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The 25 International Chopin Piano Competition in ASIA

Rules of the 25th International Chopin Piano Competition in ASIA

Table of Contents
Purpose
p. 2
General Remarks for the 25th Edition
Category and Eligibility pp. 3-4
Calendar and Application Procedure for Video Prescreening *applicable to all participants p. 5
Calendar for International Participants in Professional Category
Calendar for International Participants who choose to take part in the Hall Audition
pp. 5-9
Calendar for International Participants who choose to take part in the Video Audition
Calendar for Japanese Participants who currently reside abroad
Entry Fee
pp. 10-11
Refund Rules
Prize and Award for the Professional Category
Prize and Award for the Hall Audition (excluding Professional Category) pp. 12-13
Prize and Award for the Video Audition
Jury p. 14
Repertoire Requirement
pp. 15-38
General Rules for Repertoire
Video Recording Requirement
Uploading the video on YouTube pp. 39-41
Submitting the URL link
General Condition p. 42
Venues for the Hall Audition p. 43
In this document, the word “Video Auditions” means Final Round of the competition, not Video Prescreening.

The 25th edition

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The 25 edition of the International Chopin Piano Competition in ASIA will be held in the form of both a Hall
Audition and a Video Audition. As in the previous edition we plan to invite prominent professors and string
quartet from Poland to Japan to conduct the judging for the Hall Auditions. We hope that our competition
would help you maintain your motivation and also accomplish your personal goals.

Contact Information
International Chopin Piano Competition in ASIA
E-mail: [email protected]
https://www.chopin-asia.com/

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The 25 International Chopin Piano Competition in ASIA

Purpose
The main purpose of this competition is to discover and encourage young promising talents. Through the grace
and splendor that Chopin's music embraces, we also hope to contribute to build and strengthen a cultural
bridge between Poland and Asian countries, and to promote artistic excellence in Japan and other Asian
countries.

General Remarks for the 25th Edition

1) After passing Video Prescreening, both Hall Auditions and Video Auditions are to be held for the Final of the
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25 edition. The competition schedule, result, and award of the Hall Audition are separated from those of the
Video Audition. Each audition is judged by different jury members, although there may be some overlap.
Participants may choose to take part in either one or both. The only exception is Professional Category, for which
only a Hall Audition is held for the Second Round and the Final.

2) Admission to the Hall Audition will be reopened for the general public. More details are to be announced at
the official website or by email on a later date.

3) For the Video Audition, participants submit URL of their audition video linked to YouTube.

4) For the Hall Audition, members of the Japanese jury together with the international jury, adjudicate the
competition. General comments to the category as a whole will be published on the website of the competition.

5) For the Video Audition, members of the Japanese and international jury review the videos individually.
Message from jury are to be sent to every participant. Messages can be written in English or Japanese. Please
note that messages in Japanese may be sent as they are, without translation.

6) For both the Hall Auditions and the Video Auditions, a diploma will be sent to the participant’s registered
address after the results have been announced.

7) Only the Hall Audition is to be held for the Second Round and the Final of the Professional Category. At the
Final, participants will perform along with a string quartet (for more details see p. 35).

8) Those who enroll in Concerto Categories and choose to take part in the Hall Audition, will perform along with
a string quartet (for more details see p. 35). Those who enroll in Concerto Categories and choose to take part in
the Video Audition, will perform along with the second piano.

9) If the Hall Audition is cancelled, the organizer refunds the entry fee. Switching to a Video Audition nor change
of the audition schedule is not permitted. Therefore, please consider applying for both the Hall Audition and the
Video Audition. Rules of refund in case of cancellation of the competition is written on p. 11.

10) The organizer does not guarantee and is not responsible for the overseas travel of each participant.
Therefore, please make your own decision based on the social situation in your country and in Japan. At the time
of travel, be sure to comply with the regulation of each country.

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Category and Eligibility *All categories open to all nationalities

Professional category
This superlative category is to discover and encourage young promising pianists who pursue a career as a
professional pianist.

Professional Those born between 1993 and 2010

Solo categories
Preschool Those born on or after April 2, 2017
Elementary School Grade 1&2 Those born on or after April 2, 2015
Elementary School Grade 3&4 Those born on or after April 2, 2013
Elementary School Grade 5&6 Those born on or after April 2, 2011
Junior High School Those born on or after April 2, 2008
Senior High School Those born between April 2, 2005 and April 1, 2008
University Those born between April 2, 1996 and April 1, 2005
Solo Artist No age limit

Concerto categories
Concerto I Those born on or after April 2, 2011
Concerto AA Those born on or after April 2, 2008
Concerto AB Those born on or after April 2, 2005

Concerto B No age limit

Concerto C No age limit

Chopinist categories
Open to those born on April 1, 2008, or before, who adore the music of
Chopin, except current students and graduates whose major is/was in
Chopinist I
piano performance, and those who earn income by performing or
teaching piano.
Open to those born on April 1, 2008, or before, who adore the music of
Chopin, except current students and graduates whose major is/was in
Chopinist A
piano performance, and those who earn income by performing or
teaching piano.
Open to those born on April 1, 2008, or before, who adore the music of
Chopinist B
Chopin, except current students whose major is in piano performance.

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Open to those born on April 1, 1968, or before, who adore the music of
Chopinist S Chopin, except current students whose major is in piano performance.
*Playing from memory is optional.
Open to those born on April 1, 2005, or before, who adore the music of
Chopinist Concerto A
Chopin, except current students whose major is in piano performance.

a) Those who wish may apply to a few different categories if only the participant fulfills all the eligibility.
b) Those whose date of birth do not match to the grade of category, because of a different school year system
or other reasons, shall consult the organizer in order to take part in a category which matches to their actual
grade, not necessarily the year of birth.

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Calendar and Application Procedure for Video Prescreening

applicable to all participants Date and time below is JST
2023
Submit 1), 2) using the online application form available on the competition’s
website.
1) A filled out application form
--For repertoire, check “Repertoire Requirement” and “General Rules for
Repertoire” (pp. 15-38).
2) URL of your audition video linked to YouTube
--No other online platform is accepted.
--Check “Video Recording Requirements”, “Uploading the video on YouTube”, and
“Submitting the URL link” (pp. 39-41).
October 5th
17:00
Submit 3), 4), 5) to organizer by email. (email: [email protected])
-
3) An image file of your valid passport (Identification page)
October 26th
4) A brief biography in Japanese or English (in Word, Text or PDF format)
12:00
5) A recommendation letter from your current instructor, or a photo of
(JST)
school/institution certificate showing your student status (Submission is
optional for participants in Chopinist categories who are not current students.)

6) Entry fee payment (12,000 JPY) via Stripe (online payment system)
--a credit card is necessary for fee payment.
--It is participant’s responsibility to submit all materials by the deadline. Any
applications received after the closing date will not be accepted. Applications
which do not contain all the items above or those without a payment of entry
fee may be subject to disqualification.

No later than Result announcement for the Prescreening; participants will be informed
November 22nd individually of the results by email.

Calendar for International Participants in Professional Category

Date and time below is JST
2023
Deadline for online (credit card) payment of entry fee for the Second Round.
November 30th
Deadline for submitting the repertoire for the Second Round & the Final to
12:00
organizer by online form.
2024
Second Round (Sonata)
--In principle, result of the Second Round and rehearsal schedule with a string
January 15th
quartet will be announced at the website of the competition by the end of the
day.
Final (Concerto performing along with a string quartet)
January 17th --The entry fee for the Final will be collected at reception on the day of judging
(cash payment only).

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--In principle, result of the Final will be announced at the website of the
competition by the end of the day.
Only a Hall Audition is to be held for the Second Round and the Final. (Venue: Yuri Hall in the Showa University
of Music)

Calendar for International Participants who choose to take part in Hall

Audition Date and time below is JST
2023

Deadline for online (credit card) payment of entry fee for the Final.
November 30th Deadline for sending the following information to the organizer (via online
12:00 form): Whether the participant takes part in the Hall Audition or the Video
Audition, or both.
2024 the schedule for the final is subject to change due to circumstances.
Yuri Hall in the Showa University La Sala Scala in the Showa Totsuka
of Music University of Music Ward
Cultural
Center
Sakura
Plaza
January 7th 5th and 6th grade elementary school
January 8th 3rd and 4th grade elementary school
January 9th Preschool, Chopinist A, Chopinist B,
January 10th Chopinist I, Concerto B,
Chopinist Concerto A
January 11th
January 12th
January 13th Chopinist S, Concerto I, AA, AB
January 14th 1st and 2nd grade elementary
school
January 15th Professional (2nd), Concerto C
January 16th University
January 17th Solo Artist, Professional (Final)
January 18th
January 19th
January 20th Junior High
School
st
January 21 High School
In principle, results will be announced on the website of the competition by the end of the day.

