Photographic Memory Photographic Memory Training
Photographic Memory Photographic Memory Training
Jonathan Wilkens
© Copyright 2017 by Jonathan Wilkens - All rights reserved .
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Table of Content s
Introduction
Chapter 1: Understanding the Basic Tenets of Memory
Chapter 2: Prepping the Body and the Brain for Photographic
Memory Development
Chapter 3: The Benefits of Possessing a Photographic Memory
Chapter 4: Image-Related Memorization Techniques You Can Use
Chapter 5: Word-Association Techniques that Will Improve Your
Memory
Chapter 6: Miscellaneous Photographic Memorization Methods
Chapter 7: The Link Between Creativity and Memory
Conclusion
Introduction
Specifically, this book is going to first get into what memory is, some
benefits that exist when you train yourself to have a photographic
memory, before turning its attention towards how you can develop a
photographic memory through techniques, practices, and memory
training. One of the great aspects of a technique like photographic
memorization is that you can move at your own pace. Obviously,
you want to be practicing your memorization methods frequently, but
this type of skill is not something that requires a rigorous training
schedule. Understanding this will likely bring greater patience while
you’re trying to accomplish your goals. Similar to many other things
in life, patience is a key aspect of memorization training. Without
patience, frustration that will lead you to quitting before you’ve
developed your photographic memory is much more likely.
The last chapter of this book is going to get into the creative aspects
of developing a photographic memory for yourself. Many people do
not know this, but developing a photographic memory entails
creative thinking and visualization abilities. This book is certainly
going to cover these types of skills, especially since they are integral
to fully understanding and using photographic memory on a regular
basis. When you’re finished reading this book, there’s no doubt that
you’ll be able to tangibly implement photographic memory into your
life with ease.
with the basics. That’s how this book will be structured as well. This
the hope being that from here we’ll be able to turn our attention to
What is Memory?
Memory can be best defined as our brain’s ability to remember,
accumulate, and recall information from our past experiences. It
might be rather obvious why it’s important that our brains are able to
perform this type of capability, but it also may not be. Starting with
when we’re young, our brains are constantly attempting to adapt to
our current environment, based on experiences that have happened
in the past. In addition to being able to adapt through the vehicle of
our memory, our memory is also used when we wish to have a
particular feeling happen again. One other incredibly important
function of memory is that it allows us to form relationships. We will
get into more detail on how memory can influence our relationships
in a moment .
For example, let’s say that you were the unfortunate subject of a lot
of bullying in elementary school. The weight that these memories
have on your personality seem to be etched into who you are as a
person. They’ve affected who you are in more ways than one. Even
though the memory itself occurred a long time ago, your reality now
consists of frequently being scared of how people are going to react
to your physical appearance. In this case, we can assume that the
fear associated with the painful memories that you have is one that
triggered an immense sense of discomfort and insecurity. These
types of insecurities are ones that are tied to our biological needs as
people, which is why you would have held onto that specific memory
in the first place.
memory fits into the mix of the various types of memory that your
brain practices, we are now going to get into how you can develop a
than others. Let’s take a look at the steps you’ll need to take prior to
Step 3: Practice
Another important aspect of developing a photographic memory that
cannot be overlooked is the notion of practice. If you do not practice
committing facts to memory with the help of pictures, how do you
ever expect to become skilled at it? As with many other things in life,
if you want to get good at something, you’re going to have to commit
yourself to it. Sure, you can skip a day or two every once in a while,
but consistency is key. On average, it takes about two weeks for a
habit to form. Keep this in mind as you work towards developing
your photographic memory, as the awareness of this fact may come
in handy, especially when you’re feeling lazy .
This chapter has gone over the various factors that should be in
place prior to starting the journey towards photographic memory
development. There are plenty of memorization techniques out
there, but the key in learning these techniques to the fullest extent
involves prepping your body, your mind and your environment for
success first. In fact, by making healthy choices for yourself, you
should be able to see great improvements in your memory without
actually having to do much in terms of practicing; however, this does
not mean that you should avoid practicing altogether! It’s important
to understand that practicing is one of the (if not the most important)
aspect of developing a photographic memory for yourself. Without
practice, nothing is going to change in your brain, and you’ll always
be the same forgetful guy or gal that you currently are.
