CHAPTER 2: COPYRIGHT AND RELATED

RIGHTS
2.1 Overview of Copyright
2.1.1 History 2.3 Protection of related rights
2.1.2 Definition 2.3.1 The relationship between
2.1.3 Characteristics copyright and related rights
2.1.4 Significance 2.3.2 Definition
2.1.4 Copyright law system 2.3.3 Characteristics
2.2 Protection of copyright 2.3.4 Authors and owners
2.2.1 Copyright subject 2.3.5 Subject matters
matters 2.3.6 Content
2.2.2 Protection condition and 2.3.7 Limitation
Exclusions 2.3.8 Acts of infringement
2.2.3 Authors and owners
2.2.4 Content
2.2.5 Duration
2.2.6 Acts of infringement
 INTRODUCTION

-Literature
-Science
-Art
Means to
Works communicate
works to the
public
-Performances
-Phonograms, video
recordings
-Broadcasts
- Encrypted program-
carrying satellite
signals
2
2.1 Overview of copyright
2.1.1 History

ü The idea of copyright protection emerged with invention of

printing in Europe, which made it for literary works to be
duplicated by mechanical processes instead of being copied
by hand
ü The first copyright Act is the Statute of Anne in 1709 which
ruled exclusive printing rights for the author, not the
publisher
ü Literary and Artistic Property in 1791 in France, in 1837 in
Germany
ü International development: Berne Convention (1886), TRIPS
Agreement (1995)
2.1 Overview of copyright
2.1.2 Definition

Copyright means rights of organizations and individuals to

works they have created or own.

(Vietnam Law on IP 2005)

Copyright (or author’s right) is a legal term used to describe

the rights that creators have over their literary and artistic
works.
(WIPO)
2.1 Overview of copyright
2.1.2 Definition

Copyright covers an enormous range of works – not just

books, music, paintings, sculpture and films, but also
computer programs, databases, advertisements, maps and
technical drawings, among other things.
2.1 Overview of copyright
2.1.2 Definition

A work means a creation of the mind in the literary, artistic or

scientific domain, whatever may be the mode or form of its
expression.
Article 4.7 Law on IP 2022
2.1 Overview of copyright
2.1.3 Characteristics

v Oriniality: For a work to enjoy copyright protection, it must

be an original creation (The ideas in the work do not need
to be new but the form, be it literary or artistic, in which
they are expressed must be an original creation of the
author)
v Fixation: Works to be protected should be embodied in a
physical object. Copyright applies only to the creative
expression of ideas (in many different forms – text, still or
moving pictures, sound works, three-dimensional shapes),
not the ideas themselves
v Automatic: Copyright shall be applied automatically
without registration
2.1 Overview of copyright
2.1.3 Significance

Q&A:

Why we need to protect copyright?

2.1 Overview of copyright
2.1.3 Significance

ü Promote, enrich and disseminate the national cultural

heritage. A country’s development depends to a very great
extent on the creativity of its people, and encouragement of
individual creativity and its dissemination is a sine qua non
for progress.
ü Protect moral rights and economic rights of authors and
owners
ü Control the commercial exploitation original works
ü Strike the right balance between the interests of content
creators, developers and investors and the public interest in
being able to access and use creative content
2.2 Copyright protection
2.2.1 Copyright subject-matter

Every production in the literary, scientific and artistic domain,

whatever may be the mode or form of its expression.
(Art 2 – Berne Convention)

Subject matters of copyright include literary, artistic and

scientific works.
(Art 3.1 – Vietnam IPL)
 Works protected

Sách, ấnphẩm

Photographic Theatrical Painting Cinematographic

Litterature Textbook
Vănhọc SGK, giáotrình
Arc hitectural
Music Fixation Computer Progr

Magazine

science Derivative works

Khoa học Tác phẩmpháisinh Folklore Map Lecture / Speech
 2.2 Copyright protection
2.2.1 Copyright subject-matter
Classification of works:

v Base on fields of creation:

