Audio Plugin
Audio Plugin
You'll uncover what each type of plugin does, when and where you'll mostly use it in
your tracks and also discover a few examples of each type of plugin.
The main idea behind the post below is to give newer producers a quick overview of
the most popular plugins used by professionals to produce the music we love.
Before you however go and splash your hard-earned cash on 3rd-party plugins you
should be aware that most DAWs come with decent stock-plugins included. So, while
it's fun and inspiring to get a new 3rd-party plugin you're more than able to get good
tracks done with stock-plugins.
Newer producers will save a lot of money by first pushing the limits of what you can
do with what comes included with your chosen DAW.
That said, there are times when a 3rd-party plugin will make things easier and faster
than your stock-plugins can and some plugins are known for a certain capability
which can be very hard or near-impossible to reproduce in any other way. That
sounds like a good excuse to buy a new plugin if ever I've heard one! ;-)
So, remember to check your DAW to make sure you get the right plugin format! ;-)
The Main Types of Audio Plugins
You'll Encounter as a Producer or
Beatmaker:
On this page you'll discover a brief introduction to 26 of the main types of audio
plugins you're most likely to come across and use as a music producer or beatmaker.
1. Equalizer Plugins
2. Compressor Plugins
3. Reverb Plugins
4. Delay Plugins
5. Distortion Plugins
6. Saturation Plugins
7. Limiter Plugins
8. Gate & Expander Plugins
9. Channel Strip Plugins
10.De-Esser Plugins
11.Envelope Shaper Plugins
12.Transient Designer Plugins
13.Exciter or Enhancer Plugins
14.Filter Plugins
15.Chorus Plugins
16.Flanger Plugins
17.Phaser Plugins
18.Tremolo Plugins
19.Vibrato Plugins
20.Frequency-Shifter/Pitch-Shifter Plugins
21.Glitch, Stutter and Granular FX Plugins
22.Modulator Plugins
23.Spectral Analysis Plugins
24.Stereo Width Plugins
25.Vocal Processing Plugins
26.Vocoder Plugins
Are there other types of audio DAW plugins available? You bet. I've tried to keep the
list to only plugins you're most likely to at some point use and maybe a few extra for
the sake of comprehensiveness. Many types of DAW plugins like utilities and other
more specialized studio tools haven't been included.
My hope is that this introduction to DAW plugins will give beginner producers a good
overview of what's available so that you'll be able to get the big-picture overview of
the plugin landscape. That said, it's a huge landscape!
1. Equalizer Plugins
Equalizer plugins are the one of the types of audio plugins used most often in music
production.
From removing unwanted frequencies to accentuating frequencies you want more present
in your mix, EQ helps you get the tone and balance you want.
Equalizers allow you to cut or boost ranges of audio frequencies from your audio signal.
This is done by using adjustable filters that can be set to affect parts of the audio spectrum
allowing you to either cut or boost your selected ranges. In practice this means that you can
shape the tone of any sound or group of sounds with your equalizer plugins.
Equalizers can be used on any audio source. You can use equalizers on any instrument or vocal.
You can use equalizers on group channels and also on your entire mix bus.
EQ plugins allow you to filter out unwanted frequency information. An example of this
would be using a low-cut filter in your EQ to remove low-end content below a certain
cutoff point like when you remove sub-bass from a vocal to eliminate rumble.
EQ plugins also allow you to enhance certain frequencies by boosting the wanted ranges
or by cutting the frequencies around the range you want to enhance.
EQs also come in different varieties and each will affect your sound differently. I recommend
you read the popular mammoth Audio Equalization Skill Stack post if you're new to music
production and want the lowdown.
Pro-Q by Fabfilter
TDR SlickEQ M by Tokyo Dawn Labs
TDR Nova GE by Tokyo Dawn Labs
smart:EQ 2 by sonible
Oxford Dynamic EQ by Sonnox
Tube-Tech Equalizer Collection by Softube
EQUILIBRIUM by DMG Audio
You can also check out the Big 3 post on EQ plugins here for 3 solid workhorse EQ plugins.
