Access Virus User Manual English
Access Virus User Manual English
2
Copyright 2004-2006 Kemper Digital GmbH. All rights
reserved.
This manual, as well as the software and hardware described
in it, is furnished under license and may be used or copied only
in accordance with the terms of such license. The content of
this manual is furnished for informational use only, is subject to
change without notice and should not construed as a commit-
ment by Kemper Digital GmbH.
Kemper Digital GmbH assumes no responsibility or liability
for any errors or inaccuracies that may appear in this book.
Except as permitted by such license, no part of this publication
may be reproduced, stored in a retrieval system, or transmitted
in any form or by any means, electronic, mechanical, record-
ing, or otherwise without the prior written permission of Kem-
per Digital GmbH.
Virus is a trademark of Kemper Digital GmbH. All other trade-
marks contained herein are the property of their respective
owners. All features and specifications subject to change with-
out notice.
For the latest revision of this manual, visit our website:
www.access-music.de
3
Table Of Contents
Introduction
WELCOME 8
THE VARIOUS CHAPTERS 8
SAFETY PRECAUTIONS 9
MAINTENANCE 9
THE REAR PANEL 10
ROTATING THE SOCKETS 11
SETTING UP 11
SWITCHING ON AND OFF 12
SELECTING PROGRAMS 12
ABOUT THE MENUS 13
DIFFERENT WAYS OF WORKING 14
ABOUT USB CONNECTION 16
CREATING NEW SOUNDS 17
ABOUT POLYPHONY 17
First Steps
CHEESE FOR STARTERS? 20
THE AMPLIFIER ENVELOPE SECTION 21
THE FILTERS SECTION 24
THE FILTER ENVELOPE SECTION 29
THE OSCILLATORS SECTION 30
THE MIX SECTION 35
THE MODULATORS SECTION 37
THE MATRIX SECTION 39
THE ARP SECTION 40
THE EFFECTS SECTION 41
THE MASTER SECTION 44
HYPERSAW AND WAVETABLE 47
VirusControl
INTRODUCTION 50
4
COMPATIBILITY 52
STARTING UP 53
LOADING VIRUSCONTROL 55
EASY PAGE 57
BROWSER PAGE 58
OSC PAGE 63
FILTER PAGE 65
LFO PAGE 67
MATRIX PAGE 68
ARP PAGE 69
FX PAGE 70
COMMON PAGE 71
REMOTE PAGE 72
GENERAL HINTS AND TIPS 74
Sound Parameters Reference
ARP 76
ARPEGGIATOR 76
MATRIX 79
SLOT 79
MODULATORS 81
LFO 1 82
LFO 2 84
LFO 3 84
LFO 1 DESTINATIONS 84
LFO 2 DESTINATIONS 86
LFO 3 DESTINATION 87
EFFECTS (UPPER ROW) 89
DELAY 90
REVERB 91
LOW EQ 93
MID EQ 94
HIGH EQ 94
EFFECTS (LOWER ROW) 95
DISTORTION 95
ANALOG BOOST 96
CHORUS 97
PHASER 98
VOCODER 100
VOCODER TABLE 104
INPUT FOLLOWER 105
INPUT RING MODULATOR 106
OSCILLATORS 107
OSCILLATOR 1 CLASSIC 110
OSCILLATOR 1 HYPERSAW 112
OSCILLATOR 1 WAVETABLE 114
OSCILLATOR 2 CLASSIC 115
OSCILLATOR 2 HYPERSAW 117
OSCILLATOR 2 WAVETABLE 118
OSCILLATOR 3 120
5
COMMON 121
SUB OSCILLATOR 123
NOISE 124
RING MODULATOR 124
MASTER 125
COMMON 128
UNISON 131
VELOCITY MAP 132
INPUTS 133
SURROUND 134
CATEGORIES 134
SOFT KNOB 135
STORE 136
STORE 136
MIX 137
FILTERS 139
SATURATION 140
FILTER-1 141
FILTER-2 143
COMMON 144
FILTER ENVELOPE 145
AMP ENVELOPE 146
FILTER ENVELOPE 148
AMPLIFIER ENVELOPE 149
Configuration Reference
RANDOM PG 152
MIDI 152
MIDI DUMP RX 154
MIDI DUMP TX 154
KEYBOARD 155
MIDI CONTROL 157
INPUTS 158
AUDIO CLOCK 159
SOFT KNOB (GLOBAL SETTINGS) 159
KNOB BEHAVIOUR 160
GLOBAL TUNING 160
SYSTEM 161
Multi Mode Reference
PATCH 166
Appendix A - Legal Declarations
COMPLIANCE 172
DECLARATION OF CONFORMITY 174
WARRANTY REGULATIONS 175
6
Appendix B - Glossary
GLOSSARY 178
Appendix - Patch Names
ROM-A 192
Index
INDEX OF FUNCTIONS ETC. 210
1: Introduction
8
Welcome
Dear Virus owner
Congratulations on choosing the new Virus TI, the latest gener-
ation in a deliberate process of evolution that has kept the
Virus name at the forefront of synthesizer technology for many
years. TI stands for Total Integration, meaning that the hard-
ware can be fully integrated into a PC or Mac-based studio via
the VirusControl
plug-in (VSTi or Apple Audio Unit).
Before switching your Virus TI on, please read this chapter
thoroughly!
The Various Chapters
This manual is structured as follows:
> Introduction: What you are reading now. Fundamental infor-
mation you should know before trying out your Virus.
> First Steps: A practical guide for beginners, intermediates
and experts alike. The best starting point before delving into
the reference chapters.
> Sound Parameters Reference: The main body of this man-
ual. Every parameter concerning sound generation and
treatment is listed here, with brief explanations and cross-
references.
> Configuration Reference: All global settings parameters
used to adapt the Virus to suit your way of working.
> Multi Mode Reference: A list of the Multi Mode parame-
ters, with brief explanations.
> VirusControl: Introduction to the VirusControl application.
> Appendices: Legal matters, charts, diagrams, glossary.
> Index: Where to look when you are not sure where to look!
9
Safety Precautions
Please read the following carefully. Some of this advice con-
cerns your health as well as that of your instrument!
Avoid exposing your Virus to moisture, dust or dirt. Do not place
open liquids (e.g. coffee cups) anywhere near the unit. If any
substances get into the Virus housing, you should switch it off,
disconnect the power supply and contact a qualified service
techician.
Avoid exposing the unit to excessive heat or direct sunlight.
Especially when rack-mounting your Virus (desktop version),
please ensure that relatively cool air can circulate freely around
the unit.
Avoid exposing the unit to physical shock or vibrations. Make
sure it is placed firmly on a flat surface or properly secured in a
rack.
If your Virus model requires a 12V DC external power supply,
only use the one that was included with the unit. Never connect
the Virus to a power outlet that does not fully comply with
national safety regulations. Never use an external power supply
which wasnt designed to match the local voltage requirements.
Disconnect the power whenever you are unlikely to use the
Virus for a long period of time. Always pull on the plug itself, not
on the cord. Never touch the mains plug with wet hands.
The Virus is capable of generating levels that can cause irre-
versible damage to your ears, either via an external amplifier or
when using headphones connected directly to the unit. Please
keep levels reasonable at all times! Make sure that the equip-
ment you connect the Virus TI to matches the Virus
requiremtents (+4dB Outputs etc.)
Maintenance
Updating the OS
Access Music is famous for improving their products via free
updates to the operating system. We recommend that you visit
www.access-music.de regularly and download the latest OS.
Cleaning
Only use a soft, dry cloth or soft brush to clean the panel do
not apply any liquids. Note that industrial or household solvents
can cause severe damage to surfaces.
Repair
Never open the Virus yourself there are no user-servicable
parts inside. If your Virus ever needs repairing, please contact a
qualified service technician.
10
Replacing the Battery
To prevent your sounds from being lost whenever you switch
off the power, there is a battery inside your Virus. This may
need replacing after 4 or 5 years by a qualified service techni-
cian. Remember to backup your data beforehand!
Disposal
Disposal of old Electronical & Electronic equipment (Applicable
throughout the European Union and other European countries
with seperate collection program).
The marking shown on the product indicates that it should not
be disposed with other household waste. Please take your
Virus TI to an applicable collection point for recycling of elec-
tronical and electronic items.
For further questions on an ecological friendly disposal of this
product, please contact your Access dealer respectively your
local government office.
The Rear Panel
Sockets
> USB: Audio and MIDI communication with computers.
> MIDI IN / OUT / THRU: The usual trio
> S/PDIF: Digital audio I/O
> INPUT: Audio input jacks
> OUTPUT 1: Main audio output jacks
> OUTPUT 2 / 3: Additional audio output jacks
> 12V DC IN (desktop model): Power supply input socket.
> HEADPHONES: Stereo audio output jack.
11
Rotating the sockets
The sockets on the rear panel of the Virus TI desktop model can
be rotated 90 so that the unit can be mounted in a 19 rack
without requiring free space above the back panel. Many
owners will consider themselves skilled enough to attempt the
following themselves although this should ideally be done by a
professional technician. We recommend to contact your Access
dealer for further assistance.
Important notice: Kemper Digital GmbH takes no responsibility
whatsoever for any damage incurred while attempting to carry
out these instructions! Rotating the sockets does not void the
warranty of a Virus TI Desktop.
What you will need: A flat and soft working surface (e.g. your
couch), a bowl or similar for the screws, a suitable crosspoint
screwdriver and hexagonal key.
Remove any attached cables and turn the unit upside down.
Remove the end-cheeks using the hexagonal key.
Using a small cross-point screwdriver, remove the 6 screws in
the baseplate. Carefully remove the baseplate and set it aside
for the moment. Remove the 6 screws between the rear-panel
sockets.
Pull up the sockets unit a little and perch it on the ledge of the
back panel. Using both hands, carefully pull the 40-way con-
nector from its socket on the motherboard. The sockets unit is
now free.
Using the latest set of screws (i.e. the ones without pointed
ends), attach the sockets unit firmly into the baseplate, which
has all the necessary holes.
Position the baseplate (with the sockets now firmly in place) so
that the 40-way cable can reach the socket on the mother-
board. Carefully but firmly plug it all the way in.
Close the lid and use the remaining 6 small screws to reattach
the baseplate. Turn the unit right side up and attach the power
cable to ensure that the 40-way plug has been properly fitted.
Setting Up
The following steps include several important precautions. In
addition to the simple setup described here, the Virus TI can be
connected in a variety of ways to suit virtually any audio envi-
ronment.
Please do not plug the Virus into the mains power yet. First of
all, temporarily switch off any devices you will eventually be
connecting your Virus to, and turn all main volume controls
(mixer, amplifier) down to minimum.
If your Virus is a desktop version, connect the MIDI OUT from a
keyboard or sequencer to the MIDI IN socket on the Virus.
12
Connect both the OUTPUT 1 sockets (standard mono jacks) to
two line inputs on your stereo amplifier or audio mixer. Make
sure to only use qualified amplifiers. Check back with your
local Access dealer for further details. When using two sepa-
rate mixer channels, pan them to the extreme left and right
respectively. If you prefer to use headphones, use the HEAD-
PHONES socket on the rear panel.
Connect your Virus to the mains power. Press both TRANS-
POSE buttons at the same time to wake up the Virus. Switch
the rest of your equipment on in the following order: the MIDI
send device (keyboard or sequencer etc.), then the mixer and
finally the amplifier.
Set up the MIDI send device (keyboard or sequencer) so that it
sends on MIDI channel 1 (for now).
Turn up the MASTER VOLUME on your Virus to maximum and,
while playing some notes, adjust the volume controls on your
mixer/amplifier to a reasonable listening level. If you are using
a mixer, you might find some useful advice on setting optimum
levels in the mixers own documentation.