ü Literary works: novels, short stories, poems, dramatic works
and any other writings, irrespective of their content (fiction or
non-fiction), whether published or unpublished; in most
countries “oral works,” that is, works not reduced to writing,
are also protected
ü Artistic works: songs, choruses, operas, musicals, operettas;
solos, sonatas, chamber music, drawings, paintings, etchings,
lithograph, sculptures, architectural works, photographic
works, motion pictures, dramatic or dramatico-musical,
cinematographic, entertainments in dumb show;
ü Scientific works: books, textbooks, papers, lectures, addresses
and other sermons, press works, maps and technical drawings
2.2 Copyright protection
2.2.1 Copyright subject-matter

Classification of works:
v Base on originality of creation:
ü Original works
ü Derivative works: translations, adaptations,
modifications, transformations, arrangements of music
and other alternations of literary or artistic work
ü Compiled, annotated or selected works
2.2 Copyright protection
2.2.2 Protection condition and Exclusion

Q&A: Conditions for copyright protection?

2.2 Copyright protection
2.2.2 Protection condition and Exclusion

Copyright shall arise at the moment when a work is created

and fixed in a certain material form, irrespective of its
content, quality, presentation, means of fixation, language and
whether or not it has been published or registered.
(Article 6 – Vietnam IP Law)
 Conditions for protection

Not prejudicial to the

Originality Fixation copyright in original
works
Tính nguyên gốc Tính định hình Khôngphươnghại đến
QTGcủa tác phẩmgốc

Original works Derivative works

Tác phẩm gốc
Created directly by authors through their Tácphẩm phái sinh
intellectual labour and without copying Created by original works, in other forms
the works of others.
2.2 Copyright protection
2.2.2 Protection condition and Exclusion
Subject matters not covered by copyright protection

News of the day as mere items of press

information

Legal documents, administrative documents

and other documents in judicial domain and
official translation of them

Processes, systems, operation methods,

concepts, principles and data
2.2 Copyright protection
2.2.3 Author and ownership of copyright
The author is the most important subject of copyright.

The author is the person who directly created the work. In

case there are two or more persons who directly co-create
the work with the intention that their contributions are
combined into a complete whole, those persons are co-
authors. (Article 12a.1 IP Law 2022)
The person who supports, gives comments or provides
materials for others to create a work is not an author or co-
author (Article 12a.2 IP Law 2022)
The person who creates a derivative work from someone
else's work is the author of that derivative work.
 Author, Ownership of Copyright

Author Ownership
Co-author

Use their time, finance • Use their time and

and material-technical make a financial
foundations to investment in or
• Directly create use their material
works and technical
facilities to create
• Jointly create works works
2.2 Copyright protection
2.2.3 Author and ownership of copyright
Copyright holders mean organizations and individuals that
hold one, several or all economic rights.
Author

Co-author

Copyright Organizations and individuals who assign tasks to

authors or who enter into contracts with authors
holders
Heirs
(Art. 36-42)
Assignees of rights

State
2.2 Copyright protection
2.2.3 Author and ownership of copyright
Copyright holders mean organizations and individuals that hold
one, several or all economic rights.
Article 42 Law on IP 2022:
The State shall be the holder of copyright to the following works:
a/ Works created by agencies using state budget to order, assign
tasks, and bid;
b/ The work has been assigned by the copyright owner or co-
owner of the copyright or related rights to the State;
c/ Works, of which terms of protection have not expired but their
copyright holders die in default of heirs, heirs renounce
succession or are deprived of the right to succession.
2.2 Copyright protection
2.2.3 Author and ownership of copyright
The State represents the management of copyright in the
following cases:
a) The work cannot be found or the copyright owner or co-
owner of the copyright cannot be identified;
b) Works are anonymous until the identity of the author, co-
author, copyright holders and co-owners of copyright is
determined, except for the case specified in Clause 2, Article 41
of this Law. .
2.2 Copyright protection
2.2.4 Content

• Protect author’s reputation and

Quyền nhân thân
work’s integrity (Bảo vệ danh tính
của tác giả và sự toàn vẹn của tác Moral rights
phẩm)

• Protect economic rights for work

(Bảo vệ quyền khai thác kinh tế đối Quyền tài sản
Economic
với tác phẩm) Rights
2.2.4 Content
Moral rights

2. Attach their
1. Give titles to real names or
their works pseudonyms to
Đặt tên cho tác their works
phẩm; Đứng tên thật
hoặc bút danh

