CONTENTS

Cover
Copyright and Contact Info
Recommended Ebook Viewing Notes
Notes On The Painting Images
Foreword by Neil Slade
Introduction
1. Express Emotions and Desires
2. Honor Inherited Talent
3. Follow Your Passion
4. Discover Your Talent
5. Paint To Declare Freedom!
6. Have Fun
7. Light Up Your Brain
8. Wake Up Dormant Brain Cells
9. Balance the Two Sides of Your Brain
10. Nurture Your Creativity
11. Develop Your Talent
12. Have Better Vision
13. Exercise Your Neck
14. Enhance Your Brain’s Neuroplasticity
15. Exercise Your Brain
16. Exercise Your Entire Body
17. Increase the Flexibility of Your Body
18. Do Natural Strength Training
19. Choreograph Your Own Dance Routine
20. Meditate While You Paint
21. Sleep Well
22. Be Healthy
23. Lose Weight
24. Be Happy
25. Live Longer
26. Appreciate Nature More
27. See the Beauty In Ordinary Things
 28. Appreciate Diversity
29. Appreciate the Ever Changing Nature
30. Appreciate Different Perspectives
31. Tap Into Your Imagination
32. Appreciate Simplicity
33. Communicate With The Universe
34. Understand the Color of Emotions
35. Take A Chance
36. Trust Your Intuition
37. Experiment
38. Explore
39. Discover With Different Tools
40. Transform Trash Into Art
41. Make Something Original
42. Bring Beauty to the World
43. Paint Your Dreams
44. Learn From Your Mistakes
45. Remain A Child
46. Tell Stories
47. Express Your World View
48. Purify Your Soul
49. Find Your Destiny
50. Know Yourself
51. Be Yourself
52. Simplify Your Life
53. Detach From Material Things
54. Know and Treasure Your Friends
55. Be Grateful
56. Develop Your Own Style
57. Appreciate Other Tastes
58. Keep Learning and Changing
59. Appreciate Every Teacher You Meet
60. Understand the Human Spirit
61. Appreciate Music Better
62. See More In Movies
63. Overcome Boredom
 64. Overcome Sadness
65. Communicate With People Beyond This World
66. Have Better Intuition
67. Flying To China Without A Plane
68. Vanquish Fear
69. Share With Your Family, Friends, and Neighbors
70. Share With the World
71. Honor Your Parents
72. Live In An Art Gallery
73. Develop Self-Discipline
74. Selling Your Creative Work
75. Exhibit
76. Avoid A Boring Job
77. True Art
78. Travel
79. Listen to the Radio
80. Have An Excuse To Be Crazy
81. Tolerate the Craziness of Others
82. Appreciate the Creative Craziness of Others
83. Put Your Work Into A Museum
84. Be Humble
85. Write A Book About Painting
Extra Paintings and Photos
Web Links
Brain Books Store
Creativity
From
Another
Dimension

By Julia Lu
Edited by Neil Slade
Copyright 2012
All Rights Reserved
Neil Slade Books and Music
PO Box 6799, Denver, CO 80206
www.NeilSlade.com.com
[email protected]
www.JuliaPainting.com
[email protected]

No portion of this book may be

reproduced in any form
without the express
written permission of the author.
ISBN 978-0-9796363-2-5
First Edition, December 2012
Recommended Kindle and Ebook
Viewing Notes
To skip to any part of the book, including the
Interview and Amygdala Exercise Index sections, use
the links on the CONTENTS page (first page in the
book).
On a physical Kindle, use Menu “Go To” and navigate to
“Beginning” and use the “Contents” Links.

The challenges of formatting this book for digital

readers is unique because of the large number or
illustrations that are integrated within the text. Because
type face size and page size can be modified in a digital
reader or in a computer reader application, the following
settings are suggested for the best appearance for this
book. Start with these settings, and then modify to your own
preferences from there if necessary:
Please note: In the electronic book versions, pages may
contain some blank space because of page formatting, or
because a page is written to highlight an image or one
specific topic, image, or idea.

Also note, This electronic book contains a great

many underlined web links that will directly take you
to web pages of interest connected with the text and
conversations if your reader or computer app is
connected online to the web.

For a standard size physical Kindle Reader or

Ebook
1. Use the second smallest font size type (from left),
and perhaps the third smallest.
2. Regular Typeface
 3. Medium Line Spacing
4. Default Words Per Line
5. Vertical Screen Rotation

For a Kindle Reader or Epub Application for a

computer
(Click on the “Aa” Toolbar to adjust settings)
1. Medium Small Font Size, about 1/3 from the left
side slider position
2. Do NOT use Full Screen Mode
3. Set your page shape to resemble a 6” X 9”
paperback book page with Words Per Line slider all the
way to the left.
4. Brightness Full (all the way to the right)
5. Color Mode White
(Please note: In a Kindle computer application, text
may not completely fill a virtual page)
 Notes On The Painting Images
This electronic book contains a great many COLOR
images that will display perfectly on any computer, or color
portable electronic book reader. If you have a black and
white electronic book reader and would like to view the
paintings in full color, simply access the images at
http://www.neilslade.com/juliabrainpaintings.html when you
have access to a color monitor or computer.
Further, if you are using a portable book reader, you
may also zoom in on the photo using your reader’s own
zoom feature, which typically works by tapping twice on the
center of the image.
You may also turn your book sideways to see the image
larger and also zoom in color tablet readers. Then, turn right
side up to read the text again like a regular book. (Please
refer to your reader’s user guide.).

Next, Red Flowers At Forest Edge, oil on canvas, 12” X 16”

Foreword
by Neil Slade

Through what could be considered a most remarkable

bit of timing and fate, I met my wife Julia through a radio
show that changed my life in more ways than I can count.
This show was Coast To Coast AM, first hosted by Art Bell
and then later by George Noory.
I had begun making regular appearances on the show
beginning in 1997. On each show we talked about brain-self
control and how simply applying a little knowledge of brain
bio-mechanics could lead one to increased creativity,
intelligence, better problem solving, and physical and
mental pleasure. But more importantly for Coast’s audience,
we explored how one would automatically experience a full
range of normal-paranormal sensitivity simply by inducing
the process of “tickling the amygdala”, i.e., by consciously
and deliberately increasing the frontal lobes CICIL processes
of cooperation, imagination, creativity, intuition, and logic.
George began calling me “Mr. Amygdala”, a title that has
stuck to this day.
As it turned out, one evening when we were discussing
one or another aspect of brain magic on the show, across
two state borders sat Julia listening to the broadcast on her
own radio in the city of Columbia, Missouri where her law
school was located. In the midst of obtaining her law
degree, she had been trying to make sense of her own
puzzling paranormal experiences. Our on-the-air discussion
caught her ear one evening, and she thought I might have a
clue what they were all about.
One day I received an email asking for permission to
translate my book The Frontal Lobes Supercharge into
Chinese. I mean, how could I refuse? A short time later
imagine my astonishment to find in my mailbox a two-inch
thick manuscript, complete with my illustrations, all in hand
written Chinese characters. I was stupefied at this incredible
effort by someone I didn’t even know.
Before long, we began to exchange emails, and then
phone calls, and then finally personal visits. Several years
later we were popping marriage vow chocolates into each
other’s mouth with my two dogs Erfie and Chloe eagerly
awaiting dropped morsels to land at our feet.

But even while Julia still lived seven-hundred and fifty

miles away, my own Brain Radar had seen that Julia’s true
passion did not lie in arguing law cases but rather in
expressing herself in colors on a canvas. I encouraged her to
follow her own instincts, and eventually she chose to devote
herself entirely to the world of painting and visual creativity.
Even in her early days of painting I had recognized
something in her work that spoke far beyond the mechanics
of her then limited experience. She was tapping into
something that one could not learn from a book alone or
even from any number of outside teachers. Julia had a sense
of feeling and expression that was beyond rational thought
and could have only emerged from her own connection to a
deeper level of sensitivity within her own brain.
In the years that have followed, her creativity has
astonished me and exemplifies everything that I have hoped
to indicate through my own writing about the potential of
the human brain. She is up and in her studio painting often
hours before I get my own lazy ass out of bed, and she
continues to paint most nights long after I’ve settled down
to watch a movie and finished with whatever work I may
have done for the day. The level of energy Julia expresses
day after day is staggering- and this without even a cup of
coffee in the morning.
 When Julia first came to Denver we immediately began
to witness the most incredible displays of paranormal
events between the two of us, such as a decorative broom
that has continued to fly off our living room wall at least a
couple of times each year- often with at least one of us in
the room when it occurs. She relates some of these events
in her book that follows, and I illustrate retelling of other
similar events in my own book, The Book Of Wands.
Perhaps we can attribute this to the fact that we both
consciously engage in tickling our collective amygdalae
utilizing the very same procedures and lessons that are
illustrated in the companion volume to this book, Brain
Magic. Apparently two of us doing this in the same
household must cube our efforts resulting in these
astonishing routine experiences of normal-paranormal
events.
But what has occurred to me in recent days, and
perhaps most importantly, is that our household has a
balance of brain processes and energy. Where I have a
tendency to be occupied by linear left brain thinking and
processes such as writing and logical problem solving, Julia
lives primarily in the right side of her brain. Her activities
are oriented towards the non-verbal and spatial. And that is
why so much magic and normal-paranormal stuff occurs so
regularly around here. We are covering all the bases.

Drawing and painting, regardless of your experience,

and making an attempt to understand the visual side of our
world is a key that can unlock the unspoken mysteries of the
You-niverse. It is a method by which you can consciously
open up your brain to the infinite. If you have not recently
picked up a paintbrush or a pencil, what are you waiting for?
These tools are one of the most direct ways that you can
turn on your incredible Brain Radar and tap into the
subconscious, the unconscious, and increase your sensitivity
to all of the remarkable powers of what might be considered
“normal” perception and resultant creativity as well as the
more mysterious and incredible paranormal cornucopia that
you have at your disposal. As Julia points out, you don’t
need training or even experience. You just have to play.

As I’ve repeatedly pointed out in my other books, more

often than not, accessing other dimensions is done through
seemingly innocent and “ordinary” means. When you learn
to see, hear, touch “ordinary” life with greater sensitivity-
you then become sensitive to things others are completely
un-aware of, and you go far beyond the ordinary.
This is the most important lesson that I have ever
learned about the paranormal.

In my own explorations into accessing multi-dimensional

realities through the brain, what I keep coming back to is
the understanding that it is through a greater sensitivity to
the dimension that we inhabit here and now that we gain
the key to new realities. By paying clearer attention to the
reality we step into when we put our feet on the floor at the
foot of our bed each morning, we then gain a passkey to all
other realities.
I’ll never forget one particular evening in bed with Julia
with the lights out. We were both looking up at the ceiling
when Julia began to describe in great detail objects that she
perceived not six-feet away from our pillows. She told of the
size, shape, and color of a garden of objects floating and
hanging above our heads. One time the ceiling was covered
with amoeba-ish squashes and cucumbers. Another time,
layers of human faces. She pointed and was flabbergasted
that I could not see them as readily as herself. Yet, she was
looking and seeing these things effortlessly, and describing
them as I might myself watching an animated film on a TV.
For her, such visions are fairly routine and normal. And
so it must be recognized, when we access another reality, it
then becomes the norm. So, pay attention to what is in front
of your nose- you may have already crossed the threshold
without realizing it. Or you may just have to adjust your
antenna to do so.

I knew early on that I could learn as much about tapping

into the infinite power of the human brain from Julia as I
could hope to teach her. It is in this realization that I asked
Julia to write down her own experiences and lessons as it
relates to her own work as an artist, and to include it and
share with my own readers who are interested in tapping
into the limitless capabilities of the human brain. We
originally released this book a year ago as 100 Reasons To
Paint, but it has evolved far beyond this, seen in Julia’s own
leap in creativity. This edition has nearly one-hundred new
paintings in it, and the companion video documents her
astonishing ninety-five yard long landscape which is an
accomplishment without parallel.
So, bear this in mind: Although painting is Julia’s
language, and although the book that follows may not
directly always concern itself with brain self-control and
tickling the amygdala, it still has everything to do with
exactly that. Each subject considered in each short essay
may very well be something that you should consider in
your own quest, whatever that may be, whether you take a
brush in hand or not.
I know that anyone who is interested in the power of the
human brain, creativity, and more will derive both pleasure
and meaningful insight from the wonderful stories and
lessons that Julia Lu has to tell, whether it is in her writing or
in the beautiful way that she expresses herself in color and
form beyond the printed word.

-Neil Slade
November, 2012
Next, Blue Vase, ink and watercolor on rice paper, 8” X 10”
 Introduction

Years ago, as a first year student in graduate school, I

joined a small discussion group, Logic Group, led by a good
friend who was working on his Ph.D. dissertation in
philosophy of mind at that time. We gathered every week to
report the books we read in that week and discuss the
questions puzzled philosophers in history or modern time.
One issue particular interested all of us is the hypothesis
of parallel universes. We debated for hours and days on the
possibility of the existence of multiple universes, how many,
and in which way they may exist. Sometimes those debates
in the group leader’s living room lasted from afternoon to
midnight or early morning until all participants passed out
on the couch or floor.
Since then, I have always been fascinated by the
parallel universe theory but never imagined that one day I
would be jumping into a parallel universe or another
dimension spontaneously. I did, and my experience has
changed my life forever.

As a child, I lived in three parallel worlds: Grandma’s

world of angels, fairies, mermaids and ghosts; my own world
of class, homework and play; and my mother’s world (she, a
doctor), of skeletons, bones, rats and human parts.
These three worlds co-existed harmonically, yet
independently. Up into the sky or down into the ocean it was
Grandma’s world. School and play ground covered my
world. Mom’s office, classroom and lab was her world of
medicine and surgery.
Of course I did not have the concept of parallel
universes then nor questioned the possibility of such
universes or asked how many there were. I was happily lived
in the only worlds I knew.

When I read mythology, dreamed during the day or

night, listened to grandma’s stories, looked at the sun, the
moon or stars, or watched the waves in the ocean, I was in
Grandma’s world. Every full moon reminded me of the story
of Chang’e, a beautiful Chinese woman who accidentally
took her husband’s elixir pill and floated into the moon. She
has been dancing on the moon ever since in the company of
her lovely pet Jade Rabbit, and Wu Gang, a woodcutter who
tries to cut down the Cassia tree but the tree keeps healing
itself and remains alive.
My hometown is a seaside city. My parents’ house was
only twenty-five minutes to the beach, where we spent our
summer vacations. Every time swimming in the sea, I was
hoping to meet a pretty mermaid or an evil witch, which
were told in many of Grandma’s stories.
One day, Grandma left my world. It was a winter
morning. Grandma sat on bed in her favorite yoga posture,
and passed away while she was meditating. Grandma was a
devoted Christian and also believed in fate and karma. She
always tried to help others and never let any one who came
to our door to leave empty handed. She told us that it would
take a life time of good intention, compassion and
generosity to achieve a peaceful death. The way she died
seems to confirm her belief. Grandma left, but the world she
introduced me into still surrounded me.
Grandma herself came into my dreams all of the time.
For months I saw her standing on the top of the clouds or
sitting in a carrage driven by two horses who ran across the
sky. Whenever Grandma appeared the sky was always full of
beautiful colors. I thought to myself, “Oh, that’s why people
look up to the sky when they pray…”
 I spent hours in my mom’s classroom watching her
deliver lectures. I watched her in her laboratory manipulate
skeletons. When I got together with my own friends, I liked
to play doctor in the playground and did not hesitate to tell
my friends that they had come down with all kinds of
terrible diseases. Mom’s world was so different from
Grandma’s or my own. I did not question the legitimacy of
any of these separate worlds because to me they were all
true.

Growing up, my world of class, sports, friends and boys

gradually expanded and both mom’s world and Grandma’s
world retreated. By the time I came to the United States to
attend graduate school, the only world I lived in was my
own world on campus as a foreign student. I strived to excel
in a Ph.D program in The History and Philosophy of Science.
True, every scientist we had studied had lived in his own
spiritual world and religious beliefs. However, the lectures
and reading were primarily focused on their scientific
hypotheses or theories and their scientific methods.
Generally my studies nearly totally ignored other aspects of
these scientist’s life.
Years later as I moved from working for a corporation
and then on to attending law school and practicing law, my
world became more and more secular and physical. Class,
research, court, cases, and clients absorbed most of my
time and energy.
Fortunately, my dream world remained alive. In
graduate school I discovered that even though I had studied
physics, mathematics, logic and philosophy, my thinking
was dominated by my right brain. It finally dawned on me
that art would be my natural field of study. I decided to give
the right side of my brain a chance to see how much it could
do. I took a correspondence course in fine art and picked up
a paint brush.
 Painting changed my vision. Not only did it make me to
see the world more clearly through beautiful colors and
intriguing shapes and textures, but it also brought my vivid
dreams back.
One of these dreams opened an entirely new world to
me, changing my life forever.

One day after completing a painting, I took a nap

around twelve o’clock in the afternoon. Suddenly, I found
myself in my hometown in China. I was at the railroad
station square, a place that can hold twenty-thousand
people. To my surprise there were hardly any people on the
street at all. I looked at the huge clock on the top of railroad
station building and saw that it read exactly 2 o’clock. I
thought, “Oh, it must be 2:00 A.M.” Correspondingly, it was
noon in America where I was sleeping.
I looked around and everything seemed the way I
remembered it except that there were two tall buildings that
I had never seen before. These buildings were about twenty
stories tall and totally in the dark, none of the building’s
lights were on inside or outside. There were some stick-like
objects on the top of one building, but there was no light at
all. Somehow I did not look at the buildings from the ground.
It seemed that my perspective was from the top of a tree. It
was weird. “I must be dreaming,” I thought.
Then I remembered that my grandma used to tell us
that if you don’t know if you are dreaming or not, you may
bite your fingers to figure it out. “If you feel the pain, then
you’re awake,” she said. “If you can’t feel anything, then
you know you’re dreaming.”
So I thought to myself, “I need to bite my finger.”
But to my utter astonishment, I couldn’t find my fingers.
Not only could I not find any finger to bite, but I couldn’t
find any part of my body at all. I had no body.
Regardless, I felt like I was standing upright because I
saw things the same way I normally did except that I was
much taller. My eyes seemed fine because I could see, but I
could not touch them to confirm their existence. I felt naked
and cold without my body. But this didn’t make much sense
either.
Terrified, I wanted to go back to my home in America.
As soon as I thought about going back, I felt as though I
was on the top of a cloud flying in the sky. The flight was so
fast that the ocean passed completely below me in a mere
moment. But the strangest thing about my journey across
this extraordinary vast distance was that it occurred with no
sound at all. My extraordinary flight half-way across the
globe transpired in complete silence.
Before I even asked why, I was already waking up in my
bed. It was 12:45 PM. My nap had lasted forty-five minutes.
Even though it is impossible for me to have been in
China, I knew I had been there. I saw what I saw and felt the
way that I felt. I called my sister long distance to ask her
about the two buildings that I saw while I was on the top of
the tree. She wondered how I could have known about these
new buildings which were built in my absence.
Because I did not want to scare her, I told her that I had
read about them somewhere. She said that they were built
as hotels. But since there were not enough guests and the
operation fee would be much higher than the rental
revenue, the buildings were abandoned soon after the
construction was completed.
My sister’s words sent a big wave of shock through my
body. Thousands of ideas ran through my mind in a second.
I was puzzled and confused about the event and could not
comprehend what it meant. Yet I was excited and hopeful
because I recognized intuitively the wonderful possibilities
of this wholly unconventional mode of travel.

