English Literature
English Literature
:* مالحظة
.السؤال اللي عليه لون احمر يعني مهم
:* مالحظة
.مو شرط تنقل الجواب نصا ً يعني عادي تكتب الجواب من يمك بس يكون جوابك قريب من الجواب األصلي
Q. Define literature?
A. Literature: Literature comes from Latin, and it originally meant “the use of letters” or
“writing.” But when the word entered the Romance languages that derived from Latin, it took
on the additional meaning of “knowledge acquired from reading or studying books.
• Essay: An essay is a short piece of writing in which the author elaborates on an idea or
topic after conducting thorough research. An essay may aim to engage its readers, influence
their thinking, get them involved in its ideas, or persuade them to adopt the same point of
view.
The Homework
The Homework
Q.3 What are six key steps to developing your critical thinking skills?
A. • Clarify your thinking purpose and context.
• Question your sources.
• Identify arguments.
• Analyze sources and arguments.
• Evaluate the arguments of others.
• Create your own arguments.
Q.4 Use your English-English dictionary and check the English meaning of the following?
A. • Characterization: The way in which a writer makes a person in a book, film, or play seem
like a real person.
• Hero: The main character or the main male character in a book or film, who is usually good.
For example: Paul Morel, is the hero of sons and Lovers's novel by the English writer D. H.
Lawrence.
• Heroin: A woman who, in the opinion of others, has special achievements, abilities, or
personal qualities and is regarded as a role model
• Emotional: Relating to feelings, moods, or sentiments, often triggered by experiences.
• Culture: The way of life, especially the general customs and beliefs, of a particular group of
people at a particular time: She's studying modern Japanese language and culture.
The Homework
Q.5 Write a short article or note about the life of AUGUST STRINDBERG?
A. The Swedish playwright August Strindberg (1849-1912) was the great rival of Henrik
Ibsen in the Scandinavian theater. Their enmity began with Strindberg’s negative reaction to
A Doll’s House which he disapprovingly considered feminist. Strindberg wrote two highly
accomplished naturalist plays, The Father (1887) and Miss Julie (1888), about the struggle
between the sexes. For Strindberg, psychological plays are more realistic than those with
well-formed plots. both Ibsen and Strindberg turned towards symbolism, dreams, ghosts,
and even the supernatural.
Q. Explain the meaning of the underlined sentence? “There was nothing to do about him”?
A. An old man with steel rimmed spectacles and very dusty clothes sat by the side of the
road. There was a pontoon bridge across the river and carts, trucks, and men, women and
children were crossing it. The mule- drawn carts staggered up the steep bank from the
bridge with soldiers helping push against the spokes of the wheels. The trucks ground up
and away heading out of it all and the peasants plodded along in the ankle deep dust. But
the old man sat there without moving. He was too tired to go any farther.
It was my business to cross the bridge, explore the bridgehead beyond and find out to what
point the enemy had advanced. I did this and returned over the bridge. There were not so
many carts now and very few people on foot, but the old man was still there.
"Where do you come from?" I asked him.
"From San Carlos," he said, and smiled.
That was his native town and so it gave him pleasure to mention it and he smiled.
"I was taking care of animals," he explained.
"Oh," I said, not quite understanding.
"Yes," he said, "I stayed, you see, taking care of animals. I was the last one to leave the
town of San Carlos."
He did not look like a shepherd nor a herdsman and I looked at his black dusty clothes and
his gray dusty face and his steel rimmed spectacles and said, "What animals were they?"
"Various animals," he said, and shook his head. "I had to leave them."
I was watching the bridge and the African looking country of the Ebro Delta and wondering
how long now it would be before we would see the enemy, and listening all the while for the
first noises that would signal that ever mysterious event called contact, and the old man still
sat there.
"What animals were they?" I asked.
"There were three animals altogether," he explained. "There were two goats and a cat and
then there were four pairs of pigeons."
And you had to leave them?" I asked.
"Yes. Because of the artillery. The captain told me to go because of the artillery."
"And you have no family?" I asked, watching the far end of the bridge where a few last carts
were hurrying down the slope of the bank.
"No," he said, "only the animals I stated. The cat, of course, will be all right. A cat can look
out for itself, but I cannot think what will become of the others."
"What politics have you?" I asked.
"I am without politics," he said. "I am seventy-six years old. I have come twelve kilometers
now and I think now I can go no further."
"This is not a good place to stop," I said. "If you can make it, there are trucks up the road
where it forks for Tortosa."
"I will wait a while," he said, " and then I will go. Where do the trucks go?"
"Towards Barcelona," I told him.
"I know no one in that direction," he said, "but thank you very much. Thank you again very
much."
He looked at me very blankly and tiredly, and then said, having to share his worry with
someone, "The cat will be all right, I am sure. There is no need to be unquiet about the cat.
But the others. Now what do you think about the others?"
"Why they'll probably come through it all right."
"You think so?"
"Why not," I said, watching the far bank where now there were no carts.
"But what will they do under the artillery when I was told to leave because of the artillery?"
"Did you leave the dove cage unlocked?" I asked.
"Yes."
"Then they'll fly."
"Yes, certainly they'll fly. But the others. It's better not to think about the others," he said.
"If you are rested I would go," I urged. "Get up and try to walk now."
"Thank you," he said and got to his feet, swayed from side to side and then sat down
backwards in the dust.
"I was taking care of animals," he said dully, but no longer to me. "I was only taking care of
animals."
There was nothing to do about him. It was Easter Sunday and the Fascists were advancing
toward the Ebro. It was a gray overcast day with a low ceiling so their planes were not up.
That and the fact that cats know how to look after themselves was all the good luck that old
man would ever have.
:* مالحظة
. او تختصر،الزم تكتب الجواب الفوق كامل
Q. What did the soldier feel or what did the soldier feel at the end of the story? What did he
say about the old man?
A. At the end of the story, the soldier feels pity for the old man and thinks, “There was
nothing to do about him.”
:* مالحظة
والشرح راح يكون حسب، والشرح يكون كالتالي تجيب الجملة وتخليها بفقرة قصيرة.4 وتشرح4 اقل شي تعدد8هذه النقاط الـ
.فهمك
Q. How many characters are in the story?
A. There are two characters in the story.
Q.2 What does the old man symbolize in "Old Man at the Bridge"?
A. The old man symbolizes war's destructive impact on the innocent. Like the animals he
leaves behind, the old man has no idea what the war means.
Q.3 Why was the old man the last to leave town in "Old Man at the Bridge"?
A. The old man explains to the soldier at the bridge that he was the last one to leave the
town of San Carlos (the story takes place during the Spanish Civil War) because he had to
take care of his animals.
Q.4 What is the narrator's attitude towards the old man in Hemingway's "Old Man at the
Bridge"?
A. The narrator is clearly sympathetic towards the old man. He's a soldier, and so he has
firsthand experience of the horrors of war, especially the damaging impact it can have on
innocent civilians.
Q. Define sonnets?
A. The sonnet is one of the most famous forms in English poetry.
The Homework