4. Protect the
3. Publish their integrity of their
works works
Công bố tác Bảo vệ sự toàn
phẩm vẹn tác phẩm
6
 Moral rights
v Hoàn toàn độc lập so với các quyền kinh tế của tác giả
v Completely independent of the author’s economic rights

v Liên quan tới mối quan hệ của tác giả đối với tác phẩm (danh dự và
danh tiếng) hơn là giá trí thương mại của tác phẩm
v Concerned more with an author’s relationship with work (honour and reputation)
rather than their commercial value

v Thường là các quyền cá nhân không thể tách rời (không thể bán
hoặc chuyển nhượng)-không giống các quyền tài sản.
v Normally inalienable personal rights: cannot be sold– unlike proprietary rights.

v Chỉ các cá nhân có quyền nhân thân

v Only individuals have moral rights.

v Có thể được thực thi sau khi tác giả đã qua đời bởi các đại diện
pháp lý
v Can be enforced after the author’s death by legal representative
 Right to title works
The author has the right to transfer the right to name the
work to the organization or individual receiving the transfer
of property rights.

Translatedworked
Not
Tác phẩmdịch
Applicable

Computer program
Chươngtrình máy tính
Negotiable
Thỏa thuận (19.1,
22.4)
Cinematographic/ dramaticworks
Tác phẩm điệnảnh, sân khấu
Right to attach real names or pseudonyms to the works

Have their real names

Attach their real or pseudonyms
names or acknowledged when
pseudonyms to their their works are
works published or used
Đứng tên thật hoặc bút danh Nêu tên thật hoặc bút danh
trên tácphẩm; khi tác phẩm được công bố,
sử dụng;
 Rightto publishworks
- Make a work available to the public in a sufficient
amount of copies to satisfy the reasonable demand of
the public

Là việc phát hành tác phẩm đến công chúng với số lượng
bản sao đủ để đáp ứng nhu cầu hợp lý của công chúng

- Author or copyright holder of work or another individual

or organizationauthorizedbytheauthor or copyrightholder

Do tác giả, chủ sở hữu quyền tác giả thực hiện hoặc cho phép thực
hiện
Right to publish works
Publishing works doesNOTinclude

The
performance Construction
of a dramatic, Public Broadcasting ofstructures
Exhibitionof a basedonan
cinematogra- recitationof a of a literary or
plastic work architectural
phic ormusical literary work artistic work
work.
work

trình diễn đọc tác phát sóng xây dựng

tác phẩm phẩm văn tác phẩm trưng bày công trình
sân khấu, học trước văn học, tác phẩm từ tác
điện ảnh, công nghệ tạo hình phẩm
âm nhạc; chúng thuật kiến trúc
 The integrity ofwork
To protect the
integrity of their
works; and to
prevent other
persons from
Modify modifying,
multilating or
distorting their
works in
Harm to the whatever form
honour and prejudical to their
Edit reputation honor and
of the reputation
author
• Bảo vệ sự toàn vẹn của tác
phẩm, khôngcho người
khác sửachữa, cắt xén hoặc
xuyêntạc tác phẩmdưới
Distort bất kì hình thứcnào gây
phươnghại đến danh dự
và uy tín củatác giả.
(Art.19.4)
 Economic rights (Art. 20)

2. Displaytheirworksto
1. Make
the public
derivative works

3.REPRODUCEWORKS

- Distribute or import the

4. Broadcast or original or copies of their
communicate their works
works to the public -Tolease the original or copies
of cinematographic works
and computer programs.
 1. Make derivative works

ü Translations
ü Adaptations
ü Modifications
ü Transformations
ü Arrangements
 2. Display the works to the public

ü directly or
ü indirectly through sound recordings, video
recordings or any other technical means
 3. Right to reproduce works
• The right to reproduce works means the exclusive, basic right
of copyright holders or theirauthorized persons.
Quyền kiểm soát hành vi sao chéplà cơ sở pháp lý đối với mọi hình
thức khai thác, là quyền cơbảnnhất

• Make copies of works by whatever means or in whatever

form, including permanent or provisional backup of works
in electronic form. (Art.23.2 - Decree No.100/CP)
Là việc tạo ra bản sao của tác phẩmbằng bất kì phương tiện hay hình
thức nào, bao gồm cả việc lưu trữ thường xuyên hoặc tạm thời tác
phẩm dưới hình thứcđiện tử (Đ23.2 –NĐ100/CP)

