21st CentLit - Module
21st CentLit - Module
Content Standards
The learners demonstrate an understanding of…
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Assessment
Quarterly Exams (QE): Quarterly exams will be administered twice in a semester.
These examinations are comprehensive, meaning it covers everything from the
initial topics up to the topics last discussed. The 1 st quarterly exam (Midterm) and
2nd quarterly exam (final) are worth 70-80 points each. No review material will be
given for the exams.
Assignments: These are activities or exercises which can be found in the required
textbook (or posted in GC). Assignments will be done frequently but will not be
submitted to be checked and graded. Answering the exercises are still equally
important to succeed in this subject.
Where and how will you submit you Assignments, UE, and PeTa?
Worksheets, UE’s, or PeTa’s must be submitted at the end of each module at the
Notre Dame of Jolo College Senior High School, Gandasuli Road, Jolo, Sulu
7400, pigeon box. Failure to submit on the deadline will result to point deduction.
For written assignments which are provided in this module, you have the liberty to
choose whether to write it by hand, or encode your assignments.
Grading System
21st Century Literature (Core Subject)
Written Works Performance Quarterly Exam Total
(Worksheets) Task (Project
Output)
25% 50% 25% 100%
Make-up Policy
For exams, it is the responsibility of the student to make sure that he/she notified
the instructor prior to the exam. Quarterly examinations missed by the student
may be taken on the next specified schedule. Failure to makeup the exam on the
specified schedule will result in a zero being recorded as the grade for the exam.
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Late Submission Policy
Turning in written works late will be subject to point deductions.
Academic Dishonesty
Cheating will not be tolerated. A student, whether a helper or recipient, will
receive a Zero on any assignment for academic dishonesty.
Lesson Outline:
1. Distinguishing the classifications of the other forms of literature
2. Explaining the use of pre-colonial forms of literature through critical
thinking
Lesson Introduction
Before the Philippines was colonized, it was already brimming with a rich tradition
of oral literature. Early Filipinos weaved together countless myths and legends to
explain certain phenomena in life. They had stories on how the world was created,
why there is a sun in the morning and the moo at night, how mountain was formed,
why there are earthquakes, and other life events. However, because paper was not
invented yet, many of these tales were not preserved and have vanished from local
knowledge.
Activity (Do)
Direction: Read the literary pieces on page 3-4 and answer the questions indicated
in the analysis.
Analyze (Think)
Direction: Explain the following based on what you have understand.
1. How do proverbs and riddles differ from one another?
2. What are folksongs?
3. What are the similarities and differences of epics and myths?
4. What do you think the reasons why these forms of literature were
preserved until now?
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Abstraction (Concept Notes)
Refer to book, pages 3-4
Apply (Practice)
Instruction: Complete the table below.
1. Proverbs
2. Riddles
3. Folksongs
4. Epics
5. Myths
Evaluation (Powerplus)
Short Response Test
Directions: Explain what is asked. Write your answers on the provided
space below.
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2. How can these pre-colonial forms of literature be of use to your life right
now?
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3. What do you think are the lessons you can get from the different forms of
literature? Do you think lessons that literature teach you can be useful in
your daily life? How?
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Topic 1.2: The Hinilawod Story
Lesson Outline:
1. Reading the story with comprehension then reflecting on it through answering
the comprehensive questions after the story.
2. Analyzing the values found in the story.
Lesson Introduction
Although few, the surviving stories of our ancestors prove that the Philippines was
a lively nation with a rich indigenous heritage. These tales, such as the Hinilawod,
tell more than just stories of brave men and magical creatures; they also illustrate
the history of the country and the formation of its vales system. In the story, the
values of bravery, brotherhood, friendship, and communal respect among
characters is how the way society worked back then, which is important when you
think about the society you live in right now.
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Activity (Do)
Direction: Read the story entitled The Hinilawod on page 5 and answer the
following questions indicated in the analysis.
Analyze (Think)
Direction: Explain the following based on what you have understand.
