The Monkeys Paw
The Monkeys Paw
Paw
Study Guide by Course Hero
d In Context ..................................................................................................... 1
d In Context
a Author Biography ..................................................................................... 2
h Characters .................................................................................................. 4
The Weird Tale
k Plot Summary ............................................................................................. 6
In the late 1800s the gothic emerged as a literary genre. Gothic
c Plot Analysis ............................................................................................... 8 novels are commonly set in isolated, mysterious, and often
strange settings; involve characters, including a fallen hero,
g Quotes ......................................................................................................... 13
with complex family dynamics; and feature melodrama, the
l Symbols ...................................................................................................... 16 supernatural, and architecture. Several other genres grew out
of the gothic, at least in part: the mystery/detective genre,
m Themes ....................................................................................................... 16 science fiction, horror, and the weird tale.
a Author Biography
elements of these travels, particularly those where members of
the British working class paid the price for imperial expansion.
Though this story does not explicitly discuss politics and
Jacobs does not share any of Morris's actual stories about his
travels, that's exactly what happens with the paw and its curse. Early Life
The Whites, who don't play an active role in British imperial
expansion and don't benefit from it, lose their son to a prize W. W. (William Wymark) Jacobs was born in Wapping, England
carried home by a member of the British military. (now part of London) on September 8, 1863. Jacobs's father
was a wharf manager on the Thames, the major river running
through London. In the 19th century London was one of the
busiest ports in the world, and the 10-mile stretch of the managed suspense before resolving everything at the end of
Thames that served the naval trade hosted ships from around the work. Jacobs wrote slowly and meticulously, writing only
the world. Jacobs played on these docks, meeting a wide array 100 words a day, a pace that allowed him to write a story
of characters who would later populate his fiction. month. Despite this slow pace he published over 150 stories
and several novels. A collection of his work published in 1931
Jacobs's mother died in 1870, leaving her husband with four included 17 volumes.
children. He remarried and had seven more children with his
new wife, producing a large family that lived on a limited "The Monkey's Paw" stands out from the bulk of Jacobs's
income. Jacobs attended a private school when he was young, earlier work: it is much darker and not directly set around the
and then he went to Birkbeck Literary and Scientific Institution, docks. Jacobs published it in The Strand and then in 1902 in his
later called Birkbeck College, which then became part of the collection The Lady of the Barge. It was immediately popular
University of London. and has remained so. The rest of Jacobs's work has often
been out of print, but "The Monkey's Paw" has been continually
When Jacobs was 16, he started working in the Post Office reprinted and has taken on a life of its own. It has been
Savings Bank, which was state-run. In 1883 he was promoted adapted many times and in many ways. It was modified for
to the savings section of the bank, where he worked until 1899. stage not long after its initial publication (1903). Almost a
hundred years later a play version was published for children's
theater. It has been adapted in many film or TV versions, from
Jacobs's Writing Career and the comic (episodes of The Monkees and The Simpsons) to the
serious (an episode of The X-Files). Various musical groups
"The Monkey's Paw" have incorporated the idea into songs, and an opera version
was produced in the United States in 2009. Comic books have
Not long after he entered the civil service, Jacobs started also reused the idea. Many literary works have adapted the
submitting short written pieces to magazines. He got his big general idea of an object that grants wishes but twists them,
break in 1895 when the popular magazine The Strand and some have commented on the story directly.
published one of his stories. In 1896 he published his first
collection, Many Cargoes, and for quite some time, Jacobs
published a book almost every year. Many of the stories Jacobs's Personal Life and
published in his collections were first published in magazines
like The Strand, which helped Jacobs increase his income. By Later Years
1899 he was making enough from his writing that he retired
from the civil service. At his peak Jacobs was a well-paid writer In 1900 Jacobs married Agnes Eleanor Williams, a former
of short stories. suffragist who fought for women's right to vote. The two had
five children (two sons, three daughters). The family lived in
Many of his early stories fall into two categories, which
London, joined at times by his sister Amy and Agnes's sister
sometimes overlap: yarns about the world of the sea and
Nancy Williams. The couple reportedly argued quite often,
docks and humorous pieces. (He also wrote a number of crime
clashing in both temperament (Jacobs was quiet and shy, while
stories.) Some critics saw him as an heir to British novelist
his wife was jailed for her political activism) and politics
Charles Dickens (1812–70). He was praised by a diverse group
(Jacobs was more conservative than his wife).
of authors, such as American writer Henry James (1843–1916)
and British author G. K. Chesterton (1874–1936), and he Jacobs didn't write as much new material after World War I
influenced later writers like British author P. G. Wodehouse (1914–18), instead dedicating a lot of his energy to adapting his
(1881–1975). His work is classified as being part of the "well- earlier work for the stage. Jacobs died in London on
made story" tradition, along with Scottish writer Saki September 1, 1943 at age 79.
