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FEDERAL PROGRAMS
IN A N D A R O U N D
BIRMINGHAM
BIRMINGHAM HISTORICAL SOCIETY
DIGGING O U T OF T H E
GREAT DEPRESSION
FEDERAL PROGRAMS AT WORK
IN A N D A R O U N D BIRMINGHAM
Digging out of the Great Depression : federal programs at work in and around
Birmingham / edited by Julius E. Linn, Jr., Katherine M . Tipton, and Marjorie L.
White. — Original limited ed.
p. cm.
Includes bibliographical references and index.
ISBN 978-0-943994-35-2 (alk. paper)
1. New Deal, 1933-1939--Alabama~Birmingham Region. 2. New Deal,
1933-1939~Alabama~Birmingham Region—Pictorial works. 3. Birmingham Region
(Ala.)—Economic conditions—20th century. 4. Birmingham Region
(Ala.)—Economic conditions—20th century—Pictorial works. 5. Birmingham
Region (Ala.)—Social conditions—20th century. 6. Birmingham Region
(Ala.)—Social conditions—20th century—Pictorial works. 7. Public
welfare—Alabama—Birmingham Region—History—20th century. 8. Birmingham
Region (Ala.)—Intellectual life—20th century. 9. Art and state—Alabama—Birmingham
Region—History—20th century. 10. Federal government—United
States—History—20th century. I. Linn, Julius E. II. Tipton, Katherine M . ,
1959- III. White, Marjorie Longenecker. IV. Birmingham Historical Society.
HC108.B6D54 2010
330.9761'781062-dc22
2010027417
This book is published in conjunction with the exhibitions Digging Out of the Great Depression-Federal Program.!,
At Work (2009) and Murals, Murals On the Wall, 1929-1939-Our Story Through Art in Public Places (2010),
organized by the Birmingham Historical Society and the Birmingham Public Library, with the financial support
of the Daniel Foundation of Alabama and the Alabama Humanities Foundation, a state program of the National
Endowment for the Humanities. The latter exhibition is made possible in part by the Alabama Cooperative
Extension System and the Jule Collins Smith Museum of Fine Art, Auburn, Alabama.
ISBN 978-0-943994-35-2
Printed in China
F R O N T COVER P H O T O G R A P H S :
"Steel mill and workers' houses. Birmingham, Alabama."
Photograph by Walker Evans, 1936. Courtesy the Library of Congress Farm Security Administration-Office of War
Information Photograph Collection (LOC-FSA).
BACK COVER P H O T O G R A P H S :
"Digging dirt used in rammed earth construction near Birmingham, Alabama."
Photograph by Thomas Hibbenjr., March 1937. Courtesy LOC-FSA.
T I T L E PAGE P H O T O G R A P H :
"Digging dirt used in rammed earth construction near Birmingham, Alabama."
Photograph by Thomas Hibbenjr., March 1937. Courtesy LOC-FSA.
Acknowledgments iv
Preface v
Introduction ix
Chapter One
Alphabet Agencies 1
Chapter Two
Putting the First 15,000 to Work: The Civil Works Administration (CWA) 4
Chapter Three
Roosevelt's Tree Army: The Civilian Conservation Corps (CCC) 18
A Great and Lasting Good: C C C Structures in Alabama Parks 34
Chapter Four
Better Housing for Industrial Workers: Subsistence Homesteads and Public Housing 38
Documenting Working and Living Conditions 40
Palmerdale Homesteads 50
Greenwood Homesteads 52
Moving O u t and In 54
Mount Olive Homesteads 56
Rammed Earth Houses 58
Slagheap Village-Cahaba Village atTrussville 64
Other Housing Ventures 66
Chapter Five
Jobs for the Jobless:The Works Progress Administration (WPA) 72
Chapter Six
Creating a City Beautiful: WPA Beautification Efforts 84
Chapter Seven
Artists on Relief: A New Deal for the Arts 88
Chapter Eight
On Stage:The Federal Theatre Project (FTP) 104
Chapter Nine
Digging Up the Past: Advances in Archaeology 108
Chapter Ten
Recording Our Heritage: The Historic American Buildings Survey (HABS) 114
Chapter Eleven
Built to Last: A Legacy in Stone at Birmingham Parks 120
Index 131
ACKNOWLEDGMENTS
As the U. S. stock market plummeted in late 2007, this book was envisioned as a visual survey of
the first federal stimulus program and how it was expended in the Birmingham area during the 1930s.
Carolanne Roberts chose the title and the lead photograph for our project: workers digging earth
for dirt-cheap houses being built at Mount Olive. Thomas Hibben Jr., an innovative federal architect
and engineer, was supervising the adaptation of an ancient building technique known as rammed earth
for use in low-cost housing in this federally sponsored farming community, now a suburb north of
Birmingham. Hibben photographed his experimental construction techniques and the inexpensively
built houses.
Hibben's photograph is part of a remarkable collection of 164,000 remaining Depression-era nega-
tives made by Resettlement Administration (later the Farm Security Administration) photographers
hired by innovative Washington bureaucrats to document the benefits of federal expenditures. To the Bir-
mingham area, the Washington staffers sent some of the nation's finest photographers—Walker Evans,
Carl Mydans, Arthur Rothstein, and Marion Post Wolcott—with specific shoot lists to document federal
housing programs here. In Birmingham, from 1935 to 1939, these individuals photographed working
and living conditions at area industrial mines and mills and documented the houses and well-designed
suburban communities that the government was financing and building in rural areas near the city. The
Farm Security Administration-Office of War Information Photographic Collection is today housed at
the Library of Congress and online {http://memory.loc.gov/ammem/fsahtml/fahome.html).
The records of the Historic American Buildings Survey (HABS), which began in 1933 with unem-
ployed architects making measured drawings and photographs of pre-1860 structures, continue to this
day as an archive of drawings, photographs, and other materials documenting America's architectural
heritage. These materials, which document more than 38,600 historic structures, can be found at the
Library of Congress, where they are a frequently used and online collection {http://memory.loc.gov/
ammem/collections/habs_haer).
The Birmingham Public Library, especially its Southern History and Archives Departments, also
holds significant visual resources from the New Deal period. Throughout the years, the library's dedi-
cated staff have safeguarded source material, including the engineer's copy of Jefferson County's heavily
illustrated final report documenting the work of the Civil Works Administration (CWA); the James M .
"Jimmie" Jones Papers (Jones was President of the Birmingham City Commission at this time); manu-
als to implement the federal programs (including the school lunch room program); the tax assessor files
on county property, first formulated through on-site property inspections in 1938 by Works Progress
Administration (WPA) workers; teaching aides; and art work accumulated as libraries expanded their
missions and collections during the 1930s. Don Veasey, Curator of Photographs, was invaluable in
locating obscure records in the Archives collections, and Yolanda Valentin and Gigi Gowdy did yeo-
man work providing digital reproductions. Also of invaluable assistance were the clipping files found
in the Southern History Department. Here, since the 1930s, librarians have gathered newspaper and
print sources on many pertinent topics. The library also holds a microfilm copy of the Jefferson County
W P A projects card file, the transcription of which provided descriptions of local W P A projects, noting
recipients—cities, counties, and federal, state, and local agencies—the required match, the total project
cost, and the number of persons employed.
Renee Blaylock, Director of the Birmingham Public Library, asked department heads to help locate
pertinent Depression-era records in their collections. She also directed Elizabeth Swift, Integrated
Library Systems Administrator for the Jefferson County Library Cooperative, to establish a Web site
to showcase the library's New Deal resources. Swift created The New Deal in Jefferson County, an online
exhibit that accompanied the first phase of this project, which was the Birmingham Historical Society's
photographic exhibit Digging Out of the Great Depression—Federal Programs at Work (November-Decem-
ber 2009). Library staff continue to add to the Web site {http://www.bplonline.org/resources/exhibits/new_
deal) as more information becomes available.
Robert Pasquill Jr., a Montgomery-based U.S. Forest Service archaeologist and dedicated chronicler
of the work of the Civilian Conservation Corps (CCC) in Alabama, lent his expertise and access to pho-
tographic resources of the U.S. Forest Service and his personal collection. His good friend and Society
Trustee Brian Rushing photographed extant C C C structures in Alabama's state parks. Bob's book, The
Civilian Conservation Corps in Alabama, 1933-1942: A Great and Lasting Good (Tuscaloosa: University of
Alabama Press, 2008), provides further details about the men and work of the Alabama C C C .
Birmingham-Southern College Assistant Professor Pam Venz and her students—Adam Colbert,
Charles Horn, Annette Kittrell, Jamie Neal, Andrew Ryan, and Booth Wilson—helped us research 1930s
structures in Birmingham parks during a 2003 Jan-term photographic studio. Peggy Balch contributed
significant research to this effort. Many of the projects, we discovered, were funded through a City of
Birmingham bond issue of 1931, prior to the expenditure of federal funds. Concerned about idled indus-
trial workers, civic leaders such as James R. McWane led the campaign to build recreational facilities in
the parks.
The University of Alabama Museums provided yet another treasure trove of visuals and information,
made readily accessible by the online WPA/TVA Archaeological Photographs {http://diglib.lib.utk.edu/
wpa).This extensive archive contains photographs taken by W P A workers of archaeological projects con-
ducted in preparation for Tennessee Valley Authority (TVA) dam construction in the 1930s. Mary Bade
and Mike Dressier provided access to these records, and archaeologist Eugene Futato kindly reviewed our
brief summary of archaeological work at this time.
At the Birmingham Botanical Gardens Library Archives and Rare Book Room, Archivist Jason
Kirby cleaned up the storage area and, to the delight of all, unearthed the personal scrapbooks of the
state's W P A beautification program supervisor. These materials chronicle the many efforts of the federal
program administrator, together with scores of community groups, to "beautify" roads, schools, and other
public places.