2. Compressor Plugins
Compressor plugins are the another one of the types of audio plugins most commonly used
by producers.
This type of dynamic range processor has a multitude of uses which makes it an essential
tool for every producer and beatmaker to master.
Compressor plugins can be used in a variety of instances. Individual channels, group channels
and even on your mix bus or master channel. Compressors are also often used in parallel
processing.
You can use it on vocals, drums, guitars, synths, bass. I'll stop now. Yes, you can use it on pretty
much anything.
Seriously. Compressors have many uses for producers, beatmakers, sound designers and
audio engineers:
Even out that vocal by the vocalist who is still in the process of learning good mic
technique.
Make that floppy, fluctuating bassline be super-solid and sustained.
Turn that listless rumbling cacophony of a drum track into a snappy, pumping, make-
your-head-nod, ultra-funk rhythm machine.
Sidechain it to suck everything except your kick out of your mix every time your kick
hits. Awww yeaaaah!
Use it on a duplicate parallel track to beef up anything without squashing the living
daylights out of the original sound.
The list goes on but you get the picture. Once you get what it does and how to implement it, the
uses for compressors are pretty much endless.
Point is, compressors are crucial in music production, and being able to use compressors well is a
vital skill for every producer, beatmaker or audio engineer to master. Get the big-picture
lowdown on compression skills here if you're new to the game of music production.
There's no doubt that reverb plugins makes the list of top 5 most-used types of audio
plugins.
These types of audio plugins allow you to create a sense of space, place instruments or
sounds in their own space and create interest and movement in your mix.
Reverb plugins allow you to create a sense of space in your mix by adding different types of
reverberation. They also allow to place individual sounds in their space, push back sounds in
your mix and make sounds sit better in or blend in with the rest of your mix.
Reverb is most often used on individual instrument channels. Reverb can also be added to group
tracks or sub-mixes. You probably wouldn't add reverb over your entire mix on your master
channel but never say never. ;-)
You can learn more about the skill of using reverb and reverb in general on this page.
ShimmerVerb by Eventide
smart:reverb by sonible
Blackhole Reverb by Eventide
Little Plate by Soundtoys
Pro-R by Fabfilter
TSAR-1 Reverb by Softube
MReverb by MeldaProduction
Valhalla Room by Valhalla DSP
Oxford Reverb by Sonnox
Check out the Big 3 post on Reverb plugins here for 3 solid workhorse reverb plugins.
4. Delay Plugins
Delay goes hand in hand with reverb as it allows you to create movement and space in your
mixes.
From simple slap-backs to monstrous multi-tap madness, a good delay plays a crucial role
in your production toolbox.
What do delay plugins do?
Delay plugins takes incoming signals and plays back delayed duplicates to simulate the sound of
echoes.
Delays are most often used on individual instrument channels. Delays can also be used on
parallel channels. Delays tend not to work so well on group tracks because the more elements
you add to the delay the more it will start to clutter up and confuse your mix, but there are cases
where especially shorter delays may be interesting to try out.
Placing a delay on your master channel would just be plain silly. ;-)
There are many uses for delay plugins due to the versatility of this effect. A few examples
are:
Create a short slap-back delay to add interest, character or body to a vocal or guitar.
Use longer modulated delays to create interesting soundscapes, textures and beds.
Use delay instead of reverb to preserve space in your mix while creating interest and
movement.
Add instant groove to an element by adding dotted or triplet delays in specific parts of the
track.
Using delay is another one of those skills one must master as a music producer or beatmaker.
You'll find a deeper look at delay effects on this page.
Check out the Big 3 post on delay plugins for 3 solid go-to delays.
5. Distortion Plugins
Distortion plays a more important part in today's world of music production than one
might realize at first.
It may not always be in your face distortion but in most tracks there's some distortion at
work, even if it's subtle.
What do distortion plugins do?
Distortion is in most cases a process of adding signal-dependent frequency content or harmonics
to a signal. Signal-dependent means the added content is produced from, and then added to, the
original signal. The extra bite, crunch, fuzz or sizzle we associate with distortion is due to the
added frequency content distortion plugins introduce to the signal.