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Calendar for International Participants who choose to take part in Video

Audition Date and time below is JST
2023

Deadline for online (credit card) payment of entry fee for the Final.
November 30th Deadline for sending the following information to the organizer (via online
12:00 form): Whether the participant takes part in the Hall Audition or Video
Audition, or both.
2024
January 23rd 17:00 -
Period for submitting URL link to the organizer by email.
January 30st 12:00

February 13th Result announcement for the final at the website of the competition.

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Calendar for Japanese participants who currently reside abroad/

海外在住、日本国籍参加者向けスケジュール 下記日時は全て日本時間です
2023 年
オンライン申込、Prescreening URL 提出および参加料支払い期間
10 月 5 日 17:00～26 日 正午
（重要事項①をご確認ください）

コンクール事務局より各参加者へ Prescreening の結果をメールで通

11 月 22 日までに
知
全国大会（ホール審査）／オンライン決勝大会（動画審査） 参
加料支払い期限（重要事項②をご確認ください）
以下についてオンラインフォームで事務局まで連絡してください
11 月 30 日 正午までに
・全国大会（ホール審査）／オンライン決勝大会（動画審査）のどち
らに、または両方に参加予定か。（プロフェッショナル部門につきましては、
ホール審査のみの開催となります。）

全国大会／プロフェッショナル部門 2 次審査 オンライン決勝大会（動画審査）

（ホール審査）
2024 年 2024 年
各部門開催日は日本語の開催要項 p. 17 ご 1 月 23 日 17：00
URL 提出期間
確認ください ～1 月 30 日 正午
1 月 3 日～19 日 結果発表：原則として各大会の当日中にコ
ンクールウェブサイトにて発表を予定して
おります
アジア大会／プロフェッショナル部門最終審査
（ホール審査）
2024 年
結果発表：コンクール
各部門開催日は”Calendar for International 2 月 13 日
ウェブサイトにて
participants who choose to take part in the
Hall Audition” p. 6 をご確認ください
1 月 7 日～21 日 参加料：当日受付にて支払い
結果発表：原則として各大会の当日中にコ
ンクールウェブサイトにて発表を予定して
おります

重要事項 以下の項目だけでなく、必ず本要項全体をご確認ください。

① Prescreening の動画タイトルは、参加者名と参加部門としてください。

② 海外在住の日本国籍参加者の方は、Prescreening 通過後、ホール審査全国大会（2 次予選）もしくはオンラ

イン決勝大会へ進出となります（両方の大会への申込みも可）。同一部門について、全国大会（ホール審査）
とオンライン決勝大会（動画審査）を両方同時にお申込みいただいた場合、参加料を割引いたします（同
時申込に限ります）。全国大会の参加料につきましては、日本語の開催要項 pp. 11-12 をご参照ください。
プロフェッショナル部門、ショパニストコンチェルト A 部門につきましては、海外参加者枠へお申込みく

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ださい。

③ アジア大会（ホール審査）(ショパニストコンチェルト A 部門を除く) およびプロフェッショナル部門最終

審査の参加料は、開催日当日、受付にて現金でお支払いください。参加料詳細につきましては、本開催要
項 p.10 をご参照ください。

④ Prescreening とオンライン決勝大会の課題曲は同じです。Prescreening 申込時に登録した課題曲は変更でき

ませんが、演奏動画は同じ動画を再提出しても、新しく撮影しなおした動画を提出しても構いません。動
画のタイトルはオンライン決勝大会の参加番号としてください。
・オンライン決勝大会参加番号は、2023/12/28 までに事務局からメールにて通知される予定です。
・オンライン決勝大会に Prescreening と同じ動画を再提出する場合：2024/1/23～30 までに、動画を再度
アップロードしなおし、タイトルを各大会参加番号に変更後、新たな URL リンクを事務局
[email protected] へ提出してください。
・オンライン決勝大会に新しく撮影しなおした動画を提出する場合：2024/1/23～30 までに動画をアップロ
ードし、URL リンクを事務局 [email protected] へ提出してください。

⑤ オンライン決勝大会を選択され、コンチェルト各部門へ参加される場合には、各自で伴奏者を手配し、2
台ピアノでの演奏動画を提出してください。全国大会（ホール審査）において、コンチェルト各部門へ参
加される場合にも、各自で伴奏者を手配してください。参加者自身で伴奏者を見つけることが困難な場合
には、事務局にて伴奏者を紹介することも可能です。紹介をご希望の場合には、なるべくお早めに事務局
へご連絡ください。リハーサルや撮影日時・会場の調整、謝礼の確認・支払等は参加者各自で行ってくだ
さい。（謝礼の目安はお知らせ致します）。紹介した伴奏者がお引き受け出来ない場合もございます。演奏
（伴奏）の内容・相性等については保証致しかねますので、ご了承の上お問い合わせください。

⑥ コンチェルト各部門参加者は、アジア大会審査（ホール審査）において弦楽四重奏との共演を予定してお
ります。リハーサルの日時や会場については、本開催要項 p. 35 をご参照ください。

⑦ ショパニストコンチェルト A 部門では Prescreening 通過後、アジア大会／オンライン決勝大会のどちらか、ま

たは両方に参加できます。この部門に限り、全国大会（ホール審査）はございません。

⑧ 海外在住日本人でも、日本在住日本人枠に申込できますか？というお問合せを多数いただいております。
申込時点で、日本に居住しているか、海外に居住しているか、どちらが中心になっているかによってご判
断ください。但し、日本在住日本人枠に申込む場合には、セキュリティ設定などの兼ね合いで、申込や途
中手続きなど全て日本国内の PC から申込サイトにアクセスできる場合、且つ郵便物の受取りが可能な日本
国内の住所をご登録いただける場合にのみお申込みいただけます。

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Entry Fee
Prescreening
Categories Amount
All Categories 12,000 JPY
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a) Make a credit card payment between October 5 17:00 and October 26 12:00 (JST). In addition to the entry
fee indicated above, a system usage fee of 4% will be charged.

Professional
Category Amount Amount
(second round) (final)
Professional 30,000 JPY 50,000 JPY
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a) For the entry fee of the Second Round, make a credit card payment by November 30 , 12:00 (JST). In
addition to the entry fee indicated above, a system usage fee of 4% will be charged.
b) The entry fee of the Final, will be collected at reception on the day of judging (cash payment only).

Final round
Amount Amount
Categories
(hall audition) (video audition)
Preschool 13,000 JPY 9,500 JPY
Elementary School Grade 1&2 19,000 JPY 13,800 JPY
Elementary School Grade 3&4 20,000 JPY 14,800 JPY
Elementary School Grade 5&6 21,000 JPY 15,800 JPY
Junior High School 25,000 JPY 19,500 JPY
Senior High School 26,000 JPY 20,500 JPY
University 27,000 JPY 21,500 JPY
Solo Artist 29,000 JPY 23,500 JPY
Concerto I 25,000 JPY 13,800 JPY
Concerto AA 45,000 JPY 17,500 JPY
Concerto AB 45,000 JPY 19,500 JPY
Concerto B 47,000 JPY 23,500 JPY
Concerto C 50,000 JPY 35,000 JPY
Chopinist I 20,000 JPY 14,800 JPY
Chopinist A 23,000 JPY 17,800 JPY
Chopinist B 27,000 JPY 21,500 JPY
Chopinist S 23,000 JPY 17,500 JPY

Categories Amount (Hall Amount (Video Discount for payment at the same time
Audition) Audition) Total Amount ⇒ After discount
Chopinist Concerto A 50,000 JPY 23,500 JPY 73,500 JPY ⇒ 68,800 JPY
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a) For the entry fee of the Final, make a credit card payment by November 30 , 12:00 (JST). In addition to the
entry fee indicated above, a system usage fee of 4% will be charged.
b) For the Chopinist Concerto A Category, discount is available if you pay for the Final of both the Hall Audition
and the Video Audition at the same time. If one of the auditions is cancelled, the participant will only be
charged the full entry fee before discount for the audition that takes place, and the difference will be
refunded. However, the system usage fee (4% of the entry fee) at the time of payment will be borne by the
participant and will not be included in the refund.