Switching On and Off
Virus TI models do not have a physical on/off switch. To put
the unit into standby mode, press and hold both TRANSPOSE
buttons until the countdown reaches zero. Press the same but-
tons to wake up the Virus again.
Selecting Programs
Your Virus TI has 20 banks of memory (RAM-A to RAM-D,
ROM-A to ROM-P), each containing 128 SINGLE programs
numbered from 0 to 127. A total of 2560 sounds...
To try out some sounds, make sure you are in SINGLE mode
and that no menu is open you might have to press the
SINGLE button (in the Master section to the right of the dis-
play) first. There are three basic methods of selection:
Sequentially
The most obvious way to select programs is by stepping
through them using the BANK and PROGRAM buttons to the
right of the display. When any menu is open, these buttons are
used for PARAMETERS and VALUE instead see About the
Menus below. To scroll automatically, hold one of them down
for a while.
A quick method of reaching any program within the current
Bank: Hold down SHIFT and turn the VALUE 3 knob.
13
By Category
Because there are so many sounds to choose from, programs
can be assigned one or two so-called Categories. This infor-
mation is stored within each program. A practical demonstra-
tion:
Press the SEARCH button to the left of the display and use the
VALUE 1 knob to change the category to Drums. Then use the
VALUE +/- buttons to browse through programs in the bar at
the top of the screen you will see programs that are in the
Drums category only. When you have found a suitable pro-
gram, press the EXIT button.
Via MIDI
All MIDI sequencers and professional MIDI keyboards are capa-
ble of transmitting Bank and Program change messages via
MIDI.
About the Menus
How to open menus
The main menus are opened via the EDIT buttons you will find in
most of the sections. The usual method is to SELECT an ele-
ment first (e.g. LFO1, OSC 2 or REVERB) then press the EDIT
button in that same section.
All buttons in the MATRIX section as well as CONFIG in the
Master section also open menus.
How to make full use of Edit Buttons
If pressed repeatedly, the EDIT buttons in the FILTERS and
MASTER sections will step through the menu pages. Those in
the OSCILLATORS and lower EFFECTS sections toggle
between the selectable (element-specific) pages and additional,
non-selectable parameters e.g. the Vocoder. Similarly, the one
in the MODULATORS section toggles between the selected
LFOs main settings and its Destinations menu.
How to navigate within menus
Many menus in your Virus require more than one page. These
can be found by using the PARAMETERS buttons (in the Master
section, to the right of the display).
14
If a menu is already open, selecting a different element within
the same section (e.g. LFO3 instead of LFO1, OSC1 instead of
OSC2 or LOW EQ instead of REVERB) will jump to the new
menu.
How to change values within menus
Use the VALUE knobs below the display. Whenever you enter
a menu page, one of the parameters will already be active
(indicated by a triangular cursor). Its value can be decre-
mented/incremented via the VALUE buttons. To move the cur-
sor without changing values, hold down SHIFT and press one
of the PARAMETERS buttons.
There is actually a system parameter which governs how the
PARAMETERS buttons work see Navigation on page 163.
How to close menus
To exit any menu, press the EXIT button to the left of the dis-
play. It is not necessary to press EXIT before opening a new
menu. Re-selecting the current basic mode (SINGLE, MULTI)
will also exit menus.
Different Ways of Working
Single mode
This is the standard mode for playing just one sound at a time.
The next chapter is a simple but detailed tutorial to help you
become familiar with Single mode operation.
Multi mode
Your Virus can play 16 different sounds at the same time:
MULTI programs contain 16 PARTS, each equivalent to a
SINGLE program plus a few additional parameters such as
MIDI channel, fine tuning, key range etc..
Unlike earlier Virus models and many other synthesizers,
MULTI programs in the Virus TI do not simply reference indi-
vidual sounds, but actually contain the data, including all
effects. Multi mode is therefore predestined for more complex
programs.
Whenever the Bank or Patch parameters (see Patch on
page 166) are changed, the corresponding Single program is
copied into the current Part of the Multi program. For details
about Multi mode parameters, see the Multi Mode Reference
on page 165.
15
Sequencer mode
Whereas Multi mode offers maximum flexibility for layering
sounds, defining keyboard splits etc., Sequencer Mode is usu-
ally the better choice for multitrack MIDI sequencing purposes.
Press the MULTI and SINGLE buttons at the same time (or start
the VirusControl application see below). Sequencer Mode
accesses an area of memory containing 16 Single programs. It
couldnt be simpler: the MIDI channel is always the same as the
PART number (1 to 16).
Remote mode
The Virus TI can be used as a MIDI controller i.e. the controls
can be configured to suit a variety of MIDI devices. There are
several Remote setups suitable for popular devices already
included in your unit. Remote mode is accessed by holding
down SHIFT and pressing the CONFIG button to the left of the
display. User-defined remote setups can be created using
VirusControl...
VirusControl
The VirusControl application (for PC or Mac) makes the Virus TI
appear to be a multi-channel VST/AU soft-synth within any suit-
able host program e.g. Logic, Cubase etc.. Virus TI is the
worlds first hardware synthesizer featuring sample-accurate
timing and delay-compensated audio/MIDI. See VirusControl
on page 145 for details on setting up, compatibility and how to
work with this revolutionary feature.
16
About USB Connection
Dont use a hub! To achieve the level of performance and inte-
gration the Virus TI series provides, you must reserve a USB
slot exclusively for the Virus TI i.e. this specific port should not
be shared with any other USB device. During beta-testing with
various PC and Mac setups, we found that using certain USB
hubs not only slowed down the connection speed but often
made the entire connection unreliable. For this reason, we
eventually decided not to support the use of USB hubs at all.
Note: Virus Control constantly checks the MIDI and AUDIO
connections and displays an alert message if it sees any prob-
lems.
A Typical Setup
Changing knob response
A global parameter (see Response on page 160) affects how
most of the knobs on your Virus react, and the current value of
this parameter may not suit your needs...
17
Press the CONFIG button to the left of the display and use the
PARAMETERS buttons to scroll through the pages until you
reach the one shown above. Using the VALUE 1 knob, change
Response to Jump if this is not already selected. Press the
EXIT button to return to normal operation. Later on, you may
prefer one of the other options (Snap or Rel) to prevent glitches
during live performance.
Note that some knobs will have no audible effect because they
depend on other parameters e.g. the RATE of an LFO that isnt
being used, or the DECAY of an envelope when SUSTAIN is at
maximum etc..
Creating New Sounds
The INIT Programs
The end of bank ROM-A has been reserved for a few simple
templates, which you can use whenever you want to create
sounds from scratch. For instance, the instructions in the next
chapter will often ask you to select one of those.
About Polyphony
The average number of voices the TI series (with its two DSPs)
can deliver is quoted at about 80, with a maximum of more than
100. However, to reach such giddy heights, the TI makes very
dynamic use of resources i.e. using certain features can lower
polyphony to well below these figures. For instance, doubling
the number of Unison voices e.g. from 3 to 6 will reduce
polyphony by half.
If you ever find you need to maximize polyphony (e.g. in Multi
mode), try minimizing your use of the following prime sus-
pects first: Unison mode, Reverb, Analog Filter models and
Oscillator 3.
18
2: First Steps
This hands-on tutorial introduces every physical control on the panel, as well as a few important parameters in the menus.
20
Cheese for Starters?
If your Virus TI is a desktop model, you should have a MIDI key-
board connected...
The most effective way of getting to know your Virus is by per-
forming very simple exercises hands-on, and thats why
many of the sounds you will be asked to make are cheesy to
say the least! Despite the risk of compromising your aesthetic
sensibilities or overstating the obvious, I hope you will appreci-
ate the advantages of this method.
Throughout this chapter you will often be asked to Restore
ROM-A126 or Restore ROM-A127. To do this, press the
EXIT button (closes any open menu), then use the VALUE
buttons to step to the neighbouring program then back again.
Make sure you are in SINGLE mode, then select program
ROM-A127 (i.e. Bank ROM-A, program number 127). Play a
note on your keyboard. Like an organ, the sound starts
abruptly, sustains as long as you hold down the key, then
stops abruptly. Unlike an organ, you can change this behaviour
by adjusting a few envelope parameters...
21 FIRST STEPS
The Amplifier Envelope
Section
The four knobs at the bottom right of the panel control the
amplifier envelope i.e. how volume changes during and immedi-
ately after each note you play:
> ATTACK: How long it takes for the level to go from silence to
maximum.
> DECAY: How long it takes from maximum to the SUSTAIN
level...
> SUSTAIN: The level of sustained notes immediately after
DECAY.
> RELEASE: How long it takes to fade out after notes are
released.
Here are a few practical experiments for novices.
ATTACK
Turn the ATTACK knob down to minimum to reach the value
already stored in ROM-A127 (which is 0). Now turn it up slowly
while repeatedly playing notes on your keyboard you will hear
the start of each note becoming progressively slower. Leave
ATTACK at around 40 for now.
DECAY
Turn the DECAY knob up to maximum. The original value was
already 127 you should see the white original value indicator
LED in the MIX section light up. Slowly turn DECAY down while
repeatedly playing a note on your keyboard. You will hear the
note getting shorter until it becomes a very short blip when
DECAY reaches minimum. Leave DECAY at minimum for now.
SUSTAIN
Turn the SUSTAIN knob down to minimum (the original value
was already 0). Now turn it up again while repeatedly playing a
note on your keyboard. The original value indicator should dis-
appear, and you should hear the volume of the sustained note
change accordingly. Leave SUSTAIN at 64 and take DECAY
back up to around 40.
SUSTAIN SLDPE PATCH VDLUNE TENPD
ANPLIFIER ENVELDPE
/TT/CK 0EC/Y S0ST/l| RE|E/SE
C 12 C 12 C 12 C 12
22
RELEASE
Turn the RELEASE down to minimum (the original value is 4).
Then, while playing notes on your keyboard, gradually turn it
up again: The sound fades more slowly after you release keys.
Set RELEASE to around 40 the amplifier envelope now looks
something like this:
All the red labelling (blue in the case of the Plar model) you
can see on the panel identifies the SHIFT functions. To access
these, hold down the SHIFT button to the left of the display
immediately before using the knob or button, then release it
afterwards.
PATCH VOLUME
Via SHIFT + ATTACK. The overall volume, stored as part of
each program. Mainly used for balancing levels between differ-
ent programs. The best value to start with is 100, leaving you
some headroom to make this particular program louder in
future.
SUSTAIN SLOPE
Via SHIFT + SUSTAIN. If SUSTAIN SLOPE is set to any value
other than 0, the sustain phase (which is normally flat) turns
into a gradient:
D R
S
A
L
E
v
E
L
TlME i"vv i"
D R
S
A
L
E
v
E
L
TlME i"vv i"
23 FIRST STEPS
Take SUSTAIN SLOPE down to -32. Negative values cause the
sustain phase to fall (eventually reaching silence you can
check this by playing a relatively long note on your keyboard).
So what do positive SUSTAIN SLOPE values do to an enve-
lope? The sustain phase rises, eventually reaching maximum if
you dont release the note beforehand. Set SUSTAIN SLOPE to
+32 and play a long note.
All these envelope times (Attack, Decay and Release), as well
as what appears to be a gradient (Sustain Slope), are actually
rates. This technicality can be safely ignored in practice.
TEMPO
Via SHIFT + RELEASE (in the AMP ENVELOPE section). The
Virus has a master clock to which the arpeggiator is always syn-
chronized. LFOs and delay effects can also be synchronized to
this clock.
Locate the program ROM-A 26 Dr.What?HS, switch on arpeg-
gio HOLD (via SHIFT + ARP ON), and play a note on your key-
board. You can see the LFO1 indicator blinking in time with the
arpeggio because, in this particular program, it is synchronized
to the clock. Now experiment with TEMPO (SHIFT + RELEASE
in the AMPLIFIER ENVELOPE section). Did you notice how
smoothly the delay effect catches up with any tempo changes
you make?