You can use distortion pretty much anywhere. Individual channels, group channels and even on
your master bus if you're subtle about it. It also works great on a parallel track because you can
crank it and then just blend it into your original signal in a subtle way.
Distortion has many uses but it usually comes down to making a sound more prominent or
interesting by adding it.
Electric guitars of course. Distortion pedals have a long history with guitar.
Vocals loves some distortion. Depending on the track it could be in your face or barely
noticeable.
Basses, synths, keys, drums, pads, leads. Distortion goes well with most things. ;-)
Ravage by SoundSpot
Saturn 2 by FabFilter
Subvert by Glitchmachines
Grind by Audio Damage
Devastator 2 by D16 Group
Distortion Snapin by kiloHearts
MWaveFolderMB by MeldaProduction
Trash by iZotope
6. Saturation Plugins
So. It needs something. A bit more body, a tad more warmth, a smidgen of sizzle. But! Not
too much. Distortion like overdrive or fuzz just won't do.
Saturation in analog gear occurs when you drive a tube or tape circuits to a point where it cannot
handle things the way it did before that point. It starts introducing some extra harmonics and
even a bit of compression and soft-clipping. It's not breaking up and clipping harder as it would
with distortion, but it's not reproducing the input in a linear way any longer, either.
Saturation plugins in many cases tend to emulate the tape or tube saturation of the good old
analog days using digital means.
Have they gotten close to the real thing yet? I'd suggest you skip the music production forum
debates on this one. ;-)
Saturation is less drastic than distortion. This means it has a much wider amount of applications
when you're producing music.
Vocals, any instrument, drums, basses, group tracks, the entire mix. Yeah. Saturation can be used
pretty much everywhere. It all just depends on which type of saturation you choose, how you
use it and how much of it you use.
You'll discover 3 great saturation plugin options in the Big 3 post here.
7. Limiter Plugins
Limiter plugins control dynamics in the same way that compressors do.
The main difference is usually the compression ratio which tends to be much higher in
limiters.
Limiters set a hard ceiling to catch and quickly lower any peaks that are louder than the set
threshold.
Limiters are often used at the end of a mastering chain. They can be used pretty much
anywhere. Individual tracks, group tracks and mix busses have been known to sport limiters on
many occasions.
You'll mostly use it wherever you need to control peaks. This could be on:
Basses
Vocals
Drums
Group tracks
Your entire mix
Pro-L by Fabfilter
TDR Limiter 6 GE by Tokyo Dawn Labs
Oxford Limiter by Sonnox
Velo 2 by SoundSpot
L2 Ultramaximizer by Waves Audio
Precision Limiter by UAD
Oxford Limiter V3 by Sonnox
The french master Debussy once said “Music is the space between the notes.”
Now he was obviously not referring to DAW music production but the truth
remains... ...sometimes you want to insert a bit more silence into a track or increase the
dynamic range of your audio.This is where gates and expanders can be very useful tools...
In short, both of these types of audio plugins are used to increase the dynamic range of the audio
being processed.
This is why you can conceptually see gates and expanders as the opposite of limiters and
compressors which reduce the dynamic range of a signal.
Expansion can be done in two ways; upward expansion and downward expansion.
Upward expansion kicks in once your signal level goes above a certain threshold and increases
the signal level. So, this means it makes the louder parts louder which of course increases the
dynamic range of the audio.
Downward expansion kicks in when the level drops below your threshold and reduces the level
according to the ratio you've set.
Gating works the exact same way as downward expansion except that it has an infinite ratio
setting. This means the gate pulls down to silence while a downward expander can be adjusted
to reduce the level to various degrees.
When and where can gate plugins be used?
Gates are mostly used on individual tracks, usually vocals or drums. Not something you'd chuck
on group tracks or your entire mix bus really often but it has been done and will be done again.
