CT-S500/CT-S1000V

MIDI Implementation

CASIO COMPUTER CO., LTD.

Contents

I Overview 4
1 Product Configuration as a MIDI Device 4
1.1 System Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
1.2 Performance Controller Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
1.3 Sound Generator Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

2 Timbre Type Specific Operation 6

3 Controlling Send/Receive of MIDI Messages in Each Instrument Part 6

4 Conditions that Disable Message Send and Receive 6

II Channel Message 7
5 Note Off 7

6 Note On 7

7 Control Change 7
7.1 Bank Select (00H,20H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
7.2 Modulation wheel or lever (01H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
7.3 Portamento Time (05H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
7.4 Data Entry (06H,26H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
7.5 Channel Volume (07H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
7.6 Pan (0AH) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
7.7 Expression Controller (0BH) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
7.8 Damper pedal (sustain) (40H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
7.9 Portamento On/Off (41H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
7.10 Sostenuto (42H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
7.11 Soft Pedal (43H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
7.12 Filter Resonance (47H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
7.13 Release Time (48H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
7.14 Attack Time (49H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
7.15 Filter Cutoff Frequency (4AH) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
7.16 Vibrato Rate (4CH) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
7.17 Vibrato Depth (4DH) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
7.18 Vibrato Delay (4EH) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

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 7.19 Portamento Control (54H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
7.20 Reverb Send Level (5BH) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
7.21 Chorus Send Level (5DH) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
7.22 Delay Send Level (5EH) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
7.23 RPN (64H,65H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
7.24 All Sound Off (78H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
7.25 Reset All Controllers (79H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
7.26 All Notes Off (7BH) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
7.27 Omni Mode Off (All Notes Off) (7CH) . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
7.28 Omni Mode On (All Notes Off) (7DH) . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
7.29 Mono Mode On (Poly Mode Off) (All Notes Off) (7EH) . . . . . . . . . . . . . . . . . . . 16
7.30 Poly Mode On (Mono Mode Off) (All Notes Off) (7FH) . . . . . . . . . . . . . . . . . . . 16

8 Program Change 16

9 Channel Pressure (Aftertouch) 17

10 Pitch Bend Change 17

III System Message 18

11 Timing Clock 18

12 Active Sensing 18

13 System Exclusive Message 18

13.1 Universal Real Time System Exclusive Message . . . . . . . . . . . . . . . . . . . . . . . . 18
13.2 Universal Non Real Time System Exclusive Message . . . . . . . . . . . . . . . . . . . . . 20
13.3 CASIO General System Exclusive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21

IV Setting Values and Send/ Receive Values 26

14 Setting Value Tables 26
14.1 0 - 127 Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
14.2 Off/On Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
14.3 Sustain Pedal Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
14.4 –64 - 0 - +63 Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
14.5 Pan Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
14.6 Fine Tuning Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
14.7 Reverb Type Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
14.8 Chorus Type Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
14.9 Reverb Type (CASIO General System Exclusive) Setting Value Table . . . . . . . . . . . 27
14.10 Chorus Type (CASIO General System Exclusive) Setting Value Table . . . . . . . . . . . 28
14.11 Delay Type (CASIO General System Exclusive) Setting Value Table . . . . . . . . . . . . 28
14.12 Lyric Speed Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
14.13 Gender Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
14.14 Age Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
14.15 Vocalist Single Parameter Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . 30

V MIDI Implementation Notation 31

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15 Value Notation 31
15.1 Hexadecimal Notation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
15.2 Binary Notation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

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Part I
Overview
1 Product Configuration as a MIDI Device
As a MIDI device, this Instrument consists of the System Section, Sound Generator Section, and Per-
formance Controller Section described below. Each of these sections can send and receive specific MIDI
Messages in accordance with its function.

1.1 System Section

The System Section manages the Instrument status and user data.

1.2 Performance Controller Section

The Performance Controller Section performs keyboard play and controller operations, and generates
performance messages. Basically, generated performance messages are sent to external destinations
while also being transmitted to the Sound Generator Section. The channel number of the sent channel
message is in accordance with the Instrument’s MIDI setting. For details about the MIDI setting, see
the Instrument’s User’s Guide.

1.3 Sound Generator Section

The Sound Generator Section mainly performs receive of performance information and sound source
setting information. It consists of a common part that does not depend on the channel and a musical
instrument part that is independent of each channel.

1.3.1 Sound Generator Common Block

The common block consists of system effects, master control, etc. These can be controlled effect function,
general universal system exclusive messages, or the Instrument’s system exclusive messages or all.

1.3.2 Instrument Part Block

The instrument part section is devided into A, B, C group for every 16 parts, and it consists of a total
of 48 parts. The settings of each part can be changed using channel messages or Instrument’s system
exclusive messages or all. Of these, only the C group can be controlled by external channel messages.
The functions assigned to each part are shown below.

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Port Part number MIDI Receive Ch MIDI Transmit ch Assigned Function Details
A 01 - 1-16 Upper1 -
A 02 - 1-16 Upper2 -
A 03 - 1-16 Lower -
A 04 - - - -
A 05 - 1-16 Auto Harmonize -
A 06 - 6 - -
A 07 - 7 - -
A 08 - 8 Metronome -
A 09 - 9 Accomp Percussion
A 10 - 10 Accomp Drum
A 11 - 11 Accomp Bass
A 12 - 12 Accomp Chord1
A 13 - 13 Accomp Chord2
A 14 - 14 Accomp Chord3
A 15 - 15 Accomp Chord4
A 16 - 16 Accomp Chord5

Port Part number MIDI Receive Ch MIDI Transmit Ch Assigned Function Details
B 17 - - Recorder System Track
Upper1
B 18 - - Recorder System Track
Upper2
B 19 - - Recorder System Track
Lower
B 20 - - - -
B 21 - - Recorder System Track Auto
Harmonize
B 22 - - - -
B 23 - - - -
B 24 - - Precount -
B 25 - - - -
B 26 - - - -
B 27 - - - -
B 28 - - - -
B 29 - - - -
B 30 - - - -
B 31 - - - -
B 32 - - - -

