Using the Effects

Using the HOLD DLY Function Using the
.TAP DLY Function
1. Set the TYPE knob to HOLD DLY. 1. Set the TYPE knob to
.TAP DLY.
The unit goes into recording standby and the pedal’s * If the effect is OFF, press the DELAY/MOD pedal to turn it
indicator flashes at a fixed interval. ON.
* After switching to HOLD DLY, you cannot perform any The pedal indicator flashes in time with the current
operation during the 2.8-second period before the unit switches tempo.
to recording standby. Wait for at least 2.8 seconds before
2. Press the DELAY/MOD pedal in timing with the tempo
moving on to the next step.
more than two times.
2. Press the DELAY/MOD pedal to start recording. The reference tempo is determined by the time interval
Recording starts when you press the DELAY/MOD between each press of the pedal. The reference tempo is
pedal. calculated in terms of quarter notes, and the delay time
The indicator flashes during recording. setting is the dotted eighth note as referenced to the
reference tempo.
3. Press the DELAY/MOD pedal once again to end
The pedal indicator flashes in time with the tempo.
recording. fig.0141

Playback of the recorded content begins simultaneously Timing

(the indicator remains lit).
* The maximum recording time is 2.8 seconds. If the recording Delay Sound
time exceeds 2.8 seconds, the recording stops automatically,
and the recorded content is then played back.
* An oscillating sound may be audible with extremely short
Adding a Delay Synchronized to
recording times. the Performance Tempo
The delay time can be set according to the tempo input
4. When layering recordings, repeat Steps 2 and 3.
when the TYPE is set to ANALOG DLY, 0-400 ms DLY,
* The recorded content is cleared when the TYPE knob is 300-1400 ms DLY, or CHO+DELAY.
switched to a different setting or when the power is turned off.
The delay time can be set within the range of 62 ms to
5. Adjust the volume. 1400 ms.
Adjust the volume of the playback sound with the You can set this regardless of whether the effect is on or
E.LEVEL/RESONANCE knob. off.

6. When returning to the recording standby, hold down 1. Hold down the DELAY/MOD pedal for at least two
the DELAY/MOD pedal for the same length of time as seconds.
the recording. • If the DELAY/MOD pedal is pressed when the effect is
The unit returns to recording standby, and the pedal’s on, the pedal indicator goes out, and the effect is turned
indicator flashes at a fixed interval. off.
• If the DELAY/MOD pedal is pressed when the effect is
off, the pedal indicator turns red, and the effect is turned
You can return to the recording standby immediately by on.
using external foot switch. For more detailed When you continue to depress the pedal, after two
information, refer to “Using the Foot Switch” (p. 26). seconds the pedal's indicator starts to flash, and the
tempo can then be set with the effect on.
* When playback is stopped, the recorded content is erased. Here, the delay time is indicated by the value set with
* To start recording again, wait 2.8 seconds, then carry out step the TIME/RATE knob.
2.
2. Press the DELAY/MOD pedal in timing with the tempo
more than two times.
The delay time is set according to the time interval
between each press of the pedal.
The pedal indicator flashes in time with the tempo.
* Press the pedal to set the tempo while no bass sound is playing.

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 Using the Effects

3. Hold down the pedal switch for at least two seconds to Adding a Modulation Effect Synchronized
complete the tempo setting.
to the Performance Tempo
The effect goes on, and instead of flashing, the pedal
indicator will light. When the TYPE is set to PHASER/FLANGER/CHORUS,
you can set the tempo so you get an effect that is
* The tempo may become confused momentarily when you go
synchronized to the performance tempo.
from Step 2 to Step 3.
* The allowable rate cycles for the tempo settings range from 62
* If you move the TIME/RATE knob after finishing this setting,
ms to 2000 ms.
the delay time corresponding to the knob position takes effect.
1. Hold down the DELAY/MOD pedal for at least two
Executing Write Procedures (p. 22) After seconds.
the Tempo Has Been Set • If the DELAY/MOD pedal is pressed when the effect is
The delay time stored in a Patch (p. 21) is determined as on, the pedal indicator goes out, and the effect is turned
follows. off.
• If it is within the delay time range that can be set for the • If the DELAY/MOD pedal is pressed when the effect is
type currently selected, it is stored without change. off, the pedal indicator turns red, and the effect is turned
• If it exceeds the maximum delay time that can be set for on.
the type currently selected, the maximum value for the When you continue to depress the pedal, after two
type is stored. seconds the pedal's indicator starts to flash, and the
• If it is less than the minimum delay time that can be set tempo can then be set with the effect on.
for the type currently selected, the minimum value for Here, the tempo is indicated by the value set with the
the type is stored. TIME/RATE knob.
(Example) When TYPE is 0-400 ms
2. Press the DELAY/MOD pedal in timing with the tempo
When the delay time for the tempo setting is 600 ms: more than two times.
Stored as 400 ms. The tempo is set according to the time interval between
(Example) When TYPE is 300-1400 ms each press of the pedal. The pedal indicator flashes in
When the delay time for the tempo setting is 200 ms: time with the tempo.