Pro-G by Fabfilter
EXPURGATE by DMG Audio
MR Gate by Wave Arts
Oxford Dynamics by Sonnox
C1 Compressor by Waves Audio
The gate in Metric Halo Channel Strip 3
G8 Dynamic Gate by Unfiltered Audio
ANIMATE: EXPAND by Mastering The Mix
SSi Pro Expander and Gate by Minimal System Group
Channel strip plugins in most cases bring the workflow of legendary analog desks into the
digital realm for DAW users.
All the tools you need in one place allows you to quickly and easily carve out the tone you
want for you instruments and overall mix.
What do channel strip plugins do?
Channel strip plugins, in most cases, emulate a single channel strip from well-loved classic
mixing consoles like SSL, Neve and API boards.
A channel strip plugin has multiple effects and functions in one plugin interface. This usually
includes a gain pot, a phase switch, a dynamics section, a filter section, an EQ section, a fader
and meters.
You can use channel strip plugins on individual channels, group tracks and on a mix bus, should
you like.
The main benefit of using a channel strip plugin, apart from the satisfying familiar sound that
you conjure up with it, is the workflow it offers. It's no coincidence that this workflow has stood
the test of time. Everything you need to adjust your sound is there in one place.
Many DAWs now come with channel strips built right into the interface, ready to go.
Developers like Waves, UAD, Slate Digital, Softube and even iZotope have all entered this
market too.
Neutron 3 by iZotope
UltraChannel by Eventide
Goliath by Tone Empire
Scheps Omni Channel by Waves Audio
ChannelStrip 3 by Metric Halo
10. De-Esser Plugins
De-esser plugins are a form of frequency-specific dynamic range processing that allow you
to smooth out vocals with harsh sibilant sounds such as S, Ch, Ts, Z and J sounds which
could be irritating to the listener due to over-emphasis in the higher-mid frequencies to
which our ears are very sensitive.
De-esser plugins work by applying compression to a selected narrow band of frequencies around
a specific set frequency. The selected frequency will differ in each case as it depends on the
material you're working with. It will usually fall in the 5kHz to 8kHz range, with male vocal
sibilance usually being a bit lower than female vocal sibilance.
De-esser plugins, as you can imagine, are usually placed on vocal tracks. No surprise here!
Other less well-known uses can be to use it on guitars, basses and even drums to dampen
unwanted noise, resonances and even mud from your signal.
Pro-DS by Fabfilter
Oxford SuprEsser by Sonnox
Sibilance by Waves
Weiss Deess by Softube
Soothe by Oeksound
11. Envelope Shaper Plugins
A lot of music production today demands meticulous detail in the volume envelopes of the
various sounds in your track.
An envelope shaper gives you control over the volume envelope of the audio signal you run
through it. This is most often done by using a curve you can draw in, which then automates the
level of your signal.
This basic functionality is however just the start of it. Many envelope shapers combine basic
shaping with more advanced features to give you even more control. Some even incorporate
compression and pulse width modulation to give you that extra bit of precision and ability to
shape your sounds.
Envelope shapers can be used on individual sounds or instruments and on group tracks. You'd
most likely not use them on your master channel or mix bus.
Envelope shapers are a type of dynamics control. so they can often be seen as another way to get
done what you could also do with dynamic range processors like compressors and expanders in
another way. The main difference is that where dynamic range processors react to the incoming
signal levels, envelope shapers, at least in most cases, execute your volume curve independent of
the incoming signal.
The range of uses can go from simple ducking of your bass or other instruments all the way to
creating longer more complex curves to add movement and dynamics to your tracks.
Examples of popular envelope shaper plugins:
Transient designer plugins allow you dynamically control and shape the attack phase of
your instruments.
These types of audio plugins shine on drums but can be used on any sound or instrument to
help it slot into your mix in the exact way you want it to.
What do transient plugins do?
Transient designer plugins give you dynamic control over the ADSR envelope of your sounds.
This allows you to play with articulation, dynamics and presence of the sounds in your mix.
The first use that comes to mind is drum loops where you can use a transient designer to
emphasize or de-emphasize the attack of your hits. You can however use it on any sound. Make
your bass less or more plucky? Check. Give your synth part more initial bite? Check. Clear out
reverb or room sound from a part? Check. Lower the attack of a snare to blend it in with your
kick? Check!