• Reproduce part or all of a work (directly or indirectly

through publishers)
38
 4. Distribute or import original works or copies
• Distribute or import original works or copies of the product
(through sale or other transfer of ownership)
• For plastic or photographic works, the distribution of works
also means the public display or exhibition thereof. (Art. 23.3 -
Decree No.100/CP)
Đối với tác phẩmtạo hình, tác phẩm nhiếp ảnh thì quyền phân phối còn
bao gồm cảviệctrưng bày,triển lãmtrước côngchúng.
5. Broadcast or communicate works to the public
• Broadcasting, communicating works to the public (by
wireline, radio, electronic information networks or
any other technical means)

• Applied to:
•Copyright holders or their authorizedpersons
• Do chủ sở hữu quyền tác giả độc quyền thực hiện hoặc cho
phép người khác thực hiện
•Performance of works is anywhere except in the family
(ART 23.1 – Decree No.100/CP)
• Không bao gồm việc biểu diễn tác phẩm tại gia đình (Đ23.1 –
NĐ100/CP)
 6. To lease original or copies of cinematographic
works and computer programs
• The exclusive right of copyright holders or their authorized
persons to leasetheir works for use within a definite term.
Do chủ sở hữu QTG độc quyền thực hiện hoặc cho phép người
khác thực hiện việc cho thuê để sử dụng có thời hạn.
• It shall not apply to computer programs which do not
themselves constitute principal objects for lease, such as
computer programs conducive to the normal operation of
means of transport as well as other machines and technical
devices. (Art. 23.5-Decree No.100/CP)
Không áp dụng quyền cho thuê đối với chương trình máy
tính, khi bản thân chương trình đó không phải là đối tượng
chủ yếu để cho thuê như chương trình máy tính gắn với việc
vận hành bình thường các loại phương tiện gi ao thông cũng
như các máy móc, thiết bị kỹ thuật khác (Đ23 .5 - NĐ100 /CP)
 Summary
Copyright

Moralrights Economicrights

Moral right shallbe

Moral rightsshallnot transferable
betransferable (publish their works
)
Belong to
authors, not
transferable
Exclusive right of Authors,
Copyright holders or their
authorized persons
2.2.5 Terms of protection
2.2.5.1 Duration
Ø Economic rights:
• Berne Convention: the life of the author and 50 years after
his death.
• VN IP Law: the whole life of the author and for 50 years
after his death. For a work under joint authorship, the
term of protection shall expire in the 50th year after the
death of the last surviving co-author.
• Regarding cinematographic, photographic, dramatic,
applied art and anonymous works: 75 years as from the
date of first publication. If such works havent been
published, the term of protection shall be calculated from
the date of its fixation (100 years as from the date of its
fixation)
Termof protection

Cinematographic works;
Anonymous and pseudonymous
The whole lifeof works; Photographic
author and

50
works and works of applied art

Yearsafter his/
75 years calculated from theyear
the co-author’s
following theyear of publication,
death
or 100 years calculated from
the year of fixation

Art7 berns and 34 ipl

2.2.5 Terms of protection
2.2.5.1 Duration
Ø Moral rights:
• Moral rights that cant be transferred: an indefinite term
• Moral rights that can be transferred: as duration of
economic rights.
2.2.5 Terms of protection
2.2.5.2 Space of protection

Authors and copyright holders are protected include:

ü Vietnamese organizations and individuals;
ü foreign organizations and individuals that have works
first published in Vietnam;
ü foreign organizations and individuals that have works
protected in Vietnam under international conventions on
copyright to which Vietnam is a contracting party.
(Art. 13.2 Vietnam IP Law)
2.2.5 Terms of protection
2.2.5.3 Exclusions of protection

ü Case of use of published works where permission and

payment of royalties and/or remunerations are not
required
ü Exceptions to non-infringement of copyright for people
with disabilities
ü Cases of use of published works where permission is not
required but the payment of royalties and/or
remunerations is required
(Art. 25, 25a and 26 Vietnam IP Law)
In all cases, users must provide information about the
author's name and the origin and origin of the work
 Published works may be used without having to seek
permission or pay royalties or remunerations
ü 1 copy for Scientific
research, teaching
purpose (personal, non-
commercial ) •Transcribing a
ü Copying reasonably part work into braille or
into characters
of a work with a copying of other
device for personal and Make one Make a languages forthe
non-commercial study copy of derivative blind
and scientific research the work work
ü …..

