion within culture areas is assumed ignoring forces of
resistance and difficulties of acceptance of cultural traits in different culture areas.
Another set of criticism of American school of diffusion relates with the age-
area hypothesis: (i) it is not appropriate to correlate age of a trait with its
distribution. This is meaningless because traits do not spread continuously; and
(ii) it ignores the fact that spread of a trait depends on its receptivity in the other
culture.
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Check Your Progress 3 Diffusionism
2.3 SUMMARY
In this unit we obtained an explanation of how and why similarities among cultures
are found. We familiarised ourselves with three schools of diffusionism. None of
them however, could explain how and why certain traits originate and how do
we account for similarities in culture which have not come into contact with
each other? Notwithstanding its limitation, diffusionist school captured the
attention of anthropologists for a long time. The question it answered and those
that it generated provided a feeder for new paradigms and theories in anthropology.
2.4 REFERENCES
Harris, M. (1968). The Rise of Anthropological Theory. London: Routledge and
Kegan Paul.
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Emergence of Anthropology
2.5 ANSWERS TO CHECK YOUR PROGRESS
Check Your Progress 1
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