Sure, you can use compressors and gates to achieve similar results. The idea with transient
designers is to make the process a bit simpler and easier.
Here's the thing. You cannot boost frequencies that aren't present in a signal with an EQ.
Sure, you can push up the knob at 3kHz and it'll boost. Boosting nothing however, results
in nothing. If 3kHz information is not there you cannot make it louder.
This is where exciter plugins are useful. These types of audio plugins can introduce
frequency content into the signal to make up for gaps you want filled.
Exciter plugins use dynamic equalization, harmonic synthesis, harmonic distortion and phase
manipulation to add frequency content to your audio signal. This can help sounds cut through
better in a mix.
Exciters are often good to give vocals a bit more presence in a mix. It can however be used on
group tracks or any other instrument.
Wait a minute! Isn't a filter plugin the same thing as an EQ? Well...Yes. EQs are
technically made up of multiple filters.
So why would you want or need a separate filter plugin if you already have an EQ? The
answer mostly comes down to tone, creative possibilities and workflow...
What do filter plugins do?
Filter plugins allow you to change the tone of your audio signal by cutting out frequencies. Filter
plugins will usually allow for low-passing, high-passing or band-passing cuts. Filters can be
used both for corrections or as a creative tool for frequency sweeps and other automated
modulations.
Many filter plugins are designed to impart a specific character to the filtered sound where EQs in
most cases try to keep things transparent.
Filter plugins tend to only cut frequencies, apart from when you boost the resonance. So,
sometimes it's just quicker to load up and dial in a filter due to it having less parameters.
Many filter plugins are also great for creative effects like filter sweeps and some will have added
features specifically for this purpose.
Filters are very useful and can be applied pretty much anywhere in your chain. You can add
filters on individual channels, group tracks and on your mix bus.
Remove unwanted low-end information using a low-pass/high-cut filter.
Remove unwanted high-end information using a high-pass/low-cut filter.
Remove unwanted high and low frequencies using a band-pass filter.
Get layered sounds to work better together by filtering out the opposite frequencies in
different layers.
Create excitement and movement in your tracks by using filter-sweeps to control the
amount of energy as the track progresses.
Check out the Big 3 post on filters here for 3 great creative analog-style filters.
Chorus effect plugins are types of audio plugins that can help you thicken and even widen
your sounds.
You may associate it with guitar sounds but chorus can be used on keys, pads, synths and
vocals among other things.
What do chorus plugins do?
A chorus plugin...
The modulation of the delay time creates a moving change in pitch that, when combined with the
original signal, gives you the classic fuller chorus sound.
Chorus plugins are best used on individual instruments. The most common instruments would
be guitars, basses, keys, synths and pads. Chorus plugins can also be used on vocals and
background vocals.
The combination of the original signal and the modulated delayed signal produces comb-filtering
which gives you the characteristic flanged sound.
Flanger plugins will usually be used on individual instruments, often very selectively. It's
unlikely that you'd want to use a flanger on a group of instruments, but you could if it works for
you. You can safely keep flangers away from your mix bus. ;-)
Flangers work well on guitars and synths but can and have been used on vocals and even drums.
Phaser plugins, just like flanger and chorus plugins, modulate your sound by changing the
phase relationship between two copies. The main difference is that a phaser doesn't delay
the entire copy. Instead it uses all-pass filters to create notches in the copy that then can be
modulated up and down the frequency spectrum to create the phase effect.
What do phaser plugins do?
1. Takes your input signal and splits it into two so you have two copies.
2. The one copy is left as is and sent to the output.
3. The other copy is phase-inverted at a specific frequency which creates a notch when
combined with the original signal.
4. The center position of the notched frequency can then modulated to move up and down
the spectrum with the use of a low-frequency oscillator (LFO).
5. More notches can be added at different frequencies to increase the intensity of the effect.
You can put a phaser anywhere but mostly it would be better to use it specifically on individual
instruments or channels. Other than that you can experiment with different settings on pretty
much any type of instrument. They do however tend to shine on pads and certain types of synth
sounds.
