Winter Physics Connections
Winter Physics Connections
As SPS gears up to participate in the 2015 UNESCO (United Nations Educational, Imagine you, a physicist, have been hired as an
Scientific, and Cultural Organization) Year of Light and Light-Related Technologies, optical engineer for a camera manufacturing
we are reminded of the old proverb that says, “The eyes are the window to the company. You have been given the task of
soul.” If through the window to your soul you look closely at a small purple dot on designing a system of lenses that will make red
a white background, it appears blue in the center surrounded by red. Move farther light and blue light come to a focus at the same
out, and the dot appears red in the center surrounded by blue.[1] I do not know spot. Of course, there are other colors in the
what this means for the soul, but for optics it means that the lens in the human eye spectrum besides red and blue. But by building
exhibits chromatic aberration. This effect occurs when the index of refraction of the a compound lens that focuses onto the same spot
lens material varies with the wavelength of light. Such dispersion separates light into light from opposite ends of the visible spectrum,
a rainbow when passing through a prism and causes interesting challenges for the you will have made an important step toward
designers of refractive optical systems. removing most of the chromatic aberration.
When Isaac Newton began making his own
telescopes, he started with a refractor and set
to work grinding his own lenses. However,
YOUR MISSION IS TO DESIGN A Newton was dismayed to see that red and
compound lens.
blue light did not focus at the same place. He
gave up on refractors and proceeded to invent
the telescope that today bears his name, the
Newtonian reflector. It remained for Chester
Moore Hall, a British lawyer and inventor, to
invent in 1733 the first achromatic compound
lens (a two-lens system) that he used in his
own telescope. In 1758 the English optician
John Dolland reinvented and patented the
achromatic compound lens.[2] Today you, dear
reader, are invited to design an achromatic
lens system using nothing but the equations
developed in the theory of thin lenses, which
most physics students meet in introductory
physics class—well, using not quite “nothing
but” thin-lens formulas. As we shall see, we
also need the trick of adding a third wavelength,
which opens to us some tabulated parameters
for glass called Abbe numbers; but these, too,
are defined by expressions that follow from
thin-lens equations. The Abbe numbers provide
constraints that reduce otherwise wild ambiguity
in the parameter space. It’s all introductory
optics, but applied in a clever way.
The simplest model of image formation by
a lens is expressed in the well-known thin-lens
equation coupled with the lens maker’s equation.
A HEAVY CHROMATIC ABERRATION occurs in a virtual reality software demonstration. These working equations for imaging with lenses
Image credit: Filip Hajek/Bill Cummings.
blue. This is the problem that you, the camera 1/ feff = 1/ f1 + 1/f2. (5)
lens designer, are to address. The aberration
produced by one lens for incoming light of
two wavelengths can be compensated for by
having the light pass through a suitably designed
03 Write the result of exercise (1) as an expression for W2/W1. Set that aside
temporarily and consider light of a third wavelength λ′′ passing through the
compound lens system. Derive another expression for W2/W1 in terms of f1′′, f2′′, n1′′, and
n2′′. Set the two expressions for W2/W1 equal to choose one radius of curvature for one of the lenses and apply Eq. (2) to each lens, which
show that tells us the remaining radii of curvature needed to grind both lenses.
f1′′ V1 + f2′′ V2 = 0,
where
(6)
04 Now we are ready to design (with numbers) a specific achromatic compound
lens. The two wavelengths we require to arrive at a common image we take to be
the red Fraunhofer C line λ = 6562.816 Å and the blue F line, λ′ = 4861.327 Å.
Next we select an effective focal length for our compound lens. Suppose the lens you
V1 = (n1′′– 1)/( n1′ − n1 ), (7) are designing will be a telephoto lens. Telephoto lenses offer a narrow field of view but
bring a faraway subject in close. Their focal lengths range from 100 to about 800 mm. Let
and similarly for V2. These V parameters or Abbe us choose our telephoto compound lens system to have an effective focal length of feff =
numbers for various glasses are well cataloged 300 mm.
by glass manufacturers. If a glass existed for Next we must choose the lens materials. Let us choose crown glass for lens 1, for
which the refractive index was the same for which the glass catalogs say V1 = 59.6. For lens 2 we choose extra dense flint (EDF), for
all wavelengths, there would be no dispersion which V2 = 30.9.[5]
and the Abbe number for that hypothetical From these choices show from Eqs. (5) and (6) that f1′′ = 14.45 cm and f2′′ = −27.86
glass would be infinite. Thus low dispersion cm. Then from Eq. (2) the radii of curvature of each lens can be determined. Let lens 1 be
corresponds to large Abbe numbers, and highly an equiconvex lens (i.e., a1 = |b1|). Show that a1 = 14.97 cm, and for lens 2 (which fits snug
dispersive glasses have low Abbe numbers. against lens 1) show that b2 = −66.67 cm.