Chapter 3: The Benefits of Possessing a
Photographic Memory
enhance your life in more ways than one. At its core, developing a
get into the specific techniques that you can use to develop your
that exist when you have a photographic memory. The hope is that
after reading this chapter, you’ll be even more excited than you
memory over the long-term, we are now going to finally look at some
concrete techniques that you can use to achieve these means. This
that you can use, because this is arguably the most important type of
step closer to being able to identify yourself within the small minority
Once you’ve got these three down, choose the next three cards that
are either to the right or to the left of the ones that you’ve already
memorized. You’re going to want to take some time to memorize
these three, while still keeping in mind the previous three that you’ve
already committed to memory. The idea here is that as you work
through the entire deck of cards three at a time, eventually you will
be able to memorize the entire deck. Uno cards or a traditional deck
of cards are both great to use to achieve complete memorization of
the deck, because both require developing your photographic
memory to do so.
Once you’ve found the room that you’re going to use, the next step is
to make sure that you’re going to be able to access the light easily
within the room. This means that you might want to bring a chair into
the room with you, but this is optional. Find a comfortable seat near
the light switch before turning to a page in the book that you chose.
Find a paragraph within the book that can be read with ease. Next,
use your paper with the rectangle cut out of it to block out the rest of
the words on the page, only leaving the paragraph that you’ve
chosen exposed. It might be a good idea to choose your paragraph
prior to cutting out a hole in your paper, because this way you will
know how large your rectangle should be.
Next, stare at the paragraph on the page until it feels like the image
of the paragraph is burning your brain. Without taking your eyes off
of the paragraph in question, reach for the light switch and turn off
the light. You can also close your eyes as soon as the lights are off.
If you’ve done this correctly, you’re going to see that the imprint of
the page even when your eyes are closed. If you recall from the first
chapter, this is your sensory memory at work. Once your eyes are
shut and it’s dark, do your best to read the words within the
paragraph, from the image of your mind alone. Once the image
fades from your mind, you can turn on the light once more and start
this process over again .
Once you have the syllables, it’s time to get a bit creative. If you’ve
never seen an image of the Vitruvian man, you should look up a
picture of him now. If I were trying to use image association to
memorize something, my next step would be to look at my syllables
and see if I could generate any similarities between them. As I can
already see, there are two “Vi” syllables in this example. Again, if I
were the one completing this exercise, it would mean that in my
head, the Vitruvian man’s name would be Victor. I would associate
the man in the photo with the name Victor, and from this would at
least be able to discern that the first letters in the word Vitruvian are
V and I.
Next up are the letters that make up “tru”. If you know anything
about the history of the Vitruvian man, then you already know that
this man is supposed to represent truth in humanity and masculinity,
but even if you did not know that, you could still think about “tru” as
representing honesty and truthfulness. In other words, in your mind
Victor would be an honest member of society.
Finally, we have the “an”. Again, if I were the one who was
attempting to associate syllables with an image, I would probably
think of the following sentence in my head to accomplish this :
Of course, this would require that I’d have to remember that the word
“A” was actually “An”, but doing this at least provides me with the
ability to form an actual sentence in my head about the Vitruvian
man. When you’re able to memorize an actual sentence about
something, it’s easier to conjure an image from the sentence itself.
That’s really all there is to this technique.
Once you become good at linking features with the names of people
whom you personally know, you can then branch out and practice on
people who are complete strangers. This can be a bit nerve racking,
especially if you’re currently terrible at remembering names. People
are typically bad at remembering the names of others when they’re
meeting them for the first time because they’re too worried about
their own appearance and demeanor. This is normal, but you should
work towards kicking this bad habit if you can. Be patient with
yourself.