Frank Jefferson Tombrello and Graham C. Boettcher, the latter the William Cary Hulsey Cura-
tor of American Art at the Birmingham Museum of Art, greatly expanded our knowledge of federally
supported art remaining in public and private collections, especially those of the Birmingham Museum
of Art {http://www.artsbma.org), the Montgomery Museum of Fine Arts {http://www.mmfa.org), Pat-
rick Cather, and Jane, Harold, and Hubert Goings. Tombrello photographed many pieces for this book,
including the spectacular school and post office murals. Alice Carter at the Montgomery Museum helped
research federally funded traveling exhibits shown at the Montgomery Museum in the 1930s.
Sallie Lee, then a Jefferson County Agent of the Alabama Cooperative Extension System, or ACES
{http://www.aces.edu), as well as a Society Trustee, brought to our attention the Historical Panorama of
Alabama Agriculture, the fabulous canvas mural panels recently rediscovered in the attic of the ACES
office on the Auburn University campus. ACES Art Specialist C. Bruce Dupree's research documented
the work as that of a Mobile W P A artist who created the series for the 1939 Alabama State Fair in
Birmingham. The panels showcased New Deal pride in technological and agricultural progress that was
helping to build a better life for Alabama's farmers. Through the efforts of Gaines Smith, ACES Direc-
tor, and Carol Whatley, Communications and Marketing Director, ownership of the murals has been
transferred to the Jule Collins Smith Museum of Fine Art in Auburn {http://jcsm.auburn.edu). Museum
Director Marilyn Laufer is supervising the cleaning and restoring of the murals for their return to
PREFACE
Field Crew Seated on the Domiciliary Mound, Bessemer Site 15 Je 14.
Photograph, August 30, 1939. Courtesy The University of Alabama Museums, Tuscaloosa, Alabama.
"Hard times come here first and stay longest." That's how those in Birmingham speak of the Great
Depression. President Franklin D. Roosevelt called the city "the worst hit town in the country."
As the 1930s opened, Birmingham was the center of an industrial region with mines and mills and
the manufacture of iron and pipe at the core of its idled economic engine. W h e n Roosevelt took office in
March 1933,25 percent of the national labor force was without jobs. In Birmingham, widespread unem-
ployment had been high for some time.
In 1930, 68 percent of those employed in the city worked in blast furnaces, steel mills, foundries, and
fabricating plants. Jefferson County's industrial wage earners numbered 76,662. Most of these workers
saw their wages and hours cut drastically as employers attempted to weather the downturn. Thousands of
others were without jobs.
The city's steel production sank to its lowest 1930s level in 1932. The steel mills never closed, but
production averaged 40 percent to 60 percent of capacity. Blast furnaces and ore mines operated only
sporadically. Coal mining fared a bit better.
In July of 1934, one-fourth of the population of Birmingham and Jefferson County was listed as
receiving federal aid. Of 56,000 families on relief state-wide that December, 28,000 lived in Birmingham.
Only World War II, with its heavy demand for structural steel and armament, provided the stimulus
required to revive the district's industrial economy.
This book explores federal programs designed to cut the relief rolls and ameliorate the lives of resi-
dents of the greater Birmingham area during the 1930s. Diverse programs implemented here employed
more than 24,000 persons and expended more than $1 billion in today's dollars.
Alabama's politicians and citizens were committed to bringing federal dollars to our community. At
their opening meeting in the winter of 1933, the bankers, clergy, and businessmen who headed up the
local Civil Works Administration (CWA) committee noted their desire to secure "every possible dollar"
they could. The photographs from their final reports demonstrate what they accomplished, in just five
months, with a federal infusion valued at $39.3 million in today's dollars. They felt and responded to the
community need.
Succeeding federal programs carried the relief efforts forward.
The Works Progress Administration (WPA), the nation's largest employer in this era, put more than
9,000 persons to work in Jefferson County. W P A workers improved infrastructure: roads, bridges, hos-
pitals, schools, and parks. They improved drainage and airport runways. They built health and T B clinics
and public buildings. They sealed abandoned coal mines. They greatly expanded recreational facilities at
schools and at state and local parks, playgrounds, and athletic fields. They staffed libraries and parks to
keep them open extra hours to provide recreational opportunities. They operated sewing rooms to make
clothing and house wares for needy families. They staffed the first school lunch room programs. They
painted history murals for public schoolchildren and for state fairgoers. They drew scenes of everyday
life and taught art and music in the schools. They wrote and staged theatrical productions. They tran-
scribed city and county records. They photographed and recorded property for the tax assessor's office.
They recorded graves in area cemeteries. They painted schoolhouses and planted roses. One thousand
strong, they excavated archaeological sites across the state. They worked.
The Public Works Administration (PWA), a bricks-and-mortar arm of the Department of the Inte-
rior, provided partial funding for the Industrial Waterworks System through the creation of Inland Lake
(an expenditure that included W P A labor estimated at a $94 million value in today's funds). Jefferson
Tower at today's UAB Medical Center (a $34.5 million dollar project in today's funds) was built as a hos-
pital for needy persons—the project in which local politicians took the greatest pride. In 1938, Smithfield
Court became the first Birmingham public housing project, followed by Elyton Village in 1940. Both proj-
ects were built with PWA funds in conjunction with the local public housing authority, which was estab-
lished at this time. By April 1943, additional housing projects at Central City, Eastwood, and Southtown
provided Birmingham 2,566 total public housing units valued at $213 million in today's dollars, represent-
ing the largest federal expenditure in the area.
The Civilian Conservation Corps (CCC)—"Roosevelt's Tree Army"—worked at nearby Oak Moun-
tain State Park and at Cheaha State Park on reforestation, road and building construction, fire suppres-
sion, erosion control, and other projects. They also built today's Moundville Archeological Park and Jones
Archaeological Museum near Tuscaloosa.
At a total cost of $53.3 million dollars in today's funds, the Resettlement Administration (RA) built
four new communities at Greenwood, Mount Olive, Palmerdale, and Trussville. W i t h the National Park
Service, the RA also built a Recreational Demonstration Area at Oak Mountain State Park surrounding
today's Tranquility Lake. RA photographers, including Walker Evans, Thomas Hibben Jr., Carl Mydans,
Arthur Rothstein, and Marion Post Wolcott, provided a superb record of federal initiatives here to improve
housing alternatives and lifestyles for industrial workers.
The federal relief efforts of the 1930s touched the lives of virtually every resident of Birmingham and
Jefferson County. The beneficiaries of these programs—the men and women who labored to improve their
lot and that of the community—left us with a remarkable legacy.
Fairfield Post Office and City Hall Oak Mountain and Cheaha State Park
improvements
Roads, bridges, drainage improvements, fish
hatchery, lodge, picnic shelters, and an Overton Park, Homewood
arboretum at Lane Park—now Birmingham Rosedale School, Homewood
Zoo Scores of additions to Birmingham and
Greenwood, Mount Olive, Palmerdale, and Jefferson County schools, especially audi-
Cahaba Village at Trussville communities torium, class- and lunchroom wings, and
Historical Panorama of Alabama Agriculture, recreational amenities
Auburn Slossfield Negro Youth Training Center,
Industrial Waterworks System, now part of the North Birmingham
Birmingham Water Works system Smithfield, Elyton, and Southtown housing
McAdory High School projects
Moundville Archeological Park, Tuscaloosa Stone structures in local and state parks
Murals at East Lake Branch Library, Fairfield Tuberculosis Sanatorium, now Lakeshore
Post Office, Lakeview School (now Martin Foundation
Advertising Building), Montevallo Post Vulcan Monument and Park
Office, and Woodlawn High School
Nine stadia and grandstands in Jefferson
County, including H. F. Gilmore-Melvin
Welcome Address by James M.Jones Jr., City Commission President, to Eleanor Roosevelt, March 23,1937, Municipal Auditorium.
James M. Jimmie"Jones Papers, File #1007. Department of Archives and Manuscripts, Birmingham Public Library (BPL Archives).
INTRODUCTION
Cartoon Parody of Roosevelt's New Deal Program.
Vaughn Shoemaker.
Courtesy The Franklin D. Roosevelt Presidential Library and Museum, administered by the National Archives and Records
Administration.
Roosevelt holds a hand of alphabet cards, which he is organizing on the table like a game of Scrabble.
ALPHABET AGENCIES
Beginning in 1932, Acts of Congress and Presidential Executive Orders established so many new agencies that
they became known by their initials. In 1936, a peacetime year, federal spending first outpaced that of state and
local governments. It rose to nine percent of the national economy.
January 1932-1941, Reconstruction Finance Corporation (RFC) lent $9.4 billion in low-interest loans to
banks, insurance companies, building and loan associations, agricultural credit organizations, and railroads to
help stabilize these institutions.
March 1933, Emergency Banking Act (EBA) closed and helped reorganize troubled banks.
April 1933-1942, Civilian Conservation Corps (CCC) established a work relief program for more than 3 mil-
lion men from unemployed families who planted trees, built roads and structures, and fought fires in the nation's
forests and parks. The CCC's closest projects to Birmingham were at Oak Mountain and Cheaha State Parks and at
today's Moundville Archaeological Park near Tuscaloosa.
May 1933-December 1935, Federal Emergency Relief Administration (FERA) operated a direct-relief effort
that provided jobs for more than 20 million people and granted $3.1 billion to local work projects.
May 1933-present, Tennessee Valley Authority (TVA) became the first large federal regional planning agency.
TVA built dams, produced and sold hydroelectric power and fertilizer, developed recreational lands and com-
munities, and reforested this region.
May 1933-1937, Agricultural Adjustment Act (AAA) began the federal balancing of supply and demand for
farm crops by offering farmers funds to not produce corn, cotton, milk, peanuts, rice, tobacco, and wheat.
June 1933, National Industrial Recovery Act (NIRA) authorized the President to regulate industry and permit
cartels and monopolies. The act also guaranteed labor the right to organize and bargain collectively. An amend-
ment sponsored by Alabama Senator John Bankheadjr. created the Subsistence Homestead program.