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 Port Part number MIDI Receive Ch MIDI Transmit Ch Assigned Function Details
C 33 1 - MIDI/Auto Recorder Solo
Play/Recorder Track1
C 34 2 - MIDI/Auto Recorder Solo
Play/Recorder Track2
C 35 3 - MIDI/Auto Recorder Solo
Play/Recorder Track3
C 36 4 - MIDI/Auto Recorder Solo
Play/Recorder Track4
C 37 5 - MIDI/Auto Recorder Solo
Play/Recorder Track5
C 38 6 - MIDI/Auto Recorder Solo
Play/Recorder Track6
C 39 7 - MIDI/Auto Play -
C 40 8 - MIDI/Auto Play -
C 41 9 - MIDI/Auto Play -
C 42 10 - MIDI/Auto Play -
C 43 11 - MIDI/Auto Play -
C 44 12 - MIDI/Auto Play -
C 45 13 - MIDI/Auto Play -
C 46 14 - MIDI/Auto Play -
C 47 15 - MIDI/Auto Play -
C 48 16 - MIDI/Auto Play -

2 Timbre Type Specific Operation

The sound source operation performed for a sound generator instrument receive message may depend
on the value of the Timbre Type (see “About the Timbre Type” in “8 Program Change”) of each part’s
operation mode. For details, see the explanation for each message.

3 Controlling Send/Receive of MIDI Messages in Each Instru-

ment Part
Send and receive of MIDI messages for each instrument part can be controlled by global Instrument
MIDI settings and Instrument-specific system exclusive messages. See the Instrument’s User’s Guide for
details.

4 Conditions that Disable Message Send and Receive

No MIDI messages at all can be sent or received while the instrument starts up, shuts down, ”Wait” is
on the display, etc.

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Part II
Channel Message
5 Note Off
Format

Message Format: 8nH kkH vvH

9nH kkH 00H(receive only)
n: MIDI Channel Number
kk: Key Number
vv: velocity

Transmit Sent when something is played on the keyboard or when play is performed using an arpeggio,
etc. The key number changes in accordance with on the Transpose function and Octave Shift function.

Receive Receipt stops a note being sounded by a note on message.

6 Note On
Message Format: 9nH kkH vvH
n: MIDI Channel Number
kk: Key Number
vv: Velocity

Transmit Sent when something is played on the keyboard or when play is performed using an arpeggio,
etc. The key number changes in accordance with on the Transpose function and Octave Shift function.

Receive Receipt sounds a note of the corresponding instrument part.

7 Control Change
Message Format: BnH ccH vvH
n: MIDI Channel Number
cc: Control Number
vv: Value
For details about messages, see each section of this manual that covers them.

7.1 Bank Select (00H,20H)

Message Format: BnH 00H mmH (MSB)

BnH 20H llH (LSB)
n: MIDI Channel Number
mm: MSB Value(Note1)
ll: LSB Value(Transmit:40H, Receive:00H/40H)

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 Note1: For details about the relationship between the MSB value and the tone, see the Tone List that comes with the
Instrument.

Transmit Sent when a tone setup number is selected.

Receive Receipt causes a change in the tone bank number stored in Instrument memory, but the
tone is not actually changed until a Program Change message is received. For details, see “8 Program
Change”. If LSB is specified as 40H, the type of reverb, chorus, and delay will change according to the
tone when the tone is changed in the Program Change message.

7.2 Modulation wheel or lever (01H)

Message Format: BnH 01H vvH

n: MIDI Channel Number
vv: Value

Transmit Sent when the knob is operated by setting.

Receive Receipt adds, to the tone being sounded, modulation of a depth specified by the value. In
the case of a tone that already has modulation applied, receipt of this message increases the modulation
depth. The modulation effect differs according to the tone being used.

7.3 Portamento Time (05H)

Message Format: BnH 05H vvH

n: MIDI Channel Number
vv: Value

Transmit Sent when portament time is used. Sent when the knob is operated by setting.

Receive Receipt changes the portamento application time.

7.4 Data Entry (06H,26H)

Message Format: BnH 06H mmH (MSB)

BnH 26H llH (LSB)
n: MIDI Channel Number
mm: MSB Value
ll: LSB Value

Transmit Sent when there is a change to the parameter assigned to RPN, NRPN.

Receive Receipt changes the parameter assigned to RPN, NRPN.

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7.5 Channel Volume (07H)

Message Format: BnH 07H vvH

n: MIDI Channel Number
vv: Value

Transmit Sent when part volume is used. Sent when the knob is operated by setting.

Receive Receipt changes the part volume.

7.6 Pan (0AH)

Message Format: BnH 0AH vvH

n: MIDI Channel Number
vv: Value(Note1)

Note1: For information about the relationship between setting values and send/receive values, see “14.5 Pan Setting Value
Table” in “IV Setting Values and Send/Receive Values”.

Transmit Sent when part pan is used. Sent when the knob is operated by setting.

Receive Receipt changes the pan of the corresponding part.

7.7 Expression Controller (0BH)

Message Format: BnH 0BH vvH

n: MIDI Channel Number
vv: Value

Transmit Transmitted by setting when expression pedal is connected to this Instrument.

Receive Receipt changes the expression value.

7.8 Damper pedal (sustain) (40H)

Message Format: BnH 40H vvH

n: MIDI Channel Number
vv: Value

Transmit Sent when a pedal that has a sustain function is operated.

Receive Receipt performs an operation equivalent to a sustain pedal operation.

9
Timbre Type Specific Operation This operation differs in accordance with the Timbre Type (see
“About the Timbre Type” in “8 Program Change”) setting.

