Module 4 Packet 2022
Module 4 Packet 2022
Table of Contents
Module Four Overview ..................................................................................................................................................2
The Language of Broadcast Journalism .........................................................................................................................3
The People of Broadcast Journalism..............................................................................................................................5
Quiz 16: Broadcast Journalism Vocabulary....................................................................................................................8
Types of Stories for Broadcast Journalism.....................................................................................................................9
Using Conversational Style ..........................................................................................................................................11
Language Focus: Present Tense and Active Voice .......................................................................................................13
Quiz 18: Print vs. Broadcast Journalism.......................................................................................................................15
Private Journal 13: Transform Your Article for a TV News Segment ...........................................................................16
Discussion: Transform Your Article for a TV News Segment .......................................................................................17
Ratings in TV News: How Journalists Compete ...........................................................................................................18
Sensationalism in TV News ..........................................................................................................................................21
The 24-Hour News Cycle..............................................................................................................................................24
Language Focus: Stress and Pausing............................................................................................................................25
Quiz 19: Stress and Pausing .........................................................................................................................................27
Optional: Orally Present Your Story.............................................................................................................................28
Optional Self-Evaluation: Orally Present Your Story and Evaluate Yourself ................................................................28
Module Four Check......................................................................................................................................................29
© 2022 by FHI 360. “English for Journalism MOOC – Module Four Packet” for the Online
Professional English Network (OPEN), sponsored by the U.S. Department of State with funding 1
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2
THE LANGUAGE OF BROADCAST JOURNALISM
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sponsored by the U.S. Department of State
Hello. Welcome to this unit on broadcasting the news. In this first lesson, we will describe broadcast journalism
and introduce some vocabulary we need to talk about broadcast journalism. In the next lesson, we will talk about
specific roles people have in delivering the news on television, the internet, or radio.
Let's start with the term broadcast. Broadcasting is the process for displaying the news this way. Broadcasting
means to use a video camera (or microphone for radio) and sending that recording to television sets, radios, and
computers all over the world.
Creating news for television, internet, or radio is similar to print media, but in many ways it's also quite different.
For example, television, radio and internet shows are generally called news programs. A program is a regularly
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scheduled broadcast news show. Generally, these programs have names like "News at 10", which tells you what
time you can watch it every day. Another example is "NBC Nightly News with Lester Holt". The name of this
program reminds the viewer what channel they’re watching and also gives the name of the lead journalist.
Many times, news programs are live, which means we are seeing and hearing what broadcast journalists are
saying, at the time that they are saying it. There is a lot of pressure to do everything right, since everyone's
watching.
News stories for television, internet and radio have a different structure from news articles. A news program is a
collection of segments. A segment is a news story that is broadcast rather than printed.
As we discussed in Module 2, printed news stories are articles. When we talked about print media, we talked
about the process of outlining, drafting, and editing with a copy editor before an article goes to print. In broadcast
news, the draft is called a copy. A copy is a script, or a written text, of what the journalist is going to say.
The copy must be approved before it is broadcast live. It is important that broadcast journalists do not broadcast
segments that have mistakes because, similar to print journalism, making mistakes with the news can cause people
to stop watching. People may have trouble trusting the accuracy of the news programs. Just like print media,
sources and information must be verified.
Once the copy for a segment is approved, it is sent to a teleprompter. A teleprompter is a machine that shows
electronic text so that journalists can read it. When we see journalists speaking on a news program, they are
actually reading from a teleprompter.
Next, we will talk about the people that work in broadcast journalism.
4
THE PEOPLE OF BROADCAST JOURNALISM
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Hello. Welcome to this lesson on the people of broadcast journalism. In the previous video, we talked about new
vocabulary we use when talking about the news for television, internet, and radio. In this lesson, we are going to
take a deeper look into the people that deliver the news in video or audio form. We will talk about news anchors,
correspondents, producers, and control room operators.
News anchors
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Department of State via Flickr under Public Domain / U.S. Government Works. This derivative is licensed CC BY 4.0 by FHI 360 for the Online Professional English
Network (OPEN), sponsored by the U.S. Department of State.