TEMPO has a range of 63 to 190 bpm. However, the master
clock automatically slaves to any incoming MIDI clock data
(including rates which are beyond these limits). In this case, the
TEMPO parameter is simply ignored.
D R
S
A
L
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v
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TlME i"vv i"
24
The Filters Section
In comparison with Dr.What?, the few sounds you have been
asked to create so far have been primitive and harsh. In sub-
tractive synthesizers such as the Virus, the tonal quality of the
oscillators can be radically altered by sending them through fil-
ters.
There are two main filters in your Virus, but before learning how
to access them individually, lets start by experimenting with
the three parameters you will find on any subtractive synthe-
sizer: CUTOFF, RESONANCE and ENV AMOUNT (as it is
called in the Virus):
CUTOFF
Restore ROM-A127. Vary the CUTOFF while playing notes on
your keyboard. At low values, even medium frequencies are fil-
tered out the sound is very mellow.
As you turn CUTOFF up, higher frequencies are allowed to
pass through the filters, until the sound becomes brightest at
maximum CUTOFF. This is typical of lowpass (LP) filters, one
of the four basic types available in the Virus.
You have actually been using two lowpass filters in series here
in ROM-A127 they have been configured to appear as just
one double-strength filter we will come to the responsible
parameter (Routing) shortly.
RESONANCE
RESONANCE emphasizes any frequencies close to the cutoff
position. Play a note and sweep CUTOFF as you did just now,
then turn up RESONANCE and try again. At higher
RESONANCE values, the cutoff frequency becomes quite
dominant. You should be able to hear individual harmonics
being picked out if you turn CUTOFF slowly enough. If you like,
go back to program ROM-A 26 and try a lot more
RESONANCE.
KE FDLLD7 RESDNANCE E
FILTERS
RES0|/|CE E|v /M00|T Fl|TER B/|/|CE C0T0FF
C0T0FF 2 SE|ECT M00E Fl|T 1 Fl|T 2 E0lT
BP
BS
|P
|P Fl|T 2 Fl|T 1
C 12 C 12
6 +6
C 12 1 2
25 FIRST STEPS
ENV AMOUNT
Controls how much the filter envelope affects cutoff like auto-
mating the CUTOFF knob with each and every note you play.
Here's how to make a very simple analogue bass sound:
Restore ROM-A127 and turn CUTOFF down to minimum. Play
individual notes while adjusting ENV AMOUNT until you hear a
satisfying plunk (somewhere around 70), then take the RESO-
NANCE up a little. Locate the TRANSPOSE buttons to the left of
the display, and change the setting to -1 or -2. Play your favour-
ite funky bass riff
The FILTER ENVELOPE section has the same structure as the
AMPLIFIER ENVELOPE, so you should already know how to
use these knobs effectively to modify your bass sound. Dont
forget to try SUSTAIN SLOPE (SHIFT + SUSTAIN). You should
try adjusting ENV AMOUNT and RESONANCE again filter
parameters are highly interactive!
FILTER BALANCE
At -64 you can only hear the output of filter 1. In the central
position (0), both filters contribute equally. At +63 you can only
hear the output of filter 2.
SELECT (FILT 1, FILT 2)
Use these buttons to select which of the filters you would like
the RESONANCE and ENV AMOUNT knobs to control. If you
press both buttons at the same time, the knobs will apply to
both filters simultaneously (as they already do in ROM-A127).
CUTOFF 2
A separate cutoff control for filter 2. This can be either an offset
(i.e. a constant amount below or above filter 1) or an independ-
ent value, depending on another parameter in the filters EDIT
menu (see Cutoff Link on page 145).
MODE (FLT1, FLT2)
Using the FILT1 and FILT2 buttons, you can set each filter to
one of following types:
> LP = Low Pass: Allows frequencies below the cutoff point to
pass through i.e rejects those above the cutoff point
> HP = High Pass: Allows frequencies above the cutoff point to
pass through i.e. rejects those below the cutoff point
> BP = Band Pass: Allows frequencies close to the cutoff point
to pass through i.e. simultaneously rejects those above and
below the cutoff point
26
> BS = Band Stop: Rejects frequencies close to the cutoff
point (within a certain band) i.e. allows frequencies above
or below the cutoff point to pass through.
Your Virus actually has yet another filter mode which simulates
the classic Minimoog
.
See Polyphonic.
Multi Mode
Synthesizer mode in which more than one complete sound
(e.g. Single program) can be generated simultaneously. Also
implies that the synth can receive over several MIDI channels
at once.
N
Noise
Waveform consisting of a theoretically infinite and continuous
range of frequencies.
Nominal
In name only. For synth parameter values, this usually means
the value as you set it, disregarding any subsequent modula-
tion.
Note Stealing
When the number of played notes exceeds the maximum
number of voices a synthesizer is capable of generating, older
notes must be stolen i.e. cut short for the sake of newer
notes. All Virus operating systems use an advanced note-
stealing algorithm, so this is seldom if ever heard.
185 APPENDIX B - GLOSSARY
O
Octave
A musical interval 12 semitones apart e.g. C1 to C2.
One-Shot
Non-cyclic, of finite length. See also Cyclic.
P
Panorama (Pan)
Traditionally, the position of an audio signal in a stereo field i.e.
the left/right volume ratio.
Parallel
Routing term: Not connected one after the other (see Serial), but
alongside each other.
Parameter
In general: Any variable element within a system. The values of
parameters define how the system will function.
Part
In the Virus TI Multi mode: One of the 16 separate sound
engines.
Patch
The arrangement of physical connections in e.g. a telephone
routing system. For modular synthesizers, this also includes all
knob and switch settings. Now that synthesizers can memorize
such data, patch has become synonymous with program,
sound etc..
Phase, Phase Angle
The position within one cycle of a wave. Measured in degrees,
whereby 360 is the end of the cycle.
Phaser
Audio processor that shifts the phase of a signal and mixes this
with the original for an illusion of motion similar to the Doppler
Effect (e.g. a passing ambulance or a rotary speaker cabinet).
Pitch
Frequency (e.g. how low/high a note is). Pitch is mainly used for
musical notes, while frequency is the more scientific and
generic term.
Pitchbend
186
MIDI data usually derived from the sprung wheel (stick, lever)
to the left of a MIDI keyboard. Note that Pitchbend (like Chan-
nel Pressure) is not actually one of the Continuous Controllers.
Pole
Units of -6dB per octave in filters so e.g. a 4-pole filter has a
slope of -24dB per octave. This term has its roots in ladder fil-
ter design, which uses several identical building blocks
(poles) arranged in series.
Polyphonic, Poly
Usually: Several notes can be played at the same time. Can
also describe any synthesizer module which has as many
instances as the number of notes being played in the Virus,
the envelopes are polyphonic, the EQ is monophonic, the
LFO1 and LFO2 can be either. See Monophonic.
Polypressure
Also called Polyphonic Aftertouch or Key Pressure. Independ-
ant MIDI data relative to the pressure applied to keys on a key-
board. Rarely implemented because pressing on several keys
at once can result in too much MIDI data for a system to han-
dle. In the Virus, this data format is used for a purpose not
intended by the original MIDI specifications as a supplement
or alternative to System Exclusive (Sysex) data. See also Chan-
nel Pressure.
Portamento
Classical term for gliding pitch from one note to the next. Often
simply called glide in synthesizers.
Preset
Ready-to-use sound i.e. one that is already programmed into
the synthesizer before leaving the factory. Often used more
loosely as a synonym for patch, sound, program etc..
Program
The term used by Access for individual sounds / patches. See
Patch.
Pulse wave
Oscillator waveform alternating between two discrete levels.
Pulse Width
The ratio between the lengths of the upper and lower levels in
a pulse wave. Often given as a percentage.
Q
Quality (Q)
Term describing the slope of a filter band (usually in an equal-
izer). Often misused as a synonym for Resonance.
187 APPENDIX B - GLOSSARY
Quaver
Classical term for the length of a note equal to half of a
Crotchet.
R
Rate
Speed.
Rectifier, Rectification
Type of signal processing where one half (either upper or lower)
of a signal is inverted (see Full wave rectification on page 181)
or zeroed (half wave rectification). The Virus offers full wave rec-
tification.
Resonance
Boosting of frequencies close to the cutoff point in a filter (origi-
nally via Feedback). This term derives from the distinctive fre-
quency formants caused by physical attributes of acoustic
instruments e.g. a piano or acoustic guitar.
Ring Modulator (Ringmod)
Synthesizer module which multiplies two signals, often creating
bell-like tones.
S
Sample and Hold (S+H)
A clocked processor which takes a regular sample of input lev-
els and holds this until the next clock (so the output is stepped).
Sample and Hold is a random source in the Virus LFOs because
its input is always noise.
Sample and Glide (S+G)
Sample and Hold, but smoothed.
Saturation
Usually: The smooth distortion caused by overloading a filter
input or magnetic tape.
Semiquaver
Note length: Half a Quaver, one quarter of a Crotchet.
Semitone
Pitch interval equal to one twelvth of an Octave. The keys on a
keyboard are a semitone apart.
188
Serial (in series)
Routing term. The signal is sent to one module (e.g. a filter),
which in turn sends its output to another module (e.g. another
filter). See also Parallel.
Slave
Module with reduced functionality (following parameters set by
another module). In the Virus, oscillator 3 is partly a slave of
oscillator 2.
Slot
In the Virus: individual modulation matrix routing module.
Sound engine
That part of a synthesizer responsible for generating sound.
Source
See Modulator.
Square wave
Special form of Pulse wave in which the Pulse Width is exactly
50%.
Subtractive synthesis
Often called Analogue Synthesis. The method of creating
sounds by removing (subtracting) frequencies from relatively
complex waveforms. See also Additive synthesis.
Sync
Synchronization. In oscillator sync, one oscillator resets the
phase of another (usually whenever it crosses zero in the posi-
tive direction).
Sync Phase
See Sync above. An Assign Target for LFO3 in the Virus, this is
the phase angle to which oscillator 2 is reset.
System Exclusive (Sysex)
Device-specific MIDI data used for transferring patches, edit-
ing parameters via computer etc..
T
Template
A ready-to-use blueprint, model, stencil etc.. In the Virus TI: a
preset for remote control of external devices using the Virus
knobs.
Tremolo
189 APPENDIX B - GLOSSARY
Cyclic amplitude modulation similar in effect to Vibrato.
Toggle
Switch between two distinct states e.g. on/off, mono/poly etc..
U
Unipolar
Possible values can only be positive or negative, the range does
not include both. This term can apply to Amounts as well as
modulation sources (e.g. envelopes, channel pressure).
Unison
Several instances of the same note at the same time.
V
VA
Acronym for Virtual Analogue. Traditional subtractive synthesis
emulated via software.
Vibrato
Cyclic pitch modulation (usually around 5Hz). LFO3 is the most
common source of vibrato in the Virus.
Vocoder
Voice Encoder: Device often used to impose the formant
characteristics of the human voice onto other signal. Originally
developed to reduce the bandwidth of speech signals for com-
munication purposes.
Voice
A complete sound-generation and shaping unit (oscillator, fil-
eter, envelope, LFOs etc.). A monophonic synthesizer has only
one voice, Unison mode uses up 2 or more voices per note.
W
Waveshaping
Applying a distortion (transfer function) to a signal for complex
timbral modification.
Wet
The treated (e.g. reverb) portion of a sound i.e. without the orig-
inal dry signal.
190
Z
Zipper Noise
Generally unpleasant audio artifacts usually caused by quan-
tized modulation. Eliminated in the Virus via Adaptive Control
Smoothing.