Stored as 300 ms. Setting the TIME/RATE near the desired tempo
beforehand allows you to make faster and more natural
tempo settings.

3. Hold down the DELAY/MOD pedal for at least two

seconds to complete the tempo setting.
The effect goes on, and instead of flashing, the pedal
indicator will light.
* If you move the TIME/RATE knob after finishing this setting,
the rate corresponding to the knob position takes effect.

You can use a foot switch to set the DELAY/MODULATION tempo. For more detailed information, refer to “Using the
Foot Switch” (p. 26).

A Note About the Quantize Function

When you set tempo using the DELAY/MOD pedal or start recording in HOLD DLY while the KICK DRUM is playing drum
beat, the set tempo or the recording time is adjusted automatically by the tempo of the drum beat.
The KICK DRUM sound will also be recorded on the HOLD DLY, so you will not be able to control the KICK DRUM sound
with the expression pedal, once you start the playback.)

“Using the KICK DRUM Function” (p. 19)

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 Using the Effects

Pedal
fig.0150
WAH
PEDAL MODE indicator
The effect will function as a pedal wah.

RESONANCE
This completely original effect offers enhancements on the
characteristic resonances produced by analog synth filters.
Using the effect in combination with the DRIVE/SYNTH
TYPE set to “SAW LEAD” or “SQUARE” makes them even
more effective.
You can make the setting that determines whether the ME-
50B’s pedal functions as a volume pedal or as an expression +1 OCTAVE
pedal. In addition, when using it as an expression pedal, you Allows the pitch to be raised up to one octave above the
can use it to control one of the special pedal effects that you original bass sound.
select.
* This effect does not function correctly if two or more notes are
played simultaneously.
Using the Pedal as a Volume Pedal
When using the expression pedal as a volume pedal, press
-1 OCTAVE
the expression pedal all the way forward and then give it a Allows the pitch to be lowered up to one octave below the
stronger push, the PEDAL MODE indicator goes off. original bass sound.
fig.0160
* This effect does not function correctly if two or more notes are
Strongly pressing Not Lit
played simultaneously.

SOUND HOLD
You can hold the sounds played from the bass. This effect
allows you to hold low notes while playing melodies in the
upper registers.
* This effect does not function correctly if two or more notes are
The volume decreases as the pedal's toe is raised, and played simultaneously.
increases when the pedal is pressed down.

“Using the SOUND HOLD Function” (p. 19)

Using the Pedal as an Expression Pedal
When using the pedal as an expression pedal, press the KICK DRUM
expression pedal all the way forward and then give it a A kick drum sound is played when you press the pedal. This
stronger push, the PEDAL MODE indicator lights up. is a useful feature you can use as a guide rhythm, for
fig.0170 example in bass solos, or instead of a metronome during
Strongly pressing Lit practice.

“Using the KICK DRUM Function” (p. 19)

You can select one of the following effects with the

expression pedal.

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 Using the Effects

Using the SOUND HOLD Function Using the KICK DRUM Function
1. Turn the knob to SOUND HOLD. 1. Turn the knob to KICK DRUM.