Let's start with the anchor. The journalist who reads the news on camera is called the news anchor. This is the lead
journalist, or journalists, of a news program. An anchor is the host of all of that news program's shows.
Sometimes, the name of this anchor is part of the name of the show. For example, “NBC Nightly News with Lester
Holt.” Lester Holt hosts this news program most nights of the week. He is the anchor of the program. The anchor is
the journalist who reads copy from the teleprompter.
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Correspondents
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360 for the Online Professional English Network (OPEN), sponsored by the U.S. Department of State.
While the anchor is the lead journalist, there are other journalists who work on the news and appear on the
program. These journalists are called correspondents. These correspondents can be general journalists, or they
can have specialties like they may have special knowledge about one topic.
For example, there are many business correspondents and medical correspondents. They may have extra training
in business or medicine and therefore, can better investigate and research those types of news stories.
Other specialties include correspondents who know a certain area of the world really well. Maybe they are from
there or maybe they just studied that area for many years. For example, a Middle East correspondent is someone
who reports from the Middle East or who covers news having to do with the Middle East. They may speak a local
language, or they may know a lot about local culture or history, and therefore they can better investigate and
research those types of stories. It's common for a correspondent to travel to where the news is happening and
report from there. That is called being on location. Correspondents report from locations all across the world. For
example, if there is a fire, football match, or election, a correspondent will go on location to get the story.
Producers
Another person who is very important in broadcast journalism is the producer.
A producer chooses the segments for the program, decides how long each segment will be and in what order the
segments will be presented. A producer also directs the show as it is being broadcast. They decide in the moment
if breaking news should interrupt a segment. They decide when to take commercial breaks, and the producer is
also the person with the final approval for copy before a story is added to a particular program.
6
Control Room Operators
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The producer is not in the studio with the anchor at the time of the broadcast. Instead, they work alongside
control room operators who prepare video clips, edit sound, and control the teleprompter. Control room
operators have technical skills rather than journalism degrees. They know how to control the machines that help
broadcast the news but not necessarily what is important to include in the story.
7
QUIZ 16: BROADCAST JOURNALISM VOCABULARY
>>>> Please note that this quiz can only be completed in Canvas. <<<<
8
TYPES OF STORIES FOR BROADCAST JOURNALISM
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Hello! Previously, we talked about the most common types of stories including news stories, investigative
journalism, and human-interest stories. In this lesson, were going to introduce more types of stories
including commentary, consumer reports and feel-good stories. These types are common in broadcast journalism,
but they can be also be found in print media.
Commentary
Let's talk about commentary first. Commentary news is most often found on 24-hour news stations.
Commentary news is a type of news program where the anchor offers their opinion and their analysis of a current
event. You may see the word “comment” in the word “commentary”.
To comment on something is to give your opinion. That is why it is the name of this type of story. The analysis
oftentimes focuses on the why or the what next parts of the story. Many times, the anchor is a famous journalist.
Often, they invite correspondents on to provide perspective for the analysis. Generally, commentary shows are
quite popular right before an election. Commentary shows provide detailed news about the politicians who are
running for office. Oftentimes, the program or the anchor is transparent or clear with their political views.
Consumer reports
Another type of news story that viewers see more often on television news, is a consumer report. A consumer
report reviews or compares the things we buy. A consumer report takes a critical look at a product or service.
For example, Uber, an app that connects passengers who need a ride with people who offer rides, is a very popular
service here in the United States and in many other parts of the world. Many journalists have filmed segments for
TV news telling the public about this new service.
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These segments may include video of the journalist using the service. They may also include interviews with road
safety experts. They might compare Uber with traditional taxis. Ultimately, the journalist will present the
advantages and disadvantages of this service and help the shopper make informed decisions.
Feel-good stories
Lastly, the third type of news story found most commonly in broadcast journalism is what is called the feel-good
story.
Often, the news may seem too negative, reporting on events that make people feel sad or nervous. Therefore,
some news programs try to feature stories that leave the audience feeling good about the world. These are called
feel-good stories. Feel-good stories generally focus on a person or people similar to a human-interest story. A
human-interest story doesn't always have a positive feeling, though. A feel-good story always has a positive
feeling.