9: Appendix - Patch Names
192
ROM-A
Patches by Ben Crosland (BC)
000 T I BC 001 Alead BC 002 AoilioA BC 003 BadmouthBC 004 BassSoupBC 005 BelisimoBC 006 BellfireBC 007 BigPipe BC
008 BombasdrBC 009 BothEndsBC 010 BotlStr BC 011 Britl5thBC 012 BumFluf BC 013 BusyKeysBC 014 Cables BC 015 Caustic BC
016 ChimePadBC 017 ChoirBelBC 018 Cicadia BC 019 Clouds BC 020 ColdMetlBC 021 Crazike BC 022 DampPtchBC 023 DirtyPlsBC
024 DivngBelBC 025 DualiTI BC 026 EnvBass BC 027 Euqria BC 028 FloBass BC 029 Flylead BC 030 FMeUp BC 031 FormerloBC
032 Glacier BC 033 GlasofonBC 034 GloWormsBC 035 GritFunkBC 036 GrokBassBC 037 GrokLeadBC 038 HardwearBC 039 HellGateBC
040 HypaFlowBC 041 HypaHypeBC 042 HypassorBC 043 Hysaws BC 044 Intim8 BC 045 InvisiPdBC 046 Ioead BC 047 Lacer8r BC
048 Laquis BC 049 LatentBsBC 050 Launch BC 051 Majiko BC 052 Manga BC 053 Melene BC 054 Metelec BC 055 MetlFunkBC
056 Misty BC 057 MoonbugsBC 058 MWQuant BC 059 MWRingMdBC 060 Nanules BC 061 NasTI BC 062 Nenoa BC 063 NeoSphr2BC
064 NewkLeadBC 065 Nitrous BC 066 OverblowBC 067 Petite BC 068 PhatBrazBC 069 Pianu BC 070 PipSqw3kBC 071 PizzArp BC
072 Plang BC 073 PolutionBC 074 ProdLd1 BC 075 Pulsaw BC 076 PulsFadeBC 077 Punchy BC 078 Punctu8 BC 079 RailingsBC
080 RezbiantBC 081 RingOrgnBC 082 SatuBassBC 083 Sekur BC 084 SempliceBC 085 Shortie BC 086 Simsuki BC 087 Slash BC
088 Sledge BC 089 Slinka BC 090 Sqr Arp BC 091 StabLeadBC 092 SteamWavBC 093 SupaSyk BC 094 Syk BassBC 095 Syncer BC
096 SyncloneBC 097 SynEns BC 098 Syrys BC 099 Teknoid BC 100 ThebuTI BC 101 Thr3sum BC 102 Thryba BC 103 Torus BC
104 Touchy BC 105 TuchFunkBC 106 TwinVox BC 107 UltraSawBC 108 UpMalletBC 109 VelbendaBC 110 VelBouncBC 111 Veldisa BC
112 VelevateBC 113 VelFmBasBC 114 VelocrysBC 115 Vogue2 BC 116 WarmWavsBC 117 WavePad BC 118 WhoPad BC 119 WT S+H BC
120 WT1 + BC 121 Xaris BC 122 Xianum BC 123 Yaquis BC 124 Zimoux BC 125 >>INPUT<< 126 -START- 127 -INIT-
193
ROM-B
Patches by Manuel Schleis (MS), www.vengeance-sound.com
000 64Degee MS 001 A.Pop MS 002 AcidChrdMS 003 Adagio MS 004 AirTonicMS 005 AmbulantMS 006 Anubis MS 007 Atx BassMS
008 BabyloneMS 009 Bad Pop MS 010 BigBeat MS 011 BigPhaseMS 012 BittBassMS 013 Bomber MS 014 Brasso MS 015 ButtrflyMS
016 By Zero MS 017 Chapel MS 018 CharactrMS 019 CoderArpMS 020 CoderPadMS 021 CoolChrdMS 022 CreamPikMS 023 CrysalisMS
024 Cubus MS 025 CultOrgnMS 026 D-Phunk MS 027 D50Lead MS 028 DarksideMS 029 DeepWeepMS 030 DirtBox MS 031 DistPickMS
032 DromeCrdMS 033 DuskwoodMS 034 E-Lead MS 035 FizzBizzMS 036 Flutex MS 037 Flutex2 MS 038 FM BoostMS 039 ForgivenMS
040 Freaks MS 041 Frogger MS 042 FunkBassMS 043 FunkTripMS 044 Gamelan MS 045 Genosis MS 046 GianaArpMS 047 GlobalDJMS
048 Go Rave!MS 049 Halo MS 050 HappyVoxMS 051 HarakiriMS 052 Haunted MS 053 HihatRunMS 054 HiScore MS 055 Holland MS
056 Horror! MS 057 HyperSawMS 058 HyperSqrMS 059 J Halen MS 060 Jessel MS 061 KetamineMS 062 Lately MS 063 Ligaya MS
064 Linear MS 065 LoFi SawMS 066 LoFi-WhaMS 067 LoGrooveMS 068 Lovly80sMS 069 MayaFireMS 070 Megane MS 071 Mettler MS
072 MnstrSawMS 073 MnstrSw2MS 074 MotoSyncMS 075 MovinPadMS 076 MutePickMS 077 NarcoticMS 078 Noomed MS 079 Noomed2 MS
080 noToy MS 081 NuNrg MS 082 OberBrssMS 083 OiOiBassMS 084 OktaviusMS 085 OrchBlstMS 086 PhoneSqrMS 087 PhonoboyMS
088 PlastoneMS 089 PsyBat MS 090 PulvrTrmMS 091 PuristicMS 092 RelativeMS 093 RePunch MS 094 RezoBassMS 095 SadSaws MS
096 Saw You MS 097 Schilla MS 098 Sharp MS 099 Sick SQ MS 100 SinePad MS 101 SlowSilkMS 102 SoftBassMS 103 SpheroidMS
104 Stack X MS 105 Step64 MS 106 SunPianoMS 107 SupaCoreMS 108 SuperWrmMS 109 TchnolgcMS 110 The Bug MS 111 Theory MS
112 TiberiumMS 113 TIBuzzerMS 114 Tracker MS 115 TriblZapMS 116 UpliftFXMS 117 Vanish MS 118 Vogue MS 119 Voltage MS
120 Voxiter MS 121 WidePad MS 122 Wind MS 123 Wurly MS 124 X-Mod MS 125 XylotronMS 126 YamahFB1MS 127 Zapper MS
194
ROM-C
Patches by Howard Scarr (HS)
000 3-Dumm HS 001 60sSciFiHS 002 68-CreakHS 003 Aah-Vln HS 004 Acidica HS 005 AnlogBD HS 006 AnyMusicHS 007 AutobahnHS
008 BadCntaxHS 009 Baryon HS 010 Bombers HS 011 Brash HS 012 Cadmium HS 013 Clox HS 014 CutBrassHS 015 CuttaD6 HS
016 Cyber2 HS 017 D50-50 HS 018 D=CM+1 HS 019 DaBirds HS 020 DayDreamHS 021 DinoArp HS 022 Dis-Go HS 023 Doyoyng HS
024 Droned HS 025 DuckDivrHS 026 Dworg HS 027 DX-File HS 028 Elohim HS 029 EmPyre HS 030 EP+Faze HS 031 FilmTrpsHS
032 FlagshipHS 033 Flam&Co HS 034 FlatHat HS 035 Floooot HS 036 FlyingT HS 037 Funk-U HS 038 GlasBirdHS 039 GlasGlisHS
040 Gliss2 HS 041 Goudam HS 042 Handsaw HS 043 HardOne HS 044 HillAgesHS 045 ImpOsc02HS 046 ImpOsc03HS 047 IonFlux HS
048 Jester HS 049 Knock-B HS 050 Kofi-B HS 051 Kordeon HS 052 LA Lore HS 053 Latex 2 HS 054 Latinum HS 055 Lobster HS
056 LostLeadHS 057 Mandoid HS 058 MaxiMin HS 059 McCloud HS 060 McNasty HS 061 MoonriseHS 062 Movmnt2 HS 063 MowGrassHS
064 Nanites HS 065 Needles HS 066 NewStrumHS 067 Nocoder HS 068 OffTopicHS 069 Old Brs HS 070 PanDora HS 071 Phase 2 HS
072 Phazzah HS 073 Phloid HS 074 Pickles HS 075 PlecBassHS 076 Pluto HS 077 Polytix HS 078 PourDry HS 079 ProFit HS
080 ProWeed HS 081 Pstyro3 HS 082 PurrBassHS 083 PutzFrauHS 084 PyroFlowHS 085 Q+Fatty HS 086 Qricket HS 087 RezBass HS
088 Rigby2 HS 089 Riptide HS 090 ScrapyrdHS 091 SeaThreeHS 092 SirNevilHS 093 Sitar2 HS 094 Skrape HS 095 SlaplandHS
096 SleigherHS 097 SlipShotHS 098 Snakeye HS 099 SpaceP2 HS 100 Species HS 101 Squink HS 102 Stabber HS 103 StarBeesHS
104 StarFallHS 105 Sugar1 HS 106 Sugar2 HS 107 Sugar5 HS 108 SunChildHS 109 Synthar HS 110 Tack HS 111 TankYou HS
112 TinyBee HS 113 Torque HS 114 TownshipHS 115 Trancit HS 116 TrebleB HS 117 Trombic HS 118 Trumps HS 119 UnstableHS
120 VCSwolf HS 121 Vlhurgs HS 122 Warbell HS 123 Wendy+ HS 124 WetspaceHS 125 WndChimeHS 126 X-Mover HS 127 YouWish HS
195
ROM-D
Patches by Matt Picone (M@)
000 S-1973 @ 001 x(o-o)x @ 002 38 S@ws 003 Aeternal @ 004 An@gry 005 Anaklav1 @ 006 Anaklav2 @ 007 Anaklav3 @
008 AnlogFeel@ 009 AprilPad@ 010 AtariCr@sh 011 BeautySyn@ 012 Before @ 013 BellLead @ 014 BlackHole@ 015 BladeRun @
016 Bore@lis 017 BPF+2P! @ 018 BrassKlav@ 019 Bs2Pole! @ 020 BsBuster @ 021 BsKonKilr@ 022 BsNoog @ 023 BsSpiral @
024 BsTaurean@ 025 BsWaveSel@ 026 BukRogers@ 027 CanHappen@ 028 CommonTon@ 029 CrstlCave@ 030 Dancer @ 031 Deinos @
032 DelayLama@ 033 Dgtalrido@ 034 DigiBel1 @ 035 DigiBel2 @ 036 DigiBel3 @ 037 DigiBel4 @ 038 Dimril @ 039 DlayVerb!@
040 DoubleSyn@ 041 Dragons @ 042 DrownedP@d 043 DrummerG8@ 044 Dryadae @ 045 DubChrdsM@ 046 DWBelComp@ 047 ELP-ulse @
048 EP Res @ 049 EP3DogNyt@ 050 Fanfare @ 051 FeedBkSyn@ 052 Flangepad@ 053 Foogpad2P@ 054 Gently 1 @ 055 Gently 2 @
056 GertLead @ 057 Gruvalimb@ 058 Halo Pad @ 059 Hammono @ 060 Harmoshn2@ 061 Heroes @ 062 Hi*Lo Seq@ 063 Industron@
064 Laura @ 065 LayerHold@ 066 Ld-OB 82 @ 067 Ld4Quincy@ 068 LeedSneed@ 069 LFantSqid@ 070 LFOverkil@ 071 LikeSkin @
072 LunarArp @ 073 M@ Olympus 074 M@inTheBox 075 m@stock 076 Majman @ 077 MalletStk@ 078 Melodica @ 079 MixChime @
080 Monterey @ 081 MPianoHi @ 082 MPianoLo@ 083 NextOrbit@ 084 Nocoder @ 085 Noog 4P @ 086 NumanesqM@ 087 OrchBrass@
088 OrganDigi@ 089 p-g Chime@ 090 p-g Poly @ 091 PatiencPd@ 092 PerfectP@d 093 Phobos @ 094 PizzaKato@ 095 PoleNoise@