June 1933-1943, Public Works Administration (PWA) spent $4 billion on federal, state, and local construction
projects, funding educational buildings, courthouses, public art, sewage-disposal plants, waterworks and public
health facilities, and streets and roads. The major Birmingham projects were the Industrial Waterworks System at
Inland Lake; the Jefferson Hospital, now part of UAB; and public housing projects, the first at Smithfield and Elyton.
June 1933, National Recovery Administration (NRA) allowed industries to create "codes of fair competition,"
which were intended to reduce "destructive competition" and to help workers by setting minimum wages and
maximum weekly hours. Blue Eagle posters symbolized business participation in the NRA.
June 1933-present, Federal Deposit Insurance Corporation (FDIC) guaranteed the safety of bank deposits up
to a certain amount.
June 1933-1936, Home Owners'Loan Corporation (HOLC) permanently changed the prevailing mortgage
system, refinancing more than a million homes to prevent foreclosure.
1933-present, Farm Credit Administration (FCA), established in 1916, was authorized to establish a central-
ized source of farm credit.
September 1933-present, Soil Erosion Service (SES), now the Natural Resources Conservation Service of the
United States Department of Agriculture, was established to assist farmers.
October 1933-1939, and to present, Commodity Credit Corporation (CCC) aided farmers and producers
through loans, purchases, and other operations. In 1939, the C C C was transferred to the United States Depart-
ment of Agriculture.
ALPHABET AGENCIES
October 1933-March, 1934, Civil Works Administration (CWA), a five-month program, employed 4 million
people in the construction of roads, schools, playgrounds, airports, and sewers. The program spent over a billion
dollars nationally. The CWA employed 15,000 persons in Jefferson County in public works projects.
October 1933-March 1934, Public Works of Art Project (PWAP) commissioned more than 15,000 works of
art for public buildings. A Treasury Department program continued the work through 1943.
1933-present, Historic American Buildings Survey (HABS) began a make-work program for unemployed
architects to develop measured drawings of pre-1860 architecture and thereby develop a national architectural
archive that remains to this day. HABS documented the Walker, Worthington, and Mudd Plantation houses in Bir-
mingham.
1934, 1938-present, Bureau of Air Commerce, Civil Aeronautics Authority-Federal Aviation Authority
(CAA-FAA) expanded the federal role in air travel, monitoring safety, overseeing pilot and aircraft certifica-
tions, and regulating fares and routes.
June 1934-present, Federal Communications Commission (FCC) became the successor to the Federal Radio
Commission, regulating non-federal broadcasting and interstate and international telecommunications that
originate in the United States.
1934-present, National Housing Act of 1934 created the Federal Housing Administration (FHA) and the Fed-
eral Savings and Loan Insurance Corporation to improve housing standards and conditions and provide home
financing by insuring mortgage loans. The F H A is today part of the Department of Housing and Urban Devel-
opment (HUD). From 1934 to 1938, RobertJemison Jr. ofBirmingham was the FHA'sfirst state director for Alabama.
1934-present, Securities and Exchange Commission (SEC) was charged with protecting the interest of the
public and investors in connection with the public issuance and sale of corporate securities.
October 1934-June 1943, U.S. Treasury Department's Section of Fine Arts encompassed variously named pro-
grams that commissioned works of art for post offices and courthouses across the nation and for public buildings
in Washington, D.C. The best-known local projects are the post office murals at Fairfield and Montevallo.
1934, July 1935-present, National Labor Relations Board (NLRB), the successor organization to the National
Labor Board of 1933, conducted elections for labor union representatives and investigated and remedied unfair
labor practices.
April 1935-1943, Works Progress Association-Administration (WPA), name changed to Works Project
Administration in 1939, employed more than 8.5 million persons in communities across the nation to work on
19 types of potentially fundable activities, including improving streets, roads, and schools and building high-
ways, bridges, airports, water systems, and parks. The WPA employed 9,000 persons in Jefferson County on public
works projects valued at $63 7 million in today's dollars. A partial list of localprojectsfollows in Chapter Five.
April 1935-present, Resettlement Administration (RA), later Farm Security Administration (FSA), now
Farmers Home Administration attempted to improve the lifestyle of sharecroppers, tenant farmers, and the
rural poor by resettling them on large government-owned farms that used modern techniques and expert
supervisors. One activity set up 34 subsistence homestead communities under the guidance of government experts,
four of them in the Birmingham area at Greenwood, Mount Olive, Palmerdale, and Trussville. Federal photographers
documented these community building efforts.
May 1935-1942, Federal Art Project (FAP) was an "art for every man" program and sub-unit of the W P A that
hired artists from the relief rolls to produce and exhibit more than 400,000 works of art, provide art education
for children, and staff 100 community art centers.
June 1935-1943, National Youth Administration (NYA), a part of the WPA, provided vocational educational
programs for adult learners and work to keep other students in school. Aubrey Williams from Alabama headed
the program. The NYA was active at the Slossfield Clinic in North Birmingham and the Snow Rodgers and other com-
munity centers. NYA and WPA workers also built Overton Park in Homewood.
ALPHABET AGENCIES
CHAPTER TWO
LEGEND
/historic American J3u tiding Survey (See hcdy of
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United States Coa^i & Geodetic Survey-
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tyeaftft, Safety, Sc -Sanitation.
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streets.
> Improvement within Small incorporated
The map documenting the City of Birmingham projects, cited on the county map, left, is missing from
the library's volume.
a-5
Grading and Surfacing, 25th Avenue from 22nd to 24th Street, North Birmingham.
"A typical street grading and surfacingjob in the negro section of North Birmingham."
Published in Report of the Civil Works Administration of Alabama, Jefferson County Division, 1934.
Courtesy BPL Southern History.
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m .'-••-kk'
Wading Pool and Spring House, Municipal Park-Now Roosevelt Park, Bessemer.
"Two other units of the Municipal Park at Bessemer, showing the wading pool and spring house. This spring is the main source of water
supplyfor wading pool and swimming pool." [Status: Filled in]
Published in Report of the Civil Works Administration of Alabama, Jefferson County Division, 1934.
Courtesy BPL Southern History.
in.. • ii! 3 MM
This 100-foot steel fire tower with a 12- x 12-foot "cab" and an exterior catwalk is one
of four such towers built by C C C men in Conecuh National Forest, which was also
A watchman lived in this residence adjacent the fire tower on Flagg Mountain.
Mississippi farm boys and native Alabamians built it as well as Weogufka's roads,
towers, cabins, bathhouse, and mess hall. From 1933 to 1935, Company 260 lived at the
park while building its structures from timber and stone hewn on-site.
Bunker Tower at the Highest Spot in Alabama, Cheaha State Park, Built 1934-1935.
Photograph by Robert Pasquill Jr., 2007.
M e n from Alabama, Florida, and Georgia who formed Company 468 built a 13-mile
road from their camp at Oxford into the wilderness area that was to become Cheaha
State Park. Then, they began work on this 40-foot tower, as well as cabins and other
structures. Those who worked on the stone bridges, culverts, and retaining walls along
the park road learned on the job. Their leader was the only man experienced in masonry
when construction of the park road began.
Planting Pine Seedlings, Blue Pond Plantation, Conecuh National Forest, 1937.
Photographs courtesy U S. Forest Service.
km Blue Pond became the Alabama CCC's first large-scale planting project. In January
1937, 60 enrollees planted 22,000 trees in one day. Six weeks later, nearly a million
k^o trees had been planted on 1,000 acres here. To regularly space the pine seedlings at
6- by 8-foot intervals across the open lands, the planting crew "followed the knotted
* string." Both longleaf and slash pine were planted.
• v
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-.
To help the newly planted pine grow, C C C men cut down damaged trees and tree species that competed with the pines. Here, the
work is performed by Company 3478-C of Camp F-7 at Chandler Springs.
To stop erosion on over-timbered and over-farmed land, the Alabama C C C built hundreds of check dams similar to those pictured.
In this photograph, the forest supervisor and district ranger inspect the dams. Above the dams, top of this photograph, C C C Camp
F-9 is perched at the top of the gully.
Thompson Creek Bridge, Alabama (now Bankhead) National Bridge Construction Crew from Company 1485, Camp S-52
Forest, 1933. at Chunchula.
Photograph courtesy U.S. Forest Service. Photograph courtesy National Association of CCC Alumni and Robert
Pasquill Jr.
Enrollees of Company 1403 at Kinlock Springs built this steel-span
bridge with masonry abutments.
OPEN POND
RECREATIONAL A R E A
Watchman's House Above the Sky Way Motor Way, Talladega National Forest, 1938.
Photograph courtesy U S. Forest Service.
Cheaha State Park and the scenic drive reopened to visitors in June 1939. Park improvements included visitor accommodations,
30 miles of road, and 4 miles of foot trails. Four thousand native shrubs and trees had been transplanted to the park area.
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4.5. 23.00 1!
2.73 18.00
'
Cabin Equipment
Cabins arc completely furnished anil all you need to bring is ice. Kerosene f<
cooking can be obtained from the park custodian at all parks except Monte Sam
where electric hot plate* are furnished, Cahin furnishings include beds antl cot
complete with bedding: towel.; cooking utensils: dishes and cutlery: chest ot drawer
are used for lighting ;ii ClV.il,a nod flak Mountain.
Reservations
Cabin reservations should be booked for three or four weeks in advance if possibk
Writing the Custodian, giving number of persons in party, date and hour teservatio
to begin, length of stay, etc. The reservation cannot be completed until a depos
made. If the cabins are not available for the time specified, all money will i
urncd to the applicant. For additional information write Parks Division, Dcpar
This brochure presents Alabama's state parks, and their recently built recreational amenities, to future park visitors. It also suggests that,
"Alabama's outdoors offer unlimited opportunities to enjoy Nature in solitude and quietness if one so desires." The new CCC-built museum at
today's Moundville Archaeological Park is also included in the presentation.