For example, a group of window washers at a large local children's hospital wear superhero costumes while they
clean the windows from the outside. These window washers are hanging from ropes to clean the outside of the
window. So, to the children, they look like Superman or Spiderman. The window washers are bringing happiness to
children who are obviously in the hospital for some very serious reasons.
A news program will generally show this type of story at the end of the broadcast to help people feel better after
several segments of serious and often depressing news.
10
USING CONVERSATIONAL STYLE
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State.
In the previous lesson you looked at different types of news segments. In this lesson we are going to look at the
conversational style that broadcasters use to connect with the audience. They do this by doing three things: using
short and simple sentences, using a lead-in sentence, and using contractions.
People who broadcast the news have to do something that is quite difficult. They have to read a script but not
actually sound like they are reading a script. They need to sound like they are having a personal conversation with
the person who is watching the TV. To do this, the script is written in a much more conversational style than in
print media.
The first example of a conversational style is using short and simple sentences. Sentences need to be short and
simple because the viewers only get one chance to hear what is being reported. They do not have the opportunity
to go back and read the sentence again like they do in print media. So, they have to understand it the first time. An
example of the difference is in print you might read this sentence.
The police have been conducting a house-to-house search in a continued effort to apprehend the suspects.
While in broadcasting it is changed to: The police are still looking for the suspects.
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Conversational Style 2: Use a lead-in sentence
The second way that broadcasters try to create a conversational style is by using a lead-in sentence. This is the first
sentence of the segment and acts as a summary to let the viewer know the subject and the feeling of the report.
For example, if a broadcaster begins by saying, “more bad news from the stock market,”, the viewer knows that the
subject is “financial, stock market”. And the feeling is “negative, bad news”.
On the other hand, if the broadcaster begins by saying, “a dog-owner is very thankful tonight”, the viewer knows
that the subject is something that happened to a dog, and the feeling is positive. Because people are thankful
when something good happens.
A third way that broadcasters create a conversational style is by using contractions. When we have a conversation,
we often use contractions, or shortened versions of words in our speech.
For example, instead of saying, “will not”, we say, “won't”. Or, we say, “I'm” instead of “I am”. We normally use
contractions instead of the word “not” or when we are using the verb “to be". So, as we can see, “will not”
becomes “won't”. “Have not” and “has not” become “haven’t” and “hasn't”. “Do not” is “don’t” and “is not” and
“are not” become “isn't” and “aren't”.
For the verb “to be”, “I am” becomes “I'm”. “He is”, “she is”, and “it is”, become “he's”, “she's” and “it's”. And
finally, “we are”, “you are”, and “they are” are spoken, “we're”, “you're”, and “they're”.
So instead of saying: “A store owner says he is leaving, and he will not be coming back”, a broadcaster, who is
trying to create a conversational style, will say, “a store owner says he's leaving, and he won't be coming back.”
In this lesson, we looked at the ways that broadcasters use conversational style to connect with the audience.
Using short simple sentences, using a lead-in sentence to let the audience know what to expect, and using
contractions.
Next, you're going to look at how broadcasters use present tense and active voice.
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LANGUAGE FOCUS: PRESENT TENSE AND ACTIVE VOICE
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Hello, in the previous lesson, you looked at the different ways that people broadcasting the news can use
conversational style to connect with the audience. In this lesson, we will look at the way that broadcasters use
present tense and active voice to connect with the audience, the viewers of the news.
When a broadcaster presents the news, they want to communicate immediacy to the audience. Immediacy means
you feel like something is happening now. For example, a broadcaster wants the viewers to feel like they are
experiencing a major sports event as it happens. The broadcaster wants the person watching the news to feel part
of the story. The main ways to do this are to use present progressive and active voice.
We mostly use the present progressive to describe actions that are happening now. In journalism, using the
present progressive can help the audience feel like they are part of the story.
We make the present progressive by using a form of the verb “to be” and adding -ing on to the main verb.