1. How do the values that you have learned shape you as a Filipino today?
2. How did Suklang Malayon save Datu Paubari and Alunsina from being
drowned in a flood?
3. How did Labaw Donggon win the hand of Agnoy Ginbitinan in marriage?
4. What have you learned from the story?
Apply (Practice)
Direction: Explain what is asked.
1. How much has changed from the way Filipinos lived before and the way
we live now? Illustrate your answer on a short bond paper.
Evaluation (Powerplus)
1. If given the chance to live the kind of life our ancestors had, are
you amenable with it? Expand your answer.
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2. Cite some examples or situations in which you can apply the values
that you have learned from the story.
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Lesson Outline:
1. Distinguishing the classifications of the other forms of literature that were
being passed by the early Filipinos.
2. Explaining the influenced of Spanish Colonial Literature in the contemporary
Philippine society through critical thinking.
Lesson Introduction
When Spaniards came, there was an immediate shift on the focus of literature. It
became centered on the Christian faith, and the stories about the natural
phenomena suddenly became all about lives of saints and other religious hymns.
Slowly, Philippine literature started to emulate the traditional Spanish ways of
themes and forms in writing, including the repetitive plots and obvious shadowy
characters.
Activity (Do)
Direction: Read and comprehend the topic on page 9-11 and answer the questions
indicated in the analysis below.
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Analyze (Think)
Direction: Explain the following based on what you have understand.
1. How was Christianity established in the Philippines?
2. Which among the kinds of Spanish literature are still being practiced on
our local area?
3. How does Corrido differ from Awit?
4. What is the connection of Pasyon to Cenaculo?
5. How does Cenaculo differ from Tibag?
Apply (Practice)
1. Corrido
2. Awit
3. Pasyon
4. Cenaculo
5. Moro-
Moro
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6. Carillo
7. Tibag
8. Duplo or
Karagatan
9. Zarzuela
Evaluation (Powerplus)
Directions: Explain what is asked. Write your answers on the space
provided below.
1. How does the literature during the Spanish era differed from the
literature during the pre-colonial era?
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Lesson Outline:
1. Reading the story with comprehension then reflecting on it through answering
the comprehensive questions after the story.
2. Analyzing the values found in the story.
Lesson Introduction
Despite of being colonized, most Filipinos back then still treasured the old myths
and folklores of their ancestors. One of these is Jose Rizal. Even though he is an
illustrado (a Filipino student educated abroad), he still firmly championed the
literature of precolonial Philippines and had also spent time researching on them.
Activity (Do)
Direction: Read the story entitled Mariang Makiling on page 11-13 and answer the
following questions indicated in the analysis.
Analyze (Think)
Direction: Explain the following based on what you have understand.
1. What distinctive values did Mariang Makiling show in the story?
2. How can you apply those values in your life as a student?
3. How did the hunter meet Mariang Makiling?
4. What is the reason why Mariang Makiling disappeared from the village?
Apply (Practice)
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Direction: Explain what is asked
1. As a student, how can you apply the values that you have found in the
story?
Evaluation (Powerplus)
Directions: Explain what is asked. Write your answer on the space provided
below.
1. Why do you think the story of Mariang Makiling is still present until now?
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Lesson Outline:
1. Identifying the elements of poetry
2. Identifying the kinds of sense impression used in a given poem or text
Lesson Introduction
Poetry in the Philippines is not different from its other counterparts around the
world. In the early 1900s, Filipino poetry celebrated romanticism, and several
poems about love flourished. Eventually as the years went on, poetry became more
formalist- the emphasis of the poetry is more on the form and language that the
poet used, rather than the theme itself. Then, modern poetry sprouted, and
nowadays, writers are more adventurous in their craft.
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Activity (Do)
Direction: Answer the following questions:
1. What do you understand about poetry?
2. What are the elements of poetry?
Analyze (Think)
Direction: Explain the following based on what you have understand.