Picnic Shelter
""-•-. fS
ft " ,i
§r^ ^vt^^B
Bunker Towe
; ^ ^ " " T ^ -
*"~ ••'<&*»< '
"Steelmill workers'company houses and outhouses. Republic Steel Local industrial firms built these one-story houses by the
Company, Birmingham, Alabama." hundreds in the early 1900s. Known as "square tops," the cottages
Photograph by Walker Evans, March 1936. are well adapted to the Southern climate. H o t air rises into the steep
Courtesy LOC-FSA. roof, effectively cooling the rooms below. W i t h two front doors, the
house was easily subdivided as the demand for housing changed.
Republic Steel did not make steel in Birmingham. At its Thomas site,
The company provided electricity, but sanitary facilities were outside.
it manufactured iron as well as coke and coke byproducts, the coolers Several of the square top houses remain today in the Thomas
for which plant are pictured here, far left, with adjacent company neighborhood of the city of Birmingham.
houses and outhouses.
0 Courtesy LOC-FSA.
"Coming out of the mine. Birmingham, Alabama." "Coal miners. Birmingham, Alabama."
Photograph by Arthur Roths tein, February 1937. Photograph by Arthur Roths tein, February 1937.
Courtesy LOC-FSA. Courtesy LOC-FSA.
"General store for iron ore miners. Muscoda, Alabama." The company store (also known as the commissary) served as gathering
Photograph by Arthur Roths tein, February 1937. place, pay office, post office, bill-collection office, and shopping
Courtesy LOC-FSA. center, handling everything from workers'tools to housewives'
non-essentials—fuses and boots, food and furniture, clothing and
Companies provided not only housing for workers but also stores laces. The hillside behind the commissary is stripped of its mineral
where they purchased goods with company scrip known as "clacker.' resources.
built crisp white cottages and Colonial Revival style houses. They also
photographed family members at work on the farmsteads. Interviews with
residents indicate that in-laws and children as well as hired staff contrib-
uted the farm labor necessary to cultivate the generous acreage provided by
the government.
<MiT
St
*
"Some of the children who are now residents of the Palmerdale Homesteads, Alabama/ "Working in garden at Palmerdale Homesteads,
Photograph by Arthur Rothstein, February 1937. Alabama. New homesteads in background."
Courtesy LOC-FSA. Photograph by Arthur Rothstein, February 1937.
Courtesy LOC-FSA.
"Backyards and houses of the Palmerdale Homesteads near "Palmerdale Homestead boys working a watermelon patch near
Birmingham, Alabama." their house. Alabama."
Photograph by Carl Mydans, June 1936. Photograph by Carl Mydans, June 1936.
Courtesy LOC-FSA. Courtesy LOC-FSA.
"Five room house and family at the Palmerdale Homesteads near "One of the Palmerdale Homesteads near Birmingham,
Birmingham, Alabama. Alabama."
Photograph by Carl Mydans, June 1936. Photograph by Carl Mydans, June 1936.
Courtesy LOC-FSA. Courtesy LOC-FSA.
"Terraced fields at Greenwood Homesteads to prevent soil "Mr. Chesser unloading some of his farming implements at the barn on
erosion. Alabama." his new homestead. Greenwood, Alabama."
Photograph by Arthur Rothstein, February 1937. Photograph by Arthur Rothstein, February 1937.
Courtesy LOC-FSA. Courtesy LOC-FSA.
"Mrs. Wesley Vickrey, who will move to a new home at "Present home of Wesley Vickrey of Wylam, Alabama. Mr. Vickrey and his
Alabama's Mt. Olive Homesteads. Wylam, Alabama." family will soon move to a new house at Mt. Olive, Alabama."
Photograph by Arthur Rothstein, February 1937. Photograph by Arthur Rothstein, February 1937.
Courtesy LOC-FSA. Courtesy LOC-FSA.
mm~
"David Taylor moving into his new home at Mt. Olive, Alabama." "Completed House at Mt. Olive, Alabama.'
Photograph by Arthur Rothstein, February 1937. Photograph by Arthur Rothstein, March 1937.
Courtesy LOC-FSA. Courtesy LOC-FSA.
At Mount Olive, government officials experimented the University of Pennsylvania, and in London and Paris.
with an ancient building medium known as rammed earth Well tutored in how historic buildings were built and with
to build modern houses. The construction costs were dirt a special interest in low-cost housing, Hibben served as the
cheap. Dirt was dug from the project site and mixed with chief engineer for the Resettlement Administration and
sand and water. The project director was Thomas Hibben Jr., the mastermind for the Birmingham experiment.
an architect and engineer educated at Princeton University, Hibben drew the plans and supervised the construc-
tion. His team of 14 men, hired from the relief rolls,
perfected the rammed earth technique. It took them five
weeks to build the first of seven houses and five days to
build the last one. Hibben designed the houses in the
International style with flat roofs and wide roof over-
hangs. Walls of dirt dug from the site and tamped into
building forms were 9 feet high and 17 inches thick. The
walls were coated with linseed oil and stuccoed or painted.
The process required little equipment and was labor-
intensive, a desirable quality at this time of large-scale
unemployment.
Project director Thomas Hibben Jr. made photo-
"Digging dirt used in rammed earth construction near Birmingham, graphs showing the construction of the rammed houses
Alabama."
in March and April of 1937. His captions describe the
Photograph by Thomas Hibbenjr., March 1937.
Courtesy LOC-FSA. techniques employed.
•!?,+••• mr.i,
"Tampers used in rammed earth construction." "The workmen stand in the forms and knead the loose earth
Photograph by Thomas Hibben Jr., April 1937. with tampers."
Courtesy LOC-FSA. Photograph by Thomas Hibbenjr, 1937.
Courtesy LOC-FSA.
"When one house has been completed the forms are moved to the next building site. Form sections should not be larger than can be
handled by a crew of three or four men."
Photograph by Thomas Hibbenjr., 1937.
Courtesy LOC-FSA.
"Rammed earth House at Mt. Olive, Alabama." "Rammed earth house near Birmingham, Alabama/
Photograph by Arthur Rothstein, March 1937. Photograph by Thomas Hibbenjr., 1937.
Courtesy LOC-FSA. Courtesy LOC-FSA.
"Rammed earth house at Mt. Olive, Alabama." "Rammed earth house. Mt. Olive Tract, Birmingham, Alabama."
Photograph by Arthur Rothstein, March 1937. Photograph by Thomas Hibbenjr., 1937.
Courtesy LOC-FSA. Courtesy LOC-FSA.
:::: s:::
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X_L
Coat THa.taria.ls
Rtinforccd concrete foot-
i n g s »nd floor «,la.b. . . .
(Jood or Asph»lt file f i n -
Ltbsr * wo ished interior t l o o T s . . . .
m.ahourj -sk.llad- 70° R j m m t d aarlh. bearing-
f\anV)ours - unikillffd -IftOO LO&I1& . . Stud partitions.
Lagaivd Built up Tar and .slag
A Bad Boon roaring- on. da&d la v<i f
£> fcad P_oar\ ajood deck-. . . . . . .
C ©«d P.OOM. ll-li Oood branch d o o r s . . .
0 6»1h. fc.8 Interior ua.lt s e n d
£. - i . . . ;.'.• Callings pi a star t d .
F Ltvmg R w i \ E x l i n o r w*o.tl» Jlmar
Gi front porcK Color w&shtfd. (Jood
H K.rtch«n a.u So$( it . All plumbing,
1 R a i r porth. 9«I5 cjiring and fixtures
» n
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. •• •• -
::::
*!3"lifli
J. F. Lies convinced Resettlement Administration offi-
cials to redevelop the site as a federally sponsored "green-
belt" town through a new RA program initiated in 1936.
Greenbelt, Maryland; Greenhills, Ohio; and Greendale,
Wisconsin are other similar federal ventures.
Officially listed as Slagheap Village when construc-
tion began in July 1936, the project was renamed Cahaba "Scene at Slagheap Village, Alabama."
Photograph by Arthur Rothstein, February 1937.
Village for the wide greenbelt of parklands along the Courtesy LOC-FSA.
Cahaba River that formed the new community's eastern
spine and gave it cohesion. Green space also extended at $9,619 each. Residents, who eventually purchased their
along a 1,200-foot mall through the tree-lined village. A homes in the well-planned town, developed a strong sense
school and community facilities defined one edge of the of community.
village green, which continued to the parklands along the W h e n Trussville incorporated in 1947, the federal
river. These extensive open spaces safeguarded the water project became a part of the town. Project houses were
supply, provided natural areas for recreation, and buffered sold to tenants and others. The water, natural gas, and park
the village from future encroaching and nonconforming systems were acquired by the new government.
developments. Arthur Rothstein photographed the community in
Birmingham landscape architect William Kessler, February of 1937 as the sewage disposal plant and early
who had earlier worked with national land planners houses were under construction.
employed by Jemison 8c Co. on developments
such as Mountain Brook, designed the commu-
nity, including all the bells and whistles of what
was then considered top-notch planning.
Development work included constrution of a
waterworks, sewage disposal plant, utilties instal-
lation, street and sidewalk paving, curbs, gut-
ters, 3 public buildings, and 287 dwelling units
including 44 duplexes. Project architect D. H.
Greer drew a dozen plans for the brick and frame
houses, varying styles and materials. California
redwood and T C I steel shingles were construc-
tion staples. While construction labor came from
relief rolls, government inspectors insisted upon
quality work.
Upon completion on April 1, 1938, the
Cahaba Village was among the largest of the
federally built new towns in terms of numbers of
"Construction of the sewage disposal plant. Slagheap Village."
homes built, and among its finest. The total proj- Photograph by Arthur Rothstein, February 1937.
ect cost was $2.7 million for the 287 units valued Courtesy LOC-FSA.