We have the subject, “snow” followed by the verb “to be”, “is”, and then the main verb “cause” with “-ing”. The
broadcaster is showing that the action is happening now.
We have the subject, “crowds”, the verb “to be”, “are”, and the main verb, “gather” with -ing.
By using present progressive, the broadcaster shows that the event is happening now, and the viewer feels like
they are part of the story.
The second way that broadcasters connect to the audience is by using active voice. Active voice is livelier and helps
the broadcast create a conversation with the audience.
In previous videos, you looked at when journalists need to use passive voice in print media. This is also true in
broadcast journalism but, whenever they can, broadcast journalists try to use active voice.
Let's look at an example. Remember, we want to use present tense and active voice.
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“Workers are being hurt by new laws.”
This sentence is already in present tense but is in passive voice. The subject, “workers” are not the doer of the
verb. It is clear that the new laws are doing the hurting. So, we need to change the voice from passive to active by
making “new laws” the subject.
We now have a sentence that is in the present tense and the active voice. That communicates to the audience that
the action is happening now and that they are involved in the story.
So, in this video, we looked at how broadcasters use present tense and active voice to create a sense of immediacy
for the audience. The present tense could be present progressive to show something is happening now.
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QUIZ 18: PRINT VS. BROADCAST JOURNALISM
Instructions: Instructions: Read the sentences and decide whether they are more appropriate for print or
broadcast journalism.
This quiz is worth 10 points. You must get seven points or more to pass the quiz.
You can take the quiz as many times as you like. Your highest score will be saved.
>>>> Please note that this quiz can only be completed in Canvas. <<<<
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PRIVATE JOURNAL 13: TRANSFORM YOUR ARTICLE FOR A
TV NEWS SEGMENT
Important: This is a private journal. It will not be graded or seen by your peers.
Instructions: In Module Three, you wrote an article for a newspaper. Now it is time to transform your article as a
copy for a broadcast OR write a copy for a news segment on a new topic. Remember to use: a lead-in sentence,
short and simple sentences, present tense and contractions, active voice.
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DISCUSSION: TRANSFORM YOUR ARTICLE FOR A TV NEWS
SEGMENT
Important: This activity is optional. It will not be graded. This is a public post. Your classmates will see your post.
This course has thousands of participants and the facilitator is not able to review all responses. You can help by
reading your classmates' work and offering suggestions!
17
RATINGS IN TV NEWS: HOW JOURNALISTS COMPETE
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Hello, welcome to this lesson on ratings and competition in television news. In this lesson, we are going to talk
about the challenges that broadcast journalists face when trying to deliver the news on television. Specifically, we
will look at how the competition between news programs is measured. And then we will look at two ways
television journalist try to compete or try to get the most viewers.
Nowadays, viewers have a lot of channels to choose from when sitting down to watch the news on television.
There are even entire news channels dedicated 24 hours a day to covering current events. Each program of course
really wants to have the most viewers. This creates a lot of competition or channels trying to get the most
viewers. How do channels measure, or determine how many people are watching their news program? How do we
know which news program has the most viewers?
The answer is ratings. Ratings are reports that show the number of viewers each news program has. Ratings are
very important to producers, anchors and correspondents because they want to know that they have the highest
number of viewers.
How does competition for ratings affect the news?
If news programs compete with one another then they are trying to have the most viewers. But they are all
reporting on the news, right? Aren't their broadcast very similar? Don't news programs generally cover the same
events? How different could they be? Well there are a couple of things that news programs can do to stand out, to
offer their viewers something different and get more viewers.
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of State
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Let's look at an example: In 2019, the United States won the Women's World Cup. News programs around the
world reported on the Women's World Cup. How can a news program cover this story in a way that gets them the
most viewers?
One way is by getting exclusive interviews with players or coaches. Exclusive means not shared with others.
So, if News Hour at Ten has an exclusive interview with the team’s coach. That means the coach will only talk with
the journalist at News Hour at Ten and not with any other journalist. This exclusive interview will help News Hour
at Ten get more viewers, because their viewers will learn information that they cannot find on any other news
programs.
What are other things journalists can do to get high ratings for their news
programs?