(1870–1916) and English author M. R. James (1862–1936). This
tradition is related to that of the "well-made play" that
dominated the 19th-century stage. Both emphasized technical
skill and tight plotting, leading audiences through well-
h Characters
Mr. White
Mr. White is an elderly Englishman. He and his wife have been
married for 40 years. They used to have several children but
only have one child still alive. Mr. White is largely content with
his modest life in a small home a long walk from the rest of the
village. However, he is eager to learn about Sergeant-Major
Morris's adventures in exotic India. At the start of the story his
judgment is limited: he makes risky moves when playing his son
in chess, and loses as a result. Mr. White cares intensely about
his son and wife. This leads him to wish first for his son to
come back from the dead and then, more strikingly, to wish for
the undead thing at his door to go away. In the end he shows
both bravery and good judgment by doing so.
Mrs. White
Mrs. White is an older woman; she and Mr. White have been
married for 40 years. When the story opens, she is quietly
knitting while her son and husband play chess. She plays a
supporting role in the early scenes: she encourages her
husband when he loses at chess, makes bridging comments to
lure Morris further into his story, and asks Morris directly if he
got his three wishes from the paw. After the Whites own the
paw and Morris has left, Mrs. White shifts to the forefront,
speaking more openly and dismissing Morris's claims. After
Herbert's death she reverses her stance on the paw's magic,
claiming it could resolve her tragedy and return her son to life.
Her emotions and efforts to open the door to let her son in
drive much of Part 3.
Character Map
Mrs. White
Elderly English woman
Spouses
Son
Mr. White
Elderly English man
Friends
Son
Sergeant-Major
Morris Herbert White
Military man; brings High-spirited,
the monkey's paw good-natured young man
from India
Main Character
Minor Character
after a few Morris starts telling stories about the things he saw
Full Character List on his travels, which have been going on for 21 years.
When Mr. White mentions he'd like to visit India some time, his
Character Description
visitor tells him he's better off where he is. White insists, and he
asks Morris about a monkey's paw the man had mentioned
Mr. White is the father of the family
Mr. White before. Morris quickly shuts this down, trying to discourage
and the one who makes the wishes.
White from asking further questions. When Mrs. White asks
about it, Morris mentions they could call it magic. The Whites
Mrs. White is the mother of the
Mrs. White give him another drink, and he pulls out the paw. He explains
family, who drives the later wishes.
that a holy fakir, or wandering Hindu wonder-worker, put a
Sergeant-Major Morris visits the spell on it to demonstrate that fate rules human life and that
Whites and brings the monkey's people challenge that fate only at great risk. The spell gives
paw into their lives, although he three men three magic wishes each.
Sergeant-Major
warns them about it; thus he is the
Morris
catalyst for the story. He is a career
military man, having served 21 years Herbert White asks the sergeant major why he didn't take
in India. these three wishes. The sergeant major says he did—and his
face goes white as he says it. When pressed, he claims his
Herbert's work sends a wishes have come true. The man who had it first also had three
The
representative to inform the Whites wishes. Morris doesn't know what the first owner's first two
representative
about Herbert's death.
wishes were, but the man's third wish was to die. He sounds so
serious that everyone goes quiet for a while.
Herbert White is the Whites' only
living child, high-spirited and a bit of After a time Mr. White asks why Morris still keeps the paw,
Herbert White
a joker. He dies in an industrial
accident. since it is worth nothing to him. Morris claims he doesn't really
know. He thinks about selling it, but people who don't believe
him aren't willing to pay much for it—and it has already caused
him a lot of trouble. White asks if he'd make three more wishes
k Plot Summary if he could. Morris says he does not know and throws the paw
into the fire. Mr. White pulls it out and asks Morris to give it to
him. Morris refuses, saying he threw it away and that's where it
belongs. If White keeps it, that's on him. White looks the paw
Part 1 over and asks how to use it. Morris explains—hold it in the right
hand and make a wish out loud—but also warns him not to do
Mr. White and his son Herbert White are playing chess in their
so.