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Refund Rules
Those who applied to the Hall Audition: Even if the Hall Audition is cancelled for some reasons, in principle,
switching to a Video Audition nor signing up for another Hall Audition for a later date is not permitted.
Therefore, please consider applying for both Hall Audition and Video Audition well in advance. However, if the
competition is cancelled, the organizers may take measures such as changing the schedule, as the case may be.

Those who applied to the Video Audition: Switching to a Hall Audition is not permitted once the application has
been completed.

The organizer refunds the entry fee for the relevant competition only if the competition is cancelled for some
reasons. A refund is to be made to the credit card that the payer initially used to make the payment. However,
the expenses of the system usage fee (4% of the entry fee) at the time of payment is borne by the participant.
Please note that organizer is not to be able to compensate for any other expenses such as travel expenses
other than the entry fee.

The entry fee that has been paid is not to be refunded under any circumstances, including the cancellation due
to personal reasons, etc., except in the case of cancellation of the competition.

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Prize and Award for the Professional Category

Category Award/Prize Details

Right to take part in the masterclasses held

in Radziejowice, Right to perform a recital
in Chopin's birthplace, Tickets to "Chopin
NIFC* Award
and His Europe" Music Festival, and travel
and accommodation expenses for the
above activities. (By courtesy of NIFC)

Professional (Final Round) Diploma & JPY500,000 Cash & Winner of

the Gold prize is partially exempt from the
Gold Prize qualifying round of the 6th delegate
competition which will take place in
2024-2025.
Silver Prize Diploma & JPY300,000 Cash
Bronze Prize Diploma & JPY100,000 Cash
Encouragement Prize Diploma
Pass Diploma & the qualification to participate
Professional (Second Round)
in the final
*NIFC: Narodowy Instytut Fryderyka Chopina
*NIFC Award will be presented to those nominated by the organizing committee. However, there may be no
nominees depending on the results of the jury.

Prize and Award for the Hall Audition (excluding Professional Category)
Category Award/Prize Details
Solo Artist ＆ Concerto C Grand Prix Diploma & JPY100,000 Cash

Right to take part in the International

Piano Masterclasses Katowice held at the
Karol Szymanowski Academy of Music in
Senior High School or Katowice for 1 session, Accommodation
IPM Katowice Award
University expenses for the above activities
(excluding travel expense). (By courtesy of
the Karol Szymanowski Academy of Music
in Katowice)

Solo (excluding Preschool) &

Soloist Award Diploma & Non-Cash prize
Chopinist Solo
Solo (excluding Preschool) & Gold, Silver, Bronze,
Diploma & Non-Cash prize
Chopinist Solo Encouragement Prize
Preschool Gold Prize Diploma & Non-Cash prize
Concerto & Chopinist Concerto Concerto Award Diploma & Non-Cash prize
Gold, Silver, Bronze,
Concerto & Chopinist Concerto Diploma & Non-Cash prize
Encouragement Prize

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Award for Teacher Diploma & Non-Cash prize

All Award for Preschool
Diploma & Non-Cash prize
Teacher
a) All participants who take part in the final will receive a diploma.
b) In case that there are more than one winner for a prize, the winners prorate the prize money between them.
c) Income tax is to be deducted from the amount of the prize money listed above.
d) The Grand Prix, the IPM Katowice Award, the Soloist Award, the Concerto Award, the Award for teacher and
the Award for Preschool Teacher will be presented to those nominated by the organizing committee.
However, there may be no nominees depending on the results of the jury.

Prize and Award for the Video Audition

Category Award/Prize Details
Solo (excluding Preschool) &
Soloist Award Diploma & Non-Cash prize
Chopinist Solo
Solo (excluding Preschool) & Gold, Silver, Bronze,
Diploma & Non-Cash prize
Chopinist Solo Encouragement Prize
Preschool Gold Prize Diploma & Non-Cash prize
Concerto & Chopinist Concerto Concerto Award Diploma & Non-Cash prize
Gold, Silver, Bronze,
Concerto & Chopinist Concerto Diploma & Non-Cash prize
Encouragement Prize
Award for Teacher Diploma & Non-Cash prize
All Award for Preschool
Diploma & Non-Cash prize
Teacher
a) All participants who take part in the final will receive a diploma.
b) In case that there are more than one winner for a prize, the winners prorate the prize money between them.
c) Income tax is to be deducted from the amount of the prize money listed above.
d) The Soloist Award, the Concerto Award, the Award for teacher and the Award for Preschool Teacher will be
presented to those nominated by the organizing committee. However, there may be no nominees
depending on the results of the jury.
e) The non-cash prizes may differ from those of the hall audition.

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Jury

Piotr Paleczny
Vice chief juror at the 14th, 15th, 16th International Fryderyk Chopin Piano Competition in Warsaw
Juror at the 17th, 18th International Fryderyk Chopin Piano Competition in Warsaw
Professor at the Chopin University of Music
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Third prize winner of the 8 International Fryderyk Chopin Piano Competition in Warsaw

Wojciech Świtała
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Juror at the 17 , 18 International Fryderyk Chopin Piano Competition in Warsaw
Professor and Deputy Rector at the Karol Szymanowski Academy of Music in Katowice
Professor at the Chopin University of Music

Bronisława Kawalla
Professor at the Chopin University of Music, President of the Frederic Chopin Society

Anna Jastrzębska-Quinn
Professor at the Chopin University of Music

Jerzy Romaniuk
Professor at the Chopin University of Music

Joanna Domańska
Concert Pianist, Professor at the Karol Szymanowski Academy of Music in Katowice

Anna Górecka
Concert Pianist, Professor at the Karol Szymanowski Academy of Music in Katowice

Magdalena Lisak
Concert Pianist, Professor & Head of the Piano Department at the Karol Szymanowski Academy of Music in
Katowice
6th Prize Winner of the 13th International Fryderyk Chopin Piano Competition in Warsaw

Beata Bilińska
Concert Pianist, Associate Professor at the Karol Szymanowski Academy of Music in Katowice

Piotr Banasik
Concert Pianist, Associate Professor at the Karol Szymanowski Academy of Music in Katowice

Szczepan Kończal
Concert pianist, Associate Professor at the Karol Szymanowski Academy of Music in Katowice

Karolina Nadolska
Concert pianist, Associate Professor at the Fryderyk Chopin University of Music in Warsaw

and other prominent national and international pianists and professors.

Please note that the jury members are subject to change without notice.

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The 25 International Chopin Piano Competition in ASIA

Repertoire Requirement
Professional Category (Those born between 1993 and 2010)
All (A), (B), and (C) must be presented
(A) (B) (C)
Chopin:
1st Round Chopin: Chopin: Two works, each from a different group listed
(Video One etude from One of the below
Prescreening) Op.10 or Op.25 following etudes Group I: Ballade - Op.23, Op.38, Op.47, Op.52
--Except those Op.10-2, Op.25-6, Group II: Scherzo - Op.20, Op.31, Op.39, Op.54
listed in (B) Op.25-11 Group III: Fantasy Op.49, Barcarolle Op.60,
Fantasie Polonaise Op.61
One of the following Sonatas
2nd Round Chopin: Piano Sonata No.1 in C minor Op.4
(Hall
Audition) Chopin: Piano Sonata No.2 in B flat minor Op.35
Chopin: Piano Sonata no.3 in B minor Op.58

One of the following Concertos

--Appropriate cuts shall be made in the string quartet sections as stated in the "General
Final Round Rules for Repertoire"
(Hall --Each Finalist will perform with a string quartet.
Audition)
Chopin: Piano Concerto No.1 in E minor Op.11
Chopin: Piano Concerto No.2 in F minor Op.21

Be sure to read "General Rules for Repertoire" (pp. 34-38) when choosing the repertoire.