This chapter has outlined four key image memory techniques that
you can use that will definitely help to improve your photographic
memory. Even though this chapter has outlined these techniques in
terms of difficulty, you should still analyze these techniques yourself
and choose the one that you find the easiest to tackle first. You don’t
want to become discouraged as you’re moving through these
techniques, which is what can happen is you decide to attempt one
that you’re not quite ready for.
Once you’ve come to realize this fact, you can then expand your
use when you’re looking to memorize words, but the important thing
to note here is that you’re still going to conjure images in your head
chapter, you’re going to see how you can practice memorizing things
capabilities.
Desk
Pencil
Necklace
Umbrella
Pepper
When you seek to memorize these words via the linking method, the
first step is to try and make sense of all the words through an
association of your choice. To do this, your best bet is to simply go
down the list and try to link all of the words with one another. For
example, your first step is to associate desk with pencil. You could
start by thinking about a pencil lying on a desk. That’s a fairly easy
thing to do, especially because you have probably seen plenty of
pencils on desks, especially when you were in grade school.
The next words may prove to be a bit more difficult to associate. For
example, once you have thought about the pencil lying on the desk,
you might consider imagining the pencil having a necklace wrapped
around it. From here, you could associate the necklace with the
umbrella by imagining a small umbrella pendant hanging from the
end of the necklace that’s wrapped around the pencil and on the
desk. Finally, you could imagine a pepper shaker above the pencil
on the desk, raining down pepper onto the umbrella below it. This is
the linking method at work. Basically, you’re looking to truly link
each word to the word below it, via an image that you’ve concocted
in your mind.
1. Roquefort
2. Camembert
3. Asiago
4. Manchego
5. Ellington
Once you have your list, you will then try to organize these words in
such a way that the first letter of each word forms another, larger
word. For example, the word that I’m going to choose to make,
based on the cheese list above, is CREAM. My acrostic would
resemble the chart below:
C amembert
R oquefort
E llington
A siago
M ancheg o
You could use story-telling as a way to achieve this end. Let’s say
that the license plate has the following numbers and letters on it.
NJ056C
Now, this certainly does not make any sense to the untrained eye,
but for someone who is training their memory to be photographic, the
key is to make sense of this information even when it doesn’t seem
to make sense initially. Because there’s not much to memorize, the
story that we’re going to tell is going to be rather short in length. If I
were the one trying to memorize this license plate, my story would
be as follows:
In New Jersey, it’s 056 degrees Celsiu s
Once I’ve conjured this story in my head, it would make it much
easier to travel to the police station and report the accident, because
I can easily refer to this sentence whenever I need to tell an officer
the license plate attached to the car that committed a hit-and-run. It
also does not matter in the least that this story actually makes no
sense when you think about it. In fact, the less sense it makes, the
easier it will be to remember, because the nonsensical wording of
the sentence allows it to stand out in the mind.
Desk
Pencil
Necklace
Umbrella
Pepper
A woman (or a man) was usually very organized; however, when she
woke up today she found that many of her things seemed out of
place. She didn’t remember doing this, but she found a pencil on her
desk with her favorite umbrella necklace wrapped around it. She
also found that the pepper shaker had been knocked over, causing
small pepper flakes to sprinkle out of it. Needless to say, she was
quite confused. She wondered if there had been a break-in.
In this example, we’ve simply added a bit onto the linking method
that we used in the previous section. By making sense of
information via a story, memorization is likely to be easier and much
less mundane. To be clear, you should feel free to make up any
store you’d like as you work towards memorizing something via
storytelling. The possibilities are truly endless when it comes to your
own creativity.
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Bustin’ a Rhyme
The last technique at which we’ll look is one that you may have
considered in the past. It’s fairly straightforward in nature. This
method involves rhyming information with one another as a way to
make sense of it all. Similar to many of the other techniques that
we’ve already discussed, this technique is going to require that your
creative juices flow, but this technique is also great when you’re
developing a photographic memory because rhyming can bring to
mind unique images that your brain would otherwise not think of.