That day was a turning point in my life. This single

unexpected experience began to shake the foundation of
my concept of mind and body and changed my view on
brain and consciousness. I knew my body did not leave my
bed, but I also knew that I had indeed been there on the
railroad station in my hometown twelve-thousand miles
away.
My body and my mind- or my brain and my
consciousness- were separated during that short period.
How? I could not figure this out. I did not experience a
vibration as some people described when they had an out-
of-body experience nor did I remember ever passing
through my window on the way out or the way in. I did not
float up to the ceiling or see my body on the bed. It could
not be a near death experience because I was very alive
that day. I did not see white light or pass through any dark
tunnels. I did remember flying, but it was on the top of the
clouds and in the open sky. It was not remote viewing
because I did not intend to view nor had I set my mind on
any target.
I later occurred to me that perhaps it was my efforts
painting earlier that day opened up a doorway to an
altogether impossible experience and alternative mode of
perception. Perhaps as Neil described, my brush became my
key, my Wand. Perhaps this is what Neil had written about
and would call “Traveling with an Unusual Tool”.
So far, I haven’t heard any story exactly like mine nor
feel comfortable with any hypothesis. It is still a mystery to
me, but I am glad that I have had that experience. It
convinced me that anything is possible.

One dream changed everything. I felt as though I had

entered a different world in which nothing is it seems to be.
Within a few days, from that point forward, I noticed that my
perception was much clearer and that my vision was much
better. I don’t mean this in the the eye-chart way, but in a
more global sense. Now, when I closed my eyes I can see
vivid picture of flowers, beautiful landscapes, rivers and
oceans, ships and boats, animals and people- just as if I see
them on a TV screen inside my forehead. I feel compelled to
paint the images in my mind. Since then, painting has
become an inseparable part of my life.

Painting has changed my life. The distinction between

day and night, between weekday and weekend is blurred.
Time has become the interval between two paintings. The
first motion that starts my day is to grab my palette knife.
The last action I take before going to bed is to sign my name
on the last painting made on that day.
I paint while watching movies, listening to music,
walking or dancing, with my hands, my head, and with my
soul. There are no boring days or sad days anymore, since
most days are full of colorful joy and indescribable fun.
For me, painting has become life itself. Each time I hold
my favorite palette knife or brush I feel most alive. Beautiful
images and inspiring ideas pass through my mind, strong
emotions run through my body, and enormous energy
enters me from the water, the land, and the sky, shaking my
soul. I have no choice but to paint, to paint with bursting
energy, paint to express my emotions, paint to describe the
impressions I receive from this world.
Painting makes me crazily happy. I am grateful for the
gift given to me by God and my parents. I am grateful for
the enormous encouragement and support received from
my family and friends. I am content for being able to do
what I truly love: To create, to seek truth and beauty, and to
share with others.

I write this book from the perspective of a painter. But

what I am really talking about is creativity of any kind-
music, writing, building, teaching, cooking, or whatever it is
that engages your imagination and creative expression.
A few months ago, I cut my right hand badly and I could
not hold my painting tools for a whole week. It felt like an
eternity. Fortunately my fingers could still move. I decided to
use the non-painting period to write down my thoughts on
painting and why I paint, hoping to share with you the
enjoyment of the ultimate fun of creation, which is far
beyond whatever chocolate, ice cream, alcohol or drug can
give you.
In that spirit, I wish you the very best as you explore
your own creativity beyond convention, and into dimensions
that know no bounds.

Next, Crossing Infinity Bridge, oil on canvas, 18” X 24”

1.
Express Emotions and
Desires

Albert Einstein said, “True art is characterized by an

irresistible urge in the creative artist.” Not everyone is born
a great artist and few want to die painting as Paul Cezanne
did. But we are all born with an irresistible urge to express
ourselves through creative activities. We need to express
feelings, emotions, and desires. Only when we act on that
urge can we be at peace with ourselves. Painting is one of
simplest creative actions we can take and one of the most
rewarding.
Unlike acting in a film or TV movie, painting does not
need a screenwriter, a director, co-stars, editors or
producers. The painter is the all-in-one screenwriter,
director, actor, editor and producer of the project.
Unlike performing music or dancing, painting does not
need a theater, a music hall, a coffee shop, a bar, or even
an audience. You can paint at any place, on your study desk,
dinner table, or even on your lap.
With a few simple things- a brush or knife, a sheet of
paper, a small canvas or a piece of glass and a few colors of
paint, you can express all your subtle or not so subtle
emotions and feelings- love, joy, happiness, sorrow, or
anger.

No matter which subject you choose, you are painting

your sensations provoked by the subject. Unlike a photo of
roses which may accurately record the appearance of roses,
your paintings of roses can express your perception of the
shape and color of the roses, your impression of the
elegance and grace of the roses, and your appreciation of
the natural beauty of the flowers. Your paintings not only tell
the viewers about roses but more importantly, about you,
your feeling, your passion, your taste and your style.
What motivates you to pick up a brush or any other
painting tool is your burning desire to say something about
a subject, to express your emotions and feelings. It is your
inner sensation, the feeling of “Oh my god, I love these
flowers!” or ‘This beach makes me so happy!” that inspires
you to paint. You want to share with your friends, your
family, and the whole world what you see and how you feel.

Living in this world, in a veritable emotional banquet

under the sky and over the earth that embraces you from
the moment you wake up until you collapse into bed at
night, how could you not want to paint to express your
emotions?

Next, Contemplative Moment, oil on acetate, 8.5” X 11”

2.
Honor Inherited Talent

We were all born with artistic talent. The artistic talent is

not learned from a teacher, a mentor, or your parents, nor is
gained from years of formal training in art school. It is in our
blood. It is in each of us now just as it was in the veins of
that French caveman rubbing coal on the rock walls of his
Lascaux living room.
No matter what your religious inclination or philosophic
tendency is, you have no excuse to avoid painting, at least
no excuses that I have discovered yet.

If you believe humans were created by a compassionate

and loving supreme being, I cannot see any reason why
such a master of the universe would favor Van Gogh, Monet,
or Picasso over the rest of us. Those famous artists may
have made more masterpieces in the end, but I’ve never
heard of anyone being scolded by a heavenly voice for
scribbling on a canvas or on a watercolor pad. We all have
the God given talent, why not use it? Why not honor our
creator by exhibiting the great talent he gave us? Last time I
checked, “Thou Shall Not Paint” was not included in the Ten
Commandments nor in the Old or New Testament, The
Koran, The Bhagavad-Gita, or the Buddha-Dharma.
If you believe in Buddhism, logic holds that after so
many times of reincarnation our souls should be much
closer to perfection than the people who lived 17,000 years
ago. If as ancient men or women in past lives we knew how
to paint in dark caves lit only by smoldering bison bones,
why not in this life as modern men and women under the
glow of compact florescent illumination?
 If you are a Darwinist, you will recognize that artistic
talent is a result of millions of years of brain evolution. Since
the cave men could paint, and there are plenty of stone-age
paintings left, we probably cannot leave much worse
illustrations for posterity than our stone-age ancestors even
if modern man seems to use his frontal lobes to a lesser
degree than his foraging ancestors did.
And there is plenty of news worthy evidence that some
of our fuzzy mammalian cousins, such as elephants and
donkeys, can express themselves with a painting brush held
by a curling trunk or with their own tail. We, at the higher
end of the evolution chain, definitely should be able to do at
least what they can, at least in conjunction with an easel.
If you are a cat lover you may have read that hilarious
book, Why Cats Paint: The Ethics of Feline Aesthetics.
Perhaps you have already set up a canvas for your cat to
express her passion for art. Although I tend to believe that
cats are in many ways superior to Homo sapiens, I do
believe that our opposable thumb provides ample
opportunity for us hairless apes to paint at least on par with
our feline friends.
For those of us who believe that humans are actually on
the lower end of the evolutionary and moral ladder than
non-war making mammals, we should paint to speed up the
process of intellectual and social evolution. We should paint
to continue the journey of creation of beauty started by
cave men and women and their many close and remote
cousins in Darwin’s evolutionary chain.
Make Louver, not war.

There are endless sources of our talent, depending on

what you believe. One thing is certain, however: Our talent
is the gift we have had since the day we popped up on this
planet. We have no reason not to honor it by using it to its
full extent.
 If you are still not convinced or you hear a voice within
you saying, “You cannot paint…” then you should definitely
follow Van Gogh’s advice: “By all means paint, and that
voice will be silenced.”

Next, Following, oil on canvas, 16” X 20”

3.
Follow Your Passion

Aristotle said, “All human actions have one or more of

these seven causes: Chance, nature, compulsions, habit,
reason, passion, and desire.”
Passion is a major cause of successful focused human
actions, especially creative actions. Without passion there
would be no creative energy, no creative activities, and
therefore no art, at least no art worth looking at. Without
passion all art would be as dull as a cookie without sugar or
as tepid as a cup of lukewarm coffee.
According to Rollo May, an American existential
psychologist, creativity is a passion to live beyond one’s
death. More than anything else, painting is a painter acting
out her or his passion for life, love and creativity. Passion
inspires and motivates painters. Passion creates
masterpieces in art and makes a painting alive and
magnificent.
One evening I watched a film, The Power of Art, with my
husband. He was moved to tears when Van Gogh’s
sunflowers were on the screen. I always loved Van Gogh’s
colorful paintings, but until then I did not realize what made
Van Gogh one of the greatest painters of all time. More than
his genius observations, his brilliant technique, or anything
else, it was his passion for truth, beauty and life that made
his art immortal.

I always knew that I love sleep and chocolate, but only

when painting made me forget about both, I recognized my
passion for art.
Next, Painting With Masters, oil on canvas, 24” X 36”
4.
Discover Your Talent

True, we were born with artistic talent. However, until

we pick up a brush, a knife, or any other painting tool and
begin to paint, we may never know that we have a talent.
You may think that you cannot paint. That thought would
make you hesitate to get started in creating any form of art
and would prevent you from ever discovering your hidden
talent.
Grandma Moses began painting in her seventies. After a
collector discovered her paintings in a drugstore window,
her work was exhibited in U.S., Europe, and Japan. People
loved her and valued her paintings. New York Governor
Nelson Rockefeller proclaimed her birthday "Grandma Moses
Day" in 1960. Her painting Sugaring Off (1943) was sold for
$1.2 million in 2006.
You may also know the story of “Grandma Van Gogh,” a
75 year-old illiterate Chinese woman who became famous
for her naive yet creative crayon paintings. She was from a
small village in central China, had never been in school, had
no training in painting whatsoever, and did not even know
who Van Gogh was. One day in 2003 she picked up her
granddaughter’s crayons and sketched a village to show her
granddaughter what a particular kind of tree looked like.
Since that day, she became more and more interested in
painting with crayons. She has produced over 100 crayon
paintings in recent years and held an exhibition of her own
works in Hong Kong and other places.
By picking up crayons this grandmother found her
hidden talent in art. She did not learn painting from her
grandchildren or anyone else. She knew how to paint before
she knew that she could paint. She had a talent since she
was born, but the talent was hidden until she discovered it
by accidentally picking up crayons to make a sketch.

You have the talent, too. Why not discover it now? Why
wait another decade, another year, another month, another
day or even another hour?
You may say that those grandma painters are
exceptions and not the norm. How could you know? Most
people have tried little during their life time, some not at all.
Most people have not given themselves the chance to find
out what form their artistic talent takes.
I know you’ve got it in you.

Next, White, Blue, and Green, oil on canvas, 9” X 12”

and
Two Boats, oil on glass, 16” X 18”
 5.
Paint To Declare Freedom!

Perhaps the strongest desire of humans have is

freedom. You may not always feel that you have had the
freedom to do what you want or to express your idea and
opinion freely in real life. But when you pick up a brush, a
knife or any other painting tool, you are entering a true, free
world. There are no authorities, no restrictions, and no rules.
You have the ultimate authority to make all the plans and
decisions on that piece of paper or that canvas.
Painting will set you free!
You decide what to paint. If you decide to paint a plant
which grows red leaves and green flowers, who can force
you to do otherwise? If you want to paint a river that is taller
than a mountain, who can insist that such an image is
impossible? If you decide to paint a pig having three heads,
who can tell you that you can not do that?
You decide what painting tool to use. If you decide to
use a spoon to paint, who can tell you spoon is for dinner
only? If you decide to use an electric toothbrush to paint,
who can tell you not to? Your dentist?
You decide which surface to paint. If you decide to paint
on a mirror, the mirror will be your canvas. If you decide to
paint on your bathroom wall, the wall becomes your big
canvas.
You decide how to paint. In thin wash or thick impasto,
smooth or heavily textured, pastel or brilliant, it’s all up to
you.
You don’t have to follow any rules. You can do whatever
you want with your painting tool, your paints, and your
canvas. You have total freedom.
 You may not aware of a little known document
discovered in 1957 in a chest found outside Thomas
Jefferson’s Monticello root cellar, next to the hose faucet. It
begins this way:
“We hold these truths to be self-evident, that all people
are created equal, that they are endowed by their Creator
with certain unalienable rights, that among these are Life,
Liberty, and the Pursuit of Gouache...”

Next, Two Cranes, oil on acetate, 8.5” X 11”

6.
Have Fun

Is there anything more enjoyable and fun than painting?

Not in my universe.
Pick up your brush, knife or whatever you choose to be
your painting tool, and start to paint. Who cares if your
hands get dirty? Who cares if you accidentally paint on your
clothes? Who cares if you mix the wrong color? Enjoy the
moment, enjoy the process of painting!

When we were kids we played all the time. After growing

up, playing has been replaced by studying, working, and all
kinds of duties and obligations. We miss the fun of play. If
you pick up a brush to paint, you would find yourself going
back to your childhood and enjoying that pure clean fun
again!
Yes, painting is playing. You are that child again, without
worry, without obligation, without objectives. You are having
a pure fun. Messing with paints, getting your hands dirty,
ruining you pretty sweater- who cares?
Well, perhaps should not wear your favorite sweater.
You are living in the moment, the moment of creating
and expressing, the moment of Traveling to Another
Dimension. Your brush or knife becomes a magic wand that
carries you to where you want to be.
If you start to paint you may soon find out that painting
is even more fun than eating chocolate or ice cream,
watching movie, playing tennis, going shopping, or having a
party.
It is above all the above.
Have Fun!
Next, Pigs Swimming, oil on acetate, 8.5” X 11”
7.
Light Up Your Brain

Fifty years ago in his Colorado wilderness brain research

laboratory, brain researcher T.D.A. Lingo first called our
attention to those two little magic click switches in the
middle of each and every human brain: The amygdala.
Other scientists have at last begun to catch on and
catch up with Lingo. In the past decade scientific research
regarding the amygdala has skyrocketed.
The amygdala is something like a master switch that
controls the brain’s most important activities at any
moment, from basic fight or flight survival to advanced
creativity. The amygdala is connected with all parts of the
human brain. Importantly, the amygdala has a main
highway straight to the prefrontal cortex, the area involved
with our highest intellectual potential.
Ways to stimulate your amygdala into advanced mode
includes smelling something pleasant, listening your
favorite music, and seeing, recalling, or painting a beautiful
scene.
In a Lingonian sense, to paint is to tickle your amygdala
and make it click forward so that your brain will
automatically be set in frontal lobes mode, in which the
brain works with its highly intelligent parts.
Painting is a true expression of how you are using your
creative thoughts and action to light up your brain.

Next, The Path Up To The Brain Lab, oil on canvas, 12” X 16”
8.
Wake Up Dormant Brain
Cells

The potential of the human brain is infinite. We do not

know and may never know how much the human brain is
capable of.
We study Einstein’s Theory. We listen to Bach. We
appreciate Van Gogh. We go to school or go to work every
day. We communicate with our family, friends and strangers.
We cook, clean house, go shopping, and decorate our
house. We manage complicated relationships. We play
tennis, go to gym, visit a museum or an art gallery, and we
go to theater. Doing all of these we don’t even use ten
percent of our total brain potential. How could we when the
potential of our brain is unlimited? What is any percentage
of infinity? An infinitely small portion!
What a magic brain we have!

Can you imagine how much we could achieve if we

began to use even another smidgen of our brain potential?
We would all be geniuses. We would be Einstein, creating an
entirely new concept of time and space, founding a new
physics, and playing violin beautifully. Or da Vinci,
experimenting, inventing, writing, sculpturing, and painting.
Or Benjamin Franklin, conducting physical tests, carrying out
diplomatic duty, drafting declaration of independence,
writing books on various subjects, and making art.

Unfortunately we let connections in our brain decay

from lack of use. We have rooms in our cranium that go
unrented. We can not achieve our true potential unless we
wake up our sleepy dormant brain potential.
How do we do this?
Well, in my view, neurons just sit there stagnant
because they are bored. Our daily routine activities do not
involve that many brain cells. The connected functional
structures of our brain have left big portions of our brain out
of the picture, twiddling its axon and dendrite thumbs. It is
not too much fun to watch other brain cells firing.
Is your brain just a sitting room occupied by a cranial
couch potato? Your dormant brain cells need to be involved
in creative activities, including making paintings. They need
to participate in the motion rather than standing by. They
need to be in the playing field rather than sitting on the
bench. They need to be making a film rather than watching
the finished movie.
What are you doing in your Brain Movie?
Are you just sitting there as an uninvolved spectator? Or
are you in the middle of the story as an excited and active
character?

Once you begin to paint you enlist a whole neural team

into action. You can’t lose because playing in the game is
winning the brain game, no matter what the score is.
By painting, by going into action, you bring color, light
and excitement directly into your brain, and you wake up
sleeping dormant brain cells. Surprise! You never know what
will happen next.
You have started Brain Magic.

Next, Axons and Dendrites, oil on canvas, 12” X 16”

 9.
Balance the Two Sides of Your Brain

In graduate school I became interested in brain function.

Even though I had studied physics, mathematics, logic and
philosophy, I discovered to my surprise that my thinking is
dominated by my right brain. Therefore, art would be my
natural field of study.
I decided to give my right brain a chance to show how
much it could do. I took a correspondence course in fine art
and picked up my painting brush. For years I only painted in
weekends or evenings while attending school or working.
I got a job after graduate school but I became bored
quickly. Then I decided to go to law school after reading
some articles talking about how much law studies would
challenge one’s brain.
Although I love learning, I was never crazy about going
to classes. I had trouble concentrating for more than fifteen
minutes. In law classes I began to draw pictures of the
professors who were giving the lectures and I drew the
students who sat in front of me. This was the most
enjoyable part of school for me, and it was so much fun. It
made boring lectures less unbearable. Drawing and painting
helped me to go through law school without too much pain.
Whew.
The more I painted the easier the law study became. It
seems that the right side and left side of my brain worked
together and created a harmony that allowed me to
understand and remember rules and codes without much
effort. I joked with my friends that I had discovered the most
efficient method for studying any subject with minimum
effort to achieve maximum result. My method served me
well. In the last semester I even managed to get the best
grade in one difficult class and got an award for it.

The day before the bar examination, when everyone

else studied hard, I was painting a series of canvases titled
“Law School Fashion”. This totally relaxed me and prepared
me for the test.
Painting helped me pass the bar easily.
I am sure it will help you, no matter what you seek to
achieve.

Next, Once Upon A Times Square, oil on canvas, 20” X 24”

and
Peaceful Woods, oil on canvas, 12” X 16”
10.
Nurture Your Creativity

Creativity is the greatest expression of our free will, a

most precious gift of all. Creativity, a natural extension of
human passion, gives color, value, and focal point to our life
on earth.
True, you began this life as a creative being. As a baby
you created laughter and wonder. As a child you dabbled,
making mud pies and messy finger paintings. As a teen you
made up wild dances and practical jokes on your friends.
Your creativity, however, will always need to be nurtured
and protected as you get older. Your creativity can be
repressed and even destroyed.