home. It's a cold wet evening, but it is bright and warm in the
house. Mr. White just made a mistake and tries to distract his The Whites joke about making a wild wish—for "four pairs of
son from noticing it by drawing his attention to the wind hands" for Mrs. White—but Morris grabs Mr. White and warns
outside the house. They begin to talk about whether a visitor him to make only "sensible" wishes. Mr. White puts the paw
they had been hoping would come to the house might do so away, and the family enjoys more stories from Morris over
that evening, and Mr. White complains that they live so far dinner. After he leaves, Herbert returns the conversation to the
away and it is hard for people to reach them. paw, saying they won't get much out of it if their guest's stories
were true. In response to a question from his wife, Mr. White
His wife recognizes that her husband is complaining in part
admits he paid something for it, but that it wasn't much—and
because he just lost the chess game, and she reassures him.
that Morris pressured him to throw the paw away.
Mr. White hears someone enter their gate and gets up to
welcome the visitor. The man, Sergeant-Major Morris, is tall Herbert makes another joking suggestion about what to wish
and strongly built, with a reddish face. They shake hands, and for (to be an emperor), but Mr. White says he feels like he has
the visitor takes a seat by the fire. Mr. White serves drinks, and everything he needs. His son suggests that his father would be
happy if they just had the money to pay off the mortgage, The man apologizes, and Mrs. White immediately asks about
which would be £200. Embarrassed by what he's doing, Mr. her son again—if he's hurt. The man says he is "badly hurt," but
White holds up the paw and wishes for £200. They hear a no longer in pain. He means Herbert is dead, but at first Mrs.
crash from the piano when he makes this wish, and Mr. White White thinks he's saying her son is okay. Eventually the truth
cries out. When his family runs toward him, he explains the paw dawns on her. She turns to Mr. White, and the visitor goes on,
moved when he made the wish. His son observes that the explaining their son was killed in an industrial accident. This
money isn't there and predicts they never will see it. Mrs. White devastates the Whites, especially since he was their only
suggests her husband's imagination is what made him think the remaining child. The man explains the firm feels sorry for their
paw moved. loss. While Maw and Meggins doesn't accept any responsibility
for Herbert's death, they do want to give some money to make
They all sit by the fire again. The men smoke, and everyone is up for their loss. Mr. White asks how much it is. The visitor says
quiet. Outside, the wind is stronger than ever. When they go to it's £200. Mrs. White shrieks at the information, while Mr. White
bed, Herbert jokingly predicts they'll find the money on their smiles wanly and then faints.
bed and "something horrible" on their wardrobe watching them.
When his parents go up to bed, their son sits and stares into
the fire. He seems to see faces there, and they get increasingly
grotesque until he throws a glass of water on the fire and goes
Part 3
to bed.
The Whites bury Herbert in the cemetery two miles from their
house then go home to a silent house. Herbert had died so
quickly that his parents expect something else to happen to
Part 2 make them feel better, but nothing does. Days pass, and they
fall into a tired sadness, barely speaking to each another.
The next morning is bright and wholesome, so much so that
the Whites dismiss Morris's stories as ridiculous and the A week later Mr. Herbert wakes up in the night alone. He can
monkey's paw as powerless and harmless. They don't see any hear crying. He calls to his wife to come to bed and says she'll
way for the money they wished for to hurt them. Mr. White be cold if she stays where she is. Mrs. White responds that it
reminds them that Morris had said the paw's magic works so will be colder for Herbert. Eventually she stops crying. Mr.
subtly it could be taken for "coincidence." Herbert jokingly White dozes off, but when his wife cries out he wakes up again.
warns them not to spend any of the money before he gets She screams "THE PAW!" and "THE MONKEY'S PAW!" She
home and then leaves for work. Mrs. White laughs and mocks starts looking for the paw. Mr. Herbert tells her where it is, and
her husband over breakfast. Even so, after she answers the she laughs tensely as she explains: they have two wishes left,
mailman knocking at the door, Mr. White claims the paw really and she wants to wish Herbert back to life. Mr. White asks if
did move. He and his wife are still disagreeing about this when the first wish wasn't enough, meaning their loss already cost
Mrs. White sees someone moving outside the house. He seems them a lot. She counters that it was not—that they will have
to be looking for something or trying to decide something. Mrs. another wish—and tells him to get the paw. Mr. White lights a
White notices the man is well-dressed. candle and tries to talk her out of it, suggesting it was just a
coincidence that Herbert was killed and they got the money.