2. Firmly press down on the front end of the expression The number for the currently selected tone is shown in
the display (two seconds).
pedal so the PEDAL MODE indicator lights up.
You can press BANK [ ][ ] to switch the tone.
3. Bring the expression pedal back all the way to switch to
1: Tight sound (low volume)
standby mode.
2: Tight sound sound (high volume)
4. Play the bass, then press down on the expression pedal 3: Standard kick drum sound (low volume)
a little. 4: Standard kick drum sound (high volume)
The note played on the bass is held, and the volume 5: Sound with long sustain (low volume)
changes in keeping with the degree to which you’ve 6: Sound with long sustain (high volume))
depressed the pedal. 2. Firmly press down on the front end of the expression
* This effect does not function correctly if two or more notes are pedal so the PEDAL MODE indicator lights up.
played simultaneously. 3. After tilting the expression pedal back, press it fully
* Although you can adjust the volume of held notes with the forward again.
expression pedal, be careful not to raise the front tip of the The kick drum sound plays.
pedal too high, as this will cancel the hold. * You can alter the volume level of the drum sound according to
how quickly you press the pedal. Press the pedal again quickly
5. Repeat Steps 3 and 4 to hold a different note.
to raise the volume; the volume decreases when the pedal is
6. To quit SOUND HOLD, firmly press down on the front pressed down again slowly.
end of the expression pedal so the PEDAL MODE 4. Lift up the expression pedal once, and press it down
indicator light goes out. again.
The kick drum sound is played.
The automatic drum beat starts when you hold the pedal
at the fully pressed position, after hitting the kick drum
sound twice or more. The tempo of the beat is set by the
time distance between the last played kick drum sound,
and the one just before.
If you do not need the automatic drum beat, just lift up
the pedal.
* The volume of the rhythm is determined by the speed at which
the pedal is pressed the last time.
* You can set the interval between beats in a range from 240 ms
to 2000 ms.
* Once you start recording in HOLD DLY, you cannot restart
the drum beats, or change the tempo. However, you can make
the kick drum sound play every time you press down the pedal.
5. If you want to change the tempo or volume, repeat Step
4.
6. To stop playing the beat, pull back the expression
pedal so the front end is raised.
7. To quit the KICK DRUM function, firmly press down
on the front end of the expression pedal so the PEDAL
MODE indicator light goes out.
* To quit the function while the beat is not being played, first
press the expression pedal forward slowly so as not to have the
kick drum sound play, then press the front end of the pedal
down firmly.

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 Using the Effects

MASTER NOISE SUPPRESSOR

fig.0180 fig.0190

This effect reduces the noise and hum picked up by bass

pickups. Since it suppresses the noise in synchronization
Adjusts the overall tonal quality and volume level.
with the envelope of the bass sound (the way in which the
bass sound decays over time), it has very little effect on the
LOW knob bass sound, and does not harm the natural character of the
sound.
Adjusts the tone of the lower range. Turning the knob to the
right boosts the lower frequencies; turning the knob to the
left cuts the lower frequencies. NOISE SUPPRESSOR knob
Adjust this parameter as appropriate for the volume of the
MID knob noise. If the noise level is high, a higher setting is
appropriate. If the noise level is low, a lower setting is
Adjusts the tone of the midrange. Turning the knob to the
appropriate. Adjust this value until the decay of the bass
right boosts the midrange; turning the knob to the left cuts
sound is as natural as possible.
the midrange.
* Turn the knob to OFF when not using the noise suppressor.
* High settings for the threshold parameter may result in there
MID FREQ knob being no sound when you play with your bass volume turned
Adjusts the center frequency for the tone set with the MID down.
knob. This frequency can be set in a range from 100 Hz to 2.5
kHz.
A Note About Bypass
HIGH knob The ME-50B allows you to switch between the state whereby
Adjusts the tone of the upper range. Turning the knob to the the effects are applied and the completely dry state, devoid
right boosts the high frequencies; turning the knob to the left of all effects (bypass).
cuts the high frequencies. To learn how to do this, see “Tuning the Bass (Bypass/
Tuner)” (p. 25).

LEVEL knob
Adjusts the volume.
* Turning the LEVEL knob up too much may cause the sound to
distort.
* When all effects are switched off and all knobs other than MID
FREQ are set to the center position, the input and output
levels are identical.