Perform Import

• Importing
• Performing a stage work orother
art work in masscultural, copies of
communicationormobilization another's work
activities without collecting fees for personal
in anyform
use
2.2.5 Terms of protection
2.2.5.3 Exclusions of protection
ü Case of use of published works where permission and
payment of royalties and/or remunerations are not required
§ Make 1 copy for scientific research, teaching purpose
(personal, non-commercial)
§ Copying reasonably part of a work with a copying device
for personal and non-commercial study and scientific
research
§ Fair use for illustrations in lectures, publications,
performances, sound recordings, video recordings,
broadcasts for instructional purposes
§ Reasonably cite the work without misleading the author to
comment, introduce or illustrate in his work; for newspaper
writing, used in periodicals, broadcasts, documentaries
 Fairuse
Nature of the
Purpose and Copyrighted The Effect of the
Character of the Work: Amount and Use on the
Use: Substantiality of Market or Value
Factual work in of the
nature than the Portion Used:
Nonprofit and Copyrighted
educational creative Quality and Work:
expression quantity
Transf ormat ive widespread and
rather than Not apply to would negatively
verbatim copying st andardized affect
tests, workbooks

- Fair use can be applied to many different situations,scenarios,

mediumsand formats.
- Purposefully , it is meant to be flexible andapplicable to a wide
variety ofcircumstances.
- All four fair use factors need to be considered and applied when
justify ing a fair use claim.
2.2.5 Terms of protection
2.2.5.3 Exclusions of protection
ü Case of use of published works where permission and
payment of royalties and/or remunerations are not required
§ Used in official activities of government authorities
§ Use in library activities non-commercial purposes
§ Performing art works in cultural
activities, activities propaganda and promotion not for
commercial purposes;
§ Import copies of other people's work for personal, non-
commercial use;
§ Reproduce by republishing in newspapers, periodicals,
broadcasting to the public lectures, speeches and speeches
for news information purposes, unless the author declares
to hold the copyright;
2.2.5 Terms of protection
2.2.5.3 Exclusions of protection
ü Case of use of published works where permission and
payment of royalties and/or remunerations are not required
§ Taking pictures and broadcasting works of fine art,
architecture, photography, and applied arts displayed in
public places to introduce images of such works, not for
commercial purposes;
§ Taking pictures, recording, recording and broadcasting
events for the purpose of news reporting;
§ People with disabilities, caretakers of people with
disabilities, organizations that meet the conditions
prescribed by the Government to use works as prescribed in
Article 25a of the Law.
2.2.5 Terms of protection
2.2.5.3 Exclusions of protection
ü Exceptions to non-infringement of copyright for people with
disabilities
§ Persons with disabilities, caretakers of persons with
disabilities have the right to copy, perform, and communicate
works in copy format.
§ Organizations that meet the conditions prescribed by the
Government have the right to copy, distribute, perform, and
communicate the work in copy format and operate it for non-
profit purposes.
§ Organization that meets the conditions prescribed by the
Government has the right to distribute or transmit a copy to
the corresponding organization in accordance with the
provisions of an international treaty to which Vietnam is a
contracting party, without permission of the copyright
2.2.5 Terms of protection
2.2.5.3 Exclusions of protection
ü Exceptions to non-infringement of copyright for people with
disabilities
§ Organizations that meet the conditions prescribed by the
Government have the right to distribute or communicate
copies to people with disabilities abroad according to the
provisions of international treaties to which Vietnam is a
contracting party without the owner's permission.
§ Persons with disabilities or caretakers of people with
disabilities or organizations that meet the conditions
prescribed by the Government have the right to import
copies from the respective organizations under the
provisions of international treaties to which Vietnam is a
member without the permission of the copyright holder.
 Published works may be used without having to seek
permissionbut royaltiesorremunerationmust bepaid