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The 25 International Chopin Piano Competition in ASIA

Preschool Category (Those born on April 2, 2017 or after) / Foot pedals must NOT be used (footrest is
approved)
One of the following pieces / Omit all repetitions unless otherwise specified
Polish Folk Song (arr. by W. Grot): Mazur *IMCM-S004
A. Różycki: Krakowiak *IMCM-S003
Polish Folk Song (arr. by W. Grot): Kujawiak
Video *IMCM-S003
--Taking repeat signs is recommended.
Prescreening /
Final Round Polish Folk Song (arr. by W. Grot): Chałupeczka niska
*IMCM-S004
(Video Audition --Taking repeat sings is recommended.
/ Hall Audition)
Polish Folk Song (arr. by W. Grot): Krakowiak Nr. 1
*IMCM-S004
--Taking repeat sings is recommended.
Johann Krieger: Menuett in A minor
J.S. Bach: Menuett in G major BWV Anh.114 from Anna Magdalena's
Notebook

The same repertoire must be presented for the Prescreening and the Final.

Be sure to read "General Rules for Repertoire" (pp. 34-38) when choosing the repertoire.

Music with * and item number (IMCM-####) are available for purchase at IMC Music Publisher.
For more details, please contact us:
Publishing Department, IMC Music Publisher
Email: [email protected]

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The 25 International Chopin Piano Competition in ASIA

Elementary School 1st & 2nd Grade Category (Those born on April 2, 2015, or after)
One of the following pieces
Chopin: Polonaise in G minor Op. posth.
Chopin: Polonaise in B flat major Op. posth.
Chopin: Polonaise in A flat major Op. posth.
Video Chopin: Waltz in F minor Op. 70-2
Prescreening / Chopin: Mazurka in B flat major Op. 7-1
Final Round
(Video Audition
Maria Szymanowska: Kontredans in A flat major
*IMCM-S001
/ Hall Audition)
--Take repeat signs and D.C. as indicated on the score.
Zygmunt Noskowski: Szkółka na fortepian według szkoły Ludwika
*IMCM-S005
Köhler'a Nr. 92 Polonez
Zygmunt Noskowski: Szkółka na fortepian według szkoły Ludwika
Köhler'a Nr. 109 Zadmuka *IMCM-S005
–Take repeat signs as indicated on the score.

The same repertoire must be presented for the Prescreening and the Final.

Be sure to read "General Rules for Repertoire" (pp. 34-38) when choosing the repertoire.

Music with * and item number (IMCM-####) are available for purchase at IMC Music Publisher.
For more details, please contact us:
Publishing Department, IMC Music Publisher
Email: [email protected]

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The 25 International Chopin Piano Competition in ASIA

Elementary School 3rd & 4th Grade Category (Those born on April 2, 2013, or after)
One of the following pieces
Chopin: Waltz in C sharp minor Op. 64-2
Chopin: Waltz in A flat major Op. 69-1
Video Chopin: Waltz in B minor Op. 69-2
Prescreening / Chopin: Waltz in G flat major Op. 70-1
Final Round
Michal Kleofas Oginski: 12 Polonezes No. 2
(Video Audition *IMCM-S002
--Take repeat signs as indicated on the score.
/ Hall Audition)
Józef Krogulski: Mazurek à la Chopin in E minor *IMCM-S001
Henryk Oskar Kolberg: Polonaise in A flat major Op. 1-6 *IMCM-S002
Juliusz Zarebski: Etrennes, 6 morceaux dexécution facile Op. 27 Nr. 3
*IMCM-S005
Menuet

The same repertoire must be presented for the Prescreening and the Final.

Be sure to read "General Rules for Repertoire" (pp. 34-38) when choosing the repertoire.

Music with * and item number (IMCM-####) are available for purchase at IMC Music Publisher.
For more details, please contact us:
Publishing Department, IMC Music Publisher
Email: [email protected]

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Elementary School 5th & 6th Grade Category (Those born on April 2, 2011, or after)
One of the following pieces
Chopin: Impromptu in A flat major Op.29
Chopin: Fantasie-Impromptu in C sharp minor Op.66
Chopin: Variations on a German Air "Der Schweizerbub" in E major
Op.posth.
Video Chopin: Waltz in E flat major Op.18
Prescreening /
Chopin: Waltz in A flat major Op.42
Final Round
(Video Audition Chopin: Polonaise in G sharp minor Op.posth.
/ Hall Audition)
Chopin: Polonaise in D minor Op.71-1
Teodor Leszetycki: Romans (Consolation) *IMCM-S001
Maria Szymanowska: Taniec Polski (Polonez)
*IMCM-S001
--Take only D.S. and D.C., omit other repeat signs indicated on the score.
Juliusz Zarebski: Etrennes, 6 morceaux dexécution facile Op.27 Nr.2 Valse *IMCM-S005

The same repertoire must be presented for the Prescreening and the Final.

Be sure to read "General Rules for Repertoire" (pp. 34-38) when choosing the repertoire.

Music with * and item number (IMCM-####) are available for purchase at IMC Music Publisher.
For more details, please contact us:
Publishing Department, IMC Music Publisher
Email: [email protected]

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Junior High School Category (Those born on April 2, 2008, or after)

The performance order must be (A)  (B).

Total duration of (A) plus (B) must be between 6 to 12 minutes.
--Those who choose to play Scherzo No.1 or No.2, appropriate cuts shall be made as
stated in the “General Rules for Repertoire” (pp. 34-38).

(A) (B)
Chopin: One of the following pieces

Waltz in E flat major Op.18 Nocturne in B flat minor Op.9-1

Waltz in A flat major Op.34-1 Nocturne in B major Op.9-3
Waltz in A flat major Op.42 Nocturne in D flat major Op.27-2
Polonaise in C sharp minor Op.26-1 Nocturne in C minor Op.48-1
Polonaise in E flat minor Op.26-2 Rondo in C minor Op.1
Video
Prescreening Rondo à la Mazur in F major
Chopin: Polonaise in A major Op.40-1
/ Op.5
One Etude
Final Round Variations Brillantes in B flat
from Polonaise in C minor Op.40-2
(Video major Op.12
Audition / Hall Op.10, Op.25,
Impromptu No.1 in A flat major
Audition) or 3 Nouvelles Polonaise in A flat major Op.53
Op.29
Op.posth.
Except Polonaise in B flat major Impromptu No.2 in F sharp
Op.10-3, Op.posth.71-2 major Op.36
Op.10-6, Impromptu No.3 in G flat major
Ballade No.1 in G minor Op.23
Op.25-7, Op.51
Op.25-10, Fantasy-Impromptu in C sharp
Op.25-11 Ballade No.2 in F major Op.38
minor Op.66
Sonata No.2 in B flat minor
Ballade No.3 in A flat major Op.47 st
Op.35 1 mov.
Sonata No.3 in B minor Op.58 4th
Scherzo No.1 in B minor Op.20**
mov.
Scherzo No.2 in B flat minor Op.31** Bolero in C major Op.19
Scherzo No.3 in C sharp minor Op.39 Tarantella in A flat major Op.43

The same repertoire must be presented for the Prescreening and the Final.

Be sure to read "General Rules for Repertoire" (pp. 34-38) when choosing the repertoire.

Video Prescreening / Video Audition of the Final: As long as the video is recorded in the same room / hall with
the same instrument, each piece may be recorded separately. However, combine all videos into one URL before
submission.

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The 25 International Chopin Piano Competition in ASIA

Senior High School Category (Those born between April 2, 2005 and April 1, 2008)

The performance order must be (A)  (B).

Total duration of (A) plus (B) must be between 7 to 13 minutes.
--Those who choose to play Scherzo No.1 or No.2, appropriate cuts shall be made as
stated in the “General Rules for Repertoire” (pp. 34-38).