If you have ever lived under a repressing political

regime you would know that even a simple true statement
or creative thought can send you to jail. When creative
ideas are criminalized under a political system it is
impossible to express them via art. When artists are treated
as propaganda tools, artists lose their God given license to
create.
Even if you live in a free society you may still not be
able to express your creativity all the time. Your job may
require you to follow orders. Your teachers, parents, spouse
or even your friends may not be so crazy about your
creative thinking.
Painting offers you a space where your creativity can
freely express itself. When you paint, you tell your knife or
brush where to go and what to do, you choose what to
paint, when to paint and how to paint. You do not have to
follow anyone else’s order or care about anyone else’s
opinion.
 Creativity is like a wonderful flower which is in your
custody and needs your care and love. You must water your
creative plant regularly, so that it blooms and gives you its
beautiful colors and heavenly fragrance.

Next, Fish Conference On Creativity, oil on canvas, 12” X 16”

11.
Develop Your Talent

Like a living tree, your talent may grow into the sky or
may dry out and die. After you find out that you can paint,
you need to keep painting and experimenting to reach your
true potential and fully develop your talent. There are many
historic examples of artists who continued to explore
throughout their careers.
For example, as a child, Picasso showed extraordinary
artistic talent. He started with realistic drawing and painting
and excelled at this even while still a teenager. He soon
began to experiment with different theories, techniques,
and ideas. His style changed and he eventually co-founded
the revolutionary Cubist movement of art. Later, he moved
into sculpture and helped develop a wide variety of styles.
Without continuous exploring and experimenting, Picasso
may have simply ended as just another talented realist
painter and would not have become one of the greatest
artists we have known.
Another fine example of a lifetime of experimentation is
found in the artist Claude Monet. In secondary school,
Monet had become well known for his charcoal caricatures.
His greatest and most famous works, however, were created
in his later years. He had never stop painting and exploring
until his death at age of 86. His most famous Water Lily
paintings were mostly created in the last decade of his life.
Of course, there were many artists who did not have
long career. Vincent van Gogh only painted for 10 years. Yet,
it was perhaps the most progressive and productive decade
in the history of art. Many of his best known paintings were
completed only during the last two years of his life. Who
knows what he could have created if he lived longer.
Next, Poppy Talent Show, oil on canvas, 18” X 24”
12.
Have Better Vision

A few years ago when I visited my family and friends in

China I bought a medical book written by one of the best
known and most respected traditional Chinese doctors and
Tao masters, Zhong Li Ba Ren. This book is one of the few
books that I can read and enjoy over and over. It includes
many simple holistic exercises which I practice regularly.
One of the exercises the author recommended is the
movement of the eyes: Smoothly turn your eyes around in
circular motion, first clockwise and then counter clockwise.
Some eye doctors in U.S. recommend a similar exercise for
patients.
This particular eye exercise is effective but inevitably
boring, just like many exercise routines. Well, you may
forget about these eye exercises all together. Just pick up
brush or knife and paint. You will exercise your eyes
naturally when you paint, no matter making your
masterpiece or just doing simple study.

When making plein air painting (painting outdoors) at a

scene, your eyes move between the distant objects and
your canvas. When painting flowers in your studio, your
eyes travel between your flowers and your canvas. The
movement of your eyes is natural, free and continuous. It is
much better exercise then any boring routine.
While having fun in creating your unique painting you
are exercising your eyes. One of unintended results of
painting is developing better vision, both figuratively and
literarily.
Next, The Artistic Insight of Erfie and Chloe, oil on canvas, 16” X 20”
13.
Exercise Your Neck

A few years ago I hurt my neck in a car accident and it

was awful. I could not turn my head freely and had to see a
physical therapist for several months. It was the first time I
realized how important the neck is. To comfort me, my
friends told me all sorts of stories about how much problems
they had with their neck. I learned from those stories that
some neck injuries have nothing to do with the result of an
accident, but can be the result of years of working at a desk
without adequate exercise and relaxation.
Knowing how inconvenient and painful it can be if my
neck gets hurt, I began to pay attention to neck care. Most
routine body exercises do not work for me as I find them
mechanical and boring. More importantly, these exercises
remind me that my neck was injured or I that I had a
problem, which would inevitably evoke negative emotions.
My sister, a medical doctor, taught me a simple neck
exercise method which she learned from a ninety-five- years
young lady who practiced Tao and enjoyed good mental and
physical health in her platinum years. The method is to
write Chinese Characters with your head, actual or to just
imagine that you are doing it. It is something I can do and
enjoy.
Using my head as a pen, my focus is on writing and can
forget about all the problems related to my neck. When
writing in this manner of head exercise, my head moves in
all directions naturally. It is much easier than following any
boring exercise routine.
Inspired by this simple, fun and effective method, I
added my own twist to it. I use my head as a brush to paint.
I move the head to paint the water, boats, trees, or flowers
in the air. With my head painting invention, I can design my
next painting without wasting canvas, and my neck and
head get the great exercise that they deserve. If you have a
problem with your neck, you may want to try it.
When painting with your head is not possible you may
imagine that you are doing so. Sport researchers already
told us the startling effect of our imagination: Only by
imaging that you are throwing a ball, the relevant muscles
get the amount of exercise equivalent to 56% of the
exercise that these muscles would get if you were to
actually physically throw the ball. By simply imagining head
painting and nothing more, you would sufficiently exercise
your neck without actually moving it.

I wonder if you could burn calories in the same way.

Next, Rooster Looking, oil on canvas, 12” X 16”

 14.
Enhance Your Brain’s Neuroplasticity

My mom, a surgeon, teacher, creative artist, and singer,

mastered everything she was interested in. She read in
seven languages, made accurate medical drawings, and
cooked dishes that one could only find in a four-star
restaurant. She designed sweaters which became the envy
of all my schoolmates and teachers. She was a true genius.
When I was a child I spent a lot of time in my mom’s
classroom in medical school. I noticed that her hands almost
never stopped moving. She drew various organs on the
blackboard or made gestures when she spoke to the class.
At home her hands were always busy too. Mom knitted all of
our sweaters and sometimes knitted for the neighbors’
children, too.
By working with both hands Mom was exercising her
brain.

Scientists have presented evidence based on functional

brain imaging to show that the neuroplasticity, the brain's
natural ability to form new connections, can be enhanced by
hand-eye coordinated exercises.
Some doctors have designed simple hand movements
to exercise the human brain. But there are more natural
hand movements which have already existed for thousands
of years. Knitting and painting are two of those exercises
that can produce beautiful art pieces you can wear and
enjoy, and exercise your brain at the same time.

You paint with your hands and your eyes. When you
make plein air painting outdoors, your eyes are on the
object you intend to paint and your hands are holding a
brush to paint your emotional reaction to the object.
Without adequate hand-eye coordination, painting a picture
which is similar to the scene you see is impossible.
Painting, in this sense, is a process of transforming a
blank canvas into a painted surface through continuous
hand-eye coordination.
If you try to paint with both of your hands the result on
your brain would be even better. When using one hand you
are stimulating the opposite side of the brain and activating
the blood flow on that side. Since most of the time you are
using your dominant hand, the opposite side of your brain
gets a lot more exercise than the other side. By using both
hands you are stimulating both sides of your brain and the
blood flow would be more active in your entire brain.
When you use both hands at the same time you are
asking them to communicate or coordinate with each other.
The coordination between two hands would stimulate the
communication between the two hemispheres of your brain.
I used to paint with my right hand only. I am trying to
use both hands now. It is awkward and uncomfortable, but it
is also challenging and exciting. Actually my left hand
paintings are more irregular, unexpected and interesting.
Perhaps you should try it sometime, and you may like it.

Next, Water Town, ink and oil on canvass, 14” X 18”

 15.
Exercise Your Brain
by Stimulating Nerve
Endings

Scientific studies have shown that engaging the fingers

can stimulate nerve endings directly connected to the brain
and increase the blood circulation in the brain. The nerve
endings on your fingertips correspond to more areas of the
brain than any other body area, except perhaps the tongue
and lips.
Well, you may eat or kiss to stimulate your brain, but if
you eat too much you may damage your brain and your
body and you could not kiss when you are alone. Exercising
your fingertips, on the other hand, can be done anytime,
anywhere. The finger exercises include eating with
chopsticks, knitting or crocheting with needles, sewing,
playing musical instruments, and painting.
The experiments conducted by National Institute of
Mental Health showed that finger exercises enhanced brain
capacity by increasing connections between neurons. This
forged new neural pathways and increased circulation to the
brain areas. More circulation to the brain means more
oxygen and nutrients for the brain cells and decreased
waste products that clog up the brain. There is little doubt
that finger exercises contribute significantly to brain
plasticity, the ability of the brain to renew itself.

Two years ago when our dog Erfie smartly tied his lease
around me and then began to run off, I fell down on the icy
sidewalk and broke one finger. This incident made me
realize how much I had depended on each and every one of
my ten fingers. When I crochet, all of my fingers are
involved. All of the fingers on my right hand holding the
crochet needle and all the fingers on my left hands form a
channel leading the yarn to the needle. Without the
participation of every one of them, it is difficult performing
the task.
When I paint, I need all my fingers too. All of the fingers
on my right hand work together holding the painting knife
and move on the canvas in every direction and at every
angle I can imagine. All of the fingers on my left hand work
together holding a paper towel or rag and clean the knife
when it gets muddy.

More than ever I treasure each and every one of my

fingers. They are not only the most efficient tools I can ever
have, but the most crucial parts of my body that directly
connect to my brain.

Next, Flowers In Water, oil on canvas, 14” X 18”

16.
Exercise Your Entire Body

Painting is a physical act. When you make a big

painting, you use not only your brain, your hands and
fingers, but also your entire body. Your arm keeps moving
around the canvas, your feet and legs change positions
almost every minute, your torso is in continuous motion,
and your waist twists now and then.
In a fitness sense, the process of painting is a great
natural work-out session. If you pay a little attention to how
you move while you are painting, you would notice that
there is correlation between the rhythm of your physical
movement and the rhythm and harmony of the color and
value in your painting.
One day I painted in front of a mirror. While focusing on
my canvas I was aware of the movement of my physical
body- the direction, the speed, the gesture, and the rhythm.
When I turned my favorite music on, the movement became
more interesting and graceful. True, painting can be a
messy and muddy process, but it can also be a graceful
dancing workout.

Other artists are aware of the effect of painting motion

on their body. Lou Shibai, a ninety-one year old Chinese
artist has written that the painting pose for Chinese ink
painting not only guarantees the work's quality but also
exercises the painter’s body. When making ink paintings the
painter’s body is straight, with the wrist and elbow
suspended and shoulders relaxed. The continuous
movement of the wrist and arm in different directions
creates an effect similar to that of shadowboxing.
 With this in mind, however, please do not punch holes
on your canvas.

Next, Downhill Skiing, oil on canvas, 12” X 16”

 17.
Increase the Flexibility of Your Body

Your flexibility is the ability of your joints to move freely

through a full and normal range of motion. Stretching is a
great way to increase flexibility and keep your body
protected from injury.
There are two basic types of stretching; Static stretching
and dynamic stretching. Static stretching is passive
stretching where a stretch is held in a specific location for a
certain time as you bend and holding the stretch. Dynamic
stretching consists of dynamic muscular movements, such
as a gradual bouncing bend to loosen your hamstrings. In
the gym you do static stretching after exercise when your
body is warm, and do dynamic stretching before exercise to
warm up your body.

Of course you don’t have to go to gym to stretch your

body, statically or dynamically. You can paint.
When you paint you not only move your body around
naturally, left, right, up and down, forward, backward, but
you also bend over, twist, or reach out a lot. When a knife
falls down on the floor you have to bend over to pick it up.
When a brush jumps behind the desk you have to crawl on
the floor and stretch your arm to get it. To adjust the
position of your easel you may need to bend your knees or
twist your arm. If the canvas is taller than you, you have to
stretch your body or stand on the tip of your toe to reach
the up edge of the canvas. All these movements are
dynamic stretching.
When you finish painting, your body is warmed up. This
is the best time to do static stretching. You may use your
easel or desk as a ballet bar for stretching. Sorry guys, you
might not be into ballet stretches. Perhaps you can place a
tube of paint on the floor in front of you, and reach for it,
pretending it’s a cold can of beer.

Next, Small Orange Seed Pods On Branches, oil on canvas, 18” X 24”
and
Roses and Water Lilies, oil on acetate, 8.5” X 11”
18.
Do Natural Strength
Training

I read an interesting story in a magazine a few years

ago. In the early ‘70s, three twenty-five year-old men who
were in good health participated in a strange experiment
conducted by a medical doctor researching on exercise and
health.
The doctor asked them to stay in bed for three weeks.
They could watch TV or read, but were not allowed to get up
or leave the bed for any reason. Meals were served by a
nurse. All other needs were taken care of by nurses. After
three weeks, the physical condition of three participants
were measured and the doctor found that their heart and
other major organs were aged similar to those of fifty-year
old men.
Thirty years later the doctor found these three men.
They gained weight and showed signs of aging in their body.
The doctor offered them a six-week strength training
program including a healthy diet to improve their health. Six
weeks later the doctor measured their physical condition
again and found that the condition of their heart and other
major organs are as young as those who were in their 30’s.

These extreme experiments demonstrated the

effectiveness of strength training in reversing the effect of
aging and improving physical health. Strength training, also
called resistance training, is the use of resistance to
muscular contraction to build the strength, aerobic
endurance, and size of skeletal muscles. The benefits of
strength training including increased bone, muscle, tendon
and ligament strength and toughness improved joint
function, reduced potential for injury, increased bone
density, and improved cardiac function.
Of course you may go to gym or attend fitness class to
have strength training. If you don’t like the gym or you’re
not crazy about going to class, then you can always paint
and have your own strength training naturally in your
studio…
When you lift a box of canvas and move it from your
basement to your studio upstairs, or when you carry your
easel from your car to your painting spot, you are having
strength training with gravity. When you push the paint
against the canvas with abrush, scrabbling or dabbing, you
are doing resistance exercise naturally. If that’s not enough,
you may consider to wear a pair of weights on your wrists or
ankles or both, before starting your next painting.
This may not be enough to qualify you for the Olympics,
but it definitely beats sitting on the couch and moving your
thumbs on your remote control.

Next, Strength, oil on canvas, 12” X 16”

19.
Choreograph Your Own
Dance Routine

If you pay close attention to your own movement you

will find its unique rhythm and pattern. You may record this
pattern and use it as basic movement to develop your own
fitness program or to choreograph your own dancing
routine. By incorporating your movement pattern with yoga,
Pilate, or ballet, you can create a unique painter’s dance to
characterize graceful motion and to address a painter’s
particular need for relaxation and gaining flexibility and
strength.
Of course you need select a perfect music for the dance
that compliments your own personality. I used my husband’s
original piano music for my movement.
When you master dancing, you may apply it to your
painting process. Your next painting will be done while you
are dancing with music. You may be surprised to discover
that your painter’s dance has made your painting full of
dynamic energy and more free and alive than ever.
You may want to keep your shades down if you are shy.

(Video here, start at minute 8:09)

Next, Dancing Bluebird, oil on canvas, 9” X 12”

20.
Meditate While You Paint

Meditation that used to be practiced only in the

Buddhist temple has become part of many people’s daily
life. Meditation is taught in school, gym, yoga class, and
even in a fitness workshop. It is practiced by millions of
people all over the world everyday. More than any form of
religious ritual, mediation benefits your mind and body.
Traditional meditation emphasizes mindfulness,
attentiveness to the movement of the body, and to the ever-
changing states of the mind. The central concept in
traditional meditation is detachment and concentration.
Detachment requires one to emotionally detach from the
physical surroundings. Concentration asks for focusing the
mind on a single point.
But, to meditate you don’t have to sit still thinking of
nothing. You can paint!
Painting allows you to concentrate on a single point; the
brush strokes on the canvas. You can forget about all the
trivial details of daily life. While you are painting you
temporarily detach from all the material objects surrounding
you. You are only concerned with the beautiful reality you
are creating. Therefore, painting can put you in a perfect
meditating state.

I used to spend hours meditating. Now I paint instead.

Painting helps me to enter into the state of trance quickly
and stay there as long as I want to. Painting connects me
with the universe and allows me to fly into another
dimension effortlessly and travel between worlds to enjoy
the amazing views in each existence.
 I travel with my Brush Wand to wherever I choose to go,
and it’s just like riding upon a magic broom.

Next, Sunset, oil on canvas, 12” X 16”

21.
Sleep Well
The Dalai Lama said, “Sleep is the best meditation.”
I love sleep. Sleep not only allows my body to rest and
properly regenerate itself, but also gives me one of the most
beautiful experiences in life; dreaming. It seems to me that
the priority in this life should be breathing, sleeping, eating,
and then everything else because you must survive before
you can do anything else. Sleep is the key to your survival
and well being.
If you have trouble sleeping you definitely should paint.
Perhaps you have trouble sleeping because you’re under lot
of stress from your work or from your family life, or because
you do not feel good about yourself, or because you have
headache, back pain or other bodily discomfort. Painting can
make you forget about all of the above and give you back
your positive attitude and peaceful mind.
Painting as a creative act will offer you psychological
satisfaction. As a constant physical movement it will give
you the perfect work out session you need. By the time you
go to bed, you are content and your body is tired. How could
you not sleep well after a good long session of painting?
When I paint the whole day I sleep like a cat at night.
When I wake up the next morning I not only have the energy
stored during my sound sleep, but also have the idea about
what to paint derived from the dream I experienced while
sleeping.

Next, Resting Boats, oil on mirror, 12” X 16”

22.
Be Healthy

Lao Tzu said, “Health is the greatest possession.

Contentment is the greatest treasure. Confidence is the
greatest friend.” His statement makes perfect sense to me.
Good health, mental and physical, is the foundation of
everything else in life. Without a healthy mind and body it
would be difficult to be content and confident.
According to Lao Tzu, the secret to health is not to
mourn for the past nor to worry about the future, but to live
the present moment wisely and earnestly.
When you paint you are at your present moment of
creation. No time to mourn for the last bad painting or worry
about when you can make a masterpiece in the future.
There is only you, your brush, and this canvas you are
painting on.
Painting passionately is the key to a painter’s health.

Next, Autumn Aspens, oil on canvas, 12” X 16”

23.
Lose Weight

Want to lose weigh or keep fit? Who does not? A simple

and fun way to achieve fitness is to pick up your brush and
paint.
When you paint, no matter how you use your fingers or
other tools, your hands inevitably get dirty. Getting hands
dirty is a good thing for losing weight because you cannot
grab junk food so easily. To wash hands thoroughly in the
middle of painting is not always practical, either. Besides,
there is so much stuff on your table. There is less room for
Twinkies.
Paints are everywhere, brushes and knifes are all
around. How can you eat while painting? Even if you don’t
care about germs, you still need to consider the possibility
of accidentally putting a brush in your soup or confusing
palette knife with butter knife. I did both several times. It
was awful. It totally ruined my appetite for days. Oil paints
may look great, but they taste horrible, worse than the
worst food you have ever tried.

If you are like me, sometimes having so much fun in

painting, you will totally forget about food. Among my
friends I am a well known chocoholic. If I indulge myself I
could finish two pounds of chocolate covered cherry or
chocolate with almond in a blink. But when I am enjoying
painting, one pound of chocolate may last a whole week!
Thank god I like painting so much.