• Timbre Type: Melody,Hex Layer

Sustain off/on control is performed in accordance with the value of the received message. For
information about the relationship between setting values and send/receive values, see the “14.2
Off/On Setting Value Table” in “IV Setting Values and Send/Receive Values”.
• Timbre Type: Piano
Continuous control of the following is performed in accordance with the value of the received
message.
– Piano note decay rate
For information about the relationship between setting values and send/receive values, see “14.3
Sustain Pedal Setting Value Table” in “IV Setting Values and Send/Receive Values.”

• Timbre Type: LM (Linear Morphing) Piano

Continuous control of the following is performed in accordance with the value of the received
message.
– Piano note decay rate
– Resonance characteristics and decay rate of Damper Resonance effect resonance note

see “14.3 Sustain Pedal Setting Value Table” in “IV Setting Values and Send/Receive Values.”
• Timbre Type: Drum The received message does not affect sound source operation.

7.9 Portamento On/Off (41H)

Message Format: BnH 41H vvH

n: MIDI Channel Number
vv: Value (Note1)

Note1: For information about the relationship between setting values and send/receive values, see the “14.2 Off/On Setting
Value Table” in “IV Setting Values and Send/Receive Values” of this document.

Transmit Sent when the portament on/off is changed.

Receive Receipt changes the portamento on/off setting.

7.10 Sostenuto (42H)

Message Format: BnH 42H vvH

n: MIDI Channel Number
vv: Value (Note1)

Note1: For information about the relationship between setting values and send/receive values, see the “14.2 Off/On Setting
Value Table” in “IV Setting Values and Send/Receive Values” of this document.

Transmit Sent when a pedal that has a sostenuto function is operated.

10
Receive Receipt performs an operation equivalent to a sostenuto pedal operation.

7.11 Soft Pedal (43H)

Message Format: BnH 43H vvH

n: MIDI Channel Number
vv: Value (Note1)

Note1: For information about the relationship between setting values and send/receive values, see the “14.2 Off/On Setting
Value Table” in “IV Setting Values and Send/Receive Values” of this document.

Transmit Sent when a pedal that has a soft pedal function is operated.

Receive Receipt performs an operation equivalent to a soft pedal operation.

7.12 Filter Resonance (47H)

Message Format: BnH 47H vvH

n: MIDI Channel Number
vv: Value

Transmit Sent when the knob is operated by setting.

Receive Receipt changes the filter resonance intensity.

7.13 Release Time (48H)

Message Format: BnH 48H vvH

n: MIDI Channel Number
vv: Value (Note1)

Note1: For information about the relationship between setting values and send/receive values, see the “14.4 –64 - 0 - +63
Setting Value Table” in “IV Setting Values and Send/Receive Values” of this document.

Transmit It will be changed when sustain is used and when setting is changed. Sent when the knob
is operated by setting.

Receive Receipt makes a relative change in the time it takes for a note to decay to zero after a key is
released.

7.14 Attack Time (49H)

Message Format: BnH 49H vvH

n: MIDI Channel Number
vv: Value (Note1)

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 Note1: For information about the relationship between setting values and send/receive values, see the “14.4 –64 - 0 - +63
Setting Value Table” in “IV Setting Values and Send/Receive Values” of this document.

Transmit Sent when the knob is operated by setting.

Receive Receipt makes a relative change in the time it takes for a note to rise to its maximum level.

7.15 Filter Cutoff Frequency (4AH)

Message Format: BnH 4AH vvH

n: MIDI Channel Number
vv: Value (Note1)

Note1: For information about the relationship between setting values and send/receive values, see the “14.4 –64 - 0 - +63
Setting Value Table” in “IV Setting Values and Send/Receive Values” of this document.

Transmit Sent when the knob is operated by setting.

Receive Receipt changes the filter cutoff frequency.

7.16 Vibrato Rate (4CH)

Message Format: BnH 4CH vvH

n: MIDI Channel Number
vv: Value (Note1)

Note1: For information about the relationship between setting values and send/receive values, see the “14.4 –64 - 0 - +63
Setting Value Table” in “IV Setting Values and Send/Receive Values” of this document.

Transmit Sent when the knob is operated by setting.

Receive Receipt changes the rate of vibrato.

7.17 Vibrato Depth (4DH)

Message Format: BnH 4DH vvH

n: MIDI Channel Number
vv: Value (Note1)

Note1: For information about the relationship between setting values and send/receive values, see the “14.4 –64 - 0 - +63
Setting Value Table” in “IV Setting Values and Send/Receive Values” of this document.

Transmit Sent when the knob is operated by setting.

Receive Receipt changes the depth of vibrato.

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7.18 Vibrato Delay (4EH)

Message Format: BnH 4EH vvH

n: MIDI Channel Number
vv: Value (Note1)

Note1: For information about the relationship between setting values and send/receive values, see the “14.4 –64 - 0 - +63
Setting Value Table” in “IV Setting Values and Send/Receive Values” of this document.

Transmit Sent when the knob is operated by setting.

Receive Receipt changes the delay time of vibrato.

7.19 Portamento Control (54H)

Message Format: BnH 54H vvH

n: MIDI Channel Number
vv: Source Key Number

Receive Receipt of this message first stores the Source Note Number for the next note. When the next
Note On is received, the portamento effect is applied to the note using this Source Note Number as the
pitch start point and the Note On event key number as the end point. If there already is a note being
sounded by Source Note Number at this time, the new note on is not performed and the portamento
effect is applied to the pitch of the note being sounded. That is to say that legato play is performed.

7.20 Reverb Send Level (5BH)

Message Format: BnH 5BH vvH

n: MIDI Channel Number
vv: Value

Transmit Sent when the knob is operated by setting. Sent when GM tone is selected.