096 PowerPluk@ 097 PPG Comp @ 098 ProlesLog@ 099 PVC Drum @ 100 Quintesnc@ 101 Quivery @ 102 ReedPad @ 103 RingDrone@
104 Shredder @ 105 SineLang @ 106 SnareG@te 107 SpAcEvOx @ 108 Spiritu @ 109 Spitter @ 110 Splatter @ 111 StpSeqMe!@
112 Stratpad @ 113 StringSyn@ 114 StViolate@ 115 StViolint@ 116 Terraform@ 117 TouchGate@ 118 TremThing@ 119 TrippyPad@
120 TXStack86@ 121 Upwards @ 122 V-Organ @ 123 Vampyr @ 124 Venusian @ 125 Warper @ 126 Wind4p @ 127 Wired @
196
ROM-E
Patches by Matthew Stolley (M)
000 AcidArp M 001 AcidRain M 002 Anemone M 003 ArdeKey M 004 Atlantis M 005 BadBrain M 006 Beaker M 007 Beano M
008 Bhurly M 009 CashCrop M 010 Chimp M 011 Clockers M 012 ComeDown M 013 Cunted M 014 Dayz M 015 Diana M
016 DieSoon M 017 DigDoug M 018 DoubleD M 019 DubTest M 020 DuckFeet M 021 Dumbo M 022 Eastside M 023 Elevator M
024 Explora M 025 FarOut M 026 Fatass! M 027 Felcher M 028 FogHat M 029 Fonkah M 030 Forever M 031 Furley M
032 Gachet M 033 Gamera M 034 Ganja M 035 GasHuffa M 036 Gateman M 037 Ghoulie M 038 GoFigure M 039 GrapeApe M
040 Hesher M 041 Hideout M 042 Horror2 jh 043 Hoth M 044 HotKarl M 045 Hydra M 046 Icarus M 047 Industry M
048 Iodine M 049 Jaco M 050 Jahmekya M 051 JizzMop M 052 Junkie M 053 KoolFM M 054 Kuster M 055 Lando M
056 LastFix M 057 Lezzie M 058 LiquidSkyM 059 Lisbon M 060 Loner M 061 Lycra M 062 Majesty M 063 Malfunk M
064 Manga M 065 Mentor M 066 Mercury M 067 MethLab M 068 Midnite M 069 Monkfish M 070 Monument M 071 Moonie M
072 Mosquito M 073 Mothra M 074 Move M 075 Napalm M 076 Nebula M 077 NewYork M 078 NextKin M 079 NO2Head M
080 PadThai M 081 Payback M 082 Petrol M 083 Phantom M 084 PopTart M 085 PorkPie M 086 Pulsine M 087 Python M
088 Quazar M 089 Rasberry M 090 RatSync M 091 RedAlert M 092 Reminise M 093 Resin M 094 Rezonard M 095 Roaches M
096 Rodan M 097 Sandman M 098 Seagull M 099 SheMale M 100 Simplex M 101 SkiMask M 102 Skylab M 103 Slayer M
104 Socrates M 105 SpaceVan M 106 Sparta M 107 Spaz M 108 Sqash M 109 StarDust M 110 Tasm1 M 111 Tasm2 M
112 Tasm3 M 113 TechKey1 M 114 TechKey2 M 115 Traffic M 116 TwinPeaksM 117 Undertoe M 118 Uranium M 119 Ursula M
120 Valium M 121 Vindaloo M 122 Visitor M 123 Westwego M 124 Wombat M 125 Wormzer M 126 Xanax M 127 Zest M
197
ROM-F
Patches by Howard Scarr (HS)
000 AndromdaHS 001 Arctis HS 002 AT-Mini HS 003 AwashBs HS 004 Backing HS 005 BadTape HS 006 Begin? HS 007 BellBoy BC
008 BerimTamHS 009 Boingy HS 010 BowBouncHS 011 Bronze HS 012 BubblX HS 013 CantburyHS 014 ChaosBelHS 015 Choir2 HS
016 ClubMed HS 017 Congoid HS 018 CptKork HS 019 Cremoma HS 020 DancePn HS 021 Dangelo HS 022 DB-Goer HS 023 DinoBassHS
024 Dirtron HS 025 Dr.What?HS 026 Dread-0 HS 027 Dublyoo HS 028 DX-Pno1 HS 029 DX-Pno2 HS 030 DX-Pno3 HS 031 Dynette HS
032 E-Grand HS 033 E.Rigby HS 034 Easter1 HS 035 EkoRoad HS 036 Everest HS 037 Expense HS 038 Flats HS 039 Flutes HS
040 Flutoon HS 041 Froese HS 042 FunctionHS 043 Ganges HS 044 GateRim HS 045 Goomby HS 046 Ham&X HS 047 Harpsie HS
048 Hektik HS 049 HissPad BC 050 J.Edgar HS 051 JamMini HS 052 Jawdan HS 053 JazRoad HS 054 JuicOrg HS 055 Kitchen HS
056 Latex HS 057 LordOrg HS 058 Macho HS 059 Manfman HS 060 MarkOne HS 061 MarsAtx HS 062 Meddle HS 063 MelloVl HS
064 MinorityHS 065 Monza HS 066 MoonWeedHS 067 Multasm HS 068 MW-StepsHS 069 Nowhere BC 070 NylSolo HS 071 Oboe HS
072 Oddigy HS 073 Old S&H HS 074 Orange HS 075 Oscar1 HS 076 Outpost HS 077 PanShakeHS 078 PataFiz HS 079 PeaceOrgHS
080 Picking HS 081 PickUp HS 082 PingOrg HS 083 Pit-Str HS 084 Pizza HS 085 PlukalogHS 086 PopCorn HS 087 Prions HS
088 Pstyro2 HS 089 Pumpah HS 090 Qatsi HS 091 Quack! HS 092 RadioG HS 093 Raspry HS 094 Saloon HS 095 Saxpet HS
096 Series3 HS 097 ShineOn HS 098 SidKid HS 099 SimSyn HS 100 SinSolo HS 101 Slapska HS 102 SpacePadSV 103 Spring HS
104 Spy HS 105 Squeeze HS 106 Squoid HS 107 Sunder HS 108 Tabloid HS 109 TheDome HS 110 Thustra HS 111 TimeStepHS
112 Tunnel HS 113 TuvaWeelHS 114 TweakMe HS 115 TwoOfUs HS 116 Untune HS 117 Vanilla HS 118 Voodoo HS 119 Vorwerk HS
120 Warlord HS 121 Wheee! HS 122 WishBom HS 123 WoodyBs HS 124 X-Didge HS 125 X-Werx HS 126 Xyrimba HS 127 Zorch HS
198
ROM-G
Patches By Ben Crosland (BC)
000 80sStabBC 001 AmbienceBC 002 BanjArp BC 003 BassArp BC 004 BassMan1BC 005 BassMan2BC 006 Beans BC 007 BigLead BC
008 Bite Me BC 009 BluBotl BC 010 BottlPadBC 011 BriteArpBC 012 Burbler BC 013 BuzzBassBC 014 CellStabBC 015 CheezMe BC
016 ClaviKeyBC 017 CompressBC 018 DelivrncBC 019 DesolateBC 020 DigiSaw BC 021 DirtLeadBC 022 DublArp BC 023 Electro1BC
024 ElectrR1BC 025 ElectrR2BC 026 Epitaph BC 027 FlwLead BC 028 FlydCoptBC 029 Fritter BC 030 FunkMamaBC 031 FunnyLd BC
032 FuzzFM BC 033 GritBas1BC 034 GritBas2BC 035 HardBassBC 036 HardLeadBC 037 HarshArpBC 038 HedHuntrBC 039 HoloArp BC
040 HoloBassBC 041 Korgi BC 042 KraftAr1BC 043 KraftAr2BC 044 KraftAr3BC 045 KraftAr4BC 046 KraftAr5BC 047 KraftAr6BC
048 LktroArpBC 049 LktroPlkBC 050 Monday BC 051 Mooky BC 052 MPScreamBC 053 MuteArp BC 054 MWBrass BC 055 Navel BC
056 NewGBassBC 057 NiceKeysBC 058 NotchPlsBC 059 NotchSawBC 060 Ocean BC 061 OnRun BC 062 PercArp1BC 063 PercArp2BC
064 PercArp3BC 065 PlukArp1BC 066 PlukArp2BC 067 PlukTremBC 068 PPGdual BC 069 Randy BC 070 RezArp1 BC 071 RezArp2 BC
072 RingLedrBC 073 Saucer BC 074 SawMorf BC 075 Sear BC 076 ShortBasBC 077 ShortSawBC 078 Sighing BC 079 SoftArp1BC
080 SoftArp2BC 081 SoftArp3BC 082 StacArp1BC 083 StacArp2BC 084 SweetFA BC 085 Sweptre BC 086 SyncArp1BC 087 ThickPadBC
088 ThinPad BC 089 TremStabBC 090 VA1 BC 091 VA2 BC 092 VA3 BC 093 VA4 BC 094 VanOrch BC 095 VC ACID BC
096 VoxOct BC 097 VoxWave BC 098 WarmUp BC 099 WarpLeadBC 100 WetArp BC 101 WetBass BC 102 Whistle BC 103 Zappy BC
104 PhatKickBC 105 SatKick BC 106 DistKickBC 107 SnareMrfBC 108 AutoHat BC 109 TinFoil BC 110 HldPdHatBC 111 808 Cow BC
112 PercMorfBC 113 PercMrf2BC 114 RezDrum BC 115 RezPerc BC 116 Claps 1 BC 117 Claps 2 BC 118 PanLid1 BC 119 PanLid2 BC
120 AutoShkeBC 121 SineDiveBC 122 Klunk BC 123 Klang BC 124 Stick BC 125 Zap BC 126 LoFiHit BC 127 V Dog BC
199
ROM-H
Patches By Ben Crosland (BC), Cosmic Dreamer (SV), HJ Scheffler (JS) and Mikael Hansson (MH)
000 AutoBendBC 001 Avenues JS 002 B-SquareBC 003 Back280sSV 004 Base MH 005 BC NewVoV3 006 BellAir MH 007 BlkvelvtSV
008 BusysawsSV 009 ChilloutJS 010 ChrunchyJS 011 ClubbassSV 012 ClubtoolBC 013 Comm basSV 014 CommerseSV 015 Contra BC
016 CosmicbsSV 017 CreameryBC 018 Cyclone JS 019 Da Funk BC 020 Dawn JS 021 Decay JS 022 Deep9thsBC 023 Devlish SV
024 DHR Amb BC 025 Digedi JS 026 Driver SV 027 Drmswpr SV 028 Duffer BC 029 Etheral SV 030 Far EastJS 031 FatWah BC
032 Five in1BC 033 FlyBy BC 034 FnkNastyBC 035 Freno BC 036 Fripper JS 037 Furrier BC 038 Future XSV 039 FuturwldSV
040 GarBass8BC 041 Girls SV 042 Glassey SV 043 Goatic SV 044 GoindownSV 045 GoodniteJS 046 Hifive SV 047 HOA Pad SV
048 Hollow JS 049 HongKongBC 050 Hoppin SV 051 IndiArp BC 052 IntntentSV 053 Jazzy JS 054 JoeZolo BC 055 KatmanduJS
056 KingsizeJS 057 LatitudeSV 058 Lets goSV 059 Lite JS 060 LongskrtSV 061 Maja JS 062 Mamba JS 063 MentalitJS
064 MetalsynJS 065 Move it SV 066 MoveMyMBC 067 Muzzle BC 068 NasalbasSV 069 NewVoV4 BC 070 NoiztoyzJS 071 OctvHoprBC
072 OddgssaySV 073 OffSoft BC 074 Oil-crwlSV 075 Pad 77 076 PadAlertMH 077 Pathos BC 078 Peace BC 079 Pensive BC