According to weight control experts, a weight problem

may have deep roots in human emotions. I agree.
Sometimes I’ve opened the refrigerator looking for food not
because I was hungry, but because I was sad, mad or bored.
Some of my friends seem to act the same way.
Well, if that’s the case, painting is a perfect solution.
When you are sad you can paint blue to describe your blues.
When you are mad you can paint madder red to express
your anger. Then you will not be blue or mad anymore. It
will be on your canvas, and will make you happy to see how
you have transformed your negative emotions into a
creative expression.
When you are bored, painting will revitalize you and can
keep you occupied for hours with colorful joy.

Next, Poppies, oil on acetate, 8.5” X 11”

24.
Be Happy

A variety of philosophical, religious, psychological and

biological researchers have striven to define happiness and
identify its sources.
One popular model considers happiness as consisting of
positive emotions and positive activities. Another classifies
three kinds of happiness: Pleasure, engagement, and
meaning.
If you believe either model, you should paint.

If you believe that happiness consists of positive

emotions and positive activities, then you should paint to be
happy because painting can provoke positive emotions and
engage you into positive activities at the same time. When
you are painting a magnificent mountain, mystical lake,
flowing river, splendid sea, brilliant sunrise, or stunning
sunset, how can you not have joy, admiration, inspiring, and
other kinds of positive emotions? You are creating an
original, meaningful, and inspiring painting, which can be
shared with many others. How can anyone say you are not
participating in a positive activity? Is there anything in the
world that can be more positive than creation of beauty?
If you are convinced that there are three kinds of
happiness- pleasure, engagement, and meaning- then
painting can bring all three to you. To paint sea ships, river
boats, a spring garden, autumn trees, winter snow, or any
subject that you desire definitely would bring you pleasure.
Painting would engage your mind and almost all your body
parts in continuous motion. Painting allows expression of
your emotions and your perception of the meaning of life.
 Happiness is not something made for you by someone
else, but your contentment and satisfaction created by your
own action. You live at the present moment of creating
original art, how can you not be happy?

Next, Red Flowers In Clear Vase, acrylic on canvas, 16” X 20”

25.
Live Longer
It is well known fact that many Chinese painters and
calligraphy masters lived much longer than their
contemporary fellow Chinese. As late as the beginning of
20th century, the average life span in China was under 35
years. Many painters and calligraphers, however, lived past
70 years old. Among one-hundred famous painters and
calligraphers who lived from the years 1800 to 2000, at
least 20 lived more than eighty-five years, and the longest
lived one-hundred and nine years. Today, many painters and
calligraphers are still working and exhibiting their works
when they are more than one-hundred years old.
Painting keeps them physically fit and psychologically
balanced. Painting makes them happy and excited. Russian
physiologist Ivan Petrovich Pavlov once said that pleasure
can make every pulse and impression in your life much
easier to feel, which makes the body much stronger.
If you are happy and healthy, of course you will live
longer in this world. Grandma Moses lived one-hundred and
one years. Monet and Picasso also enjoyed their longevity.
Painting was their fountain of youth. It is reasonable to
assume that painting contributed to their longevity. To
complete as many paintings as those painters did, they got
to work out everyday in artistic expressive ways. Their
paintings were exhibited all around the world and they were
loved and admired by many. That would make them very
happy and satisfied. They were doing what they loved and
received awards for what they did. How could they not want
to live longer? How could they not live longer?
Van Gogh? Okay, no theory is perfect.
Next, West Path In Botanic Gardens, oil on canvas, 18” X 24”
26.
Appreciate Nature More

Until I began to paint I did not realize that no object is a

single solid color under any light. Color changes in so many
ways according to the quality of light. Shadow is not simply
dark. As Paul Cezanne observed, shadow is a color as light
is, and light and shadow is only the relationship of two
tones.

I always loved the sky and liked to figure out what color
the cloud was at any moment. Now, after painting for a few
years I see much more in the sky than I saw in all the
previous years combined. I see many subtle tones in the
seemingly white clouds, and in the stunning sunset, all its
infinite hues of glory.
I always loved the trees, but now I can see much more
shades of green in the summer trees and much more colors
in the autumn woods. I always loved flowers. Now more
then ever, I appreciate their lovely colors, delicate shapes
and stunning beauty.
Painting has opened my eyes and brain in a way that
nothing else has.

Summer used to be my only favorite season. I loved the

early sunrise and late sunset, the beach and boats, the
garden and flowers, and, of course, the heat. Now I favor all
seasons. I enjoy painting the spring garden, the summer
beach, the autumn woods and the winder snow. No matter
in which season, hot or cold, shiny or cloudy, raining or
snowing, every day is a beautiful day! No matter where I
am, in my studio or on the street, at the bottom of a canyon
or on the top of a mountain, on the beach or in the park, in
shopping mall or coffee shop, I see beautiful colors,
interesting textures, and wonderful shapes. I cannot wait to
grab my painting knife.
In spite of war, violence, injustice, pollution and all other
ugly things, this planet is still a beautiful place to live and to
paint. Perhaps all politicians, generals, and CEOs should
start their basic training in art class so that they can
appreciate the beauty of our planet and would work hard to
protect it rather than damage it or destroy it for profit or
power.

Next, Gardener At Botanic Gardens, oil on canvas, 18” X 24”

 27.
See the Beauty In Ordinary Things

Confucius believed that everything has beauty, but not

everyone sees it. Painting makes me see beauty in ordinary
things around me.
I see the magic sparkle on a simple wine glass, subtle
changes of colors on tiny petals of a wild flower, the curly
shape of a golden leaf on the ground, the shadow of pine
branches on the white curtain.
An artist should be the one who can see extraordinary
beauty in ordinary things. Like American poet James Lowell,
one day you may view each weed as a flower in disguise, or
like French writer Gerard De Nerval, begin to see each
flower as a soul blossoming.

Next, Yellow Pots, oil on canvas, 12” X 16”

and
Red Peonies, oil on canvas, 12” X 16”
28.
Appreciate Diversity

Painting helps me see each subject much more clearly

and appreciate its uniqueness.
In this world no two objects are exactly the same. Each
individual is unique. Each apple, each flower petal, each
leaf, branch, rock, tree, hill, river, lake, each mountain,
street, building, or alley has its own personality.
The world is infinitely diverse in any direction. The
variety of color, value, shape, and texture on canvas is the
reflection of the diversity in the real world.

Next, Sail Boats, ink and watercolor on rice paper, oil on canvas, 8” X 10”
 29.
Appreciate the Ever Changing Nature
of Objects and Events
Each object is changing with time in its own unique way.
Sunrise and sunset never cease to amaze me no matter how
many times I have seen them because no two sunrises or
sunsets are the same. Each morning, I see this sunrise,
which is a totally unique new thing to me. You cannot walk
into the same river twice. You cannot see the same sunrise
twice, either.
Each time you pick up your brush you are always facing
a unique subject. That’s why painting is so exciting. Monet’s
Cathédrale de Rouen series was painted from several angles
and at different times of the day. Each painting captured the
unique light, shade, and colors at a unique moment. Each
time Monet was facing the same building. But each was a
different painting subject: The unique combination of light,
color, and shape of the building at a specific time from a
specific perspective.
Last fall I painted an alley series. The subject was the
same alley near my house, which I’ve walked though almost
every day with my Neil, Erfie and Chloe. Each painting,
however, is different: Different light, different colors,
different angle and at a different time. It was fun. It made
me more aware of the basic fact that every moment is
unique. I have endless subjects to paint. I can stick around
in the ally for the rest of my life and still find a new way to
look at it every day.

Next, Fall Leaves On Brook, oil on canvas, 18” X 24”

30.
Appreciate Different
Perspectives
In art history many themes have been painted hundreds
or even thousands of times by different painters, at different
times and from different perspectives. Not many people
today still insist that he or she is the center of the universe
and that his or her perspective is the only perspective which
allows a person to see the truth.
As a human being all you can see is finite objects at
your time and from your perspective, which is definitely
neither the only nor the only legitimate perspective. Picasso
observed wisely that if there were only one truth, you
couldn't paint a hundred canvases on the same theme.
We all know the story about four blind people trying to
describe an elephant after touching the elephant. Since they
touched different parts of the elephant, each person had a
different description about the same elephant. In a similar
way when facing the same object, one-hundred painters
would make one-hundred different paintings. Each painter
has his or her own perspective.
Painting from different perspectives helped me to realize
the limits of my own perspective and appreciate the
existence of different perspectives.
(Perspective in painting here.)

Next, Landscape, acrylic on Plexiglass, 8” X 10”

31.
Tap Into Your Imagination

More than knowledge or skill, imagination makes

creating an original painting possible. Imagination allows us
to form mental images, sensations and concepts which are
not received through our five senses at that moment.
Without these images- sensations and concepts created in
our inner picture screen located inside our forehead- it is
impossible for us to create original images on the canvas.
Most of the time, I make representational paintings. To
represent is not to imitate but to recreate the object as I
image it. To represent is to grasp the essence of the object,
but not to copy all of its indiscriminate details. It doesn’t
make sense for me to copy anything exactly, because that’s
what a camera is for.

A good painting should be able to stimulate the

imagination of its viewer. A literal imitation of any object
leaves no room for the imagination. Only a painting which is
created via the painter’s imagination can inspire the viewer
to feel and imagine for himself.
Of course, one viewer’s imagination is different from
another and may be entirely different from the painter’s. So
what? That’s the beauty of human imagination. Only pre-
programmed robots may see exactly the same images when
they face the same painting.
Imagination allows you to see what your physical eyes
cannot see. Imagination allows you to be somewhere your
physical body cannot be. Imagination gives you wings which
helps you to fly as high as you want to. Without imagination,
there would be no true art.
 In your imagination you can travel anywhere
instantaneously. I grew up in a seaside city where my
parents’ house was twenty-five minutes from the beach. My
summer memories are all related to sea, sunset, boats and
beach. These are my favorite subjects of painting. Now,
while seeing snow from October to April in Denver, my
imagination carries me back to the sunny beach at home.
When walking on the street and seeing cars and trucks
passing through, I imagine they are sailing boats moving on
the waving sea.
Imagination is not only limited to seeing images in your
mind. You can also imagine sound, taste, smell, sensation or
feeling. When you imagine a rose, you can see its delicate
shape on your mental screen, smell its fragrance, sense its
beauty and feel its movement in the wind. When you
imagine a sunset beach, you can see many colors in the sky
and water, the fishing boats near the horizon, and the
children playing on the beach. You can hear the sound of the
wave, the wind and the children. You can smell the sea.
People’s imagination can be so different. Thousands of
years ago when a Chinese poet saw a round cake being cut
at reunion festival, he imagined that it was the moon going
through various phrases, from full to crest. He named the
cake “moon cake”. A few decades ago an American song
writer saw the moon, and he imagined that it was like a
piece of pie, and created that famous song which you can
still hear on the radio today. From cake to moon, from an
earthly object to a heavenly planet, the imagination is
poetic and abstract. From moon to a piece of pie, the
imagination is concrete and sensual.
Like anything else on earth, your imagination reflects
your spirit, taste and style and is one of the most divine
parts of your being.

Next, Giant Lily Pads On Reflecting Pond, oil on canvas, 18” X 24”
32.
Appreciate Simplicity

Einstein also made this observation, “Any intelligent fool

can make things bigger, more complex, and more violent. It
takes a touch of genius- and a lot of courage- to move in the
opposite direction.”
Painting makes me appreciate simplicity more. Getting a
canvas muddy and ending up with an over-worked dead
painting is all too easy. But creating a beautiful painting with
a minimum of brush strokes or knife marks that expresses
your idea effectively and efficiently is a challenge of a
different nature- easy, yet hard, but yet easy. It requires
imagination, experimentation and creativity.

I am a minimalist in every way. No matter what I do, I

am constantly trying to find the simplest way to do it. I
prefer palette knife mainly because it makes the painting
process much simpler as well as more environmentally
sound. No need for chemical cleaners and no need for
constantly changing brushes.
I used to paint on glass or mirrors. But it was difficult to
hold the glass and I cut my fingers many times trying to
frame the paintings. One day I found a photo of one of my
old window paintings. Pahhhhnnng! I had an instant
revelation and brain pop! Yes, there is a better and simpler
way. I can use glass or a mirror already framed and paint on
the glass or mirror without taking it out of the frame it came
in to begin with. In this way, I get a framed painting in one
step. What a genius idea!
Another benefit to paint on a pre-framed surface is that I
can make the color and shade of the painting match the
frame. It can save all the trouble in finding a suitable frame
and framing the painting, which can be time consuming. I
love to minimize the non-painting procedures or steps so
that I can put all my vital energy on the painting itself.
How can you simplify things for yourself without
sacrificing quality? How can you take the wasted energy of
over-complexity, and funnel it into pure creative joy?
When you figure that out for yourself, then you too can
write a book about it…

Next, Bouquet, acrylic on canvas, 16” X 20”

33.
Communicate With The
Universe

How do we communicate with the universe? According

to brain research, we get most of our information about our
surroundings through our eyes, visually. We perceive the
universe largely via photons. Light sends the information
from the universe to our eyes and brain, allowing us to see
the visible world
But real communication is a two way street. You must
say something as well. You can always send a message with
your painting brush or knife and respond to the universe
with colors because colors are light waves of different
wavelengths and frequencies. The unique color combination
you use on your canvas creates unique light waves. These
waves carry your emotions, thoughts, and vision expressed
in your painting. They are your code to talk to the universe
and all living beings in it.
There are seven colors seen in the light spectrum: Red,
orange, yellow, green, blue, indigo, and violet. Since the
retinas in our eyes only have three types of color receptors,
we can only detect three visible colors: Red, blue and green.
These three colors are mixed in our brain to create all of the
other colors we see. Since each of us has a unique brain, no
two of us see or feel colors exactly the same way. Your
unique vision is carried aloft through your expression with
color.
It is perhaps a good thing that easels and canvases are
not as common as cell phones. There would be far more car
accidents if people would drive and paint at the same time
as commonly as they talk and drive.
Next, Yellow Mountain, oil on canvas, 12” X 16”
34.
Understand the Color of
Emotions

A study on colors’ emotional aspect by a group of

psychologists showed that blue, blue-green, green, red-
purple, purple, and purple-blue are the most pleasant hues,
whereas yellow and green are the least pleasant. Another
study indicated that colors may have both positive and
negative impressions. Red can have active, strong,
passionate, and warm impression, but also can be
aggressive, bloody, raging and intense. Green can have the
impression of refreshment, quietness, naturalness, but can
also be associated with tiredness and guilt.
Painting makes one more aware of the effect of color on
emotions. I love red, orange, blue and green because these
colors remind me of sunrise and sunset, sea, river, lake,
grass and trees. These colors instantaneously wake up my
happy memories associated with beach, meadow and
woods.
When I am happy my paintings are full of cheerful colors
that invoke positive emotions. Most of my paintings are
made of true dynamic colors. My palette is simple and only
consists of a few colors- Ultramarine blue, Cadmium red,
Cadmium yellow, orange and white.
On day I had headache, which was very rare for me. I
thought that if I keep painting my headache would go away
faster. It did, but my painting looked so muddy and
depressing. The pretty colors were over-mixed on the
canvas and became brownish mud and dirty grays. Perhaps
these were the colors of my headache, and by painting, I
exorcised the headache colors from my brain.
 I learned a valuable lesson: Painting is like a mirror,
reflecting the painter’s state of mind and level of energy.
You cannot hide from your painting.

Next, Sunset On Li River, oil on canvas, 12” X 16”

35.
Take A Chance

A couple years ago a gallery owner in Kansas invited me

to participate in an art exhibit with two other local artists.
The gallery was in the same building as a wedding and wine
shop owned by the same lady who had heard about my
work from one of her customers. I hesitated. It was not a big
gallery and I could only put twenty-five paintings in the
exhibit. It was also a four-hour drive from my own home. It
was winter. I was a C minus driver.
My friend Ginger encouraged me to take the chance.
She said that it was not pure coincidence that a lady in
another state invited me out of the blue. So, I accepted the
invitation.
Because the gallery was associated with a wine shop, I
decided to paint a series of paintings of wine bottles and
glasses for the exhibition. I tried to do this on regular
canvases, but I didn’t get the results I wanted. I then tried
painting this subject matter on glass, and then on a mirror.
Voila! It worked! I discovered a new surface that is perfect
for painting wine glasses and bottles, and a technique that I
had never seen before. The series turned out very pretty,
and all of the pieces that I prepared for the exhibit were
sold.
I took a chance, and not only had a successful show, but
I discovered a new technique painting on reflective surfaces.
Perhaps I took a bigger gamble when I left law practice
and moved to Denver to become a full time painter. Giving
up security and a socially respected job for my passion is
beyond many people’s imagination. A friend and my former
boss kept reminding me: “Julia, starving artist is one word.”
Starving or not, I could not make another choice. Perhaps it
is my destiny.

By taking chances and going out of my comfort zone, I

ventured into a new frontier and found magic in art and in
my life.

Next, Green Wine Bottles, oil on mirror, 12” X 16”

36.
Trust Your Intuition
Painting makes me more aware of my intuition
regarding design, color, and value. I don’t have to check the
composition book or the rules on painting fundamentals
every time I paint. I have learned to trust my intuition. When
I feel right the painting turns out good. When I feel
something wrong, it turns out bad.
When my painting does not work it is often because I
am thinking too much or being too careful. Two years ago
when painting for a juried show, I wanted so much to make
a perfect painting. I worked for the perfect design and then
tried to paint exactly the way I had planned. After several
muddy canvases I gave up the effort. After I decided not to
participate in the show I painted the same design again and
got a much better painting without even trying.
Perhaps when I wanted a perfect painting so bad and
tried so hard I repressed my free spirit and restricted my
creative energy. The result was an overworked and muddy
canvas. When I did not focus on the result but rather lived at
the moment of free creating, my passion for the subject and
my spontaneous creative energy transformed the canvas
into a painting that I love, with effortless effort.

Next, Light Beyond, oil on canvas, 18” X 24”

37.
Experiment

After having painted with oil for a while I developed an

allergic reaction to the paint thinner and cleaner. I then
decided to experiment with acrylic paints. Compared with
oil, acrylic is more user-friendly. It allows me to use non-
toxic paints and to clean up with soap and water. It can be
applied to different surfaces, too. Perhaps the greatest
advantage of acrylic paints has is that it dries very fast. This
suits my style pretty well. I paint spontaneously and freely
and like to see my painting dry fast so I don’t have deal with
many wet paintings.
I bought the best acrylic paints I could find and bought it
in 16 oz. jars and began to experiment with different
methods. When I studied physics in college, I did not get
good grades in experiments because I did not like to follow
instructions and always tried to do things differently than
everyone else. Now I truly enjoy experimenting because I
can design my own experiments and try them in my own
way.
I tried to make my acrylic paintings look like oils. After
months of experimenting when I sent two paintings to a
gallery, the owner actually thought they were oil paintings. I
also tried to make my acrylic paintings look like watercolor
by thinning the paints with water and painted on watercolor
paper or transparency.
After experimenting with several painting media I came
back to oil when I began to use palette knife exclusively. The
palette knife does not need chemical cleaner. In the last two
years I have continued experimenting with oil. I have tried
different brands of paints and will continue to try more. The
paints I am using now are made in Germany. I like these
paints because the colors are brilliant, dry to touch in a few
days, and do not become yellowish when they dry.

I get so much energy and excitement from painting and

experimenting I have started to wonder if I have discovered
a new renewable source of energy. Maybe one day people
will run their cars on my paintings thrown in the back seat
and heat their homes with my paintings on their walls.
Just a dream, but what a dream!

