Passis Test of Creativity
Passis Test of Creativity
INTRODUCTION:
could
e is hardly any definition of creativity which
Like many othe r concepts in education, ther
ted to intelligence, a great deal ofre sear ch has
be accepted by all researchers in the field. Rela ively
ersally accepted definition. Creativity is relat
been completed. Yet it has not led to any univ ity.
ored as thoroughly as intelligence and personal
a new area ofre sear ch and has not been expl
as the basis of these tests (PTC) is as below:
The definition of creativity which was used
non verbal) attitude "differentially"
"Cre ativ ity is a multidimensional (verbal and bility,
fly the factors of seeing problems, fluency, flexi
distributed amo ng peop le and includes chie
.
originality, inquisitiveness and persistence"
The nature of the Tests of Creativity permitted freedom of responses both qualitative and
quantitati ve, within specified time limits, thus ensuring suitabi lity of the tools for measuring
divergent thinking.
All tests are available in both Hindi and English and therefore, responses are acceptable in any
one of the known languages like English-Hindi.
A brief outline of the three subtests used is given below.
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PSYCHOMETRIC PROPERTIES
RELIABILITY:
The teSt retest reliability was found to be most workable with the PTC. The split half technique
was also employed. Test-retest reliability coefficients were established on a sample of 60
stud~n:s. ~ gap of a fortnight was kept between the first administration and second
admm1strat1on.
VALIDITY:
The concurrent i.e. convergent and divergent and factorial validity methods were employed to
validate PTC. Studies were conducted on the sample of sixty students. Four external criteria were
used to see the validity of PTC -Things Done On Your Own Checklist, non-verbal intelligence,
verbal intelligence and achievement.
NORMS:
d a sample of 600, the scores of the PTC were sub· ed to the descriptive statict
Base ofnmean median mode, standard deviation, skewe ss, kurtosis, percentile no,JM
terms o , ,
MAJEJW. .
l. ~an~al of Passi's Test of Creativity
2· 00 et of Passi's Test of Creativity
3. Answer sheet of Passi's Test of Creativity
4· Square puzzle of Passi's Test of Creativity
S· Wooden screen
6. Stationary
CASE HISTORY
Demographic Details:
4brt~J i
S~bject was asked that if there were 3 glasses and five people how would you distribute 0811-
drmks to them, he replied, he will share glasses or will drink it from bottle itself.
The subject was asked that if he wins a lottery for 5 lakhs what will he do, he reported that, he
will invest it in bank.
When the subject was asked that suddenly the cricket ground starts rotating and players start
flying what will happen, he stated that the scene will be funny and the match will get more
interesting.
Subject was asked, if animals start speaking what will happen, he reported that, they would be
able to convey their feelings to humans or to themselves more efficiently.
The subject reported that he is not much interested in recognizing patterns or shapes.
ADMINISTRATION
The PTC include six test namely :
The Seeing Problem Test, The Unusual Uses Test, The Consequences Test, The Test of
Inquisitiveness, The Square Puzzle Test and the Block Test of Creativity .
The first three test are verbal in nature. The last three test can be classified as partially non verbal
for the simple reason that the test materials of these three tests present the non verbal type of
stimuli. The first four test can be administered individually as well as in convenient groups of
nearly thirty subject at a time. The fifth test of square puzzle can either be administered
individually or in groups not exceeding six students per administration. The sixth test, namely,
>' the block test of creativity can be administered individually.
OBSERVATION
The subject got conscious before commencing the test, but after some time he got stnormal an4
started answering freely. He was then carefree about the situation. While taking the 1 part ofj
nd
test he was thinking hard for the seeing problems test. 2 part of the test was difficult for •
rd
was not able to think the unusual uses of the object given. Till 3 part started, he was
tired was not able to think much but gave his best.
INTROSPECTIVE REPORT
test for 1st t ~
_The subject_ enjoye d the test. He reported that, he had seen this type of
•~elud es van~u s _subtest which were very interesting. He mentioned that
he felt the 2nd subtelll
difficu lt, which _is unusual uses test. He reported, till third test he was
not able to imagine
p~operly and no ideas came up in his mind. He said that the square puzzle test
was exhausting for
him.
SCORING
..
6
C 17 20• ercentile
V (TEST OF SQUARE 17 45-50 1 percentile
PUZZLE)
F= FLUENCY O=ORIGINALITY
INTERPRETATION
T he purpose of the test was to meas ure the subj ect's creativity using Passi ' s Test of Creativity
(PTC).
With the help of scoring key and the age norms the score obtained for Seeing Problems Test was
1h
18, which indicated that the subj ect' s score li e between 35-40 percentile.
Score obtained for Unusual Uses Test was 18, whi ch indicated that the subject' s score is less
than 5 th percentile.
th
Score obtained for Consequences Test was 17, which indicated that the subject' s score lie in 20
percentile.
Score obtained for Test of Square Puzzle was 17, which indicated that the subject' s score lie
1h
between 45-50 percentile.
The scores obtained can be supported by case history where subject said that he can' t criticize
anything and anyone. He reported that he cant even reply to the people who criticize him.
The subject was not much fluent with English that's why he was stuck with what he should write
in booklet. The replies of the subject also were less in the test booklet.
He also reported that he can ' t differentiate between minute details. He also said that he was not
interested in recognizing patterns.
Scores can also be supported by the introspective report wher~ubject reported that, he had
seen this type of test for I st time. He mentioned that h~t(the-2~d subtest difficult, which was
unusual uses test. He reported, till third te7t he was ot able to imagine properly and no ideas
came up in his mind.
successfully conducted which measured the subject's creativity.
ofemitmty (PTC).
REFERENCES
• Adams G.s ( 1966). Measurements and evaluation in education psychology and
guidance, new York, holt, Rinehart and Winston
• GETZELS, J.w and Jackson P. W ( 1962) creativity vamd intelligence exploration with
gifted students, mew York , willy
• Guilford J.P (1950) creativity . American psychologist
• Psychological labarotory no. 8, los Angeles; university south California. Hoepfner,A
(1967).torrance test of creativity thinkingJ.Ed,Meas (4)3: 1961-62 Fall.
• Jalota,S.S (1964) group test of general mental ability test, new delhi, psycho center.
• Lowenfuer,V (1952). Mosaic tera LMT. The nature of creative activity, london.,
Routledge and kagan paul.
• Moss, J and Deunk I.G ( 1997) .Estimating the concurrent validity of Minnesota test of
creative thinking.Am.Edu.Res.J .4,4