(A) (B)
Chopin: One of the following pieces

Grande Polonaise Brillante in E flat

Scherzo No.4 in E major Op.54
major Op.22 (Polonaise only)
Polonaise in C sharp minor Op.26-1 Nocturne in C minor Op.48-1
Video Polonaise in E flat minor Op.26-2 Nocturne in E flat major Op.55-2
Prescreening Polonaise in F sharp minor Op.44 Rondo in C minor Op.1
/
Final Round Chopin: Introduction and Rondo in E flat
Polonaise in A flat major Op.53
(Video One Etude major Op.16
Audition / Hall from
Variations Brillantes in B flat
Audition) Op.10 or Ballade No.1 in G minor Op.23
major Op.12
Op.25
Impromptu No.2 in F sharp
Except Ballade No.2 in F major Op.38
major Op.36
Op.10-3,
Op.10-6, Sonata No.2 in B flat minor
Op.25-7 Ballade No.3 in A flat major Op.47
Op.35 1stmov.
Sonata No.3 in B minor Op.58 1st
Ballade No.4 in F minor Op.52
mov.
Sonata No.3 in B minor Op.58 4th
Scherzo No.1 in B minor Op.20**
mov.
Scherzo No.2 in B flat minor Op.31** Fantasy in F minor Op.49
Scherzo No.3 in C sharp minor Op.39 Barcarolle in F sharp major Op.60

The same repertoire must be presented for the Prescreening and the Final.

Be sure to read "General Rules for Repertoire" (pp. 34-38) when choosing the repertoire.

Video Prescreening / Video Audition of the Final: As long as the video is recorded in the same room / hall with
the same instrument, each piece may be recorded separately. However, combine all videos into one URL before
submission.

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The 25 International Chopin Piano Competition in ASIA

University Category (Those born between April 2, 1996 and April 1, 2005)
The performance order must be (A)  (B).
Total duration of (A) plus (B) must be between 8 to 14 minutes.
(A) (B)

Chopin: Freely selected Solo Work(s) (More than 7 min)

Video
--Any combination of pieces/movements is accepted within the
Prescreening / Chopin:
imposed time limit.
One Etude from
Final Round st
--In case the 1 mov. of “Sonata No.2” is selected, another movement
(Video Audition Op.10 or Op.25
from the same work or other piece(s) must be added.
/ Hall Audition) Except
--Following concertos cannot be selected for this category:
Op.10-3, E minor Concerto Op.11(version for one piano)
Op.10-6, F minor Concerto Op.21 (version for one piano)
Op.25-7
--Those who choose to play Scherzo No.1, appropriate cuts shall be
made as stated in the “General Rules for Repertoire” (pp. 34-38).

The same repertoire must be presented for the Prescreening and the Final.

Be sure to read "General Rules for Repertoire" (pp. 34-38) when choosing the repertoire.

Video Prescreening / Video Audition of the Final: As long as the video is recorded in the same room / hall with
the same instrument, each piece/movement may be recorded separately. However, combine all videos into one
URL before submission.

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The 25 International Chopin Piano Competition in ASIA

Solo Artist Category (No age restrictions) / The highest category in all solo categories

Chopin: Freely selected Solo Work(s) (15 - 20 minutes)

Video --Any combination of pieces/movements is accepted within the imposed time limit.
Prescreening / --Those who choose to play Scherzo No.1, appropriate cuts shall be made as stated in
Final Round the “General Rules for Repertoire” (pp. 34-38).
(Video Audition /
--Following concertos cannot be selected to choose for this category:
Hall Audition)
E minor Concerto Op.11 (version for one piano)
F minor Concerto Op.21 (version for one piano)

The same repertoire must be presented for the Prescreening and the Final.

Be sure to read "General Rules for Repertoire" (pp. 34-38) when choosing the repertoire.

Video Prescreening / Video Audition of the Final: As long as the video is recorded in the same room / hall with
the same instrument, each piece/movement may be recorded separately. However, combine all videos into one
URL before submission.

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The 25 International Chopin Piano Competition in ASIA

Concerto I Category (Those born on April 2, 2011, or after)

One of the following concertos
--Take repeat signs as indicated on the score.

Video Seiji Yokoyama: Piano Concertino For Children "Hänschen Klein" *IMCM-S101
Prescreening / Nobuyoshi Koshibe: "Touryanse" For Piano And Orchestra *IMCM-S101
Final Round
Shoukou Maita: Piano Concertino “Rondino Des Ennte Fest Tages” *IMCM-S101
(Video Audition
/ Hall Audition) Seiji Yokoyama: Piano Concertino For Children “Amaryllis” *IMCM-S102
Nobuyoshi Koshibe: “Flee As A Bird" For Piano And Orchestra *IMCM-S102
Nobuyoshi Koshibe: "Sakura" For Piano And Orchestra *IMCM-S102

The same repertoire must be presented for the Prescreening and the Final.

Video Prescreening / Video Audition of the Final: Submit the chosen concerto with second piano for the
orchestra part.
Hall Audition: Each finalist will perform with a string quartet.

Be sure to read "General Rules for Repertoire" (pp. 34-38) when choosing the repertoire.

Music with * and item number (IMCM-####) are available for purchase at IMC Music Publisher.
For more details, please contact us:
Publishing Department, IMC Music Publisher
Email: [email protected]

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The 25 International Chopin Piano Competition in ASIA

Concerto AA Category (Those born on April 2, 2008, or after)

One of the following concertos
--Take repeat signs as indicated on the score.

Video Z. Kowalowski: Children Piano Concerto No.1 “With A Cockoo Bird” *IPSA-1005
Prescreening / Akihiro Komori: Piano Concertino "Family of Squirrel" *IPSA-1007
Final Round Nobuyoshi Koshibe: Three Dances For Piano And Orchestra *IPSA-1009
(Video Audition /
Hall Audition) Yutaka Kato: Concerto For Children "Romantico" *IPSA-1013
Nobuyoshi Koshibe: Omocha No Cha Cha Cha (For Piano And
*IPSA-1005
Orchestra)
Yutaka Fujiwara: Fire Shoes And Wind Sandal *IPSA-1015

The same repertoire must be presented for the Prescreening and the Final.

Video Prescreening / Video Audition of the Final: Submit the chosen concerto with second piano for the
orchestra part. As long as the video is recorded in the same room / hall with the same instrument, each
movement may be recorded separately. However, combine all videos into one URL before submission.
Hall Audition: Each finalist will perform with a string quartet.

Be sure to read "General Rules for Repertoire" (pp. 34-38) when choosing the repertoire.

Music with * and item number (IPSA-####) are available for purchase at IMC Music Publisher.
For more details, please contact us:
Publishing Department, IMC Music Publisher
Email: [email protected]

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The 25 International Chopin Piano Competition in ASIA

Concerto AB Category (Those born on April 2, 2005, or after)

One of the following concertos
--Take repeat signs as indicated on the score.
--For Video Prescreening and Video Audition of the Final: Concerto with ◇ marking,
Video
appropriate cuts shall be made in the orchestra part as stated in the "General Rules for
Prescreening /
Repertoire"(pp. 34-38).
Final Round
(Video Audition / M.Górecki: Piano Concerto in the Style of Young Chopin No.1 ◇ *IPSA-1003
Hall Audition)
M.Górecki: Piano Concerto in the Style of Young Chopin No.2 ◇ *IPSA-1006
M.Górecki: Piano Concerto in the Classical Style ◇ *IPSA-1007
M.Górecki: Piano Concerto in the Baroque Style ◇ *IPSA-1012

The same repertoire must be presented for the Prescreening and the Final.

Video Prescreening / Video Audition of the Final: Submit the chosen concerto with second piano for the
orchestra part. As long as the video is recorded in the same room / hall with the same instrument, each
movement may be recorded separately. However, combine all videos into one URL before submission.
Hall Audition: Each finalist will perform with a string quartet.

Be sure to read "General Rules for Repertoire" (pp. 34-38) when choosing the repertoire.