Broadcasting organizations Broadcasting without permission,

but royalties or remuneration.
use published works,
works that have been NOT cause prejudice to the rightsof
the author orcopyright holder.
allowed by the copyright
owner to be fixed on MUSTprovide information being the
author's name and the source and
phonograms or video origin of the work.
recordings published for
INAPPLICABLE to cinematographic
commercial purposes for works.
sponsored broadcast,
advertising or gaining
money in any form
Exclusive right is replaced by
Right to receive royalties or Compulsory Licence?
remuneration
 Infringement ofcopyrights (Art. 28)

Economic right • Deliberately destroying or de-

• Appropriating activating the technical
solutions
copyright
• Deliberately deleting or
• Impersonating an
modifying electronic
author • Copying awork information in a work
• Modifying, editing • Making a derivative work regarding management
or distorting a • Using • Manufacturing, assembling,
work transforming, distributing,
• Leasing out a work
• Publishing or importing, exporting, selling or
distributing a work • Duplicating, producing leasing out equipment when
of joint authors copies of, distributing, knowing, or having groundsto
displaying or know, thatsuch equipment
without
communicating a work to may de-activatetechnical
permission
the public solutions applied by the
• Publishing a work copyright holder to protect
• Importing, exporting or copyright in hisor her work.
Moral right distributing copies of a Against copyright
work protection
2.3 Related Rights Protection
2.3.1 The relationship between copyrights and related rights

Live performance, Phonograms/ video recording, Broadcasted performance

,
Not cause prejudice to the copyright
Peformances Phonograms/ videorecordings Broadcasted performance
2.3 Related Rights Protection

2.3.2 Definition

Q&A: What is copyright-related rights?

2.3 Related Rights Protection

2.3.2 Definition

Copyright-related rights (related rights) mean rights of

organizations and individuals to performance, phonograms,
video recordings, broadcasts and encrypted program-
carrying satellite signals.
(Art. 4, VN IP Law)
2.3 Related Rights Protection

2.3.3 Characteristics

ü The activities of related rights holders is the use of

existing works
ü Only protected for a certain period of time, including
moral rights
2.3 Related Rights Protection
2.3.4 Ownership
 Ownership ofrelatedrights

Producers of Broadcastings
Performer Owners phonograms and organizations
video recordings

Use their timeand

Actors and Use their timeand
make a financial
actresses, singers, make a financial Broadcast ing
investment in or
instrumentalists, investment in or usetheir material organizationsshall
dancers and other usetheir material and technical betheowners of
persons who and technical
facilities to their broadcasts
perf orm lit erary facilities to give a produce
and artisticworks performance phonograms and
video recordings

Moral rights Economic rights

63
2.3 Related Rights Protection

2.3.5 Related rights subject matter

ü Performances
ü Phonograms, video recordings
ü Broadcasts
ü Encrypted program-carrying satellite signals
 Related rights subject matters

Phonograms
Live Broadcasted
or video
performance recording performance

Producers of
audio and Broadcasting
Performer Owner visual organization
fixation
 Conditionsfor protection of related rights

Performances
of foreigners Performances
Performancesof in Vietnam or formulated Broadcasting
Vietnamese
persons according to on audio and organization
internaltional visual fixation
law

Originality
Not cause prejudice to the
Created directly by performers, copyright of original works
without copying

Protected Protected
Protected
Performance Phonograms/ Broadcasted
video recording performance
2.3 Related Rights Protection
2.3.6 Contents
2.3.6.1 Rights of performers
If performers are owners (performers-cum-investors):
ü Moral rights
ü Economic rights

If performers are not owners:

ü Moral rights
ü Payment of royalties and/or remunerations
Moralrights of performers