Receive Receipt changes the reverb send of the corresponding part.

7.21 Chorus Send Level (5DH)

Message Format: BnH 5DH vvH

n: MIDI Channel Number
vv: Value

Transmit Sent when the knob is operated by setting. Sent when Chorus type or GM tone is selected.

Receive Receipt changes the chorus send of the corresponding part.

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7.22 Delay Send Level (5EH)

Message Format: BnH 5EH vvH

n: MIDI Channel Number
vv: Value

Transmit Sent when the knob is operated by setting. Sent when Delay type or GM tone is selected.

Receive Receipt changes the delay send of the corresponding part.

7.23 RPN (64H,65H)

Message Format: BnH 64H llH (LSB)

BnH 65H mmH (MSB)
n: MIDI Channel Number
ll: LSB Value
mm: MSB Value

7.23.1 Pitch Bend Sensitivity

Message Format: BnH 64H 00H

BnH 65H 00H
BnH 06H mmH
BnH 26H llH
n: MIDI Channel Number
mm: MSB Value(00H - 18H)
ll: LSB Value(Transmit:00H, Receive:Ignored)

Transmit Sent when calling Registration. Sent when the bend range is changed.

Receive Receipt changes bend range of the corresponding part.

7.23.2 Channel Fine Tuning

Message Format: BnH 64H 01H

BnH 65H 00H
BnH 06H mmH
BnH 26H llH
n: MIDI Channel Number
mm: MSB Value
ll: LSB Value

Transmit Sent when calling Registration.

Receive Receipt changes the fine tune of the corresponding part.

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7.23.3 Channel Coarse Tune

Message Format: BnH 64H 02H

BnH 65H 00H
BnH 06H mmH
BnH 26H llH
n: MIDI Channel Number
mm: MSB Value(28H - 58H)
ll: LSB Value(Transmit:00H, Receive:Ignored)

Transmit Sent when calling Registration.

Receive Receipt changes the coarse tune of the corresponding part. Does not affect sound source
operation when the Timbre Type (see “About the Timbre Type” in “8 Program Change”) is Drum.

7.23.4 Null

Message Format: BnH 64H 7FH

BnH 65H 7FH
n: MIDI Channel Number

Transmit Sent when there is a change to the parameter assigned to RPN, NRPN.

Receive Receipt de-selects RPN, NRPN.

7.24 All Sound Off (78H)

Message Format: BnH 78H 00H

n: MIDI Channel Number

Transmit Sent when MIDI send related settings are changed.

Receive Receipt stops all voices that are sounding.

7.25 Reset All Controllers (79H)

Message Format: BnH 79H 00H

n: MIDI Channel Number

Transmit Sent when MIDI send related settings are changed.

Receive Receipt initializes each performance controller.

7.26 All Notes Off (7BH)

Message Format: BnH 7BH 00H

n: MIDI Channel Number

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Receive Receipt releases (key release) all voices that are sounding.

7.27 Omni Mode Off (All Notes Off ) (7CH)

Message Format: BnH 7CH 00H

n: MIDI Channel Number

Receive Receipt performs the same operation as when All Notes Off is received.

7.28 Omni Mode On (All Notes Off ) (7DH)

Message Format: BnH 7DH 00H

n: MIDI Channel Number

Note: This Instrument always operates in Omni Mode Off.

Receive Receipt performs the same operation as when All Notes Off is received.

7.29 Mono Mode On (Poly Mode Off ) (All Notes Off ) (7EH)

Message Format: BnH 7EH 00H

n: MIDI Channel Number

Note: This Instrument always operates in Poly Mode On.

Receive Receipt performs the same operation as when All Notes Off is received.

7.30 Poly Mode On (Mono Mode Off ) (All Notes Off ) (7FH)

Message Format: BnH 7FH 00H

n: MIDI Channel Number

Receive Receipt performs the same operation as when All Notes Off is received.

8 Program Change

Message Format: CnH ppH

n: MIDI Channel Number
pp: Program Number (Note1)

Note1: For details about the relationship between the program number and the tone, see the Tone List that comes with the
Instrument.

Transmit Sent when a tone number is selected.

16
Receive Receipt changes the tone of the corresponding part. The selected tone is determined by the
program value of this message and the Bank Select message value received prior to this message. Also
note that receipt of this message also may change the Timbre Type that corresponds to the selected
tone. For more information, see “About the Timbre Type” below.

About the Timbre Type Tones that are selected by each Instrument part have an attribute that
depends on the sound source operation type. This attribute is called the “timbre type,” which is one of
the types described below.

• Melody
This timbre type optimizes for normal melody tones. The damper pedal performs on/off operations.
• Piano
This Timbre Type is for piano tones. The decay rate of the voice being sounded is seamlessly altered
in accordance with the damper pedal position. The method for producing sound in response to the
note messages also is different from that of the melody Timbre Type, and operation is optimized
for piano.
• LMPiano
This Timbre Type is for Linear Morphing piano tones. The decay rate of the voice being sounded
and Damper Resonance effect characteristics are seamlessly altered in accordance with the damper
pedal position. The method for producing sound in response to the note messages also is different
from that of the melody Timbre Type, and operation is optimized for piano.
• Drum
This setting optimizes for drum sounds. The damper pedal does not function. The Hold1, Channel
Coarse Tune, and Master Coarse Tune messages are ignored if they are received.

9 Channel Pressure (Aftertouch)

Message Format: DnH vvH

n: MIDI Channel Number
vv: Value

Receive Receipt adds, to the tone being sounded, modulation of a depth specified by the value. In
the case of a tone that already has modulation applied, receipt of this message increases the modulation
depth. The modulation effect differs according to the tone being used.

10 Pitch Bend Change

Message Format: EnH llH mmH

n: MIDI Channel Number
ll: Value LSB
mm: Value MSB

Transmit Sent when the pitch bend wheel is operated.