The man seems unsure of himself: he stops near the gate
three times, walking on each time. Finally, he gathers his Mrs. White insists he get the paw and make a wish. Mr. White
resolve and walks to the Whites' house. Mrs. White tucks her shifts tactics, arguing that Herbert's been dead for 10 days
apron into her chair and goes to the door as the stranger now. He also tells her for the first time that Herbert had been
approaches. She welcomes him, but he still seems nervous and so badly mangled Mr. White only recognized him by his clothes.
distracted. Eventually he hesitantly explains his purpose. He is
a representative from Maw and Meggins. Mrs. White is Mrs. White insists, claiming she could never be afraid of the
immediately worried and asks if something happened to her baby she nursed. Mr. White goes down into the parlor. He finds
son. Mr. White intervenes, reassuring her that the man didn't the paw on the mantel. He's suddenly afraid his mental wish
bring bad news. would bring his dead, mangled son back immediately, before
he can even get out of the room. This scares him so much he
starts to sweat as he moves through the darkness with the the door. A wind blows through the house, carrying a chill and
paw in his hand. When he gets back to his wife, Mrs. White's Mrs. White's cry of sad disappointment. This makes Mr. White
face is white and looks "unnatural" to her husband. Mr. White is brave enough to run down to her and then out the door to the
scared of his wife. gate beyond. The road is quiet and empty.
She orders him to wish for their son to return. He tries to argue
c Plot Analysis
it is a bad and stupid thing to do, but she orders him again. He
wishes for his son to be "alive again." The paw drops on the
floor, and Mr. White stares at it in fear, then collapses in a chair
shaking. Mrs. White goes to the window and stares out.
Mr. White just sits there until he's cold. He looks at his wife
Setting the Stage: The Perfect
from time to time. The candle has burned down, and it casts
flickering shadows around the room until it goes out. Mr. White
Home
is relieved because the paw seems to have failed. He goes
The story opens by setting the stage for the story. The entire
back to bed, and his wife joins him.
story takes place within the Whites' home or within sight or an
Neither speaks. They just listen to the clock ticking. They hear easy walk of it. The setting is so limited that it is almost like a
a step creak and a mouse move in the walls. After a while the play: a stage set could be made with just the sitting room, the
darkness feels threatening to Mr. White, and eventually he Whites' bedroom, and a window for Mrs. White and the family
lights a match and goes downstairs to get a candle. Once he's to look out in anticipation of Sergeant-Major Morris's arrival.
downstairs, the match goes out. Just as he starts to light
This static set is, at the start of the story, almost perfect.
another match, he hears faint knock. He drops the matches
Herbert White is an adult, but he and his parents get along so
and holds his breath.
well they pass the evening playing chess together and talking.
There's another knock. Mr. White turns and runs back to his This makes the weirdness and trauma that will soon follow all
bedroom, slamming the door after him. Behind him there's a the more intense.
third, louder knock that can be heard throughout the entire
house. Mrs. White calls out "What's that?" and sits up. Mr.
White says it is a rat. There's another knock loud enough to Anticipation and
hear everywhere in the house.
Foreshadowing
Mrs. White is sure it is her son and runs to let him in. Mr. White
beats her to the bedroom door and grabs her arm. He asks For the Whites these early paragraphs are defined by one
what she's going to do, and she says she is going to let him emotion: anticipation. Mr. White is so eager for their visitor to
in—that she had forgotten it would take him a while to travel arrive and share stories of his travels that he worries Morris
the two miles from the cemetery. She struggles to get to the won't come because of the distance and the weather, and he is
door, and the two argue about whether to let him in. There are actively listening for the sound of his arrival. For the reader this
more knocks on the door. Eventually, Mrs. White gets free and anticipation passes smoothly into foreshadowing. Herbert and
runs downstairs to open the door. However, she can't get the his father are playing chess, a game that requires foresight and
bolt open, and she calls for Mr. White to help her. pattern recognition to win. Mr. White shows he lacks these
things by making a stupid mistake in the second paragraph, a
Instead, Mr. White is upstairs, desperately scrambling for the
mistake so bad the author labels it "fatal." Soon the Whites will
paw. There's another blast of knocking. Mr. White hears his
make a mistake that is literally fatal, by making a wish.
wife pull a chair over to the door so she can open the bolt. He
hears the bolt creak as she opens it, and at the same moment
Mr. White makes his third wish.
