1.It is objectively done after reviewing a 1.

It is objectively done after reviewing a

masterpiece to emphasize both the salient masterpiece to emphasize both the salient
features and inadequacies of the material. features and inadequacies of the material.
A. Concept Paper A. Concept Paper
B. Reflection Paper B. Reflection Paper
C. Critique Paper C. Critique Paper
QUIZ 4
I. Multiple Choice QUIZ 4
1.It is objectively done after reviewing a masterpiece to emphasize I. Multiple Choice
both the salient features and inadequacies of the material. 1.It is objectively done after reviewing a masterpiece to emphasize
A. Concept Paper B. Reflection Paper both the salient features and inadequacies of the material.
C. Critique Paper D. Outlining A. Concept Paper B. Reflection Paper
2. Feminist Criticism includes all these except for _____________. C. Critique Paper D. Outlining
A. how to make feminist readings visible to readers 2. Feminist Criticism includes all these except for _____________.
B. how to make feminist readings visible to readers A. how to make feminist readings visible to readers
C. how women read about themselves B. how to make feminist readings visible to readers
D. how women do not like male writers C. how women read about themselves
3. Formalist Criticism studies all of the following elements except for D. how women do not like male writers
__________. 3. Formalist Criticism studies all of the following elements except for
A. reader's emotions B. point of view __________.
C. character development D. character's motivations A. reader's emotions B. point of view
4. This seeks to understand a literary work by investigating the social, C. character development D. character's motivations
cultural, and intellectual context that produced it-a context that 4. This seeks to understand a literary work by investigating the social,
necessarily includes the artist's biography and milieu cultural, and intellectual context that produced it-a context that
A. Reader-Response Criticism necessarily includes the artist's biography and milieu
B. Psychological/Psychoanalytic A. Reader-Response Criticism
C. Sociological Criticism B. Psychological/Psychoanalytic
D. Biographical Criticism C. Sociological Criticism
5. This approach takes as a fundamental tenet that "literature" exists D. Biographical Criticism
not as an artifact upon a printed page but as a transaction between the 5. This approach takes as a fundamental tenet that "literature" exists
physical text and the mind of a reader not as an artifact upon a printed page but as a transaction between the
A. Reader-Response Criticism physical text and the mind of a reader
B. Formalist Criticism A. Reader-Response Criticism
C. Psychological/Psychoanalytic B. Formalist Criticism
D. Biographical Criticism C. Psychological/Psychoanalytic
6. Focuses on the economic and political elements of art, often D. Biographical Criticism
emphasizing the ideological content of literature 6. Focuses on the economic and political elements of art, often
A. Sociological Criticism B. Feminist/Gender Criticism emphasizing the ideological content of literature
C. Marxist Criticism D. Historical Criticism A. Sociological Criticism B. Feminist/Gender Criticism
7. Olan uses symbolism and imagery in his written composition. What C. Marxist Criticism D. Historical Criticism
critical approach in writing a critique do this belong. 7. Olan uses symbolism and imagery in his written composition. What
A. Feminist criticism B. Formalism critical approach in writing a critique do this belong.
C. Marxist criticism D. Reader response A. Feminist criticism B. Formalism
8. Pattie wants to justify how women are socially and politically C. Marxist criticism D. Reader response
discriminated. What critical approach in writing a critique do this 8. Pattie wants to justify how women are socially and politically
belong. discriminated. What critical approach in writing a critique do this
A. Feminist criticism B. Formalism belong.
C. Marxist criticism D. Reader response A. Feminist criticism B. Formalism
9. Argues that every literary work is a product of its time and its C. Marxist criticism D. Reader response
world. 9. Argues that every literary work is a product of its time and its
A. Biograpical criticism B. Historical criticism world.
C. Marxist criticism D. Formalist criticism A. Biograpical criticism B. Historical criticism
10. This approach views a text as a revelation of its author’s mind and C. Marxist criticism D. Formalist criticism
personality. 10. This approach views a text as a revelation of its author’s mind and
A. Reader-Response Criticism personality.
B. Psychological/Psychoanalytic A. Reader-Response Criticism
C. Sociological Criticism B. Psychological/Psychoanalytic
D. Biographical Criticism C. Sociological Criticism
D. Biographical Criticism
II. True or False
11. A critic is the same thing as a critique. II. True or False
12. Critiquing allows a person to see the weakness for improvement. 11. A critic is the same thing as a critique.
13. There are a variety of ways on how to write a critique. 12. Critiquing allows a person to see the weakness for improvement.
14. Critique papers can be used solely for arts purposes. 13. There are a variety of ways on how to write a critique.
15. Research is needed when writing a critic. 14. Critique papers can be used solely for arts purposes.
16. Arguments supporting the main point and its evidences are 15. Research is needed when writing a critic.
relevant in a 16. Arguments supporting the main point and its evidences are
critique. relevant in a
17. Author’s background is insignificant to his/her work. critique.
18. Recommendation should be written at the end of the critique. 17. Author’s background is insignificant to his/her work.
19. A critique benefits the readers/viewers not the author/creator. 18. Recommendation should be written at the end of the critique.
19. A critique benefits the readers/viewers not the author/creator.
III. Enumeration
20-22. Steps to write a critique III. Enumeration
23-25. Parts of a critique 20-22. Steps to write a critique
23-25. Parts of a critique