Again, let’s use our previous list in this example:
Desk
Pencil
Necklace
Umbrella
Peppe r
This poem obviously needs a lot of work, but something silly like this
poem can easily provide you with the basis for a great way to
remember the words on any list. Along these same lines, a
potentially even easier way to memorize information is to create a
song that you can sing in your head when you’re seeking to
memorize new information. We all know how catchy songs can be,
which is why many advertising companies will use songs in their
commercials to entice people to purchase their products. For
example, the Kit-Kat candy song commercial that starts with, “Give
me a break” was probably made over a decade ago at this point;
however, it was so catchy that many people still remember it lovingly
to this day. The songs that you make up in your head should do the
same, if possible.
After reading this chapter, you should now feel as if you have
countless memory techniques at your disposal that you can use to
grow your photographic memory.
not directly covered in the previous chapters. After all, you probably
1. Run or Gun
2. Boo or Loo
3. Bee or Knee
4. Floor or Door
5. Jive or Alive
Feel free to rhyme whichever words you see fit with the number of
things you’re trying to memorize. The rest of this exercise is pretty
similar to the story-telling technique that we’ve already discussed.
You’ll want to embed whatever you’re trying to memorize into the list,
based on the rhyming words that you’ve already memorized and
created in your head. It’s that simple.
Mind Mapping
If you’ve ever heard of mind-mapping before, it may have been while
you were in grade school or middle school.
Once your mind map has been completed, what you’re likely going
to find is that you don’t need to spend much time memorizing the
finished product. Instead, the mind map is going to stay in your head
easily, because you’ve been both writing down the information while
also visually stimulating your brain at the same time. This brings up
a good point about memorization in general. While the way in which
people learn is beyond the scope of this beginner’s guide to
developing a photographic memory, it’s important to understand the
people learn in many different ways. You should assess what your
brain’s preferred learning style is, and then seek out memorization
methods that highlight this preference .
From here, you should be able to start placing information that you
want to remember into the room itself. By associating information
with numbers 1 through 10, you can also create stories within the
room that will evoke emotions, scents, and even actions into what
you’re trying to ultimately commit to memory.
of the reasons why it might feel like this is because the link between
visionary capabilities. After reading this chapter, you may find that
you have greater insight into the reasons why creative people are
of art. Here’s a big hint: all of these creative people also possess
Divergent Thinking
One way that you can actually test how well your brain does at
figuring out problems creatively is through what’s known as the
Alternative Uses Test. This test measures your ability to divergently
think, which is a fancy term used to describe your brain’s ability to
consider as many different avenues and options within a given
scenario as possible. During this type of test, you will be asked how
many different ways you can come up with to use everyday objects.
The more appropriate answers that you give, the more divergently
thinking you are. You can easily find a test like this on the internet,
by simply typing, “Alternative Uses Test” into your search engine.
Your Favorite Author Probably Has a Great Memory
The information above has made it clear that creativity and memory
are inextricably linked with one another, but what this also makes
apparent is that many of the creative thinkers of our time also
possess great memory skills. The findings for this fact that have
been found are similar to the ones that have been found for creative
thinking and memory. Without the ability to tap into an extremely
detailed-memory, an individual simply cannot create. An individual
needs a detailed and creative memory in order to be able to tap into
their own creative outlet and produce works of art. This is an
incredible finding, that truly brings more meaning to the phrase, “it’s
all in the details”.
The more details that a visionary is able to recall through simply their
memory, the more creative energy they’re able to conjure and
produce with. This means that if you’ve ever dreamed of being a
creative genius yourself, the first place to start is by dedicating
yourself to cultivating a healthy and bountiful memory that will be
able to bring to mind great details in an instant. A photographic
memory can certainly help to achieve this end, because the more
quickly your brain is able to flip through the various memories that its
collected for itself, the more inspiration your brain will have when it’s
seeking to creatively produce something .
After reading this chapter, you should have absolutely no doubt that
you need a strong memory in order to be creative, and vice versa.
Almost all of the techniques that were presented in this book
required at least a small capacity for creativity, which also makes it
obvious that your brain craves creativity when it’s seeking to make
new memories.
Learn Faster. Hopefully, this book has been able to provide you with
themselves. Without practice, it’s much less likely that you’ll be able
photogenic memory.