080 Phlute JS 081 Pitchy BC 082 PlaycoolSV 083 PlugAsiaMH 084 Plugged JS 085 Polar JS 086 PolyGrovJS 087 PseudoTBSV
088 Pulsar SV 089 Q-Pad BC 090 RbbrHrp2BC 091 Red lineSV 092 ReflxshnBC 093 RepeaterJS 094 RestlessBC 095 Rezoid SV
096 Rezzer2 BC 097 Rise up!SV 098 RubbrHrpBC 099 S&HOrganBC 100 Sawz 2 SV 101 Sharp BC 102 Sickly BC 103 SilkArp SV
104 SinebassJS 105 SomethngSV 106 SpitfireJS 107 Spoiled SV 108 Spring SV 109 SpringPdSV 110 StellarpSV 111 StickyPdBC
112 SubmergeSV 113 SwingArpPS 114 T Pot BC 115 T-Axxe JS 116 Ten InchJS 117 ThirdEarJS 118 Tinycat SV 119 TiptaptuSV
120 TwotonesBC 121 UniVoV BC 122 V-Bells JS 123 Vapour SV 124 VindictrSV 125 Ritchie SV 126 ChoralisSV 127 PizzachiSV
200
ROM-I
Patches By Cosmic Dreamer (SV), Howard Scarr (HS) and Rob Papen (RP)
000 101-Sub RP 001 2-Burst RP 002 2-Chord RP 003 68-CreakHS 004 7thCord RP 005 80s RP 006 =BASS= RP 007 Acidica HS
008 AlfBass RP 009 AnyMusicHS 010 Arp-BD2 RP 011 B-Kewl SV 012 BabyBee HS 013 BandPad RP 014 Baryon HS 015 BasemineHS
016 Bass Me RP 017 Be-Two RP 018 Borgano SV 019 BPM-Pad RP 020 Chord-U RP 021 Club-To RP 022 Cord-1 RP 023 CuttaD6 HS
024 D=CM+1 HS 025 DaChurchSV 026 DarkTombSV 027 DeeBass RP 028 Dis-BD RP 029 DSP-V RP 030 Ease RP 031 eXtream RP
032 Fat-Sn. RP 033 FenderB RP 034 Filters RP 035 GlasStrgSV 036 Go Bass RP 037 Hawsch RP 038 Hendrix RP 039 Howner RP
040 Imposc03HS 041 IQsnare RP 042 K-Organ RP 043 Knock-B HS 044 Kofi-B HS 045 Kordeon HS 046 Latex 2 HS 047 Latinum HS
048 Lobster HS 049 LowKick RP 050 Mandoid HS 051 MAXWave RP 052 McCloud HS 053 McDonna SV 054 Mellotr.RP 055 Mistery RP
056 Mistik SV 057 MO-TJO RP 058 MooBass RP 059 Mover RP 060 MS-10 2 RP 061 MS-99 RP 062 NA Bass RP 063 NoiseAA RP
064 Not-Pad#RP 065 O-ME-2 RP 066 Oby-Pad RP 067 Oh Bee SV 068 Omnef RP 069 Oz-Lead RP 070 P-Lead RP 071 P-Organ RP
072 P6OO RP 073 Pac-it SV 074 Pad-Flg RP 075 Padings RP 076 Phasa RP 077 PickGTR RP 078 PolyPha RP 079 Pro-12 RP
080 ProWeed HS 081 PsychordSV 082 Q+Fatty HS 083 Q-Teck RP 084 QT-Soft RP 085 Raw Saw SV 086 RealFlutHS 087 Riptide HS
088 RoboPad RP 089 Sadings RP 090 SFX-X~ RP 091 SH-123 RP 092 SoLead RP 093 Sorry RP 094 Str-Arp RP 095 STR-II RP
096 Str-WoW RP 097 Strings RP 098 T-8 RP 099 T-Dream RP 100 TD-Seq RP 101 TE-T42 RP 102 Tec-Str RP 103 TecBass RP
104 TF Bass RP 105 The-BD2 RP 106 TheBirdsHS 107 Ting RP 108 Ti|Bell SV 109 TI|LinerSV 110 TomBass RP 111 Torque HS
112 TranQ SV 113 V Cl.HH RP 114 V Op.HH RP 115 Varpeg RP 116 Velo-Me RP 117 VeloPEW RP 118 Vi-Rtro RP 119 Vichord RP
120 Vitar RP 121 Vo-Pad RP 122 VR-78 1 RP 123 VR-78 2 RP 124 Windo RP 125 X Mean RP 126 X0X Kck RP 127 Z-Keys SV
201
ROM-J
Patches by Joerg Schaaf (J), Matthew Stolley (M) and Zack Steinkamp (zs)
000 AESound zs 001 AldoNovaM 002 AmbientBlJ 003 AmbientFXJ 004 ambiRgM zs 005 AnHigh M 006 Arcade BC 007 Atlas J
008 Attack! J 009 AutoTknoBC 010 B-Deep M 011 B-Foe M 012 BadLand M 013 BassIk M 014 basting zs 015 basting2zs
016 bigTung zs 017 Bleu! M 018 Blotto M 019 Bubble2 M 020 CappSt M 021 Cavsak M 022 cirqStb zs 023 CLEeeN M
024 Cloakin M 025 cutRes zs 026 decDATA1zs 027 decDATA2zs 028 decDATA3zs 029 deciDAT4zs 030 dirty zs 031 Donky BC
032 dopeEp zs 033 Dragon M 034 dropIT zs 035 drpBomb zs 036 Drubber BC 037 Dry Bass J 038 dstStep zs 039 Dubsak M
040 Dumb! M 041 Empira 2M 042 Entropie J 043 Everest J 044 Facial M 045 FePudn zs 046 FlutDrumBC 047 fnkStrg zs
048 GBEp3 zs 049 george2 zs 050 GooHat M 051 GotHAM! M 052 HIDEson M 053 HiWaves jh 054 IndustryBC 055 LepY2 zs
056 LepY3 zs 057 lootRng zs 058 Lost M 059 LowBass jh 060 marimba4zs 061 MeBad? M 062 Menace M 063 MONose zs
064 mostHih zs 065 Mr.Big jh 066 Mr.Foo M 067 Necro M 068 NoFuture M 069 orguit zs 070 Plead M 071 Pluka zs
072 PowerStrnJ 073 pulsRay zs 074 Quarp BC 075 RbbrBellBC 076 ReBird M 077 resPad zs 078 Reverse J 079 rmBack zs
080 rngPort zs 081 Roboe zs 082 RuffLea.jh 083 Shifted BC 084 ShineChrdJ 085 shivrPd zs 086 sineZZZ zs 087 sinMorf zs
088 sitar zs 089 Skware zs 090 smoovLd zs 091 SoftBell J 092 Softi J 093 SoftSeq. J 094 sofueMODzs 095 SoSad M
096 SpaceNighJ 097 spasDrv zs 098 Spinner M 099 spoolPd zs 100 sqPadMM zs 101 squar00 zs 102 Sr.Goo M 103 step2it zs
104 Subbass zs 105 Sunday M 106 Tomita J 107 Torque 108 UfO 4 M 109 UKG BC 110 UKG2 BC 111 V-Acid#4 M
112 V-Acid#7 M 113 V_Acid#9 M 114 VCS 3a J 115 videoG1 zs 116 videoG2 zs 117 videoG4 zs 118 waowLd zs 119 Weazel M
120 WetThn zs 121 wire 1 BC 122 Wobble M 123 xPandr zs 124 yahy zs 125 Yeao! M 126 ZartPad J 127 Zupfi J
202
ROM-K
Patches by Joerg Huettner (jh) and HJ Scheffler (JS)
000 7thHeavnJS 001 Ah RESO JS 002 Anabo|icJS 003 Anima JS 004 Animate JS 005 ArtificlJS 006 Bad S JS 007 Bassic JS
008 Bassta JS 009 BasstardJS 010 BC VoV-2BC 011 BC VoV-3BC 012 Beatbox JS 013 Bella JS 014 BElla 2 JS 015 BellaArpJS
016 BIG FLY JS 017 Birdy JS 018 Braxter JV 019 CalliopeJS 020 Carpets JS 021 ChainsawJS 022 Chant JS 023 Choir 4 BC
024 Cold SawJS 025 ConcreteJS 026 Crispy2 jh 027 Deeper JS 028 Dig Me JS 029 Dig ThisJS 030 Disco OK 031 Donkey JS
032 DreBeat jh 033 Dukbass+BC 034 Dysonia BC 035 EnglArp JS 036 EnoesqueJS 037 FeedyPadJS 038 Feng JuiJS 039 FM Bass JS
040 FM Sequ jh 041 For DeepJS 042 Frozen JS 043 FuzzBellJS 044 Fuzzbox JS 045 FX Drum JS 046 Ghost 2 JS 047 GinaPad JS
048 Glitch OK 049 Goa4 it JS 050 Guitar4 jh 051 HackbartJS 052 HarmonixJS 053 HauntinJS 054 Hovis JS 055 Hybrid JS
056 Impact MS 057 Induced JS 058 InfectedJS 059 InfinityJS 060 JaySync JS 061 JunoApg JS 062 Justice JS 063 KyotoLd JS
064 Laville JS 065 Lead JS 066 LoFine jh 067 MajorityJS 068 Mallet JS 069 MonolithJS 070 Moon PadJS 071 MorsSpc JS
072 Moving JS 073 Nasty JS 074 NiceArp JS 075 No Age JS 076 Odyssey JS 077 OldScol OK 078 Opener JS 079 Organic JS
080 Outland JS 081 OverloadJS 082 OvertoneJS 083 Percold JS 084 Piggy JS 085 PluckMe BC 086 PolySin JS 087 Prodigy JS
088 Puls4thsBC 089 Pulsic JV 090 Puncher JS 091 Q-Lead jh 092 Quarx JS 093 Random JS 094 Raw JS 095 Rhy-Arp JS
096 Rough JS 097 ScanJob JS 098 Scary jh 099 SeqIt JS 100 Sim SalaJS 101 Simply JS 102 SinderelJS 103 SineBeezJS
104 SmoothBsBC 105 Soaker JS 106 Soft3rdsBC 107 Soloist JS 108 Start UpJS 109 Subaqua BC 110 Sweeper JS 111 Taurus JS
112 Tight JS 113 Tubez JS 114 Tubular JS 115 Uprite JS 116 V-Birth1 K 117 Vienna JS 118 Virus B JS 119 Voyager JS
120 Wailin JS 121 WalkaArpJS 122 Walker JS 123 Wave-PadJS 124 Waver JS 125 WeeBell jh 126 Whirly JS 127 X-Bellz JS
203
ROM-L
Patches By Xmorph/Icon Of Coil (XM) and Joerg Huettner (jh)
000 8BitHellXM 001 8-bitPadXM 002 AcidLineXM 003 AllRoundXM 004 AngstPadXM 005 Bass 87 XM 006 BD 3-4 XM 007 Bombast jh
008 BP Pad XM 009 BPGrooveXM 010 BpHpOsc XM 011 CheezArpXM 012 CheezLd XM 013 CheezMasXM 014 ChoBell jh 015 ComeOne XM
016 Cydonia1XM 017 Cydonia2XM 018 DaBrain jh 019 DeepAb XM 020 Detuner XM 021 DigeriduXM 022 DigiGrv XM 023 DigiScrmXM
024 DistArp1XM 025 DistArp2XM 026 DistBassXM 027 DistLd1 XM 028 DistLd2 XM 029 DistortaXM 030 DistRez XM 031 DrunkET XM
032 DrunkSpcXM 033 Du Hast XM 034 EBM Ld1 XM 035 EBM Ld2 XM 036 EBMBass1XM 037 EBMBass2XM 038 Error XM 039 EvilDeadXM
040 EvilLeadXM 041 Feeder XM 042 Front242XM 043 FutureBsXM 044 FuturEP XM 045 GoGrooveXM 046 Groov7thXM 047 HardHousXM