Receive Receipt changes the pitch of the currently sounding note. The range of the pitch change
depends on the bend range value setting.

17
Part III
System Message
11 Timing Clock

Message Format: F8H

Transmit Sent periodically when the MIDI sync mode is master.

Receive Receipt while the MIDI sync mode is slave causes tempo to be synced based in timing clock
information.

12 Active Sensing

Message Format: FEH

Receive Once this message is received, the Active Sensing mode is entered. If no MIDI message is
received for a specified amount of time, voices being sounded by this Instrument’s sound source are
released, the controller is reset, and the Active Sensing mode is exited.

13 System Exclusive Message

Message Format: F0H iiH....F7H

ii: ID Number
The Instrument sends and receives standard universal system exclusive messages, and system exclusive
messages that have Instrument-specific formats.

ID Number The ID numbers handed by this Instrument are shown below.

ID Number ID Name
44H Casio Computer Co. Ltd
7EH Non Real Time System Exclusive Message
7FH Real Time System Exclusive Message

13.1 Universal Real Time System Exclusive Message

Message Format: F0H 7FH 7FH....F7H

13.1.1 Master Volume

Message Format: F0H 7FH 7FH 04H 01H llH mmH F7H
ll: LSB Value(Receive:Ignored)
mm: MSB Value

Receive Receipt changes the song volume.

18
13.1.2 Master Fine Tuning

Message Format: F0H 7FH 7FH 04H 03H llH mmH F7H
ll: LSB Value(Note1)
mm: MSB Value(Note1)

Note1: For information about the relationship between setting values and send/receive values, see “14.6 Fine Tuning Setting
Value Table” in “IV Setting Values and Send/Receive Values” of this document.

Transmit Sent when the tuning setting is changed.

Receive Receipt changes the tuning setting.

13.1.3 Master Coarse Tuning

Message Format: F0H 7FH 7FH 04H 04H llH mmH F7H
ll: LSB Value(Transmit:00H,Receive:Ignored)
mm: MSB Value(28H - 58H)

Receive Receipt changes the Master Coarse Tuning parameter.

13.1.4 Reverb Type

Message Format: F0H 7FH 7FH 04H 05H 01H 01H 01H 01H 01H 00H vvH F7H
vv: Value(Note1)

Note1: For information about the relationship between setting values and send/receive values, see “14.7 Reverb Type Setting
Value Table” in “IV Setting Values and Send/Receive Values” of this document.

Receive Receipt changes the reverb type.

13.1.5 Reverb Time

Message Format: F0H 7FH 7FH 04H 05H 01H 01H 01H 01H 01H 01H vvH F7H
vv: Value

Receive Receipt changes the reverb duration.

13.1.6 Chorus Type

Message Format: F0H 7FH 7FH 04H 05H 01H 01H 01H 01H 02H 00H vvH F7H
vv: Value(Note1)

Note1: For information about the relationship between setting values and send/receive values, see “14.8 Chorus Type Setting
Value Table” in “IV Setting Values and Send/Receive Values” of this document.

Receive Receipt changes the chorus type.

19
13.1.7 Mod Rate

Message Format: F0H 7FH 7FH 04H 05H 01H 01H 01H 01H 02H 01H vvH F7H
vv: Value

Receive Receipt changes the modulation rate of chorus setting.

13.1.8 Mod Depth

Message Format: F0H 7FH 7FH 04H 05H 01H 01H 01H 01H 02H 02H vvH F7H
vv: Value

Receive Receipt changes the modulation depth of chorus setting.

13.1.9 Send to Reverb

Message Format: F0H 7FH 7FH 04H 05H 01H 01H 01H 01H 02H 04H vvH F7H
vv: Value

Receive Receipt changes the Chorus Send to Reverb setting.

13.2 Universal Non Real Time System Exclusive Message

Message Format: F0H 7EH 7FH....F7H

13.2.1 GM System On

Message Format: F0H 7EH 7FH 09H 01H F7H

Receive Receipt puts the sound source into a GM sound source mode.

13.2.2 GM System Off

Message Format: F0H 7EH 7FH 09H 02H F7H

Receive Receipt changes the sound source setting to the Instrument presetting.

13.2.3 GM2 System On

Message Format: F0H 7EH 7FH 09H 03H F7H

Receive Though the Instrument does not support GM2, receipt of the GM2 System On message has
the same result as receipt of the GM System On message.

20
13.3 CASIO General System Exclusive

Message Format: F0H 44H 7EH 7FH iiH ccH ssH ggH ppH ddH ... F7H
ii: Device ID (7FH)
cc: Category ID
ss: Sub Category ID
gg: Group ID (00H)
pp: Parameter ID
dd ...: Data

This message can be used to perform sound source parameter operations.

13.3.1 Reverb Type

Message Format: F0H 44H 7EH 7FH 7FH 04H 00H 00H 00H ccH ttH F7H
cc: Channel(Note1)
tt: Type(Note2)

Note1: For information about the relationship between setting values and send/receive values, see “MIDI Receive Ch” in
“1.3.2 Instrument Part Block” of this document.

Note2: For information about the relationship between setting values and send/receive values, see “14.9 Reverb Type (CASIO
General System Exclusive) Setting Value Table” in “IV Setting Values and Send/Receive Values” of this document.

Transmit Sent when the reverb type is changed.

Receive Receipt changes the reverb type.

13.3.2 Chorus Type

Message Format: F0H 44H 7EH 7FH 7FH 04H 01H 00H 00H ccH ttH F7H
cc: Channel(Note1)
tt: Type(Note2)

Note1: For information about the relationship between setting values and send/receive values, see “MIDI Receive Ch” in
“1.3.2 Instrument Part Block” of this document.