"Royal Baby 031" by Christopher Neve was found on Flickr and is licensed under CC BY-SA 2. 0
In 2015, Prince William and Princess Kate of Great Britain welcomed their second baby, Charlotte, to the world.
Journalist camped outside St Mary's in London weeks ahead of time so they could hear the announcement
first. That way their news program could break the story or be the first to report the story. If viewers think that a
news program breaks the story before other news programs, it is likely to have high ratings.
Summary
• Television journalists have to find ways to have high ratings while delivering the news.
• High ratings are important because news programs want to have the most viewers.
• One way that journalists try to increase their ratings is interviewing people exclusively.
• Another way that journalists try to beat the competition is by being first to break a story.
In the next lesson, we will talk about other ways television journalists try to get high ratings.
19
20
SENSATIONALISM IN TV NEWS
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Hello, welcome to this lesson on sensationalism in TV news. In a previous video, we talked about how television
news is affected by ratings. In this video, we are going to talk about what sensationalism is and then we'll explore
two types of sensationalism, celebrity culture and over reporting disasters.
In the previous video, we talked about how journalist try to get sources to talk exclusively with them, and how TV
journalists try to be the first to break a story. Another way that news programs try to attract more viewers is by
focusing too much on the most shocking, frightening, or exciting stories. This is called sensationalism. Not all
stories are like a movie, but the stories that do seem like a movie generally get more viewers.
Sensationalism Type 1: Celebrity Culture
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Let's take a look at the first type of sensationalism: celebrity culture. Often times, events that happen to regular
people like weddings, divorces, or health problems can be big news when they happen to celebrities. A celebrity is
a famous person. A celebrity could be a politician like President Obama or a well-known sports player like David
Beckham or a musician or actor like Madonna.
In fact, there is even a type of journalist called “paparazzi”, that focuses on celebrity culture. The paparazzi's job is
to follow celebrities around, and report on their every move.
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When a journalist invades the privacy of a source like a celebrity, they are not using the principle of humanity in
their reporting. Remember, humanity means being kind to other people. Paparazzi can make a lot of money selling
those pictures and stories to news programs, but it is not always the best kind of reporting.
When the news focuses on the lives of celebrities and not the events that affect everyday people, this is a form of
sensationalism. Sensationalism places a greater importance on ratings than good journalism.
Sensationalism Type 2: Over-reporting on Disasters
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Public Domain / U.S. Government Works, "Small Plane Crash at Lakeway Blvd," by Juan Salinas via Wikimedia Commons under CC BY 2.5, and "Buncefield2" by
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(OPEN), sponsored by the U.S. Department of State
The second type of sensationalism is over-reporting on disasters. A disaster is an extreme event that involves
weather (like tornadoes, tsunamis, or earthquakes) or transportation (like a missing plane, or train accident) or
unexpected violence, like a terrorist attack. These are very serious and important events.
Sometimes journalists can over-report or report too much on a disaster. Meaning they ignore all other news for
weeks or even months, reporting exclusively or only, on a disaster because of its shock value.
A news story with shock value usually makes viewers feel strong negative emotions like fear or anger. People are
more likely to watch the news when they have a strong negative emotion. So, this type of sensationalism takes
advantage of a natural human reaction. Journalists should show restraint when they report on stories with shock
value.
For example, in the wintertime many people watch the news for reports on possible snowstorms. Obviously, a
snowstorm can affect thousands, even millions, of people. So, news programs may over-report or report too much
on a future storm. This makes people afraid as they plan further weeks. They go to grocery stores and buy food or
expensive equipment for getting rid of snow. The snowstorm is an event that people need to know about but a
sensational over-reporting means that people are not hearing about other important events.
Humanity and restraint, these principles of journalism are important, and good journalists take them into
consideration with every story they broadcast. The struggle between good journalism and ratings is a real
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challenge that journalists face every day. Programs that rely too much on sensationalized stories could eventually
lose the trust of their audience.
Summary
• News programs try to attract more viewers by focusing too much on the most shocking, frightening, or
exciting stories. This is called sensationalism.