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 Saving and Loading the Created Tones (Memory Mode)
The ME-50B features a “Memory mode” that allows you to
About the Patch
store the various settings within the ME-50B itself, and then
call up and use the settings. When actually performing on a bass, a variety of tones are
required to suit whatever the situation may be. The effects
that you may want to have turned on and parameter settings
Switching Between Manual for such effects vary according to the selected tone.
and Memory Mode With the ME-50B, you can set these parameters, volume
levels, and so on, store a number of the aggregate settings in
The mode in which the tone produced reflects the panel memory, and use the pedals to switch the stored settings,
settings just as they are is called “Manual mode.” A dot allowing you to change tones instantly.
appears in the display when the ME-50B is in Manual mode. Such stored sets of settings are known as “Patches.” You can
fig.0240
create up to 24 patches.
The 24 patches are divided into eight “banks,” each of which
contains three patches.
fig.0260

Bank 8

Lit Bank 3
Bank 2
Patch
● When switching from Manual mode to Memory mode, Bank 1
press the No. 2 and No. 3 pedals simultaneously; this
Patch
causes the MEMORY indicator to light up (and the dot
Patch
in the display disappears).
Patch Patch Patch
fig.0250

The setting for the NOISE SUPPRESSOR knob, MASTER

knobs, and KICK DRUM tone are also stored
individually for each patch.

Press simultaneously

Lit

● Pressing the No. 2 and 3 pedals at the same time while

in Memory mode switches you to Manual mode.
* Manual mode is the power-up default mode of the ME-50B.

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 Saving and Loading the Created Tones (Memory Mode)

Write Procedure Calling Up and Using Stored

The “Write procedure” enables you to save the created tone Tones (Patch Change)
settings using the panel knobs and pedals, MASTER section’s
knob setting, and expression pedal settings to patches. To switch patches, use BANK [ ][ ] and the number
pedals (1–3).
* You can carry out the Write procedure in both Manual mode
and Memory mode. * Bank 1, Number 1 is always selected at first when Memory
mode is entered after the power is turned on.
* If the Write procedure is not carried out, then the tone you
have created is erased when the power is turned off or when
you switch to a different patch.
Switching Numbers
fig.0270 When the number pedal (1) is pressed, the number indicator
2 1,3 (2) above the pedal lights up, the patch with that number in
the currently selected group and bank is called up, and the
tone is switched instantly.
fig.0280

(2) (2) (2)

2
1. Press [WRITE]. (1) (1) (1)
The MEMORY indicator flashes. At the same time, the
bank indication in the display and the pedal indicator Switching Banks
flash, and the currently selected Patch Bank and Number
The bank is switched each time the BANK [ ][ ] (1)
are shown.
is pressed. The currently selected bank flashes in the Display
2. Select the Patch to be used as the save destination. (2). (At this time, tones are not yet switched.)
■ Press BANK [ ][ ] to select the bank. * You can switch among eight banks 1-8.
■ Press a number pedal (1-3) to select the number. While in this state, if you press any of the number pedals (3),
* To stop the Write procedure, press [EDIT/EXIT], and return the tone instantly switches to the sound of the patch at the
to the previous mode. currently selected bank/number.
fig.0290

3. Press [WRITE] once more. (1) (2)

The tone is stored, and Memory mode is then enabled
(the MEMORY indicator lights up).
* When a Write procedure is performed while the DELAY type
is set to “
TAP DLY” (p. 14) and DELAY is on, after the
operation the indicator for the number pedal where the tone
was stored flashes to indicate that you can input the tempo.
* When a Write procedure is carried out while the DELAY type
is set to “HOLD DLY” (p. 14), after the operation the
indicator for the number pedal where the tone was stored
flashes at a fixed interval to indicate that recording standby is
enabled. (3) (3) (3)

The tone stored in the patch designated as the save You can use a foot switch to switch the banks.
destination is erased once the Write procedure is For more detailed information, refer to “Using the Foot
executed. Switch”(p. 26).

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 Saving and Loading the Created Tones (Memory Mode)

If the Patch Does Not Change

● Is the ME-50B in Manual mode (p. 21)?

● Is the ME-50B in Patch Edit mode (p. 24)?

● Is the ME-50B in Tuner mode (p. 25)?

Notes When Using Memory Mode

• The settings for each patch are called up from internal memory in the Memory mode. Therefore, each knob's position and the
patch settings may not match, when the patch is called up.
• In Memory mode, you cannot switch effects on or off using the No. 1, 2, and 3 pedals.