Note2: For information about the relationship between setting values and send/receive values, see “14.10 Chorus Type (CASIO
General System Exclusive) Setting Value Table” in “IV Setting Values and Send/Receive Values” of this document.

Transmit Sent when the chorus type is changed.

Receive Receipt changes the chorus type.

21
13.3.3 Delay Type

Message Format: F0H 44H 7EH 7FH 7FH 04H 02H 00H 00H ccH ttH F7H
cc: Channel(Note1)
tt: Type(Note2)

Note1: For information about the relationship between setting values and send/receive values, see “MIDI Receive Ch” in
“1.3.2 Instrument Part Block” of this document.

Note2: For information about the relationship between setting values and send/receive values, see “14.11 Delay Type (CASIO
General System Exclusive) Setting Value Table” in “IV Setting Values and Send/Receive Values” of this document.

Transmit Sent when the delay type is changed.

Receive Receipt changes the delay type.

13.3.4 Lyric Play Mode (CT-S1000V only)

Message Format: F0H 44H 7EH 7FH 7FH 06H 00H 00H 00H ccH vvH F7H
cc: Channel(Note1)
vv: Value (00H : Note Mode, 01H : Phrase Mode)

Note1: For information about the relationship between setting values and send/receive values, see “MIDI Receive Ch” in
“1.3.2 Instrument Part Block” of this document.

Transmit Sent when the Lyric Tone Play Mode of Vocal Synthesis is changed.

Receive Receipt changes the Lyric Tone Play Mode. The settings of this instrument are changed
regardless of the Channel.

13.3.5 Lyric Pedal Hold Type (CT-S1000V only)

Message Format: F0H 44H 7EH 7FH 7FH 06H 00H 00H 01H ccH vvH F7H
cc: Channel(Note1)
vv: Value (00H : Off, 01H : On)

Note1: For information about the relationship between setting values and send/receive values, see “MIDI Receive Ch” in
“1.3.2 Instrument Part Block” of this document.

Transmit Sent when the Lyric Tone Hold of Vocal Synthesis is changed.

Receive Receipt changes the Lyric Tone Hold. The settings of this instrument are changed regardless
of the Channel.

22
13.3.6 Syllable Position Control (CT-S1000V only)

Message Format: F0H 44H 7EH 7FH 7FH 06H 00H 00H 02H ccH vvH ppH F7H
cc: Channel(Note1)
vv: Value (00H : Off, 01H : On)
pp: Syllable Position (00H : 1st syllable, 01H : 2nd syllable, ...)

Note1: For information about the relationship between setting values and send/receive values, see “MIDI Receive Ch” in
“1.3.2 Instrument Part Block” of this document.

Transmit Sent when the Syllable Position of Vocal Synthesis is set/canceled.

Receive Receipt sets/cancels the Syllable Position. The settings of this instrument are changed re-
gardless of the Channel.

13.3.7 Lyric Attack (CT-S1000V only)

Message Format: F0H 44H 7EH 7FH 7FH 06H 01H 00H 00H ccH vvH F7H
cc: Channel(Note1)
vv: Value (00H-1EH)

Note1: For information about the relationship between setting values and send/receive values, see “MIDI Receive Ch” in
“1.3.2 Instrument Part Block” of this document.

Transmit Sent when the Lyric Tone Attack of Vocal Synthesis is changeed.

Receive Receipt changes the Lyric Tone Attack. The settings of this instrument are changed regardless
of the Channel.

13.3.8 Lyric Attack Balancer (CT-S1000V only)

Message Format: F0H 44H 7EH 7FH 7FH 06H 01H 00H 01H ccH vvH F7H
cc: Channel(Note1)
vv: Value(00H : Off, 01H : On)

Note1: For information about the relationship between setting values and send/receive values, see “MIDI Receive Ch” in
“1.3.2 Instrument Part Block” of this document.

Transmit Sent when the Lyric Tone Attack Balancer of Vocal Synthesis is changeed.

Receive Receipt changes the Lyric Tone Attack Balancer. The settings of this instrument are changed
regardless of the Channel.

13.3.9 Lyric Speed (CT-S1000V only)

Message Format: F0H 44H 7EH 7FH 7FH 06H 01H 00H 02H ccH ddH ddH ddH ddH F7H
cc: Channel(Note1)
dd: Data(Note2)

23
 Note1: For information about the relationship between setting values and send/receive values, see “MIDI Receive Ch” in
“1.3.2 Instrument Part Block” of this document.

Note2: The microsecond per quarter note of tempo is expressed in 24 bits and divided into 4 Bytes of 3 bits, 7 bits, 7 bits,
and 7 bits.
For information about the relationship between setting values and send/receive values, see “14.12 Lyric Speed Setting Value Table”
in “IV Setting Values and Send/Receive Values” of this document.

Transmit Sent when the Lyric Tone Speed of Vocal Synthesis is changeed.

Receive Receipt changes the Lyric Tone Speed. The settings of this instrument are changed regardless
of the Channel.

13.3.10 Gender (CT-S1000V only)

Message Format: F0H 44H 7EH 7FH 7FH 06H 02H 00H 00H ccH vvH F7H
cc: Channel(Note1)
vv: Value(Note2)

Note1: For information about the relationship between setting values and send/receive values, see “MIDI Receive Ch” in
“1.3.2 Instrument Part Block” of this document.

Note2: For information about the relationship between setting values and send/receive values, see “14.13 Gender Setting Value
Table” in “IV Setting Values and Send/Receive Values” of this document.

Transmit Sent when the Gender of a Vocalist in Vocal Synthesis is changeed.

Receive Receipt changes the Gender of a Vocalist. The settings of this instrument are changed re-
gardless of the Channel.

13.3.11 Age (CT-S1000V only)

Message Format: F0H 44H 7EH 7FH 7FH 06H 02H 00H 01H ccH vvH F7H
cc: Channel(Note1)
vv: Value(Note2)

Note1: For information about the relationship between setting values and send/receive values, see “MIDI Receive Ch” in
“1.3.2 Instrument Part Block” of this document.

