Feature Writing Scoresheet and Some Tips
Feature Writing Scoresheet and Some Tips
Each of these styles has a different approach, some are light and entertaining
while others dive deep into serious social issues. A feature’s length can range
from 1,000 to 4,000 words, depending on the publication and its readership.
Regional newspaper and magazine features tend to be on the shorter side,
whereas nationals and online publications can accommodate longer pieces.
If you’re writing about someone with a particular profession or skill, it’s helpful
to observe them at work, so you’re able to describe what they do firsthand.
For example, say you’re interviewing a therapeutic horse-riding instructor,
wouldn’t it benefit your piece to watch them in action with the horses and the
individuals served? And questions may pop up that you wouldn’t have thought
of otherwise, such as: Why is there a side walker and a horse handler?
With a feature you get to take your time and ease into the story, and it can be
several paragraphs long if you’re writing a piece 2,000 words or more (you get
to the point quicker in a shorter piece of course). Following the lede is the nut
graph, and it’s here you get to tell the reader what it’s all about—in a nutshell.
It’s a bridge between the lede and body and tells us why the story was written
and why we need to care.
The middle part or body of the feature must have all the usual building blocks
of a story, the setting, scenes, action, conflict or challenge, and character
building. We must get to know the characters and what they’ve endured, so
we care enough to continue and want to see how it all plays out.
Feature stories also need some type of conclusion, so the reader feels they’ve
been following a complete story. Obviously, some tales have no actual or
definite ending, but your piece must come to a satisfying conclusion, tying
everything together. Above all, it must be an ending readers will remember,
and hopefully ponder for days thereafter.
Often when interviewing a source, they’ll casually toss out the perfect end-
quote or opening line for your piece, and you’ll know it the moment you hear it,
scribbling it down frantically with big exclamation points and a grin on your
face. I would often have a feature opening formulated in my head on the drive
home from an interview. I’d rush to my Mac and quickly tap it out before I
forgot.
Pull out your notes and try to recall all the details of each scene you
encountered, including the atmosphere and feelings you experienced. What
was the energy like? Joyful like a Christmas parade? Peaceful? Hostile even?
Engage the senses with vivid descriptions of sights, sounds, colors, smells,
textures, and size. Be specific—how tall is that huge metal pink flamingo?
What shade of red was the floor length gown—poppy red, crimson? What
direction is the picture window facing? Was the chair a vintage Eames rocker
or a contemporary reproduction?
Through writing in an active voice and engaging the reader using vivid
descriptions, adding the smallest details and your own observations, you’re
not only sure to elevate your craft but you might have fun in the process.
The best way to learn and improve of course is to read (and study) the work of
successful and talented writers. Here are some notable features for you to
peruse:
Your feature, whatever its length, will have a basic structure of:
Introduction. Set the scene. Bring it to life. ...
Body text. Having got your readers hooked at the start, keep them reading. ...
Conclusion. Create a satisfactory ending so that the reader understands that the story
has reached a conclusion.