Research Design
Research Design
General
A museum serves as a public repository of items that bear witness to the
evolution of human culture. It is responsible for gathering, cataloging,
acquiring, researching, interpreting, and presenting these objects to the
public. Various types of museums can be classified based on the origin and
character of the items in their collections:
Art gallery: A place that houses a collection of fine art, including crafts and
graphic works.
Lighting
To prevent potential harm to museum objects, it is essential to avoid direct
sunlight exposure. Consequently, exhibition spaces should incorporate
adaptable lighting setups, avoiding permanently installed fixtures and fixed
wall or ceiling lighting.
Every display room should offer the option for complete blackout. In public
spaces where there are no exhibits, such as the entrance area, cafe, or
library, it is preferable to maximize the intake of natural daylight.
To ensure the preservation of photo and film materials, it's important to keep
them in a cool and dry environment, ideally at around 5°C, as these materials
are chemically sensitive.
HISTORICAL PERSPECTIVE
The connection between a museum's functionality and its architectural design has been
evident throughout history. Initially, museums, resembling temples or palaces, served as
intermediaries between humans and the "muses," creating an environment for spiritual
inspiration. As museums evolved into educational spaces, their functions diversified, reflecting a
shift in architectural forms based on the contents and intended purposes they housed.
In contemporary museums, the architectural role remains crucial, considering the museum as
an interface connecting exhibits with visitors. Over the past three centuries, museums
transformed from show houses for aristocratic art collections into cultural and social hubs within
communities. This evolution changed people's expectations, turning museums into immersive and
interactive spaces, moving away from traditional veneration and quiet contemplation.
Modern museums are hubs of discovery, and effective design facilitates easy exploration. By
altering circulation paths and creating varied room dimensions, architecture encourages visitors
to approach exhibits from different perspectives, fostering new discussions and perspectives. The
physical attributes of gallery spaces, including lighting, colors, acoustics, and materials, contribute
to the overall experience and storytelling. Technology also plays a growing role in creating
immersive experiences seamlessly integrated into the building.
Beyond learning, contemporary museums serve as places for entertainment and socialization,
hosting events from school workshops to weddings. Architectural design must recognize the
museum's civic role, acknowledging that people are integral to its identity as much as the
collections. Architects are tasked with providing elements that enable public events, ensuring
flexibility to adapt to changing uses at the heart of the building. In essence, the architect's role is
to craft spaces that not only enhance learning but also accommodate the diverse social and
cultural activities that define the modern museum.
Since the emergence of the modern museum in the late 18th and early 19th centuries, there has
been a development of a specific architectural style tailored to the preservation, research, and
communication of collections through both permanent and temporary exhibitions. This
architectural evolution is observable in both the earliest and most contemporary museum
structures. The architectural language itself has played a crucial role in shaping the concept of a
museum. The temple-like form, featuring a cupola and columned portico, became established,
alongside the gallery model, particularly influential in fine arts museums. This influence extended
to the nomenclature of galleries in various languages, such as gallery, galerie, galleria, and Galerie
in France, Italy, Germany, and Anglo-American countries.
While the initial focus of museum building design was often centered on safeguarding
collections, the architectural form adapted as new functions in museum work emerged. Efforts
were made to address issues such as better lighting for exhibits (pioneered by Soufflot and Brébion
in 1778, and J.-B. Le Brun in 1787), improved distribution of collections throughout the museum
building (advanced by Mechel from 1778 to 1784), and enhanced structuring of exhibition spaces
(advocated by Leo von Klenze from 1816 to 1830).
In the early 20th century, there was a realization within the museum community that the size of
permanent exhibitions needed to be reduced. To achieve this, storage areas were created by either
repurposing exhibition rooms, utilizing basement space, or constructing new structures.
Simultaneously, efforts were made to create a neutral setting for exhibits, even if it meant
sacrificing historical décor. The advent of electricity greatly facilitated these improvements,
allowing for a complete overhaul of lighting systems.
Ancient Temples:
The concept of collecting and displaying cultural artifacts dates back to ancient civilizations.
Temples and sacred buildings often served as early repositories for valuable objects, offering a
space for the public to view and appreciate items of historical, religious, or artistic significance.