About Tone Changes About the HOLD DLY

By operating the knobs, you can change the tone of a patch When a Patch that has a TYPE setting of HOLD DLY is called
while it’s called up. Note, however, that the changed tone is up, the currently selected number pedal’s indicator flashes
only temporary, and will be lost when you switch patches or slowly, indicating that the ME-50B is in recording standby.
switch to the Tuner mode (p. 25). Afterwards, the following conditions are in effect.
If you want to store it in memory, carry out the Write • Pressing the currently selected number pedal rapidly:
procedure (p. 22). begins recording
* If there is a discrepancy between the current knob position and • Pressing the currently selected number pedal rapidly
the parameter stored in the patch, the change in the parameter during recording:
begins at the point when the knob is moved past the position stops recording, starts Loop Playback
matching the parameter value as stored in the patch. • Pressing the currently selected number pedal rapidly
during Loop Playback:
overdub recording
About the Tempo Setting
• Pressing the currently selected number pedal rapidly:
If you hold down the currently selected number pedal for at stops overdub recording, starts Loop Playback
least two seconds, the pedal indicator flashes, and the ME- • Holding down the currently selected number pedal for
50B switches to tempo setting mode, and the number pedal the same length of time as the recording time:
can then be used to input the tempo. releases the HOLD, switches to recording standby
Selecting from the following types while DELAY/
MODULATION is on allows you to set the delay time or rate.
• ANALOG DLY About the
TAP DLY
• 0-400 ms DLY When DELAY is ON and a Patch that has a TYPE setting of
• 300-1400 ms DLY
 TAP DLY is called up, the currently selected number
pedal’s indicator flashes, and you can then set the delay time
• PHASER
(p. 16) using tap input.
• FLANGER
• CHORUS
• CHO+DELAY
* When DELAY/MODULATION is off, you cannot change to
tempo setting mode.

Note, however, that the tempo setting is only temporary, and

will be lost when you switch patches or switch to the Tuner
mode (p. 25).
If you want to store it in memory, carry out the Write
procedure (p. 22).

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 Saving and Loading the Created Tones (Memory Mode)

Changing the Patch Settings

You can use a foot switch to set the DELAY/
(Patch Edit mode) MODULATION tempo. For more detailed information,
Use the following procedure when editing the settings of a refer to “Using the Foot Switch” (p. 26).
patch you have called up.
fig.0320

124

1. Switch to the Patch whose settings you want to edit

(p. 22).

2. Press [EDIT/EXIT].
The MEMORY indicator flashes, and editing of the patch
settings is enabled (Patch Edit mode).

3. Use the knobs and pedals to change the settings.

When settings are changed, the indicator for the changed
effect flashes (except for MASTER and NOISE
SUPPRESSOR).

If there is a discrepancy between the current knob

position and the parameter stored in the patch, the
change in the parameter begins at the point when the
knob is moved past the position matching the parameter
value as stored in the patch.

4. If you want to save the contents of your edit, carry out

the Write procedure. (p. 22)
* Pressing [EDIT/EXIT] switches you to Memory mode without
saving the settings.
* When the unit is not in Patch Edit mode, you cannot switch
the following effects on or off, and cannot select the KICK
DRUM tones.
• FILTER/TONE
• DRIVE/SYNTH
• DELAY/MODULATION

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 Convenient Functions

Using the Foot Switch

Switching the Compressor/ When
.TAP DLY is selected
Limiter On and Off The reference tempo is determined by the time interval
between each press of the pedal. The reference tempo is
With a foot switch (the optional FS-5U) connected to the calculated in terms of quarter notes, and the delay time
FOOT SW jack on the rear panel, you can use the foot switch setting is the dotted eighth note as referenced to the reference
to switch the compressor/limiter on and off. tempo.
fig.0300
The delay time can be set only when the effect is ON.
The pedal indicator flashes in time with the tempo.

When ANALOG DLY, 0-400 ms DLY,

300-1400 ms DLY, or CHO+DELAY is selected
The delay time is set according to the time interval between
each press of the pedal. The delay time can be set within the
range of 62 ms to 1400 ms.
The delay time can be set only when the effect is ON.
Set the polarity switch
as shown below. * Press the pedal to set the delay time while no bass sound is
playing.