• • - • > • ' • • • ; - - •
Many New Deal initiatives attempted to sta- built for $2.5 million; Elyton Village's 860 units
bilize the nation's existing housing stock, encour- in 110 row houses and four apartment build-
age home construction, and promote home own- ings cost $4.25 million. Birmingham architect
V
ership. The Federal Housing Administration D. O. Whilldin served as project architect, and * *
established government support for long-term William Holmquist was the landscape architect
home mortgages.From 1934 to 1938,Birmingham and planner for both projects.
developer Robert Jemison Jr. headed the Alabama The Smithfield Court project is a seven-
office and sought to convince bankers that gov- square-block site that fronts 8th Avenue North
ernment-guaranteed mortgages would encourage and abuts Parker High School. It is the only Bir-
well-designed new home construction. mingham project to be featured in the PWAs
The U.S. Congress also passed legislation survey of its best projects nationwide. The Beaux-
to construct government-owned rental housing Arts style site plan maximized the use of open
in major cities. The initial act was modified and space. The low-scale row houses occupied 27
expanded as the Housing Act of 1937, which percent of the total land area, and open space is
provided for the establishment, through state law, reserved for a recreational commons, playgrounds,
of local public housing authorities to build, own, gardens, and walking paths. In 1938, First Lady
and operate the housing. Eleanor Roosevelt came to town for the parade
In Birmingham, the Public Works Admin- down 8th Avenue that opened the new public
istration (PWA), a federal agency that funded housing venture.
>; *5«j
construction of massive public buildings and The Housing Act of 1937 would provide
projects, funded the first two "slum clearance further federal support for privately developed
projects": the Smithfield Court Public Housing housing, by offering mortgage subsidies to pri-
Project and the Elyton Village Housing Project. vate developers to construct large apartment
Intended to provide "low cost, low rent" complexes for persons of modest incomes. The
housing options, Smithfield Court served black Redmont Gardens and Park Lane Apartments in
tenants, and Elyton Village, white. Smithfield Mountain Brook would be among the projects
Court's 540 units of two to five rooms each were using this program.
Open Space with Surrounding Row Houses, Smithfield Court Housing Project.
Photograph published in Public Buildings: A Survey of Projects Constructed by Federal and Other Governmental Bodies Between the Years 1933
and 1939 with the Assistance of the Public Works Administration, 1939. Courtesy BPL Government Documents Department.
Community Building, Now Bethlehem House, 8th Avenue North, Smithfield Court
Housing Project.
Rendering from the Postcard Collection, BPL Archives.
Housing Letter, James M.Jones Jr., City Commission President, to Franklin D . Roosevelt, May 21,1936.
James M. "Jimmie"Jones Papers, File #1007, folder #5.2. BPL Archives.
L
n^/T rLQQK PLAJU Ik.
J O B S FOR THE J O B L E S S :
THE WORKS PROGRESS ADMINISTRATION (WPA)
io7,6U ^Ml-f-U
Works Progress Administration (WPA) funds Uj.-P'jj£l-
iki. ,
OT7- WE:
were given not only to counties and their departments
H9*6 ferfforami Cowaty T^apartaarfc 'of "]
of public health and public welfare, but also to cities, Pribilo Ihlftr*. -—
C«*osty-*ifi«, To provlda afcligamt for w&y pmtmna
.7,4;
school boards, park boards, as well as the state high- tST.Wa
in prnvldtes f r w l u n u t i l t m o * in. boneewcrk md
M T * of ehlldr«n| in the Suww of th» aotdy i*«r* the r
h«a»irt r» b«r#*lf U t o t a l l y or p a r t i a l l y taeapMitttva-^-
way department, archives, department of health, and im to i l l fcawlth, Mnflaoaunt, or niiiilir r u c i a s .
This pni J « t rf.ll oparktfr ttroi^ioot Jmtturatwi Cowntjv
geological survey for work in individual counties. Total •nd i l l t fs^loy Mostly VOBMIU In "addition to pro>et*
•pwjlfioally a#prov#d0
federal allocations were tracked by state. Discovering "B.U 4« a, < n t t M k < l « of IM ]X6-ol~70S8.
what happened at the local level is a challenge. iied by u- i-u ??
•~M
W P A funds were for wages only. Local funds f-„...:
provided materials and a match if required. In today's
160,«tt
:i1937
dollars, a local worker paid $6.00 a day on a road HIT.OM t«T.<H» lHa««
building project would earn the equivalent weekly
salary of $470. W P A jobs were not full-time jobs, nor
were they permanent jobs. They did pay well.
tte -'*29a253
W P A projects for Jefferson County are iden- 037
Jnffaraoja 3B
tified on index cards preserved on microfilm in the -• flouaty Board of Maoation
«-* S65 i^afraraon
Birmingham Public Library Archives. From tran- B>» *PP. Couftty-nljls. To proaida aafloyaant for Maty paraona
1B tna preparation of aobooi lunohaa to b« rurniahad
without ooat fco naady or uBdarnouriahad ahlldraa la
scription of the microfilm, the following list of major *o* oourrhr publio aohoola. T U i projaet will oparata
thro&shou^ Jeffaraoa, County, w\th aeadquartara. for
projects and total expenditures has been compiled. tha purpobo of aapcrtlaloo, at feiraln^haja. Thu pro-
Jaat aaploya aoa.tly auaan. In'addition to projaota
apaaifloaflLly apprtwad.
While the index cards do not always identify indi-
vidual projects, they do present the fullest picture
<,/ i t,
available of the WPAs employment relief efforts here. 4 tLl/fa 7
y-wl 1937
WPA Allocations in Jefferson County, 1935-1941 64 M H i-' |jiMjL—_ *.^.*ra_;
piTerfr^'CiTin^CffiSJilBBioJl
£.1
CoMKty-^7i(3o* S.'o jiroTiiie mpl contort for msciiy prc-
Schools 4.5 10-32-37 fossioaalj sdacattoiml anii clerical parsons In aofcj*;
R ownprohonElve tr&Ti'io aurwy of tfoff nroon County '
|koUluting or Yrfilale n.nU p«tIo3tr3.ari donai-ty oomrfccj
Parks 3.7 &ricl2i'nii() dost±aatlon..5tudi«H, and tfao r-ooardliif, nf
nnclil, pJtyslo&l una tioanpmlo faotoro linilutjlttjiajf
ti-afflo pat^trnn* Ih±« pro^DOt trill operato itLrou^x-
Industrial Waterworks 3.5 .o«t .IsfreffBtm Coiart^';, wltijv iidqrts., frjr p^rpoaes of
iSttpor'elEl.Tn, a t Siyi)iinj:hQiJiv' Tbiu Terttflj: io cot a ncr
ilUii aotivity of tko;cpolWDi'. or other mubllo antlioj-ity
Drainage/Sanitary Sewers 2.9 or RfCTioyJ oud ca r^gjllarjw flinylpyed poTBonaal will tie
: Stn-ttstlool
^ieplncfiGB m ari'Ji-fclcn to probata .apooifieally apprcrved. Rerl<w Projc
Public Health 1.9
State and Federal Highways 1.0 22„05a
Military 0.7
131937
CM* 018.0S2
Vvjk
m
•'«—»•*• I
m
—<
^ -
Birmingham Municipal Airport. W P A workers improved the hanger and built runways and light towers. Prior to these
Photograph by American Airways, 1930s. improvements, planes landed in the field and loaded passengers and freight from the concreted
Courtesy BPL Archives. area, the light area in this photograph. At the airport, the W P A also built National Guard facilities,
not shown in this photograph.
JOBS F O R T H E JOBLESS 77
Hillman Hospital Outpatient Clinic Building, Jefferson Hospital, dedicated 1940.
completed 1939. Photograph showing PWA project sign.
Photograph 1940. Courtesy BPL Archives.
Courtesy BPL Archives.
[Status: Demolished.] In 1944, the University of Alabama entered into a 99-year contract with Jefferson
County, builder of this hospital, for the lease of the Jefferson and Hillman
Hospitals. [Status: Extant, now the Jefferson Tower at UAB Medical Center.]
JOBS F O R T H E JOBLESS 79
Parks $3.7 million
• Oak Mountain State Park (for the Recreational Demonstration
Area, not including the CCC improvements, these allocations to
Jefferson and Shelby Counties, $.8 million)
• Birmingham Parks, $1.7 million, improvements to Avondale,
East Lake, Lane, McLendon, Woodrow Wilson, and 24 other
parks, build 4 swimming pools, improve playgrounds, build 20
roller skating rinks, construct a community center in Central
Park, improve Municipal Stadium (Legion Field).
• Improve drainage and build masonry dams on the Roebuck
Springs Golf Course (Hawkins Park).
• Improve parks throughout the city, work includes
construction of recreation facilities, shelter buildings, walks,
bleacher seats, and baseball diamonds, surfacing tennis courts,
opening quarries to produce materials for use in the project.
• Construct fish hatchery basins in Lane Park (today's zoo Fish Hatchery Basins in Lane Park, 1936-1937.
ponds). Photograph courtesy BPL Archives.
• Construct a concrete shaft and move and erect Vulcan statue [Status: Extant as the ponds at the Birmingham Zoo.
in Park on Red Mountain, near Birmingham (today's Vulcan
Park).
• Fairfield, a colored playground, $60,000.
• To Birmingham, Bessemer, Homewood, Leeds, and Jefferson
County funds for park and playground staff.
Playground Supervision, ACIPCO Park. The WPA provided annual funds to school and park boards to "employ needy persons to
Photograph 1930s. supervise and coordinate recreational activities, including recreational and leisure time leaders
Courtesy BPL Archives. for games, sports, social activities, and training for recreational leadership."
80 DIGGING OUT OF THE GREAT DEPRESSION
Vulcan M o n u m e n t in Vulcan Park, atop Red Mountain. W P A funds paid for the labor to move and erect the Vulcan statue on Red
Photograph by O. V Hunt, circa 1939. Mountain and for extensive improvements to all Birmingham parks. [Status:
Curtesy BPL Archives. Extant.]