Classical Museums:
During the Renaissance and Enlightenment periods, the idea of the museum as a dedicated
institution for art and science gained prominence. Cabinets of curiosities and private collections
evolved into more formalized museums. Classical architecture, with its emphasis on symmetry and
proportion, influenced the design of these early museums.
Neoclassical Museums:
In the 18th and 19th centuries, neoclassicism became a dominant architectural style. Museums
such as the Louvre in Paris exemplify neoclassical principles with grand facades, columns, and
symmetrical layouts. Neoclassical architecture aimed to evoke a sense of order and intellectual
rigor, reflecting the Enlightenment ideals of reason and knowledge.
Modernist Museums:
The early 20th century saw the rise of modernism, characterized by simplicity, functionality, and a
rejection of ornamentation. Modernist architects sought innovative ways to display art, favoring
open spaces and flexible layouts. The Museum of Modern Art (MoMA) in New York, designed by
Philip L. Goodwin and Edward Durell Stone, is an iconic example of modernist museum
architecture.
Postmodernist Museums:
Postmodernism, emerging in the mid-20th century, challenged the strict principles of modernism.
Architects began to experiment with historical references, playful forms, and eclectic styles. The
Pompidou Centre in Paris, designed by Richard Rogers and Renzo Piano, is a notable postmodern
museum with its exposed structural elements and vibrant, unconventional facade.
Contemporary Museums:
In the late 20th century and into the 21st century, museum architecture became increasingly
diverse. Some architects embraced high-tech designs, incorporating advanced materials and
cutting-edge technology. The Guggenheim Museum Bilbao by Frank Gehry exemplifies this trend
with its dynamic, sculptural form and use of titanium.
Parametric and Sustainable Design:
More recently, parametric design, enabled by digital technology, has influenced museum
architecture. Parametric designs use algorithms to create complex, dynamic forms. The Heydar
Aliyev Center in Baku, designed by Zaha Hadid, is a striking example of parametric architecture.
Sustainability has also become a significant focus in contemporary museum design. The
California Academy of Sciences in San Francisco, designed by Renzo Piano, features a living roof,
natural ventilation, and other sustainable features.
The architectural evolution of museums reflects broader shifts in cultural, philosophical, and
technological paradigms. From ancient temples to neoclassical institutions, and from modernist
experiments to postmodern eclecticism, each era has left its imprint on museum design. Today,
contemporary museums explore a spectrum of styles, emphasizing sustainability, innovation, and
inclusivity in response to the evolving needs of both institutions and audiences. The rich history of
museum architecture serves as a testament to the dynamic interplay between cultural values,
artistic expression, and architectural innovation.
In the realm of museums, education takes precedence, signifying their role as public institutions
dedicated to cultural preservation. Modern societies heavily invest in museums to foster increased
public engagement. The enchantment of museums lies in their collections, which serve as conduits
for acquiring new knowledge and contemplating the world and our position in it from fresh
perspectives. Museums have the power to elicit surprise and curiosity, prompting visitors to
question their beliefs and explore new ideas.
The primary aim of museums is to heighten public awareness of their existence. Visitors are actively
involved in deepening their understanding of their surroundings, gaining insights into authentic
cultural and natural heritage, and deriving enjoyment from the experience. The overarching
purpose of museums is to collect, safeguard, interpret, and exhibit both tangible and intangible
manifestations of society and nature. These institutions perform five key functions: collecting,
organizing or classifying, displaying, instructing their audience, and conveying a sense of the
country.
The primary functions of contemporary museums involve collecting, preserving, interpreting, and
exhibiting items of artistic, cultural, or scientific importance with the aim of educating the public.
However, the purpose of museums can vary depending on one's perspective, whether as a visitor, a
community member, or a city leader. A visit to a local history museum or a major city art museum
can offer both entertainment and enlightenment for individuals. From the standpoint of city
leaders, a thriving museum community may serve as an indicator of a city's economic well-being
and contribute to the cultural refinement of its residents. For museum professionals, a museum
represents an opportunity to educate the public on specific missions, such as civil rights or
environmentalism.
Fundamentally, museums function as repositories of knowledge. While their traditional role involved
the static display and collection of artifacts, a transformative shift occurred after globalization,
turning museums into hubs for education, research, interaction, and conservation. The evolution
extended beyond the presentation of tangible objects to include the education of intangible
elements. A museum is defined as a non-profit, permanent institution in service to society,
acquiring, conserving, communicating, exhibiting, and researching tangible and intangible evidence
related to humanity and its environment.