048 HP Bass XM 049 IconArp XM 050 Intense XM 051 IOC 3-4 XM 052 IOC BassXM 053 IOCBass1XM 054 JeanLeadXM 055 JMJ Arp XM
056 Killers XM 057 KraftArpXM 058 LectroLdXM 059 LFOmove jh 060 LoTatar jh 061 Mad LFO XM 062 Mamamia jh 063 Massive XM
064 Mayhem XM 065 Mellow XM 066 MelodiBzXM 067 MelodiTWXM 068 MeloDM XM 069 MeltArp1XM 070 MeltArp2XM 071 MeltBassXM
072 Melter XM 073 MeltGrv XM 074 MeltIntrXM 075 MeltSyn XM 076 MoonArp XM 077 MoonBassXM 078 MoonLeadXM 079 New IOC XM
080 NitzerBsXM 081 NoizBassXM 082 NuSkool jh 083 O My GodXM 084 OffBass XM 085 OffLoop XM 086 OlSkoolXM 087 OldLead jh
088 OscilateXM 089 OutThereXM 090 PB AlienXM 091 PhaseLd XM 092 PhasrArpXM 093 PlainBasXM 094 PPG TI jh 095 Pro1-FX XM
096 RatPack jh 097 ResoMeloXM 098 RezArp XM 099 RezPad XM 100 RezStrngXM 101 S9 Loop XM 102 S9GrooveXM 103 S9GrooveXM
104 SawArp XM 105 SawComm XM 106 Scores jh 107 ScrmArp XM 108 ShalloBsXM 109 ShoutLd XM 110 Simul8r XM 111 Sinus9 XM
112 SpaceLabXM 113 SqrArp2 XM 114 SqrArp2 XM 115 SqrBass XM 116 SubBass XM 117 SweetSqrXM 118 SynthPopXM 119 Talker XM
120 TranzArpXM 121 TranzBasXM 122 U F O XM 123 UndawrldXM 124 VocoPad XM 125 WetSqrBsXM 126 XMorphLdXM 127 XMorphLpXM
204
ROM-M
Patches by Manuel Schleis (MS) and Mikael Hansson (MH)
000 GO ON! MS 001 Lonely MS 002 N-R-G! MS 003 Photex MS 004 1 FingerMS 005 303Sync MS 006 AftrglowMS 007 Alert!! MS
008 AlroundrMS 009 AmbienceMS 010 AmbrStngMS 011 Angels MS 012 Binary MS 013 BombTraxMS 014 BPMover PS 015 BubblizeMS
016 Cabinet MS 017 Careful!MS 018 CataclsmMS 019 CavePizzMS 020 ChainSawMS 021 ChilloutMS 022 ChinaToyMS 023 ChordMe MS
024 Circles MS 025 ClubbingMS 026 ClubSub MS 027 CoolBlipMS 028 Crazy!!!MS 029 CrystalsMS 030 DarksideMS 031 DaydreamMS
032 DialFFM MS 033 DropzoneMS 034 DryLand MS 035 DscotheqMS 036 E-motionMS 037 EuroBassMS 038 EuroSaw MS 039 EuroSaw2MS
040 EuroStngMS 041 EuroSubBMS 042 FatMoogyMS 043 FiltopiaMS 044 FlngomatMS 045 Fltopia2MS 046 Fltopia3MS 047 FM Bass MS
048 FMShaperMS 049 GrgorianMS 050 HackBassMS 051 Hazard MS 052 Heaven MS 053 Hoboken MS 054 HolywoodMS 055 IceDartsMS
056 InfinityMS 057 JP Bass MS 058 KemistryMS 059 KoolSawsMS 060 KraftLd MS 061 KraftLd2MS 062 KrftworxMS 063 LdStrngzMS
064 LoFiVibeMS 065 LostInT.MS 066 Maniac! MS 067 MegaFuzzMS 068 MegaraveMS 069 MegaWattMS 070 ModMnstrMS 071 OffbtDblMS
072 OffshoreMS 073 OldSkoolMS 074 ParadiseMS 075 PartyOn!MS 076 Plastic MS 077 PowerPadMS 078 Public MS 079 Pulsar MS
080 PulsArp MS 081 PunchBssMS 082 PWFatty MS 083 PwrStackMS 084 R-Whip MS 085 RaverLneMS 086 RawBlineMS 087 RckDaClbMS
088 Re-Flex MS 089 Rising MS 090 Rvltn303MS 091 SciFiChrMS 092 Smoothy MS 093 Snapper MS 094 Softie MS 095 SolidGoaMS
096 Spacy303MS 097 SpceBrasMS 098 SpceDustMS 099 SquarDncMS 100 StrburstMS 101 SuprNovaMS 102 SyncStarMS 103 Tachyon MS
104 TekStepzMS 105 TranceFXMS 106 Tri-AnglMS 107 TriShaprMS 108 TrncTipsMS 109 TrnsfrmrMS 110 TubeDstxMS 111 Typhoon MS
112 Typhoon2MS 113 Typhoon3MS 114 U-Punk MS 115 UKBass MS 116 UniBass MS 117 V...ger MS 118 Vintage MS 119 VocodrPdMS
120 VowelSwpMH 121 WaveridrMS 122 WhatThe.MS 123 Wicked MS 124 Wraith MS 125 Wraith2 MS 126 X-FlangeMS 127 {TheOne}MS
205
ROM-N
Patches by Ben Crosland (BC) HJ Scheffler (JS), Matt Picone (M@) and Shin Murayama (SM)
000 AandreasM@ 001 Aerosol J 002 AerSynthM@ 003 AI2 Pad M@ 004 AirMonixM@ 005 Apogee M@ 006 AqutouchM@ 007 Baggins M@
008 BGot90s M@ 009 BigPadSwM@ 010 Bowzerz M@ 011 Cali-AirM@ 012 CheezwizM@ 013 Claps2 HS 014 Clench BC 015 CloudCtyM@
016 COMPump M@ 017 CrossQ BC 018 D&B FX 019 D&B Geneqa 020 D&B Woover 021 DEchoerM@ 022 DetektorM@ 023 DigiKoto M
024 DontFretM@ 025 DripDropM@ 026 Driven M@ 027 EddiWho?M@ 028 EPStage?M@ 029 EPTines2M@ 030 EPWhirlyM@ 031 EPZeply M@
032 ETom2002M@ 033 Fingers M@ 034 FMChittrM@ 035 FourSaws 036 FunkLd-1SM 037 FunkLd-2SM 038 FunkLd-3SM 039 FunkLd-4SM
040 GedyLeedM@ 041 Gntle9thM@ 042 Grander M@ 043 GrimeyM@ 044 HarmopadM@ 045 He-VPlukM@ 046 HoldChrdM@ 047 HrmadnesM@
048 PadMe|TISV 049 Jetropa M@ 050 JunoPowrM@ 051 Kompin M@ 052 Korgan M@ 053 Kyrie M@ 054 Lektrik M@ 055 LetsSyncM@
056 LFOdecayMH 057 LuckyMan J 058 CityCat SV 059 MelodieaM@ 060 MiniBassSM 061 MiniBS-2SM 062 MiniBS-3SM 063 MiniBS-4SM
064 MiniBS-5SM 065 MiniLeadSM 066 ModsweepM@ 067 SawFire SV 068 MS20 HP PS 069 NewSnareBC 070 NewWorldM@ 071 NoizBassM@
072 OPad M@ 073 ObiPad J 074 OceanusM@ 075 Oh Yeah M@ 076 OhEq-8 M@ 077 OrbteriaM@ 078 PadLayerM@ 079 Paiow M@
080 PatsGR M@ 081 Pergru M@ 082 Perky! M@ 083 PhazplukM@ 084 Popcomp M@ 085 PortaPoly@ 086 ProfeticM@ 087 PrtaBeloBC
088 Punchit2SV 089 Punsh itSV 090 QMenMW BC 091 Replika M@ 092 ResoChrdJS 093 Reveal JS 094 RezTailsM@ 095 RichWind
096 RimShot BC 097 Ripper JS 098 Rollin JS 099 Rollups M@ 100 Saw-Ya! M@ 101 Spaced JS 102 StarPad J 103 Stratus JS
104 SubdvisnM@ 105 SunbeamsJS 106 SweePlukM@ 107 Synchym2M@ 108 SyncPedlM@ 109 Tender JS 110 TheramosM@ 111 Tight8s M@
112 Tremor JS 113 TronFlt M@ 114 TronStr M@ 115 TwinPadsM@ 116 UofYouthM@ 117 VibePad M@ 118 VolutionM@ 119 Wavelet M@
120 Whales JS 121 WineglasM@ 122 WowGrowlM@ 123 WynwouldM@ 124 X Dream JS 125 X-Men JS 126 XitLeft M@ 127 Zyntar M@
206
ROM-O
Patches By Cosmic Dreamer (SV)
000 2030SawzSV 001 8-bit SV 002 Acidia SV 003 AlphA SV 004 AlphA IISV 005 AnachronSV 006 Analand SV 007 Angels SV
008 Armus SV 009 AtalashiSV 010 BasStar jh 011 BionicleSV 012 BoomahMgSV 013 Breezer SV 014 C Break SV 015 C cup SV
016 C-Love SV 017 C-Rave SV 018 C-Trek SV 019 Coldtab SV 020 Commers2SV 021 CosmicA SV 022 Cozze SV 023 CybrlifeSV
024 DancnldySV 025 DarkliteSV 026 DarkmoonSV 027 DarktrnzSV 028 Deepest SV 029 Deutsch SV 030 DigipnchSV 031 DigirainSV
032 Digpnch2SV 033 Dirty MgSV 034 DrunksawSV 035 DryThrthSV 036 Dub-seq SV 037 DubstickSV 038 EeriebedSV 039 Fishy C SV
040 FiveCentSV 041 Flash KCSV 042 Flyin CSV 043 Fm-glassSV 044 FM-stickSV 045 FrancaisSV 046 Funkeys SV 047 FutureMgSV
048 FutureTBSV 049 G&R SV 050 GlstowerSV 051 Goatic 3SV 052 Groggy SV 053 HipclaviSV 054 Hows SV 055 I-saw-aCSV
056 JeePee SV 057 K-rider SV 058 KC & ...SV 059 LegacybsSV 060 MantorokSV 061 Mars SV 062 MatricesSV 063 Metalic SV
064 MingettiSV 065 MinileadSV 066 MinitrnsSV 067 MstrBrn SV 068 My 909snSV 069 Nasal-TBSV 070 NeoworldSV 071 Neurons SV
072 ODC SV 073 Omnipeg SV 074 OrganizeSV 075 Pad-me SV 076 ParadiseSV 077 PearlpadSV 078 ProjectXSV 079 Proto-EPSV
080 Pullbag SV 081 PulslifeSV 082 Punchit3SV 083 PurpleTBSV 084 Q-Games jh 085 RavinmadSV 086 Red sawsSV 087 Redline3SV
088 Redline4SV 089 Ringie SV 090 Shiny SV 091 Smoky303SV 092 SmokyBasSV 093 Spazer SV 094 SunorganSV 095 Swing!C SV
096 SyncomatSV 097 Syntabs SV 098 Taiyoo SV 099 TB-ball SV 100 TB-cat SV 101 TechnoidSV 102 TeeZee SV 103 TimefluxSV
104 TinytrncSV 105 TransqilSV 106 TranziedSV 107 TranzistSV 108 TrippyTBSV 109 TrncslidSV 110 twinkle SV 111 Two keysSV
112 UberheimSV 113 UndernthSV 114 Unusual SV 115 Use Me 1SV 116 V-Claps SV 117 V-Hats SV 118 VA-windzSV 119 Vertigo SV
120 VnGeliseSV 121 Watto! SV 122 Whitebs SV 123 Wildie SV 124 WoodenbsSV 125 Y-music SV 126 Yakujim SV 127 Zeepad SV
207
ROM-P
Patches by Claudio Cardone (CC), Cosmic Dreamer (SV) and Peter Schelfhout (PS)
000 !U! CC 001 %SOFT% CC 002 2 LFO 2 CC 003 A FreeK CC 004 ADN CC 005 AfterpadCC 006 Alamos CC 007 AmiGito CC