Next, Downtown Mars, oil on acetate, 8” X 10”

38.
Explore

I like to explore all possible painting surface- canvas,

silk, wood, steel, glass, plastics, paper, clear transparencies,
etc. Why not? Most flat surfaces are paintable.
I love glass. It is more forgiving than fabric. If I make a
mistake I can scratch the paint off, clean the glass, and
restart. Also the transparency of glass makes reverse
painting possible.

One evening I accidentally turned one of my glass

paintings over and to my surprise the reverse side looked
prettier than the painted side. Excited by the unexpected
result, I tried deliberately for hours and made my first
reverse painting of roses.
I knew immediately I had made my signature painting.
Reverse paintings were fashionable in Italy during the
Renaissance and later spread to many other countries in
Europe, Asia, America and Africa. It is rare now. More
importantly I haven’t seen anyone else in the past or
present painting on glass in my style. All of my friends love
my reverse paintings of roses and they were the best seller
in several of my exhibitions, too.

Later I extended my glassy canvas from clear glass to

frosted glass and tinted glass, and then to Plexiglas,
transparency film, and acetate sheet. I love all of them.
Paintings on transparent and mirrored surfaces appear
unique and mystical.

Next, Mom’s Roses, oil on glass reverse painting, 11” X 14”

and
Fishing Boats , ink and watercolor on rice paper, 8” X 10”
39.
Discover With Different
Tools

Although most people paint with a brush, I like painting

with a knife better. Not only because it makes oil painting
possible without chemical cleaners but also because for me
it is more challenging and more fun.
I once watched a painting show on TV. The instructor
told the viewers that a specially designed brush can do all
the work for painting trees. All one need to do is to hold it
and tap the paint onto the canvas. Of course, that would be
easy, but not really a whole lot of creative fun, either. If
painting were reduced to a simple mechanical procedure, it
would take much of the creative joy as well as the painter’s
personal mark out of the process.

Perhaps I’ve reincarnated directly from the Stone Age. I

prefer simple tools made of natural materials. Oops, well,
okay, maybe the Iron Age or Bronze Age since my knives
are made of metal.
I like tools that have some weight, feel solid, and are
made of stone, wood or metal. I like brushes and have fun
painting with them, but I love palette knife. Since it is more
difficult to paint details with a palette knife than with a
brush or painting knife, my palette knife paintings have
certain abstract quality that I like. Since I use one knife for
an entire painting I don’t have to worry about changing tools
or cleaning it. I can concentrate on the painting process
itself.
The palette knife I use has four different edges and it is
very versatile. With it I can put thin layers or heavy impasto
on the canvas. With it I can create various unique and
intriguing marks. Sometimes I apply lots of paint on the
canvas and carve flowers. Other times I put several colors
next to one another and push then back and forth to create
reflections of the boats in water. With my palette knife I can
mix colors directly on canvas and create variations of all
kinds of subtle shades.

The palette knife is the best painting tool for me so far.

However, I am still exploring. Among many other things, I
have tried dinner knives and spoons, chopsticks and twigs.
My experiment with worn out shoelaces was a dismal
failure. You can’t hit a home run every time I guess.
My failures do not frighten me. But the idea that one
must paint in a certain way and with certain tools is the only
thing that sends shivers up and down my spine. Fortunately,
Congress hasn’t passed a law about this yet.

Next, Chinese Junk Boats, oil on canvas, 12” X 16”

40.
Transform Trash Into Art

Once upon a time a friend who was crazy about

recycling brought me a truck load of old windows discarded
by his parents when remodeling their house. He suggested
that I use them to create some art work. I did. I made many
framed paintings by painting landscape or flowers on the
window glass and painting the window frame with layers of
acrylic paint.
Painting on window glass made me know glass much
better. I began to appreciate the optical qualities that glass
has. It reflects, refracts, and defuses light in so many ways,
making glass painting mystically beautiful.
The experience with those old windows also made me
more conscious about recycling and reusing. After that,
before I threw anything out I thought about the possibility to
use the material in another way. I turned old vases into
glass art by painting inside of the vases with abstract
design. I made sculptures with old newspaper. I turned an
old white T-shirt into a one of a kind of fashion by painting it
with silk dyes.

I have a dream that one day I will have an exhibit in

which every painting or sculpture is made of something that
was thrown away as trash. Creating beauty and protecting
the environment will be done simultaneously.
I have started to create the objects for my future
exhibition. I would like to have one-hundred items in all
sizes and shapes and made of various materials.
I promise they will smell pretty.
Next, Wine Glasses, oil on mirror, 16” X 20”
41.
Make Something Original

Originality has long been considered as the principle

mark of genius. So then, what is originality? I like the
definition by Thomas Carlyle: “The merit of originality is not
novelty. It is sincerity.”
Literary giant C. S. Lewis also stated, “In literature or
art, if you simply try to tell the truth- without caring two
pence how often it has been told before- you will, nine times
out of ten become original without ever having noticed it.”
To be original is to be you and to be true to yourself. Mr.
Fred Rogers told us, “No one else in this world is exactly just
like you. You are special.”
You may have a twin brother or sister, but there is
definitely no another you on this planet at this time. Your
perception, your impression, and your vision are uniquely
yours. If you express them through your art, you are
creating original pieces.

When you put an apple on your table and paint your

emotional reaction to this apple, you are creating something
original. Yes, there have been millions of apples before this
one, but no another apple is exactly just like the apple you
are looking at. There have been thousands of painters who
have painted apples before you, but no other painter is
exactly just like you and no another painting was made at
this time or under this light or from this perspective or with
this vision. When you express your own impression of this
apple on your painting, your painting is unique and original.

I like go to The Denver Botanic Gardens because it has

my favorite water lily ponds, interesting trees in various
shapes, intriguing buildings, beautiful flowers, lovely fish
and ducks who are the permanent residents there. No
matter how many times I have been there, each time it is
new experience. The ponds have different moods, the
flowers and trees change from day to day and season to
season, and the fish and ducks never dance exactly the
same two days in a row. I painted many paintings of the
Botanic Gardens and each is the expression of my
impression of a unique scene at a unique moment under
unique light.
Sometimes I use the same elements for my flower
arrangement, but each time I am facing a unique new
relationship of the elements at a unique space-time and
from a unique perspective. My subjective brain changes
continually. So my universe changes perpetually, even if the
objects outside my brain may stay the same objectively.

Being original does not mean you always have to paint

something that no one has ever painted before, no matter
how ugly it is. More often it means you are creating a piece
of art that would never exist otherwise. No one else has
painted the same subject in same way as you do. You are
special, and if you are true to yourself, every painting you
paint is original and unique.

Next, Ducks In Spring, oil on canvas, Dream landscape mural section

42.
Bring Beauty to the World

The 19th century American philosopher Ralph Waldo

Emerson said, “Love of beauty is taste, the creation of
beauty is art, and a ray of beauty out-values all the utilities
of the world.”
Unfortunately my utility company so far is not interested
in trading my paintings for my monthly electrical bill.

As a painter, you can not only appreciate the beauty

that already exists in the world but you can also bring
beauty to the world that has not previously existed. When
you paint a scene at location you bring the beauty of nature
to viewers who have not been to that place. When you paint
a beautiful scene from memory you bring the beauty that
may no longer exist back into the world. When you paint
from your imagination you bring the beauty that has never
existed to the world, like a new kind of flower that has just
been created.

Our body is hungry for food but our soul is hungry for
truth and beauty. Beauty can move people and affect them
in a positive way. When a friend of mine had knee surgery
and had to stay in the hospital for a couple weeks, I brought
a bright colored flower painting to her room. She told me
that she could not stop looking at it and that it helped her to
forget about her pain.
I believe that every room in a hospital or a hotel should
have beautiful paintings that can comfort the sick and make
the traveler feel at home.
This is the power of beautiful paintings.
Next, Hong Kong Sunrise, oil on canvas, 14” X 18”
43.
Paint Your Dreams
Dreaming is one of the most beautiful experiences in
this life. Life without dreams, without those nocturnal
fantasies and adventures, would be unbearably boring. As a
painter I am inevitably dreaming of painting and painting
my dreams.
I always had vivid dreams. Since I began to paint
regularly my dreams have become more colorful and wild.
For example, one night Monet, Van Gogh, and Matisse came
to my dream beach while I was painting the sunset. It was
so real. After I woke up, I still could see the scene when I
closed my eyes. Of course, I painted the dream.
During the spring about two years ago I kept having a
reoccurring dream every night for several weeks. There
were translucent flowers that continuously changed shape
and color. I tried everyday to capture the images in my
dream. After making more than fifty flower paintings I finally
painted one that I really liked. But I must admit, even that
one is not nearly as pretty as the flowers I saw in my dream.
In another dream I was walking on the beach of Sanyo,
China, a place I had never been. I felt the warm breeze
touching my face and saw the huge palm trees waving at
me. I was amazed by the array of fishing boats on the sea,
all dyed orange, red, purple and deep green by the sunset. I
made a painting directly out of that dream.
My cat Tiger is my favorite model. She never complains,
she barely twitches a whisker for hours at a time, and she
does not ask for much- usually just a saucer of milk. I have
painted several portraits for her, although so far she has not
indicated whether she wants to keep them or not.
One night I dreamt of hundreds of cats gathering at the
park to celebrate peace in Cat City. Tiger was giving a
speech and she was wearing a purple and orange coat.
 Tiger’s natural coat has gray orange, black, white and
gray pattern. Where did the purple come from? I didn’t
understand until I painted her that way. It’s still Tiger, but
more exciting!

Next, Dreaming Water Lilies, ink and watercolor on rice paper, 8” X 10”
44.
Learn From Your Mistakes
I always want to be myself. If the choice is between
creating not-so-great original art and imitating a great
painter in art history, I would definitely choose the former.
There have been and will continue to be many mistakes
made and many failed paintings. So what? Mistake is the
best teacher in learning. I have learned a lot from my own
mistakes.
Years ago a professor told me a story about mistakes.
An assistant to a big company CEO got fired because within
a six-month period he did not make any mistakes in
following the instruction of his superior. The CEO justified
the decision with a stunning statement: “He has too little
imagination to make any decent mistakes.”
When you start a painting from scratch, mistakes are
inevitable. I learned to not throw away bad paintings or
cover them up before I sufficiently analyzed them to figure
out why they are not working. Sometimes I began to like my
“bad” paintings after a while once I recognized the genius of
my mistakes.

Next, Wildflower Garden, oil on canvas, 14” X 18”

45.
Remain A Child

I like Einstein’s theorem: “The pursuit of truth and

beauty is a sphere of activity in which we are permitted to
remain children all our lives.”
(Okay, alright, I admit it. I like to quote Einstein.)

French novelist Victor Hugo made a similar statement

more than 200 years ago: “A great artist is a great man in a
great child.”
All children are original artists because they haven’t
learned how to not be themselves yet. Once we grow up we
conform to rule, code, or conventions. We care about how
others see us.
As adults we tend to conform. We repress creative
thoughts when they do not match popular beliefs. We
question our actions when they do not follow the long
familiar pattern of others.
By the time we pick up a paintbrush as a grownup to
create something original we have already forgotten how to
be our true selves. Our creativity has been blocked by all
the rules and methods and “don’ts” we learned in school
and in life.

To be a true artist we have to leave the grown up world

and be a child again. It is not easy. As Picasso told us, “It
took me four years to paint like Raphael, but a lifetime to
paint like a child.”
Of course to be a child, in Einstein or Picasso’s sense,
does not mean to be irresponsible or indulgent with ice
cream or chocolate. That would be delicious, but it would
also give us a stomachache. To be a child is to be curious
about how things are and how the world is. It is to
continuously learn, explore, and experiment. It is to discover
and to invent each day. To be a child is to enjoy every
moment of this life and live at the present, not in mourning
of the past or in concern of the future.
To be a child is to be amazed by natural beauty. A child
cannot wait to see the splendid sunrise each morning, to
play on the sandy beach, or to climb the big rock in the
park. To be a child is to live with unbounded potential and
endless possibility.
To be a child is to be you in seeing the world and in
pursuing truth and beauty.

Next, Heavenly Blue Morning Glories, ink and watercolor on rice paper, 8”
X 10”
46.
Tell Stories

“Painting is just another way of keeping a diary.” -Pablo

Picasso.

Instead of writing you may paint to tell where you have

been and what you have seen. To tell a story, one picture is
more than a thousand words. It may even equal a million!
Many famous paintings tell historical stories on a grand
scale. Viewing these paintings can be more immediate and
impressive for getting historical events in your head, even
perhaps more than reading about such things in a book.
Before coming to the United States I had never heard
many biblical stories. One day in my History of Science class
a professor made a reference to Noah’s flood. I asked my
classmate, “Um, the flood occurred… when?” He looked at
me for a few seconds and then laughed uncontrollably.
To gain basic biblical knowledge I took a bible class
taught by the minister of a church near our campus. The
book he used for the class was full of pictures, of which
many are famous paintings, from The Birth of Jesus to The
Last Supper. The stunning paintings guided me through a
quick tour of the biblical garden.

You travel to a new place and are impressed by the

spectacular scenery. You want to tell your family or friends
about it. Write a long letter- or send a photo? The choice is
obvious.
Actually what you wanted to tell you family or friends is
not the scenery itself but your impression and your
emotional reaction to the scenery. Your own drawing or
painting might tell them these impression or feelings much
better than a letter or photo.
Think about it.

Next, South African Plaza Garden, oil on canvas, 18” X 24”

47.
Express Your World View

True artists do not simply copy reality but create their

own version of reality. They do not simply accept what is
now, but are searching for what could be or should be. Even
when you make a landscape painting you are not simply
painting what is out there, but recording your impression of
the scene, a personal glimpse into your unique view of
reality.
Picasso did not just paint the distorted human faces or
bodies for fun. During the war it was how he expressed his
anger and frustration about the current affairs. He said
clearly, “The world today doesn't make sense, so why
should I paint pictures that do?”
The world had gone mad. Picasso wanted people to see
this madness in his paintings.
Austria neurologist and psychiatrist Viktor E. Frankl
stated, “Challenging the meaning of life is the truest
expression of the state of being human. Through our art we
question the meaning of our existence. “

Painting is like a mirror, reflecting the painter’s values,

concept and understanding of life. Painting expresses the
painter’s view of the world. When a painter paints a
bombing raid as fireworks in the sky, the painter is glorifying
war and celebrating the victory of the bomber. When a
painter paints a terrified mother holding her wounded baby
in a war zone, the painter is condemning war, the violence
and the killing.
A painter’s paintings represents reality as the painter
sees it, in a manner more pronounced then any statement
and more impressive than any words.
 Next, Democracy Wall, Beijing 1980, oil on canvas, Dream landscape mural
section
48.
Purify Your Soul

Purification and movement go hand in hand. A clean

stream is one that flows, refreshing itself from the
movement of new running water.
Painting, i.e., engaging the movement of your creativity
and imagination as well as the physical movement of your
fingers, your arms, and your body, similarly cleanses and
refreshes you.
The process of actively pursuing beauty and truth
purifies the painter’s soul. It washes off the stagnant old
dust covering our inner being. As we paint, we are reborn.

Next, Rose Garden Trellis, oil on canvas, 18” X 24”

49.
Find Your Destiny

We all have our own destiny. If you are meant to be a

painter, you should paint.
There are many jobs that are not particularly creative. If
you don’t do a particular kind of job, someone else will.
Painting is different.
If I don’t create my paintings, no one else will. This is
because no one else would have exactly the same
impression, same perception, same idea and same vision as
I do.
For me painting has become the most important part of
my life. I cannot imagine going through a day without
touching my painting knife. Maybe if I had a bad cold- but
that’s it!
If creating art is your destiny then you must paint to
have peace with yourself. Nothing else will make you happy.

Next, Sailing Adventurers, ink and watercolor on rice paper, 8” X 10”

50.
Know Yourself

19th century writer Henry Ward Beecher observed,

“Every artist dips his brush in his own soul and paints his
own nature into his pictures.”
When you start to paint you begin to truly know
yourself.

Most of the time you paint alone. From selecting a

canvas to designing the composition, from choosing colors
to completing the painting, you make all the decisions and
you carry out all the tasks. You think alone and work alone.
You spend plenty of time with yourself. You have time to
observe how you think and how you work with your hands
and move your body. You get to know yourself when you are
free from social restrains and you are totally by yourself.
Lao Tzu taught us, “Conquering others is strength,
conquering oneself is true power. Knowing others is
intelligence, knowing oneself is true wisdom.” Unfortunately
many people are so busy trying to conquer others, to control
or to impress them, to win a title, an award, or a game that
they do not have time to overcome the obstacle within
themselves, to perfect their own mind and body. People can
be so busy observing, analyzing, criticizing, and even
admiring others that they do not have time to know
themselves.
Knowing yourself also means to know who you can be
and will be. You are not a fixed entity, but a growing and
changing living being.
It is undoubtedly important to observe the external
world and to learn from it. But it is equally important to look
in the mirror and know the person inside that reflection.
Take the time to be alone with your painting and learn who
that person is that holds and moves the brush.

Next, Watching the Waterfall, oil on canvas, 18” X 24”

51.
Be Yourself
I did not hear the phrase “Be yourself” until I came to
the United States. When growing up in China we were told
that we should follow the great leader’s teaching and unify
our will and action. In America, “Be yourself” is a common
phrase. Typically before taking an exam, getting ready to go
to a party, or preparing for a job interview, if I asked my
friends for advice they would invariably tell me, “You will be
fine, just be yourself.”
To be yourself seems the easiest thing to do. You are
yourself, who else can you be? In real life sometimes it is
not that easy. We were ourselves when we were children.
But after growing up, many of us have learned to put on
make-up or don a psychological mask every time we walk
out of our bedroom. Often enough we have forgotten or fear
being our own self. Painting can help us to discover
ourselves again.
Being yourself does not mean to simply indulge in your
impulses. Being yourself means to honor your talent and
potential and to be the best you can be.
Painting provides the opportunity to discover your talent
as a creative human being who continues to grow and
perfect as long as you live. Perhaps a better suggestion
might be: “Be yourself, as you dream yourself to be.”

Next, Summer Lotus, oil on canvas, 12” X 16”

52.
Simplify Your Life
Years ago a friend told me that we should simplify our
life so that we can enrich our world. It made sense to me.
Over the years, I have reduced my belongings to the
minimum and my daily routine to the essentials. For years I
had almost no furniture in my house, and this provided me
with a surplus of space to paint or dance. I do not consider
TV commercials every ten minutes an essential element in
my life, so I did not even have a TV either.
Rather than missing things, I fill my space with painting,
dancing, reading, and writing.
When I moved to Denver my friend joked that I turned
from a rich lawyer to a starving artist overnight. Yes, I have
less money and material things now, but I am much richer
because I not only have a richer space full of joy in pursuing
truth and beauty, but also have the true luxury in life- time,
which allows me to do whatever I love. That alone, is
priceless.

Next, Covered Chinese Fishing Boat, oil on canvas, 9” X 12”

53.
Detach From Material
Things

We all have our favorite things that we feel difficult to

leave. But since all material things are ultimately temporary
possessions, we will leave them all sooner or later.
Years ago, among my favorite things were books. While
in graduate school I spent many Friday afternoons in the
bookstores on campus to search for good books. Several
professors in my department gave me many books which I
treasured. By the time I left campus, I had 50 boxes of
books. I owned literally a TON of books.
It was great to have my favorite books around.
However, when I had to move them it became a big task.
Every time I moved, and this was frequently, I had to call all
my friends to help me. One time we piled several
mattresses on the ground and dropped all boxes filled with
books from the third floor window. It was just too much for
anyone to lug all these boxes up and down so many stairs.