Museums serve as invitations for people to come and expand their knowledge, conducting research
on diverse ideologies that span the past, present, and future. They act as dynamic centers of global
interaction, fostering creativity and continual knowledge acquisition. The multifaceted functions of
museums encompass education, research, interaction, conservation, and the study of both tangible
and intangible elements, positioning them as vital contributors to societal development.
Exhibition:
Exhibitions constitute an integral aspect of the museum's operations. The museum's role includes
organizing both temporary and permanent exhibitions. Exhibitions serve as dynamic platforms for
engaging with diverse audiences. They become avenues through which cultural narratives,
community histories, societal aspects, and artistic expressions are communicated to the public.
Museums play a crucial role in conveying information about culture, communities, societies, and art
through the impactful medium of exhibitions.
Given the diversity in size and purpose among museums, it becomes imperative to carefully define
specific features, amenities, design elements, and contextual considerations during the
conceptualization phase. Exploring topics such as museum architecture theses and case studies can
offer insights into the intricate nature of museum design. Larger museums, given their scale and
scope, necessitate a substantial workforce responsible for curating, managing, and preserving
exhibits, in addition to administrative and maintenance staff. Conversely, smaller museums can
operate efficiently with a limited number of employees overseeing daily operations.
In the realm of museum architecture, the initial impression holds significant weight. Consequently, it
is advisable to give priority to the entrance hall, incorporating directional signage and informational
aids guiding visitors to the exhibits. A clear understanding of the museum's primary purpose and the
layout of its collection informs decisions about spatial circulation and how visitors will engage with
or observe the displays.
Moreover, many museum architecture concepts integrate various types of spaces, encompassing
public display areas, storage for items not currently on exhibit, conservation zones, data collection
spaces, loading/unloading areas, packing/unpacking zones, workshops, staff facilities,
lobbies/reception areas, sales/shops, cafes, public restroom facilities, event spaces, and teaching
rooms.
Recognizing the interrelation among these spaces is paramount due to the inherent significance and
value of the collection. A museum architecture firm must evaluate how each function can
complement others and consider the flow for both the public and staff as they navigate between
these diverse areas.
3. INTERACTIVE DISPLAY: Identifying how the public will interact with the collection is crucial.
Technological advancements can enhance learning and ambiance, from video screens providing
historical context to the use of various mediums such as video and sound, theater, tactile objects,
interactive computers, animatronics, reconstruction, non-touch interactives, laser projection,
augmented and virtual reality. Balancing engagement without physical contact requires
technological innovation and creative spacing around displays.
4. LIGHTING: Illuminating a museum is a complex task due to factors like preserving sensitive items
or paintings. While artificial lighting is often preferred, it plays a vital role in highlighting displays
and setting the mood for guests. Changes in illumination can spark interest, but adjustments should
be gradual to avoid discomfort.
5. SUSTAINABILITY: Despite preservation efforts often neglecting energy efficiency, new design
concepts are emerging to prioritize sustainability. Strategies include reducing energy consumption,
employing environmental management systems, promoting cultural production, raising public
awareness of ecological responsibility, and advocating for the reuse and recycling of materials.
Placement of displays away from direct sunlight and the incorporation of a roof garden can
contribute to thermal insulation and reduced energy consumption.
6. SECURITY: Security is paramount in museums, given the high value of the collection. Design
considerations must prioritize the safety of guests, staff, and the exhibits. Strategies include
limiting entry and exit points, closely monitoring foot traffic, deploying sufficient security
personnel, heightening security measures at night, and implementing checkpoint and bag
inspection units to protect against theft, vandalism, or accidental damage.
Museums are integral to communities due to their role in preserving knowledge. While designing a
museum is a complex task, it is essential for safeguarding our collective history and incorporating
new technologies and sustainable practices.
EXAMPLES OF MUSEUMS THAT EFFECTIVELY BALANCE MULTIPLE FUNCTIONS
British Museum in London and the National Museum of American History in Washington, D.C.