008 AussieLdCC 009 B-Boys CC 010 BallenasCC 011 Bandrun CC 012 Bass!!! CC 013 BigArp CC 014 BigBass2CC 015 BudapestCC
016 C4Phone CC 017 Ciko CC 018 Cinema1 CC 019 Cinema2 CC 020 Circus CC 021 CrystalsMH 022 D50MorphCC 023 DCLead CC
024 Zooz SV 025 DiganOB CC 026 Diosa CC 027 DukaliopCC 028 Duke5 CC 029 DX 100 CC 030 DX ThickCC 031 Early80sMH
032 EarthLd CC 033 Entropy MH 034 Stagga SV 035 Eyyy CC 036 Falling1CC 037 FanKWrldCC 038 ChrysPadSV 039 Fiona MH
040 Flower CC 041 Flys CC 042 FM Perc CC 043 Fm&Mod CC 044 FM&MOD2 CC 045 FM)MW CC 046 FreakMinCC 047 Garfisa CC
048 Gargara CC 049 Genssis CC 050 Hancock CC 051 Hohner CC 052 HollowBsPS 053 HongKongCC 054 Plux0r SV 055 JDLead CC
056 JoeZ Vc CC 057 Joni M. CC 058 JPEight PS 059 KeratArpCC 060 L.Mays1 CC 061 L.Mays2 CC 062 LamaLeadCC 063 LAVirginCC
064 Lullaby CC 065 MadrePadCC 066 MamasGunCC 067 Mapa CC 068 Marbles CC 069 Mercado CC 070 MeShell2CC 071 MgBass1 CC
072 MgStereoCC 073 MINI-M++CC 074 MiniExp CC 075 Moderno CC 076 Montero CC 077 MS HammrCC 078 Mth Sky CC 079 MW SeqG CC
080 N N 1 CC 081 NewLeadQCC 082 NuWaveLdCC 083 O Pitch CC 084 O Pitch2CC 085 OB 10 CC 086 OB 8 CC 087 OB Neee CC
088 OB Tero CC 089 OBeeBee CC 090 OBrass CC 091 Open P5 CC 092 Osc3 CC 093 OuBeeStrCC 094 Pad S&H CC 095 PeacePd CC
096 People1 CC 097 People2 CC 098 PhaseMW CC 099 PhasEns CC 100 PPGCruelCC 101 PPGWavesCC 102 Remark CC 103 Rosario CC
104 S&HSeq2 CC 105 Scared CC 106 SeqAlienCC 107 SineBudaCC 108 Spain2 CC 109 SQRSolo CC 110 StrAbejaCC 111 StrAlterCC
112 SubBass CC 113 Sweep CC 114 SweepichCC 115 TalkPad CC 116 Transas CC 117 UFO 33 CC 118 UMBbass CC 119 VeryFar CC
120 Vi-bass+CC 121 WaitingRCC 122 Wakeman CC 123 WakMoogyCC 124 WaveSeq CC 125 WavetronCC 126 XXI CC 127 Zen CC
208
ROM-Q
Patches by Juho Lepisto (JL)
000 AccMW JL 001 AgressivJL 002 AhaaDistJL 003 Amadeus PS 004 Anthem PS 005 ArpBass JL 006 ArpBass2JL 007 ArpSwingPS
008 ArtifactJL 009 AstralPdJL 010 BeautiflJL 011 Benny B JL 012 BigBoy JL 013 Birds JL 014 Block JL 015 Bone JL
016 Boring JL 017 Bulk JL 018 Century PS 019 Chant JL 020 Chord ! PS 021 Chunky JL 022 ColdStelJL 023 ComMan JL
024 CupDrum JL 025 DeepSwllJL 026 DefectedJL 027 Dirty L jh 028 Dizzy JL 029 DoomBellJL 030 DubBass jh 031 Elastic JL
032 ElecBas JL 033 FakeGtr JL 034 FakeSax JL 035 Feeder JL 036 FelxDmstJL 037 FftyFftyJL 038 Fretles JL 039 FromBgn JL
040 Fusion JL 041 Gimme5 JL 042 GrittyB JL 043 Grose JL 044 Guitar JL 045 Heaven JL 046 Hoedown JL 047 Hoho. JL
048 Hollow JL 049 HolyVrs JL 050 HonkHonkJL 051 Horny JL 052 Horror JL 053 HP SauceJL 054 ImFrenchJL 055 Jeruslm JL
056 Juho LsJL 057 KarnEvl JL 058 KE9Lead JL 059 KickO JL 060 KnockersJL 061 Matter JL 062 MntnFlutJL 063 Monsta jh
064 Moogish JL 065 MorpheusJL 066 MrKitinaJL 067 Mystic JL 068 NaukuMstJL 069 NghtTme JL 070 NiceBassJL 071 NintendoJL
072 Nokia JL 073 NotNice jh 074 NotPad JL 075 NotPad2 JL 076 OfcHell JL 077 Pad 4AD XM 078 Padman JL 079 PawnBassJL
080 Positiv JL 081 PythagorJL 082 Quantum JL 083 RndAgresJL 084 Rotary JL 085 Satt 2! jh 086 Sheva JL 087 Shivers JL
088 Sick JL 089 Singing JL 090 SinisterJL 091 Sitar JL 092 Slicey JL 093 SlicyBasJL 094 SoulEatrJL 095 SpcMonkyJL
096 Spirits JL 097 SplddVOCJL 098 SplitPhtJL 099 SqrMdns JL 100 SqrSwlw JL 101 Squba JL 102 Sub JL 103 Super JL
104 SurfMstrJL 105 SwirlPadJL 106 SyncSyncJL 107 SynthPnoJL 108 Tarkus JL 109 Tarkus2 JL 110 Tch&Go JL 111 The Val.jh
112 TheDawn JL 113 TheWell JL 114 ThickSawJL 115 Trilogy JL 116 TrilStr JL 117 Vacuum JL 118 VilePad JL 119 Voyager JL
120 VryeavyJL 121 Warble JL 122 WarmPad JL 123 Warped JL 124 WarpHov JL 125 WideBassJL 126 WoodenMnJL 127 Zaphod JL
10: Index
210
Index of Functions etc.
> A
Amount 80
Amplifier 21
Analog Boost 42, 96
Arp Section 40
Arpeggiator 40, 76
Assign 39, 85, 87
Attack 21
Audio Clock 159
Audition 45, 127
> B
Balance 35, 112, 114
Band Pass 25
Band Stop 26
Bank 14, 127, 166
Bit Reducer 28
Boost 158
BPM 127
> C
Carrier 100
Category 13, 127, 134
Channel 152
Chorus 42, 97
Classic Oscillators 110, 115, 120
Cleaning 9
Clock 82, 90
Color 124
Coloration 93
Common 121, 144
Configuration 15, 44, 125
Contour 83
Cutoff 24, 25, 86, 139
Cutoff Link 27
> D
Damping 89, 93
Decay 21
Delay 41
Delay Time 90
Density 47, 112
Destination 79, 80
Destinations 39
Detune 30, 31, 33, 109, 167
Distortion 42, 95
Dump 154
> E
Edit Buttons 13
Effects Section 41
Envelope Amount 25
Envelope Mode 81, 83
EQ 41, 89, 93
Exit button 14
211 INDEX
> F
Fade In 87
FCC Information 172
Feedback 42, 89, 91, 93
FiltEnv>Hsync 123
Filter 24, 139
Filter Balance 25, 139
Filter Envelope 29
Filter Gain 85
FM 33, 110
FM Amount 86
FM Mode 116
> G
Gain 94
Global Channel 152
Glossary 177
> H
High Key 168
High Pass 25
Hold 76
Hold Pedal 156, 169
HyperSaw 47, 112, 117
HyperSync Offset 123
> I
INIT Programs 17
Initial Phase 121
Input 106
Input Follower 105
Input Modes 100
Inputs 133
> K
Key Follow 26, 84, 112, 114, 139
Key Mode 122
Keyboard 155, 168, 169
> L
LED 161
LFO 37
LFO Contour 81
Local On 155
Low Key 168
Low Pass 25
> M
Master Section 44, 125
Matrix Section 39
Memory Protect 162
Menus 13
MIDI 152
MIDI Channel 167
MIDI Clock 153
MIDI controller 15
MIDI Device ID 153
Mix 137
Mix Section 35
212
Mod Wheel 156
Modulation Matrix 79
Modulator 100
Modulators 81
Modulators Section 37
Mono 32, 110
Multi 44, 45, 127
Multi Edit 125
Multi mode 14
> N
Noise 124
Note Length 77
> O
Octaves 77
Osc Volume 122
Oscillator 32
Oscillator Shape 30
Oscillator Sync 32
Oscillators 107
Oscillators Section 30
Output 167
> P
Panic Button 110
Panorama 36, 87, 129
Parallel 4 27
Part 45, 127
Part Enable 166
Parts 14
Patch 14, 166
Patch Name 136
Patch Volume 22
Phaser 42, 98
Pitch 84
Pitch Bender 130
Portamento 34, 109, 122
Power On/Off 126
Predelay 93
Program 127, 167
Program Change 153, 169
Pulse Width 31, 85, 109
Punch 122
> Q
Q-Factor 42, 89
> R
Random 44, 126
Random Patch Generator 152
Rate 81, 82
Rate Reducer 28
Rate+Follow 28
Rear Panel 10
Receive Dump 154
Rectifier 28
Redo 45, 126
Release 22
Remote Mode 15, 125, 162
213 INDEX
Repair 9
Replacing the Battery 10
Resolution 77
Resonance 24, 26, 85, 139
Reverb 41, 91
Reverb Type 92
Ring Modulator 36, 106, 124
Rotating the sockets 11
Routing 27
> S
Saturation 27, 140
Search 45
Search Button 126
Select Filter 25
Selecting Programs 12
Semitone 31, 114
Semitones 109
Send 90
Sequencer Mode 15, 46, 128
Serial 4 27
Serial 6 27
Setting Up 11
Shape 37, 81, 82, 86, 108
Shift Button 126
Single 45, 128
Single mode 14
Slot 79
Smooth Mode 129
Soft Knob 135, 159
Soft Thru 153
Source 79
Split Mode 27
Spread 47, 112
Store 125, 136
Sub Oscillator 123
Surround 134
Sustain 21
Sustain Slope 22
Swing Factor 77
Switching On 12
Sync 32, 110
Sync Offset 123
System Settings 161
> T
Tap Button 44, 125
Tempo 23, 129
Time 92
Total Integration 8
Transmit Dump 155
Transpose 126, 129, 156, 167
Trigger Phase 83
Tuning 160
> U
Undo 45, 126
Unison 33, 109, 131
214
> V
Value Knobs 127
Velocity 132
VirusControl 8, 15, 40, 49
Vocoder 100
Volume 35, 129
> W
Warranty 175
Wave Select 31, 109
Wave Shaper 28
Wave Table 47, 114
WaveTable 47, 114, 118
Wavetable Index 47, 114
215
216
217
ACCESS MUSIC ELECTRONICS GMBH
KNIGSWALL 6 45657 RECKLINGHAUSEN GERMANY
WWW.ACCESS-MUSIC.DE
Printed in Germany
VTIMEU 05/06 Revision B