JOBS F O R T H E JOBLESS 81
Councill School, Auditorium Addition, above
Photograph 1940, from the Jefferson County Tax
Assessor's Property Survey.
Courtesy BPL Archives.
[Status: Extant
-:**&?,
ARTISTS ON RELIEF:
A N E W DEAL FOR THE A R T S
The New Deal provided jobs to all kinds of American workers,
including artists. From 1933 to 1943, painters, sculptors, graphic
designers, and art teachers received the standard white-collar wage
to make and share their art. By law, works of art produced by art-
ists on "relief" were to be displayed in public places, such as schools,
libraries, courthouses, and post offices.
Painter Richard Coe, who served briefly as director of Alabama's
federal art programs, captured their aspiration to create a new form
of American art:
The art spirit (art for art's sake) created in the nine-
teenth century is all well and good, but there is an art for
the people. The government is doing its best to develop it
by taking charge and giving work to artists to do art for
the education and delight of the people. American art for
American people is a slogan well worth heeding.... The
modernistic era has passed. A 'new deal' in art has come in
with all the other 'new deals.'The government has it in its
power to create a good one.... We are an educated race and
use painting as a useful purpose.
Richard Coe quoted by Dolly Dalrymple, "Winner of Scholarship Returns on
Visit," Birmingham News, 9 May 1934.
During 1933 and 1934, the earliest federal program, the Public
Works of Art Project (PWAP), was funded through the Civil Works
Administration and operated under the U.S. Treasury Department.
The PWAP put thousands of artists to work nationwide. Locally, 12
prominent Alabama artists, including Coe as well as Frank Hartley
Anderson, Martha Fort Anderson, Hannah Elliott, John Kelly Fitz-
patrick, William Grant, Carrie Hill, and Sidney Van Sheck, pro-
duced oil portraits and paintings of public figures and local scenes,
woodcuts, watercolors, murals, bronze plaques, and statues as well
as special displays of their "relief" work. Perhaps the best-known
PWAP project is the full-size statue of the beloved pastor of Third
Presbyterian Church, the Reverend "Brother" Bryan still on display
in Five Points South in Birmingham.
This painting, which the editors believe to be of the still extant though not
operating Sloss Furnace No. 2, hung in the Montgomery offices of Alabama's
relief administrator, Thad Holt. Coe later transferred the painting to the
Montgomery Museum of Fine Arts, then a federally supported museum that
was actively acquiring the nucleus of its superb regional art collection.
Church Supper. subject matter for art works, particularly local and typical
Frank Hartley Anderson (1891-1947, active in Birmingham Southern subjects and especially African-American
1909-1938). Woodcut, 1934. Collection of Lynn B. Williams gatherings. Anderson founded the Southern Printmakers
Katz, Auburn, Alabama. Society, which became a regional graphics art organization
Published with the permission of Jordan Prince, Locust Valley, that set standards for prints and exhibited and sold them to
New York. growing numbers of patrons. His artist wife, Martha Fort
Anderson, collaborated in many of his works, including
Frank Hartley Anderson's most highly acclaimed woodcut providing sketches for this print. The scene, above, shows
print, made in 1934 and exhibited at local and national individuals grouped for a meal during which plates of hot
shows, typifies the then-new trend to use native topics as biscuits are being served.
* Alabama artist
Sourcesfor the Post Office Mural Listing: "New Deal/WPA Art in Alabama," http://www.wpamurals.com/alabama.htm; Alabama Department of
Archives and History, "New Deal Art in Alabama Post Offices and Federal Buildings," http://www. alabamamoments. state, al us/sec49det. html.
ARTISTS ON RELIEF 91
Nearly every known local artist of the period
participated, creating paintings, prints, murals,
sculpture, and teaching aids. Quilters, basket and
rug weavers, and those creating needle and other
forms of folk art were also employed. W P A work-
ers also staffed art centers and galleries, taught
children's art classes, and arranged exhibitions. The
Birmingham Public Library hosted many local and
traveling displays. Special shows also featured the
work of young artists at the Library, Birmingham-
Southern College, Howard College (now Samford
University), and the Federal Art Museum, then
located in Henley School at 1700 Sixth Avenue
North. Artists also gave lectures to groups on art
and museum subjects, collected information about
Alabama artists, and circulated materials in the
public schools.
The best-known local W P A art projects
are the large murals commissioned for libraries,
schools, and the state fair. The mural at Woodlawn
High School is said to be the largest and longest
mural frieze in the entire South, covering fully 816
square feet.
Brother Bryan.
Designed by William Grant (New York, active in Birmingham in the
1930s); carved by George Bridges (1899-1976), Birmingham; dedicated
July 29, 1934. Statue, Alabama marble, 1934. Five Points South,
Birmingham. Photograph by the Birmingham News, September 23, 1934.
Courtesy BPL Archives.
[Status: Extant, restored 1983.]
ARTISTS ON RELIEF 93
94 DIGGING OUT OF THE GREAT DEPRESSION
Discovery of America Murals.
Frank Hartley Anderson and Martha Fort Anderson (1885-
1968). Murals, oil on canvas, 1935-36. Installed in the library
of the historic Lakeview School-now Martin Advertising, Inc.,
Building, Birmingham.
Photographs, 2010, by Frank Jefferson Tombrello, Birmingham
Historical Society. Courtesy Birmingham Board of Education
and Martin Advertising, Inc.
[Status: Extant, relocated to halls in 1986; several of the
original panels are missing, including a map that traced the
routes of the explorers.]
Vikings Landing on the Coast of America, top left. Columbus Returning to Palos, middle right.
Blond men in horned helmets and gold-bronze armor emerge European men, women, and children in colorful dress appear in
from their sailing craft onto the future American shore. Behind the courtyard of an Italian-style residence as Columbus'ships
them is a sea of cobalt blue. approach the Spanish port city from which he sailed and to which
he returned.
Spaniards Arriving at Tikal, top right.
Working from a photograph of a restored temple, the Andersons Cabot Claiming America for the British, 1497, bottom left.
portrayed the grand Mayan pyramid amid banana trees, palmetto This scene depicts John Cabot and his son Sebastian landing on
fronds, and orchids flanked by an immense stone idol. Two the American coast and preparing to run up the British flag.
Spanish soldiers are poised in discovery. The scene, however, is
Jacques Cartier Exploring the St. Lawrence, 1835, bottom right.
fictitious for the Spaniards never actually reached the Mayan city
The vignette shows two natives carefully paddling a canoe, at the
ofTikal.
bow of which Cartier stands as he patrols the river, brandishing
Christopher Columbus Discovering America, middle left. the French flag and laying claim to the region.
W i t h his flotilla anchored off this tropical shore, Columbus'
outstretched arm and display of Spanish flags and armored
soldiers make clear his authority, and that of the Catholic Church,
over the submissive native couple.
ARTISTS ON RELIEF 95
Early Settlers Weighing Cotton.
William SherrodMcCall, Jacksonville, Florida.
Mural, oil on canvas, 1939. Montevallo Post
Office, Montevallo, Alabama.
Photograph, 2010, by Frank Jefferson Tombrello,
Birmingham Historical Society.
[Status: Extant.]
Post Office Murals™ reprinted with the permission
of the United States Postal Service. All rights
reserved. Written authorization from the Postal
Service is required to use, reproduce, post, transmit,
distribute, or publicly display these images.
ARTISTS ON RELIEF 97
98 DIGGING OUT OF THE GREAT DEPRESSION
Youth's Strife in the Approach to Life's Problems.
Designed by Sidney W.J. Van Sheck (c. 1896-1991), then at Auburn University; painted by Richard Blauvelt Coe; installed by
William Grant. Mural frieze, oil on canvas, 1935-38. Auditorium, Woodlawn High School, Birmingham.
Photograph, 2010, by Frank Jefferson Tombrello, Birmingham Historical Society. Courtesy Woodlawn High School.
[Status: Extant, under restoration.]
The Czech-born and European-educated artist and aeronautical engineer Sidney Van Sheck, who in the 1930s served
on the interior design faculty at the Alabama Polytechnic Institute (now Auburn University), designed this massive
allegory with its 9- and 14-foot heroic figures. A boy and girl, center, face life's challenges—industrial exploitation,
war, greed, corruption, spiritual intolerance—ultimately triumphing over life's ills to obtain, through agriculture and
education, a new social order. In their future ideal life, armed with new scientific and technological improvements such
as land terracing, bridges, planning, radio, water power, and speedy transportation, middle left—they forsake industrial
life and support themselves through agricultural pursuit, left. Well schooled and intellectually sharpened by superb
teachers and exposure to the arts, right, the boy and girl prosper with their improved spiritual and intellectual guidance.
A motto crafted by Van Sheck, now painted over, originally surmounted the Woodlawn mural: "Gloried be they
who forsaking unjust riches strive in fulfillment of humble tasks for peace, culture, and equality of all mankind."
ARTISTS ON RELIEF 99
I j T UNTO^I
UNTO4LAND CAME
CULTURE
TIMBER,
Historical Panorama of Alabama Agriculture. Funded by the W P A , Mobile muralist John Augustus Walker created
Designed by John Augustus Walker, Mobile, Alabama; painted these panels for installation at the Alabama State Fair in Birmingham.
by Walker and Richebourg Gaillardjr, Mobile, Alabama. Commissioned by the Extension Service of the Alabama Polytechnic Institute
Ten panels, tempera on canvas, 1939. Created for the Alabama (now Auburn University), they tell the story of Alabama agriculture from its
Cooperative Extension Service Exhibition, Alabama State origins in the cultivation of corn by indigenous people to the arrival of federal
Fair, Birmingham, October 1939. programs of the 1930s advocating scientific and improved practices. Measuring
Photographs, 2006, Courtesy Alabama Cooperative Extension roughly 5 x 7 feet each, the murals were displayed in the agricultural pavilion
System. at the fair and later traveled to other state fairs before being retired to the attic
[Status: Extant, cleaned and remounted, 1985; ownership of the extension service. There, in the early 1980s, they were rediscovered and
transferred to the Jule Collins Smith Museum of Fine Art, subsequently cleaned, repaired, and briefly exhibited. They were rediscovered
Auburn, Alabama, 2010.] again in 2006, researched, and displayed during Auburn University's
sesquicentennial celebration.