Two American museums, both crafted by the globally renowned architect Daniel Libeskind, have
provoked diverse reactions from both visitors and critics. The Denver Art Museum and San
Francisco's Contemporary Jewish Museum are emblematic of a larger trend in ambitious museum
architecture projects, with the American Association of Museums noting a fivefold increase in
spending on museum construction over the past 15 years.
Although both museums designed by Libeskind are recognized as architectural marvels, the
question arises: in structures meant to showcase art, can the form hinder the function? The recent
addition to the Denver Art Museum stands out distinctly amidst the more conventional, box-shaped
buildings in its vicinity. Characterized by gray titanium walls intersecting at unconventional angles,
it reflects the sunlight of the Colorado sky, resembling a fragment of a distant mountain that has
landed in downtown Denver.
DESIGN PRINCIPLES
1. Equitable Use:
Design should cater to the needs of all individuals, ensuring inclusivity without architectural
barriers. The goal is to have a common entry and main vertical communication accessible to
everyone, promoting the idea of "Design for All" or, more specifically, "Culture for All."
2. Flexibility in Use:
The design should be adaptable, allowing visitors to choose various routes, orders, and timing
within the space. Flexibility extends to exhibits and exhibition spaces, accommodating different
learning styles and interests.
4. Perceptible Information:
Effective communication involves incorporating different modes and providing information in a
multisensory manner. Visual, acoustic, and haptic types of information, including interactive
exhibits, are essential. The environment should be designed to be risk-free, minimizing hazards and
errors.
Lighting plays a crucial role in fostering interaction between individuals and museum artifacts
within a defined space. The museum's objective is to provide an interactive experience for guests
while preserving the condition of artifacts. Lighting, a pivotal element in museum environments,
allows visitors to see objects, encounter new visual experiences, and engage with their
surroundings. The challenge lies in striking a balance between meeting preservation requirements
and creating interactive experiences that align with the museum's goal—a space for discovery,
exploration, and learning. Claude Monet emphasized the significance of light, stating, "Light is the
only way for form to exist, and our experience of the world around us is completely reliant on it."
This study aims to assess the advantages and disadvantages of natural lighting (daylight openings)
solutions, evaluating their effectiveness in enhancing the museum space experience for both users
and artworks. The research begins with a literature review exploring how museum daylighting
design influences their connection to the outdoors, covering topics such as daylight openings in
museum galleries over time, the benefits and considerations of introducing daylight, and various
types of daylight openings and their connection to the outdoors. In contrast, the state of Rivers
faces a challenge due to the lack of a sufficient museum, impacting the storage of numerous
historical and cultural artworks crucial to the state's tourism.
DESIGN PRINCIPLES
According to a museum architect (De Chiara, 2007), harnessing natural light is an effective way
to enhance the architecture of any building. In areas of interaction, considerations such as
reflection, glare, acclimatization, and space demarcation are crucial. The advantages of using
daylight in museum galleries include:
2. Emotional Impact:
Daylight, with its continual fluctuations, contributes to a dynamic interior, offering references to
weather, time, and season through lighting shifts. It alleviates museum fatigue, encourages longer
visits, and positively affects human well-being and mood. Its abundance and spectrum make it
superior for enhancing visual performance and influencing perceptions and behaviors.
3. Identity:
Daylight openings and management systems add uniqueness to museum galleries, providing an
integrated experience that connects visual impressions with the surrounding urban environment.
Museum architecture aims to tell a story through form and aesthetics, complementing art rather
than overshadowing it.
4. Sustainability:
As one of the most abundant renewable energy sources, natural light plays a crucial role in the
long-term sustainability of built environments. By reducing reliance on electrical lighting, which can
account for a significant portion of a building's energy consumption, the strategic use of daylight
enhances energy efficiency in museums. Early consideration of the kind, size, and direction of
daylight openings in the architectural design process is vital for achieving sustainable outcomes.
The choice of materials and glazing for openings also influences energy efficiency by impacting
interior air temperature.
1. Equal Access: Accessibility features, such as ramps and elevators, provide visitors with mobility
challenges the ability to navigate the museum independently. This promotes inclusivity and allows
everyone to enjoy the exhibits, regardless of their physical limitations.