I realized that when I had books which were necessary,

they served me. But when I had too many, I had to serve
them. Nevertheless, it was difficult to leave them behind. As
it turned out, before I was ready to say farewell to my books
they were all vaporized into ash from a fire while
temporarily stored in a friend’s basement.
Initially I was sad because those books had followed me
for years. Before long, I felt relieved because I had no heavy
moving of my personal library from place to place any more.
 In time, most of my bookshelf space has been replaced
by my painting supplies and my finished and unfinished
canvasses. And even these don’t stick around permanently
as I sell paintings and give them away.
Now I feel perfectly fine, in fact better without the
burden of so many books. I have a few favorite books in my
house these days, but unlike static materialism, the flow of
painting is a permanent and lasting pleasure that grows.
And, if I ever feel the need to read something that I
don’t have, I simply borrow my husband’s library card. It
costs nothing, and he even pays the fines.

Next, Spring Flowering Tree, oil on glass, 12” X 16”

54.
Know and Treasure Your
Friends

Without the enormous support I receive from my friends

it would not be possible for me to be a real painter.
During the years when I was painting in Missouri my
friend Dan brought me all kinds of painting supplies that he
found at garage sales and auctions: Canvases, mirrors,
glass, paints, and framing tools. Whenever he found
something that he thought I could use, he sent it to my
house. When I decided to move to Denver, Dan and his
girlfriend helped me to pack all of my belongings.
My friend Ginger always drove me to my various
exhibitions, no matter how many hundreds of miles away or
in another state they were. One winter evening when we
came back from a gallery that was three hours away, the
snow became very heavy and visibility dropped to near
zero. I regretted the trip, but Ginger said to me that having
shows here and there is part of being an artist, and that one
day I would know that it was all worth the trouble.
It took me a while to decide to leave Missouri. I
hesitated because I did not want to leave my friends and my
legal clients. When I told my friend Cecilia that I wanted to
move to Denver to paint she encouraged me to follow my
passion and assured me that she would take care of all my
open cases. I then knew that all my clients would be taken
care of by a caring and experienced attorney who has
passion for practicing law. This made my decision to move
much easier.
In Denver I have received same understanding,
encouragement and help from my friends Neil, Sheila, Brian,
Suzanna, Bobby, Karl, Larry, and many others.
True friends love you as who you are and who you want
to be. They support you, help you, and will always be there
for you. True friends are priceless treasure.

Next, Red Morning Glories, oil and ink on canvas, 11” X 14”
55.
Be Grateful

Painting has offered me a chance to see the creative gift

I’ve received from the universe and from the graces of my
parent’s genes and their care and upbringing. I am grateful
for this gift every day. I feel very lucky to be able to do what
I love- to create, to seek truth and beauty, and to share with
others.
Of course, not everyone might agree on my gift. But
another gift I’ve been given is that I really don’t care that
much about the opinion that other’s might have on my
talent or lack of.
I’m grateful for that too.

Next, Abundance In Port, oil on canvas, 18” X 24”

56.
Develop Your Own Style

Your style is the true expression of yourself. You would

know that you have found your own style when you realize
that you cannot paint in any other way.
To paint is not to copy another painter no matter how
great that painter is. Your role is not to follow a teacher’s
instruction religiously or to treat those how-to books as a
bible. To paint is to paint what you see and how you feel. To
paint is to paint in your own way. Van Gogh was a genius,
but if we all painted exactly like him, how boring the art
world would be!
Each of us is unique in our personality, vision,
perception, as well as in the way we express our own
emotion and artistic talent. By closely following another
person, no matter how great that person is, you may miss
the chance to discover and develop yourself.
The true value of a painting is not how much it is like
another masterpiece, but how unique, original, expressive
and inspiring a painting itself is.

To paint an original painting is to create. To copy a

painting of another is to reproduce. Creation calls for
originality, free spirit and spontaneity. Reproduction
demands craftsmanship and accuracy, which has little to do
with creativity.
We can always know our personal style and taste. If you
do not think that you know, it is easy to find out. Walk into
an art museum or gallery and look around. Browse an online
art gallery or scan through an art magazine. You will know
immediately which kind of painting you like, which you love,
which you don’t care about too much, and which you cannot
stand.
I like paintings that leave plenty room for viewers’
imagination. The style I love is a spontaneous and free
expression of my impressions.
I like French and Russian impressionists’ paintings, but I
have never had the urge to follow them exactly. I remember
when I saw a Monet painting for the first time, my thought
was “Wow, impressionism is great!” But I also knew that if I
were to paint I would paint my own impressions.
I also share Picasso’s distaste for over worked paintings.
He once said “To finish a work? To finish a picture? What
nonsense! To finish it means to be through with it, to kill it,
to rid it of its soul, to give it its final blow the coup de grace
for the painter as well as for the picture!”

Next, Sunset Lake, oil on linen, 6” X 8”

57.
Appreciate Other Tastes

Painting makes you more aware of what you like and

what you don’t like. It also lets you know what other people
gravitate towards.
Your own painting style is one in millions. Not anyone
else would have exactly the same taste as you.
When you put your paintings on the market you will
soon find out that some people love your paintings, some
people hate them, and most people do not care one way or
another. Not everyone shares your taste for art. There are
so many art styles and so many good works of art. And so
many bad works of art.

After I moved to Denver, my friend Sheila gave me a

precious gift, the membership to The Denver Art Museum. I
love spending time there. Two years ago when I walked into
a new modern art exhibition I saw some strange objects
hanging from the ceiling. I still don’t know what they were,
but they looked like huge black sausages made of plastic. In
another room I saw huge white sheets of various shapes
hanging on a long rope.
My first reaction was: “Wow…What is this crap?!?” It
reminded me of wet laundry dipped in polyurethane. Hey.
Maybe that’s what it was!
The big question I had that afternoon was, “Why did
they turn this beautiful museum to an ugly sausage factory
and a laundry room? How could these huge sausages or a
white sheet possibly to inspire anyone?” Perhaps if you
worked at a laundromat or in a meat factory it would have
real meaning for you.
 That day I looked around and saw other people also
passing by these works of creative ingenuity, but no one
said anything. I thought, “Wait a minute, how could I forget
that I am not the only visitor in the museum? Some people
may not share my point of view, or they may see a different
meaning in these pieces.”
Those objects exist because artists made them. Those
objects are exhibited because the curators of the museum
like them. They are not my taste, but the taste of someone
else. Museum exhibitions are for everyone who visits the
museum. I do not have to like everything I see there and I
should not expect the museum to use my taste as standard
to select exhibiting objects.
I like my own style, but imagine if all the museums and
galleries only had my style of paintings or were restricted to
any other form of art, how boring it would be. Perhaps even
I could not stand it.
Bring on the plastic salami or buckets of wet clothes, as
long as somebody loves them…

Next, Wine Tasting, oil on glass, !2” X 16”

58.
Keep Learning and
Changing

Socrates believed that the only true wisdom is in

knowing that you know nothing.
Cezanne must have been wise because he said, “I could
paint for a hundred years, a thousand years without
stopping, and I would still feel as though I knew nothing.”
Feeling one knows nothing, always wanting to learn
more, to explore more and to create more; these are the
signature characteristics of a true artist.

The goal of a true artist is not to establish a mechanical

procedure that can be automatically apply to each painting,
but to continue discovering and exploring new ways and
better ways to express himself.
When you stop learning and experimenting, when you
begin to copy yourself or work in a fixed formula, no matter
how famous you are, you have already ceased to be a
creative artist. You may have been a great painter once, but
you are no longer one if you shrink into a safe zone of
sterilization.
Life is continuum of learning, exploring, experiencing,
creating and sharing. No matter how many paintings you
have done, each time that you start with a new canvas you
are facing new challenges with new learning and
experimenting opportunities. And this is what will bring
fulfillment in all possible ways.

Next, Restless Waves, oil on acetate, 8.5” X 11”

and
Nanjing Boulevard, Shanghai, oil on acetate, 8.5” X 11”
59.
Appreciate Every Teacher
You Meet

Since I’ve started to paint I’ve begun to appreciate art

much more. I see more in paintings that hang in museums
and galleries than I have ever done before.
Besides the subject matter of the painting, I see colors-
really see them. I notice harmony or lack of it. I see values,
recognizing the contrast in paintings. I see texture.
Whenever I look at a piece of original art I try to figure
out how the artist made it that way and I ask myself, “What
would I do if I painted the same subject?” Visiting a museum
or an art gallery becomes a true learning experience. All the
paintings I see become new text books of art. All of the
painters become my teachers.

When Oil Painters of America began to offer to its

members critique services, I sent ten photos of my paintings
to the service. Soon I received the detailed comments and
suggestions from Mr. Watson, an experienced artist and a
signature member of OPA. I am grateful for his
encouragement and advice. He taught me valuable lessons
and he has been my teacher ever since.
Now my own studio is just a few blocks from the studio
of a famous artist, master signature member of OPA, Ramon
Kelly. Recently I was invited to visit Mr. Kelly’s studio. He
paints spontaneously in an impressionist style. I had read
his books before, but to stand near his easel and to see a
master painter in his working studio is much more
impressive, thoroughly educational, as well as highly
inspirational. I look forward to learning more from him.
 Thousands of years ago a wise man said that out of
three people, at least one of them could teach you
something. I have many teachers already, and I appreciate
each opportunity to meet new ones. To me, every person I
have the opportunity to meet is my teacher.

Next, Inspiration Byway, oil on canvas, 18” X 24”

60.
Understand the Human
Spirit

When trying to paint human figures after painting cats,

horses and fish, I began to realize the complexity of the
human face and body. To my surprise, even although I might
have gotten the proportions correct in a portrait, the
paintings still did not look right. I did not capture the spirit
of that person.
I began to ask the same questions which Picasso once
asked: What are we painting? Is it what’s on the face, what’s
inside the face, or what’s behind the face? Which is more
accurate portrait of a human face? The photo? The image in
a mirror? The painting by a painter?

I thought that perhaps an experiment could help. I did

several portraits for my friend Andrea and let her choose the
one that she felt more represented herself than the others.
She chose the one which is least detailed and the most
abstract. I also made a few portraits for another friend, Dan,
who is a self-taught philosopher and poet. Again, he liked
the most abstract one, which is full of strong colors. He told
me that all his friends immediately recognized him from that
painting.
It seems that each person has his or her own preferred
version of his or her own image. To get the correct shape of
eyes, nose and lip and the relationship between them is
important to paint a human face, but it is not enough,
because a human face is much more than the combination
of facial elements.
 To capture the spirit or essence of a person requires
much more than mechanical painting skill. Spirit is beyond
what you just see on the surface.

Next, Through the Cherry Blossoms, acrylic on canvas, 16” X 20”

61.
Appreciate Music Better

I cannot paint without music. Before I pick up my

painting knife I turn on music. I like listen to classical music
when I am painting water and boats, and listen to lighter
music when I paint flowers and garden, wine glasses and
bottles.
Good music is much more than just wallpaper that you
hear. Good music stimulates your brain, your creativity, and
connects you with energy and inspiration far beyond
yourself.
Music gives the rhythm to my body movement and
makes my knife marks more interesting. Each painting I
make is coded with a particular musical composition. When I
look at that painting again I can hear the same music that I
listened to while creating it. If I hear the music again I can
see the dazzling light of the beautiful colors I painted while
listening that music. Music gives my painting rhythm and
harmony. Painting has allowed me to see music in colors.

I love music, but I can not sing a simple song without

changing the original notes. I guess musical dexterity is not
in my genetic fingerprint. Nonetheless, I have always
wanted to sing because I had so much to express through
music. When I painted my hometown beach and fishing
boats, I made up some songs that expressed my homesick
emotion. I recorded those songs and sent the CD to my
sister. She told me that several of my friends were moved
into tears.
Even though I still cannot follow other’s notes, now I can
create my own. And even though I might never get a
Grammy Award, it really doesn’t matter! Music is for
everyone.

Next, Guitar Family I, oil on canvas, 30” X 40”

62.
See More In Movies
As a painter, I see more in movies than before. Besides
the story and characters, I see a tremendous depth of color,
light patterns across all parts of the screen, and all the
interesting shapes of buildings, people, landscape, and even
objects not being the focal point of the screen. I see the
body movement and the relationship between characters in
a scene.
I like movies that have beautiful scenes each of which
can be framed like a well designed painting. My favorites
are Federico Fellini’s films and some of the movies made by
Japanese naturalist film makers.

Next, Magnolias, oil on canvas, 9” X 12”

63.
Overcome Boredom

Boredom is the brain’s way of telling you via your

amygdala and emotional brain that you should be doing
something different. Boredom is not healthy for your brain.
Boredom is telling you to stop what you are doing, and
change. Boredom is a red flag that will instantly keep your
paranormal perception and Brain Radar from working. It will
stop your creativity dead in its tracks.

It is easy for me to get bored. I have trouble sitting still

when reading or listening to anything for longer then fifteen
minutes. My friends have told me that if I were attending
school here as a child I would be diagnosed ADD. I’m not
sure if that would help anything because I really just like to
be involved in something that actually interests me at
higher level. Perhaps that’s the major problem many people
have, too.
When I am painting and creating something I don’t feel
bored at all. At any given moment I have to make quick
decisions about many things from overall design to what
color this little boat should be, from the contrast between
light and shadow to the best knife marks for that wave. Both
my mind and my hands are busy.
When I see Boredom coming down the street- I run as
fast as I can in the opposite direction. I have no time to be
bored. It is better to go to sleep than to be bored. At least
that way, I’ll get some rest!

Next, The Yellow Vase, oil on canvas, 11” X 14”

and
White Daisies, oil on acetate, 8.5” X 11”
64.
Overcome Sadness

Seven years ago my Mom was seriously injured by a hit

and run motorcyclist and soon left this world. At that time
my Dad was in hospital. Because we were concerned about
his own health we did not immediately tell him about Mom.
Nevertheless, he saw Mom in a dream and knew what
happened. One-hundred and six days later Dad got
pneumonia and left us too.
Mom and Dad are the best parents imaginable, and the
dream parents all my friends want to have. I love them,
respect them and worship them. I did not use past tense
because they are still with me now and will always be with
me as long as I am here.

Initially when they left this earthly realm, it was the

most painful period of my entire life. Overwhelmed by loss
and sadness, I could not eat or sleep for days. One sleepless
night I picked up a knife and began to put blue on a piece of
acrylic sheet and move the color around. For a moment I
forgot my pain and my mind focused on that pretty blue.
I kept painting for hours until I was exhausted and
passed out. Painting lessened my pain and gave me an
unexpected dream, which confirmed my belief in the
possibility to see my parents and talk to them again. They
left this world, but their love still can touch us and will
always be with us.
No matter where my parents are, I know they can see
the vivid colors on my paintings. These colors can travel and
reach far beyond this world. I know I can send my love to
them.
Next, To Sail Beyond, oil on canvas, 14” X 18”
 65.
Communicate With People Beyond
This World

One Saturday night after a whole day of painting, I fell

asleep and had a vivid dream. I was talking to my Dad who
came to visit me. We had dumplings for dinner and chatted
about all sorts of things. He seemed to know what was
going on in my life. He told me that he loved my paintings.
When I kissed him goodbye he said to me casually, “Tell
you sister that she needs to pay the electricity bill that she
will get.” Before I had chance to ask what he meant by that,
Dad left. I woke up on Sunday morning with vivid memory of
the dream. When I closed my eyes I could still see Dad. I
searched the whole kitchen, but I could not find a single
dumpling. The dream did not seem to be related to a real
event. More importantly, Dad’s words did not make sense to
me because in my family, no one ever talked about money
or bills.
That evening I called my sister across the ocean and
told her my dream. She said, “We don’t use bills here. I go
to the electricity and gas companies at the beginning of
each month to pay what they charge. If I was late in paying,
they would call or came to collect money. We do not use
checks either, everything is paid with cash. I just paid all the
utility fees last week.”
It seemed only a dream, a vivid dream.
But the next evening (it was morning in China), my
sister called and told me that she just came back from the
farmers’ market and saw a hand written note on her door
when she returned. The note said that due to incorrect
calculation of the electricity company, her payment was
forty yuan short.
Oh, my God! I actually was taking to my Dad in my
dream, and he was right! And he is still taking care of us!! I
also thought perhaps Dad tried to tell my sister too, but for
some reason she did not hear. Thank God I heard him. It was
such wonderful feeling!

I grew up on the campus of a medical school in China. I

played with skeletons and watched human body dissections
in my mom’s teaching lab since age seven. I never thought
it was possible to talk to anyone who is no longer in this
world. But I did talk to my Dad in my dream and he told me
something that I could not know in any other way. Perhaps
no one else on this world would have known either because
it did not happen when he told me about it- It happened the
next day.
Nothing can change your belief more quickly than your
personal experience, especially when the experience is so
specific and can be verified by fact. Science has not
answered our deepest questions: Who are we and why we
are here? and What happens to our consciousness after our
physical body dies?
I am still puzzled by what happened to me on that night.
It seems that painting and the visual arts has made me
more sensitive to everything. During that afternoon,
painting put me in a mode of trance that lasted until that
night when I closed my eyes to go to sleep. And while
sleeping my mind was opened to perception of the world
beyond.

Next, Red Boat On Mystic Bank, oil on Plexiglass, 8” X 10”

66.
Have Better Intuition

Painting has made me trust my intuition more. In turn,

my intuition is getting better.

One day my husband Neil went into the hospital for a

minor procedure. The nurse walked into his waiting room
and they exchanged a few words. Neil asked, “You’re not
from Colorado, are you?”
“No,” the Nurse answered, but did not reveal where she
was from.
I turned to Neil and without thinking I blurted out, “She’s
from Tennessee.”
The nurse lit up instantly, “How on Earth did you know
that?”
We all looked at each other in complete puzzlement and
I just shrugged my shoulders. I had absolutely no idea how I
knew. The thought that I knew where she came from just
came to me from nowhere and I said it without thinking. And
trust me, I couldn’t tell a Tennessee accent from Kentucky,
North Carolina, or anywhere else.
Another time, I predicted the birth date of Erfie and
Chloe and the number of puppies their mother Tuilp would
have- three girls and two boys. Both became true, and were
the result of something I saw in a dream.

I continue to believe that a conscious sensitivity to what

I see and paint is directly responsible for allowing me
beyond what is right in front of my eyes. Real use of the
eyes opens one’s “third eye”, and that improved ordinary
visual acuity also stimulates my non-ordinary visual acuity
as well.
Next, Path , oil on canvas, 12” X 16”
 67.
Flying To China Without A Plane

Painting has made me so happy that sometimes I feel

like I am flying.
So, one Friday night I did.
One minute I was in my bed soundly sleeping and
dreaming, and the next minute I was flying into my
hometown and standing in the air near my sister’s window
on second floor of her house. I saw that she was knitting
something with different colors. She sat on the bed facing
the window. Four colored balls of wool yarn were randomly
moving on the bed.
I wanted to talk to her, but I had no voice. I tried to
knock on the window, but I had no hands and no body.
Since I already had a similar experience once before, I
was not as frightened as the first time. But I still felt
extremely uncomfortable and felt naked. I flew back home
in America immediately.
The next day I called my sister and asked if she was
knitting the day before. She said, “How did you know?” I
told her that I saw it while sleeping last night. She told me
that she was knitting a sweater and used wool yarns of four
different colors, something she had never described to me
before.

On another visit, I saw that my sister’s window was

dark, but all other buildings in her neighborhood were full of
light. When I talked to her the next day, she told me that the
fuse in her building had gone out. She decided to go to
sleep early and fix the fuse in the morning.

I feel lucky to be able to fly back to visit.

 Such events are free flight around the world- but alas,
not on demand. It certainly fits the definition of spontaneous
extrasensory perception, and it amazes me each time it
occurs.