Protect the integrity ofthe

imagery of the
Have the name performance, and to
acknowledged when prevent others from
performing, when modifying, editingor
distributing audio and visual distorting the work in any
fixation or when way prejudicial to the
broadcasting performances honour and reputation of
the performer
Economic rights of performers
ü Fix the live performance on phonograms or video
recordings;
ü Reproduce directly or indirectly, in whole or in part, the
performance fixed on a phonogram;
ü Broadcast or communicate to the public the unfixed
performance in a way which is accessible to the public,
except where such performance is intended for
broadcasting;
ü Distribute, import for distribution to the public the originals
or copies of their performance fixation in tangible form;
ü Commercial rent to the public of originals, copies of the
performances fixed in phonograms, video recordings,
ü Broadcast, communicate to the public a fixation of its
performance, including making it available to the public
Economic rights of performers
ü Broadcasting is the transmission to the public by radio means
of sound or images, sounds and images, sound or visual
reproductions, audio and visual reproductions of works,
performances, phonograms, video recordings, broadcasts,
including satellite transmissions, transmission of coded
signals where the means of decoding is made available to
the public by a broadcasting organization or provided with
consent of the broadcasting organization.
ü Communicating to the public is the transmission to the public
of a work; sounds and images of the performance; sound,
image or representation of sound or image fixed in sound
recordings or video recordings by any means other than
broadcasting.
Economic rights ofperformers

Directly or Exclusive
indirectly right, or to
To fix their live reproduce a
performances performance
authorize
on phonograms which has been others to
or video formulated on exercise
recordings audio and visual
fixation

Distribute to the
Broadcast or to
public an Pay
communicate to
original remuneration
the public in
other ways an
performance to the
and copies performer
unformulated
performance thereof
2.3 Related rights protection
2.3.6.2 Rights of producers of phonograms and video
recordings
ü Reproduce the whole or part of their phonogram or video
recording by any means or form;
ü Distribute, import for distribution to the public the
originals or copies of phonograms or video recordings in
tangible form;
ü Commercial rent to the public of the originals, copies of
phonograms or video recordings, even after distribution
by the producer or with the producer's permission;
ü Broadcast and communicate to the public the
phonograms and video recordings, including making
available to the public phonograms and video recordings.
2.3 Related Rights Protection
2.3.6 Contents
2.3.6.3 Rights of broadcasting organizations
ü Broadcast or re-broadcast their broadcasts;
ü Reproduce directly or indirectly all or part of their
broadcast fixation by any means or form;
ü Fix its broadcasts;
ü Distribute, import for distribution to the public through
sale or other form of transfer of ownership rights over
their broadcast program fixation in a tangible form
Economic rights of broadcasting organizations

Fix their
Broadcast or re- broadcasts;
broadcast their
broadcasts

Exclusive right toexerciseor

to authorize others to
exercise

Distribute
their Reproduce
broadcasts formulated
broadcasts
to the public
 2.3.7.1 Duration

Peformances are
formulated

50
Yearscalculatedfrom
Records are published/
formulated
the year following the
year

Broadcasts aremade
2.3.7.1 Thời hạn bảo hộ quyền liên quan

cuộc biểu diễn được định

hình

50
năm tính từ bản ghi được công bố /
năm tiếp định hình
theo năm

chương trình phát sóng

được thực hiện
71
2.3.7.2 Place of protection
Performances; phonograms and video recordings;
broadcasting programs, encrypted program-carrying
satellite signals are protected if performed by Vietnamese
citizens, performed by foreigners in Vietnam, have
Vietnamese nationality, and are protected under
international treaties to which Vietnam is a member and
without prejudice to copyright.
2.3.7.3 Exclusions
v Related rights may be exercised without having to seek
permission or pay royalties or remuneration
v Cases of using published phonograms and video
recordings are not required to obtain permission but
must pay royalties, and information about phonograms
and video recordings must be provided.
2.3.7.3 Exclusions
Related rights may be exercised without having to seek
permission or pay royalties or remuneration
ü Live audio recording or video recording of part of a
performance for teaching purposes, not for commercial
purposes or for news reporting;
ü Self-reproduce or assist people with disabilities to copy
part of performances, phonograms, video recordings,
broadcasts for personal research and study purposes and
not for commercial purposes. ;
ü Reasonable reproduction of a part of a performance,
phonogram, video recording, or broadcast program for
personal teaching and non-commercial purposes, except
in the case of a performance, phonogram, video
recording, this broadcast has been published for teaching;
2.3.7.3 Exclusions
Related rights may be exercised without having to seek
permission or pay royalties or remuneration
ü Reasonable quotations for the purpose of news reporting;
ü The broadcasting organization makes its own temporary
copies for broadcasting when enjoying the broadcasting
rights.
 2.3.7.3 Các hạn chế và ngoại lệ
Trường hợp sử dụng quyền liên quan không phải xin phép,
không phải trả tiền nhuận bút, thù lao:
ü a) Ghi âm, ghi hình trực tiếp một phần cuộc biểu diễn để giảng dạy
không nhằm mục đích thương mại hoặc để đưa tin thời sự;
ü b) Tự sao chép hoặc hỗ trợ người khuyết tật sao chép một phần
cuộc biểu diễn, bản ghi âm, ghi hình, chương trình phát sóng nhằm
mục đích nghiên cứu khoa học, học tập của cá nhân và không nhằm
mục đích thương mại;
ü c) Sao chép hợp lý một phần cuộc biểu diễn, bản ghi âm, ghi hình,
chương trình phát sóng để giảng dạy trực tiếp của cá nhân và
không nhằm mục đích thương mại, trừ trường hợp cuộc biểu diễn,
bản ghi âm, ghi hình, chương trình phát sóng này đã được công bố
để giảng dạy;
ü d) Trích dẫn hợp lý nhằm mục đích đưa tin thời sự;
ü đ) Tổ chức phát sóng tự làm bản sao tạm thời để phát sóng khi
 Relatedrights maybe exercisedwithout
havingtoseek
permissionor pay royaltiesorremuneration