1. How does structure differ from diction?
2. What is rhyme scheme?
3. How does word order differ from speaker?
4. What is a poetic license?
Apply (Practice)
A. Table Completion
Instructions: Define in your own words the elements of poetry. Write
your answer on the table below.
2. Diction
3. Rhyme Scheme
4. Speaker
5. Structure
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6. Word Order
Evaluation (Powerplus)
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C. Identification
Instructions: Identify the kinds of sense impression in the poem and
write the answer on the line below each line.
Winter
When the geese are flying south See it on the early eves,
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where
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Close your eyes and lift your nose; Shadows of the naked trees
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Feel the winter coming on; Watch the nuthatch and the
wren;
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Topic 3.2: Close Reading of Filipino Poetry
Lesson Outline:
1. Discussing the process of close reading
2. Applying close reading to enrich the reader’s understanding by reading a poem
Lesson Introduction
The concept of organic unity was established by New Criticism school of thought.
It says that all the interdependent parts of a literary selection must add up to
create one whole. In literature, all the parts and aspects of a literary selection
must contribute to one whole so crucially that if one part or aspect went missing,
the literary selection cannot be complete or may not have the same meaning
anymore. To understand the organic unity of a poem, you must use the process of
close reading.
Activity (Do)
Direction: Close read the poem entitled “Is It the Kingfisher”.
Analyze (Think)
Direction: After close reading the poem “Is It the Kingfisher”, answer the question
below.
1. How do you communicate with God?
Apply (Practice)
Direction: Explain what is asked
1. What are some things that you see in your daily life which you associate
with your faith and your relationship with God?
Evaluation (Powerplus)
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2. What did you feel about the poem?
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3. Reflect your personal relationship with God based from the poem.
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Module 3: The Landscape of Philippine Fiction
Topic 4.1: Techniques of Fiction
Elements of a Short Story
The Plot Structure of Fiction
Lesson Outline:
1. Identifying the elements of a short story in a given text
2. Reading the short stories entitled “The Sadness Collector” by Merlinda Bobis,
then reflecting on it through answering the comprehensive questions after the
story
3. Discussing the plot structure of fiction
4. Identifying the plot structure of fiction in a given story
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Fiction is everywhere you read, watch and sometimes live with it. It is essential to
have the concept of fiction in your life because it enhances your imagination and
creativity, which you may apply in other aspects of your life.
Fiction, just like any other good story, starts with a great character. The character
of the story is the one you relate with, converse with, or listen to the thoughts of.
This character and the way he or she changes as the story progresses become the
driving force of fiction-the reason that you as a reader will be interested or
disinterested as you read. Sometimes, characters also serve as symbols of a story.
A short story may use a character, object, or even object to signify something else
from its original meaning. A character may symbolize a community or an event in a
history. And there are times when you may not be sure what the symbolisms in a
given story are. As a reader, you need to examine these symbols and come up with
your own interpretations.
Aristotle once declared that for a story to be considered a story, it must have a
beginning, a middle, and an end. Plato agreed to this, and adhered to the idea of
an organic unity in fiction-the interdependent parts of a story are all needed to
create a whole. If one part is lost, the story cannot stand on its own. Eventually, in
the 19th century, a German novelist by the name Gustav Freytag realized that plots
of stories and even novels have common patters which can be summarized in a
diagram.
Activity (Do)
Direction: Answer the following questions:
1. What is fiction?
2. What is symbolism in fiction?
3. What does organic unity mean?
4. What are the structures needed for a piece to be considered a story?
Analyze (Think)
Direction: Explain the following based on what you have understand.
1. What is the meaning of character?
2. How does theme differ from title?
3. What is plot?
4. Who is Gustav Freytag? What is his contribution in the world of
literature?
5. How are you going to know when a story is already on the part of inciting
incident?