Next, Dream Lilies, oil on canvas, 12” X 16”

68.
Vanquish Fear

18th century philosopher Edmund Burke observed that,

“No passion so effectually robs the mind of all its powers of
acting and reasoning as does fear.
A few weeks ago I saw a comedy in which a group of
dead people were brought to Judgment City. There they
were told that until they overcome the fear in life they will
be sent back to earth again and again. Essentially, the story
portrays life on earth as the journey of the human soul to
conquer fear.

In real life there are so many things we are afraid of.

Fear of failure, fear of making a mistake, fear of ruining a
perfect white canvas (of all sorts), fear of making a bad
painting, fear of trying something new. Fear makes us
hesitate to act. Positive action can help us to conquer fear.
I had once feared a white canvas because I was afraid
that I would ruin it. I soon learned that the best way to
conquer that fear is to start painting. Once I put some colors
on the canvas it is no longer pure white and I have no
reason to fear it any more.

Next, Peaceful Aspen, oil on canvas, 12” X 16”

and
Winter Stillness, oil on Plexiglass, 8” X 10”
 69.
Share With Your Family, Friends, and
Neighbors

Two years ago, I spent three months in my sister’s home

in a seaside city in China. Between catching up with old
friends, going to various parties, and traveling, I painted
one-hundred eighty-three paintings. I found myself inspired
by the sea and all of my rekindled friendships.
I gave all the paintings to my sister. My sister gave
many painting to our friends and framed all of her favorite
ones for her own walls. Overnight her house looked like The
Julia Lu Art Gallery. I sent some paintings to my brother who
lives in California, too.
This was one of the most gratifying times I have ever
spent. The energy that I shared with my sister and brother
still pays important dividends to me every day.

My friends are very appreciative and supportive.

Without them I could not paint so confidently.
Alma was the first among my friends to collect my work.
She had my first oil painting. She asked for my paintings for
her birthday and for Christmas. From the time I started to
paint she has believed that someday I would be a great
painter. She told me that she would like to pass those
paintings on to her grandchildren.
Several years ago I painted my friend Ginger and her
husband fishing on the lake. It was the fist time I had
painted human figures. The anatomical proportions were not
quite right, but Ginger happily hung the painting in her
living room anyway.
 I gave away all of my earlier paintings to my friends.
Whenever some one told me, “I really like that one,” I would
tell them, “It is yours, then.”
All of my good friends have some sort of collection of
my work, and sharing my paintings with my friends is
something that continually brings me great joy.

When I was in Missouri I painted every night and put the

new wet paintings outside my house to let them dry.
Sometimes it took weeks for those paintings to dry. I had to
use all of the space surrounding the house. Dozens of
paintings were hanging in the front pouch, in the back
porch, and on tables against the outside walls. I knew my
neighbors would see them, but I thought since they were all
so busy and I hardly saw them at all, perhaps no one really
paid attention to my artwork.
A few days before I moved to Denver my next door
neighbor came to me and told me, “Julia, you haven’t put
out any new paintings the last couple of days.” I told her
that I was leaving Missouri. To my surprise she told me that
she had been looking at all of my paintings around my
house and that every day she looked forward to the new
work.
This neighbor was from Louisiana and particularly liked
water and boat paintings. I gave her one of her favorite
paintings as a gift.
One winter day, one of my neighbors had a party. When
I walked by their door I met a few guests of the party who
were chatting on the porch. When they found out that I was
a painter and had a studio nearby, they wanted to see my
paintings. They liked my work and bought three glass
paintings immediately. No wonder people often say that you
should meet your neighbors.

I’ve always done the best I could to share my paintings

in any way I could with my family, friends, and neighbors.
 It seems to me that if one aspires to access telepathy
and other paranormal skills including creativity from another
dimension, it should be obvious that closely connecting with
people in more conventional ways is the necessary first
baby step to acquiring more advanced brain
communications and sensitivities. Neuroscience supports
this idea, i.e., cooperative brain behavior allows one to
remain open to everything, including paranormal sensitivity.
By contrast, reactive self-centered reptile brain behavior
shuts one off from others, and makes processes like
telepathy impossible.

Next, Blue Waterfall, oil on canvas, 18” X 24”

70.
Share With the World
Can you imagine how peaceful the world would be if
every soldier held a brush instead of a gun? Can you
imagine how beautiful the world would be if every woman,
man, or child was creating beauty and sharing love?
Perhaps it is just a dream. But isn’t that how everything
begins?
After painting for a while you will have a collection of
your own work. You might hang some your favorite ones on
the wall and store the rest of them in the basement. A
painting staying in basement usually serves no function. You
should let them out and share your creations with the world.
You may publish your paintings in a book, put them in a
virtual gallery, have an exhibit, or even give them away.
This way, you complete the Cosmic Circle of Energy-
Energy that comes into your core brain, past your magic
amygdala brain switch, out through your frontal lobes, and
then out to Universe. Then the Universe gives you more
energy back, and the circle starts all over again.
By sharing your paintings and any of your creations, you
are sharing with the world your belief, your passion, your
love and your vision. You are telling others, “This is how I
see the world and this how I feel about this land, these
woods, and this river and lake. This how I appreciate the
boats, the bridges, and the buildings created by other
artists.”
If you let the energy flow through you like a river that is
constantly fed by clear snow high in the creative mountains,
you will never run out of energy and joy.
Let’s be happy that we have the opportunity to live on
this planet. Let’s take care of the earth so that the future
generations can enjoy the beauty and harmony. Let’s paint
instead of fight, let’s create with an infinity of energy and
appreciation.

Next, Forest Light, oil on canvas, 12” X 16”

71.
Honor Your Parents

When my parents founded Benevolent Hospital after

they each received their degree in western medicine, they
decided that the hospital would accept all patients who
needed medical care and come to the hospital regardless
the social or financial status of the patients. Patients would
pay whatever they could afford, from as much as one-
hundred percent to as little as nothing.
I remember when we were young, my sister and I asked
Mom how the hospital could survive with such a policy since
there were more poor people than rich people. My Mom told
us that many people liked the idea and made donations to
the hospital regularly. Some people made huge donations.
Additionally she told us that poor people often tolerate
discomfort or sickness better than others and did not come
to hospital unless they were very sick.
During their lifetime my parents helped so many people.
When I visited my hometown last summer, I heard many
stories about them from their friends, colleagues, students,
and patients. My sister is writing a book about Mom and Dad
from the volumes of material she has collected.

I want to honor my parents in my way, to carry out their

spirit of giving.
Amy was the first gallery owner to buy my paintings.
When she organized a fund raising event for Cancer Society
three years ago, I donated five paintings. I also donated my
paintings to the annual fund raising event for the University
of Missouri. Even after I left Missouri, I participated in that
event and ship my paintings to the organizer.
 Although I do not practice medicine and could not save
life as my parents did, I have realized that doing what I love
is one of the best ways to share with others and to honor
my parents.

Next, “Kui Shan Lu and Huai Qing Wang” (my parents) photograph
72.
Live In An Art Gallery
I have put my favorite paintings on the walls of my
house. I have turned my home into forest full of true colors
and pleasant vibrations.
I don’t even need to have my paintings framed. That’s
just icing on the cake. And on cake, I usually give the icing
to whoever is sitting next to me.
I live in a gallery and I am surrounded by beautiful art
work. This is better than visiting the big art museum
downtown. Here I can touch the paintings and eat my lunch
in front of any of them without getting yelled at by the
guard.
And at home, I don’t even need a guard.

Next, Chinese Dock, oil on glass, 24” X 32”

 73.
Develop Self-Discipline

A healthy life requires keeping a balance between self-

indulgence and self-discipline. Without chocolate or ice
cream or whatever you enjoy most, life would be no fun. But
too much fun can damage your health or even kill you.
(Well, the wrong kind of fun anyway,)
Without discipline, no action, including creative actions,
can be accomplished on a regular basis.
You can learn all about discipline if you had rigid parents
or teachers, or joined the military, or attended a Catholic
school. But too much discipline can certainly repress or kill
your critical thinking and creativity.
Painting provides the possibility of a perfect balance
between self-indulgence and self-discipline. When you paint
you are indulging yourself because you are doing what you
want to do. But since there is no boss to tell you what to do,
your self-discipline is the only fence between you and over-
indulgence, which would lead to a total waste of your talent
and sterilize your creativity.
To make a good painting you need self-discipline so that
you can make all of the good decisions regarding picture
design or technical issues you encounter in carrying out
your idea. To develop your talent or improve your technique
you also need self-discipline to study and analyze
continuously. Otherwise, your paintings may be no better
than the ones we see painted by elephants in the zoo.

Next, Daisies Together, oil on canvas, 11” X 14”

74.
Selling Your Creative Work

After you begin to paint, people may want to buy your

paintings. Sometimes it comes sooner than you ever
imagined.
One day I showed my friend Elma one of my flower
paintings, bright yellow roses in a red vase. Elma could not
keep her eyes from it. So I gave it to her. She put a beautiful
frame on it.
Two years later, I had already moved to another city and
forgot about that painting.
Out of the blue Elma called me to tell me that the
painting was sold in a charity fun raising auction for
$500.00. I was happy because a stranger liked my painting
enough to pay money for it. Besides, it was also for a good
cause
When my friend Ginger heard the story that I
accidentally sold a painting, she told me that nothing is pure
coincidence. “Perhaps the universe is trying to tell you
something!” she said.
“Well,” I responded, “If that’s the case, there would be
more signs in the future.”
Before long, one evening when I was walking back to my
car outside a framing shop I saw a woman looking through
the window of my car. When I approached her she asked,
“Are these your paintings?” She pointed to some small glass
paintings on the passenger seat.
“Yes,’ I answered.
She continued: “Do you sell them? They are really
beautiful.”
It was a pleasant surprise to hear a perfect stranger say
such a thing. “I’ve never sold a painting before, except by
accident,” I said.
She bought seven of my glass paintings on that day. She
told me that she owned an art gallery. Her gallery was the
first one to exhibit my glass paintings.
It took me a while to feel comfortable selling some of
my paintings rather than to simply to give them all away.
But now, I rather like the idea!

Next, Red Vase, Yellow Roses, oil on canvas, 12” X 16”

75.
Exhibit

When I began to paint more regularly, I was soon invited

to have a one person show in a fine art gallery in Mark
Twin’s home town, Hannibal, Missouri. The invitation was
totally unexpected.
It all started with a stranger knocking at my door. She
was a Russian lady with fiery red hair wearing a fancy dress.
She was holding a painting I had thrown outside my door
because I did not like it.
She told me that she was a friend of my neighbor. She
asked me if she could have the painting and if I could sign it
for her. I told her that she could have it, but I didn’t want to
sign it because it was a bad painting. But she insisted and
said it would mean a lot to her. I signed reluctantly and
forgot about the whole thing.
A few weeks later I received a phone call from James, an
art gallery owner in Hannibal. After introducing himself he
said that he would like to host an exhibition of my paintings
in his gallery. He said that he saw one of my paintings at his
friend’s house and he really liked it. The friend was the
Russian lady I had met outside my door, Lena.
Of course I was very excited for the opportunity to show
my paintings.
A few days later James came to select paintings for the
exhibit and left with a truck load of my work. The exhibit
was successful and was extended from three months to two
years.
I stopped throwing out anything after that.

Next, Three Boats, oil on canvas, 10” X 16”

76.
Avoid A Boring Job

How many times you heard, “I hate my job,” from your

friends or even strangers?
If you can do what you love to do, then you do not have
to keep a job that you hate.
You could experience a MIRACLE! You might truly enjoy
your work!

A job is boring perhaps because it requires you simply

follow orders or instructions. It shuts off your feelings and
your intellect. It shuts off your brain.
A job is boring perhaps because it is repetitive and
mechanical, and does not involve critical thinking, or
because it is too easy and does not stimulate your brain or
evoke your creativity.
If your job was to be a painter- one that rewards
continuous creation, experimentation and taking artistic
chances- you might end up with the best job in the world.

And even if your have another full time job, you still can
take everything that you learn about creativity, expression,
and freedom from painting, and bring it to your regular job
and make it that much more interesting and exciting.

Next, Red Barn, oil on canvas, 12” X 16”

77.
True Art
Two years ago when I tried to fill out an entry form for
an art show, I was puzzled by the definition of professional
artist. The organizer of the show stated that, “A professional
artist is an artist who has a formal education in fine art or
has been selling art for living for 5 years”.
Consider this… Van Gogh would have been excluded
because he neither had a formal education in fine art nor
sold more than one painting in his life time. If the choice is
to be a professional artist by definition or to be in the same
category with Van Gogh, who would care about the official
definition?
Professional artist or not, I want to be a great painter
who paints with passion and who makes truly original
paintings that are beautiful and inspiring. I don’t need
anyone’s “official” designation to do that, and neither do
you.

Next, Roses On Table, oil on Plexiglass, 12” X 16”

78.
Travel
When you paint, you constantly look for exciting new
scenes. For that reason alone, you must travel.
The ancient Chinese said that to become a wise person,
you must read 10,000 books and walk 10,000 miles.
If you wonder if walking to the corner convenience store
for potato chips and soda ten thousand times would qualify,
I don’t think it would.
Back when the ancient Chinese came up with that wise
saying, it was before video, photos in books, and the World
Wide Web. So I think the “walk 10,000 miles” part might be
modified a bit for those of us who don’t have unlimited
charge cards for plane tickets and hotel rooms or are too
chicken to hitch-hike.
But whether you travel around the globe or just visit a
new place on the other side of state, travel allows you to
see different landscapes, peoples and cultures. Travel opens
your eyes and mind, and makes you a better person and a
better painter.
I think the main thing is to expand your mind and brain
and to go beyond your own four walls in any way you can.

Next, Neil’s Bikes, oil on canvas, 12” X 16”

79.
Listen to the Radio

While painting, I’ve had plenty time to listen to radio

shows.
I like to listen to shows that cover topics ranging from
children’s past life stories, to party levitation, from brain
mapping to energy healing.
Interviews with philosophers, scientists, and researchers
are fascinating and inspiring because they are all related to
the deep question about life- who are we and why we are
here.

You may find that you paint better if you have

something to listen to while putting paint on your canvases.
Perhaps this is a way to engage your whole brain, to keep
both hemispheres occupied and productive simultaneously.
After all, two brain hemispheres are better than one.

Next, Luminous Guitars, oil on Plexiglass, 10” X 10”

 80.
Have An Excuse To Be Crazy

Once upon a time I had a boss who was extremely

religious according to an orthodox tradition. He followed
biblical ritual religiously. Before he started to drink water,
coffee, or any liquid he had to put his hat on first. He always
wore black pants and coat, and always carried a black
umbrella. He only ate food processed exactly according to
rules specified in the Old Testament.
I though he would never act naturally or wildly. But I was
wrong. One day he came to take a look at the lake located
on the property where I lived to check out the possibility
that he might be able to catch fish there.
I went back to my house to get something for us to eat
and left him outside alone for a few minutes. From my
kitchen window I could see him jumping, shouting with glee,
and then tumbling down onto the ground. He began twirling
and rolling around on the grass next to the lake for more
than two minutes.
For a few secluded minutes my boss acted like crazy
happy child. He totally forgot about all of his strict rules and
codes and acted naturally because he was in the middle of
nowhere, with no one else around. He was himself and
didn’t have to act “properly” at all.

I also witnessed a spontaneous and crazy moment of

one of my law professors. This professor, a former federal
court judge, always wore a suit and tie in the classroom and
acted in a dignified manner. But one day, as he described a
celebration of lawyers after winning a case, he shouted:
“Wine, party, sex, everybody’s happy!” and threw his hat
into the air. The entire class was stunned.
 We all have desire to be ourselves. We want to laugh
when we are happy, to cry when we are sad, to jump, to
run, or to dance whenever we feel like it. But most of us
have to act in a certain way because we do not want people
to think we are crazy.
As a painter, however, I can be myself all the time. I can
do anything I want in the way I want, provided that I do not
violate any law or harm any one else. I can wear pink pants
if I like that color, regardless what other people wear or
what the fashion trend is. I can dance around in my living
room, back yard, or at night on the street.
Of course, I can listen to other’s advice or suggestions
regarding fashion or style, but only if they tell me directly.
And that doesn’t mean I’m going to pay attention to it.
Guessing other’s opinion or fallowing the trend is not my
style.
I can get up at five a.m. to start a new painting or stay
in bed until noon because I need to catch up my sleep. I can
eat one pound of chocolate in one day and fast for the next.

There are many greater examples in art history of wild

and odd painters, and I can not possibly surpass them, even
if I try. Artists have license to be their creative selves or to
act crazy.
I am a painter and therefore I am entitled to be
eccentric. Somehow I am expected to be different. I like
that.

Next, Wild Waterlilies, oil on canvas, 9” X 12”

81.
Tolerate the Craziness of
Others

19th century American poet Walt Whitman once said, “To

the real artist in humanity, what are called bad manners are
often the most picturesque and significant of all traits.”
To me, the most beautiful scene is a scene where people
act naturally, no heavy make up, no pretentiousness, no
acting at all. I like to see people express their emotions
naturally.
Knowing how crazy I could be, I do not judge others
when they act crazy as long as they do not harm others.
Besides, what is called “crazy” really depends upon one’s
own perspective. Norms in society are always changing.
What is normal one year will appear insane another.
Since I dislike driving, whenever I needed to be at a
court in another city one of my friends would drive me
there. One day I went to a hearing with Gavin, a comedian.
He had participated in the TV program “The Last Comic
Standing” competition, (as did another friend of our’s Josh
Blue.)
Gavin is crazy by any normal standard. He has a degree
in accounting, but chose to work in a pizza place. He does
stand up comedy in a local club, dressing up as a woman.
During the hearing, after I finished my argument by
citing the law and six separate cases, the judge said, “I
don’t know much about this area of law.” The judge turned
to the attorney who represented the company suing my
client, and asked: “What do you think?” That attorney
answered with four words, “I don’t buy it.” No counter
argument at all. To my surprise, the judge did not say that
he needs time to study more before deciding the case, but
simply decided the case based on those four words.
Having listened to the entire conversation at the court,
Gavin got excited because he found this to be interesting
material for his comedy routine. On our way back home
Kevin began to tell me the jokes he had derived from
witnessing the hearing. One joke was like this:
A patient was lying on the operating table. The heart
surgery was about to begin. The surgeon walked in and said,
“Actually, I am not that familiar with the human heart.” Then
he asked the nurse, “What do you think?” The nurse said, “I
don’t know either.” The doctor put his surgical gloves on
and picked up the scalpel, “Let’s start anyway.”
I could not stop laughing. Gavin said: “You think I’m
crazy? Compared to what I heard today, I am perfectly
sane.”

Even if someone really is insane, music and painting can

help him.
In psychiatric treatment facilities, one effective way to
help patents achieve serenity without drugs is to let them
paint pictures. My husband used to teach painting and
music classes at hospitals and psychiatric wards all over
Denver. He can vouch for the effectiveness of this kind of art
therapy.
Each of us has unique mode of craziness. To express it
through art or music is infinitely better than express it any
other way.

Next, Fruity Pairs Plus One, oil on canvas, 12” X 16”

82.
Appreciate The Creative Craziness of
Others

When I first met my Neil, I was shocked by his non-

conformity, his craziness. But after I begin to paint every
day his actions became normal to me. Now I have become
at least as crazy as he is. I think he would say, “Yep. More
than me.”
He is an artist of all sorts- a musician, a writer, and has
many other creative titles, including brain education guru
and web master. He routinely ignores cultural expectations
of opinion and behavior. He jumps when he is happy and he
cries and feels sad for someone else’s tragedy even if he’s
just watching a movie.
He loves his friends and would do almost anything for
them. I have seen him put his own work aside for hours to
help a friend, fixing their computer or bicycle.
He totally ignores the common notion of time. In fact, I
don’t think he pays any attention to time at all. He might
walk around doing nothing at all on Monday and then will
write nonstop on Saturday night when his creative juice is
flowing. I appreciate his creative mind, loving soul, and
craziness. Actually I cannot imagine him acting “normal”.