Make onecopy
of a work for Make acopy
personal of a work for
scientific teaching
research purposes
purposes

Reasonable Makeprovisional
copies of a work
quotingfrom a
by abroadcasting
work in order organization for
to provide broadcasting
information purposes
 Publishedworks may be used withouthaving to seek
permissionbut royaltiesor remuneration must be paid

A broadcasting organization which Broadcasting without permission,

uses a published work to make a but royalties or remuneration.
broadcast which is sponsored, NOT cause prejudice to the rights of
containsanadvertisement or which the author orcopyright holder.
collects fees in any form shall not MUSTprovide information being the
be required to seek permission but author's name and the source and
must pay royalties or remuneration origin of the work.
to the copyright holder in
INAPPLICABLE to cinematographic
accordance with regulations of the works.
Government.

Exclusive right is replaced by

Right to receive royalties or Compulsory Licence?

remuneration
 2.3.8 Infringement of relatedrights

• Deliberately deleting or
modifying electronic
Economic right information regarding
management ofrights
• Appropriating • Deliberately destroying or
• Impersonating de-activating the technical
• Modifying, • Copying or reciting solutions
editing or • Publishing, distributing or • Manufacturing, assembling,
distorting importing for public distribution transforming, distributing,
performances, copies of afixed importing, exporting,
• Publishing, performance or audio and visual
producing and fixation knowing, or having
selling or leasing out
distributing equipment knowing, or
grounds to know, that electronic
having grounds to know,
without information regarding
management of rights has been that suchequipment helps
permission to illegally decode satellite
deleted or modified without
permission signals carrying coded
• Deliberately receiving or relaying programmes.
satellite signals carrying coded
Moral right programmes without permission
from the legal distributor.
Anti self-
protection
2.3 Bảo hộ quyền liên quan đến quyền tác
giả
2.3.8 Hành vi xâm phạm quyền liên quan

Quyền nhân Quyền tài sản Chống việc tự

thân bảo vệ

• Sao chép, trích ghép • Dỡ bỏ hoặc thay đổi

• Chiếm đoạt • Phát sóng, phân phối, nhập thông tin quản lý quyền
• Mạo danh khẩu để phân phối khi biết dưới hình thức điện tử
hoặc có cơ sở để biết thông • Cố ý huỷ bỏ hoặc làm vô
• Sửa chữa, cắt tin quản lý quyền dưới hình hiệu các biện pháp kỹ
xén, xuyên tạc thức điện tử đã bị dỡ bỏ
thuật
cuộc biểu diễn hoặc đã bị thay đổi
• Sản xuất, lắp ráp, biến
• Cố ý thu hoặc tiếp tục phân
• Công bố, sản phối một tín hiệu vệ tinh đổi, phân phối, nhập
xuất phân phối mang chương trình được khẩu, xuất khẩu, bán
mà không được mã hoá khi tín hiệu đã hoặc cho thuê thiết làm
được giải mã mà không vô hiệu các biện pháp kỹ
phép thuật bảo vệ QLQ.
được phép