AQRICULTURE
b
ON STAGE:
T H E F E D E R A L T H E A T R E P R O J E C T (FTP)
Operating nationally from 1935 to 1939, the WPA's
Federal Theatre Project (FTP) pursued the goals of
employing theatre workers—actors, directors, technicians,
Federal Theatre of Alabama
and writers—and bringing affordable dramatic entertain- Presents
ment to everyday Americans. Headed by Vassar theatre
professor Hallie Flanagan, the program also sought to
ttiiniir in m AMIJ*
encourage the development of plays by local authors on
local topics in places where little or no professional the-
atre existed. With an All Colored Cast
Coordinated from Washington, theatre companies
operated in 22 states and 40 cities. In Alabama, the proj-
ect was sponsored by the State Park and Recreation Board
and was headed by John McGee, former director of the
Birmingham Little Theatre. A total of $55,000 was allo-
1
cated to the Alabama project.
Two units operated in Birmingham: the "senior," or
white, unit and the "junior," or Negro, unit, the latter the
only federally supported African-American theater unit in
Thu., Apr. 16For Colored People
the Deep South. (The two other Negro units in the South-
ern Region operated at Durham and Raleigh in North
Carolina.) Birmingham was also home to the Southern
Play Bureau, which solicited and reviewed script submis-
sions for the region's units, arranged travel, disbursed funds,
Fri., Apr. 17 For White People
and provided other administrative support.
In addition to producing stage plays, the Birming-
8 P.M. Admission 25c
ham project hosted "demonstration" workshops, produced
radio broadcasts, and toured the state with some produc-
tions. The F T P also offered free classes in acting, panto- Home in Glory Poster.
Play poster, Birmingham Federal Theatre Project, 1936.
mime, comedy, theatre history, playwriting, lighting and Courtesy Federal Theatre Project Materials Collection, Special Collections
staging, fencing, music, dance, and ballet. The Federal and Archives, George Mason University Libraries.
Theatre Singers of Birmingham's Negro unit, overseen by
local choir director Harold White McCoo, had their own portray the black scene with realism. One example of the
30-minute radio show, in addition to performing in each latter, Harold Courlander's Swamp Mud, used the plight
of that unit's stage productions. of convict road crews in Georgia as a metaphor for the
Prohibited by a City of Birmingham ordinance from oppressive circumstances of Southern blacks. (Courlander
sharing the same performance space as the white unit, later would sue, and successfully settle with, Roots author
the Negro unit operated at the Municipal Auditorium Alex Haley for plagiarizing his 1967 novel The African?)
and Industrial High School. W i t h an initial allocation of The Negro unit's most ambitious production was an
$5,000, the group's cast included Russell Veal, an expe- "allegory with music" called Great Day, the script of which
rienced actor trained in Birmingham, and soloist Lillie is now lost. Local black playwright Morrison Wood's
Mae Littlejohn. Its productions, under the guidance of drama begins in 4500 B.C. in the jungles of Nigeria and
local director Clyde Limbaugh, ranged from stereotypical follows a tribal prophet and a warrior chief turned slave
depictions of African-American life in the South (Acci- through the Civil War to the Depression, exploring the
dent Policy and Home in Glory) to plays that sought to subjects of slavery, social change, and black leadership.
104 DIGGING OUT OF THE GREAT DEPRESSION
Riot Scene from the Atlanta Production ofAltars of Steel.
Photograph, 1937. Set design by Joseph Lentz.
Courtesy Federal Theatre Project Photographs Collection, Special Collections and Archives, George Mason University Libraries.
Birmingham's white unit performed under the The Birmingham News published the work in installments
direction of Verner Haldene, of the Montgomery Little leading up to the play's opening. Among the other plays
Theatre, at the famed Jefferson Theatre at 1710 Second produced by the senior unit were a "rousing" melodrama
Avenue, producing a total of nine plays during 1936. (After Dark), a locally authored comedy (Mr. Petruchio), a
The group employed 63 workers, including profession- satire on public education (Chalk Dust), and a courtroom
als Amasa Windham and Sallie Lee Woodall of the Bir- drama by Ayn Rand (The Night of January 16 th).
mingham Little Theatre and Clyde Waddell of the Walter One of the most widely seen and discussed plays of
Ambler Stock Company. The project's high point was the Federal Theatre Project was Altars of Steel, an original
the dramatization of// Cant Happen Here, which opened drama developed by the Birmingham project. The play
simultaneously at 22 federal theatres across the country on depicts the struggle between management and labor at a
October 27, 1936, and was seen by half a million people. Birmingham steel mill that is acquired by "United Steel," a
Based on a novel by Sinclair Lewis, the play portrays the national company based in the northern United States. A
United States under the control of a fascist dictatorship. thinly disguised reference to the acquisition of the locally
ON STAGE 105
owned Tennessee Coal and Iron Company (TCI) by U.S. of the 1930s. Hallie Flanagan described the play as "the
Steel, the play features 21 staged deaths, a workers' riot, most important Southern production." Critics described
and an explosion at the mill. Written under the pseud- it as dangerous and inflammatory—too controversial, per-
onym Thomas Hall-Rogers, the play is often attributed haps, for Birmingham.
to local newspaperman John Temple Graves II. However, Following the demise of the Negro unit, funding for
one recent researcher asserts that the true playwright was its choir was continued under the WPAs recreation pro-
Josiah Bancroft, a physiotherapist at the T C I Hospital gram, and efforts subsequently shifted toward support of
(later Lloyd Noland Hospital) in Fairfield1. recreational activities for the city's African Americans,
Altars of Steel received several public readings in Bir- a cause championed by local park board representative
mingham and was in rehearsal for a January 1937 opening Laura Sharp.
when the city's theatre project was shut down. Funding The Federal Theatre Project in Birmingham rep-
cuts, poor attendance, and the lack of qualified theatre pro- resents a remarkable, if brief, experiment in Southern
fessionals and quality scripts contributed to the decision regional theatre. Through it, both white and especially
to close the Birmingham units. Picked up by the Atlanta black emerging artists gained a venue to explore cultural,
group, Altars of Steel premiered on March 29, 1937, and social, and economic themes and gave many the opportu-
quickly became one of the most discussed Southern plays nity to experience live theatre for the first time.
Osborne, Elizabeth Ann. Staging the People: Revising andReenvisioning Community in the Federal Theatre Project. College Park, M D :
University of Maryland, 2007. http://hdl.handle.net/1903/6858.
ON STAGE 107
CHAPTER NINE
DIGGING U P THE P A S T :
A D V A N C E S IN A R C H A E O L O G Y
W i t h its moderate climate and an available large, mostly
unskilled labor force, the Southeast proved fertile ground for
intensive archaeological investigation of prehistoric Native
American sites. During the 1930s, field teams sponsored
by the Federal Emergency Relief Administration (FERA),
Civil Works Administration (CWA), Civilian Conservation
Corps (CCC), and Works Progress Administration (WPA)
excavated sites throughout Alabama, uncovering thousands
of artifacts that continue to merit study today. The people
who created and sustained the sites as early as 5000 B.C.
left no written records. Hence, it is through archeological
evidence their story continues to be pieced together and told.
Dr. Walter B. Jones, state geologist and director of the
Alabama Museum of Natural History, oversaw expeditions
at Bessemer and Moundville, where Native Americans of
the Mississippian mound-building culture lived. Museum
archaeologist David L. Dejarnette conducted the excava-
tions. A t Bessemer, three large earthen mounds and an
adjoining village area were excavated, using labor and sup-
plies provided by the CWA and WPA. Excavation of the
Moundville site, containing 26 large earthen mounds just
south of Tuscaloosa, took place from 1933 to 1941. The
Moundville museum was also established here in 1939 with
the aid of the C C C (see photographs, page 29). At its peak
in 1350, the complex Moundville site was the largest center
of population in the future United States.
Under Dejarnette's direction, large-scale excavations
were also conducted in the Guntersville, Pickwick, and
Wheeler basins of the Tennessee River, prior to flooding of
these areas for TVA dam construction. A labor force of more
than 1,000 CWA and W P A workers here and elsewhere in
the Southeast operated under TVA supervision. There were
extensive WPA-era excavations in South Alabama as well.
^.^s'-J.&ii^v J'W- ///J
The fruits of the Alabama field work—pottery shards,
projectile points, bone fragments, and other objects—were
sent to the W P A Central Archaeological Laboratory in
Birmingham. Here, under the supervision of lab director
Marion Dunlevy and Alabama Museum anthropologist
Christine Adcock, artifacts were cleaned, photographed,
"The Central Archeological Laboratory in Birmingham, Alabama houses data regarding Alabama
archeology and makes it available to archaeologists all over the United States."
Photograph, September 20, 1938, by James R. Foster.
Courtesy The University of Alabama Museums, Tuscaloosa, Alabama (10CAL) (uam01977).
™~"-'
"Stairwell in Main Hall, Walker House." "Looking South at Well, Walker House."
Photograph by Alex Bush, 1937. Photograph by Alex Bush, 1937.
Courtesy HABS (HABS ALA 37-BIRM, 2-6). Courtesy HABS (HABS ALA 37-BIRM, 2-10).
"Front (North) and West Elevation, Benjamin Pinckney Worthington House, Sixth Avenue South.
Photograph by Alex Bush, 1937.
Courtesy HABS (HABS ALA 37-BIRM, 3-1).
[Status: Demolished.]
jy
.Jlj-Jtr j.t.,. j . - , l ; t ^ , t , i i
f ¥ ¥ ¥ * . * ' ¥ . ¥ ¥ ¥ - f ¥ ¥ ¥
B U I L T TO L A S T :
A LEGACY IN S T O N E AT BIRMINGHAM P A R K S
Stonework of the Great Depression appears to seamlessly
fit its setting. And there is good reason that it does.