6. Can you use the plot structure of fiction on a long story? How?
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STORY MAP
Ulam lived with his young wife Himig in a nipa hut beside a rich man’s
house. So poor was the couple that their daily meals consisted of boiled rice
and salt. His wife of one year never complained as was true of wives during
those times. On lucky days when he was able to gather more firewood, which
he sold in the market place, Ulam would bring home some dried fish. The
poor couple could not help but sigh longingly and look at each other
helplessly every time the mouth-watering smell of chicken adobo coming
from their rich neighbor’s kitchen wafted into their window. But Ulam was
not exactly resigned to the salty smell and taste of their daily sustenance.
Although unschooled, he came up with an innovative idea.
At lunchtime one day, Ulam and Himig took their plates of steaming
rice outside and sat on a bamboo bench ostensibly set a few distance from
their neighbor’s kitchen. They held their plates high and let the smoke from
the adobo mix with their rice. And true enough, the rice became flavorful.
The couple felt contented to have had a hearty meal. This went on for a
week until the rich man learned about his neighbors were doing. He
confronted Ulam insisted that the latter pay for the smoke from his adobo.
Ulam protested that he had not stolen anything that belonged to his
neighbor and that, as a consequence, he owed him nothing. He added that
the smoke in question would evaporate into the air anyway. The selfish man
argued that the aroma from his adobo was intended for him and his family
and not for starving neighbors. He threatened to let loose his dogs to chase
Ulam if he did not pay for the smoke.
It did not take long before neighbors joined the commotion. Each had
his own opinion. An elderly man, who happened to pass by suggested, “I
think you, two, should go to the village magistrate and ask him to settle your
dispute.” At the courtroom, the old judge listened intently to both
arguments. After clearing his throat, he announced in a loud voice, “This
court ruled that the defendant Ulam should be condemned to pay the owner
of the chicken adobo with the sound of his money”. Thereupon, he asked
Ulam to hand him a coin. Ulam fished out a one-centavo coin from his pocket
and gave it to the judge.
“How many times did you partake of the smoke of your
neighbor’sadobo?” the judge asked. “Seven times your honor.” Ulam replied.
“Drop your coin seven times, then, and you, Mr. Rich Man, listen to the
sound of his coin. That will be his payment for the smoke from your adobo,”
the judge said finality. Ulam did exactly what the judge ordered him to do as
the rich man looked and listen in dismay. “Case dismiss,” the judge declared.
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3. Major Characters:
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PLOT:
4. Exposition
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5. Rising Action
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6. Climax
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7. Falling Action
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8. Denouement
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9. Conflict
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10. Lesson
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Lesson Outline:
1. Read the play entitled “The World Is an Apple” by Alberto Florentino. Then,
reflect on it through answering some given comprehensive questions.
Lesson Introduction
Philippine theater has evolved in many ways in the face of modernization, but it
always goes back to what Filipinos want: fun, music, dance, and contemporary
issues that we all can relate to.
Creativity is an important part of everyone’s personality. When you role play or
perform in a stage play, you exercise your creativity and put yourself in situations
that you otherwise will probably not experience in your own life.
Activity (Do)
Direction: Answer the following questions:
1. Why indigenous dramas were discarded when the Spaniards came?
2. What pre- dramatic forms of literature were present in Philippine theater
before?
Analyze (Think)
Direction: Explain the following based on what you have understand from the play
entitled “The World is an Apple”.
1. On what occasions nowadays are these pre - dramatic forms being
performed?
2. In your own opinion, how do you define poverty?
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3. In connection with the story, why do we need to look for a good friend?
Apply (Practice)
Directions: Explain what is asked.
Part I. Complete the Venn diagram below by comparing and
contrasting Comedia de Capa y Espada and Comedia de Santo.
Similarities
Evaluation (Powerplus)
2. What is Pablo’s point when he says, “What is honest money? Does it buy
more or less of honesty? What is it? Dressing like that? Staying in this
dungeon you call a house? Is that what you so beautifully call ‘honesty’?” Do
you agree or disagree with this? If you were to look at the characters
objectively, who will you side with—Pablo, Mario or Gloria?
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