• Two types of sensationalism are celebrity culture and over-reporting on disasters.
• Sensationalism can work against journalistic principles of humanity and restraint.
23
THE 24-HOUR NEWS CYCLE
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Hello. In the previous lesson, you looked at sensationalism. In this lesson, we are going to look at the 24-hour news
cycle. We will look at how it began and at two ways that it has changed the ways news is reported: giving opinions
and manipulating the audience or trying to shape the way they think about something.
24
LANGUAGE FOCUS: STRESS AND PAUSING
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Hello! in previous lessons you looked at the conversational style used in broadcast media. In this lesson, you’ll
learn how to use stress and pausing to help you read out your story. Stress and pausing are important for
broadcasters because they can help to communicate the important information in a sentence and can also give the
audience time to understand the meaning of the story.
Stress
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Let's talk about stress first. In a sentence, some words are more important than others. These are usually the
content words or keywords, the words that give you the facts of the sentence, if you did not have these words, the
sentence would not make sense.
The keywords are usually the ones that a broadcaster stresses to let the audience know the important facts of a
story. When you are speaking, you stress a word by saying it a little bit louder and a little bit slower.
Let's look at some examples and see if we can find which words need to be stressed.
Example 1: “A huge fire swept through a factory in downtown Baltimore last night.”
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Of course, you need to say all the words in the sentence, but some are key, very important, to understanding the
sentence.
Do you remember those WH questions you looked at earlier? You could ask those same questions now to find out
the keywords.
So, the key information in this sentence is fire, factory, Baltimore, and night. And these are the words we
will stress, saying them a little bit louder and a little bit slower.
Example 2: “The government announced plans to close three hospitals at the start of next year.”
“The government has announced plans to close three hospitals at the start of next year.”
Pausing
A second way to help you read out your script is pausing. Pausing means stopping for a short time before you read
the next word. There are several good reasons for doing this. First, it gives your listeners time to understand what
you just said. Second, it makes your overall speed slower. And so makes your speech easier to understand. Third it
lets you break your sentence in to groups of words, each containing at least one key word or phrase.
Let's look again at the examples we used earlier and think about pausing.
Here, we have three different parts to the sentence each containing at least one key word. By pausing, we can give
our listeners time to understand the information we are saying.
“The government… has announced plans to close three hospitals… at the start of next year.”
Again, we have three different parts to the sentence each containing at least one keyword.
Summary
• Stressing the key words in a sentence can help the listener understand the meaning.
• Pausing can give the listener time to think about the information which also helps them to understand.
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QUIZ 19: STRESS AND PAUSING
Instructions: Read the following sentences and choose the words that should be stressed.
You can take the quiz as many times as you like. Your highest score will be saved.
>>>> Please note that this quiz can only be completed in Canvas. <<<<
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OPTIONAL: ORALLY PRESENT YOUR STORY
Important: This activity is optional. It will not be graded. This is a public post. Your classmates will see your
post.
Would you like to share a voice or video recording of TV News copy (script)?
You can upload your recording here and it will be shared with another participant for review.
Please note that this is a large course with thousands of participants around the world. Not all participants have
access to audio and video software. It is possible that you will not receive a response to your post.
>>>> Please note that this activity can only be completed in Canvas. <<<<
Remember to consider stress and intonation while you present your copy. It may help to identify the content
words in each sentence.
underlined = stressed
/ = pause
Philadelphia / will host a new internship program. That’s what Bill Wallace / of the City Department
of Education said on Thursday. High school students / can earn high school credit at City Hall. They’ll work with a
city council member. Participants will go through a two-step application process. The program won’t begin /
until next fall.
Bill Wallace explained that / high school students need real world experience / and something to put on their
college application. This program hopes to increase the rate of college-bound high school graduates /
and decrease drop-out rates.
>>>> Please note that this activity can only be completed in Canvas. <<<<
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MODULE FOUR CHECK
Please answer one question to verify that you have completed all activities in Module Four
You must choose "Yes" in order to move on in the course.
This quiz will count as 1 point toward your grade.
>>>> Please note that this activity can only be completed in Canvas. <<<<
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