When PHASER, FLANGER, or CHORUS

* In Memory mode, the foot switch is used to switch banks.
is selected
(p. 27)
The tempo is set to the interval between presses of the pedal,
and the effect sound is synchronized to the performance
tempo.
Adding an Effect Synchronized to The tempo can be set only when the effect is ON.
the Performance Tempo * The tempo can be set to a rate period lasting from 62 ms to
By using a special cable (the optional PCS-31), you can 2000 ms.
connect two foot switches, and use one to switch the
compressor/limiter on and off, and the other as a tempo When HOLD DLY is selected
setting pedal. The recording or the playback stops immediately by pressing
fig.0361
the pedal, and returns to the recording standby position.

When CHO+REVERB or REVERB is selected

No change results.

PCS-31

White Red
Set the polarity switch
as shown below.

COMPRESSOR / LIMITER DELAY / MODULATION

On/Off Tempo setting

* In Memory mode, the foot switch is used to switch banks.

(p. 27)

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 Convenient Functions

Switching Banks Practicing Along with CDs

In Memory mode (p. 21), with a foot switch (the optional FS-
5U) connected to the FOOT SW jack on the rear panel, you
and MDs (AUX IN)
can use the foot switch to switch Banks (switching up). When playing CDs, MDs, tapes, or other such input, connect
ig.0300
the CD or MD player, tape recorder, or other device to the
AUX IN jack.
* AUX IN is a stereo mini jack.
fig.0370

CD/MD
Player, etc.

Set the polarity switch

as shown below.

By connecting with a special cable (the optional PCS-31), you

can connect two foot switches, and use them to switch Banks Sound input to the AUX IN jack is mixed in the ME-50B with
up and down. the bass sounds, a convenient feature when using
fig.0310 headphones for home practice and other such situations.
* On the ME-50B, you cannot adjust the volume level of the
sound input from the AUX IN jack. Adjust this on the
connected equipment.
* Do not use a cable containing a resistor to connect CD or MD
players to the AUX IN jack. If a cable incorporating resistance
PCS-31
is used, audio from CD and MD players may become
inaudible.

White Red
Set the polarity switch
as shown below.

Bank up Bank down

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 Appendices

Returning the ME-50B to Its Adjusting the Expression Pedal

Factory Settings (Factory Reset) Although the ME-50B’s expression pedal has been set for
optimum operation at the factory, extended use and the
You can restore all of the ME-50B’s settings (24 patches and
operating environment can result in the pedal going out of
tuner reference pitch) to what they were at the time the unit
adjustment.
was shipped from the factory.
If you encounter problems such as being unable to switch the
This is referred to as “Factory Reset.”
PEDAL MODE SW on or off or fully cut off the sound with
To perform Factory Reset, carry out the following steps.
fig.0380
the volume pedal, you can use the following procedure to
readjust the pedal.
1,2 2 3,4
When you operate the expression pedal, please be
careful not to get your fingers pinched between the
movable part and the panel.
In households with small children, an adult should
provide supervision until the child is capable of
following all the rules essential for the safe
operation of the unit.

1. While simultaneously pressing BANK [ ] and

1. Turn off the power. [WRITE], turn on the power.
“P” appears in the Display, then changes to “U.”
2. While simultaneously pressing BANK [ ] and
[WRITE], turn on the power. 2. Press the heel of the expression pedal to the base, press
“F” appears in the Display. [WRITE].
“d” appears in the Display.
* To cancel Factory Reset, first turn off the power, and then turn
it on again. 3. Press the toe of the expression pedal to the base, press
[WRITE].
3. Press [WRITE].
“5” appears in the Display.
The MEMORY indicator flashes.
4. Adjust the PEDAL MODE SW.
4. Press [WRITE] once more.
“F” flashes in the Display, and Factory Reset is executed. Press BANK [ ][ ] to set the value (1–9).
The smaller the value, the lighter is the depression force
needed to switch the pedal on or off.
Never turn off the power while Factory Reset is in 5. Press [WRITE].
progress.
Save the settings in memory, then return to Manual
mode.
When Factory Reset is completed, the ME-50B returns to
Manual mode. * If the TUNING indicator flashes during steps 2 and 3, press
the pedal again, then press [WRITE].

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