2. Compliance with Legal Requirements: In many countries, there are legal requirements and
regulations, such as the Americans with Disabilities Act (ADA) in the United States, that mandate
accessible design in public spaces, including museums. Failure to comply with these regulations can
lead to legal consequences.
3. Diversity of Visitors: Museums attract a diverse audience, including families, school groups,
tourists, and individuals with disabilities. Implementing accessibility features acknowledges the
diverse needs of these visitors and enhances the museum's reputation as an institution that values
inclusivity.
4. Positive Visitor Experience: Museums aim to provide a positive and enriching experience for all
visitors. Accessibility features ensure that no one is left out, contributing to a positive experience
and the likelihood of return visits.
Now, let's use the Smithsonian's National Museum of African American History and Culture
(NMAAHC) as an example of a highly accessible and inclusive museum:
The NMAAHC is a notable example of a museum that places a strong emphasis on accessibility and
inclusivity in its design:
1. Universal Design: The museum was designed with universal design principles, ensuring that
accessibility features are seamlessly integrated into the architectural layout. This includes wide
doorways, ramps, and elevators strategically placed throughout the building to accommodate
visitors with mobility challenges.
2. Inclusive Exhibits: The exhibits are designed with diverse audiences in mind. The NMAAHC offers
tactile elements, braille signage, and multimedia displays with closed captions and audio
descriptions to cater to individuals with visual or hearing impairments.
3. Visitor Services: The museum offers services such as wheelchairs, assistive listening devices, and
sign language interpreters for guided tours, making it as accessible as possible to visitors with
disabilities.
4. Educational Initiatives: The NMAAHC conducts outreach programs, workshops, and educational
materials that aim to engage and educate visitors with disabilities, promoting a deeper
understanding of African-American history and culture.
In summary, ramps, elevators, and other accessibility features are essential in museum design to
create an inclusive and welcoming environment. The NMAAHC serves as an exemplary case study,
demonstrating how a commitment to accessibility and inclusivity can enhance the visitor
experience and ensure that the museum is accessible to a diverse range of individuals, regardless of
their physical abilities.
CHALLENGES AND SOLUTIONS
Addressing challenges like limited space, historical preservation, and budget constraints in
museum architecture requires creative solutions and thoughtful planning. Here are some strategies
and real-world examples of museums that have successfully tackled these challenges:
1. Limited Space:
- Solution: Efficient Space Utilization and Vertical Expansion
- Example: The Museum of Modern Art (MoMA) in New York City
- MoMA faced space constraints in its midtown Manhattan location. To overcome this, they
initiated a renovation project that reconfigured and optimized existing space, making better use of
vertical expansion. The museum added gallery space and improved circulation without altering the
building's footprint significantly.
2. Historical Preservation:
- Solution: Adaptive Reuse and Sensitive Restoration
- Example: The Musée d'Orsay in Paris
- Housed in a Beaux-Arts railway station, the Musée d'Orsay preserved the historic façade and
interiors while converting the station into a world-class museum for Impressionist and Post-
Impressionist art. The adaptive reuse approach retained the building's character while repurposing
it for a new function.
3. Budget Constraints:
- Solution: Public-Private Partnerships and Fundraising
- Example: The National September 11 Memorial & Museum in New York City
- The 9/11 Memorial & Museum had significant financial constraints. To fund this project, they
utilized a combination of public funds, private donations, and corporate sponsorships. This multi-
pronged financial approach enabled the construction of a lasting memorial and museum while
managing budget constraints.
5. Environmental Concerns:
- Solution: Sustainable Design and Green Building Practices
- Example: The California Academy of Sciences in San Francisco
- The California Academy of Sciences is built with a living roof covered in native vegetation,
contributing to insulation and reducing energy use. Sustainable features like solar panels, efficient
HVAC systems, and rainwater harvesting help the museum reduce its environmental impact while
providing a unique exhibit space.
In summary, the Guggenheim Museum in New York, with its spiral design by Frank Lloyd Wright,
challenges traditional museum architecture by offering a dynamic, non-linear space for the display
of art. On the other hand, the Porsche Museum in Stuttgart combines contemporary design with
sustainable features to reflect the brand's commitment to innovation and environmental
responsibility. These museums demonstrate how architectural design can be a significant factor in
enhancing the overall visitor experience and conveying the mission and values of the institutions
they house.