Music with * and item number (IPSA -####) are available for purchase at IMC Music Publisher.
For more details, please contact us:
Publishing Department, IMC Music Publisher
Email: [email protected]

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The 25 International Chopin Piano Competition in ASIA

Concerto B Category (No age restrictions)

One of the following concertos

--For the concerto with ◆ marking, appropriate cuts shall be made in the orchestra
Video part. as stated in the "General Rules for Repertoire"(pp. 34-38).
Prescreening /
Chopin: Piano Concerto No.1 in E minor Op.11, 1st mov. ◆
Final Round
(Video Audition / Chopin: Piano Concerto No.1 in E minor Op.11, 2nd&3rd mov. ◆
Hall Audition) Chopin: Piano Concerto No.2 in F minor Op.21, 1st mov. ◆
Chopin: Piano Concerto No.2 in F minor Op.21, 2nd&3rd mov.
Chopin: Andante Spianato et Grande Polonaise Brillante Op.22

The same repertoire must be presented for the Prescreening and the Hall Audition of the Final.

Video Prescreening / Video Audition of the Final: Submit the chosen concerto with second piano for the
orchestra part. As long as the video is recorded in the same room / hall with the same instrument, each
movement (including Andante Spianato et Grande Polonaise Brillante) may be recorded separately. However,
combine all videos into one URL before submission.
Hall Audition: Each finalist will perform with a string quartet.

Be sure to read "General Rules for Repertoire" (pp. 34-38) when choosing the repertoire.

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Concerto C Category (No age restrictions) / The highest category in concerto categories
One of the following concertos
Video
Prescreening / --Appropriate cuts shall be made in the orchestra part as stated specified in the "General
Rules for Repertoire"(pp. 34-38).
Final Round
(Video Audition Chopin: Piano Concerto No.1 in E minor Op.11 (All movements)
/ Hall Audition)
Chopin: Piano Concerto No.2 in F minor Op.21 (All movements)

The same repertoire must be presented for the Prescreening and the Final.

Video Prescreening / Video Audition of the Final: Submit the chosen concerto with second piano for the
orchestra part. As long as the video is recorded in the same room / hall with the same instrument, each
movement may be recorded separately. However, combine all videos into one URL before submission.
Hall Audition: Each finalist will perform with a string quartet.

Be sure to read "General Rules for Repertoire" (pp. 34-38) when choosing the repertoire.

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Chopinist I Category NEW!! (Those born on April 1, 2008, or before, who adore the music of Chopin,
except current students and graduates whose major is/was in piano performance, and those who earn
income by performing or teaching piano)

Video
Prescreening /
Chopin: Freely selected Solo Work(s) (Up to around 5 min)
Final Round
--Any combination of pieces/movements is accepted within the imposed time limit.
(Video Audition
/ Hall Audition)

The same repertoire must be presented for the Prescreening and the Final.

As long as the video is recorded in the same room / hall with the same instrument, each piece/movement may
be recorded separately. However, combine all videos into one URL before submission.

Be sure to read "General Rules for Repertoire" (pp. 34-38) when choosing the repertoire.

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Chopinist A Category (Those born on April 1, 2008, or before, who adore the music of Chopin, except
current students and graduates whose major is/was in piano performance, and those who earn income by
performing or teaching piano)

Chopin: Freely selected Solo Work(s) (more than 6 min - up to around 10 min)
--Any combination of pieces/movements is accepted within the imposed time limit.
Video --Following pieces cannot be selected due to the time restrictions: Andante Spianato and
Prescreening / Grande Polonaise Brillante Op.22 (whole work), Allegro de concert Op.46, Fantasy Op.49,
Final Round Polonaise-Fantasy Op.61, 1st mov. of E minor Concerto Op.11 (version for one piano), 1 st
(Video Audition mov. of F minor Concerto Op.21 (version for one piano).
/ Hall Audition) --Those who choose to play Scherzo No.1, No.2, or the 2 nd mov. of Concerto in E minor
(version for one piano), appropriate cuts shall be made as stated in the "General Rules for
Repertoire"(pp. 34-38).

The same repertoire must be presented for the Prescreening and the Final.

As long as the video is recorded in the same room / hall with the same instrument, each piece/movement may
be recorded separately. However, combine all videos into one URL before submission.

Be sure to read "General Rules for Repertoire" (pp. 34-38) when choosing the repertoire.

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Chopinist B Category (Those born on April 1, 2008, or before, who adore the music of Chopin, except
current students whose major is in piano performance)

Video Chopin: Freely selected Solo Work(s) (more than 8 min – up to around 15 min)
Prescreening / --Any combination of pieces/movements is accepted within the imposed time limit.
Final Round st nd
--Those who choose to play the 1 mov. or the 2 mov. of E minor Concerto Op.11
(Video Audition st
(version for one piano), or 1 mov. of F minor Concerto Op.21 (version for one piano)
/ Hall Audition) appropriate cuts shall be made as stated in the "General Rules for Repertoire"(pp. 34-38).

The same repertoire must be presented for the Prescreening and the Final.

As long as the video is recorded in the same room / hall with the same instrument, each piece / movement may
be recorded separately. However, combine all videos into one URL before submission.

Be sure to read "General Rules for Repertoire" (pp. 34-38) when choosing the repertoire.

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Chopinist S Category (Those born on April 1, 1968, or before, who adore the music of Chopin,, except
current students whose major is in piano performance. ) *Playing from memory is optional

Chopin: Freely selected Solo Work(s) (more than 3 min – up to around10 min)
--Any combination of pieces/movements is accepted within the imposed time limit.
Video --Following pieces cannot be selected due to the time restrictions: Andante Spianato and
Prescreening / Grande Polonaise Brillante Op.22 (whole work), Allegro de concert Op.46, Fantasy Op.49,
Final Round Polonaise-Fantasy Op.61, 1st mov. of E minor Concerto Op.11 (version for one piano), 1 st
(Video Audition mov. of F minor Concerto Op.21(version for one piano).
/ Hall Audition) nd
--Those who choose to play Scherzo No.1, No.2, or the 2 mov. of Concerto in E minor
(version for one piano), appropriate cuts shall be made as stated in the "General Rules for
Repertoire"(pp. 34-38).

The same repertoire must be presented for the Prescreening and the Final.
As long as the video is recorded in the same room / hall with the same instrument, each piece / movement may
be recorded separately. However, combine all videos into one URL before submission.

Be sure to read "General Rules for Repertoire" (pp. 34-38) when choosing the repertoire.

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Chopinist Concerto A Category (Those born on April 1, 2005, or before, who adore the music of
Chopin, except current students whose major is in piano performance)

One of the following concertos

--For the Concerto with ◆ marking, appropriate cuts in the orchestra part shall be made
as stated in the "General Rules for Repertoire"(pp. 34-38).
--For Video Prescreening and Video Audition of the Final: Concerto with ◇ markings,
appropriate cuts shall be made in the orchestra part as stated in the "General Rules for
Repertoire"(pp. 34-38).
--For Hall Audition of the Final: Concerto with ◎ marking, present all movements and take
repeat signs as indicated on the score.
Video
Prescreening /
Chopin: Piano Concerto No.1 in E minor Op.11, 1st movement ◆
Final Round
(Video Audition Chopin: Piano Concerto No.1 in E minor Op.11, 2nd & 3rd movement ◆
/ Hall Audition) Chopin: Piano Concerto No.2 in F minor Op.21, 1st movement ◆
Chopin: Piano Concerto No.2 in F minor Op.21, 2nd & 3rd movement
Chopin: Andante Spianato et Grande Polonaise Brillante in E flat major
Op.22
M.Górecki: Piano Concerto in the Style of Young Chopin No.1 ◇◎ *IPSA-1003
M.Górecki: Piano Concerto in the Style of Young Chopin No.2 ◇◎ *IPSA-1006
M.Górecki: Piano Concerto in the Classical Style ◇◎ *IPSA-1007
M.Górecki: Piano Concerto in the Baroque Style ◇◎ *IPSA-1012

The same repertoire must be presented for the Video Prescreening and the Video Audition of the Final.

Video Prescreening / Video Audition of the Final: Submit the chosen concerto with second piano for the
orchestra part. As long as the video is recorded in the same room / hall with the same instrument, each
movement (including Andante Spianato et Grande Polonaise Brillante) may be recorded separately. However,
combine all videos into one URL before submission.
Hall Audition: Each finalist will perform with a string quartet.
Be sure to read "General Rules for Repertoire" (pp. 34-38) when choosing the repertoire.