Note2: For information about the relationship between setting values and send/receive values, see “14.14 Age Setting Value
Table” in “IV Setting Values and Send/Receive Values” of this document.

Transmit Sent when the Age of a Vocalist in Vocal Synthesis is changeed.

Receive Receipt changes the Age of a Vocalist. The settings of this instrument are changed regardless
of the Channel.

24
13.3.12 Vocalist Number (CT-S1000V only)

Message Format: F0H 44H 7EH 7FH 7FH 06H 02H 00H 02H ccH nnH F7H
cc: Channel(Note1)
nn: Number(00H - 16H)

Note1: For information about the relationship between setting values and send/receive values, see “MIDI Receive Ch” in
“1.3.2 Instrument Part Block” of this document.

Transmit Sent when the Vocalist of Vocal Synthesis is changeed.

Receive Receipt changes the Vocalist. The settings of this instrument are changed regardless of the
Channel.

13.3.13 Vocalist Single Parameter (CT-S1000V only)

Message Format: F0H 44H 7EH 7FH 7FH 06H 02H 00H 03H ccH 00H iiH vvH F7H
cc: Channel(Note1)
ii: ID(Note2)
vv: Value(Note2)

Note1: For information about the relationship between setting values and send/receive values, see “MIDI Receive Ch” in
“1.3.2 Instrument Part Block” of this document.

Note2: For information about the relationship between setting values and send/receive values, see “14.15 Vocalist Single
Parameter Setting Value Table” in “IV Setting Values and Send/Receive Values” of this document.

Transmit Sent when the following Vocalist Parameters in Vocal synthesis changed.
Attack Time, Release Time, Modulation Range, Vibrato Depth, Vibrato Rate, Vibrato Delay, Cutoff,
Portamento, Portamento Time, Octave Shift

Receive Receipt changes various settings of the Vocalist. The settings of this instrument are changed
regardless of the Channel.

25
Part IV
Setting Values and Send/ Receive Values
14 Setting Value Tables
14.1 0 - 127 Setting Value Table

Receive Value DSP Parameter Value Parameter

00H - 00H 00H 0
: : :
7FH - 7FH 7FH 127

14.2 Off/On Setting Value Table

Transmit Value Receive Value Parameter

00H 00H - 3FH Off
7FH 40H - 7FH On

14.3 Sustain Pedal Setting Value Table

Transmit Value Receive Value Parameter

- 00H Off
: : (continuous)
- 7FH Full

14.4 –64 - 0 - +63 Setting Value Table

Transmit Value Receive Value Parameter

00H 00H -64
: : :
40H 40H 0
: : :
7FH 7FH +63

14.5 Pan Setting Value Table

Transmit Value Receive Value Parameter

00H 00H Left
: : :
40H 40H Center
: : :
7FH 7FH Right

26
14.6 Fine Tuning Setting Value Table

Transmit Value Receive Value Parameter

(LSB, MSB)
(43H, 00H) (00H, 00H) - (5FH, 00H) 415.5 Hz
(65H, 00H) (60H, 00H) - (7FH, 00H) 415.6 Hz
(07H, 01H) (00H, 01H) - (1FH, 01H) 415.7 Hz
(29H, 01H) (20H, 01H) - (3FH, 01H) 415.8 Hz
: : :
(40H, 3FH) (30H, 3FH) - (4FH, 3FH) 439.8 Hz
(60H, 3FH) (50H, 3FH) - (6FH, 3FH) 439.9 Hz
(00H, 40H) (70H, 3FH) - (1FH, 40H) 440.0 Hz
(20H, 40H) (20H, 40H) - (3FH, 40H) 440.1 Hz
(40H, 40H) (40H, 40H) - (5FH, 40H) 440.2 Hz
: : :
(54H, 7EH) (50H, 7EH) - (6FH, 7EH) 465.6 Hz
(73H, 7EH) (70H, 7EH) - (0FH, 7FH) 465.7 Hz
(11H, 7FH) (10H, 7FH) - (2FH, 7FH) 465.8 Hz
(30H, 7FH) (30H, 7FH) - (7FH, 7FH) 465.9 Hz

14.7 Reverb Type Setting Value Table

Transmit Value Receive Value Parameter

- 00H Small Room
- 01H Medium Room
- 02H Large Room
- 03H Medium Hall
- 04H Large Hall
- 08H Plate

14.8 Chorus Type Setting Value Table

Transmit Value Receive Value Parameter

- 00H Chorus1
- 01H Chorus2
- 02H Chorus3
- 03H Chorus4
- 04H FB Chorus
- 05H Flanger

14.9 Reverb Type (CASIO General System Exclusive) Setting Value Table

27
Transmit Value Receive Value Parameter
00H 00H Room1
01H 01H Room2
02H 02H Room3
03H 03H Hall1
04H 04H Hall2
05H 05H Plate1
06H 06H Delay
07H 07H Pan Delay
08H 08H Plate2
0AH 0AH Large Room1
0BH 0BH Large Room2
0CH 0CH Stadium1
0DH 0DH Stadium2
0EH 0EH Long Delay1
0FH 0FH Long Delay2
10H 10H Room4
11H 11H Room5
16H 16H Church
17H 17H Hall3
18H 18H Hall4
19H 19H Hall5
1AH 1AH Hall6
1EH 1EH Cathedral
1FH 1FH Stadium3
20H 20H Off
2DH 2DH Tone

14.10 Chorus Type (CASIO General System Exclusive) Setting Value Table

Transmit Value Receive Value Parameter

00H 00H Chorus1
01H 01H Chorus2
02H 02H Chorus3
03H 03H Chorus4
04H 04H FB Chorus
05H 05H Flanger4
06H 06H Flanger3
07H 07H Flanger2
08H 08H Flanger1
09H 09H Short Delay1
0AH 0AH Short Delay2
0FH 0FH Deep Chorus
10H 10H Tone