Glass physicists use three of a standard set of Now you have the specifications you need to grind the two lenses out of crown and
spectral lines, the so-called Fraunhofer lines, EDF glass. They can then be glued together to make the achromatic compound lens. (We
to measure and catalog the Abbe numbers.[4] neglect any optical properties of the glue.) For solution details see the Appendix on p. 31.
Once the types of glass are selected from which //
the two lenses will be made, their Abbe numbers
are known from the tabulated data. Then Eqs.
(5) and (6) (both applied to light of wavelength
λ′′) give a pair of simultaneous equations that ACKNOWLEDGMENTS
can be solved for the values of f1′′ and f2′′. After
these individual focal lengths are known, we can I thank Steve Feller for his inspiration as a glass physicist and for his suggestions,
Devin Powell for valuable discussions, and Sean Bentley for reviewing a draft of the
manuscript.
03
= 1/f2 + 1/f1 − 1/o1 Now let us turn to the role of the lenses have been built for specialized tasks
auxiliary wavelength λ′′. With this that require the secondary spectrum to be
= (n2 − 1)W2 + (n1 − 1)W1 − 1/o1. (S2)
color the two lenses have focal lengths given further minimized. (Real lenses in high-
Now let two wavelengths, λ and λ′, be by Eq. (2), so that 1/f1′′ = (n1′′ − 1)W1 and dollar cameras are not perfectly spherical
present in the light beam. Write Eq. (S2) similarly for lens 2. Taking the ratio W2/ W1 either, but thanks to computer ray tracing
twice, once for λ and once for λ′. To remove in this instance and setting this ratio equal to that finesses the details for different
their chromatic aberration we require i2 = i2′, that obtained from Eq. (S4) gives, after some wavelengths, their surfaces can be described
which gives algebra, Eq. (6), with the V numbers, or by eighth-order polynomials!)
Abbe coefficients, defined by Eq. (7). To celebrate your successful design
(n2′ − n2)W2 = (n1 − n1′)W1. (S3)
of an achromatic lens system, I suggest
When writing out explicitly the radii of
curvature of the lens surfaces, Eq. (S3)
04 Equations (5) and (6) can be solved
simultaneously for f1′′ and f2′′. In
terms of symbols we obtain
brewing yourself a cup of fine coffee and
going outside to watch the sunset. Take your
becomes [1] camera, too. It probably has an achromatic
f1′′ = feff′′ (V1 − V2)/V1 (S8) compound lens. As you sip your coffee and
(n2′ − n2)(1/a2 − 1/b2) watch the sky, Alexander Pope offers for
and
your meditations a poetic background for
= (n1 − n1′)(1/a1 − 1/b1). (S4) f2′′ = −feff′′ (V1 − V2)/V2. (S9)
the challenges in bringing diverse colors to a
Since the two lenses are glued together The value of V1 − V2 is typically chosen to common focus:[3]
back to front, b1 = a2. Suppose lens 1 to be be large to avoid a tight radii of curvature for
given (i.e., its refractive indices for both the lenses. For crown glass the tabulated data Dipt in the richest tincture of the skies,
wavelengths and its radii of curvature are says V1 = 59.6 and V2 = 30.9 for EDF (see Where light disports in ever-mingling dyes,
known). Then the right-hand side of Eq. (S4) footnote 5, p. 26). Upon choosing feff = 30 While ev’ry beam new transient colors flings,
is a known constant. On the left-hand side cm, Eqs. (S8) and (S9) give f1′′ = 14.45 cm Colors that change whene’er they wave their
of Eq. (S4) we can play around with various and f2′′ = −27.86 cm. Choosing lens 1 to be wings. //
values of b2 and the type of glass for lens 2, an equiconvex lens means that b1 = −a1, and
giving many scenarios that would satisfy Eq. Eq. (2) gives a1 = 14.97 cm. Since the two
(S4). For a simple illustration of using Eq. lenses are glued together, the first surface of REFERENCES
(S4) as it stands, suppose lens 1 is plano- lens 2 has the same radius of curvature as [1] For another derivation see Hecht, Ref. 1,
p. 269. Our Eq. (S3) is his Eq. (6.47).
convex, so that b1 = ∞. Because the lenses the second surface of lens 1 so that b1 = a2.
[2] Hecht, Ref. 1, p. 273.
are back to front, we must also write a2 = ∞. Equation (2) then tells us that b2 = −66.67
[3] Lines from Canto II of “The Rape of the
Equation (S4) then reduces to cm. Now you have all the specifications you Lock” (1712, expanded 1714), by Alexander
need to grind your lenses! Pope (1688–1744). Pope was a contemporary
(n2′ − n2)/b2 = (n1′ − n1)/a1. (S5) Let us reflect on the strategy here: We of Newton. This poem is a social satire, told
require the red and blue wavelengths to with the pomposity of a Greek epic, about a
Steps (3) and (4) will show how the form their images at the same spot. But trivial incident of a lock of hair being snipped
multiplicity of possible lens parameters can there are too many free parameters. A pair off without permission.