The knocking suddenly stops. Mr. White hears his wife open
Despite this warning the Whites are already set on their fateful visits the Whites' home, he communicates Herbert's fate (he's
path. Mr. White's desire for magic is strong enough that he dead) without saying the words or directly indicating what the
buys the paw from his guest. This is itself a sign of change and accident was. Here Jacobs shows how strong his mastery of
may drive the wish itself. For all that, Mr. White says he paid storytelling is, because as part of their reaction, Mr. White says,
only "a trifle" for the paw, even though he does not give the "He was the only one left to us," indicating the Whites have
actual amount. He may need the money he later wishes for in a suffered the deaths of other children. This immense backstory
way he did not before he wished. All later intrusions into the of pain never comes up again and is never explained, but it
Whites' world will also be negative. The two largest are the suggests why the Whites might be so vulnerable when they
death) and the knocking at the door after the second wish
When the Whites make their second wish, Jacobs never shows
(which may or may not be the mangled Herbert returned from
if the knock on the door is coming from Herbert returned from
the dead).
the dead, or what he looks like. Instead, he has Mr. White think
Though Jacobs does not dwell on this aspect too heavily, there on how long he'd been in the grave and share with his wife that
is a definite cultural component here as well. The British he only recognized their son from his clothes. Finally, the
Empire was a Caucasian empire, and this family is Mr. and Mrs. knocking on their front door ends after Mr. White's third wish,
White. The paw Sergeant-Major Morris introduces is black and without Jacobs ever confirming what had caused the knocking
comes from India, where the native population is not (and if Herbert actually had returned from the dead).
Plot Diagram
Climax
7
Falling Action
6
Rising Action
5 8
4
9
3
Resolution
2
1
Introduction
8. When they hear knocking, Mrs. White tries to open the door.
Rising Action
Climax
Timeline of Events
Mr. White and his son Herbert White are playing chess.
Afterward
Dinner time
Then
After a struggle
Mrs. White gets free but cannot unbolt the door; she
calls to Mr. White to help her.
Immediately
exchange between Mr. White and his visitor sums up the two
g Quotes perspectives on the exotic, magical side of the world. By all
appearances Mr. White has spent his entire life in
England—and on the outskirts of a small village at that. He is
"Without, the night was cold and eager to hear stories about India and other exotic locales,
while Morris, who has actually been there, sees the quiet,
wet, but [inside] the blinds were
innocent domesticity of English village life as better. The
drawn and the fire burned themes of domestic happiness and the nature and limits of
desire are both evident here.
brightly."
— Narrator
"To show that fate ruled people's
with a carelessness."
A number of the lines in this story are full of foreshadowing,
— Narrator and this is one of them. Mr. White is so far from being "greedy"
he has to be nudged to wish for money at the start of the story.
He is sad and emotionally broken by his son's death, and he is
The ancient great Greek philosopher Aristotle (384–22 BCE) so far from being mean that he can't deny his wife that second
argued that dramatic or fictional plots are built around wish, even when it seems wrongheaded. And it isn't Mr. White
peripeteia, which means reversal. Jacobs incorporates several who must be disowned after the wish. It is Herbert who is later
such reversals in this story and communicates both a reversal disowned and denied because of his postmortem
and situational irony in this line. The night before, in the stormy transformation.
dark, the paw had seemed alien and threatening. In the light of
the morning the same room seems much more wholesome,
and that "wholesomeness" has power over the paw in a way it
"Badly hurt ... but he is not in any
did not the night before. The previous night Morris had
introduced the paw and its framing story very carefully. Now pain."
the Whites treat the paw casually. The irony comes from the
fact that the Whites don't believe in the paw's power, but at no — The representative
point does Morris indicate faith is crucial to the paw's
function—and the paw works on the Whites even though they
Throughout the story the author has key dramatic scenes
happen offstage, so readers must imagine them. Here the of foresight Mr. White displayed when playing chess. This line,
factory representative uses a euphemism to do the same thing as straightforward as it seems, betrays a similar lack of
verbally: he is saying that Herbert White was killed but he's foresight. It was Mr. White who had identified his son's body.
doing so without saying it. This stretches out the moment of He was only able to do so from the clothes he was wearing.
communication, making it more dramatic, and in the end more Despite this, he makes this wish as if it were a completely good
painful for Mrs. White. thing for his son to live again.
"He has been dead ten days, and "For God's sake don't let it in."
besides ... I could only recognize
— Mr. White
him by his clothing."