Music with * and item number (IPSA -####) are available for purchase at IMC Music Publisher. For more details,
please contact us:
Publishing Department, IMC Music Publisher
Email: [email protected]

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General Rules for Repertoire

1) Any published edition may be used except simplified arrangements. However for Waltz Op.69-1, Op.69-2,
Op.70-1, or Op.70-2, the following versions are recommended:
Paderewski Edition: Except BIS version
Henle Edition: Fontana version
National Edition: it is recommended to take same repeat signs as written on the Paderewski
Edition (except BIS version) or Henle Edition (Fontana version)
For Variations on "La ci darem la mano" Op.2 (version for one piano), and Concertos Op.11 and Op.21
(version for one piano), National Edition is recommended.

2) All pieces presented during the competition must be played from memory with the exception of Chopinist
S Category.

3) If multiple pieces are selected for “Freely selected Solo Work(s)," the maximum number of pieces shall be
three.

4) The performance order must always corresponded with the one stated in the application form even if a
combination of 2 or 3 pieces/movements is to be presented within a repertoire group (A, B, or C).

5) In case 2 or 3 pieces/movements are selected from the same opus number, present those pieces in the
order of low number to high number.
Acceptable: Op.24-1  Op.24-3 / Op.24-1  Op.18 / 1st mov. Op.35  4th mov. Op.35
NOT acceptable: Op.24-3  Op.24-1 / 4th mov. Op.35  1st mov. Op.35
However, participants in the Chopinist Categories do not need to adhere to this regulation.

6) Omit all repetitions except Da Capo, unless otherwise specified in the repertoire requirement.

7) Due to time constraints, the jury may not hear the entire piece, but it will not affect the result of the
competition.

8) Participants with small hands may omit a note in an octave or play it as an arpeggio.

9) A change to any of the chosen repertoire stated in the application form is not allowed.

10) A foot pedal must not be used in Preschool Category (A footrest is approved).

11) Participants are expected to strictly adhere to the rules and regulations provided by the organizer. Failure to
comply with the requirements may be subject to disqualification.

12) Music with * are available for purchase at IMC Music Publisher. For more details, please contact us:
Publishing Department, IMC Music Publisher
Email: [email protected]

13) For those who have selected pieces from the Polish Music Book I: Click here for a List of Errata (only 1st
edition)

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Notes for those enrolled in Professional Categories

Those who passed the Second Round will have a rehearsal with a string quartet on January 16th. Rehearsal
schedule will be notified at the result announcement of the Second Round.

Notes for those enrolled in Concerto Categories [Concerto I, AA, AB, B, C and Chopinist Concerto A
Category]
For Prescreening and Video Audition of the Final, participants are to perform with a second piano
accompaniment. Participants must arrange an accompanist by themselves.

Those who choose to take part in Hall Audition of the Final are to perform along with a string quartet. One
rehearsal with the quartet will be arranged at a date, place and content specified by the organizer. Details will be
notified to the participants by email.
Category Rehearsal Schedule
Concerto I, AA, AB January 12th
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Final (Hall Audition) Concerto B, Chopinist Concerto A January 9
Concerto C January 14th
If more than one date is mentioned above, the organizer will specify one of them (this cannot be requested by
the participant).
The dates are subject to change.
In the event that the Final cannot be held due to reasons such as the string quartet being unable to visit Japan,
the date of the event may be postponed or cancelled.

For more information please feel free to contact: [email protected]

Notes on Specific Repertoire

■ Chopin: Andante Spianato et Grande Polonaise Brillante Op.22 (version for one piano)
Participants may choose to play the Polonaise part only, starting from Allegro Molto, if required by the imposed
time limits. In that case, specify that in the application form.

■ Chopin: Variations on "La ci darem la mano" Op.2 (version for one piano)
Only participants in the Solo Artist Category shall be able to choose this work.

■ Chopin: E minor Concerto Op.11 (version for one piano), F minor Concerto Op.21 (version for one
piano)
st
Only participants in the Chopinist B Category shall be able to choose the 1 movement.
nd
Only participants in the Chopinist A, Chopinist B, Chopinist S Categories shall be able to choose the 2 and the
3rd movement.

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■ Cut regulations due to time restraints

Those who choose the following repertoire, appropriate cuts shall be made due to time restraints.
● Chopin: Scherzo No.1 B minor Op.20
Junior High School Omit the measures indicated below:
High School --1st bracket
Chopinist A --mm. 125 – 240
Chopinist S
st
University Omit the 1 bracket
Solo Artist
Chopinist B

● Chopin: Scherzo No.2 Bb minor Op.31

Junior High School Omit the measures indicated below:
High School --mm. 133 – 264
Chopinist A
Chopinist S
University Cut regulation is not applicable for these categories.
Solo Artist
Chopinist B

● Chopin: Piano Concerto No.1 E minor Op.11

Appropriate cuts shall be made in the orchestra part (second piano part) due to time restraints.
Professional 1st movement Omit from the beginning until m.130, start from m.131
Concerto B Play until m.355 and play again from m.377 (i.e. Omit
Concerto C mm.356-376)
Chopinist Concerto A
Play until on the first beat of m.486 then jump to the second
beat of m.505. (i.e. Omit the second beat of m.486 until the first
beat of m.505)
Instead of playing m.671, play from m.687 until the end of the
movement. (i.e. Omit mm. 671 - 686)
Professional 2 nd
movement Omit mm.6 – 10
Concerto B
Concerto C
Chopinist Concerto A

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● Chopin: Piano Concerto No.2 F minor Op.21

Appropriate cuts shall be made in the orchestra part (second piano part) due to time restraints.
Professional 1st movement Omit from the beginning until m.64, start from m.65.

Concerto B
Play until the first 8th note of m.181, then play again from
Concerto C
the second 8th note of m.197 (i.e. Omit the second 8th
Chopinist Concerto A
note of m.181 until the first 8th note of m.197)
Instead of playing m.337, play from m.347 until the end of
the movement. (i.e. Omit mm.337 - 346)

● Chopin: Piano Concerto No.1 E minor Op.11 (version for one piano)
Appropriate cuts shall be made due to time restraints.
Chopinist B 1st movement Omit from the beginning until m.130, start from m.131.

Play until m.355 and play again from m.377 (i.e. Omit mm.356-376)

Play until on the first beat of m.486 then jump to the second beat
of m.505. (i.e. Omit the second beat of m.486 until the first beat of
m.505)
Play until on the first beat of m.671 and rest on the second and the
third beat. Then omit mm. 672- 687. Play again from m.688 until
the end of the movement.
Chopinist A 2nd movement Omit mm.6 - 10.
Chopinist B
Chopinist S

● Chopin: Piano Concerto No.2 F minor Op.21 (version for one piano)
Appropriate cuts shall be made due to time restraints.
Chopinist B 1st movement Omit from the beginning until m. 64, start from m.65.

Play until the first 8th note of m.181, then play again from the
second 8th note of m. 197 (i.e. Omit the second 8th note of m.181
until the first 8th note of m.197)
Play until on the first beat of m.337 and rest on the second beat,
then jump to the third beat of m.347 until the end of the
movement. (i.e. Omit the second beat of m.337 until the second
beat of m.347)

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● M.Górecki: Piano Concerto in the Style of Young Chopin No.1

Appropriate cuts shall be made in the orchestra part (second piano part) due to time restraints.
For Video Prescreening / 1st movement Omit from the beginning until m.16, start from m.17
Video Audition of the Final
Concerto AB
Chopinist Concerto A

● M.Górecki: Piano Concerto in the Style of Young Chopin No.2

Appropriate cuts shall be made in the orchestra part (second piano part) due to time restraints.
For Video Prescreening / 1st movement Omit from the beginning until m.6, start from m.7
Video Audition of the Final
Concerto AB
Chopinist Concerto A

● M.Górecki: Piano Concerto in the Classical Style

Appropriate cuts shall be made in the orchestra part (second piano part) due to time restraints.
For Video Prescreening / 1st movement Omit from the beginning until on the 1st beat of m. 29,
Video Audition of the Final
start from the pickup of the second beat of m.29
Concerto AB
Chopinist Concerto A

● M.Górecki: Piano Concerto in the Baroque Style

Appropriate cuts shall be made in the orchestra part (second piano part) due to time restraints.
For Video Prescreening / 1st movement Omit from the beginning until m.5, start from m.6
Video Audition of the Final
Concerto AB
Chopinist Concerto A

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Video Recording Requirement

Instruments Not only a grand piano but also an upright piano is acceptable. In principle, any piano
equipped with 88 keys and either two or three pedals meet the requirements except for
electronic pianos. Any other keyboard instruments including electric pianos are not
approved.