This modulation can breathe some life and movement into a static instrument part.
Tremolo plugins recreate the tremolo effect with the use of an LFO that repeatedly modulates the
level of the audio signal up and down.
Many envelope-shaping and even gate plugins can achieve the tremolo effect even though they
wouldn't be considered to be dedicated tremolo plugins.
Tremolo is most often used on individual instrument channels. The tremolo effect is traditionally
associated with string instruments so violin parts and cello parts are natural choices. The same
goes for guitars.
You can, as a producer, however apply tremolo to just about anything that has a tonal sound. So,
keys, leads, pads and synth parts are all fair game for some tremolo, either on the whole part or
automated in for articulations only in certain parts of a phrase.
Tremolator by Soundtoys
MTremoloMB by MeldaProduction
EFEKTOR TR3604 Tremolo by Kuassa
19. Vibrato Plugins
Vibrato, like it's cousin tremolo, can help add movement and articulation to your tracks.
What do vibrato plugins do?
Vibrato plugins in most cases use an LFO to slightly modulate the pitch of your audio up and
down.
Vibrato, like tremolo, is best used on individual instruments or channels. While many people will
immediately think of vocals when they think of vibrato, it's more commonly found on guitars,
keys or synths. Also, just like tremolo, it can be used over whole parts or automated in to create
expression, often at the end of lines or phrases.
A pitched-up or pitched-down version of your vocal or instrument can become a whole new
sound in your track.
That's only the start of the fun when it comes to these types of audio plugins...
Well, the name pretty much says it all in this case. Doesn't it? ;-)
You can divide pitch-shifter plugins into corrective and creative types.
With pitch-correction software your goal is usually to adjust out-of-tune vocals or other
instrument parts.
Other pitch-shifter plugins introduce modulation into the processing to create harmonics. These
plugins are often called harmonizers.
MicrosShift by Soundtoys
Manipulator by Polyverse
Pitch Monster by Devious Machines
Discord4 by Audio Damage
Pitch Monster by Devious Machines
MFreqShifterMB by MeldaProduction
OK, so we've bunched a ton of different types of audio plugins that do very different
things under this one heading.
What they do have in common however is that these plugins allow you to break or mess
things up, intentionally.
What do glitch, stutter and granular fx plugins do?
This group of plugins can go from simple bit reduction to multi-effect modulation, to complex
evolving synthesis and sequencing.
The idea is to create mangled, broken-up versions of a sound so you can use it to create interest,
texture, variation and movement in your track.
When and where can glitch, stutter and granular fx plugins be used?
Anywhere and on anything you want! These types of audio plugins are really about having fun,
experimenting and coming up with unusual timbres, riffs and soundscapes that you can then
blend back into your track.
Stutter by Sinevibes
MGranularMB by MeldaProduction
Portal by Output
Venom by W.A. Production
Stutter Edit 2
22. Modulator Plugins
Modulator plugins allow you to change different aspects and parameters of your sound as it
progresses over time.
These plugins, which come in different varieties, have become much more complex,
capable and useful in recent times.
Modulation usually refers to change. This could of course be changes in terms of the key of a
song but mostly, when it comes to music production, it refers to changes in the sound such as
volume, frequency or tone, panning and resonance.
Modulator plugins allow you to morph and evolve a sound over time, This can create interest
and movement in your tracks which keeps the listener involved.
One could of course include tremolo and vibrato under modulator plugins. Technically flangers,
chorus and phaser plugins modulate your audio too. The reasons these are listed separately in
this list of types of audio plugins is because they're classic modulators in their own right with
more specific functions.
Newer modulator plugins can in many cases re-create the classic tremolo or other modulators
mentioned above. They can however do so much more.
From simple trance gates to dubstep style growls and wobbles to formant shifting and structural
morphing, modulator plugins are a definite source of fun any producer should explore.
Modulator plugins tend to work best on individual instruments and maybe even group tracks. It's
unlikely that you'd use these types of audio plugins on your entire mix.