14.11 Delay Type (CASIO General System Exclusive) Setting Value Table

28
Transmit Value Receive Value Parameter
00H 00H Short1
01H 01H Short2
02H 02H Echo
03H 03H Tempo Sync Short
04H 04H Tempo Sync Middle
05H 05H Tempo Sync Long
06H 06H Ambience
07H 07H Middle1
08H 08H Middle2
09H 09H Long1
0AH 0AH Long2
10H 10H Middle Pan
11H 11H Long Pan1
12H 12H Long Pan2
13H 13H Long Pan3
14H 14H Tone

14.12 Lyric Speed Setting Value Table

Transmit/Receive Value Parameter

(ddH,ddH,ddH,ddH)
(01H, 37H, 0DH, 40H) 20
(01H, 2EH, 31H, 36H) 21
(01H, 26H, 3AH, 68H) 22
(01H, 1FH, 1CH, 37H) 23
: :
(00H, 17H, 16H, 62H) 158
(00H, 17H, 04H, 0EH) 159
(00H, 16H, 71H, 58H) 160
(00H, 16H, 5FH, 3EH) 161
(00H, 16H, 4DH, 42H) 162
: :
(00H, 0EH, 44H, 0FH) 252
(00H, 0EH, 3CH, 62H) 253
(00H, 0EH, 35H, 3CH) 254
(00H, 0EH, 2EH, 1EH) 255

14.13 Gender Setting Value Table

Transmit Value Receive Value Parameter

00H 00H Male
: : :
32H 32H Female

14.14 Age Setting Value Table

Transmit Value Receive Value Parameter

00H 00H Child
: : :
32H 32H Adult

29
14.15 Vocalist Single Parameter Setting Value Table

ID(iiH) Transmit/Receive Value(vvH) Parameter

09H 00H-40H-7FH Attack Time (-64 - 0 - +63)
0AH 00H-40H-7FH Release Time (-64 - 0 - +63)
0BH 00H-7FH Modulation Range (0 - 63)
0CH 00H-40H-7FH Vibrato Depth (-64 - 0 - +63)
0DH 00H-40H-7FH Vibrato Rate (-64 - 0 - +63)
0EH 00H-40H-7FH Vibrato Delay (-64 - 0 - +63)
0FH 00H-40H-7FH Cutoff (-64 - 0 - +63)
10H 00H,7FH / 00H-3FH,40H-7FH Portamento (Off,On)
11H 00H-7FH Portamento Time (0 - 127)
12H 00H-03H-06H Octave Shift (-3 - 0 - +3)

30
Part V
MIDI Implementation Notation
15 Value Notation
15.1 Hexadecimal Notation
MIDI implementation sometimes requires that data be expressed in hexadecimal format. Hexadecimal
values are indicated by the letter “H” after the value. The hexadecimal equivalents of decimal values 10
through 15 are expressed as the letters A through F.
The table below shows the hexadecimal equivalents for decimal values 0 through 127, which are often
used in MIDI messages.

Decimal Hexadecimal Decimal Hexadecimal Decimal Hexadecimal Decimal Hexadecimal

0 00H 32 20H 64 40H 96 60H
1 01H 33 21H 65 41H 97 61H
2 02H 34 22H 66 42H 98 62H
3 03H 35 23H 67 43H 99 63H
4 04H 36 24H 68 44H 100 64H
5 05H 37 25H 69 45H 101 65H
6 06H 38 26H 70 46H 102 66H
7 07H 39 27H 71 47H 103 67H
8 08H 40 28H 72 48H 104 68H
9 09H 41 29H 73 49H 105 69H
10 0AH 42 2AH 74 4AH 106 6AH
11 0BH 43 2BH 75 4BH 107 6BH
12 0CH 44 2CH 76 4CH 108 6CH
13 0DH 45 2DH 77 4DH 109 6DH
14 0EH 46 2EH 78 4EH 110 6EH
15 0FH 47 2FH 79 4FH 111 6FH
16 10H 48 30H 80 50H 112 70H
17 11H 49 31H 81 51H 113 71H
18 12H 50 32H 82 52H 114 72H
19 13H 51 33H 83 53H 115 73H
20 14H 52 34H 84 54H 116 74H
21 15H 53 35H 85 55H 117 75H
22 16H 54 36H 86 56H 118 76H
23 17H 55 37H 87 57H 119 77H
24 18H 56 38H 88 58H 120 78H
25 19H 57 39H 89 59H 121 79H
26 1AH 58 3AH 90 5AH 122 7AH
27 1BH 59 3BH 91 5BH 123 7BH
28 1CH 60 3CH 92 5CH 124 7CH
29 1DH 61 3DH 93 5DH 125 7DH
30 1EH 62 3EH 94 5EH 126 7EH
31 1FH 63 3FH 95 5FH 127 7FH

15.2 Binary Notation

When a MIDI implementation data value is expressed in binary, the letter “B” (for “binary”) is affixed
at the end of the value. The table below shows the binary equivalents for the decimal values 0 through
127, which are often used for settings.

31
Decimal Hexadecimal Binary
0 00H 00000000B
1 01H 00000001B
2 02H 00000010B
3 03H 00000011B
4 04H 00000100B
5 05H 00000101B
6 06H 00000110B
7 07H 00000111B
8 08H 00001000B
9 09H 00001001B
10 0AH 00001010B
11 0BH 00001011B
12 0CH 00001100B
13 0DH 00001101B
14 0EH 00001110B
15 0FH 00001111B
16 10H 00010000B
: :
125 7DH 01111101B
126 7EH 01111110B
127 7FH 01111111B

32