Filming The side view of the face, movement of the fingers, and the keyboard are to be captured
from one fixed camera. The angle of view should be static without zooming nor panning
and should not be changed at any time during the performance. It is not compulsory, but a
shot of the whole body (from head to feet) is preferable. There should be an appropriate
amount of lighting.

The orientation of the video can be either portrait or landscape. When uploading your
video, make sure that it is not upside-down or left-right flipped. Vertically filmed videos of
up to 60 seconds with a smartphone will automatically become “YouTube Shorts”, but that
will not affect the judging process.

Both for solo and two pianos, a shot from the right side of a participant is preferable, but if
it is difficult, a shot from the left side of the participant is acceptable. For two pianos, the
soloist should always sit closer to the camera than accompanist.

The use of an external microphone is approved. However, that does not automatically
improve the judging results.

Artificial additions such as reverb (reverberation) are not permitted. Excessive and artificial
reverb may result in the loss of points or disqualification.

If there is an automatic volume adjusting function on the recording device, turn off the
function to avoid clipping noise.

If you are submitting more than one piece of music or a piece which consists of multiple
movements, you may film each piece/movement separately. This can be applied to pieces
with an “attacca” marking. For “Andante spianato and grande polonaise brillante”, you may
film the andante part and the polonaise part separately on different days. In any event, the
videos should be recorded in the same room / hall with the same instrument and all the
videos should be combined as one video before submission. Only one URL may be
submitted per category. It is the responsibility of the participant to combine the videos into
a single URL. Submitting multiple videos without combining them (i.e. automatic playback
of multiple videos using playlists, submitting multiple URLs, etc.) may result in point
deductions and/or disqualification.

The video(s) must be recorded on or after July 1 st 2023 and may not be deleted until the
end of March 2024.

Editing No editing will be allowed within a piece/movement. Any evidence of editing, or of audio
that does not match the performance, may result in the loss of points or disqualification.

Recording video and audio simultaneously on different equipment and matching them

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later does not constitute editing. The work to increase the volume of the entire video also
does not fall under the category of editing. However if the video and audio appear to be
out of sync, points may be deducted and/or the applicant may be disqualified from the
competition. Any modifications for the purpose of correction, such as a replacement of a
single note or partial volume adjustment, will not be accepted.

What to wear Formal dress is not necessarily required.

Other You can only submit the repertoire you registered at the time of application. If the
repertoire registered at the time of application differs from the repertoire filmed, the points
will be deducted or the video may be disqualified.

Personally identifiable information should not be displayed or left visible anywhere on the
video.

Submit the video without a bow, greetings, any effect, or text data. The intervals before and
after the performance should be as short as possible.

If the video shows only the movement of the fingers and not the keyboard (e.g., from an
angle directly beside the piano), points may be deducted or the video may be disqualified.

By applying to the competition and submitting a video, both participants and owners of the
videos are granting the organizer to save and publicly transmit the videos without
limitation nor charge.

preferable examples_angle of view

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Uploading the video on YouTube

1) Audition video must be submitted in the form of URL linked to YouTube. No other online platform is
accepted.

2) Publish the video as “unlisted” under the visibility section, and make sure to turn off the age restriction on
YouTube so the organizer may access to the video.

3) Title the video as follows:

For the Prescreening: Participant’s name and category.
th
For the Final: Participant’s No., which will be sent by email no later than December 28 , 2023 (JST)．

Submitting the URL link

1) If a participant does not submit the URL link to the organizer by the deadline, the registration is regarded as
incomplete. This may result in disqualification from the competition.

2) Once the URL is submitted, the participant may not replace it with another URL.

3) The same repertoire must be presented for the Prescreening and the Final in every category except for
Professional Category. Although change of repertoire after prescreening is not allowed, only if you wish,
you may record the video again for the Final. In either case, all participants must re-upload the video on
YouTube, title the video to their Participant’s No., and submit the new URL link to the organizer by email at
[email protected] between January 23rd and 30th, 2024 at 12:00 (JST). Participants are required to
re-upload their video on YouTube even if they wish to submit the same video both for the Prescreening and
the Final. Participant’s No. will be sent by email no later than December 28th, 2023 (JST).

4) Before submission, make sure to playback the video from the beginning to the end for double checking.

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General Condition
1) For the Hall Audition, members of the Japanese jury together with the international jury, adjudicate the
competition. However, please make note that it may be difficult to invite professors from abroad in some
social situations. Admission to Hall Audition for the general public will be reopened this year. Details will be
announced at the website of the competition or by email on a later date.

2) For the Video Audition, members of the Japanese and international jury review the videos individually. If
there are more entries than expected in a category, the category may be divided into several groups and
each group may be judged by a different jury,

3) The result for the final will be announced at the website of the competition. In addition, the following are to
be announced:
--the number of entries for each category
--names of the jury members for each category
--names and repertoire of the laureates
--videos of laureates for the video audition only; the videos of top prize winner(s) may be presented for
public viewing (--this matter remains to be confirmed). *The organizer will re-upload the video to the
competition’s YouTube account after download.

4) A diploma and non-cash prize will be sent to participant’s registered address after the result announcement.

5) Any type of visual/audio recording is not allowed at events related to the competition, including the gala
concerts, etc. without permission from the committee.

6) All rights related to audio/visual recording, broadcast, performing, publishing, and portrait, and all forms of
distribution and sale of performances during the competition shall belong to the organizer.

7) By applying to the competition and submitting a video, both participants and owners of the videos are
granting the organizer to save and publicly transmit the videos without limitation nor charge.

8) Failure to comply with these rules may result in the loss of points or disqualification from the competition.

9) Each participant is responsible for bearing expenses of renting or purchasing equipment, instrument, or
studio and internet charge which may be required upon application, video making, and video uploading.

10) Each participant is responsible for bearing travel and accommodation expenses for participating in
competition.

11) Each participant is responsible to deal with obtaining health and accident insurance for themselves and the
person concerned if necessary. Also obtain accident, fire, theft, breakage insurance for equipment,
instrument, baggage, studio, etc. if necessary.

12) Each participant is responsible to obtain their own passports and visas to enter Japan. The organizer is not
be able to act as a guarantor.

13) These rules are written based on the regulation of the International Chopin Piano Competition in ASIA, and
any issues caused concerning the competition will be settled in conformity with the Japanese Law.

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Venues for Hall Audition

Yuri Hall (South Building, Showa University of Music / Kanagawa)
1-11-1 Kami-Aso, Aso-ku, Kawasaki-city, Kanagawa, JAPAN 215-8558
Website: http://www.tosei-showa-music.ac.jp/english/living.html

La Sala Scala (North Building, Showa University of Music / Kanagawa)

1-16-6 Manpuku-ji, Aso-ku, Kawasaki-city, Kanagawa, JAPAN 215-0004
Website: http://www.tosei-showa-music.ac.jp/english/living.html

From Airports
 Haneda Airport to Shin-Yurigaoka Station – approx. 70min by Airport Limousine Bus
 Narita Airport to Shin-Yurigaoka Station/About 145min by Airport Limousine Bus
From Shinjuku station
 Take Odakyu Line to Shin-Yurigaoka Station. 5-minutes walk to Yuri Hall, and 2-minutes to La
Sala Scala.

(©Showa University of Music)

Totsuka Ward Cultural Center Sakura Plaza

4th floor, 16-17, Totsuka-cho, Totsuka Ward, Yokohama City, Kanagawa, JAPAN 244-0003
Website (Japanese): https://totsuka.hall-info.jp/access/

From Haneda Airport & Yokohama Station

 Haneda Airport to Yokohama Station – approx. 30min by Airport Limousine Bus
 Yokohama Station to Totsuka Station – Take JR Line (approx. 10-12 min)
 2-minute walk from the west exit of Totsuka Station (JR & Yokohama Municipal Subway
Line)

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