Any instrument can be modulated to produce new never-before-used-or-heard sounds to delight
and enthrall your listeners with. This is one type of audio plugin where experimentation is a
must.
MWobbler by MeldaProduction
MORPH 2 by Zynaptiq
MMorph by MeldaProduction
LFO Tool by Xfer Records
There's an old cliche in music production that goes "if it sounds good, it is good". So, you
have to trust your ears when making production and mixing decisions.
That said, sometimes you need to use visual tools to help make decisions, especially when
your studio environment isn't acoustically tuned. This is where spectral analysis plugins
are your best friend...
Spectral analysis plugins, a.k.a spectrum analyzers, represent the frequency spectrum of audio in
a visual way. This allows you to spot any problem areas in your mix at a glance.
You can use spectral analysis plugins anywhere in your chain. Individual channels, mix or
group channels, your master bus. All fair game! It all just depends which instruments, sounds or
groups you want to analyze.
Wider! More wider! Most widest! There's no denying that a good balance in the left/right
dimension of a mix is crucial. The same goes for the balance between the mid and side
information. Now, while you don't want everything to be wide, there will be times when
you want to spread out an instrument or sound a bit to make it gel better with other
elements and create a better overall balanced mix.This is where stereo width plugins, a.k.a.
stereo widening or stereo enhancement plugins can be very handy...
Stereo width plugins allow you to adjust the width of an instrument, sound or group of
instruments in your mix.
No hard and fast rules here. You can use it on anything. What you should however watch out
for is to not overdo it and place it on everything. The illusion of width often depends on
contrast. Make everything wide and you defeat the purpose. So, in general, lower-frequency
content tends to work better in the middle while higher-mid and high content can be spread out a
bit more and still sound good.
Spread by DJ Swivel
PanMan by SoundToys
StereoSavage by Plugin Boutique
Wider by Polyverse Music
Propane by SoundSpot
Ozone Imager 2 by iZotope
Little MicroShift by SoundToys
S1 Stereo Imager by Waves Audio
Any mixing engineer or producer who's been at if for a while knows that vocal mixing is a
beast unto itself. There's no denying that in a track that has a vocal as the main element it's
crucial to get it just right.
It therefore comes as no surprise that more and more plugins that are dedicated solely to
vocal processing have become available. These types of audio plugins focus in on the tools
you need to get your vocals right.
Vocal processing plugins come in a wide variety and differ wildly. Some are simple vocal
doublers or hamonizers, some are designed to get your tuning or alignment right and others are
full multi-effect plugins that give you all the tools you need to tweak your vocal to perfection.
I don't have to tell you that these types of plugins are made for vocals, so that's where they
shine. Can you use them on other instruments? Sure. In some cases that may produce
interesting results. The main idea of these types of audio plugins is however to make vocal
editing and mixing easier and faster.
Auto-Tune by Antares
Melodyne by Celemony
Nectar by iZotope
VocalSynth by iZotope
Little AlterBoy by Soundtoys
VoxDoubler by Sonnox
Mic Mod EFX by Antares
CLA Vocals by Waves
Do the robot! Vocoders have been around for a long time and have been used in many
great tracks over the years.
From Kraftwerk to Daft Punk and beyond. Vocoders have stamped their mark on popular
music.
Vocoders are most often used to make robotic-sounding voices that are in tune with your track.
These types of audio plugins work with 2 signals, a carrier and a modulator signal. The carrier is
the sound you'll hear and the modulator which changes the character of the carrier sound by
adjusting the levels of different bands in a filter bank.
In simpler terms you use one sound to change the other sound. So you can use a synth part as a
carrier and a vocal as a modulator. The synth will then be modulated by the changes in the vocal
and take on the articulations of the vocal.
The main use of vocoder plugins has always been vocals but there's nothing that stops you from
experimenting with other instruments. Vocoders tend to only be used on individual channels and
not on groups and definitely not on your entire mix.
If you want to explore the world of plugins further then head on back to the main plugin section
here.