Construction materials were quarried on site by the stone
cutters who built park structures—the roads and bridges into
the parks, the picnic pavilions and barbecue pits, fish hatch-
eries and piers, and staircases, cabins, and towers that were
popular in the 1930s. Use of local materials cut construction
costs and worked well with federal programs such as the Civil
Works and Works Progress Administrations (the CWA and
the WPA), which provided funds to hire men, not machines
or materials.
A City of Birmingham bond issue in 1931 also provided
funds to hire unemployed workers to build recreational struc-
tures in Birmingham parks, most notably the amphitheatre and
shelter house at Avondale Park, then the city's largest park, and
a pool house at Ensley Park, then the largest western area park.
The CWA funded bridges and drainage improvements at Green
Springs Park—today's George Ward Park and shelter and com-
munity houses and barbeque pits at Lane Park—today's Bir-
mingham Zoo. W P A workers built an arboretum at Lane Park
and developed the fish hatchery ponds here; built bridges and
fishing piers at East Lake Park; and completed the moving and
erecting of the industrial city's symbol, the mammoth cast iron
statue of Vulcan atop a monumental column within the new
Red Mountain park overlooking the city of Birmingham.
Using stone that was available on site is mentioned fre-
quently in write-ups of 1930s projects. Also noted is the reuse of
stone, brick, and lumber from demolished older structures, such
as obsolete schools, coke ovens, and even the former Jefferson
County Courthouse and the Loveman's Department store.
This collection of photographs of stone structures in Bir-
mingham parks was made and printed in 2003 by students in
Professor Pam Venz's January Term Photographic Studio at
Birmingham-Southern College. Birmingham Historical Soci-
ety provided the research and guidance for documentation of
this remarkable legacy.
^:
2b-V
Bridges, Green Springs Park-Now George Ward Park, left and above.
Built 1933-34 with funds from the Civil Works Administration.
Photograph by Adam Colbert, 2003. Courtesy Birmingham Historical Society.
$M£^
BUILT TO LAST 127
Fish Hatchery Basins, Lane Park-Now the Birmingham Zoo Ponds.
Built 1936-1937 by the Works Progress Administration.
Photograph by Booth Wilson, 2003. Courtesy Birmingham Historical Society.
INDEX 131
Moundville, 29,108 Pearse, RubeeJ., 122-123 Rosedale School (Homewood), 82, 83 Trussville, x, 38, 64-65
Moundville Archaeological Museum, x, post office murals, 90, 91 Snow Rogers School, 83 Tuberculosis Sanatorium (Homewood),
29,36,108 Prairie Farms, 38 South Highlands School, 83 78-79
Mount Olive subsistence homestead, v, public housing. See housing projects Springdale School, 17
x, 38,56-63 Public Works Administration (PWA), Tarrant City School, 15, 87 u
Mudd House, William S., 114-116 ix, 1,3,66-70,78 Tarrant High School, 83 unemployment, ix
Munger House, Robert S., 114-116 Public Works of Art Project (PWAP), 2 Tuggle School, 83 United States Department of Agricul-
Municipal Auditorium. See Birming- Puerto Rico Reconstruction Adminis- Warrior High School, 17, 83 ture (USDA), 1
ham Municipal Auditorium tration (PRRA), 3 West End High School, 83 United States Department of Housing
Municipal Stadium, 80 Public Works of Art Project (PWAP), Wilson School, 83 and Urban Development (HUD), 2
murals 88 Woodlawn High School, 83,87, 92, United States Housing Authority
Alabama Cooperative Extension 98-99 (USHA),3
Service, 100-103 R Section of Fine Arts, 2, 90 United States Treasury Department, 2,
in Alabama post offices, 90-91 rammed earth housing, v, 58-63 Section of Painting and Sculpture, 2, 90 88,90
East Lake Library, 93 Ramsay, Erskine, 38, 85 Securities and Exchange Commission University of Alabama Medical Center,
Fairfield post office, 90,91, 97 Recreational Demonstration Areas (SEC), 2
Lakeview School, 94-95 (RDAs),x,3 sewing rooms, 78,79
Montevallo post office, 90, 91, 96 Reconstruction Finance Corporation, 1 Shades Valley Sewage Disposal Plant, 6
Woodlawn High School, 98-99 Redmont Gardens (Mountain Brook), Sky Way Motor Way, 30-31,35 Van Sheck, Sidney, 88, 98-99
Muscoda,43,48 66 Skyline Farms, 38 Veal, Russell, 104
Mydans, Carl, v,x, 40,50 Republic Steel, 42 Slagheap Village (Trussville), x, 38, Vulcan Monument, 80, 81, 87,120,130
Resettlement Administration, x, 2,34, 64-65,92
N 38,50,64 Sloss-Sheffield Steel and Iron Com- W
national forests Resettlement Administration photogra- pany, 45 Walker, John Augustus, 100-103
Alabama (Bankhead), 19,21 phers, v, x, 38-65 Slossfield Clinic, 2,76,79 Walker House, William A., 117-118
Conecuh, 23,24,25,26,27,28 Roberts Field, 76 Slossfield Negro Youth Training Center, Warrior airport, 76
Talladega, 19,24,26,30-31 Roebuck Springs Golf Course, 80 76 Warrior High School, 17
National Guard armories, 76,77 Roosevelt, Eleanor, x, 21, 66,109,113 Slossfield Community Center, 76,77 Weogufka State Park, 23
National Industrial Recovery Act, 1 Roosevelt, Franklin D., ix, 18 slum clearance, 66 Williams, Aubrey, 2
National Labor Relations Board Rothstein, Arthur, v, x, 40,50,52,54, Smithfield Court housing project, x, Windham, Amasa, 105
(NLRB),2 56,64 66-68 Wolcott, Marion Post, v, x, 40
National Youth Administration (NYA), Rural Electrification Administration Snow Rogers Community Center, 2,76 Wood, Morrison, 104
2,83 (REA),3 Social Security Board-Administra- Woodall, Sallie Lee, 104,105
Natural Resources Conservation Rushing, Brian, 34 tion, 3 Woodlawn High School mural, 98-99
Service, 1 Soil Erosion Service (SES), 1 Works Progress Administration (WPA)
New Deal landmarks in Birmingham s Southeastern Archaeological Confer- archaeology projects, 108-113
area, x Schools ence, 110 art project, 88-92
North Birmingham, 7 17th Avenue School, 83 Southern Conference for Human aviation projects, 76-77
30th Street School, 83 Welfare, 109,112-113 beautification projects, vi, 84-87
o Southern Play Bureau, 104 Central Archaeological Laboratory,
Alabama Boy's Industrial School, 83
Oak Mountain State Park, x, 34,80
Alabama State Training School for Southtown housing project, x 108
Open Pond Recreational Area, 28
Girls, 16, 87 Springdale School, 17 described, ix, 2,73
P Alley School, 83 St. Nicholas Russian Orthodox Church, drainage and sewer projects, 74-75
Palmerdale subsistence homestead, x, Baker School, 83 49 employment in Jefferson County, ix
38,50-51 Barrett School, 83 state parks. See parks, state expenditures, 73
Park Lane Apartments (Mountain Belview Heights School, 83 subsistence homesteads Industrial Waterworks, 76
Brook), 66,71 Councill School, 82, 83 Bankhead Farms, 38 military projects, 76
Parks, city Curry School, 83 federal expenditures, 38 park projects, 80,120,128-130
ACIPCO Park, 80 CWA school improvements, 14-17 Gee's Bend Farms, 38 projects cardfile,v
Avondale, 80,120-123 Ensley High School, 14 Greenwood, x, 38 projects in Birmingham and Jefferson
Central Park, 80 Fairfield High School, 83 Mount Olive, v,x, 38,56-63 County, 72-83, 87
CWA work at, 12-13 Gardendale School, 83 Palmerdale, x, 38 public administration projects, 76
East Lake, 80,120 Gate City School, 83 Prairie Farms, 38 public building and grounds projects,
Ensley Park, 120 Gibson School, 83 program, 1,38 76-77
Green Springs (George Ward) Park, Gorgas School, 83 rammed earth construction, 58-63 public health and welfare projects,
11,120,124-125 Graymont Elementary School, 83 Skyline Farms, 38 78-79
Hawkins Park, 80 Henley School, 92 Trussville, x, 38, 92 school projects, 82-83
Homewood Park, 12 Hooper City School, 83 street, road, and highway projects,
Lane Park, 13, 80,120,126-129 Huffman School, 83 74-75
McLendon Park, 76,77,80 Hueytown School, 14 Talladega National Forest, 19,24,26, theatre project, 104-107
Municipal (Roosevelt) Park, 12 Industrial High School, 83,104 30-31 Works Project Administration. See
Overton Park (Homewood), 2 Inglenook School, 83 TCI-U.S. Steel, 40,42,43,44, 97,106 Works Progress Administration
Lakeview School, 83, 94-95 Tarrant, 6, 9,15 (WPA)
Vulcan Park, 80, 81,120,130
Lewisburg School, 15,76 theatre. See Federal Theatre Project Worthington House, Benjamin Pinck-
Woodrow Wilson, 80
Lincoln Elementary School, 79, 83 (FTP) ney, 118-119
WPA work at, 80
McAdory High School, 82, 83 Thomas, 42 WPA/TVA Archaeological Photo-
parks, state
Minnie Holman School, 83 Tennessee Valley Authority (TVA), vi, graphs, vi, 108-113
brochure, 32-33
Mortimer Jordan High School, 17 1,108 Wylam, 54,55
Cheaha State Park, 23,30-31,35
Ramsay High School, 82, 83 Tranquility Lake, x, 3
Chewacla State Park, 37
Riley School, 83
Oak Mountain State Park, x, 34
Weogufka State Park, 23