For me, to dare to be different and disregard the “norm”

is sign of confidence and self-awareness. One winter night
Neil and I went together to see the holiday light show at the
Denver Botanic Gardens. That particular year, the garden
sold special rainbow diffraction glasses that turn ordinary
lights into a magical and heavenly full spectrum of colors in
all directions. (Not to confuse with the much more common
the “snowman” or “snowflake” laser glasses which are
different and don’t even come close.)
We were so happy to slip into another dimension while
walking among others who didn’t suspect a thing or who
had the wrong kind of glasses.
After the show, most people simply discarded those
glasses. We kept ours. One night we walked for several
hours with these glasses on in our neighborhood to enjoy
the magic lights that appeared on every porch and every
street corner lamp. All the houses and cars, and even our
hands and bodies became virtually transparent, with lights
everywhere appearing as star studded rainbows. Red,
orange, yellow, green, blue, and purple light were above
and below, in front and behind, on the left and on the right
at the same time. Everything disappeared, only we and the
magic light existed.
Neil put these Glasses From Another Dimension in his
treasure box and we continue to use them regardless of the
season.

Knowing we are both crazy, I’ve accepted my husband’s

craziness and we are crazily happy together.
We are conscious about our health and fitness, but once
in a while we may do whatever we want at the moment. We
may have ice cream for lunch or chocolate for dinner, begin
to clean house at midnight, wander in the park for hours, or
watch movies until 4 am. So what?

Next, Crazy Daisies (Sunflowers) oil on blue Plexiglass, 9” X 12”

83.
Put Your Work Into A Museum

The first time I read Picasso’s statement, “Give me a

museum and I'll fill it,” I thought it was an exaggeration.
After I learned more about Picasso- the speed at which he
turned out paintings and how many paintings he created in
his life time- I knew it wasn’t an idle boast. More than once,
he did fill a museum with his work.
Now looking at hundreds of paintings in my own studio, I
feel it would not take too long to fill any space with my
work, either.
Not every painting has a chance to be in museum,
though. My own local art museum is filled with many
masterpieces. But it also has other works that are quite ugly.
I suppose that if you can’t create something stunningly
beautiful, perhaps you can try to make something
shockingly unattractive. This could be one’s ticket onto the
wall of an art museum. I would not recommend it, though.

Next, My Monet, oil on glass, 16” X 16”

and
Prince, oil on acetate, 9” X 11”
 84.
Be Humble

Since I began to paint, I read much more about the

history of art.
Knowing all the great painters in history, how could you
not feel humble?

Next, Pink and Ink, ink and watercolor on rice paper, 8” X 10”
85.
Write A Book About
Painting
Painting makes me so happy. I want to share my
happiness with the whole world. Writing a book about
painting has become inevitable to me.
Now you’ve read my book. You may have begun to paint
already if you found that at least one of the reasons I listed
made sense to you.
I cannot wait to read your book on painting!

Succeeding paintings, Trees On 11th Ave, oil on canvas, 14” X 18”

Portofino, oil and ink on canvas, 14” X 18”
Flasssh!, (Julia Lu, 2008), photograph Red Boats, oil on canvas, 12” X 16”
Peaceful Aspen, oil on canvas, 12” X 16”
Julia In Seattle, (Julia Lu, 2011), photograph
THE AMAZING BRAIN ADVENTURE
NeilSlade.com
Julia Lu: JuliaPainting.com

TickleYourAmygdala.com
The Brain Book and Music Store
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EasyPaintYourCar.com
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ErfieAndChloe.com
InkjetPrinterInfo.com
BOOKS by Neil Slade
The Frontal Lobes Supercharge
Brain Magic
The Secret of the Dormant Brain Lab
(The Book of Wands, Vol. 1)
The Wild Adventures of Bobby Spaghetti
(The Book of Wands Vol. 2)
Flying Through The YouNiverse
(The Book of Wands Vol. 3)
Have Fun Anti-Rules For Life, Learning, & Everything Else
Cosmic Conversations
Easy Paint Your Car
Easy Make A Kindle and Every Other Type of EBook
Creativity From Another Dimension by Julia Lu

Contact Neil: [email protected]

Contact Julia: [email protected]
Back to this book’s Table of Contents
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BRAIN BOOKS
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Brain Book Extraordinaire

TICKLE YOUR AMYGDALA

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Featuring Neil's 56 conversations with: Marilyn Auer

Editor-in-Chief Bloomsbury Review, Jeff Bailey Vegas Dealer,
Dr.

Lawrence Blair Psycho-Anthropologist, Josh Blue

Comedian and Winner of "Last Comic Standing", Laurel
Bouchier Acupuncturist, Jim Casart CPA, Dr. Cheryl Chessick,
M.D., Psychiatrist, Paul Conly Pioneering Rock Musician, Vic
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Danato History-Psychology, Suzanna Del Vecchio

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founding member Monty Python’s Flying Circus, Bernd Jost
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Newspaper Owner, Ramon Kelley International Artist, Shirley
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Schneider Writer, Dr. Britt Severson, M.D. Physician,
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Slowley Massage Therapist, Palma Lee Stephens Neuro-
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Research, Thomas Taylor Barista, Karl Teriki Brain Education,
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 This is the workbook is the sister and Brain Book follow-up
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Creativity From Another Dimension are true stories and

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 THE BOOK OF WANDS Trilogy
For Wizards of the 21st Century!

SECRET OF THE DORMANT BRAIN LAB

The Book of Wands Trilogy, Vol. One

Based on the real experiences of Neil Slade at the

Dormant Brain Laboratory and beyond-

In The Book of Wands, Niles Abercrumby Jr. III, is a

quirky and eccentric music teacher who quickly shows
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(NASOMAOS). Soon he hooks up with a crazy renegade
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Travel by Unconventional Means. And that's just for starters-
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allow one to TRAVEL as well as to move persons and other
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What is The Book of Wands? It is an UNUSUAL TOOL that
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If you are just a fan of incredible reading, you will soon

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volumes of The Book of Wands Trilogy, starting with Secret
of The Dormant Brain Lab!
 December Release 2013-

The WILD ADVENTURES OF BOBBY

SPAGHETTI
The Book of Wands, Vol. Two
The Book of Wands continues as Niles Abercrumby
leaves the Dormant Brain Lab and sets out to teach his own
students the Way of Wands and Traveling with Brain Radar.

FLYING THROUGH THE YOUNIVERSE

The Book of Wands Trilogy, Vol. Three
Niles Abercrumby faces the biggest challenge of his life
in this surprising and exciting conclusion to The Book of
Wands Brain Adventure.
 HAVE FUN Anti-Rules For Life,
Learning, and Everything Else
You heard Neil suggest this one on the internationally
famous ART BELL Radio Show to additionally help you in
understanding how to click on those
hidden/dormant/magical areas of your brain. Neil says,
"Everything I have learned in my own 23 years of brain
exploration and teaching is presented here in the clearest
and easiest to understand way I can think of!" 35 ANTI-
RULES of learning- ories, lessons, brain pointers- FUN!!! 90
page large format (8 1/2" X 11") with 40 large illustrated
pen and ink drawings you can color yourself and turn on
your own creative juices (yes, especially grown ups like
you). Highly recommended by Bloomsbury Review
acclaimed national book review magazine. A very
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your advanced Frontal Lobes and do and learn anything
faster, better, and WAY more pleasurably. Simply presented
with neuro-physiology kept to a bare minimum. Practical
and practically foolproof. Whimisical color cover. Also Audio
Book.

COSMIC CONVERSATIONS Book and

Music Set
This new book goes back to the source material,
examining hundreds of original essays and reports by brain
and behavior researcher T.D. Lingo. Neil adds substantial
updated commentary and annotations to these original
reports and called it COSMIC CONVERSATIONS. This is for
people who have already read the earlier books, and have a
basic understanding of "amygdala clicking", triune brain
basics, and standard methods of brain self-control. This
book has all the scientific references, and goes deeply into
the 35 years of research methodology, technical aspects,
and philosophy of this new brain work. COSMIC
CONVERSATIONS also combines the FANTASTIC ENERGY of
BRAIN MUSIC! Included with this book is the newest Brain
Music Album of wonderful original instrumental acoustic
guitar music performed and recorded by NEIL SLADE and
FRED VINCENT. This music is designed to lift your brain
potential and production further than you've ever gone
before- as only Brain Music can. Music on digital CD or
download.

SELF TRANSCENDENCE WORKBOOK

This is the original 42 lesson- originally hand typed on a
manual typewriter- guidebook used every summer at T.D.A.
Lingo's annual Brain in Nature Course at the Dormant Brain
Research and Development Laboratory (held 1957-1987). If
you want to turn on all your brain's infinity circuits and turn
off all that noise in your head, this book explains, one lesson
per day, tested and proven methods how to do it. Although
this text is thoroughly scientific and intelligent, Lingo
certainly had his own way of putting things! This is the
heavy artillery, be prepared. Effective and proven in over 35
years of dedicated behavior and brain research. NOT FOR
KIDS, UNCENSORED, and DEEP. Softcover, printed from
original mountain mimeographs. ("The Frontal Lobes
Supercharge" is required reading first, otherwise this will be
too difficult.)
 AUDIO BRAIN BOOK SETS
The Frontal Lobes Supercharge
Audio CD Set
Remember how you LOVED having a book read to you
as a kid? Now you can listen to author Neil Slade read the
complete and unabridged Numero Uno Brain Book to you in
a way that nobody else can, this is the BEST Fun-
Educational- Stimulating- convenient! ZOOOOOOM your
brain with 5 ½ hours of incredible, brain info and stories on
five CDs. Listen ANYWHERE, and Supercharge Your Brain on
the go, in your car, on a plane, jogging, anywhere. You also
get the 70 minute BONUS Introduction to Brain Magic CD,
making six CDs total. This is the REAL deal, like private
Brain Lessons. Digital download available soon!

The TOTAL BRAIN CD SET

20 CDs and 1 DVD- Get a tremendously satisfying and
enlightening 23 hours of Brain Audio Book and Brain Music
CDs and a DVD. This includes the Frontal Lobes Supercharge
Audio 5 CD set, The Brain Lab Talks 3 CD set, the Bonus
Introduction to Brain Magic CD, the Have Fun Audio Book,
plus all 9 Brain Music CDs listed previously. Also includes the
hand- autographed Neil Slade Zow-X mini-poster and the AN
AMAZING BRAIN ADVENTURE DVD, with 5 hours of video and
audio material including the MIRROR Brain Feature film.
Each CD comes in a rugged, cool clear scallop shell case. All
of this, only $49.95. Brain Nirvana now at your fingertips.
Also digital download available soon!

SUPER BRAIN LAB TALKS Audio CD

Set
 For more than a decade, Neil Slade presented a series of
public talks, classes, and presentations featuring Brain Lab
director T.D.A. Lingo. These talks introduced and helped
people to understand the focus and the ongoing
groundbreaking and pioneering work of the lab during the
years 1957-1993. Here are three inspiring and historical
presentations; the director himself explaining super BRAIN
self-control in a way that no one else can, or has yet. One-
of-a-kind recordings from Slade's personal archives,
available nowhere else.
You can now hear these incredible presentations and
hear the history, the science, the philosophy, the methods
....... You are THERE. This set contains one studio
presentation, and two live lectures at Colorado State
University and the University of Denver.
Three hours on three audio CDs with additional
introductory material. This set also includes the BONUS
Introduction to Brain Magic CD, making four CDs total, and
over four hours listening education and BRAIN ENJOYMENT.
Available only here, priced perfect, for true Brain Explorers
like you. Also digital download available soon!

HAVE FUN ANTI-Rules AUDIO BOOK

SET
2 CDs- This is the complete and unabridged audio of the
ridiculously enjoyable Have Fun book. If you are a parent,
teacher, student, professional, or any other kind of human-
you need this! Read by the author. Also digital download
available soon!
 AMAZING BRAIN ADVENTURE
DVDs

THE WHOLE UNIVERSE DVD

40 Hours of Video and Audio

5 Brain Books
All Neil’s Audio Books and Brain Music Albums
Plus Bonus Material
The Brain Adventure Feature Film
AND All Books in PDF/Word, AND
All Audio as MP3 AND All Bonus Material
For an incredible $49.95 postage included worldwide.

The Amazing Brain Adventure DVD

An Amazing Brain Adventure is a THREE PART feature
film- part documentary, fable, music, and fun.
It illustrates things about the human brain, you will not
see anywhere else.
The main feature, Mirror, is about a very special girl who
FIXES things and CREATES things with her Ah-Mig Doll-Ah.
This is a REALLY unique film, nothing else quite like it
out there, both in terms of presentation, story, technical and
artistic expression. Includes many bonus features, including
the audio book, Mirror, and the bonus brain feature Fun With
Fred. 5 hours video and audio, just $14.95
Great for kids AND grownups too!
 BRAIN MUSIC ALBUMS
Brain Music Central
Audio Samples Here
QUESTION: "What makes 'BRAIN' MUSIC different?"
These new re-masters are the best possible, no noise,
high fidelity, state-of-the-art editions of these albums we
offer to those Brain Music fans who want the VERY BEST
listening experience at a very reasonable price. Each CD is a
SINGLE album described below.
BRAIN MUSIC is made to quickly shift your
consciousness/awareness through the natural advanced
power of music. Certain kinds of music by virtue of non-
repetition, harmonic content, and newness of sound
stimulates your brain in ways ordinary music just cannot do.
All of our Brain Music meets this criteria. You pick the kind of
energy/consciousness shift you want to click into by virtue
of the Brain Music you listen to. No simplistic subliminal
messages necessary here... Scientists are proving over and
over that certain kinds of music makes your brain feel and
work much better. Great Brain Music does FAR more than
any electronic drone, hypnotic message or mindless new-
agey stuff could ever accomplish. This music takes decades,
even a lifetime of hard training, thoughtful work and
dedication to produce. This is the real thing.
Available as CDs and MP3 downloads.
COSMIC CONVERSATIONS features Neil Slade and Fred
Vincent on acoustic steel string and classical guitars, with
some added surprises! 12 tracks, over 43 Minutes, Maybe
the BEST Brain Music recorded yet! Absolutely flawless and
outstanding sound quality, recorded fully digitally. This
music is getting GREAT reviews by everyone. Brain Music
will help your brain do things ordinary music can not, will
not, and does not do. You and everyone you know will LOVE
this CD- and so will your brain- no doubt about it.
MIND MUSIC This is the timeless BRAIN MUSIC
SuperCharge for your Mind/Spirit/Brain/Body. Phenomenal
World Class musicianship here, jazz/classic electric
keyboards delightfully seasoned with a bit of flute and sax.
Pure Brian Music Power, sophisticated and energetic, Mind
Music plugs your brain into the Essential Universal Music
Vibe Connection. You will love listening to this CD in the car,
at home, entertaining your guests and friends. Maybe just
the best instruMENTAL music you'll ever hear!
INVISIBLE MUSIC Holy Moly!! Year 2000 COMPLETE
DIGITAL RE-MASTERof this INCREDIBLE Electric Jazz Album.
VERY melodic and wildly enthusiastic musical energy.
TURBOCHARGE your brain with this really FUN and
ENERGETIC modern record. Invisible Music (and isn't ALL
music really invisible?) is a perfect blend of way-out space
age instrumentation with classic acoustic instruments- the
best music this side of Venus! Flutes from Europa,
Saxophones from Pluto, pianos from Vienna, synthesizers
from Mars, drums, bass, even a little singing ("You Cause A
Nuclear Reaction Inside My Heart"). Music for a Brave New
Universe. A blast! NOT for Squares! Features many GREAT
musicians!
AMYGDALA BRAINBITES Once again back by popular
demand, this PURE POP/ROCK BRAIN MUSIC CD will have
you humming and bopping along in no time. Teenage Brain
Revolutionaries Sarah Rubow and Ruti Mor join Neil for some
of the catchiest, most melodic yet intriguing original Brain
Pop/Rock music you will ever feast your ears on! Electric
guitar, drums, bass, synth- Don't be OLD. Get ABCD!
PIANO IMPRESSIONS FROM ANOTHER DIMENSION is
thoughtful and playful piano solos recorded on a 9 foot
Baldwin concert grand. Many of these compositions appear
on other recordings here, but these are the original pure
classical renditions on keyboard. Makes you SMARTER and
more EFFICIENT as you flow and connect via the CLASSIC
COSMIC INTELLIGENCE MUSIC CHANNEL. Suitable for any
listening environment, dinner, work, driving, etc. This tape is
good for relaxation and/or refreshing the brain. Years of
music listening pleasure!
TIPPY This is the second great Brain Pop/Rock with
Instrumentals album, and it covers a LOT of territory. A
really FUN bunch of truly catchy tunes- you'll be singing
along instantly- segues into some truly memorable
masterpieces of melodic ingenuity, then seamlessly
transforms into some AMAZING saxophone goodies. 45
minutes of Pure Musical Bliss, electric and acoustic guitars,
drums, bass, synth, and sax. "Your voice is so COOOOOL!" -
Michelle P. a satisfied customer. You'll groove along to this
album into the next century- Everybody LOVES Tippy!
THE PEOPLE'S SYMPHONY plus The TAO of JAZZ
Double Feature This CD teams up two distinct albums-
Parallel Universes you might say- with wonderful new digital
re-masters of the original master tapes and a bonus track.
The first is a complete orchestral suite, The People's
Symphony, featuring members of the Denver Symphony
and other professionals, along with detailed digital
synthesized orchestral parts. This recording has toured the
U.S. as part of a Kodak photograph exhibition and premiered
nationally as the soundtrack for a PBS documentary to rave
reviews. The conclusion of the symphony will blow your
mind-and click your amygdala forward big time. Also
includes a couple of extra chamber music compositions.
Beethoven, roll over.... This CD then switches gears to The
Tao of Jazz for complimentary acoustic traditional jazz
arrangements of some Slade original favorites, featuring
Neil plus three incredible jazz musicians. The combination of
classical symphony music followed by great jazz, makes for
an extended pleasurable Brain Music Sensation! Quite a
brainy good deal!
FREE DIRT Story and Music TWO CD SET Funny stuff
here- This is The WORLD'S FIRST Autobigraphical Musical
Audio Book! It tells the story of Neil's STRANGER THAN
FICTION YET TRUE LIFE OF MUSIC between the ages of 5 and
21. FREE DIRT is a humorous collection of stories, and the
actual music that was created from the unusual
circumstances of growing up an unconventional mind in a
conventional cowtown (Denver). Features dozens of talented
and BRAVE musicians! Warning!>>>> WILD AND WEIRD!
This music is truly THE OUTER LIMITS- yet REALLY cool and
HIP. If you are a boring, uncreative person with no SENSE OF
HUMOR, forget this!. If you are truly CREATIVE,
INTELLIGENT, and LIVELY- this IS for YOU! Two album set.
The AMAZING
BRAIN ADVENTURE
www.BrainRadar.com
PO Box 6799
Denver, CO 80206
[email protected]
The Book of Wands

Neil Slade YouTube TV

#1 On Google and The World For Painting

www.EasyPaintYourCar.com

Julia Lu Painting

Inkjet Printer Help, Repair, and Ink Info

www.InkjetPrinterInfo.com

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