The Whites are a very close family, or at least they were before
— Mr. White their son's death. They lived together, ate together, and passed
their leisure time together playing games, even though Herbert
This is another instance where the author uses suggestion and was old enough to live on his own. For Mr. White to call his son
implication to evoke an image. If his father who knew him so "it" shows just how far he imagines his son is transformed by
well could recognize Herbert only by his clothes, then he was what he's gone through. He is no longer their beloved boy, as
not just killed in an industrial accident, he was grotesquely Mrs. White sees him. Instead, he is "it," a thing to be feared and
mangled. By not saying this directly, the author allows and denied entry into their home. This is another place where the
requires readers to imagine just how terrible he looked. theme of domestic happiness plays out.
When Mr. White made his first wish, it was for money, but he
gave little thought to what this might cost him (and how the
money might arrive). This parallels the "fatal mistake" and lack
The Monkey's Paw Jacobs's story is full of interplay between darkness and light,
both literal and figurative, which symbolize the conflict of
passions and intentions at the heart of the story. It starts at
night, but there is a bright fire burning in Whites' parlor. As
The monkey's paw that gives the story its title is also its central Morris has a few drinks, his eyes get brighter. Once he tells
symbol. It is dark, ugly, and withered, but impossible to resist. them about the monkey's paw, his manner is so serious that
Monkeys have hands that are almost like humans', with fingers their "light laughter" seems jarringly inappropriate. After the
and opposable thumbs. However, this hand is explicitly labeled family makes their first wish, the next morning dawns bright.
as a paw, emphasizing the animal side of monkeys and But after their son's death Mr. White wakes in the night and
suggesting that those using it will be acting stupidly, like finds himself alone in the dark. When they finally make the
animals with paws. Once the Whites start to manipulate the second wish, Mr. White must go "down in the darkness" to get
paw, it manipulates them in turn, changing their lives forever. the paw again. After he does, they wait in a darkness that is
"oppressive." This descent of the Whites into darkness
Jacobs emphasizes the centrality of the paw by continually
emphasizes the nature of the forces at work in the story.
referring to it directly but also by incorporating references to
hands throughout the story. In the opening scene Mr. White
and his son both stretch their hands over the chess board.
When the company representative comes to deliver the news
of Herbert's death, he pauses with his hand on his gate. When
m Themes
Mrs. White realizes what news the man brought, she puts her
hand on Mr. White's. When Mrs. White leaves Mr. White in the
bed, he finds this out by stretching out a hand, and so on. Fate
These references to hands stand in contrast to the monkey's
paw, which symbolizes the intrusion of the unknown into
peaceful domestic life as well as the allure of riches. The Indian fakir (wandering Hindu holy man) who gave the
monkey's paw its magic did so with an explicit purpose: to
show that fate rules human life and that challenging this reality
leads to pain. Although Sergeant-Major Morris says this early
Chess in the story, fate had already made an appearance in the story:
in the second paragraph Jacobs describes Mr. White as having
made a "fatal mistake" while playing chess with his son. When
something is fatal in a game, it is only a metaphor. In the rest of
When the story opens, Mr. White and his son are playing chess.
the story fate plays a literally deadly role. Jacobs links these
This is not unrelated to the decisions around the monkey's
two words intentionally. And the Whites continue to make
paw, as Jacobs explicitly says the father's view of chess
mistakes as they try to play on this larger board of fate: they
involves taking "radical chances" that put his king into "sharp
disregard the advice from their expert guide Morris and buy
and unnecessary perils" so intense that his wife feels
the paw, which they then use.
compelled to comment on this approach. He overreaches in his
strategic choices so badly that Jacobs labels his play "a fatal
mistake." This poor play foreshadows the Whites' bad choices
involving the paw itself; thus chess represents the Whites' rash
decision-making.
out.
Nature and Limits of Desire
Domestic Happiness
In Part 2 Herbert White leaves the house, the first time in the
story a family member does so. Within just a few lines Mrs.
White observes a well-dressed stranger on the boundary to
their property. She thinks he seems lost, but he is really
gathering his courage to enter the house. When he does enter,
he, like Morris, changes the inside of the house forever: he
brings the horrific news of their son's death and the money the
company is giving them in condolence. Part 3 starts with the
Whites returning home from the cemetery where their son is
buried, and then almost the whole of the section is dedicated
to two things: calling their dead son in, and then keeping him
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